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Buzz Peterson, UNCW’s Mens Basketball Coach

International Students Share Their American Experience

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Interview with Scott AvettLead singer of The Avett Brothers

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Special Thanks JAsON hIllMAN

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INsIdE TWPNovember / december 2010, Volume III, Issue II

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2 | November / December 2010

lifestyle 7 International students share Their American Experience by Rachel Hodges

sports 4 1-on-1 with Buzz Peterson by Keith Larsen

Interviews 10 The Avett Brother - scott Avett by Max Ashworth

Entertainment 6 Upcoming Music shows in wilmington, NC

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Publisher MATT CIMINO

Editor MAx AshwORTh

Editorial Contributors RAChEl hOdgEs

KEITh lARsEN

wEsT OwENs

MAx AshwORTh

Photographers JAY TOMlIN

sAM BROwN

Special Thanks JAsON hIllMAN

JOE BROwNINg

MIKE PhElPs

With basketball season just under way, first year coach Buzz Peterson looks to lead the Seahawks back to national promi-nence and back to the NCAA tournament. Here is inside look at the man who once roomed with Michael Jordan, coached in the South Eastern Conference and helped lead the Tar Heels to a national championship as a player in 1982.

Keith Larsen: Why did you come to UNCW and leave Ap-palachian State?

Buzz Peterson: I’ve always been intrigued by the situation here at Wilmington. Just how successful the program was back ten years ago and the support that they got as the main show in town. It reminds me a lot of the Tulsa situation [head coach of the University of Tulsa in 200-2001] I was in at one time. I knew, at this time, it was going to be a challenge and it was not like it was back then [ten years ago] and we were go-ing to have work to get it back up there. It’s always a program I’ve been very fond of. I’ve been to Wilmington a lot, with my roommate in college[hall of famer Michael Jordan] coming down here to the commu-nity, it’s just some-thing I want to

be a part of and the

CAA is a very good league and

it’s a very competi-tive league and com-

pare that to the Southern league it’ a much better

league. It’s a chance to get this

program back up to where it used to be.

KL: You played at the

Uni-ver-

sity of North Carolina under

Dean Smith, what were some

of the things that you learned under him that

you’ve implemented into your own coaching?

BP: The number one thing with Coach Smith was the discipline on

and off the floor. It’s pretty simple, doing the right thing when no one’s around. It’s

the same thing we use for our guys here. On the floor it’s: a hundred percent effort, listening

and paying attention to what’s being taught paying attention to little details. Those are some of the traits,

that I learned, that helped us be successful.

KL: You also played with and worked with one of the great-est basketball players of all time in Michael Jordan, what were some of the things you learned from him?

BP: Michael’s a competitor. No matter what if it it’s on a playing field or in golf or business stuff of the floor he is very competitive. One thing I know about MJ he’s loyal to his friends, he’s a hard worker and he’s really well driven and he hates to finish second, there’s no place for that just first. He’s been very successful and I’ve always said no matter if it was sports he would always be successful in something because he’s such a driven person.

KL: There’s a story that while being recruited in high school from various division one schools, Michael Jordan tried to

1-on-1 with Buzz Petersonby Keith Larson

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recruit you to come to Carolina to play with him. What’s the story behind that?

BP: After our junior year in high school we went to the North Carolina camp and after that we went to five star

together and we became friends and we started talking on the phone and we always talked about going to col-lege together. When he committed in November he kept calling me and he said, “Look I’ve done my part now you have to do your part” and I said “just give me time, just give me time. “ I had probably committed to Kentucky at the time and then I backed out and I went up to North Carolina and he was wearing me out to come play there. I look back and sit there and think “I went to play the same position, basically, with the best player of all time” because everyone wants to play and everything [however] I would not trade it for anything, even though I never got to start one game because of the life lessons I learned under Coach Smith, Coach Guthridge, Coach Williams and Coach Fogler and what they taught me. That’s helped me so much as a dad, a person and as a coach.

KL: A couple of years ago you left coach-ing college basketball to become the director of player personal for the Bob-cats. Why did you choose to leave college basketball and what was that transition like?

BP: I coached for so many years and Michael offered me the opportunity to be the Director of Player Personal for the Bobcats and I was the coach of Coastal Carolina at the time and I always wanted to see what it was like in the NBA. I went into the corporate side of things, and don’t get me wrong I enjoyed it, but I still had a taste to want to coach. That’s why I want to get back into it and everything and I do miss being around him [Michael Jordan] and other people in the organization, but at the same time my whole life has been around being on the court and there is nothing more satisfying than being able to teach the game of basketball to somebody, whether it’s an hour a day or two hours, I enjoy those times doing that.

KL: You have coached in the SEC, Southern Conference and now the CAA. What would say the biggest difference

between coaching in the SEC and CAA is?

