Tickets, Please- D.H.Lawrence

There is in the Midlands a single-line tramway system which boldly leaves the county town and plunges off into the black, industrial countryside, up hill and down dale, through the long ugly villages of workmen’s houses, over canals and railways, past churches perched high and nobly over the smoke and shadows, through stark, grimy cold little market-places, tilting away in a rush past cinemas and shops down to the hollow where the collieries are, then up again, past a little rural church, under the ash trees, on in a rush to the terminus, the last little ugly place of industry, the cold little town that shivers on the edge of the wild, gloomy country beyond. There the green and creamy coloured tram-car seems to pause and purr with curious satisfaction. But in a few minutes — the clock on the turret of the Co-operative Wholesale Society’s Shops gives the time — away it starts once more on the adventure. Again there are the reckless swoops downhill, bouncing the loops: again the chilly wait in the hill-top market-place: again the breathless slithering round the precipitous drop under the church: again the patient halts at the loops, waiting for the outcoming car: so on and on, for two long hours, till at last the city looms beyond the fat gas-works, the narrow factories draw near, we are in the sordid streets of the great town, once more we sidle to a standstill at our terminus, abashed by the great crimson and cream-coloured city cars, but still perky, jaunty, somewhat dare-devil, green as a jaunty sprig of parsley out of a black colliery garden.

To ride on these cars is always an adventure. Since we are in war-time, the drivers are men unfit for active service: cripples and hunchbacks. So they have the spirit of the devil in them. The ride becomes a steeple-chase. Hurray! we have leapt in a clear jump over the canal bridges — now for the four-lane corner. With a shriek and a trail of sparks we are clear again. To be sure, a tram often leaps the rails — but what matter! It sits in a ditch till other trams come to haul it out. It is quite common for a car, packed with one solid mass of living people, to come to a dead halt in the midst of unbroken blackness, the heart of nowhere on a dark night, and for the driver and the girl conductor to call, ‘All get off — car’s on fire!’ Instead, however, of rushing out in a panic, the passengers stolidly reply: ‘Get on — get on! We’re not coming out. We’re stopping where we are. Push on, George.’ So till flames actually appear.

The reason for this reluctance to dismount is that the nights are howlingly cold, black, and windswept, and a car is a haven of refuge. From village to village the miners travel, for a change of cinema, of girl, of pub. The trams are desperately packed. Who is going to risk himself in the black gulf outside, to wait perhaps an hour for another tram, then to see the forlorn notice ‘Depot Only’, because there is something wrong! Or to greet a unit of three bright cars all so tight with people that they sail past with a howl of derision. Trams that pass in the night.

This, the most dangerous tram-service in England, as the authorities themselves declare, with pride, is entirely conducted by girls, and driven by rash young men, a little crippled, or by delicate young men, who creep forward in terror. The girls are fearless young hussies. In their ugly blue uniform, skirts up to their knees, shapeless old peaked caps on their heads, they have all the sang-froid of an old non-commissioned officer. With a tram packed with howling colliers, roaring hymns downstairs and a sort of antiphony of obscenities upstairs, the lasses are perfectly at their ease. They pounce on the youths who try to evade their ticket-machine. They push off the men at the end of their distance. They are not going to be done in the eye — not they. They fear nobody — and everybody fears them.

‘Hello, Annie!’

‘Hello, Ted!’

‘Oh, mind my corn, Miss Stone. It’s my belief you’ve got a heart of stone, for you’ve trod on it again.’

‘You should keep it in your pocket,’ replies Miss Stone, and she goes sturdily upstairs in her high boots.

‘Tickets, please.’

She is peremptory, suspicious, and ready to hit first. She can hold her own against ten thousand. The step of that tram-car is her Thermopylae.

Therefore, there is a certain wild romance aboard these cars — and in the sturdy bosom of Annie herself. The time for soft romance is in the morning, between ten o’clock and one, when things are rather slack: that is, except market-day and Saturday. Thus Annie has time to look about her. Then she often hops off her car and into a shop where she has spied something, while the driver chats in the main road. There is very good feeling between the girls and the drivers. Are they not companions in peril, shipments aboard this careering vessel of a tram-car, for ever rocking on the waves of a stormy land?

Then, also, during the easy hours, the inspectors are most in evidence. For some reason, everybody employed in this tram-service is young: there are no grey heads. It would not do. Therefore the inspectors are of the right age, and one, the chief, is also good-looking. See him stand on a wet, gloomy morning, in his long oil-skin, his peaked cap well down over his eyes, waiting to board a car. His face is ruddy, his small brown moustache is weathered, he has a faint impudent smile. Fairly tall and agile, even in his waterproof, he springs aboard a car and greets Annie.

‘Hello, Annie! Keeping the wet out?’

‘Trying to.’

There are only two people in the car. Inspecting is soon over. Then for a long and impudent chat on the foot-board, a good, easy, twelve-mile chat.

The inspector’s name is John Thomas Raynor — always called John Thomas, except sometimes, in malice, Coddy. His face sets in fury when he is addressed, from a distance, with this abbreviation. There is considerable scandal about John Thomas in half a dozen villages. He flirts with the girl conductors in the morning, and walks out with them in the dark night, when they leave their tram-car at the depot. Of course, the girls quit the service frequently. Then he flirts and walks out with the newcomer: always providing she is sufficiently attractive, and that she will consent to walk. It is remarkable, however, that most of the girls are quite comely, they are all young, and this roving life aboard the car gives them a sailor’s dash and recklessness. What matter how they behave when the ship is in port. Tomorrow they will be aboard again.

Annie, however, was something of a Tartar, and her sharp tongue had kept John Thomas at arm’s length for many months. Perhaps, therefore, she liked him all the more: for he always came up smiling, with impudence. She watched him vanquish one girl, then another. She could tell by the movement of his mouth and eyes, when he flirted with her in the morning, that he had been walking out with this lass, or the other, the night before. A fine cock-of-the-walk he was. She could sum him up pretty well.

In this subtle antagonism they knew each other like old friends, they were as shrewd with one another almost as man and wife. But Annie had always kept him sufficiently at arm’s length. Besides, she had a boy of her own.

The Statutes fair, however, came in November, at Bestwood. It happened that Annie had the Monday night off. It was a drizzling ugly night, yet she dressed herself up and went to the fair ground. She was alone, but she expected soon to find a pal of some sort.

The roundabouts were veering round and grinding out their music, the side shows were making as much commotion as possible. In the coco-nut shies there were no coco-nuts, but artificial war-time substitutes, which the lads declared were fastened into the irons. There was a sad decline in brilliance and luxury. None the less, the ground was muddy as ever, there was the same crush, the press of faces lighted up by the flares and the electric lights, the same smell of naphtha and a few fried potatoes, and of electricity.

Who should be the first to greet Miss Annie on the showground but John Thomas? He had a black overcoat buttoned up to his chin, and a tweed cap pulled down over his brows, his face between was ruddy and smiling and handy as ever. She knew so well the way his mouth moved.

She was very glad to have a ‘boy’. To be at the Statutes without a fellow was no fun. Instantly, like the gallant he was, he took her on the dragons, grim-toothed, round-about switchbacks. It was not nearly so exciting as a tram-car actually. But, then, to be seated in a

shaking, green dragon, uplifted above the sea of bubble faces, careering in a rickety fashion in the lower heavens, whilst John Thomas leaned over her, his cigarette in his mouth, was after all the right style. She was a plump, quick, alive little creature. So she was quite excited and happy.

John Thomas made her stay on for the next round. And therefore she could hardly for shame repulse him when he put his arm round her and drew her a little nearer to him, in a very warm and cuddly manner. Besides, he was fairly discreet, he kept his movement as hidden as possible. She looked down, and saw that his red, clean hand was out of sight of the crowd. And they knew each other so well. So they warmed up to the fair.

After the dragons they went on the horses. John Thomas paid each time, so she could but be complaisant. He, of course, sat astride on the outer horse — named ‘Black Bess’— and she sat sideways, towards him, on the inner horse — named ‘Wildfire’. But of course John Thomas was not going to sit discreetly on ‘Black Bess’, holding the brass bar. Round they spun and heaved, in the light. And round he swung on his wooden steed, flinging one leg across her mount, and perilously tipping up and down, across the space, half lying back, laughing at her. He was perfectly happy; she was afraid her hat was on one side, but she was excited.

