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7/29/2019 The Warren Standard Digital Weights and Measures
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7/29/2019 The Warren Standard Digital Weights and Measures
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T h e t i t l e Of t h i s i s s u e of The Warren Standard m a y s e e m t ob e a c o n t r a d i c t i o n i n t e r m s , s i n c e w e i g h t s a n d m e a s u r e s a r en o t b y d e f i n i t i o n d i g i t a l . B u t it's o u r w a y o f s a y i n g t h a t t h i si s a h a n d b o o k o f s t a n d a r d i n f o r m a t i o n f or e v e r y o n e w h o u s e sa c o m p u t e r to d e si g n o r p r o d u c e w o r k .
W h i l e t h e c o m p u t e r h a s s i m p l if i ed a n d e n r i c h e d o u rw o r k life, i t h a s a l s o b r o u g h t w i t h it a c o n s t a n t l y g r o w i n ga n d e v o l v i n g b a s e of k n o w l e d g e a n d i n f o r m a t i o n t h a t w en e e d t o a c c e s s .
W h a t w e h o p e t o p r o v i d e i s a s i m p l e r e f e r e n c e f o r t h ei n f o r m a t i o n t h a t y o u n e e d e v e ry d a y : o n e t h a t c a n s a v e y o ut i m e , a n d h e l p y o u a v o i d s e a r c h i n g t h r o u g h t h e m u l t i t u d e o fs o f t w a r e m a n u a l s t h a t l i n e y o u r s h e l v e s .
O ur f irst b oo k o f th i s ty pe , ca l l ed Standard Weightsand Measures, h a s m e t w i t h e n o r m o u s e n t h u s i a s m . W e h o p et h i s i s s u e s e r v e s a s a n e q u a l l y u s e f u l t o o l i n m a k i n g y o u rw o r k e a s i e r a n d m o r e e n j o y a b l e . A s w i t h a l l o f o u re d u c a t i o n a l m a t e r i a l s , i t i s p a r t of o u r c o n t i n u i n g e f f or t t oh e l p m a k e y o u r w o r k t h e b e s t i t c a n b e .
WARREN DULL
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contents:2 - 1 1 T O O L S
3 unit conversion tab le
quarkxpress
pagemaker
Photoshop
8 i l lustrator
g f reehand
io keycaps
11 tech support numbers
1 2 - 1 5 C O L O R
13 color theo ry
14 repr
1 6 - 1 9 \M
17 sea:
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%
3
%z 1 y- -I 1 5 / 7u 7 2
2 1 // 3 2 I ^ 1 6 I' I \*%M I % | I % I | I %
%,
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1 % *% %
0 .2 50.5 Pt =1 Pt =1.5 Pt =
2.83 Pt3468
1 2
PtPtPtPtPt
1 1 1
123468
1 22 4485 166
1 0 2
W 1 m
pica =picas=picas =picas=picas =picas=picas=picas=picas=picas=picas=picas=
I I f "1* 1:
0 . 0 90 . 1 80-350-530 . 7 11
1 . 0 61-412 . 1 22 . 8 2
8.471 2 . 716.9325.4O33-8750 .80
101 .60203 .20215.9O279.4O4 3 1 . 8 0
mmmm
mmmmmmmmmmmmmmmmmmmmmm111111
mmmmmmmmmmmmmm
0.0040 . 0 0 7 '0 .014 '0 . 0 2 1 '0 . 0 2 8 '0 . 0 3 9 '0 . 0 4 2 '0.056'0 . 0 8 3 '0 . 1 1 1 '0 . 1 6 7 '0 . 3 3 3 '0 . 5 "0 . 6 6 7 '1 "1.333'2 "4 "8 "8-5"
1 1 "
1 7 "
digital weights+measures.tools.unit conversion table
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1,*J %-i :%k 1 I '% Agjf I %# l .:;Sll %3 WKEYBOARD SHORTCUTS:
get t ex t SE
!!D!!!!!
