12
MOMENTS IN FILM Flying Solo for SATB choir and piano Flying Solo Timothy C. Takach $3.00 SATB, piano Timothy C. Takach

Timothy C. Takach - Graphite Publishing · Star Wars poem.” We wanted to write about a moment in “Star Wars: The Force Awakens” where (SPOLIER ALERT) Chewbacca witnesses his

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MOMENTS IN FILM Flying Solo

for SATB choir and piano

Flying Solo Timothy C. Takach $3.00 SATB, piano

Timothy C. Takach

This piece was funded through the website Consortio.io Consortium Members: Baker University, Dr. Ryan Olsen, conductor; Baldwin City, KSBranham High School, Barbara West, conductor; San Jose, CAC. M. Russell High Chanteur Choir, Lynn Ryan, conductor; Great Falls, MTChanhassen High School Concert Choir, Sarah Gilbertson, conductor; Chanhassen, MNCharlotte High School Chorale, Andy Schroetter, conductor; Charlotte, MICherry Creek High School Meistersingers, Sarah Harrison, conductor; Greenwood Village, COConcordia International School Shanghai Chamber Singers, Meg Ideker, conductor; Shanghai, ChinaEast Gaston High School Concert Choir, Peter Haley, conductor, Mt. Holly, NC Estes Park High School Concert Choir, Alan Denney, conductor; Estes Park, COFlower Mound High School, Dr. Mark Rohwer, conductor; Flower Mound, TXGonzaga University Concert Choir, Dr. Timothy Westerhaus, conductor; Spokane, WAGreat Falls High, Patrick Ryan, conductor; Great Falls, MTGreater South Jersey Chorus, Dr. Christopher Thomas, conductor; Cherry Hill, NJ Illinois College, Dr. Abby Musgrove, conductor; Jacksonville, ILIndianola High School Choir, Myles Finn, conductor; Indianola, IAInterlochen Arts Academy Choir, John Bragle, conductor; Interlochen, MIIowa City West High School Singers, David Haas, conductor; Iowa City, IAIrvine High School, Tina Peterson, conductor; Irvine, CAKansas City Kansas Community College, John Stafford, conductor; Kansas City, KSLakeside School Concert Choir, Shekela Wanyama, conductor; Seattle, WA Laramie High School Plainsmen Singers, Donna Solverud, conductor; Laramie, WYMason City High School, Joel Everist, conductor; Mason City, IAMuleshoe High School, Christy Barber, conductor; Muleshoe, TXNew Richmond High School, New Richmond, WINorth Idaho College Cardinal Chorale, Max Mendez, conductor; Coeur d’Alene, IDNorth Lamar HS Varsity Mixed, Rebecca Hildreth, director; Paris, TXNortheastern Illinois University Choirs, Dr. Christopher Owen, conductor; Chicago, ILNorthern Illinois University, Dr. Eric A. Johnson, conductor; DeKalb, ILOriana Consort, Walter Chapin, conductor; Cambridge, MAOsseo Senior High Chamber Singers, Margaret Sabin, conductor; Osseo, MN Pella Christian High School Concert Choir, Timothy Van Voorst, conductor, Pella, IAPenn State Behrend Concert Choir, Dr. Gabrielle Dietrich, conductor; Erie, PASauk Rapids-Rice High School Concert Choir, Steven D. Mick, conductor; Sauk Rapids, MNShattuck-St. Mary’s Chamber Choir, Peter Schleif and James Yao, conductors; Faribault, MNSouth Metro Chorale, Mark Bilyeu, conductor; Minneapolis/St. Paul, MNSouthern Berkshire Regional School District, Chris Clark, conductor; Sheffield, MAThe St. Michael - Albertville Concert Choir, Brandon Berger and Joseph Osowski, directors; St. Michael, MN Sunnyvale High School Choir, Megan Senter, conductor; Sunnyvale, TXVJ and Angela Skutt Catholic High School Concert Choirs, Chris Storm, conductor; Omaha, NEWaconia High School Select Chamber Choir, Aaron Olson, conductor; Waconia, MNWalter Johnson High School Madrigals, Kelly Butler, conductor; Bethesda, MDWashington Community High School, Lara Reem, conductor; Washington, ILWaunakee High School Concert Choir, Molly Petroff, conductor; Waunakee, WIWright County Chamber Chorus, Michael Walsh, conductor; Buffalo, MN

Text: You are gone,And I fall silent.