He threw quoits on a table, and won for her two large, pale-blue hat-pins. And then, hearing the noise of the cinemas, announcing another performance, they climbed the boards and went in.

Of course, during these performances pitch darkness falls from time to time, when the machine goes wrong. Then there is a wild whooping, and a loud smacking of simulated kisses. In these moments John Thomas drew Annie towards him. After all, he had a wonderfully warm, cosy way of holding a girl with his arm, he seemed to make such a nice fit. And, after all, it was pleasant to be so held: so very comforting and cosy and nice. He leaned over her and she felt his breath on her hair; she knew he wanted to kiss her on the lips. And, after all, he was so warm and she fitted in to him so softly. After all, she wanted him to touch her lips.

But the light sprang up; she also started electrically, and put her hat straight. He left his arm lying nonchalantly behind her. Well, it was fun, it was exciting to be at the Statutes with John Thomas.

When the cinema was over they went for a walk across the dark, damp fields. He had all the arts of love-making. He was especially good at holding a girl, when he sat with her on a stile in the black, drizzling darkness. He seemed to be holding her in space, against his own warmth and gratification. And his kisses were soft and slow and searching.

So Annie walked out with John Thomas, though she kept her own boy dangling in the distance. Some of the tram-girls chose to be huffy. But there, you must take things as you find them, in this life.

There was no mistake about it, Annie liked John Thomas a good deal. She felt so rich and warm in herself whenever he was near. And John Thomas really liked Annie, more than usual. The soft, melting way in which she could flow into a fellow, as if she melted into his very bones, was something rare and good. He fully appreciated this.

But with a developing acquaintance there began a developing intimacy. Annie wanted to consider him a person, a man; she wanted to take an intelligent interest in him, and to have an intelligent response. She did not want a mere nocturnal presence, which was what he was so far. And she prided herself that he could not leave her.

Here she made a mistake. John Thomas intended to remain a nocturnal presence; he had no idea of becoming an all-round individual to her. When she started to take an intelligent interest in him and his life and his character, he sheered off. He hated intelligent interest. And he knew that the only way to stop it was to avoid it. The possessive female was aroused in Annie. So he left her.

It is no use saying she was not surprised. She was at first startled, thrown out of her count. For she had been so very sure of holding him. For a while she was staggered, and everything became uncertain to her. Then she wept with fury, indignation, desolation, and misery. Then she had a spasm of despair. And then, when he came, still impudently, on to her car, still familiar, but letting her see by the movement of his head that he had gone away to somebody else for the time being, and was enjoying pastures new, then she determined to have her own back.

She had a very shrewd idea what girls John Thomas had taken out. She went to Nora Purdy. Nora was a tall, rather pale, but well-built girl, with beautiful yellow hair. She was rather secretive.

‘Hey!’ said Annie, accosting her; then softly, ‘Who’s John Thomas on with now?’

‘I don’t know,’ said Nora.

‘Why tha does,’ said Annie, ironically lapsing into dialect. ‘Tha knows as well as I do.’

‘Well, I do, then,’ said Nora. ‘It isn’t me, so don’t bother.’

‘It’s Cissy Meakin, isn’t it?’

‘It is, for all I know.’

‘Hasn’t he got a face on him!’ said Annie. ‘I don’t half like his cheek. I could knock him off the foot-board when he comes round at me.’

‘He’ll get dropped-on one of these days,’ said Nora.

‘Ay, he will, when somebody makes up their mind to drop it on him. I should like to see him taken down a peg or two, shouldn’t you?’

‘I shouldn’t mind,’ said Nora.

‘You’ve got quite as much cause to as I have,’ said Annie. ‘But we’ll drop on him one of these days, my girl. What? Don’t you want to?’

‘I don’t mind,’ said Nora.

But as a matter of fact, Nora was much more vindictive than Annie.

One by one Annie went the round of the old flames. It so happened that Cissy Meakin left the tramway service in quite a short time. Her mother made her leave. Then John Thomas was on the qui-vive. He cast his eyes over his old flock. And his eyes lighted on Annie. He thought she would be safe now. Besides, he liked her.

She arranged to walk home with him on Sunday night. It so happened that her car would be in the depot at half past nine: the last car would come in at 10.15. So John Thomas was to wait for her there.

At the depot the girls had a little waiting-room of their own. It was quite rough, but cosy, with a fire and an oven and a mirror, and table and wooden chairs. The half dozen girls who knew John Thomas only too well had arranged to take service this Sunday afternoon. So, as the cars began to come in, early, the girls dropped into the waiting-room. And instead of hurrying off home, they sat around the fire and had a cup of tea. Outside was the darkness and lawlessness of wartime.

John Thomas came on the car after Annie, at about a quarter to ten. He poked his head easily into the girls’ waiting-room.

‘Prayer-meeting?’ he asked.

‘Ay,’ said Laura Sharp. ‘Ladies only.’

‘That’s me!’ said John Thomas. It was one of his favourite exclamations.

‘Shut the door, boy,’ said Muriel Baggaley.

‘On which side of me?’ said John Thomas.

‘Which tha likes,’ said Polly Birkin.

He had come in and closed the door behind him. The girls moved in their circle, to make a place for him near the fire. He took off his great-coat and pushed back his hat.

‘Who handles the teapot?’ he said.

Nora Purdy silently poured him out a cup of tea.

‘Want a bit o’ my bread and drippin’?’ said Muriel Baggaley to him.

‘Ay, give us a bit.’

And he began to eat his piece of bread.

‘There’s no place like home, girls,’ he said.

They all looked at him as he uttered this piece of impudence. He seemed to be sunning himself in the presence of so many damsels.

‘Especially if you’re not afraid to go home in the dark,’ said Laura Sharp.

‘Me! By myself I am.’

They sat till they heard the last tram come in. In a few minutes Emma Houselay entered.

‘Come on, my old duck!’ cried Polly Birkin.

‘It is perishing,’ said Emma, holding her fingers to the fire.

‘But — I’m afraid to, go home in, the dark,’ sang Laura Sharp, the tune having got into her mind.

‘Who’re you going with tonight, John Thomas?’ asked Muriel Baggaley, coolly.

‘Tonight?’ said John Thomas. ‘Oh, I’m going home by myself tonight — all on my lonely-O.’

‘That’s me!’ said Nora Purdy, using his own ejaculation.

The girls laughed shrilly.

‘Me as well, Nora,’ said John Thomas.

‘Don’t know what you mean,’ said Laura.

‘Yes, I’m toddling,’ said he, rising and reaching for his overcoat.

‘Nay,’ said Polly. ‘We’re all here waiting for you.’

‘We’ve got to be up in good time in the morning,’ he said, in the benevolent official manner.

They all laughed.

‘Nay,’ said Muriel. ‘Don’t leave us all lonely, John Thomas. Take one!’

‘I’ll take the lot, if you like,’ he responded gallantly.

‘That you won’t either,’ said Muriel, ‘Two’s company; seven’s too much of a good thing.’

‘Nay — take one,’ said Laura. ‘Fair and square, all above board, and say which.’

‘Ay,’ cried Annie, speaking for the first time. ‘Pick, John Thomas; let’s hear thee.’

‘Nay,’ he said. ‘I’m going home quiet tonight. Feeling good, for once.’

‘Whereabouts?’ said Annie. ‘Take a good ’un, then. But tha’s got to take one of us!’

‘Nay, how can I take one,’ he said, laughing uneasily. ‘I don’t want to make enemies.’

‘You’d only make one’ said Annie.

‘The chosen one,’ added Laura.

‘Oh, my! Who said girls!’ exclaimed John Thomas, again turning, as if to escape. ‘Well — good-night.’

‘Nay, you’ve got to make your pick,’ said Muriel. ‘Turn your face to the wall, and say which one touches you. Go on — we shall only just touch your back — one of us. Go on — turn your face to the wall, and don’t look, and say which one touches you.’

He was uneasy, mistrusting them. Yet he had not the courage to break away. They pushed him to a wall and stood him there with his face to it. Behind his back they all grimaced, tittering. He looked so comical. He looked around uneasily.

‘Go on!’ he cried.

‘You’re looking — you’re looking!’ they shouted.

He turned his head away. And suddenly, with a movement like a swift cat, Annie went forward and fetched him a box on the side of the head that sent his cap flying and himself staggering. He started round.