:
_L_
In-
location
document setup opshP1 : i tem move, arrange, edi t (boxes , l ines , groups)find/change F2: c o n t e n t import , edi t , modify box contents
3: r o t a t e manual ly ro ta te i t ems4 : z o o m enlarge view (opt ion key reduces)*5 : te x t box create text boxes*6: create rectangular p icture boxes *7: create rounded-corner picture boxes *8: cre ate oval and circular picture boxes*9: create polygon picture boxes*
frame B1 0: orthogonal l ine crea te hor izon ta l and ver t ical l ines*runaround T1 1 : l ine create l ines of any angle*duplicate 3D1 2 : link flow text from text box to text boxstep and repeat 8option D1 3 : unlink break l inks between text boxes
*Double-clicking on tool brings up preferences dialog
H&Js 3shiftH
character shift D
leading shift E
formats shift F
rules shift N
tabs shiftT
modify M
contents scale position rota tion skew angle
rotate
columns
, r i
fl op
lead
MM*
trackin g
ing fon
'.Si -::,/"..
alignment
; ;
t point
\ I
size
^ - ---'*f -.s^w*-. sW-L.^-./^W
type style
WARREN GLOSS
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KEYBOARD SHORTCUTS:
':
I IDl TooSbcH 111!l 2 3
, 4l j '
type specs T
paragraph X M1 : p o i n t e r select, size, and move objects
indents/tabs I2: l ine draw lines at any anglesele ct all A(hold shift key to constrain angle)f i t in wind ow 9 W3: rule draw ver t ical and hor izontal rulesfill and line ]4 : t e x t create text blocks, edit textguides 6 J5 : ro ta te rota te objectssnap to guides U
6 : r e c t a n g l e draw rec tangles bring to fron t F(hold shift key to constrain to square)send to back B7: Oval draw ovals
(hold shift key to constrain to circle)8: crop ortrim imported images
reference point location
*
size select scale, proportional rota tion, skew flop
apply change fon t point size scale crop trackin g kerning
:
type style leading horizon tal scale baseline shift
digital weights+measures.tools.quarkxpress, pagemaker
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chs, giant and
from 3 '
RREN G LO
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KEYBOARD SHORTCUTS:
zoom in 36+
>TK \ mm,mm-*tLZULtM.
4 \6 7
"5C :: ; >
,
.; : ft- :;
zoom out -1,2: m a r q u e e s make el l ipt ical or r ec t angu l a r selections m*show/hide rulers 8R3 : l a s so m a k e a f reehand selection 1select all A4 : magic wan d select areas by color wselect none 9D5: move move a selection vlast filter F6 : hand mov e view of image wi thout moving image hlevels XL7: zoom enlarge your view (opt ion reduces) zcurves M
8: crop crop an image c brightness/contrast B9 : t y p e create type ycolor balance Y1 0 : paint bucket fill an area wi th the foreground color khue/saturat ion U
1 1 : gradient f i l l create a grada t ion be tween two points g1 2 : l ine draw s t ra ight l ines at any angle n1 3 : e y e d r o p p e r sample color f rom any location i1 4 : eraser pa i n t wi t h backgr ound color, clear layer, or
saved im age e24: sponge change the saturation of an area-o1 5: penci l draw f reehand or s t ra igh t lines p, 25: foreground color
1 6 : airbrush a i rb r ush an area a26 : background color1 7 : paint brush p a i n t an image w i th se lectab le bru sh size b27 : default colors1 8: rubber Stamp p a i n t a copy or modif ied copy of an area s28: standard mode1 9 : s m u d g e s imula te dragging w i th wet paint u29: quick mask mode2 0 : sharpen increase the focus of an area r30 : screen modes
2 1 : blur soften the focus of an area r*You can also select these tools bypressing the2 2 : d o d g e l i gh ten areas oletter following each item2 3 : burn t o o l darken a reas o
digital weights+measures.tools.photoshop
