This recycle mark indicates that the packaging conforms to …Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en Alemania. MA0502-B

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This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany.

Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en Alemania.

MA0502-B Printed in China

CTK496/700AR1A

CASIO COMPUTER CO.,LTD.6-2, Hon-machi 1-chome

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GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas).

NOTICEThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in aresidential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installedand used in accordance with the instructions, may cause harmful interference to radio communications. However,there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmfulinterference to radio or television reception, which can be determined by turning the equipment off and on, the useris encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNINGChanges or modifications not expressly approved by the party responsible for compliance could void the user’sauthority to operate the equipment.

Important!Please note the following important information before using this product.

• Before using the optional AD-5 Adaptor to power the unit, be sure to check the AC Adaptorfor any damage first. Carefully check the power cord for breakage, cuts, exposed wire andother serious damage. Never let children use an AC adaptor that is seriously damaged.

• Never attempt to recharge batteries.• Do not use rechargeable batteries.• Never mix old batteries with new ones.• Use recommended batteries or equivalent types.• Always make sure that positive (+) and negative (–) poles are facing correctly as indicated

near the battery compartment.• Replace batteries as soon as possible after any sign they are getting weak.• Do not short-circuit the battery terminals.• The product is not intended for children under 3 years.• Use only CASIO AD-5 adaptor.• The AC adaptor is not a toy.• Be sure to disconnect the AC adaptor before cleaning the product.

CASIO Europe GmbHBornbarch 10, 22848 Norderstedt, Germany

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0(gR C-' $"( LV' 0XiM *((i,Ar-24

0(gR C3 0XiM \ 'Ar-24

h(9B' Y"/Ar-25

\3, &H &MgR C3 t :1 % 6$%+Ar-25

] a P/5 4\\\\\\\\\\\\\\\\\\\Ar-26

*,"' 1 Q3 *,7 L% V-'Ar-27

N+% E\\\\\\\\\\\\\\\Ar-29

x(,9 0"' :EMAr-29

x(,9 0"' o(i,Ar-29

Ar-7

`

MIDI\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\Ar-30

" MIDI?Ar-30

MIDI ' Ar-30

Ye"-b *((i,MIDIAr-31

' g?H\\\\\\\\\\\\\\\\\\\\\\\\Ar-33

+H%\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\Ar-35

X#\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\A-1

0Xi' 0X5SA-1

0,"' !7#A-2

\3/R *,7 0F*A-4

0-F' 7 *E' Y;u 0X5SA-6

DElRhythmA-7

MIDI Implementation Chart

627A-A-009A

Ar-8627A-A-010A

CB BA0 D E F *G

MLKJ

1 2

6 84 5 7

3

H I

9

N O P SQ R

Ar-9

1 MIC VOLUME

2

3 MAIN VOLUME

4 SYNCHRO/FILL-IN

5 START/STOP

6 POWER/MODE

7 TEMPO

8 ACCOMP VOLUME

9 TRANSPOSE/TUNE/MIDI

0!" #$ % & '

A() *

B"+

C, MIC IN

D!" -. /01

E!" %2)

F!" 3%4 5%

*

&678 98 .: ;< -8 ( :< => ? :@ * A

678 BC D60. +'< A E'F

627A-A-011B

T@=G MIDI OUT

U@=G MIDI IN

V@=G SUSTAIN

W, DC 9V

X@=G PHONES/OUTPUT

GEH

H [+]/[–]

• ) I. *2 J K 3(L=> [+] [–] 6 & *%M "

EHF

I & >N& *

•/67O > P *2 Q; EHF

•/67O 3 R * +%= (L=> 9S *F

J TONE

K RHYTHM

L SONG BANK

M STOP

N PLAY/PAUSE

O REW

P FF

Q LEFT ON/OFF

R RIGHT ON/OFF

S CHORD BOOK

T U XV W

•(> H T P 6 8 L=> JU *HA 608 CTK-496F

Ar-10627A-A-012A

! "

#$0VW X %1 QK UY *60Z @ (TONE, RHYTHM, SONG BANK)F

%$) %2), ) -. /01, ) 5% , " H; @ * A

&$-. /01, \@−** , H3 &R2> 3%4 5%

'$() %2", () -. /01, () 5% H?, () H; @ * A

($]B 8 =^ ( P '% * P *EW P '@F 3= )( 0VW +%= *L 3= @ * AF ? & &9_ )( 0VW

+%= *E_ % P =Y . C6 @< C7 C & *W) - &+'P `? @= +. C P EHF

)$(L=> @ * A ( C % * P +a P '@ &P +a &b%c d+6G +_ R2" 5%

*$\@−** , 3%4 5% , &("c &* 9S *

+$%K *C 3? &b%c d+6G +_ R2" 5% F “L” “R” *C Dc =− Y =− "%PF

,$-. /01, \@−** , + &R2> 3%4 5%

-#$-. /01, \@−** , + &R2> 3%4 5% ; HK

##$ e) 3%4 5%

f@V

•&B' EH HT P 6 8 L=> \6 3W 5g H T KF %M - P ) P *VW +'< EH = *L'h +. B' HT P

6 8 L=>F

4

1

2 5

11

3

789

6

10

•JUi JP 9 jW EH b%c (L=> 3%4

5% F

(&% '

#

##

#-

, + *

)

Ar-11

./01 /1 2 34

d7 . kkl R2" . 3%4 5% *m*P B E /("1 & E +W)F d

+"' : 3 : (_ *\8 Dc ':T. ':6Y & Dc \@: 'T., :G

4 E_ P @ * AF RV n(L=> 3%4 5% o P T Ar-

22 ' 8 +. E_ ? R2" 3%4 5% F

567 689 :; . 2 34

43 2 . ;: 986 765 <=

1HK POWER/MODE < NORMALF

2(:L=:> & MAIN VOLUME :P: *L:: :: :@

* A < %L R F

3H2K SONG BANK =78 H? 3%4 5% F

4(L=> !": 3%4 5% P p=: %2" P *0= d+6G +:W,

b) (L=> & > P *=78 ) %2" qY "CF

BO: P *L ”68 ODE TO JOY”, 678 6 b) 8F

5H2K PLAY/PAUSE =& +_ %2"F

•%2" *E_ P 6G $RW! , *E = /3=c 3E= O '%W0F

•EH *C * A '@ sP @ * A ()t, E_ 33?

s? 3?t, % ( P s= ( Pt, &("c

*F

627A-A-013A

PLAY/PAUSE

SONG BANKMAIN VOLUME

POWER/MODE

Number buttons

>?/ 6 "@A 8 SONG BANK

& >

6BBBBBBB"BBBBBBB BBBBBBC

DE

.<F <F ! G /

3HI1 !

Ar-12627A-A-014A

6H2K RIGHT ON/OFF P *\8 Dc '6Y ' = "%P

@O E_ P @ * AF

•d @ * A () < EH 3? * % 4 R

'6 EWF

7H2:K: : RIGHT ON/OFF :G &7: E: :=: *u:2: :8: R:

'6F

•I%:4 &0Q: *u2 :8 d0_ D:c \@: 3Q:2K +':< LEFT

ON/OFFF

8H2K STOP P *h d+6G +_ R2" 3%4 5% F

9H2K: TONE P: *L^ .: H? 3%4: 5% : *E:6 <

7 %2" -. /01F

f@V

•I%4 &0Q &6c E"' &b%c +_ R2" 3%4 5% F

•d0_: H2K PLAY/PAUSEF

•*=> (0? v>: H2K FF s*=> (0?tF

•*D ?: H2K REW s*D ?tF

./01 /1 2 34

RIGHT ON/OFFSTOP

TONE

5D9 JK/

Ar-13

@ * A JUi I. & ]= 3 3 . L^ @!K %P (P

s3(L=> TO * 66t & 30F *m9= 6!" & *\8 +.

@ * A P &Y a $*L=WF

! LM

*m9= 6!" & *\8 +. '@ 8 e" 8 & (=O 0F

ML NO

1@w 5c Dc 0F

2@"8 (a 30 @X) AA P ) 0F

•*m9= . & Dx (+) x (–) DW T TF

3678 %c P 5c ) 0 8 2cF

= $ *E"8 '@ T T q @"'a & (=a 0 b%c H? u2 8F

q @=y JU:, \8 ':@ +:6G *u2 :'W :G &7 0Xx: & 0E =: j :

; E F

.7 LP

L ;6 .Q M.R.