But at Annie’s signal they all flew at him, slapping him, pinching him, pulling his hair, though more in fun than in spite or anger. He, however, saw red. His blue eyes flamed with strange fear as well as fury, and he butted through the girls to the door. It was locked. He wrenched at it. Roused, alert, the girls stood round and looked at him. He faced them, at bay. At that moment they were rather horrifying to him, as they stood in their short uniforms. He was distinctly afraid.

‘Come on, John Thomas! Come on! Choose!’ said Annie.

‘What are you after? Open the door,’ he said.

‘We shan’t — not till you’ve chosen!’ said Muriel.

‘Chosen what?’ he said.

‘Chosen the one you’re going to marry,’ she replied.

He hesitated a moment.

‘Open the blasted door,’ he said, ‘and get back to your senses.’ He spoke with official authority.

‘You’ve got to choose!’ cried the girls.

‘Come on!’ cried Annie, looking him in the eye.’ Come on! Come on!’

He went forward, rather vaguely. She had taken off her belt, and swinging it, she fetched him a sharp blow over the head with the buckle end. He sprang and seized her. But immediately the other girls rushed upon him, pulling and tearing and beating him. Their blood was now thoroughly up. He was their sport now. They were going to have their own back, out of him.

Strange, wild creatures, they hung on him and rushed at him to bear him down. His tunic was torn right up the back, Nora had hold at the back of his collar, and was actually strangling him. Luckily the button burst. He struggled in a wild frenzy of fury and terror, almost mad terror. His tunic was simply torn off his back, his shirt-sleeves were torn away, his arms were naked. The girls rushed at him, clenched their hands on him and pulled at him: or they rushed at him and pushed him, butted him with all their might: or they struck him wild blows. He ducked and cringed and struck sideways. They became more intense.

At last he was down. They rushed on him, kneeling on him. He had neither breath nor strength to move. His face was bleeding with a long scratch, his brow was bruised.

Annie knelt on him, the other girls knelt and hung on to him. Their faces were flushed, their hair wild, their eyes were all glittering strangely. He lay at last quite still, with face averted, as an animal lies when it is defeated and at the mercy of the captor. Sometimes his eye glanced back at the wild faces of the girls. His breast rose heavily, his wrists were torn.

‘Now, then, my fellow!’ gasped Annie at length. ‘Now then — now —’

At the sound of her terrifying, cold triumph, he suddenly started to struggle as an animal might, but the girls threw themselves upon him with unnatural strength and power, forcing him down.

‘Yes — now, then!’ gasped Annie at length.

And there was a dead silence, in which the thud of heart-beating was to be heard. It was a suspense of pure silence in every soul.

‘Now you know where you are,’ said Annie.

The sight of his white, bare arm maddened the girls. He lay in a kind of trance of fear and antagonism. They felt themselves filled with supernatural strength.

Suddenly Polly started to laugh — to giggle wildly — helplessly — and Emma and Muriel joined in. But Annie and Nora and Laura remained the same, tense, watchful, with gleaming eyes. He winced away from these eyes.

‘Yes,’ said Annie, in a curious low tone, secret and deadly. ‘Yes! You’ve got it now! You know what you’ve done, don’t you? You know what you’ve done.’

He made no sound nor sign, but lay with bright, averted eyes, and averted, bleeding face.

‘You ought to be killed, that’s what you ought,’ said Annie, tensely. ‘You ought to be killed.’ And there was a terrifying lust in her voice.

Polly was ceasing to laugh, and giving long-drawn Oh-h-hs and sighs as she came to herself.

‘He’s got to choose,’ she said vaguely.

‘Oh, yes, he has,’ said Laura, with vindictive decision.

‘Do you hear — do you hear?’ said Annie. And with a sharp movement, that made him wince, she turned his face to her.

‘Do you hear?’ she repeated, shaking him.

But he was quite dumb. She fetched him a sharp slap on the face. He started, and his eyes widened. Then his face darkened with defiance, after all.

‘Do you hear?’ she repeated.

He only looked at her with hostile eyes.

‘Speak!’ she said, putting her face devilishly near his.

‘What?’ he said, almost overcome.

‘You’ve got to choose!’ she cried, as if it were some terrible menace, and as if it hurt her that she could not exact more.

‘What?’ he said, in fear.

‘Choose your girl, Coddy. You’ve got to choose her now. And you’ll get your neck broken if you play any more of your tricks, my boy. You’re settled now.’

There was a pause. Again he averted his face. He was cunning in his overthrow. He did not give in to them really — no, not if they tore him to bits.

‘All right, then,’ he said, ‘I choose Annie.’ His voice was strange and full of malice. Annie let go of him as if he had been a hot coal.

‘He’s chosen Annie!’ said the girls in chorus.

‘Me!’ cried Annie. She was still kneeling, but away from him. He was still lying prostrate, with averted face. The girls grouped uneasily around.

‘Me!’ repeated Annie, with a terrible bitter accent.

Then she got up, drawing away from him with strange disgust and bitterness.

‘I wouldn’t touch him,’ she said.

But her face quivered with a kind of agony, she seemed as if she would fall. The other girls turned aside. He remained lying on the floor, with his torn clothes and bleeding, averted face.

‘Oh, if he’s chosen —’ said Polly.

‘I don’t want him — he can choose again,’ said Annie, with the same rather bitter hopelessness.

‘Get up,’ said Polly, lifting his shoulder. ‘Get up.’

He rose slowly, a strange, ragged, dazed creature. The girls eyed him from a distance, curiously, furtively, dangerously.

‘Who wants him?’ cried Laura, roughly.

‘Nobody,’ they answered, with contempt. Yet each one of them waited for him to look at her, hoped he would look at her. All except Annie, and something was broken in her.

He, however, kept his face closed and averted from them all. There was a silence of the end. He picked up the torn pieces of his tunic, without knowing what to do with them. The girls stood about uneasily, flushed, panting, tidying their hair and their dress unconsciously, and watching him. He looked at none of them. He espied his cap in a corner, and went and picked it up. He put it on his head, and one of the girls burst into a shrill, hysteric laugh at the sight he presented. He, however, took no heed, but went straight to where his overcoat hung on a peg. The girls moved away from contact with him as if he had been an electric wire. He put on his coat and buttoned it down. Then he rolled his tunic-rags into a bundle, and stood before the locked door, dumbly.

‘Open the door, somebody,’ said Laura.

‘Annie’s got the key,’ said one.

Annie silently offered the key to the girls. Nora unlocked the door.

‘Tit for tat, old man,’ she said. ‘Show yourself a man, and don’t bear a grudge.’

But without a word or sign he had opened the door and gone, his face closed, his head dropped.

‘That’ll learn him,’ said Laura.

‘Coddy!’ said Nora.

‘Shut up, for God’s sake!’ cried Annie fiercely, as if in torture.

‘Well, I’m about ready to go, Polly. Look sharp!’ said Muriel.

The girls were all anxious to be off. They were tidying themselves hurriedly, with mute, stupefied faces.

A DUEL- Guy de Maupassant

The war was over. The Germans occupied France. The whole country was pulsating like a conquered wrestler beneath the knee of his victorious opponent.

The first trains from Paris, distracted, starving, despairing Paris, were making their way to the new frontiers, slowly passing through the country districts and the villages. The passengers gazed through the windows at the ravaged fields and burned hamlets. Prussian soldiers, in their black helmets with brass spikes, were smoking their pipes astride their chairs in front of the houses which were still left standing. Others were working or talking just as if they were members of the families. As you passed through the different towns you saw entire regiments drilling in the squares, and, in spite of the rumble of the carriage-wheels, you could every moment hear the hoarse words of command.

M. Dubuis, who during the entire siege had served as one of the National Guard in Paris, was going to join his wife and daughter, whom he had prudently sent away to Switzerland before the invasion.

Famine and hardship had not diminished his big paunch so characteristic of the rich, peace-loving merchant. He had gone through the terrible events of the past year with sorrowful resignation and bitter complaints at the savagery of men. Now that he was journeying to the frontier at the close of the war, he saw the Prussians for the first time, although he had done his duty on the ramparts and mounted guard on many a cold night.