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freehand tools KEYBOARD SHORTCUTS:export SEaiilHii
e:e.21 s.r7]13iigi
AL8s,0iM14a
place Sgshift D1 : p o i n t e r select, a d ju s t , and mo v e o b je c t s and p o i n t sredo Y2 : t e x t c re a t e t e x t b lo c k s ; t y p e or ed i t tex tse lect all 3SA3 : r e c t a n g l e d r a w r e c t a n g l e s w i t h / w i t h o u t r o u n d e d c o r n e r s *clone 3=4 : p o l y g o n d r a w r e g u l a r p o l y g o n s h a p e s *group XC5 : e l l i p s e d ra w e l l i p se s and circ lesungroup XU6 : l i ne d r a w s t r a i g h t p a t h s at anv a n g l ebr ing to f r o n t F
(shif t key c o n s t r a i n s a n g l e ) br ing f o r w a r d X[7 : f r e e h a n d d r a w a freeform s h a p e or p a t h *send backward X]8 : pen p la c e p o in t s p re c i s e ly for s h a p e s or p a t h ssend to back XB
9 : kn i fe sp l i t a p a t h by c l i c k in g on a p a t h or p o i n t s on a p a t h *1 0 : b e z i g o n d ra w s t r a ig h t l i n e s and a rc s as Bezier C u r v e s1 1 : r o t a t e r o t a t e an o b j e c t a r o u n d a f ixed po in t*1 2 : r e f l e c t m i r r o r an o b je c t by r e f l e c t in g it a c ro s s an ax is*1 3 : s c a l e r e d u c e or e n l a r g e an objec t or g r o u p of objec ts*1 4 : skew s l a n t or sk e w an o b je c t h o r i z o n ta l ly , v e r t i c a lly , or
a l i g n b o t h in d i f f e r e n t or u n i f o r m p r o p o r t i o n s *1 5: t r a c e t r a c e i m p o r t e d b i t m a p p e d i m a g e s
a n d o b j e c t s d r a w n in F r e e H a n d *1 6 : m a g n i f y e n la rg e y o u r v i e w (o p t io n kev r e d u c e s )
* Dou b le -c l i ck ing on too l b r ings up pre fe rences d ia log
o
d i g i t a l weights+measures.tools.illustrator, f r e e h a n d
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KEYBOARD SHORTCUTS:
zoom in
Z-\^^M1
IS
2
;ili...I " ; 1 ' / . . .
zoom out [1: p o i n t e r select, adjust, and mov e objects and pa th po in t sf i t inwindow M2 : d i r e c t s e l e c t select, adjust , move pts . of a grouped objecselect all A " i t ems z3 : g r o u p s e l e c t select, move i tems among a group of iiselect none 3shift A
1 mM/
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key + shift + option +bothX
keyabcdefghiJk1
mnopqr
stuVw
+ shiftABCDEFGH1JKLMNOPQRSTUVw
+ optionaJ?a-
/-
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+ bothAiQ1'
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Adobe Systems (Illustrator,PhotoShop): 206 628 2757PageMaker: 800 288 6832America Online (AOL) : ADOBECompuServe: GO ADOBEAPP
Use this space for other softwaretech suppor t and ser ia l numbers :
SERIAL NUMBER
Macromedia (FreeHand):415 252 9080AOL Keyword: MACROMEDIACompuServe: GO MACROMEDIA
SERIAL NUMBER
Quark (QuarkXPress)Macintosh: 303 894 889 9P C : 303 894 8822AOL Keyword: QUARKCompuServe: GO QUARK
SERIAL NUMBER
digital weights+measures.tools.key caps, tech suppo rt numbers
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R R EN G L O SS
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Four-color space. This 3-Dm o d e l * l o g i c a l l y s h o w s thef o u r - c o l o r s p e c t r u m in 50h u e s , w i t h 40 t i n t s and s h a d e so f e a c h h u e . There's a l so as e c t i o n of f o u r - c o l o r g r a y s o v e r 2,000 c o l o r s in all .T h e e v e n l y s p a c e d h u e s area r r a n g e d in the o r d e r of thev i s i b l e s p e c t r u m . / \T h e b r i g h t n e s s of a c o l o r isa f f e c t e d by a d d i n g b l a c k in 6%i n c r e m e n t s . VThe Blue Morpho from South
Am erica, with a wing span of6 7 a" J is not the largest
but te rf ly . That t i t le goes to
Queen Alexandra's b irdw ing.