P 0HA +" 0 0PF

ILM PR/ $$$$$$$$$$$$$$$$$$ ' 6M*ILM .8 $$$$$$$$$$$$$$$$$ 6S** " E'0 JP +" 0 (P P 6D -G E60, ?

HK '@ +%= (KF d &\< 6D -G & E_

+%= HK +P D= '@ = 0\ +" 0F

&Y . Ef *HA ; 0F (=O 0 3m\<

(+ +%= @=y &Y . z*PF

• +> \=

•W 5 8

•EH *Q | 3\G E, E", & *\Ex c*W

•RLg 5 ; EP "+N("+ &

•*u0Z \ %~

•*=78 +HP P \ +%= E_ 3m *E

•dRW D| P +%= E_ 3\ *?

•*U3US Hc EH & d+W +%= E_ 3\ *?

•\ %~ " @< 3E= & *w & *%WP Q2K +'<

•d= R2" L'h DU0

•K d01 5 ; EP +_ 3%4 5%

•= :, *u0Z \:, & @X:) %L +%:= E_ .

9 * \8 & DW MIDI

•*ui P 678

•d+> \= =G +%= d(L=>

•&7 D| P =G +%= d(L=>

T/

d (c d(E"O 0 = 0x P *3W) 0% +%Z *'h v c

G, & & *%X, UY 0L' 7 -0 /3 uL\ F *m9=

6!" . f@V /@ ; F

•$eO * 4 0 ' $ *"A 3m 0R P 6!G \ GF

•$ *Eg 0 ' d< LR & L'M %W) 3TW)F

•$ *) ' 3L'K 30 =I 3m7Y D=0=GF

•$ *) ' 3L'K 30 . &R1 L'F

•$ eO ' T. 0F

•*m9= . & ;_ D (+) (–) '0 0R DWC 30

T TF

U

d (c d(:E":O :0 =: *:x P: *3W:) 3%: +%:Z *':h v :c

G, & & *%X, UY 0L' 7 -0 /3 uL\ F 6!" *m9=

. f@V /@ ; F

•d(L=> K 0 =6G (L=> ? JU %F

•&R1 0 . % dq 9%a *LK E=> d(L=Z G ;0'F

V

627A-A-015A

Ar-14

.7 LP

627A-A-016A

! .OW /77 AC*m9= . (L=> O AC K =6 '@ * A JUiF

.OW ./77 AC X7: AD-5

Z [

&0Q $@ TU0 /@ ; +%= (L=> TO * 66 ACF

T/

(c d(E"O '4 W3!P '"W0| AC 0L' 7 -0 & \=

W3! F 6!" 9. m9= . f@V /@ ; F

•*m9= . (L=> W0| AC =6 K WU %F

•d(L=> K \= =G UY 0 DW=i 678 E=O E') +'<

W0| ACF

•$*) 3T" 8 != +'< L^ W3!P (fw "=GF

•$*) ' 3H? & c b ' +'< '4 & *E0QZ 'TG

•$*) ' 3E=08 '4 & *E0QZ d< B%P !=F

•$*) ' 3B%P & = '4F

•dq @=y *'h ''4 W3!P & ,, &*\8 39 '4 'P &

=> 7= 9( CASIO E"=GF

•$*): ': 3'",: W0| AC 3 :%": * 0=04: ':F & E8 JU:

0L' 7 \= W3! F

•&(L=> W0| AC P @ $0Eg *u

3cF c 0L' 7 -0 \= W3 F

•$*): 3H? :J0: & &Y +c #7 ':c 3:!8

W0| ACF c 0L' 7 -0 \= W3 F

U

(c d(E"O W0| AC 0L' 7 -0 & \= W3! F 6!" 9.

m9= . f@V /@ ; F

•$ *): 3H? :'4 W:3!P: 0: . =: & &Y \6 &7:Y

'TGF

.D\ DC 9V

•$*) ' 3XUS '4 +%= R+ . L^ W3!PF 6!"

= . W0| AC +%= R+Z . 3ZF

•d678 W0| AC 678 L^ 3-!K d< &3E= =Y 0\8 d ZF

•) 3%:1 :, W:0| AC .: L:^ : 3-:!K &b%:c Eh:

+=0 & 8 UJS dP @' & 2 S +. %O G ;0'F

•G @=G +'< 8 P %, R1 3, W0| 66 AC .

7^ -!K A &Y &*3 9" +'< % 3%c

3,F

Q!

•*m9= & '@ P H? /0_ 8 * 8 & \8 TO 66

ACF

•d (L=> TO 66 AC G ;0' = 0? 6D @*Z 3T

$ * ? F JU +6Y $ 0E%P = j F

^_ LP RD`

+%= * :L= ; 30, ;: '@ *\8 *'! : +%= *9W

': 3= &6c &Y +"' : =G @P 6:!F +%= @=y JU:, H2K +'<

POWER/MODE E = ' G &7F

f@V

•$ *VW j \8 *'! s$ *E"8t +%= (L=> TO 66

AC u2 8 @ * AF

`DR _^ <a @b

(" P H2K TONE (8 &b%c *u2 8 @ * A '2< j \8

*'! F

f@V

•+%= 2c j \:8 *'! , $ I. '@ & *%:\8 &**

W" 9 ;O =G P *9W W 3= Dc &Y +"' F

•d0_ =G *'! 0 38 'E"8 G &7Y +%= *> 3T08 =G

@ * A H? u2 8

cIA

98 H; '@ *E6 P "W /3=! +%= 0E6 *u2 8 ; @ * A

3E= d0W 3E"' POWER/MODE & \8 &** P 'F

.OW ./77 AD-5 AC

de ./77 AC

Ar-15 627A-A-017A

HfM

Phones/Output8 * 8 ":+ & E= 7D &7, *m9= &$ & *h H;:

\ 3'@ DWG \'F 3E= q4 I%4 HK

'T= 'S 3E= ("O fF

Z [

1

2

3

H N6M gKh 1i

* 8 "+ (_ 0\8 %~ . ("+ @ :* A B, U4

I%4 E_ @< a m7 . ' 8 3= d+^ &@=F

0?8 N1 gKh 2i

8 @ * :A 3XW ("? 3(L=> (':4 9W3P pY 3 u ( : P

&@= ;_ :C PIN P: _ z7F $@: & , : (P UY

*'Z: ? '@: 0Xx & 0 :, (:0, d$ ( :6 +'< 7^

@=G :K .: %: /(:0F P: JU :u :8, &Ra: +6G *Q:K 7: :

/67O W "? d< @=G s+6G HT AUX IN & Pc u3Zt @

08 '4 . @ * AF RD D1 d< E' " P *m*P ? W

"EP 0= . 8F

.1 j?k DE gKh 3i

(L=> ('4: * 8 pY* I. -\O +' :Z q4 8 '@ :(?

W ( PF

**m9= . (L=> ('4 * 8 UY Z , (0 (P P _ UY

*'Z ? '@, 8 UY I= %G 6D s"O ICt '"(? UY

*'ZF R1 8 m P & . ;_ = 0x = &@= %

/(0F

+%=: * 'Z: `(? DW: ( :P, HK: : @ :* A +':< :

%L R DE8 %~ Q; L= e" (?F

INPUT 1

INPUT 2

Z.W HR[

f@V

•I%4 &0Q & *8 @=G MIDI d< 9" * & :3?F RV “MIDI” P

T Ar-30 ' 8F

^ 6G

I%4 * 8 3= *=+ ) 7 0 sSP-3 & SP-20t d< @=G SUSTAIN ".

= HT &(8F

I 6G

•? R2": R, *W :K = 0x *:; %, 3=D: 9 G B8 3=:

*u a RF

•? R2" D, *W K = 0x (" \ @< 0) *w =:

=NM lM

(L=:> K " : /7 =6G ':@ * A: JUiF d (L=>

@= 5 0x 7 -0, = 9W3 , D L\ F

SUSTAIN

SP-20

@=G PHONES/OUTPUT

=78 @ * A,

=78 , F

AUX IN & @=G u3W (?

60

&3 &@" T ,

, ( 0 (<

* ' ("E

IC0

d< @=G

PHONES/OUTPUT

'@ * A

, (0

T , s&@"t 3, PIN

T , s&3 t@=G @ * A &

D

, (<

Ar-16627A-A-018A

6NRM

JU c 0 E' +. &6c E"' (( '@ * AF

689 <F

F< mR6 98 <=


2(L=> & MAIN VOLUME P *L @

* AF

•dRW 6!" G D =G & *QK @ * A +%= %L R

8 E_F

•d Q2K +':< [] & [] 06 P jW H:K -P P:

EHF H2K +'< [] & [] G &7 2 QKF

3+_ P '@F

l d@N .