He stared with mingled fear and anger at those bearded armed men, installed all over French soil as if they were at home, and he felt in his soul a kind of fever of impotent patriotism, at the same time also the great need of that new instinct of prudence which since then has, never left us. In the same railway carriage were two Englishmen, who had come to the country as sightseers and were gazing about them with looks of quiet curiosity. They were both also stout, and kept chatting in their own language, sometimes referring to their guidebook, and reading aloud the names of the places indicated.

Suddenly the train stopped at a little village station, and a Prussian officer jumped up with a great clatter of his sabre on the double footboard of the railway carriage. He was tall, wore a tight-fitting uniform, and had whiskers up to his eyes. His red hair seemed to be on fire, and his long mustache, of a paler hue, stuck out on both sides of his face, which it seemed to cut in two.

The Englishmen at once began staring, at him with smiles of newly awakened interest, while M. Dubuis made a show of reading a newspaper. He sat concealed in his corner like a thief in presence of a gendarme.

The train started again. The Englishmen went on chatting and looking out for the exact scene of different battles; and all of a sudden, as one of them stretched out his arm toward the horizon as he pointed out a village, the Prussian officer remarked in French, extending his long legs and lolling backward:

"I killed a dozen Frenchmen in that village and took more than a hundred prisoners."

The Englishmen, quite interested, immediately asked:

"Ha! and what is the name of this village?"

The Prussian replied:

"Pharsbourg." He added: "We caught those French scoundrels by the ears."

And he glanced toward M. Dubuis, laughing conceitedly into his mustache.

The train rolled on, still passing through hamlets occupied by the victorious army. German soldiers could be seen along the roads, on the edges of fields, standing in front of gates or chatting outside cafes. They covered the soil like African locusts.

The officer said, with a wave of his hand:

"If I had been in command, I'd have taken Paris, burned everything, killed everybody. No more France!"

The Englishman, through politeness, replied simply:

"Ah! yes."

He went on:

"In twenty years all Europe, all of it, will belong to us. Prussia is more than a match for all of them."

The Englishmen, getting uneasy, no longer replied. Their faces, which had become impassive, seemed made of wax behind their long whiskers. Then the Prussian officer began to laugh. And still, lolling back, he began to sneer. He sneered at the downfall of France, insulted the prostrate enemy; he sneered at Austria, which had been recently conquered; he sneered at the valiant but fruitless defence of the departments; he sneered at the Garde Mobile and at the useless artillery. He announced that Bismarck was going to build a city of iron with the captured cannon. And suddenly he placed his boots against the thigh of M. Dubuis, who turned away his eyes, reddening to the roots of his hair.

The Englishmen seemed to have become indifferent to all that was going on, as if they were suddenly shut up in their own island, far from the din of the world.

The officer took out his pipe, and looking fixedly at the Frenchman, said:

"You haven't any tobacco—have you?"

M. Dubuis replied:

"No, monsieur."

The German resumed:

"You might go and buy some for me when the train stops."

And he began laughing afresh as he added:

"I'll give you the price of a drink."

The train whistled, and slackened its pace. They passed a station that had been burned down; and then they stopped altogether.

The German opened the carriage door, and, catching M. Dubuis by the arm, said:

"Go and do what I told you—quick, quick!"

A Prussian detachment occupied the station. Other soldiers were standing behind wooden gratings, looking on. The engine was getting up steam before starting off again. Then M. Dubuis hurriedly jumped on the platform, and, in spite of the warnings of the station master, dashed into the adjoining compartment.

He was alone! He tore open his waistcoat, his heart was beating so rapidly, and, gasping for breath, he wiped the perspiration from his forehead.

The train drew up at another station. And suddenly the officer appeared at the carriage door and jumped in, followed close behind by the two Englishmen, who were impelled by curiosity. The German sat facing the Frenchman, and, laughing still, said:

"You did not want to do what I asked you?"

M. Dubuis replied:

"No, monsieur."

The train had just left the station.

The officer said:

"I'll cut off your mustache to fill my pipe with."

And he put out his hand toward the Frenchman's face.

The Englishmen stared at them, retaining their previous impassive manner.

The German had already pulled out a few hairs, and was still tugging at the mustache, when M. Dubuis, with a back stroke of his hand, flung aside the officer's arm, and, seizing him by the collar, threw him down on the seat. Then, excited to a pitch of fury, his temples swollen and his eyes glaring, he kept throttling the officer with one hand, while with the other clenched he began to strike him violent blows in the face. The Prussian struggled, tried to draw his sword, to clinch with his adversary, who was on top of him. But M. Dubuis crushed him with his enormous weight and kept punching him without taking breath or knowing where his blows fell. Blood flowed down the face of the German, who, choking and with a rattling in his throat, spat out his broken teeth and vainly strove to shake off this infuriated man who was killing him.

The Englishmen had got on their feet and came closer in order to see better. They remained standing, full of mirth and curiosity, ready to bet for, or against, either combatant.

Suddenly M. Dubuis, exhausted by his violent efforts, rose and resumed his seat without uttering a word.

The Prussian did not attack him, for the savage assault had terrified and astonished the officer as well as causing him suffering. When he was able to breathe freely, he said:

"Unless you give me satisfaction with pistols I will kill you."

M. Dubuis replied:

"Whenever you like. I'm quite ready."

The German said:

"Here is the town of Strasbourg. I'll get two officers to be my seconds, and there will be time before the train leaves the station."

M. Dubuis, who was puffing as hard as the engine, said to the Englishmen:

"Will you be my seconds?" They both answered together:

"Oh, yes!"

And the train stopped.

In a minute the Prussian had found two comrades, who brought pistols, and they made their way toward the ramparts.

The Englishmen were continually looking at their watches, shuffling their feet and hurrying on with the preparations, uneasy lest they should be too late for the train.

M. Dubuis had never fired a pistol in his life.

They made him stand twenty paces away from his enemy. He was asked:

"Are you ready?"

While he was answering, "Yes, monsieur," he noticed that one of the Englishmen had opened his umbrella in order to keep off the rays of the sun.

A voice gave the signal:

"Fire!"

M. Dubuis fired at random without delay, and he was amazed to see the Prussian opposite him stagger, lift up his arms and fall forward, dead. He had killed the officer.

One of the Englishmen exclaimed: "Ah!" He was quivering with delight, with satisfied curiosity and joyous impatience. The other, who still kept his watch in his hand, seized M. Dubuis' arm and hurried him in double-quick time toward the station, his fellow-countryman marking time as he ran beside them, with closed fists, his elbows at his sides, "One, two; one, two!"

And all three, running abreast rapidly, made their way to the station like three grotesque figures in a comic newspaper.

The train was on the point of starting. They sprang into their carriage. Then the Englishmen, taking off their travelling caps, waved them three times over their heads, exclaiming:

"Hip! hip! hip! hurrah!"

And gravely, one after the other, they extended their right hands to M. Dubuis and then went back and sat down in their own corner.

A Pink Stocking – anton chekhov

DULL, rainy day. The sky is completely covered with heavy clouds, and there is no prospect of the rain ceasing. Outside sleet, puddles, and drenched jackdaws. Indoors it is half dark, and so cold that one wants the stove heated. 

Pavel Petrovitch Somov is pacing up and down his study, grumbling at the weather. The tears of rain on the windows and the darkness of the room make him depressed. He is insufferably bored and has nothing to do. . . . The newspapers have not been brought yet; shooting is out of the question, and it is not nearly dinner-time. . . . 

Somov is not alone in his study. Madame Somov, a pretty little lady in a light blouse and pink stockings, is sitting at his writing table. She is eagerly scribbling a letter. Every time he passes her as he strides up and down, Ivan Petrovitch looks over her shoulder at what she is writing. He sees big sprawling letters, thin and narrow, with all sorts of tails and flourishes. There are numbers of blots, smears, and finger-marks. Madame Somov does not like ruled paper, and every line runs downhill with horrid wriggles as it reaches the margin. . . . 

"Lidotchka, who is it you are writing such a lot to?" Somov inquires, seeing that his wife is just beginning to scribble the sixth page. 

"To sister Varya." 

"Hm . . . it's a long letter! I'm so bored -- let me read it!" 

"Here, you may read it, but there's nothing interesting in it." 