of NewGuinea, with a
wingspan of up to 11 7s".*TRUMATCH 3-D M o d e l of 4-co lorspace .
digital weights+measures.color.color theory
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%r ' .-.*'H g% | # i | }p l:v
i-color black on color duotone t r i tone
A n y n u m b e r of effects can be achieved thr ou gh the s impleact of screening an imag e. Comb ining techniqu es can varythe effect in surpris ing ways. For example, a black-on-color screen is s imilar to a duo ton e, in tha t bo th con taindots of two colors . The y differ in th at ea ch sep arate pla teof a duo tone w ill carry th e imag e, bu t one pla te of theblack-on-color wil l s imply be a sol id tone.
WARREN GLOSS
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black & white 4-color
50% intensity
digital weights+measures.color.reproduction techniques
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4-5 to 5 billion years o ld .
WARREN GLOW'--"''"'' ':
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Th ere is a s im ple rule to govern how images should be scanned . Double th eline screen at which the image will be printed, and you wi ll der ive the n um be rof dots per inch at which the image should be scanned.
size: D P I b i t m a p g r a y s c a le RGB C M Y K3 K 19 K 57 K 7 6 K5 m m : 1 2 0 D PI
170D PI 6 K220 D P I g K3 0 0 D P I 15 K400 DPI 27 K600 DPI 6 0 K
4 " x s " : 120 D P I 3 6 K170 DPI 72 K220DPI lig K300 DPI 220 K400 DPI K600 DPI 879 K
8"xio": 120 DPI170 DPI 283 K220 DPI 473 K300 DPI 879 K
400 DPI I.53 MB600 DPI 3.43 MB
3864
118210471282565946
KKKKKKKK
1-72 MB3.O5 MB6.87 MB1.10 MB2.21 MB3.69 MB6.87 MB
12.2 MB27.5 MB
114191353628
KKKKK
I.38 MB$44 KI.65 MB2.77 MB5.15 MB9.16 MB
20.6 MB3.30 MB6.62 MB
11.1 MB20.6 MB
36.6 MB
152254470838
KKKK
I.84 MB1.10 MB2.21 MB3.69 MB6.87 MB
12.2 MB27.5 MB4-39 MB8.82 MB
14.8 MB27.5 MB
48.8 MB82.4 MB IO9.9 MB
d ig i t a l weights+measures.images.scanning and f i le sizes
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IFF [ A m i g a ] I n t e r c h a n g e Fi le F o r m a t N a t i v e t o t h e n o w - d i s c o n t i n u e d C o m m o d o r e A m i g a . C a n b e o p e n e d i n I B M p r o g r a m s l i k eD e l u x e P a i n t a n d P h o t o S h o p , a n d o n t h e M a c i n P h o t o s h o p .
BMP W i n d o w s B i t m a p F i l e f o r m a t b u i l t i n t o W i n d o w s a n d n a t i v et o M i c r o s o f t P a i n t . F o r s c r e e n c a p t u r e s a n d o t h e r DOS, W i n d o w s a n d o s / 2 b i t m a p g r a p h i c s . S u p p o r t s i- t o 2 4 - b i t d e p t ha n d i n d e x c o lo r ( a t a b l e t h a t d e f i n e s a f i n it e n u m b e r o f c o l o r s ) .
GIF [CompuServe] G raphics Interchange Format Use GIF tod o w n l o a d i m a g e s f r o m t h e I n t e r n e t . S u p p o r t s 1- to 8-bit p e rp i x e l b u i l t - i n " l o s s y " c o m p r e s s i o n ( s ee J P E G ) . 256 co lors on ly .