@ * A JUi *m*< ? kkl R2" BF (L=> 0 L %2"

P *0= & *L=WF

. N@d !

1&D= %2" < *0= & *L=W < !" %2" TONE 6

) R2"WF

• a 98 %2" :@ *VW +'< !" %2" :+ +'< 7R

@: :* AF E:: !": :':, &RV: n!": %2:"o 3\:T:

A-1F

2H2K TONEF

3(L=> & > :P *=78 ) %2" qY ":C '%2"

P *0= & *LJF

BO: P *L ”26 WOOD BASS”, 678 2 b) 6F

•z % E < @ * A (_ * E 3(

("E< 7u< DW F

f@V

•6!" 678 98 :> Bfb ) %2), :f =0 sq D=tF

q 67':a: ): @=: & &b%C: b): *::a:, : E:H: (:_ ]:A:

&** UY 67'Z 3E= b ' 'F

•I%4 &0Q & *0= +'< @8 ) %2) Eg 3Q2K +'< [+]

*%\Z +'< @8 3Q2K +'< [–]F

• R2": *mb \: B8 77 VEHICLE (:_ *\= *: 3\G

Q8 +%= e ` < @ * A Q2;F

MN@ n=/

< 0HA R+C . %2" 9 P I. -\O +' WF

@NM M LD gP @NM: 80 m 89i

BO: 80 STR PIANO

JUi %2" *E"8 ; %2" * ? R2" 3 R U4 98 %W" 0\= *

+%= *Q2K @ * AF

d@NM DG gP @NM: 90 m 96i

BO: 90 BASS/PIANO

JUi %2" *) @ * A U4 &@= =0 0 < R2" DW

=Y z7 0 < R2" 3 RF

BASS PIANO

MAIN VOLUMEMIC VOLUME

POWER/MODE

TONE Number buttons

>?/ 6 "@A 8 TONE

& >

Ar-17

HM LR D/

BO: 99 PERCUSSION

JUi %2:" * & ;:' +=0=G ':@ * A:F RV n!" #$ %: &

'o & % P T A-6 8 9'F

d@NM op/ _M

? R2:" *mb : \: 77 @< 79, R1 \: %:~ 0E"=: +'< :?

9_ @ : 0D= : U *Q2:ZF +%=: 7 78 PHONE &R:1

@: J< PUSH TONE 1, PUSH TONE 2, RING 1, RING 2,

BUSY SIGNALF

1qD. D. d

d \':A ;? 0=:O +'< &\< +=:6 . % P I:%4 +W: P R,

aF @ * A JUi 3W l ? ( :P, P eY % P *EW

B::8:: ::q^ &-:: /0::::1 \::::@:::: *::::* :::: ::::: ::P:: +::a::

3'@F JU 0E%P &RZ +%= 0E_ -. 01 & q \@ &** 3(

'@, ) % s;?t P I. -\O +' W E_ '@ = RMF

&0Q $@ & 3E %2" 0 K ?F

f@V

•+%= +_ -. /01 & \@ ** :, +=6 P

*E_ P R, a (_ *8F

7 N

+=6 . %2" P I. -\O +' Z ? @ * A = *X 'Z EZ

3%V> 0"< "B 8 E=6YF 'm9= . +P . 6G %2" , "B 8

07U P = %L (K, *?: b) *L'K "=w 3m P JP 0

. ' 30 =JuF = *f@ 3E /7f Q: ' P &

D6G \ E %2" +%= *EW) P &H1 L': P '@F JUi

R X $ I. p%W . "B 8 9x, JP a +f +'< = j F

5! .D\ h/^V

d * 8 p0 ,MIC 0XE8 . ". 2%c 3Y ?

- =7' '@ * A & ? 7 . DW MIDIF+%= * 8

:, *m9=: &$ .: H:K s:: : :04 t MIC VOLUME d<: H:K:

%L R , 3E= q4 HK UY *5Z 3E= 8F

1HK MIC VOLUME @< 0\A +'< Rx “MIN”F

6NRM

627A-A-019A

2@O *u2 8Nd0_ ON/OFF d< H? u2 8F

3(:L:=:> :: MIC VOLUME :P: *Q:K: ::: :

d< UY *5ZF

Q !

•*m9= . d(L=> ON /OFF '": T08 d<

H? /0:_ \:8 : .: @ :* A: ( : +%:= $

*L=WF

d RNh/^V Hm IU

• 60%P s@9Pt s, (Pt

Q !

•*m9= . \8 . @ * A ( +%= $ *L=WF

g"" @T b/06i

&0 . V_ = *x @=y +c sHHc 2U0 /(D+ tF

•*2 & 3 =w

•H? 0 D= . ("+

dq @=y +:c, DS d3E:6 : 3E =: +. &, @:9Z 3E := +. &Y

("+F

"" rs

/HcG ':R =: *x: P @=y HHc :u P dG

F +%= 0T=y JU, ew 3E = +. /HcG P *? & *

(x uF

Microphone

Microphone ON/OFF switch

MIC VOLUME knob

s*u2 8N d0_t ON /OFF

%1 9R s−R*|t

Ar-18

!""!# # $%

"&' (' !)!*'+ ,- . /' $% 0"'1 2(' !3"4'5

$ 6'7' "'& 8"'' ''' !"'"!#' # 9:' ;0<'= >

?"45@+ AB ' 06& * C.B 2DE .F A'D, << 6 DH:

> (@ !3"45 05I 76E, 8< ;?J KL72 M4N 5+

D'' (' * OOP 9: 0<'= 'Q R'F"' "&' S6'* - 4'"%'

?"45 T0< "+

15' 9:' ;0<''= '> '05' - ?'"'4'5'@' (&' U'V7'' ;0<'=

RHYTHM Q- %U1 ;0<= WX !@+

•?Y AB' ;0<2 "' - ZH (&' UV7 ;0<= TF'2

2DE 8 3<+ : B 9.[ 2DE UV7 AD,

\ ]UV7 ;0<=^ !.H A-7+

2Z_ % RHYTHM+

33"45 $%U ;Q8'[ %U1 9: ;0<= `> Rab 25Q

DH: > 05 - 4"%+

R[: "4"% “64 WALTZ”, Z_ 6, d1 4+

a\

•“00 CLUB POP” E ZF_ 9: ;0<= e;!"5VE ?LB 265 fB

gU +

•S6* 0h - Q 9: %U1 ;0<= i !h_ 2DE [+] - 6<.@

!h_ 2DE [–]+

3"45 T0< " "F5 Uj 2 9: ;0<=+

1ZF_ "k POWER/MODE E NORMAL+

2Z_ % START/STOP "F5 2 9: ;0<= l"% +

3E Uj 2 9: ;0<=, Z_ % START/STOP m

8mn+

a\

•AB D E DQn !67 0- "k POWER/MODE

hFg E NORMAL+

627A-A-020A

START/STOP TEMPO

POWER/MODE RHYTHM Number buttons

! "# $%& RHYTHM

o%% $%U

Ar-19

627A-A-021A

' & ()

S6* h'F_ 9: 2 ;0<= 8a'[ 5n : 20 "E 255 Z! (E 5'U<+

hF_ DH: 0TFp 2DE 2 .F $, 27D !6* $q6+

)( &'

13"45 $o%% TEMPO rst "hF_ DH:+

: 0Q U7 32 ;0<=+

: 06<N U7 32 ;0<=+

R[: 3"7 (E h_ 2DE % "E - U7 DH: 110

(E %Z+

a\

•- h_ 2DE o%n TEMPO r t (E u UY 05 ZF_ DH:

D<7 ;!"5V ?LD DH: ;0<= l"% +

*+! , - . /0! 1

" 'v 31 \' (E %Z # U7' DH: Z! 9:' ;0<=

7 RF"+ " v '31 ?25I - C(w 2DE UY !67 #

9: ;0<= 7 RF"+

+#/

T0<' "' Z A' 3"4'5 8' .F $'' (E

+ UFB F5, 0Lx y - 4"% 9: ;0<= n 05 - ?"45@ hF_

2 9: ;0<= D<7 E 05+

/#+2

1ZF_ "k POWER/MODE E CASIO CHORD

FINGERED+

2Z_ % START/STOP E F5 2 9: ;0<= l"% +

32 +

•,- T0< 9<< "E 0Lx 3"45 "75 2DE Z#

"k POWER/MODE+ %#' E .H "' D"'B 2:

2 +

CASIO CHORD.................... .H

FINGERED.............................H Ar-20

4E' Uj' 2 .'F $''', Z_' % START/

STOP 8n+

+3 CASIO CHORD

T0< : 2 DH: zB !;- $> M4N $9- !?,

! 6\ 2: ( 3< ?!< A * WF+ "& 0Z ]

.'F'^ CASIO CHORD ]' '' D'Q>^ 04'F'I Aj' '

CASIO CHORDs+

4 5 CASIO CHORD (67

a\

• .F S: 3"45 $% (<_+

y 06"| > ` A6Y C[ 2 DQ> Q (&

.F+

8 ++9 (! 9

:;# <= (<> !< ?@ < <

A9 4 5BC

+* !