BP: It all comes down to the same thing, media exposure at a higher level. I remember when I was at Tennessee after every practice there was twelve media members and at App State there was nobody. The biggest change is the recruiting part. That’s the biggest monster, I call it, it’s a challenge and it’s tough. In the Southern Conference you don’t have to worry about getting so involve in the young man life.

KL: Speaking of recruiting, what’s the recruiting pitch here?

BP: Oh it’s an easy sell: beautiful campus, beach, city of Wilmington, a chance to get a great education here. You talk about a program that’s on the rise, we’re starting from ground zero and we’re starting all over again. I told the re-cruits that if you want to go somewhere you’re going to win

thirty games and be instant, it’s not going to happen, we have to work our way back up there, we’re

going to get there though and you can be a part of the program that’s going to do that. It’s a great sell

KL: What are the expectations for this sea-son?

BP: I told our guys keep working hard and you have to stay positive. Sometimes things might not go our way, but if you hang your head and pout about it noth-ing positive going to happen. So we’re trying to lay that positive energy and we trying to install good fundamental basketball and good solid defense and being good team-mates to each other.

KL: What do you hope to accomplish in your tenure at UNCW?

BP: I hope to get this program back on its feet. I want to get it back to where it used to be. If you’re top four in the CAA you’re going to the postseason somewhere. It’s hard to get teams with in the top six BCS conferences to play here, but any given night you can beat them. It’s not like it’s going to be you turn off a light switch and it’s going to happen but it’s the process right now not the results.

NOV 21st, at The SopaboxUGLY RADIO REBELLIONA TRIBUTE TO FRANK ZAPPA’S MUSICA project for anyone willing and able to perform the music of Frank Zappa . Scott Schroen is the only original member. John garland and Layla Hall joined in the fun in fall of 2005. We are a “nondramatic” live band, focusing our energy on delivering a fun filled night of music by a Great American composer. Nothing more nothing less! we hope you enjoy, and appreciate it for what it is!DOORS: 7:00 SHOW: 8:00 | ADMISSION:$8 ADV/$10 DAY OF

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Dec 9th, at The SopaboxDARKEST HOUR, VEIL OF MAYA, PERIPHERY, REVOCATION, PREDECESSORIn the beginning, it almost seemed like a terrible mistake, but it was destiny that heavy metal and punk would eventually crossover. In the early 90s, heavy metal was bloated and uninspired while punk rock was becoming more and more pretentious and disgruntled. Aggressive music needed a rebirth; moreover the two styles needed a renaissance. It was this marriage of thrash/speed metal’s power and the savagery of hardcore punk that would ultimately spawn a new age in heavy music.DOORS: 6:00 SHOW: 6:30 | ADMISSION:$15 ADV/$17 DAY OF

Dec 10th , at The Sopabox***THE RAMBLING HOLIDAY REVUEMIKE BLAIR AND THE STONEWALLSKATHERINE WHALEN & HER FASCINATORSJUSTIN LACY AND THE SWIMMING MACHINE, BIG AL HALLKatharine Whalen’s newest songs, penned for and by herself, come from her parlour. Under the tin roof of her North Carolina farmhouse, where she builds dollhouses and clips newspapers, Whalen has sat with her tenor banjo and amended the tradition of Mother Goose. Songs like “Roses & Pine” and “Chief Thunder” tell sly, whimsical stories of thieves and battle horses. But they are as personal as they are mythic, as grounded in the present as they are inspired by the past—the past of early jazz and folk, Victorian literature, and Whalen’s own childhood. Whalen’s impeccable taste, not put on as a temporary phase, but lived, was the inspiration for the Squirrel Nut Zippers, of which she was a founding member. Their success, selling over three million records and charting in the top ten, came suddenly. DOORS: 8:00 SHOW: 9:00 | ADMISSION:$7/$10 UNDER 21

Dec 15th , at The SopaboxTHE DAVID MAYFIELD PARADEGrammy-nominated musician and producer David Mayfield is a force of nature on stage. His energy and out and out enthusiasm for performing music are evident at every show whether it’s with Cadillac Sky, The Avett Brothers, Jessica Lea Mayfield, and now his own band, The David Mayfield Parade. Mayfield’s songwriting “feels as classic as {his}…wardrobe” says Paste Magazine and his song “Ballad Of Restored Confidence” is featured as the cover mounted track on November’s issue of Uncut Magazine. His forthcoming album “The David Mayfield Parade” is an extension of his irrepressible energy and abundant love for the music that has inspired him over his young lifetime.DOORS: 7:30 SHOW: 8:30 | ADMISSION:$8 ADV/$10 DAY OF