Somov takes the written pages and, still pacing up and down, begins reading. Lidotchka leans her elbows on the back of her chair and watches the expression of his face. . . . After the first page his face lengthens and an expression of something almost like panic comes into it. . . . At the third page Somov frowns and scratches the back of his head. At the fourth he pauses, looks with a scared face at his wife, and seems to ponder. After thinking a little, he takes up the letter again with a sigh. . . . His face betrays perplexity and even alarm. . . ." 

"Well, this is beyond anything!" he mutters, as he finishes reading the letter and flings the sheets on the table, "It's positively incredible!" 

"What's the matter?" asks Lidotchka, flustered. 

"What's the matter! You've covered six pages, wasted a good two hours scribbling, and there's nothing in it at all! If there were one tiny idea! One reads on and on, and one's brain is as muddled as though one were deciphering the Chinese wriggles on tea chests! Ough!" 

"Yes, that's true, Vanya, . . ." says Lidotchka, reddening. "I wrote it carelessly. . . ." 

"Queer sort of carelessness! In a careless letter there is some meaning and style -- there is sense in it -- while yours . . . excuse me, but I don't know what to call it! It's absolute twaddle! There are words and sentences, but not the slightest sense in them. Your whole letter is exactly like the conversation of two boys: 'We had pancakes to-day! And we had a soldier come to see us!' You say the same thing over and over again! You drag it out, repeat yourself. . . . The wretched ideas dance about like devils: there's no making out where anything begins, where anything ends. . . . How can you write like that?" 

"If I had been writing carefully," Lidotchka says in self defence, "then there would not have been mistakes. . . ." 

"Oh, I'm not talking about mistakes! The awful grammatical howlers! There's not a line that's not a personal insult to grammar! No stops nor commas -- and the spelling . . . brrr! 'Earth' has an a in it!! And the writing! It's desperate! I'm not joking, Lida. . . . I'm surprised and appalled at your letter. . . . You mustn't be angry, darling, but, really, I had no idea you were such a duffer at grammar. . . . And yet you belong to a cultivated, well-educated circle: you are the wife of a University man, and the daughter of a general! Tell me, did you ever go to school?" 

"What next! I finished at the Von Mebke's boarding school. . . ." 

Somov shrugs his shoulders and continues to pace up and down, sighing. Lidotchka, conscious of her ignorance and ashamed of it, sighs too and casts down her eyes. . . . Ten minutes pass in silence. 

"You know, Lidotchka, it really is awful!" says Somov, suddenly halting in front of her and looking into her face with horror. "You are a mother . . . do you understand? A mother! How can you teach your children if you know nothing yourself? You have a good brain, but what's the use of it if you have never mastered the very rudiments of knowledge? There -- never mind about knowledge . . . the children will get that at school, but, you know, you are very shaky on the moral side too! You sometimes use such language that it makes my ears tingle!" 

Somov shrugs his shoulders again, wraps himself in the folds of his dressing-gown and continues his pacing. . . . He feels vexed and injured, and at the same time sorry for Lidotchka, who does not protest, but merely blinks. . . . Both feel oppressed and miserable. . . . Absorbed in their woes, they do not notice how time is passing and the dinner hour is approaching. 

Sitting down to dinner, Somov, who is fond of good eating and of eating in peace, drinks a large glass of vodka and begins talking about something else. Lidotchka listens and assents, but suddenly over the soup her eyes fill with tears and she begins whimpering. 

"It's all mother's fault!" she says, wiping away her tears with her dinner napkin. "Everyone advised her to send me to the high school, and from the high school I should have been sure to

go on to the University!" 

"University . . . high school," mutters Somov. "That's running to extremes, my girl! What's the good of being a blue stocking! A blue stocking is the very deuce! Neither man nor woman, but just something midway: neither one thing nor another. . . I hate blue stockings! I would never have married a learned woman. . . ." 

"There's no making you out . . .," says Lidotchka. "You are angry because I am not learned, and at the same time you hate learned women; you are annoyed because I have no ideas in my letter, and yet you yourself are opposed to my studying. . . ." 

"You do catch me up at a word, my dear," yawns Somov, pouring out a second glass of vodka in his boredom. 

Under the influence of vodka and a good dinner, Somov grows more good-humoured, lively, and soft. . . . He watches his pretty wife making the salad with an anxious face and a rush of affection for her, of indulgence and forgiveness comes over him. 

"It was stupid of me to depress her, poor girl . . . ," he thought. "Why did I say such a lot of dreadful things? She is silly, that's true, uncivilised and narrow; but . . . there are two sides to the question, and audiatur et altera pars. . . . Perhaps people are perfectly right when they say that woman's shallowness rests on her very vocation. Granted that it is her vocation to love her husband, to bear children, and to mix salad, what the devil does she want with learning? No, indeed!" 

At that point he remembers that learned women are usually tedious, that they are exacting, strict, and unyielding; and, on the other hand, how easy it is to get on with silly Lidotchka, who never pokes her nose into anything, does not understand so much, and never obtrudes her criticism. There is peace and comfort with Lidotchka, and no risk of being interfered with. 

"Confound them, those clever and learned women! It's better and easier to live with simple ones," he thinks, as he takes a plate of chicken from Lidotchka. 

He recollects that a civilised man sometimes feels a desire to talk and share his thoughts with a clever and well-educated woman. "What of it?" thinks Somov. "If I want to talk of intellectual subjects, I'll go to Natalya Andreyevna . . . or to Marya Frantsovna. . . . It's very simple! But no, I shan't go. One can discuss intellectual subjects with men," he finally decides. 

The Story of An Hour Kate Chopin (1894)

Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.

It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.

She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.

There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.

She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.

There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.

She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams.

She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought.

There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air.

Now her bosom rose and fell tumultuously. She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under hte breath: "free, free, free!" The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body.

She did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with

love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.

There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination.

And yet she had loved him--sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!

"Free! Body and soul free!" she kept whispering.

Josephine was kneeling before the closed door with her lips to the keyhold, imploring for admission. "Louise, open the door! I beg; open the door--you will make yourself ill. What are you doing, Louise? For heaven's sake open the door."

"Go away. I am not making myself ill." No; she was drinking in a very elixir of life through that open window.

Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.

She arose at length and opened the door to her sister's importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister's waist, and together they descended the stairs. Richards stood waiting for them at the bottom.

Some one was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of the accident, and did not even know there had been one. He stood amazed at Josephine's piercing cry; at Richards' quick motion to screen him from the view of his wife.

When the doctors came they said she had died of heart disease--of the joy that kills. 

A Perfect Day for Bananafish J.D. Salinger

THERE WERE ninety-seven New York advertising men in the hotel, and, the way they were monopolizing the long-distance lines, the girl in 507 had to wait from noon till almost two-thirty to get her call through. She used the time, though. She read an article in a women's pocket-size magazine, called "Sex Is Fun--or Hell." She washed her comb and brush. She took the spot out of the skirt of her beige suit. She moved the button on her Saks blouse. She tweezed out two freshly

surfaced hairs in her mole. When the operator finally rang her room, she was sitting on the window seat and had almost finished putting lacquer on the nails of her left hand.

She was a girl who for a ringing phone dropped exactly nothing. She looked as if her phone had been ringing continually ever since she had reached puberty.

With her little lacquer brush, while the phone was ringing, she went over the nail of her little finger, accentuating the line of the moon. She then replaced the cap on the bottle of lacquer and, standing up, passed her left--the wet--hand back and forth through the air. With her dry hand, she picked up a congested ashtray from the window seat and carried it with her over to the night table, on which the phone stood. She sat down on one of the made-up twin beds and--it was the fifth or sixth ring--picked up the phone.

"Hello," she said, keeping the fingers of her left hand outstretched and away from her white silk dressing gown, which was all that she was wearing, except mules--her rings were in the bathroom.

"I have your call to New York now, Mrs. Glass," the operator said.

"Thank you," said the girl, and made room on the night table for the ashtray.

A woman's voice came through. "Muriel? Is that you?"

The girl turned the receiver slightly away from her ear. "Yes, Mother. How are you?" she said.

"I've been worried to death about you. Why haven't you phoned? Are you all right?"

"I tried to get you last night and the night before. The phone here's been--"

"Are you all right, Muriel?"

The girl increased the angle between the receiver and her ear. "I'm fine. I'm hot. This is the hottest day they've had in Florida in--"

"Why haven't you called me? I've been worried to--"

"Mother, darling, don't yell at me. I can hear you beautifully," said the girl. "I called you twice last night. Once just after--"

"I told your father you'd probably call last night. But, no, he had to--Are you all right, Muriel? Tell me the truth."