!0/ . - , !+*

$!D

; E ()

.F DQ>

Ar-20627A-A-022A

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627A-A-027A

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Ar-30627A-A-032A

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+.M ! GY : 0 L# 99; !i 2B # 2r U dd` .B J+#

HI KL g): "!, >@< 2B 8@t H GY &;

:G H h+i 9\G, 895 .B MIDI <, # fR '#+- B

+.M ! GY : 0 L# 127; 1& : ~a` .B MIDI <

>) LG .B KL U dd` J+# 1 oR ! N\

A-2; 8# H h+i "2G 9G >* f#E '. MIDI < : 1+

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o+z ('#Ge;

•'. '2^ Q2 T g): @ 1+. MIDI;

•@e& MIDI T g): #+ '2 )* L NR ! oE '2^

Q2;

MIDI

627A-A-034A

Ar-33

!"#

• " !$ % &'(

•) &* +,-

•. ,0 ,"1 2!$3 456 7!

,6& 8$6

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•!M T 0S@ !J

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•;: . ,$ CD6 , " O1G

&6#Y EF % Z? [\

+, . )$MIDI

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=# &*

•OG.&]< )H^ =G _D6

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•J % 2!1 =G 4? `?H

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% a3" [S . Q?<

;+3 EF &Hb +, K

c " !$ PG ]D

d &* "

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f Q?<POWER/MODEK7 PG

CASIO CHORD . FINGERED

5? !"#

g#5 ]66.U #$< ;:

P%0

&* 0 P #5 )1 &S . [S0

.00

h?Ar-13,

14

h?Ar-16

h?Ar-16

h?Ar-16

h?Ar-13,

14

h?Ar-21

h?Ar-29

c ij k#ACL" O YI6 ,hh

!"#(+/–)YI6. ,hh ,

, &* !"# O

d Q? R#7POWER/MODEP

K7NORMAL

e !F MAIN VOLUME^.F

;:<

f#$< =G ]l &* P#" EF

Q? O] 03POWER/MODE

P% #5CASIO CHORD.

FINGEREDQ?< R#7 &*

POWER/MODE P NORMAL

!"# %0\ K !"# i#

^^&< ! ih . 2-AC

!F ACCOMP VOLUME^.F

;:<

P [S . )1 &S 0 &*0 . 00

627A-A-035A

Ar-34627A-A-036A

2^1? * V3 0S@

@3 EF% % m MIDI

&6#0Y

@# &,- @MIDI^ P

. K"1n 5? O]6 &6#0]3 ,GF%

P# &* m =G EF

&6#0]3 ,6 %

OG.&] )6 % oD6 77

OG.&]0

c$? P0− . P?:− F

d P% g#5 #$< ;:0

NMIDIhh &*

TONE MAP h ”N”

&6#0] ?p.MIDI THRUO]6

cW % T OG.&] J

C3 P<

d27J L&13 OG.&]< J

k!G

cZ? OG.&]< ;: R#7

q

dg#5 OG.&]< E1J9)SD6 Q?

E1r K7. P%OFF

c &'( OY s & 7! &#H

RS7 ,Vs OY s >.& &* F-

,SD FU !!+

(LEFT ON/OFF, RIGHT ON/OFF)

d,#$< ;: R#7

N ).MIDIhh

&S< &*TONE MAP P ”G”

?p. )$GMIDI THRU. &6#0] PG

)$GLOCAL CONTROL PG

c@ JtC3 P< OG.&]< W

d3 OG.&]< N&qoD !$ %

cOG.&]< ;: R#7 ^+

dOG.&]< E1J9)SD6 Q? R#7 &*

)SD K7. PJON

h?Ar-24

h?Ar-21

h?Ar-30

h?Ar-32

au &v@

K P6w6 P

. N&6#0Y

K3<

h?Ar-17

h?Ar-17

h?Ar-17

h?Ar-17

Ar-35

!

"#$:CTK-496/CTK-700

% &'(:cx ?Q \[ − P, y 1K

)*!:zzc

+:dc @S0 $P x S0 h^2|

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FE:W xed H"2, = zd JP yyd|

U.6!:d &` 3K (CASIO CHORD, FINGERED)

h][ r1W:START/STOP, SYNCHRO/FILL-IN

:; <$#:0 P 9 zc @S0|

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S0:zzc

<h]0:PLAY/PAUSE, STOP, REW, FF, LEFT ON/OFF (ACCOMP), RIGHT ON/OFF (MELODY)

123

[ !7:[9! [, 09[ 7# <?6, TONE, RHYTHM, SONG BANK

FE: 0 FE, &.@, 6, 6F, ('& 5&3, 7#R <D;

6&:[ 6&, ']) 6&

U3K:('& U3K, UF, !F #

3V U*:PLAY, PAUSE, REW, FF

<! <1P:y 1K K ('& ^2 .:, !F <1"K . U.YE

<?6:y 1K

MIDI:y &A−^2 6:1#)

-4 5

1):dc H"2 −x @$T @S0 P +y @$T @S0|

S[:W = A461&# zff &6F ±zy k|

<:;: 0 P 9 zc H"|

6%7! 8$

. MIDI:IN, OUT

. :0&2:1# P

.2 :0%9B:1# & P & ]O ^; :0K|

1. B: ΩG&` -, B: f Gk $P (RMS)

.2 ^ " :9V DC

^H) <]&.GO:1# = K 1#Z :; <]&.GO|

1. H): zf Y .

: H): zc P Gk

97; <:@v ^ F^.

#"!:k 3"! 1A AA

%0& #"!:61&#q f % DS) <) 3:# #"! 1

61&# % DS) <) 3:# #"! <\F

hi 6! &^^ AC:AD-5

G$) ! .66]=:?$) ! 61&# ^ ua 3 bH& %0 ?Q l] K #"! G1R, ] 7G, 3

= >!:zd . + zd .

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BC:61&# f Y\[ 3.O #"!|

627A-A-037B

627A-A-038A

A-1

627A-A-039A

PIANO00 PIANO 101 PIANO 202 HONKY-TONK03 STUDIO PIANO04 ELEC PIANO 105 ELEC PIANO 206 ELEC PIANO 307 ELEC PIANO 408 HARPSICHORD09 CLAVELECTROORGAN10 ELEC ORGAN 111 ELEC ORGAN 212 ELEC ORGAN 313 ELEC ORGAN 414 CHURCH ORGAN15 PIPE ORGAN16 REED ORGAN17 ACCORDION18 BANDONEON19 HARMONICAGUITAR/BASS20 GUT GUITAR21 ACOUS GUITAR22 JAZZ GUITAR23 ELEC GUITAR24 MUTE GUITAR25 DIST GUITAR26 WOOD BASS27 ELEC BASS28 SLAP BASS29 BANJOSTRINGS/ENSEMBLE30 VIOLIN31 CELLO32 HARP33 STRINGS 134 STRINGS 235 STRINGS 336 SYNTH-STR 137 SYNTH-STR 238 CHOIR39 VOICE OOH

BRASS40 TRUMPET41 TUBA42 BRASS ENS43 FR.HORN 144 FR.HORN 245 BRASS 146 BRASS 247 SYN-BRASS 148 SYN-BRASS 249 SYN-BRASS 3REED/PIPE50 SOPRANO SAX51 ALTO SAX52 TENOR SAX53 OBOE54 CLARINET55 PICCOLO56 FLUTE57 RECORDER58 PAN FLUTE59 WHISTLESYNTH-SOUND I60 SYN-LEAD 161 SYN-LEAD 262 SYN-LEAD 363 SYN-CALLIOPE64 SYN-PAD 165 SYN-PAD 266 SYN-PAD 367 GLASS HMCA68 COUNTRY FARM69 SYN-BASSSYNTH-SOUND II70 PEARL DROP71 COSMIC SOUND72 SOUNDTRACK73 SPACE PAD74 VOICE BASS75 APPLAUSE76 SYNTH-SFX77 VEHICLE78 PHONE79 FUNNY