You staked your lifeTo save my own. You spoke for meAnd called me friend,And you are silent now.

Together we were legend—The Falcon, you, and I—No bounty hunter stopped us;No pirate lord could bring us in.We smuggled, we fought, eluded, tricked;We owned the Kessel Run. Heroes of the Rebellion.

We have seen the darkness rise, and fall,And rise again. The struggle continues,And I take my familiar seat,But I cannot fly solo.

But now there is another,And the Falcon flies again. You trusted her. I trust her too. But I will not forget. - Charles Anthony Silvestri - Commissioned for this piece. Used with permission.

From the Composer: As I’ve become more in touch with what drives my creative energy, I’ve tried to find ways to combine my passions togther. When I was a kid, this meant putting every topping imaginable on my ice cream. More recently it means making choral music out of new poetry inspired by film. I had the idea to take a longer look at some of the themes from scenes or moments on film and explore them in a different artistic medium. In this way, we as musicians can explore passion, fear, grief, strength and other emotions with an additional access point other than words and music.

I called Tony up and asked him if he’d be interested in this project. We talked about a few films, and then when I told him my idea for this piece, he paused and said, “I’ve been waiting my whole life to write a Star Wars poem.” We wanted to write about a moment in “Star Wars: The Force Awakens” where (SPOLIER ALERT) Chewbacca witnesses his lifelong friend Han Solo get killed. We see a moment of grief on screen, but for those of us who have been through any kind of grief, we know it lasts a whole lot longer than that. Tony and I wanted to explore that grief from a best friend’s perspective. The poem itself is very specific (and delightfully so for a geek like me), but I think Tony has captured the emotion perfectly: Starting with despair and ending with hope.

In the original poem, Tony had written a wordless wailing in between a few of the stanzas. It was obviously a wookie sound - “rruoww” - and since that’s a hard word for humans to pronounce, we will sing it on an “ah” vowel. But notice that there is a16th note tremolo in it, meant to approximate that slow, gutteral wookie vibrato.

- Timothy C. Takach, 2018

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44

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Soprano

Alto

Tenor

Bass

Piano

∑∑∑∑

Ó Œ œœœœœœ

Lamenting q = 60

f

∑U

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∑U

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...˙˙U œœœ...˙ œœœ

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Ójœœœ œœœ

jœœœJœ œ Jœ

wwwwwwP

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œœœ œœœ ...˙˙˙œ œ .˙

...˙˙ œœœ...˙ œœœf

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∑...˙ œœœ...˙ œœœ

∑∑∑∑

œœœ œ...˙˙ œ˙ ˙

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7

œ œ œ œ œ œ œYou are gone, And I fall

œ œ œ œ œ œ œYou are gone, And I fall

œ œ œ œ œ œ œYou are gone, And I fall

œ œ œ œ œ œ œYou are gone, And I fall

wwwwp

p

p

p

p

œ- œ Œ Œ œsi lent. Ah...

œ- œ Œ Œ œsi lent. Ah...

œ- œ Œ Œ œsi lent. Ah...

œ- œ Œ Œ œsi lent. Ah...

wwwwww

F

F

FF

.œ jœ œ œ œ œ

œ œ œ œ œ .œ œ œ.˙ œ

˙ ˙

Jœœœ œœœ J

œœœ œœœ œœœ œœœ

œ œ œ œ œ œF

.˙ Œ

.˙ Œ

.˙ Œ

.˙ Œwww

œœœœ œ ˙ œœœ

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Flying SoloTimothy C. TakachCharles Anthony Silvestri for SATB and piano

©2018 All Rights Reserved. Text used with permission. For more information and to order scores please visit TimothyCTakach.com

For perusal purposes only.

Do not use, copy, or distribute.

For perusal purposes only.

Do not use, copy, or distribute.