"I'm fine. Stop asking me that, please."

"When did you get there?"

"I don't know. Wednesday morning, early."

"Who drove?"

"He did," said the girl. "And don't get excited. He drove very nicely. I was amazed."

"He drove? Muriel, you gave me your word of--"

"Mother," the girl interrupted, "I just told you. He drove very nicely. Under fifty the whole way, as a matter of fact."

"Did he try any of that funny business with the trees?"

"I said he drove very nicely, Mother. Now, please. I asked him to stay close to the white line, and all, and he knew what I meant, and he did. He was even trying not to look at the trees--you could tell. Did Daddy get the car fixed, incidentally?"

"Not yet. They want four hundred dollars, just to--"

"Mother, Seymour told Daddy that he'd pay for it. There's no reason for--"

"Well, we'll see. How did he behave--in the car and all?"

"All right," said the girl.

"Did he keep calling you that awful--"

"No. He has something new now."

"What?"

"Oh, what's the difference, Mother?"

"Muriel, I want to know. Your father--"

"All right, all right. He calls me Miss Spiritual Tramp of 1948," the girl said, and giggled.

"It isn't funny, Muriel. It isn't funny at all. It's horrible. It's sad, actually. When I think how--"

"Mother," the girl interrupted, "listen to me. You remember that book he sent me from Germany? You know--those German poems. What'd I do with it? I've been racking my--"

"You have it."

"Are you sure?" said the girl.

"Certainly. That is, I have it. It's in Freddy's room. You left it here and I didn't have room for it in the--Why? Does he want it?"

"No. Only, he asked me about it, when we were driving down. He wanted to know if I'd read it."

"It was in German!"

"Yes, dear. That doesn't make any difference," said the girl, crossing her legs. "He said that the poems happen to be written by the only great poet of the century. He said I should've bought a translation or something. Or learned the language, if you please."

"Awful. Awful. It's sad, actually, is what it is. Your father said last night--"

"Just a second, Mother," the girl said. She went over to the window seat for her cigarettes, lit one, and returned to her seat on the bed. "Mother?" she said, exhaling smoke.

"Muriel. Now, listen to me."

"I'm listening."

"Your father talked to Dr. Sivetski."

"Oh?" said the girl.

"He told him everything. At least, he said he did--you know your father. The trees. That business with the window. Those horrible things he said to Granny about her plans for passing away. What he did with all those lovely pictures from Bermuda--everything."

"Well?" said the girl.

"Well. In the first place, he said it was a perfect crime the Army released him from the hospital--my word of honor. He very definitely told your father there's a chance--a very great chance, he said--that Seymour may completely lose control of himself. My word of honor."

"There's a psychiatrist here at the hotel," said the girl.

"Who? What's his name?"

"I don't know. Rieser or something. He's supposed to be very good."

"Never heard of him."

"Well, he's supposed to be very good, anyway."

"Muriel, don't be fresh, please. We're very worried about you. Your father wanted to wire you last night to come home, as a matter of f--"

"I'm not coming home right now, Mother. So relax."

"Muriel. My word of honor. Dr. Sivetski said Seymour may completely lose contr--"

"I just got here, Mother. This is the first vacation I've had in years, and I'm not going to just pack everything and come home," said the girl. "I couldn't travel now anyway. I'm so sunburned I can hardly move."

"You're badly sunburned? Didn't you use that jar of Bronze I put in your bag? I put it right--"

"I used it. I'm burned anyway."

"That's terrible. Where are you burned?"

"All over, dear, all over."

"That's terrible."

"I'll live."

"Tell me, did you talk to this psychiatrist?"

"Well, sort of," said the girl.

"What'd he say? Where was Seymour when you talked to him?"

"In the Ocean Room, playing the piano. He's played the piano both nights we've been here."

"Well, what'd he say?"

"Oh, nothing much. He spoke to me first. I was sitting next to him at Bingo last night, and he asked me if that wasn't my husband playing the piano in the other room. I said yes, it was, and he asked me if Seymour's been sick or something. So I said--"

"Why'd he ask that?"

"I don't know, Mother. I guess because he's so pale and all," said the girl. "Anyway, after Bingo he and his wife asked me if I wouldn't like to join them for a drink. So I did. His wife was horrible. You remember that awful dinner dress we saw in Bonwit's window? The one you said you'd have to have a tiny, tiny--"

"The green?"

"She had it on. And all hips. She kept asking me if Seymour's related to that Suzanne Glass that has that place on Madison Avenue--the millinery."

"What'd he say, though? The doctor."

"Oh. Well, nothing much, really. I mean we were in the bar and all. It was terribly noisy."

"Yes, but did--did you tell him what he tried to do with Granny's chair?"

"No, Mother. I didn't go into details very much," said the girl. "I'll probably get a chance to talk to him again. He's in the bar all day long."

"Did he say he thought there was a chance he might get--you know--funny or anything? Do something to you!"

"Not exactly," said the girl. "He had to have more facts, Mother. They have to know about your childhood--all that stuff. I told you, we could hardly talk, it was so noisy in there."

"Well. How's your blue coat?"

"All right. I had some of the padding taken out."

"How are the clothes this year?"

"Terrible. But out of this world. You see sequins--everything," said the girl.

"How's your room?"

"All right. Just all right, though. We couldn't get the room we had before the war," said the girl. "The people are awful this year. You should see what sits next to us in the dining room. At the next table. They look as if they drove down in a truck."

"Well, it's that way all over. How's your ballerina?"

"It's too long. I told you it was too long."

"Muriel, I'm only going to ask you once more--are you really all right?"

"Yes, Mother," said the girl. "For the ninetieth time."

"And you don't want to come home?"

"No, Mother."

"Your father said last night that he'd be more than willing to pay for it if you'd go away someplace by yourself and think things over. You could take a lovely cruise. We

both thought--"

"No, thanks," said the girl, and uncrossed her legs. "Mother, this call is costing a for--"

"When I think of how you waited for that boy all through the war--I mean when you think of all those crazy little wives who--"

"Mother," said the girl, "we'd better hang up. Seymour may come in any minute."

"Where is he?"

"On the beach."

"On the beach? By himself? Does he behave himself on the beach?"

"Mother," said the girl, "you talk about him as though he were a raving maniac--"

"I said nothing of the kind, Muriel."

"Well, you sound that way. I mean all he does is lie there. He won't take his bathrobe off."

"He won't take his bathrobe off? Why not?"

"I don't know. I guess because he's so pale."

"My goodness, he needs the sun. Can't you make him?"

"You know Seymour," said the girl, and crossed her legs again. "He says he doesn't want a lot of fools looking at his tattoo."

"He doesn't have any tattoo! Did he get one in the Army?"

"No, Mother. No, dear," said the girl, and stood up. "Listen, I'll call you tomorrow, maybe."

"Muriel. Now, listen to me."

"Yes, Mother," said the girl, putting her weight on her right leg.

"Call me the instant he does, or says, anything at all funny--you know what I mean. Do you hear me?"

"Mother, I'm not afraid of Seymour."

"Muriel, I want you to promise me."

"All right, I promise. Goodbye, Mother," said the girl. "My love to Daddy." She hung up.

"See more glass," said Sybil Carpenter, who was staying at the hotel with her mother.

"Did you see more glass?"

"Pussycat, stop saying that. It's driving Mommy absolutely crazy. Hold still, please."

Mrs. Carpenter was putting sun-tan oil on Sybil's shoulders, spreading it down over the delicate, winglike blades of her back. Sybil was sitting insecurely on a huge, inflated beach ball, facing the ocean. She was wearing a canary-yellow two-piece bathing suit, one piece of which she would not actually be needing for another nine or ten years.

"It was really just an ordinary silk handkerchief--you could see when you got up close," said the woman in the beach chair beside Mrs. Carpenter's. "I wish I knew how she tied it. It was really darling."

"It sounds darling," Mrs. Carpenter agreed. "Sybil, hold still, pussy."

"Did you see more glass?" said Sybil.

Mrs. Carpenter sighed. "All right," she said. She replaced the cap on the sun-tan oil bottle. "Now run and play, pussy. Mommy's going up to the hotel and have a Martini with Mrs. Hubbel. I'll bring you the olive."