LAYER80 STR PIANO81 STR E.PIANO82 CHOIR E.P83 CHOIR ORGAN84 STR GUITAR85 STR HARP86 BRASS STR87 VIB PAD88 12 STR GTR89 CHOIR STRSPLIT/PERCUSSION90 BASS/PIANO91 BASS/E.PIANO92 BASS/VIB93 BASS/GUT GTR94 V.BASS/OOH95 STR/PIANO96 STR/TRUMPET97 VIBRAPHONE98 MARIMBA99 PERCUSSION

A-2

627A-A-040A

00 12 A 00001 12 A 00102 6 A 00303 6 A 00204 12 A 00405 12 A 00506 6 A 00807 6 A 00908 12 A 00609 12 A 007

(1) (2) (3) (4)

10 12 A 01611 12 A 01712 12 A 01813 6 A 01514 12 A 01915 6 A 10416 12 A 02017 6 A 02118 12 A 02319 12 A 022

(1) (2) (3) (4)

20 12 A 02421 12 A 02522 12 A 02623 12 A 02724 12 A 02825 12 A 029, 030, 031, 08426 12 B 03227 12 B 033, 034, 03528 12 B 036, 03729 12 A 105

(1) (2) (3) (4)

30 12 A 040, 04131 12 B 042, 04332 12 A 045, 046, 04733 12 A 048, 05534 12 A 04935 6 A 04436 12 A 05037 6 A 05138 12 A 091, 05239 12 A 053

(1) (2) (3) (4)

40 12 A 05641 12 B 05842 6 A 05743 12 B 06044 6 B 05945 12 B 06146 6 B 06947 12 B 06248 6 B 063, 08349 6 B 070

(1) (2) (3) (4)

50 12 A 06451 12 A 06552 12 A 066, 06753 12 A 06854 12 A 07155 12 C 07256 12 A 07357 12 A 074, 07958 12 A 075, 076, 07759 12 A 078

(1) (2) (3) (4)

60 12 A 08761 6 A 081, 08662 12 A 08063 6 A 08264 6 A 08965 6 A 09066 6 A 09567 6 A 092, 093, 09868 6 A 054, 085, 09469 12 B 038

(1) (2) (3) (4)

70 6 A 09671 6 A 10372 6 A 09773 6 A 10174 12 B 03975 12 D 126, 12776 6 A 10277 6 D 12578 12 D 12479 6 D 123

(1) (2) (3) (4)

80 6 A 10681 6 A 088, 10782 6 A 10883 6 A 10984 6 A 099, 11085 6 A 11186 6 B 11287 6 A 11388 6 A 11489 6 A 115

(1) (2) (3) (4)

90 12 E 100, 11691 6 E 11792 12 E 11893 12 E 11994 12 E 12095 12 E 12196 12 E 12297 12 A 010, 011, 01498 12 A 012, 01399 12 D

(1) (2) (3) (4)

(1):

(2):

(3):

(4): MIDI

A-3

627A-A-041B

• !"#$ % &A ' E()

• MIDI * + MIDI + , -. "/ 01 23 4 56 728 + ”G”)

........

........

...........

C-1

A

E

D

C9C8C7C6C5C4C3C2C1C0 A0 A1 A2 G9

C*2

A=440Hz

B*1

*11. !9 MIDI ;<5=, 9 ?@ , 1<8. -'

A-B)

*21. !9 MIDI ;<5=, 9 ?@ , 1<8. -'

A0=)

CDE ?@ ,DF #GD D ,H ADI 1<8.D

J =<$ -0= <5K !9 MIDI)

1 0?@ = '

<!$ =?@

&2;L <$ A- <5K MIDI(

M 2 N 1<O =9)

<O 2 ! 1. )

& H(

& PM9 1L#Q

(R8 *

& ,<6

(“55 PICCOLO”

&"/ 9(

&<;(

A-4

627A-A-042A

+C ST-K 25UD V!. ; &W1=D XW3K <= !( Y 1Z X-D W[ ML) 0\19 +CD]

XV!. ^ 2Q , 0 = ')

X- _9 0\1 J (*) M`3Z 0?,^ , -. XV!. , +C] = ')

1234

5: V!. ;

M m 7 m7 dim7

C

D

E

F

G

A

B

C (D )

F (G )

E (D )

A (G )

B (A )

Chord Type

Root

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 2, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

*

*

*

M7 m7-5 dim[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

A-5

627A-A-043A

aug sus4

C

D

E

F

G

A

B

C (D )

F (G )

E (D )

A (G )

B (A )

Chord TypeRoot

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 3, 1] [5, 2, 1]

[5, 2, 1]

[5, 2, 1]

*

*

7 sus4 m add9 m M7 7-5 add9[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[5, 4, 2, 1] [4, 3, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

A-6627A-A-044A

!"# $ % &

•PERCUSSION & 99( 1? ab V 9 B5= = ' + 1 % !#$) 9 1 c 3$ 1#d 1 % A0= = ')

*

*Z 2e V 9 01 3 4 #% , +C 1Q B)

LOW TIMBALE

HIGH AGOGO

LOW AGOGO

CABASA

MARACAS

V VOICE BASS DRUM

V VOICE SNARE

V VOICE CLOSED HI-HAT

V VOICE OPEN HI-HAT

COWBELL

CRASH CYMBAL 2

CLAVES

RIDE CYMBAL 2

HIGH BONGO

LOW BONGO

MUTE HIGH CONGA

OPEN HIGH CONGA

LOW CONGA

HIGH TIMBALE

OPEN HI-HATLM

LOW-MID TOMHM

HIGH-MID TOM

CRASH CYMBAL 1H

HIGH TOM

RIDE CYMBAL 1

CHINESE CYMBAL

RIDE BELL

TAMBOURINE

SPLASH CYMBAL

BASS DRUM

SIDE STICK

ACOUSTIC SNARE

HAND CLAP

ELECTRIC SNAREL

LOW FLOOR TOM

CLOSED HI-HATH

HIGH FLOOR TOM

PEDAL HI-HATL

LOW TOM

A-7

627A-A-045A

POPS I00 CLUB POP01 VOCAL POP02 RAP POP03 FUNKY POP 104 SOUL BALLAD05 POP BALLAD06 LOVE BALLAD07 FUNKY POP 208 EPIC BALLAD09 LITE POPPOPS II10 16 BEAT SHFL11 16 BEAT POP12 16 BEAT FUNK13 8 BEAT POP14 8 BEAT SOUL15 8 BEAT SHFL16 DANCE POP 117 DANCE POP 218 POP FUSION19 FOLKIE POPROCK I20 ROCK WALTZ21 SLOW ROCK 122 SLOW ROCK 223 SOFT ROCK 124 SOFT ROCK 225 SOFT ROCK 326 POP ROCK 127 POP ROCK 228 50’S ROCK29 60’S SOULROCK II30 4 BEAT ROCK31 ROCK32 HEAVY ROCK33 8 BEAT ROCK34 STRAIGHT ROCK35 HEAVY METAL36 TWIST37 NEW ORLNS R&R38 CHICAGO BLUES39 R&B

'$ Rhythm

JAZZ/FUSION40 BIG BAND41 SLOW SWING42 SWING43 FOX TROT44 JAZZ WALTZ45 MODERN JAZZ46 COOL47 HARD BOP48 ACID JAZZ49 LATIN FUSIONDANCE/FUNK50 VOCAL GROOVE51 RAVE52 CLUB GROOVE53 TECHNO54 TRANCE55 HOUSE56 GROOVE SOUL57 DISCO58 RAP59 FUNKEUROPEAN60 POLKA 161 POLKA 262 MARCH 163 MARCH 264 WALTZ65 VIENNESE WALTZ66 FRENCH WALTZ67 SLOW WALTZ68 SERENADE69 TANGO 1LATIN I70 BOSSA NOVA71 SAMBA72 MAMBO73 RHUMBA74 CHA-CHA-CHA75 MERENGUE76 REGGAE77 BOLERO78 TANGO 279 LAMBADA

LATIN II/VARIOUS I80 PUNTA81 CUMBIA82 SKA83 TEX-MEX84 SALSA85 FOLKLORE86 PASODOBLE87 RUMBA CATALANA88 SEVILLANA89 FOLKVARIOUS II90 COUNTRY91 BLUEGRASS92 TOWNSHIP93 FAST GOSPEL94 SLOW GOSPEL95 ADANI96 BALADI97 BAROQUE98 ENKA99 NEW AGE

627A-A-046B

Fu

nctio

n ...