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11 œ œ œ ˙You staked your life

œ œ œ ˙You staked your life

œ œ œ ˙You staked your life

œ œ œ ˙You staked your life

Ójœœœ œœœ

jœœœJœ œ Jœwwwwww

P

P

P

P

œ œ œ œ œ ŒTo save my own. 

œ œ œ œ œ ŒTo save my own. 

œ œ œ œ œ ŒTo save my own. 

œ œ œ œ œ ŒTo save my own. 

œœœ œœœ ...˙˙˙œ œ .˙...˙˙ œœœ...˙ œœœ

œ œ œ ˙You spoke for me

œ œ œ ˙You spoke for me

œ œ œ ˙You spoke for me

œ œ œ ˙You spoke for me

Ójœœœ œœœ

jœœœJœ œ Jœwwwwww

&

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14

œ œ œ œ ˙And called me friend,

œ œ œ œ ˙And called me friend,

œ œ œ œ ˙And called me friend,

œ œ œ œ ˙And called me friend,

œœœ..˙

wwwwwww

p

Œ œ œ œAnd you are

Œ œ œ œAnd you are

Œ œ œ œAnd you are

Œ œ œ œAnd you are

˙ ˙

˙ ˙

p

p

p

p

œ œ Ósi lent

œ œ Ósi lent

œ œ Ósi lent

œ œ Ósi lent

˙ ˙

˙ ˙

˙U Œ œnow.  Ah...

˙U Œ œ

now.  Ah...U Œ œnow.  Ah...U Œ œnow.  Ah...

∑U

∑U

F

F

F

F

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2

Flying Solo / Timothy C. Takach

For perusal purposes only.

Do not use, copy, or distribute.

For perusal purposes only.

Do not use, copy, or distribute.

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18 .œ jœ œ œ œ œ

œ œ œ œ œ .œ œ œ.˙ œ

˙ ˙

Jœœœ œœœ J

œœœ œœœ œœœ œœœ

œ œ œ œ œ œF

.˙ Œ

.˙ Œ

.˙ Œ

.˙ Œ

...˙Œ

Ó . œœœœ œ ˙ œœœ

P

P

P

P

P

Ó Œ ‰ jœTo

Ó Œ ‰ jœTo

Ó Œ ‰ jœTo

Ó Œ ‰ jœTo

Œ œ ˙˙˙˙˙

˙˙

With Motion q = 66 F

F

F

F

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21

œ œ œ œ œ œ ‰ œgeth er we were leg end— The

œ œ œ œ œ œ ‰ œgeth er we were leg end— The

œ œ œ œ œ œ ‰ œgeth er we were leg end— The

œ œ œ œ œ œ ‰ œgeth er we were leg end— The

Jœœ œœ Jœœ œœ œœ œœ

œ œ œ Jœ .œF

œ œ œ œ œ ‰ jœFal con, you, and I— No

œ œ œ œ œ ‰ jœFal con, you, and I— No

œ œ œ œ œ ‰ jœFal con, you, and I— No

œ œ œ œ œ ‰ jœFal con, you, and I— No

Jœœ œœ Jœœ ˙

œ œ œ œ œ œ

œ œ œ œ œ œ ‰ œboun ty hunt er stopped us; No

œ œ œ œ œ œ ‰ œboun ty hunt er stopped us; No

œ œ œ œ œ œ ‰ œboun ty hunt er stopped us; No

œ œ œ œ œ œ ‰ œboun ty hunt er stopped us; No

Jœœ œœ Jœœ œœ œœ œœ

œ œ œ Jœ .œ

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3

Flying Solo / Timothy C. Takach

For perusal purposes only.

Do not use, copy, or distribute.

For perusal purposes only.

Do not use, copy, or distribute.

