44

Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Embed Size (px)

Citation preview

Page 1: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery
Page 2: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Themes in Early Modern ArtThemes in Early Modern Art

1. Uncertainty/insecurity.

2. Disillusionment.

3. The subconscious.

4. Violence & savagery.

Page 3: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Edvard Munch: The Scream (1893)Edvard Munch: The Scream (1893)

Expressionism Using bright

colors to express a particular emotion.

Page 4: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Franz Marc: Animal Destinies (1913)Franz Marc: Animal Destinies (1913)

Page 5: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Wassily Kandinsky: On White II (1923)Wassily Kandinsky: On White II (1923)

Page 6: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Gustav Klimt: The Kiss (1907-8)Gustav Klimt: The Kiss (1907-8)

Page 7: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Henri Matisse:

Open Window(1905)

Henri Matisse:

Open Window(1905)

Page 8: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Georges Braque: Violin & Candlestick (1910)

Georges Braque: Violin & Candlestick (1910)

CUBISM

The subject matter is broken down, analyzed, and reassembled in abstract form.

Cezanne The artist should treat nature in terms of the cylinder, the sphere, and the cone.

Page 9: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Georges Braque:

Woman with a Guitar(1913)

Georges Braque:

Woman with a Guitar(1913)

Page 10: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Georges Braque: Still Life: LeJeur (1929)

Georges Braque: Still Life: LeJeur (1929)

Page 11: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Pablo Picasso: Les Demoiselles d’Avignon (1907)

Pablo Picasso: Les Demoiselles d’Avignon (1907)

Page 12: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Picasso: Studio with Plaster Head (1925)

Picasso: Studio with Plaster Head (1925)

Page 13: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Pablo Picasso: Guernica (1937) Pablo Picasso: Guernica (1937)

Page 14: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Pablo Picasso:

Woman with aFlower(1932)

Pablo Picasso:

Woman with aFlower(1932)

Page 15: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Paul Klee: Red & White Domes (1914)Paul Klee: Red & White Domes (1914)

Page 16: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Paul Klee: Senecio (1922)Paul Klee: Senecio (1922)

Page 17: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

George Grosz

Grey Day(1921)

George Grosz

Grey Day(1921)

DaDa Ridiculed

contemporary culture & traditional art forms.

The collapse during WW I of social and moral values.

Nihilistic.

Page 18: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

George Grosz:

Daum Marries Her Pedantic AutomatonGeorge in

May, 1920, John

Heartfield is Very Glad of II

(1919-1920)

George Grosz:

Daum Marries Her Pedantic AutomatonGeorge in

May, 1920, John

Heartfield is Very Glad of II

(1919-1920)

Page 19: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

George Grosz

The Pillarsof Society

(1926)

George Grosz

The Pillarsof Society

(1926)

Page 20: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Raoul Hausmann: ABCD (1924-25)Raoul Hausmann: ABCD (1924-25)

Page 21: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Marcel Duchamp: Fountain (1917)Marcel Duchamp: Fountain (1917)

Page 22: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Marcel Duchamp:

Nude Descending a

Staircase(1912)

Marcel Duchamp:

Nude Descending a

Staircase(1912)

Page 23: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Salvador Dali: Soft Construction with Boiled Beans (Premonition of Civil War),

1936

Salvador Dali: Soft Construction with Boiled Beans (Premonition of Civil War),

1936Surrealis

m Late 1920s-1940s.

Came from the nihilistic genre of DaDa.

Influenced by Feud’s theories on psychoanalysis and the subconscious.

Confusing & startling images like those in dreams.

Page 24: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Salvador Dali: The Persistence of Memory (1931)

Salvador Dali: The Persistence of Memory (1931)

Page 25: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Salvador Dali: The Apparition of the Face and Fruit Dish on a Beach

(1938)

Salvador Dali: The Apparition of the Face and Fruit Dish on a Beach

(1938)

Page 26: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Salvador Dali: Geopoliticus Child Watching the Birth of a New Man

(1943)

Salvador Dali: Geopoliticus Child Watching the Birth of a New Man

(1943)

Page 27: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Rene Migritte: Treachery of Images (1929)

Rene Migritte: Treachery of Images (1929)

Page 28: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Walter Gropius: Bauhaus Building (1928)

Walter Gropius: Bauhaus Building (1928)

Bauhaus

A utopian quality.

Based on the idealsof simplified formsand unadornedfunctionalism.

The belief that the machine economy could deliver elegantly designed items for the masses.

Used techniques & materials employed especially in industrial fabrication & manufacture steel, concrete, chrome, glass.

Page 29: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery
Page 30: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery
Page 31: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery
Page 32: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

• Ludwig Mies van der Rohe. Friedrichstrasse Skyscraper, Berlin-Mitte, Germany. Project, 1921.

Page 33: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery
Page 34: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Walter Gropius: Lincoln, MA house (1938)

Walter Gropius: Lincoln, MA house (1938)

Page 35: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Paris 1925Des Arts Decoratifs

“Art Deco”

Page 36: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

Des Arts Decoratif – Des Galeries Lafayette

Page 37: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

• Rue de Robert Mallet-Stevens

Page 38: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery
Page 39: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

The Villa Cavrois at Croix,near Roubaix,

in the North of France

By

Robert Mallet-Stevens

Page 40: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery
Page 41: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

• HOYNINGEN-HUENE Josephine Baker, 1929

 

Page 42: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery
Page 43: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery

• Josephine Bakerat the Folies-Bergère (1906-1975)Stanislaus Julian Walery (active 1880s-1920s)gelatin silver print, 1926

Page 44: Themes in Early Modern Art 1.Uncertainty/insecurity. 2.Disillusionment. 3.The subconscious. 4.Violence & savagery