Tran

smitted

Reco

gn

izedR

emarks

Basic

Defau

ltC

han

nel

Ch

ang

ed

Defau

ltM

od

eM

essages

Altered

No

teN

um

ber

Tru

e voice

Velo

cityN

ote O

NN

ote O

FF

After

Key’s

To

uch

Ch

’s

Pitch

Ben

der

1C

on

trol

6, 38C

han

ge

71011

11-16

Mode 3X

36-96

O 9nH

V =

75,100 *2

X 9nH

V =

0

XXXXXXXX

*

:

*

=

Modulation

Data entry

Volum

eP

anE

xpression

1-4, 101-4, 10

Mode 3X

0-12736-96 *

1

O 9nH

V =

1-127X

9nH V

= 0,8nH

V =

* 3

XXOOXOXX

Models C

TK

-496/CT

K-700 M

IDI Im

plem

entatio

n C

hart

Version: 1.0

Ar-1

)(

! "#"$ %& '( )(* +'& ,-(. +'& /0

12*3(04

'5*6 7' 2 8 )( , '9 : )

+'(. ;*< '-(= $: 7 >7 '2 '*

?" @"%A 3B90 /0 ! "#"$ %& '(

)(* +'& '9?(C @"D4

'EF0 '"$G )( , '9 : ) +'(.

*< '-(= $: '* H ! )*70 3)?:

I '? J*< ! "#"$ %& '( )(* +'&

E-K 'E6 D L E-K '?2*3G4

627A-A-003A

M2NC %& +(O 'P'0 "Q(E(0 R'?*7M(0 1Q("

CASIO

•S-: +Q T'0, ,1 L 'E*G6 3V*I W!

' (XY "#"$6 H ''(:

•L HZC H[ %& 1: "Y 1X*#\ H

E-:

"] 90 , H $'(: 7%& ^ M9. '? ,1

L ^ 3 73F*E0 /V(V0, 7'? _\ +/30

7RÌ R*L 7X. L 'a ,C '*"] 3'"]< \ M(2

"bV0 $M

'* )(* +' "Y +c d J2 7 e-Ef 3F*E0 g(* /V(V0,

,h F* "Y 7 /30 `B(0 3'i0

'-(= j2* "$ )*7e0 7' k"< %& F* - "Y

7l/30 mF(*6 +c d ,)i(: ^ 3F*E0 g(* /V(V0 nG +X!

'-(=

'-(= j2* "$ )*7e0 7' k"< %& F* - l/30

73: "$ 7' "# H(2 +X'(0 '"#"$ ,a #XM HE8 +c d

,)i(: ^ 3F*E0 g(* /V(V0 nG +X! '-(=

Ar-2

;,Eo FEA 3XK 2p AC 3(X ,?" C -0

H : c'C h F* 'B0 '?2*3(0

Q 2p AC H ? ( ; *q

'r,)s 3G G h F* t*h 7'B0

'?2*3(0

;,Eo 3"b\ *0 7 < 7%G u* @"G 35: H"v

2p AC G h F* t*h 7'B0 '?2*3(0

+ Q"G +Q X! '-FY S - H ,*32o @ ^

%. ,a 'w`(G >76, 7 ,9*, 7'< h F*

t*h 7l/30 ')B(0 ,1 $5XA L Wj0

l(eY ''(0

•;k7! ,9?(C '-FY FEA 7; ,Xx 3 ?"M"

H $5*6 SB(*6

•; , *q '-FY FEA +'& '"M0 7 'y

2o 3V*S2o

•; ,Eo FEA 38 3FY Sz0 3*< #6

•; ,Eo FEA 38 3FY L M"D 90

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627A-A-004A

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Ar-4

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627A-A-006A

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/

627A-A-007A

,2M( ;(O '2 T'0 "Q(E(0 CASIO '"0 9,(x ,"H* 'C Wx 7mB5y ''(0

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Ar-6627A-A-008A

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-#+ " .\\\\\\\\\\\\\\\\\\Ar-5

`\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\Ar-6

P. 0/\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Ar-8

0b ' QAr-10

3 - D4 Dd\\\\\\\\\\\\\Ar-11

0(gR C-' Lt % 6$%+Ar-11

B )/ \\\\\\\\\\\\\\\\\\\\\\\\\\\Ar-13

YF-' QAr-13

$$* (' !"V QACAr-14

(5E, 0SF' :BHAr-14

83"Z'Ar-14

?H \\\\\\\\\\\\\\\\\\\\\\\\\\\\\Ar-15

67Phones/OutputAr-15

o(%, 0 H 67Ar-15

Y(7 Y('X1Ar-15

44 M@\\\\\\\\\\\\\\\\\\\\\\\\Ar-16

x(,9 0"' %Ar-16

0XiM (Ar-16

"H7*?( K-E Q+Ar-17

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DE Lt (Ar-18

DE+ Lt %Ar-18

LV' 8(-Z,Ar-19

0(?(,",7R 0-B QAr-19

*9' G& ~c"Ar-21

0(?(,",7R 0-B L, G3

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0-B " 8(-Z,Ar-21

3 -" P/5 4\\\\\\\\\\\\\\\\\\\Ar-22

0(gR C-' Lt % 6$%+Ar-22

0(gR C3 \b7 0b%Ar-23

0(gR C3 0XiM % 8(-Z,Ar-23

0(gR C-' $"( LV' 0XiM *((i,Ar-24

0(gR C3 0XiM \ 'Ar-24

h(9B' Y"/Ar-25

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x(,9 0"' :EMAr-29

x(,9 0"' o(i,Ar-29

Ar-7

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" MIDI?Ar-30

MIDI ' Ar-30

Ye"-b *((i,MIDIAr-31

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DElRhythmA-7

MIDI Implementation Chart

627A-A-009A

Ar-8627A-A-010A

CB BA0 D E F *G

MLKJ

1 2

6 84 5 7

3

H I

9

N O P SQ R

Ar-9

1 MIC VOLUME

2

3 MAIN VOLUME

4 SYNCHRO/FILL-IN

5 START/STOP

6 POWER/MODE

7 TEMPO

8 ACCOMP VOLUME

9 TRANSPOSE/TUNE/MIDI

0!" #$ % & '

A() *

B"+

C, MIC IN

D!" -. /01

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678 BC D60. +'< A E'F

627A-A-011B

T@=G MIDI OUT

U@=G MIDI IN

V@=G SUSTAIN

W, DC 9V

X@=G PHONES/OUTPUT

GEH

H [+]/[–]

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I & >N& *

•/67O > P *2 Q; EHF

•/67O 3 R * +%= (L=> 9S *F

J TONE

K RHYTHM

L SONG BANK

M STOP

N PLAY/PAUSE

O REW

P FF

Q LEFT ON/OFF

R RIGHT ON/OFF

S CHORD BOOK

T U XV W

•(> H T P 6 8 L=> JU *HA 608 CTK-496F

Ar-10627A-A-012A

! "

#$0VW X %1 QK UY *60Z @ (TONE, RHYTHM, SONG BANK)F

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b) (L=> & > P *=78 ) %2" qY "CF

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s? 3?t, % ( P s= ( Pt, &("c

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627A-A-013A

PLAY/PAUSE

SONG BANKMAIN VOLUME

POWER/MODE

Number buttons

>?/ 6 "@A 8 SONG BANK

& >

6BBBBBBB"BBBBBBB BBBBBBC

DE

.<F <F ! G /

3HI1 !