EPS E n c a p s u l a t e d P o s t S c r i p t A d o b e - c r e a t e d f o r m a t w i t h v e c t o r( l i n e - a r t d a t a o n l y w h i c h c a n b e s c a l e d w i t h n o l o s s o f q u a l i t y )o r r a s t e r ( b i t m a p w h i c h c a n n o t b e s c a l e d o r e d i t e d ) o p t i o n s . I nP h o t o s h o p , s u p p o r t s t r a n s p a r e n t w h i t e s i n b i t m a p m o d e .
1PEG J o i n t P h o t o g r a p h i c E x p e r t s G r o u p U se J P E G t o s a v e a n d c o m p r e s s p h o t o g r a p h s . " L o s s y " c o m p r e s s i o n : i d e n ti f ie s a n dd i s c a r d s n o n e s s e n t i a l d a t a ; however, J P E G a l l o w s y o u t o a d j u s tt h e a m o u n t o f l o s s , t r a d i n g b e t w e e n c o m p r e s s i o n a n d q u a l i ty .
LZW Lempel-Ziv-Welch Not a fi le format, LZ W is i m p o r t a n t t oc o m p r e s s i n g f il es . T h i s " l o s s l e s s " c o m p r e s s i o n a l g o r i t h m a l lo w s
y o u t o c o m p r e s s i m a g e d a t a w i t h o u t l o s i n g q u a l i t y .M a c P a i n t B i t m a p i m a g e s sp e c if ic t o t h i s M a c p a i n t p r o g r a m .
WARREN DULL
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PCX
PICT
R A W
S C I T E X
T A R G A
T I F F
P C P a i n t b r u s h E x t e n s i o n C o m m o n DOS f o r m a t d e v e l o p e d f o rP C P a i n t b r u s h b y Z S o f t . U s e d fo r s c r e e n c a p t u r e s . I n d e x c o l or .PICT W i d e l y u s e d o n t h e M a c i n t o s h f o r l o s s l e s s c o m p r e s s i o n .F o r 1 6 - b i t o r 3 2 - b i t i m a g e s , P I C T c a n u s e J P E G c o m p r e s s i o n . U s e do f te n i n v i d e o a n d m u l t i m e d i a a p p l i c a t i o n s .PIC T R es ource U s e d f o r s t a r t u p s c r e e n s a n d i c o n s w i t h i np r o g r a m s : 16- o r 3 2 - b i t r e s o l u t i o n . I f y o u can^t open a f i le inP h o t o s h o p , t r y o p e n i n g i t a s a P I C T R e s o u r c e i n s t e a d .P i x e l P a i n t Specif ic to PixelPaint a n d PixelPaint P r o . P h o t o s h o p s u p p o r t s i n t e r a p p l i c a t i o n f i l e transfer, a n d c a n o p e nP i x e l P a i n t f il e s, a s w e l l a s M a c P a i n t a n d Q u i c k T i m e f i l es .I n t e r a p p l i c a t i o n a n d p l a t f o r m e x c h a n g e f o r m a t . U s e w h e n y o ua r e u n c e r t a i n o f w h a t f o r m a t y o u n e e d . S a v e s p i x e l s i n b i n a r yf o r m , w h e r e o=black a n d 2 5 5 = w h i t e .S c i t e x C o n t i n o u s T o n e D e v e l o p e d t o t r a n s f e r i m a g e s b e t w e e nS c i te x i m a g i n g s y s te m s a n d d e s k t o p p r o g r a m s li k e P h o t o s h o p .T r u e v i s i o n T a r ga F o r v i d e o a p p l i c a t i o n s t h a t a ll o w y o u t oo v e r l a y a g r a p h i c i m a g e o n t o a v i d e o f r a m e . F o r sy s t e m s t h a tu s e t h e T r u e V i s i o n v i d e o b o a r d i n M S - D O S a p p l i c a t i o n s .T a g g e d I m a g e File F o r m a t T h e m o s t c o m m o n a n d p o r t a b l ef o r m a t f or s a v i n g b i t m a p s c a n s . U s e f u l f o r m o v i n g fi le s b e t w e e nt h e M a c a n d P C D o e s n o t c o m p r e s s d a t a , b u t o f f e r s LZ W o p t i o n .