&

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42

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24

œ œ œ œ œ œ œpi rate lord could bring us

œ œ œ œ œ œ œpi rate lord could bring us

œ œ œ œ œ œ œpi rate lord could bring us

œ œ œ œ œ œ œpi rate lord could bring us

œœ œœ œœ œœ œœ œœ

œ œ œ œ œ œ

œ ‰ Jœin. We

œ ‰ jœin. We

œ ‰ Jœin. We

œ ‰ Jœin. We

œœ œ œœ˙

f

f

ff

Jœ œ jœ œ ‰ jœsmug gled, we fought, e

jœ œ jœ œ ‰ jœsmug gled, we fought, ejœ œ jœ œ ‰ jœsmug gled, we fought, e

Jœ œ Jœ œ ‰ jœsmug gled, we fought, e

œœœ œ œ œ œ œ œ œ

œ œ œ œ œ œf

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27 jœ .œ œ Œlud ed, tricked;

jœ .œ œ Œlud ed, tricked;jœ .œ œ Œlud ed, tricked;jœ .œ œ Œlud ed, tricked;

œ œ œ œ œ œ œ œ œÓ œ œ œ

œ œ œ Ó

P

P

P

P

‰ œ œ œ œ œ œWe owned the Kes sel Run. 

‰ œ œ œ œ œ œWe owned the Kes sel Run. 

‰ œ œ œ œ œ œWe owned the Kes sel Run. 

∑....˙ œœœ...˙ œœ

∑p

˙ Ó

˙ Ó

˙ Ó

∑jœœœ œœœ

jœœœ œœœ œœœ œœœ‰ œ Jœ œ œ œww

P

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4

Flying Solo / Timothy C. Takach

For perusal purposes only.

Do not use, copy, or distribute.

For perusal purposes only.

Do not use, copy, or distribute.

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30

œ œ œ œ œ œ œRe bels, he roes, broth ers, fools.

œ œ œ œ œ œ œRe bels, he roes, broth ers, fools.

œ œ œ œ œ œ œRe bels, he roes, broth ers, fools.

œ œ œ œ œ œ œRe bels, he roes, broth ers, fools.....˙ œ...˙ œœ

meno mosso

w

w

w

wjœœœ œœœ

jœœœ œœœ œœœ œœœJœ œ Jœ œ œ œ

F

F

F

F

a tempo

Ó Œ œ œWe have

Ó Œ œ œWe have

Ó Œ œ œWe have

Ó Œ œ œWe have

œœœœ œœœ ˙œ œœ ˙œœÓ œœœ

F

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33 œ œ œ œ œ œ œseen the dark ness rise, and fall,

œ œ œ œ œ œ œseen the dark ness rise, and fall,

œ œ œ œ œ œ œseen the dark ness rise, and fall,

œ œ œ œ œ œ œseen the dark ness rise, and fall,

Ó ˙˙˙˙˙ ˙

* This looks like a breath - it's not. Just a lift, with no breath.There should be sound on the downbeat.

œ,

œ œ œ ˙And rise a gain. 

œ,

œ œ œ ˙And rise a gain. 

œ ,œ œ œ ˙

And rise a gain. 

œ , œ œ œ ˙And rise a gain. 

˙˙˙ ˙

˙ ˙

*

*

*

*

Œ œ œ œThe strug gle

Œ œ œ œThe strug gle

Œ œ œ œThe strug gle

Œ œ œ œThe strug glejœœœ œœœ J

œœœ œœœ œœœ œœœ

Jœœœ œœœ J

œœœ œœœ œœ œœœ

P

P

P

P

cresc. poco a pocosubito p

Œ œb œ œcon tin ues,

Œ œ œ œbcon tin ues,

Œ œb œb œcon tin ues,

Œ œb œ œbcon tin ues,

Jœœœbbb œœœ J

œœœ œœœ œœœbb

Jœœœbb œœœb J

œœœb ˙

F

F

F

F

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5

Flying Solo / Timothy C. Takach

For perusal purposes only.

Do not use, copy, or distribute.

For perusal purposes only.

Do not use, copy, or distribute.

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37 Œ œ œ œ œbAnd I take my

Œ œb œ œ œAnd I take my

Œ œ œ œ œAnd I take my

Œ œ œ œ œAnd I take my

jœœœbb œœœ Jœœœ œœœ

œœ œœjœ œ jœ œb œww

( F )

œ œ œ œ ˙bfa mil iar seat,

œ œb œ œ ˙fa mil iar seat,

œ œ œ œb ˙fa mil iar seat,

œ œb œ œ ˙fa mil iar seat,

Jœœœb œœœ J

œœ œœœb œœœ

Jœœœ œœœ J

œœœ ˙bb

f

f

f

f

Œ ˙b œœBut I

Œ ˙b œBut I

Œ ˙ œbBut I

Œ ˙b œBut I

Jœœœb œœœ J

œœœ ˙bb

Jœœœbb œœœ Jœœœ ˙b( f )

œœ œœb ˙can not fly

œ œ ˙can not fly

œ œb ˙can not flyœ œ ˙can not fly

Jœœœ œœœbb J

œœœ ˙

Jœœœ œœ Jœœ ˙&

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41 ˙b ˙bso lo. 