Ar-12627A-A-014A

6H2K RIGHT ON/OFF P *\8 Dc '6Y ' = "%P

@O E_ P @ * AF

•d @ * A () < EH 3? * % 4 R

'6 EWF

7H2:K: : RIGHT ON/OFF :G &7: E: :=: *u:2: :8: R:

'6F

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ON/OFFF

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9H2K: TONE P: *L^ .: H? 3%4: 5% : *E:6 <

7 %2" -. /01F

f@V

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•*=> (0? v>: H2K FF s*=> (0?tF

•*D ?: H2K REW s*D ?tF

./01 /1 2 34

RIGHT ON/OFFSTOP

TONE

5D9 JK/

Ar-13

@ * A JUi I. & ]= 3 3 . L^ @!K %P (P

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627A-A-015A

Ar-14

.7 LP

627A-A-016A

! .OW /77 AC*m9= . (L=> O AC K =6 '@ * A JUiF

.OW ./77 AC X7: AD-5

Z [

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T/

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=> 7= 9( CASIO E"=GF

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0L' 7 \= W3! F

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W0| ACF c 0L' 7 -0 \= W3 F

U

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Ar-15 627A-A-017A

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MAIN VOLUMEMIC VOLUME

POWER/MODE

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627A-A-019A

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START/STOP

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Ar-23

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2%3 045

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PLAY/PAUSESTOP

Number buttonsTONE !O LK

Ar-25

627A-A-027A

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627A-A-028A

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627A-A-029A

%/K 7+

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Ar-29 627A-A-031B

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Ar-30627A-A-032A

MIDI?

MIDI Musical Instrument Digital Interface

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MIDI IN MIDI OUT MIDI IN MIDI OUT

Computer or other MIDI device1+ > V MIDI 78

Ar-31

MIDI

PROGRAM CHANGE

HI @ 8#@ 2B; PROGRAM CHANGE g): >* l& @ 2

8- GY : 0 L# 127;

PROGRAM CHANGE 0: 0 L# 993 & Kp@t 8- LG

MIDI OUT HI KL "2G B 9G9 @ .B#; #+-

PROGRAM CHANGE : V 8@ 9B o+i 2B HI KL 0 HI

6N\3;

HI KL g): >* & '. 2B 8- GY : 0 L# 99 9f#+& '.

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HI F& K .\2[ v5 : & .TP & Kp5 "K

> N& s2[ " KL; * L NR HI : & '. .\2[ v5,

)2 f#5E >* f#+& J& HI +.;

CONTROL CHANGE

HI h= ws J& ( #V B 4 # 5+S s2[ "

KL;

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0#\G, L #lB&x(9 "S #ws3;

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VOLUME7

HOLD1 *64

MODULATION1

** oBi G< +G 9y,Y >* #ws f# (HOLD1) 9# @k 0@

#\) 643;

)* MIDI HI KL ])2^ : B o+z #B9: : MIDI TONE MAP

KEYBOARD CHANNEL;

! !MIDI

1oBi @ TRANSPOSE/TUNE/MIDI s > @'E

) p#@ #B HY 9GI;

oBi @ TRANSPOSE/TUNE/MIDI s :

KEYBOARD CHANNEL

oBi @ TRANSPOSE/TUNE/MIDI @'E :

TONE MAP

J-: ) p#@ #B TONE MAP;

2#pG< V@@ [+] [–] #B o+i #B;

J-: ) B #BTONE MAP ”G” (GM);

• @ '6G! >< #B HY 9GI, # ! oBi @

TRANSPOSE/TUNE/MIDI L# 9D #B GY 9GI !

@o;

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>Y X$[, !q* XX 8#@ #B ]fR >);

627A-A-033A

TRANSPOSE/TUNE/MIDI

Ar-32

+)$, !

KEYBOARD CHANNEL -./ 01 -23!45: 011

H #B 9\G, 2 @- @e& MIDI HI KL;

TONE MAP G/N -23!45: N1

:N H h+i 9\G, 895 2B ,9, # fR '#+- B

+.M ! GY : 0 L# 99; !i 2B # 2r U dd` .B J+#

HI KL g): "!, >@< 2B 8@t H GY &;

:G H h+i 9\G, 895 .B MIDI <, # fR '#+- B

+.M ! GY : 0 L# 127; 1& : ~a` .B MIDI <

>) LG .B KL U dd` J+# 1 oR ! N\

A-2; 8# H h+i "2G 9G >* f#E '. MIDI < : 1+

> V 8@ 78;

LD

•" .B '2^ Q2 9y,Y * 1& #B MIDI >* , U

o+z ('#Ge;

•'. '2^ Q2 T g): @ 1+. MIDI;

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Q2;

MIDI

627A-A-034A

Ar-33

!"#

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+, . )$MIDI

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g#5 ]66.U #$< ;:

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h?Ar-13,

14

h?Ar-16

h?Ar-16

h?Ar-16

h?Ar-13,

14

h?Ar-21

h?Ar-29

c ij k#ACL" O YI6 ,hh

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P% #5CASIO CHORD.

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POWER/MODE P NORMAL

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!F ACCOMP VOLUME^.F

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P [S . )1 &S 0 &*0 . 00

627A-A-035A

Ar-34627A-A-036A

2^1? * V3 0S@

@3 EF% % m MIDI

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RS7 ,Vs OY s >.& &* F-

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d,#$< ;: R#7

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?p. )$GMIDI THRU. &6#0] PG

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d3 OG.&]< N&qoD !$ %

cOG.&]< ;: R#7 ^+

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h?Ar-30

h?Ar-32

au &v@

K P6w6 P

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h?Ar-17

h?Ar-17

h?Ar-17

Ar-35

!

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123

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BC:61&# f Y\[ 3.O #"!|

627A-A-037B

627A-A-038A

A-1

627A-A-039A

PIANO00 PIANO 101 PIANO 202 HONKY-TONK03 STUDIO PIANO04 ELEC PIANO 105 ELEC PIANO 206 ELEC PIANO 307 ELEC PIANO 408 HARPSICHORD09 CLAVELECTROORGAN10 ELEC ORGAN 111 ELEC ORGAN 212 ELEC ORGAN 313 ELEC ORGAN 414 CHURCH ORGAN15 PIPE ORGAN16 REED ORGAN17 ACCORDION18 BANDONEON19 HARMONICAGUITAR/BASS20 GUT GUITAR21 ACOUS GUITAR22 JAZZ GUITAR23 ELEC GUITAR24 MUTE GUITAR25 DIST GUITAR26 WOOD BASS27 ELEC BASS28 SLAP BASS29 BANJOSTRINGS/ENSEMBLE30 VIOLIN31 CELLO32 HARP33 STRINGS 134 STRINGS 235 STRINGS 336 SYNTH-STR 137 SYNTH-STR 238 CHOIR39 VOICE OOH

BRASS40 TRUMPET41 TUBA42 BRASS ENS43 FR.HORN 144 FR.HORN 245 BRASS 146 BRASS 247 SYN-BRASS 148 SYN-BRASS 249 SYN-BRASS 3REED/PIPE50 SOPRANO SAX51 ALTO SAX52 TENOR SAX53 OBOE54 CLARINET55 PICCOLO56 FLUTE57 RECORDER58 PAN FLUTE59 WHISTLESYNTH-SOUND I60 SYN-LEAD 161 SYN-LEAD 262 SYN-LEAD 363 SYN-CALLIOPE64 SYN-PAD 165 SYN-PAD 266 SYN-PAD 367 GLASS HMCA68 COUNTRY FARM69 SYN-BASSSYNTH-SOUND II70 PEARL DROP71 COSMIC SOUND72 SOUNDTRACK73 SPACE PAD74 VOICE BASS75 APPLAUSE76 SYNTH-SFX77 VEHICLE78 PHONE79 FUNNY

LAYER80 STR PIANO81 STR E.PIANO82 CHOIR E.P83 CHOIR ORGAN84 STR GUITAR85 STR HARP86 BRASS STR87 VIB PAD88 12 STR GTR89 CHOIR STRSPLIT/PERCUSSION90 BASS/PIANO91 BASS/E.PIANO92 BASS/VIB93 BASS/GUT GTR94 V.BASS/OOH95 STR/PIANO96 STR/TRUMPET97 VIBRAPHONE98 MARIMBA99 PERCUSSION

A-2

627A-A-040A

00 12 A 00001 12 A 00102 6 A 00303 6 A 00204 12 A 00405 12 A 00506 6 A 00807 6 A 00908 12 A 00609 12 A 007

(1) (2) (3) (4)

10 12 A 01611 12 A 01712 12 A 01813 6 A 01514 12 A 01915 6 A 10416 12 A 02017 6 A 02118 12 A 02319 12 A 022

(1) (2) (3) (4)

20 12 A 02421 12 A 02522 12 A 02623 12 A 02724 12 A 02825 12 A 029, 030, 031, 08426 12 B 03227 12 B 033, 034, 03528 12 B 036, 03729 12 A 105