digital weights+measures.images,common file formats
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It take s a snail 2 hr, 4 min
to t ravel 100m ( 328 ' } -
WARREN
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i- Documentation1 0 0 % s i ze l a se r p roo fs(co lor i f poss ib le)B l a c k a n d W h i t e p r o o f sp r i n t e d w i t h Print Colors asGrays o n
If the f i le i s sen t v ia modem,a p r i n t e d p r o o f m u s t f o l l owBe cau t ious o f re ly ing on a faxA n o v e r s i z ed d o c u m e n t h a sb e e n tiled, n o t r e d u c e d i n s i z eR e g i s t r a t i o n m a r k s a r e i n p l a c eP r o o f s a r e p r o p e r l y m a r k e d u pi d e n t i f y i n g LIVE VS. FPO i m a g e san d co lo r spe c i f i ca t i onsP r i n t e d d i r e c t o r y o f c o n t e n t so f d i s k / c a r t r i d g e i s i n c l u d e dElec t ron ic f i l e sheet,comple te ly f i l l ed ou t
2. Digital mediaC l e a r l y l a b e l e d w i t h c o m p a n yn a m e , d i sk n u m b e r , c o n t a c t ,p r o j e c t n a m e , d a t e , e t c .F i l e n a m i n g c o n v e n t i o n sa g r e e d t o a n d f o l l o w e d
Each fi le has a u n i q u e ,u s e f u l n a m eRevised f i les have newf i l e namesC on ta in s copies of a l l l a yo ut f ilesC o n t a i n s c o p i e s o f a l l c o m p a n i o ngraphic f i les ( E P S , T I F F , e t c . )F i l e s t h a t h a v e b e e n c o p i e d i nsuch a way tha t l i nks wi l l bem a i n t a i n e d w h e n t h e f i l e i so p e n e d i n a n e w e n v i r o n m e n tA p p r o p r i a t e s o f t w a r ep r o g r a m s h a v e b e e n u s e d i nc o m p a t i b l e v e r s i o n sC o m p r e s s i o n p r o g r a m s t h a t a r eu s e d m a t c h t h e vendor's
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3. FontsAre all fonts PostScript fonts?If not, are you cer ta in that yourp rov i de r can accommoda t et h e m ?Do vers ions ma tch yo ur serviceprovider^?Keyboa rd maps i nc l udedfor foreign language fontsHave you sent screen and pr int er fonts with the job, whi les taying in compliance wi th yourfont l icensing agreement?
4- TextStyles proper ly appl iedReverses and out l inesproper ly bu i l tUse of t iny type or graphicelements avoidedAll type a l igned w i th ta bs
%-Y
"! I
Text wi thin graphics : font(s)provided or pa ths conver ted toout l inesText w rap proper lyi m p l e m e n t e dAre page num bers f rees tanding?