Dec 16th , at The SopaboxCHATHAM COUNTY LINE ACOUSTICCHATHAM COUNTY LINE ELECTRICWITH SPECIAL JOHNNY IRION, JAY BROWN AND ZEKE HUTCHINSAND FRIENDS“This music isn’t a product of its era, but nor is it married to a bygone one. It’s essentially timeless…” - Joe Tangari, Pitchfork Media“Not many bands bring together bluegrass’ past and present the way Chatham County Line do, and fewer still can do it this well.” –All Music Guide“…accomplished and entirely delightful…their most sustained and consistently compelling record yet.” –PopmattersDOORS: 8:00 | ADMISSION:$10 ADV/$12 DAY OF

Dec 17th , at The SopaboxSOUTHERN CULTURE ON THE SKIDSMAD TEA PARTYLong the bards of downward mobility, Southern Culture on the Skids have always embodied a sleazy, raucous, good-natured, good-time take on the culture of the South. Recently described by Dwight Yoakam (in Filter) as “really on the outside, like Dick Dale meets Hank Thompson,” SCOTS have mixed high and low culture for decades, endlessly touring, serving up moonshine martinis and poultry picking for fans everywhere.DOORS: 8:00 | ADMISSION:$15 ADV/$20 DAY OF

Upcoming Shows in Wilmington, NC

Upcoming Shows in Wilmington, NCTraveling to a new country can be tricky sometimes. It’s

not always what you expect before arriving. A couple international students share what they’ve learned and some of their fun experiences since arriving in our country.

Leo Collins, a journalism student, from Nottingham, England, is in the U.S. studying for the year. This is his first time visiting the U.S. and expresses that he has really enjoyed it thus far. Arriving in August, it

took him a bit of time to get used to all the changes from back home. “In England you’re considered an adult at 18,” he says, “so it’s weird to come here and feel like I’m 16 all over again.” Collings says that he had seen American movies before but didn’t know what to expect when he got here. “It seems that it’s an American thing to have red cups when you have a party,” talking about the solo brand plastic cups. He goes onto say, “In England we just drink straight from cans or bottles. The first time I saw a red cup here I got so excited! I couldn’t believe it!”

Collins was also very excited to find out that we had the cereal Lucky Charms here. “When I was seven Lucky Charms were banned in England because of the sugar content. They were my favorite cereal when I was little. When I got here I couldn’t help but buy box after box!”

Ann-Katrin Bott, a junior student studying English and history, has noticed a lot of differences from her small town in Germany compared to here. “We don’t have air conditioning, except for maybe in office buildings or banks, but not in every building. Than again we don’t really need it living in Germany.”

Bott explains that in Germany when someone hears about the United States they think of the big places like California, Texas, Florida, or New York. “Those are the well-known places in the U.S. When I told people I was coming to the States to study they automatically thought I would be living in one of those places.” She says she came to North

Carolina because there are mountains and the ocean here and she was told the people here were really nice.

Andrea Petz also had some funny things to say about her experience here. A student from Monterrey, Mexico, Being in the States many times, there wasn’t a lot she didn’t already expect. “I only live a couple of hours from the Mexico/U.S. border so I’ve been here a lot,” she says. Although she has been here many times, she never gets bored of people asking her funny questions about Mexico. “When people find out I’m from Mexico,” she says, “they ask if we really wear sombreros and ride horses and all that stuff that they do in Mexican movies.”

It’s not just college students who get a kick out of being in the States. Angharad Davis, a student from Wales, remembers her first day at school in America back when she was only eleven years old. “I shadowed a student and asked where the loo was, she replied saying we do not have loos… I spent the majority of that day in astonishment that there were no bathrooms at my new school! Luckily, I finally found them for myself.”

International Students Share Their American Experienceby Rachel Hodges

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It was only a few years ago when the Avett Brothers ventured to downtown Wilmington and threw down their emotional melodies in front of a sold out crowd. Since then, the crew has moved on to bigger stages and drawn in larger crowds. With the 2009 release of I and Love and You the group made the national spotlight, and was recently rated as one of the most underrated bands in the United States by the LA Times. They can best be de-scribed as an alt-bluegrass quintet with a splash of con-temporary rock n’ roll. The band is known for their strong vocals on the themes of love, place, moving forward, and family. Scott Avettt, predominantly on the banjo, has a strong voice that pours out empathy. Seth Avett can be found on the acoustic guitar, and is quick to add his soft vocals. The newest edition to the group, Jacob Edwards, plays the drums. Bob Crawford, on the stand-up bass, looks like a 19th century entrepreneur in his three-piece suit, but plays like acid-induced Hendrix. Joe Kwon, on the cello, is commonly seen twisting and flailing his long hair along with the beat. The blend of all of these musi-cians makes for a dynamic collection of entertainers. The Avett Brothers are a fresh act in a music-market domi-nated by twenty year-old blondes singing about trucks, broken hearts, and falling in love with the guy next door.