˙b ˙bso lo. 

˙b ˙so lo. 

˙b ˙bso lo. 

œœœbb ˙b œœœb

œœœbbb ˙bb œœœ

ƒ

ƒ

ƒ

ƒ

ƒ

..˙ Œ

.˙ Œ

.˙ Œ

.˙ Œ

...˙bbb œœœ

...˙b œœœb

˙b œ œI can not

˙ œ œI can not

˙b œ œI can not˙ œ œbI can not

wwwb

wwwf

f

f

f

f

wfly

wfly

wfly

wflyjœœœ œœœ

jœœœ ˙œ œ œjœœ œœ

jœœ œ œ œ˙ ?P π

œ- .˙so lo.

œ- .˙so lo.

œ- .˙so lo.

œ- .˙bso lo.

Ó . œœœÓ . œœ

p

p

p

p

p

U Œ œAh...

U Œ œAh...U Œ œAh...

U Œ œbAh...

˙˙˙U Ó˙bU Ó

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6

Flying Solo / Timothy C. Takach

For perusal purposes only.

Do not use, copy, or distribute.

For perusal purposes only.

Do not use, copy, or distribute.

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.˙ œb

.œ jœ œb œ œ œœ œ œ œ œ .œ œ œ

˙ ˙

Jœœœ œœœb J

œœœ œœœ œœœ œœœ

œ œ œ œ œ œ

.˙ Œ

.˙ Œ

.˙ Œ

.˙ Œ

...˙ œœœœ œ ˙b œœœ

F

...˙˙ œœœ...˙ œœœœ

ww˙˙ ˙

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51 Ó . œBut

Ó . œBut

Ó . œBut

Ó . œBut

˙˙˙ ˙..˙www ˙

F

F

F

F

F

œ œ œ œ œ .œ œ œnow there is an oth er, And the

œ œ œ œ œ .œ# œ œnow there is an oth er, And the

œ# œ œ œ œ .œ œ œnow there is an oth er, And the

œ œ œ œ œ .œ œ œnow there is an oth er, And the

∑...˙˙˙# œœœ...˙ œœœ

œn œ .œ jœ œ œ ŒFal con flies a gain. 

œ œ .œ jœ œ# œ ŒFal con flies a gain. 

œ# œ .œ jœ œ œ ŒFal con flies a gain. 

œ œ .œ jœn œ œ ŒFal con flies a gain. 

∑ ˙˙˙˙# ˙n œœ œœ˙n ˙ œœœ œœœ

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7

Flying Solo / Timothy C. Takach

For perusal purposes only.

Do not use, copy, or distribute.

For perusal purposes only.

Do not use, copy, or distribute.

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54 Œ œN œ œ œYou trust ed her. 

Œ œ œ œ œNYou trust ed her. 

Œ œN œ œ œYou trust ed her. 

Œ œA œ œ œYou trust ed her. 

∑...˙˙˙A œœœ..˙AA œœ

P

P

P

P

Œ œ œ œ œI trust her too. 

Œ œ œ œ œI trust her too. 

Œ œ œ œ œI trust her too. 

Œ œ œ œ œI trust her too. 

∑...˙˙ œœœ...˙ œœœ

‰ œ œ œ œ œBut I will not for

‰ œ œ œ# œ œBut I will not for

‰ œ œn œ œ œBut I will not for

‰ œ œ œ œ œBut I will not for

∑...˙˙˙# œœœ...˙ œœœ

f

f

f

f

f

w#get. 

wnget. 

wget. 

wget. 