5. Graphic elementsBorders and rules proper ly bui l tCareful use of hairl inesMinimal nes t ingFla tness appropr ia te ly se tAd equa te num be r of po in t s ofnodesKnowledgeable use of scal ing,c ropp ing , and ro ta t ingAttent ion to blends: avoidshadestepping and o therprocess ing impl ica t ionsPlaced graphics contain s inglesubjects
W A R R E N D U L L
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Dig i t a l d i e l i nes u sedt o b u i l d d e s i g n sUPC codes ac cu ra t e ly bu i l tResiz ing of LIVE imagest h o u g h t f u l l y i m p l e m e n t e dLIVE im ag es p r ov id ed in t h ec o r r e c t f o r m a t s IP i c t u r e w i n d o w s p r o p e r l y b u i l tD ig i t a l ph o t o a nd p ho to CD f ilef o r m a t s c o r r e c t l y c h o s e nZ o o m t o c o n f ir m p l a c e m e n t of 1m a t c h i n g e l e m e n t s , p a r t i c u l a r l yf o r c r o s s m a t c h i n g
6. ColorsC o l o r s a r e p r o p e r l y d e f in e d w i t ha t t e n t i o n t o Separations on/offU n u s e d c o l o r s d e l e t e dT r a p p i n g h a s b e e n d i s c u s s e d a n d
r e c o m m e n d a t i o n s f o l l o w e dS p e c i a l c o l o r s p r o p e r l y a p p l i e d
7. MiscellaneousD o c u m e n t s iz e d o e s n o t e x c e e dl i m i t s o f t h e i m a g e s e t t e r o r p r e s sU n w a n t e d i t e m s h a v eb e e n deleted, n o t c o v e r e d w i t ha w h i t e b o xB l e e d a n d t r i m p r o p e r l y a p p l i e dI m a g e s u b s t i t u t i o nc o n s i d e r a t i o n s f o l l o w e d
8. Other materialsT r a n s p a r e n c i e s o f r e f l e c t i v ec o p y r e q u i r e d f o r t h e j o bC l e a r i n s t r u c t i o n s a b o u t w h a t t od o w i t h s c a n s
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paperMe rcury is l iquid at room
temperature, f reezes at -40
degrees, and boils at 357
degrees, making it ideal for
use in thermo me ters.
v
WARREN GLOSS
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^,:r'y+
t e x t w e ig h t s 2 5 " x 3 8 ' cover we ights 2 0 " x 2 6 '40 lb43 lb45 lb50 lb55 lb
lh7 0 ID75 lb80 lb
lb100 lb105 lb108 lb
59gsm6 4 gsm67 gsm74 gsm81 gsm89 gsm
104 gsm111 gsm118 gsm13 3 gsm148 gsm155 gsm160 gsm
60 lb63 lb651b66 lb70 ID
80 lb841b
100 lb120 lbi n d e x w e i g h t sy \j 1 u
110 lb140 lb
| 162 gsm170 gsm176 gsm179 gsm189 gsm216 gsm227 gsm270 gsm
| 325 gsm2 2 . 5 " x 3 0 - 5 "
163 gsm199 gsm253 gsm
vel lum br isto l weights 22-5" x 28 .5
67 lb125 gsm147 gsm175 gsmHHHB
t a g w e ig h t s 2 4 " x 3 6 "TO O lb 16 3 gsm125 lb 20 3 gsm150 lb 24 4 gsm175 lb 28 5 gsm
d ig i t a l weights+measures.paper, weight conversions
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AFPA standard gradeclassifications [all finishes]quality
r inumber2number 3number4numbers
brightness85.01087.983_oto84-979-Oto82.g73-Ot0 78.g72,9 and below
Pap er is classified (according to theAm er ican Fores t & Pap er Associa tion)by i ts br ightne ss , #i being the br ight est, an d # 5 , the least br ight . Withineach grade, papers are offered in virginor recycled, sheet or web (referring tothe type of press on which the sheet willbe p r in t ed) .
Warren grades classiiii22233333
*v: virgin, r: recycled, s:shee tfeed, w:w eb
grade vLustro Gloss *LustroDull *Lustro Dull Cream *Patina *Warren GlossW arren DullWarrenf lo *Som erset Gloss RecycledSomerset M at te RecycledSomerset W eb Gloss *Somerset W eb M atte *Somerset Glare Free Gloss *
s w
WARREN DULL
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i l '"%#
Stocking Informat ion This book is pr inted on Warren Dul land Warren Gloss , the new #2 gradeline f rom S.D. Warren,offer ing a unique combinat ion of press performance andrel iabi l i ty wi th a s tunning blue-whi te shade, high ink gloss ,ou t s tan ding opac ity , p r in tab i l i ty , and rem arka ble surfacequal i ty . Both W arren Gloss an d W arren Du l l are recycledg rades , con ta i n ing a m i n i mu m 10% recycled fiber, of which100% is post -consumer waste . Warren Gloss is avai lable in6 o l b . / 8 9 g s m , 7olb . / i 04gsm, 8 o l b . / n 8 g s m , a n d i o o l b . /I48gsm text weight ; and in 8olb./2i6gsm a n d ioolb./270gsmcover weight. Warren Dull is available in 7olb . / i 04gsm,8 o l b . / n 8 g s m a n d ioolb./i48gsm t ex t weight ; and in 8o lb . /2i6gsm cover weight .