Set loose, Sybil immediately ran down to the flat part of the beach and began to walk in the direction of Fisherman's Pavilion. Stopping only to sink a foot in a soggy, collapsed castle, she was soon out of the area reserved for guests of the hotel.

She walked for about a quarter of a mile and then suddenly broke into an oblique run up the soft part of the beach. She stopped short when she reached the place where a young man was lying on his back.

"Are you going in the water, see more glass?" she said.

The young man started, his right hand going to the lapels of his terry-cloth robe. He turned over on his stomach, letting a sausaged towel fall away from his eyes, and squinted up at Sybil.

"Hey. Hello, Sybil."

"Are you going in the water?"

"I was waiting for you," said the young man. "What's new?"

"What?" said Sybil.

"What's new? What's on the program?"

"My daddy's coming tomorrow on a nairiplane," Sybil said, kicking sand.

"Not in my face, baby," the young man said, putting his hand on Sybil's ankle. "Well, it's about time he got here, your daddy. I've been expecting him hourly. Hourly."

"Where's the lady?" Sybil said.

"The lady?" the young man brushed some sand out of his thin hair. "That's hard to say, Sybil. She may be in any one of a thousand places. At the hairdresser's. Having her hair dyed mink. Or making dolls for poor children, in her room." Lying prone now, he made two fists, set one on top of the other, and rested his chin on the top one. "Ask me something else, Sybil," he said. "That's a fine bathing suit you have on. If there's one thing I like, it's a blue bathing suit."

Sybil stared at him, then looked down at her protruding stomach. "This is a yellow," she said. "This is a yellow."

"It is? Come a little closer." Sybil took a step forward. "You're absolutely right. What a fool I am."

"Are you going in the water?" Sybil said.

"I'm seriously considering it. I'm giving it plenty of thought, Sybil, you'll be glad to know."

Sybil prodded the rubber float that the young man sometimes used as a head-rest. "It needs air," she said.

"You're right. It needs more air than I'm willing to admit." He took away his fists and let his chin rest on the sand. "Sybil," he said, "you're looking fine. It's good to see you. Tell me about yourself." He reached in front of him and took both of Sybil's ankles in his hands. "I'm Capricorn," he said. "What are you?"

"Sharon Lipschutz said you let her sit on the piano seat with you," Sybil said.

"Sharon Lipschutz said that?"

Sybil nodded vigorously.

He let go of her ankles, drew in his hands, and laid the side of his face on his right forearm. "Well," he said, "you know how those things happen, Sybil. I was sitting there, playing. And you were nowhere in sight. And Sharon Lipschutz came over and sat down next to me. I couldn't push her off, could I?"

"Yes."

"Oh, no. No. I couldn't do that," said the young man. "I'll tell you what I did do, though."

"What?"

"I pretended she was you."

Sybil immediately stooped and began to dig in the sand. "Let's go in the water," she said.

"All right," said the young man. "I think I can work it in."

"Next time, push her off," Sybil said. "Push who off?"

"Sharon Lipschutz."

"Ah, Sharon Lipschutz," said the young man. "How that name comes up. Mixing memory and desire." He suddenly got to his feet. He looked at the ocean. "Sybil," he said, "I'll tell you what we'll do. We'll see if we can catch a bananafish."

"A what?"

"A bananafish," he said, and undid the belt of his robe. He took off the robe. His shoulders were white and narrow, and his trunks were royal blue. He folded the robe, first lengthwise, then in thirds. He unrolled the towel he had used over his eyes, spread it out on the sand, and then laid the folded robe on top of it. He bent over, picked up the float, and secured it under his right arm. Then, with his left hand, he took Sybil's hand.

The two started to walk down to the ocean.

"I imagine you've seen quite a few bananafish in your day," the young man said.

Sybil shook her head.

"You haven't? Where do you live, anyway?"

"I don't know," said Sybil.

"Sure you know. You must know. Sharon Lipschutz knows where she lives and she's

only three and a half."

Sybil stopped walking and yanked her hand away from him. She picked up an

ordinary beach shell and looked at it with elaborate interest. She threw it down. "Whirly Wood, Connecticut," she said, and resumed walking, stomach foremost.

"Whirly Wood, Connecticut," said the young man. "Is that anywhere near Whirly Wood, Connecticut, by any chance?"

Sybil looked at him. "That's where I live," she said impatiently. "I live in Whirly Wood, Connecticut." She ran a few steps ahead of him, caught up her left foot in her left hand, and hopped two or three times.

"You have no idea how clear that makes everything," the young man said.

Sybil released her foot. "Did you read 'Little Black Sambo'?" she said.

"It's very funny you ask me that," he said. "It so happens I just finished reading it last night." He reached down and took back Sybil's hand. "What did you think of it?" he asked her.

"Did the tigers run all around that tree?"

"I thought they'd never stop. I never saw so many tigers."

"There were only six," Sybil said.

"Only six!" said the young man. "Do you call that only?"

"Do you like wax?" Sybil asked.

"Do I like what?" asked the young man.

"Wax."

"Very much. Don't you?"

Sybil nodded. "Do you like olives?" she asked.

"Olives--yes. Olives and wax. I never go anyplace without 'em."

"Do you like Sharon Lipschutz?" Sybil asked.

"Yes. Yes, I do," said the young man. "What I like particularly about her is that she never does anything mean to little dogs in the lobby of the hotel. That little toy bull that belongs to that lady from Canada, for instance. You probably won't believe this, but some little girls like to poke that little dog with balloon sticks. Sharon doesn't. She's never mean or unkind. That's why I like her so much."

Sybil was silent.

"I like to chew candles," she said finally.

"Who doesn't?" said the young man, getting his feet wet. "Wow! It's cold." He dropped the rubber float on its back. "No, wait just a second, Sybil. Wait'll we get out a little bit."

They waded out till the water was up to Sybil's waist. Then the young man picked her up and laid her down on her stomach on the float.

"Don't you ever wear a bathing cap or anything?" he asked.

"Don't let go," Sybil ordered. "You hold me, now."

"Miss Carpenter. Please. I know my business," the young man said. "You just keep your eyes open for any bananafish. This is a perfect day for bananafish."

"I don't see any," Sybil said.

"That's understandable. Their habits are very peculiar. Very peculiar." He kept pushing the float. The water was not quite up to his chest. "They lead a very tragic life," he said. "You know what they do, Sybil?"

She shook her head.

"Well, they swim into a hole where there's a lot of bananas. They're very ordinary looking fish when they swim in. But once they get in, they behave like pigs. Why, I've known some bananafish to swim into a banana hole and eat as many as seventy-eight bananas." He edged the float and its passenger a foot closer to the horizon. "Naturally, after that they're so fat they can't get out of the hole again. Can't fit through the door."

"Not too far out," Sybil said. "What happens to them?"

"What happens to who?"

"The bananafish."

"Oh, you mean after they eat so many bananas they can't get out of the banana hole?"

"Yes," said Sybil.

"Well, I hate to tell you, Sybil. They die."

"Why?" asked Sybil.

"Well, they get banana fever. It's a terrible disease."

"Here comes a wave," Sybil said nervously.

"We'll ignore it. We'll snub it," said the young man. "Two snobs." He took Sybil's ankles in his hands and pressed down and forward. The float nosed over the top of the wave. The water soaked Sybil's blond hair, but her scream was full of pleasure.

With her hand, when the float was level again, she wiped away a flat, wet band of hair from her eyes, and reported, "I just saw one."

"Saw what, my love?"

"A bananafish."

"My God, no!" said the young man. "Did he have any bananas in his mouth?"

"Yes," said Sybil. "Six."

The young man suddenly picked up one of Sybil's wet feet, which were drooping over the end of the float, and kissed the arch.

"Hey!" said the owner of the foot, turning around.

"Hey, yourself! We're going in now. You had enough?"

"No!"

"Sorry," he said, and pushed the float toward shore until Sybil got off it. He carried it the rest of the way.

"Goodbye," said Sybil, and ran without regret in the direction of the hotel.

The young man put on his robe, closed the lapels tight, and jammed his towel into his pocket. He picked up the slimy wet, cumbersome float and put it under his arm. He plodded alone through the soft, hot sand toward the hotel.

On the sub-main floor of the hotel, which the management directed bathers to use, a woman with zinc salve on her nose got into the elevator with the young man.

