This Essay Will Discuss the Way in Which Wide Sargasso Sea Interacts With the Ideas of Post Colonial and Feminist Thinking

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  • 8/6/2019 This Essay Will Discuss the Way in Which Wide Sargasso Sea Interacts With the Ideas of Post Colonial and Feminist

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    Student: Nastasia Raluca Georgeta

    Course instructor: Dr. Aloisia Sorop,Senior lecturer

    Specialization: English-German

    Year:3rd year

    WIDE SARGASSO SEA

    -POSTCOLONIAL LITERATURE-

  • 8/6/2019 This Essay Will Discuss the Way in Which Wide Sargasso Sea Interacts With the Ideas of Post Colonial and Feminist

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    Postcolonial literature (or "Post-colonial literature", sometimes called "New English

    literature(s)"), is a body of literary writings that reacts to the discourse of colonization. Post-

    colonial literature often involves writings that deal with issues of de-colonization or the political

    and cultural independence of people formerly subjugated to colonial rule. It is also a literary

    critique to texts that carry racist or colonial undertones. Postcolonial literature, finally in its most

    recent form, also attempts to critique the contemporary postcolonial discourse that has been

    shaped over recent times. It attempts to re-read this very emergence of postcolonialism and its

    literary expression itself.

    When Wide Sargasso Sea was published in 1966 it helped to rescue its author, Jean Rhys,

    from the obscurity into which she had fallen. Her previous novels and short stories, published

    between the two world wars, were out of print. Rhys, who had succumbed to an alcohol

    addiction, lived an isolated life in a remote village in England, a country she had always

    despised. Wide Sargasso Sea caught the immediate attention of critics, won the prestigious W. H.

    Smith Award and Heinemann Award, and earned Rhys a place in the literary canon.

    The unique novel seeks to recreate the true story of Bertha Mason, the Jamaican mad

    wife of Edward Rochester in Charlotte Bronte'sJane Eyre. In telling Bertha's story (known in

    Wide Sargasso Sea as Antoinette Cosway), Rhys explores the complex relations between white

    and black West Indians, and between the old slaveholding West Indian families and the new

    English settlers in the post-emancipation Caribbean. Set mainly in Jamaica and Dominica, the

    country of Rhys's birth, the novel describes how Antoinette became mad. In Bronte's novel,

    Bertha/Antoinette is a monster, described as violent, insane, and promiscuous. Rhys creates

    instead a sympathetic and vulnerable young woman who seeks, unsuccessfully, to belong. The

    themes explored in the novel, especially the status of women and the race relations between

    newly freed slaves and their former owners, have drawn the attention of critics. Other critics

    debate the merits of the novel, saying that it relies too closely onJane Eyre and cannot stand

    alone. Certainly, Rhys's novel forces readers to reexamine Bronte's novel and consider the

    significance of race in the nineteenth-century English novel.

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    This essay will discuss the way in which Wide Sargasso Sea interacts with the

    ideas of postcolonial and feminist thinking.

    First, in looking at post colonialism, there will be a discussion of how race is used

    within the novel, as well as the way in which imperialism is represented. As well as this, I

    shall look at the hybrid nature of the text in relation to existing criticism on post

    colonialism and the novel.

    Secondly, the essay will assess the way in which feminism works within the

    novel, in particular the contrast in the treatment of the heroine in this book with that of

    Jane Eyre, which spawned it. Again, there will also be some reference to existing

    criticism, and how this interacts with the novel's sexual politics.

    Finally, there will be an assessment of the extent to which both theories are

    important in comprehending the novel's aims and meanings.

    "Post colonial" initially seems an anomalous phrase to use about a novel that is set

    well within the time frame of the British Empire, the 1830s to be precise. But of course it

    was completed in 1966, long after the tide of European imperialism had begun to recede.

    This breakdown of empire is observable in several themes throughout the novel, not least

    in the way it deals with race. Rhys' sympathy with the Jamaican first wife of Mr

    Rochester is an active attempt to deconstruct the often Anglo-centric nature of the

    Nineteenth century novel tradition of which Bronte was a part. By giving a voice to this

    previously marginalized character, Rhys is effectively protesting, at least in part, against

    the oppressive natures of colonialism, and in that sense the novel is postcolonial in that it

    rebels against the perceived superiority of the English.

    As well as this, race in the more physical sense, i.e. colour prejudice, is an

    important theme. Tia's assertion that "Old time white people nothing but white nigger

    now, and black nigger better than white nigger," could be read as a savage indictment of

    the social conditions in the colonies. The suggestion here is that white people, when

    stripped of money and power, are the social inferiors of the indigenous population. By

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