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Front Cover: The ostrich
egg (rear) w il l hatch a bird
that weighs about 253 lbs.;
the w ren egg wil l hatch a
bird that weighs from
.3 to .5 oz.Page 1 : The South
American hummingbird
measures about 2" in
leng th, and beats its wings
from 22 to 78 t imes/se c.
P r i n t i n g P r i n t e d i n t h e USA o n W a r r e n D u l l C o v e r 8 o l b . /2i6gsm a n d W a r r e n G l o s s C o v e r 8 o l b . / 2 i 6 g s m ; a n d o n W a r r e nD u l l ioolb. / i48gsm a n d W a r r e n G l o s s ioolb./i48gsm text, o n a40" 6-color press a t 7,000 i m p r e s s i o n s a n h o u r . E l e c t r o n i cm e c h a n i c a l s w e r e s u p p l i e d t o t h e p r i n t e r ; 150,000 c o p i e s w e r ep r o d u c e d . B i n d i n g i s s t a n d a r d b l a c k w i r - o .T y p o g r a p h y B a l a n c e B o l d , B a u e r B o d o n i .P h o t o g r a p h y A l l p h o t o g r a p h y b y V i c t or S c h r a g e r , N e w Y o r kC i t y . I m a g e s s c r e e n e d a t 175 l ine f rom 8"x i o ^ p r i n t s .S t o c h a s t i c s c r e e n i n g o n p a g e 15 is at 14 m i c r o n .I n k S e q u e n c e C o v e r : s p e c i a l o r a n g e , K , c , M, Y. O v e r a l l d u l lv a r n i s h o n o u t s i d e f r o n t c o v e r f o r p r o t e c t i o n . S p o t g l o s sva rn i sh on ou t s ide ba ck cove r . Tex t : K , c , M, Y.
1 99 5/ S.D. W arren . All r ights reserved. Wh i le every ef fort has been made toprovide dep enda ble data , al l part ies involved shall not be held l iable for errorscontained herein or incidental or consequential damages in connection w ithuse of this inform ation .Illustrator, Photoshop, and Pagemaker are registered tradema rks of Adobe Systems.QuarkXPress is a registere d trade ma rk of Q uark, Inc. Freehand is a regis teredtrademark of Macromedia, Inc. SCITEX is a registere d tradem ark of ScitexCorpo ration, Ltd. All other trademarks are the property of their respective owne rs.We are grateful to the following companies for use of material represented in thisWarren Standard: Adobe Systems, Quark, Inc. , Macromedia, lnc. ,Trumatch (NYC).The prepress guidelines on page 21 are based upon the SGAUA CREF guideline, ased ited by S.D. Wa rren Co. The term Com puter Ready Electronic File (CREF ) and theguide line itself is the p rope rty of the Scitex Graphic Arts Users Association (SGAUA).
10%
[WARRENA Sappi Group Company
S.D. WARREN COMPANY 225 FRANKLIN STR EET, BO STO N , MA 0 2 1 1 0 (617)423-7300
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'"...".""";/ :f. .:~C."""J-:;&^^At 3 20 mill ion years old , this
fossil is a young one. Animal
life was abundant by the
Neozoic Era {570 mill ion
years ago ). The poppy is
one of the longest-known
natural medications, and has
been cult ivated since the
Middle Ages.
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G r e a t i d e a s don^tcome eas i ly .
A n d s o m e t i m e s t h e y c o m ef r o m s o m e p l a c e e l s e .
\
J. i l & S * ' sjbtu
Salvador's lunch. Salvador's dream.
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O v e r 10,000 sample ideas ava i l ab le toe c rea t ive i n sp i r a t ion and sparJideas in over 120 ca tego r ies o f