(1) (2) (3) (4)

30 12 A 040, 04131 12 B 042, 04332 12 A 045, 046, 04733 12 A 048, 05534 12 A 04935 6 A 04436 12 A 05037 6 A 05138 12 A 091, 05239 12 A 053

(1) (2) (3) (4)

40 12 A 05641 12 B 05842 6 A 05743 12 B 06044 6 B 05945 12 B 06146 6 B 06947 12 B 06248 6 B 063, 08349 6 B 070

(1) (2) (3) (4)

50 12 A 06451 12 A 06552 12 A 066, 06753 12 A 06854 12 A 07155 12 C 07256 12 A 07357 12 A 074, 07958 12 A 075, 076, 07759 12 A 078

(1) (2) (3) (4)

60 12 A 08761 6 A 081, 08662 12 A 08063 6 A 08264 6 A 08965 6 A 09066 6 A 09567 6 A 092, 093, 09868 6 A 054, 085, 09469 12 B 038

(1) (2) (3) (4)

70 6 A 09671 6 A 10372 6 A 09773 6 A 10174 12 B 03975 12 D 126, 12776 6 A 10277 6 D 12578 12 D 12479 6 D 123

(1) (2) (3) (4)

80 6 A 10681 6 A 088, 10782 6 A 10883 6 A 10984 6 A 099, 11085 6 A 11186 6 B 11287 6 A 11388 6 A 11489 6 A 115

(1) (2) (3) (4)

90 12 E 100, 11691 6 E 11792 12 E 11893 12 E 11994 12 E 12095 12 E 12196 12 E 12297 12 A 010, 011, 01498 12 A 012, 01399 12 D

(1) (2) (3) (4)

(1):

(2):

(3):

(4): MIDI

A-3

627A-A-041B

• !"#$ % &A ' E()

• MIDI * + MIDI + , -. "/ 01 23 4 56 728 + ”G”)

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........

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C-1

A

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C9C8C7C6C5C4C3C2C1C0 A0 A1 A2 G9

C*2

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A-4

627A-A-042A

+C ST-K 25UD V!. ; &W1=D XW3K <= !( Y 1Z X-D W[ ML) 0\19 +CD]

XV!. ^ 2Q , 0 = ')

X- _9 0\1 J (*) M`3Z 0?,^ , -. XV!. , +C] = ')

1234

5: V!. ;

M m 7 m7 dim7

C

D

E

F

G

A

B

C (D )

F (G )

E (D )

A (G )

B (A )

Chord Type

Root

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 2, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

*

*

*

M7 m7-5 dim[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

[5, 3, 2]

A-5

627A-A-043A

aug sus4

C

D

E

F

G

A

B

C (D )

F (G )

E (D )

A (G )

B (A )

Chord TypeRoot

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 3, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 2, 1]

[5, 3, 1] [5, 2, 1]

[5, 2, 1]

[5, 2, 1]

*

*

7 sus4 m add9 m M7 7-5 add9[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[4, 3, 2, 1]

[5, 4, 2, 1] [4, 3, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

A-6627A-A-044A

!"# $ % &

•PERCUSSION & 99( 1? ab V 9 B5= = ' + 1 % !#$) 9 1 c 3$ 1#d 1 % A0= = ')

*

*Z 2e V 9 01 3 4 #% , +C 1Q B)

LOW TIMBALE

HIGH AGOGO

LOW AGOGO

CABASA

MARACAS

V VOICE BASS DRUM

V VOICE SNARE

V VOICE CLOSED HI-HAT

V VOICE OPEN HI-HAT

COWBELL

CRASH CYMBAL 2

CLAVES

RIDE CYMBAL 2

HIGH BONGO

LOW BONGO

MUTE HIGH CONGA

OPEN HIGH CONGA

LOW CONGA

HIGH TIMBALE

OPEN HI-HATLM

LOW-MID TOMHM

HIGH-MID TOM

CRASH CYMBAL 1H

HIGH TOM

RIDE CYMBAL 1

CHINESE CYMBAL

RIDE BELL

TAMBOURINE

SPLASH CYMBAL

BASS DRUM

SIDE STICK

ACOUSTIC SNARE

HAND CLAP

ELECTRIC SNAREL

LOW FLOOR TOM

CLOSED HI-HATH

HIGH FLOOR TOM

PEDAL HI-HATL

LOW TOM

A-7

627A-A-045A

POPS I00 CLUB POP01 VOCAL POP02 RAP POP03 FUNKY POP 104 SOUL BALLAD05 POP BALLAD06 LOVE BALLAD07 FUNKY POP 208 EPIC BALLAD09 LITE POPPOPS II10 16 BEAT SHFL11 16 BEAT POP12 16 BEAT FUNK13 8 BEAT POP14 8 BEAT SOUL15 8 BEAT SHFL16 DANCE POP 117 DANCE POP 218 POP FUSION19 FOLKIE POPROCK I20 ROCK WALTZ21 SLOW ROCK 122 SLOW ROCK 223 SOFT ROCK 124 SOFT ROCK 225 SOFT ROCK 326 POP ROCK 127 POP ROCK 228 50’S ROCK29 60’S SOULROCK II30 4 BEAT ROCK31 ROCK32 HEAVY ROCK33 8 BEAT ROCK34 STRAIGHT ROCK35 HEAVY METAL36 TWIST37 NEW ORLNS R&R38 CHICAGO BLUES39 R&B

'$ Rhythm

JAZZ/FUSION40 BIG BAND41 SLOW SWING42 SWING43 FOX TROT44 JAZZ WALTZ45 MODERN JAZZ46 COOL47 HARD BOP48 ACID JAZZ49 LATIN FUSIONDANCE/FUNK50 VOCAL GROOVE51 RAVE52 CLUB GROOVE53 TECHNO54 TRANCE55 HOUSE56 GROOVE SOUL57 DISCO58 RAP59 FUNKEUROPEAN60 POLKA 161 POLKA 262 MARCH 163 MARCH 264 WALTZ65 VIENNESE WALTZ66 FRENCH WALTZ67 SLOW WALTZ68 SERENADE69 TANGO 1LATIN I70 BOSSA NOVA71 SAMBA72 MAMBO73 RHUMBA74 CHA-CHA-CHA75 MERENGUE76 REGGAE77 BOLERO78 TANGO 279 LAMBADA

LATIN II/VARIOUS I80 PUNTA81 CUMBIA82 SKA83 TEX-MEX84 SALSA85 FOLKLORE86 PASODOBLE87 RUMBA CATALANA88 SEVILLANA89 FOLKVARIOUS II90 COUNTRY91 BLUEGRASS92 TOWNSHIP93 FAST GOSPEL94 SLOW GOSPEL95 ADANI96 BALADI97 BAROQUE98 ENKA99 NEW AGE

627A-A-046B

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627A-A-002B

GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas).

NOTICEThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in aresidential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installedand used in accordance with the instructions, may cause harmful interference to radio communications. However,there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmfulinterference to radio or television reception, which can be determined by turning the equipment off and on, the useris encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNINGChanges or modifications not expressly approved by the party responsible for compliance could void the user’sauthority to operate the equipment.

Important!Please note the following important information before using this product.

• Before using the optional AD-5 Adaptor to power the unit, be sure to check the AC Adaptorfor any damage first. Carefully check the power cord for breakage, cuts, exposed wire andother serious damage. Never let children use an AC adaptor that is seriously damaged.

• Never attempt to recharge batteries.• Do not use rechargeable batteries.• Never mix old batteries with new ones.• Use recommended batteries or equivalent types.• Always make sure that positive (+) and negative (–) poles are facing correctly as indicated

near the battery compartment.• Replace batteries as soon as possible after any sign they are getting weak.• Do not short-circuit the battery terminals.• The product is not intended for children under 3 years.• Use only CASIO AD-5 adaptor.• The AC adaptor is not a toy.• Be sure to disconnect the AC adaptor before cleaning the product.

CASIO Europe GmbHBornbarch 10, 22848 Norderstedt, Germany

627A-A-087A

Mode 1 : O

MN

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Mode 4 : O

MN

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This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany.

Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en Alemania.

MA0502-B Printed in China

CTK496/700AR1A

CASIO COMPUTER CO.,LTD.6-2, Hon-machi 1-chome

Shibuya-ku, Tokyo 151-8543, JapanF

!"# $!% &' ()*

Documents

This recycle mark indicates that the packaging conforms to …Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en Alemania. MA0502-B