∑...˙˙˙# œœœ...˙n œœœ

P

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58 ‰ œ œ œ œ œ#But I will not for

‰ œ œ œ# œ œBut I will not for

‰ œ œn œ œ œBut I will not for

‰ œ œ œ œ œBut I will not for

Ójœœœ# œœœ

jœœœJœn œ Jœwww# www

P

P

P

P

p

˙ Œ œget.  Ah...

˙n Œ œget.  Ah...

˙ Œ œget.  Ah...

˙ Œ œget.  Ah...

œœœ œœœ# ...˙˙˙œn œ .˙...˙˙˙ œœœ#...˙ œœœ

rit. p

p

p

p

.œ jœ# œ œ œ œ

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8

Flying Solo / Timothy C. Takach

For perusal purposes only.

Do not use, copy, or distribute.

For perusal purposes only.

Do not use, copy, or distribute.

Selected vocal works by Timothy C. Takach:

Mix

ed V

oice

s A Worshipper and a Man SATB a cappella And I Saw SATB div. a cappella As the Sunf lower Turns on Her God SSAATBB div, Sop. solo, SSATB soli, a cappella The Darkling Thrush (earthsongs) SATB, SAT soli, a cappella Fragile SATB, hand drum Listen to the Apples SATB div. a cappella moments in film: A Mural of Change SATB, piano moments in film: Insidious SATB, piano moments in film: Flying Solo SATB, piano Neither Angels, Nor Demons, Nor Powers (Graphite Publishing) SSATBB a cappella Nubes Oriebatur: the eruption of Vesuvius SSATBB a cappella One Boy Told Me SATB, piano Ragnarök SATB div. a cappella Su Rahva Koda (The House of Your Kindred) SSAATTBB a cappella This Alien Landscape SATB, crotales, suspended cymbal, bass drum This Amazing Life SA(T)B, piano

Treb

le V

oice

s And I Saw SSAA div. a cappella Bahihii Waaliidkay Dhaqay 2-part, piano Cassiopeia SSA a cappella Duende SSAA, floor toms How to Triumph Like a Girl (Graphite Publishing) SSA, piano The Streets of Laredo (arr. American Folk Song) (Graphite Publishing) Unison, TTB, piano There is No Rose (Lorelei Ensemble) SSAA, SS soli, a cappella Torn Map (Graphite Publishing) SA, piano

Men

’s V

oice

s Empty TB (opt. div), piano, opt. djembe Goodbye, Then TBB choir, Bb clarinet, piano I Will Howl TBB choir, piano or cello Kin TB, piano Luceat Eis TTTBB a cappella Mad TB, piano Original Harmony (Colla Voce) TTBB a cappella Rough Beast TTBB, percussion Salve Regina (Graphite Publishing) TBB semi-chorus, TTBB a cappella Things I Didn’t Know I Loved (Graphite Publishing) TTBB a cappella

Larg

e W

orks Helios (ca. 65’) SATB a cappella

The Longest Nights (ca. 21’) SATB, piano or string quartet This is How You Love (ca. 35’) composed with Jocelyn Hagen SATB div. a cappella True North (ca. 16’) SATB, chamber orchestra We, the Unknown (ca. 40’) TTBB, soloists, chamber orchestra Where Beauty Comes From (ca. 16’) TBB, 2-part, SSAA, SATB; piano

Reviewed as “gorgeous” (Washington Post) and “stunning” (Lawrence Journal-World), the music of Timothy C. Takach has risen fast in the concert world. Applauded for his melodic lines and rich, intriguing harmonies, Takach has received commissions from the St. Paul Chamber Orchestra, St. Olaf Band, Cantus, Pavia Winds, Lorelei Ensemble, VocalEssence, the DeBartolo Performing Arts Center, The Rose Ensemble, and numerous other organizations. His compositions have been performed on A Prairie Home Companion, The Boston Pops holiday tour, multiple All-State and festival programs and at venues such as the Library of Congress, Kennedy Center and Royal Opera House Muscat. He is a co-creator of the theatrical production of All is Calm: the Christmas Truce of 1914, by Peter Rothstein.

Takach studied music composition at St. Olaf College, Northfield, MN, and has frequent national work as a composer-in-residence, presenter, clinician and lecturer. He is a full-time composer and lives in Minneapolis with his wife and two sons.