The 2010 tour has been successful as the crew sold out numerous shows and played at larger venues, most recently Ryman Auditorium in Nashville. The band was born in Concord, North Carolina, and is infamous for holding strong sentiment for their place of roots. Re-cently, I was fortunate enough to talk with Scott on the phone about the band, up-coming shows, and being on the road. The following was transcribed faithfully, but not verbatim.

Max: Scott, do you have any good memories that in-volved the bands’ visits to Wilmington?

Scott: Actually, I just got off the phone with someone from Nashville, and I told him that the moment we knew “we had made it” was back in late 2003 or early 2004 when we played a show at the Soapbox. I have a clear vision of that night; we were all the most exhausted we had ever been, just incredibly spent, but we still gave it absolutely everything we had, and the crowd threw back enormous amounts of energy. We just knew after that show that this was serious.

Max: Do you miss playing at those somewhat small ven-ues such as the Soapbox?

Scott: Yeah, in a way I do, but there is still such a good exchange between the band and the audience at larger venues. Sometimes playing at a small venue and playing at a large venue feels the same.

Max: What do you enjoy so much about playing in North Carolina?

Scott: Well (laughing), we can go home after the show. It allows us to get proper rest. But, what I consider home is not just the Charlotte area, but all over North Carolina. That includes Raleigh, Wilmington, or wherever we are in the state. There is just so much support from everyone here.

Max: Do fans in North Carolina seem to be more enthusi-astic than others?

Scott: Yeah, there are pockets of similar fans across the nation, like in Portland, Oregon there was great energy and an awesome crowd. But, the hometown crowd can be more critical. We take it all as constructive criticism, though.

Max: What’s the hardest thing for you to manage on the road?

Scott: Well, we try to stay productive. Getting in this mode of being tired all the time, though, you lose pro-ductivity. We all just try to stay positive, but sometimes we all deal with loneliness. Whether we are away from a girl friend, wife, or what have you, we all deal with it from time to time, but everyone we travel with is real close with one another. Everyone is there to keep us productive and keep the spirits up.

Max: Have you always wanted to be an artist?

Scott: I attempted to go to vet school, and by attempt I mean signing up for a few science classes at ECU. I am just programmed for art. I would consider myself a crea-tor of things.

Max: Were there ever any doubts from the people around you about you becoming an artist?

Scott: A lot of people didn’t think that we could make a living playing music. There were doubts all across the board. But, we would go out on these small tours, and come back and then just go out again. Eventually the tours got larger and larger.

The Avett BrothersAn interview with Scott Avett

by Max Ashworth

Max: What’s coming up in the spring for the band?

Scott: Well, 2011 is a new year, and we really need to make some new music.

Max: Why the repeat visit to Asheville for New Year’s?

Scott: North Carolina is North Carolina. Last year went well, and we are really looking forward to returning.

In October, I made the trek up to Raleigh to see these boys show off their stuff in front of an ecstatic home-state crowd. A fan myself, it was good to see such a large turnout. The grassy knoll at the venue was covered with thousands of people. There were worn rugs with tweed lacing beneath a kick-drum displaying a skull. The lights were warming up and I could see the band backstage talking to one another, all the while jumping up and down to wear out the nerves transcending through their limbs. Suddenly, the crowd started to roar, and the blue lights went in a manic blaze as Scott opened up with a harmonica in “The Fall.” “Bring me something new/ that I haven’t felt before/ like messages of love/ and directions to your door/ But please talk slowly/I don’t hear good any-more/ And we all fall down/And we all fall down-“rang through the microphones as the beautiful symphony conducted themselves in their usual manner.

The show was nothing out of the or-dinary for the Avett Brothers, it was, in fact, extraordinarily well preformed. There were no theatrics, but instead just straight instru-mental strumming combined with earnest lyrics that drew upon the crowd to join in. Every time a lyric called for the word “Carolina” the au-dience erupted in a somewhat patriotic rebel-yell that one would expect to hear at a bon-fire gathering. Not long after the concert began, Scott looked as if he had just hopped out of a pool; large amounts of sweat were mak-ing his skin glimmer in the lights from

above. The band pulled out some of their older songs such as “November Blue”, “Tear Down the House”, “Pretty girl from Cedar Lane”, “Go to Sleep”, and many more. To go along with the classics, the group played numerous tracks from their newest album such as, “January Wedding”, “Kickdrum Heart”, and “I and Love and You”. By the end of their lengthy set, the quintet had shelled out over two dozen songs combined with two encores.

Regardless of the melody, these guys consist-ently play good music. It’s astonishing that they have not reached every pocket of the music world. Their perform-ances are an exemplification of raw talent that we can all appreciate. When it comes down to it, these boys from Concord have what it takes to put themselves out there, and leave us all yearning for more.

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