"I see you're looking at my feet," he said to her when the car was in motion.

"I beg your pardon?" said the woman.

"I said I see you're looking at my feet."

"I beg your pardon. I happened to be looking at the floor," said the woman, and faced the doors of the car.

"If you want to look at my feet, say so," said the young man. "But don't be a Goddamned sneak about it."

"Let me out here, please," the woman said quickly to the girl operating the car.

The car doors opened and the woman got out without looking back.

"I have two normal feet and I can't see the slightest God-damned reason why anybody should stare at them," said the young man. "Five, please." He took his room key out of his robe pocket.

He got off at the fifth floor, walked down the hall, and let himself into 507. The room smelled of new calfskin luggage and nail-lacquer remover.

He glanced at the girl lying asleep on one of the twin beds. Then he went over to one of the pieces of luggage, opened it, and from under a pile of shorts and undershirts he took out an Ortgies calibre 7.65 automatic. He released the magazine, looked at it, then reinserted it. He cocked the piece. Then he went over and sat down on the unoccupied twin bed, looked at the girl, aimed the pistol, and fired a bullet through his right temple.

THE OVERCOAT- SALLY BENSON

IT had been noisy and crowded at the Milligan's and Mrs. Bishop had eaten too many little sandwiches and too many iced cakes, so that now, out in the street, the air felt good to her, even

if it was damp and cold. At the entrance of the apartment house, she took out her change purse and looked through it and found that by counting the pennies, too, she had just eighty-seven cents, which wasn't enough for a taxi from Tenth Street to Seventy-Third. It was horrid never having enough money in your purse, she thought. Playing bridge, when she lost, she often had to give I.O.U.'s and it was faintly embarrassing, although she always managed to make them · good. She resented Lila Hardy who could say, "Can anyone change a ten?" and who could take ten dollars from her small, smart bag while the other women scurried about for change.

She decided it was too late to take a bus and that she might as well walk over to the subway, although the air down there would probably make her head ache. It was drizzling a little and the sidewalks were wet. And as she stood on the corner waiting for the traffic lights to change, she felt horribly sorry for herself. She remembered as a young girl, she had always assumed she would have lots of money when she was older. She had planned what to do with it - what clothes to buy and what upholstery she would have in her car.

Of course, everybody nowadays talked poor and that was some comfort. But it was one thing to have lost your money and quite another never to have had any. It was absurd, though, to go around with less than a dollar in your purse. Suppose something happened? She was a little vague as to what might happen, but the idea fed her resentment.

Everything for the house, like food and things, she charged. Years ago, Robert had worked out some sort of budget for her but it had been impossible to keep their expenses under the right headings, so they had long ago abandoned it. And yet Robert always seemed to have money. That is, when she came to him for five or ten dollars, he managed to give it to her. Men were like that, she thought. They managed to keep money in their pockets but they had no idea you ever needed any. Well, one thing was sure, she would insist on having an allowance. Then she would at least know where she stood. When she decided this, she began to walk more briskly and everything seemed simpler.

The air in the subway was worse than usual and she stood on the local side waiting for a train. People who took the expresses seemed to push so and she felt tired and wanted to sit down. When the train came, she took a seat near the door and, although inwardly she was seething with rebellion, her face took on the vacuous look of other faces in the subway. At Eighteenth Street, a great many people got on and she found her vision blocked by a man who had come in and was hanging to the strap in front of her. He was tall and thin and his overcoat which hung loosely on him and swayed with the motion of the train smelled unpleasantly of damp wool. The buttons of the overcoat were of imitation leather and the button directly in front of Mrs. Bishop's eyes evidently had come off and been sewed back on again with black thread, which didn't match the coat at all.

It was what is known as a swagger coat but there was nothing very swagger about it now. The sleeve that she could see was almost threadbare around the cuff and a small shred from the lining hung down over the man's hand. She found herself looking intently at his hand. It was long and pallid and not too clean. The nails were very short as though they had been bitten and there was a discolored callous on his second finger where he probably held his pencil. Mrs. Bishop, who

prided herself on her powers of observation, put him in the white collar class. He most likely, she thought, was the father of a large family and had a hard time sending them all through school. He undoubtedly never spent money on himself. That would account for the shabbiness of his overcoat. And he was probably horribly afraid of losing his job. His house was always noisy and smelled of cooking.

Mrs. Bishop couldn't decide whether to make his wife a fat slattern or to have her an invalid. Either would be quite consistent. She grew warm with sympathy for the man. Every now and then he gave a slight cough, and that increased her interest and her sadness. It was a soft, pleasant sadness and made her feel resigned to life. She decided that she would smile at him when she got off. It would be the sort of smile that couldn't help but make him feel better, as it would be very obvious that she understood and was sorry. But by the time the train reached Seventy-Second Street, the closeness of the air and the confusion of her own worries had made her feelings less poignant, so that her smile, when she gave it, lacked something. The man looked away embarrassed.

Her apartment was too hot and the smell of broiling chops sickened her after the enormous tea she had eaten. She could see Maude, her maid, setting the table in the dining-room for dinner. Mrs. Bishop had bought smart little uniforms for her, but there was nothing smart about Maude and the uniforms never looked right.

Robert was lying on the livingroom couch, the evening newspaper over his face to shield his eyes. He had changed his shoes, and the gray felt slippers he wore were too short for him and showed the imprint of his toes, and looked depressing. Years ago, when they were first married, he used to dress for dinner sometimes. He would shake up a cocktail for her and things were quite gay and almost the way she had imagined they would be. Mrs. Bishop didn't believe in letting yourself go and it seemed to her that Robert let himself go out of sheer perversity. She hated him as he lay there, resignation in every line of his body. She envied Lila Hardy her husband who drank but who, at least, was somebody. And she felt like tearing the newspaper from his face because her anger and disgust were more than she could bear.

For a minute she stood in the doorway trying to control herself and then she walked over to a window and opened it roughly.

"Goodness," she said. "Can't we ever have any air in here?"

Robert gave a slight start and sat up. "Hello, Mollie," he said. "You home?''

"Yes, I'm home," she answered. "I came home in the subway."

Her voice was reproachful. She sat down in the chair facing him and spoke more quietly so that Maude couldn't hear what she was saying. "Really, Robert," she said, "it was dreadful. I came out from the tea in all that drizzle and couldn't even take a taxi home. I had just exactly eighty-seven cents. Just eighty-seven cents!"

"Say," he said. "That's a shame.

Here." He reached in his pocket and took out a small roll of crumpled bills. "Here," he repeated. And handed her one. She saw that it was five dollars.

Mrs. Bishop shook her head. "No, Robert," she told him. "That isn't the point. The point is that, I've really got to have some sort of allowance. It isn't fair to me. I never have any money! Never! It's got so it's positively embarrassing!"

Mr. Bishop fingered the five dollar bill thoughtfully. "I see," he said. "You want an allowance. What's the matter? Don't I give you money every time you ask for it?"

"Well, yes," Mrs. Bishop admitted. "But it isn't like my own. An allowance would be more like my own."

"Now, Mollie," he reasoned. "If you had an allowance, it would probably be gone by the tenth of the month."

"Don't treat me like a child," she said. "I just won't be humiliated anymore."

Mr. Bishop sat turning the five dollar bill over and over in his hand. "About how much do you think you should have?" he asked. "Fifty dollars a month," she told him. And her voice was harsh and strained. "That's the very least I can get along on. Why, Lila Hardy would laugh at fifty dollars a month."

"Fifty dollars a month," Mr. Bishop repeated. He coughed a little, nervously, and ran his fingers through his hair. "I've had a lot of things to attend to this month. But, well, maybe if you would be willing to wait until the first of next month, I might manage."

"Oh, next month will be perfectly all right," she said, feeling it wiser not to press her victory. "But don't forget all about it. Because I shan't."

As she walked toward the closet to put away her wraps, she caught sight of Robert's overcoat on the chair near the door. He had tossed it carelessly across the back of the chair as he came in. One sleeve was hanging down and the vibration of her feet on the floor had made it swing gently back and forth. She saw that the cuff was badly worn and a bit of the lining showed. It looked dreadfully like the sleeve of the overcoat she had seen in the subway. And, suddenly, looking at it, she had a horrible sinking feeling, as though she were falling in a dream.