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This is a project we were given to design a magazine cover and two double page spreads. We were asked to design the magazine on a chosen designer of our choice from the list provided. We were then to design the magazine in the style of our chosen designer, so we were required to research in depth about the designer and to find out what fonts, styles, inspiration they use. My chosen designer was Paula Scher a New York designer.
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PAULA
SCHERFor more than three decades Paula
Scher has been at the forefront
of graphic design. Iconic, smart and
unabashedly populist, her images have
entered into the American vernacular.
Scher has been a principal in the
New York office of the distinguished
international design consultancy
Pentagram since 1991. She began
her career as an art director in the
1970s and early ‘80s, when her eclectic
approach to typography became highly
influential. In the
mid-1990s her landmark identity for
The Public Theater fused high and
low into a wholly new symbology for
cultural institutions, and her recent
architectural collaborations have
re-imagined the urban landscape
as a dynamic environment
of dimensional graphic design.
Her graphic identities for Citibank
and Tiffany & Co. have become
case studies for the contemporary
regeneration of classic American
brands.
Scher has developed identities,
packaging for a broad range of clients
that includes, among others, The New
York Times Magazine, Perry Ellis,
Bloomberg, Target, Jazz
at Lincoln Center, the Detroit
Symphony Orchestra, the New Jersey
Performing Arts Center, the New 42nd
Street, the New York Botanical Garden,
and The Daily Show With Jon Stewart.
In 1996 Scher’s widely imitated identity
for the Public Theater won the coveted
Beacon Award for integrated corporate
design strategy. She serves on the
board of The Public Theater, and
is a frequent design contributor to
The New York Times, GQ and other
publications.
PSIn 1998 Scher was named to the Art
Directors Club Hall of Fame, and in 2000 she received the prestigious Chrysler
Award for Innovation in Design. She has served on the national board of AIGA and
was president of its New York chapter from 1998 to 2000. In 2001 she received the profession’s highest honor, the AIGA
Medal, in recognition of her distinguished achievements and contributions to the field. She is a member of the Alliance
Graphique Internationale. Her work is represented in the permanent collections
of the Museum of Modern Art and the Cooper-Hewitt National Design Museum,
New York; the Library of Congress, Washington, D.C.; the Museum für Gestaltung Zürich; the
Denver Art Museum; and the Bibliothèque nationale de France and the Centre
Georges Pompidou, Paris.
Scher holds a BFA from the Tyler School of Art and a Doctor of Fine Arts Honoris Causa from the Corcoran College of Art and Design. She has lectured and exhibited all over the world, and her teaching career includes over two decades at the School of Visual Arts, along with positions at the Cooper Union, Yale
PSCHER
University and the Tyler School of Art. She has authored numerous articles on design-related subjects for the AIGA Journal of Graphic Design, PRINT, Graphis and other publications, and in 2002 Princeton Architectural Press published her career monograph Make It Bigger.