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VOLGOGRAD STATE UNIVERSITYENGLISH DEPARTMENT

T. N. Astafurova

THE VISITOR

(for students of the retraining courses)

Volgograd 1998

ÌÈÍÈÑÒÅÐÑÒÂÎ ÎÁÐÀÇÎÂÀÍÈßÐÎÑÑÈÉÑÊÎÉ ÔÅÄÅÐÀÖÈÈ

ÂÎËÃÎÃÐÀÄÑÊÈÉ ÃÎÑÓÄÀÐÑÒÂÅÍÍÛÉ ÓÍÈÂÅÐÑÈÒÅÒ

Ò.Í. Àñòàôóðîâà

ÏÐÈØÅËÜÖÛ

Ó÷åáíî-ìåòîäè÷åñêîå ïîñîáèåïî ðàçâèòèþ íàâûêîâ àóäèðîâàíèÿ

(äëÿ ñëóøàòåëåé êóðñîâ ïåðåïîäãîòîâêèóïðàâëåí÷åñêèõ êàäðîâ Ðîññèè)

Âîëãîãðàä 1998

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Ðåöåíçåíò: äîö. À.Â. Äîëèíñêàÿ

Ïå÷àòàåòñÿ ïî ðåøåíèþ ó÷åáíî-ìåòîäè÷åñêîéêîìèññèè óíèâåðñèòåòà

Àñòàôóðîâà Ò.Í.

The Visitor: Ó÷åáíî-ìåòîäè÷åñêîå ïîñîáèå ïî ðàçâè-òèþ íàâûêîâ àóäèðîâàíèÿ (äëÿ ñëóøàòåëåé êóðñîâ ïåðå-ïîäãîòîâêè óïðàâëåí÷åñêèõ êàäðîâ Ðîññèè). — Âîëãîãðàä:Èçä-âî ÂîëÃÓ, 1998. — 24 ñ.

Ó÷åáíî-ìåòîäè÷åñêîå ïîñîáèå ïðåäíàçíà÷åíî äëÿ ðàçâè-òèÿ íàâûêîâ àóäèðîâàíèÿ è óñòíîé ðå÷è íà íà÷àëüíîì è îñ-íîâíîì óðîâíÿõ ïîäãîòîâêè è ìîæåò èñïîëüçîâàòüñÿ â êà÷åñòâåäîïîëíåíèÿ ê îñíîâíîìó ó÷åáíîìó ìàòåðèàëó.

© Àñòàôóðîâà Ò.Í., 1998© Èçäàòåëüñòâî Âîëãîãðàäñêîãî

ãîñóäàðñòâåííîãî óíèâåðñèòåòà, 1998

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ÎÒ ÀÂÒÎÐÀ

Îñíîâîé äëÿ ðàçðàáîòêè íàñòîÿùåãî ó÷åáíî-ìåòîäè÷åñêîãîïîñîáèÿ ïîñëóæèëà àíãëèéñêàÿ ó÷åáíàÿ ðàäèî-ïüåñà «TheVisitor», ñîñòîÿùàÿ èç 17 ýïèçîäîâ, ñ îáùåé ïðîäîëæèòåëüíî-ñòüþ çâó÷àíèÿ â 90 ìèí. Ê ïîñîáèþ ïðèëàãàåòñÿ àóäèî-êàññåòà.

Ó÷åáíî-ìåòîäè÷åñêîå ïîñîáèå ñîñòîèò èç ñåìíàäöàòè ýïè-çîäîâ, â êîòîðûõ îòîáðàíû è àêòèâèçèðóþòñÿ ëåêñè÷åñêèéìèíèìóì è îñíîâíûå ðàçäåëû ãðàììàòè÷åñêîé ñèñòåìû àíã-ëèéñêîãî ÿçûêà, íåîáõîäèìûå äëÿ ðàçâèòèÿ êîììóíèêàòèâíûõíàâûêîâ ó ñëóøàòåëåé íà÷àëüíîãî è îñíîâíîãî óðîâíåé ÿçûêî-âîé ïîäãîòîâêè.

Ëåêñè÷åñêèé ìàòåðèàë (áîëåå 500 ñëîâ è ñëîâîñî÷åòàíèé)ñïîñîáñòâóåò àêòèâèçàöèè íàèáîëåå ÷àñòîòíûõ îáùåóïîòðåáè-òåëüíûõ ÿçûêîâûõ åäèíèö; êîììóíèêàòèâíî îðèåíòèðîâàííûéãðàììàòè÷åñêèé ìèíèìóì (âèäî-âðåìåííàÿ ñèñòåìà àíãëèéñ-êîãî ãëàãîëà, ìîäàëüíûå ãëàãîëû, ñòåïåíè ñðàâíåíèÿ ïðèëàãà-òåëüíûõ, ðàçëè÷íûå ðàçðÿäû ìåñòîèìåíèé è ò.ä.) ðàñïðåäåëåíïî ýïèçîäàì â ñîîòâåòñòâèè ñ åãî ïðåäñòàâëåííîñòüþ â àóäè-òèâíîì ìàòåðèàëå.

Çàõâàòûâàþùèé ñþæåò, àêòåðñêîå ïðåäñòàâëåíèå ìàòåðè-àëà è åãî ìóçûêàëüíîå ñîïðîâîæäåíèå ñïîñîáñòâóþò ïîääåð-æàíèþ íåîñëàáåâàþùåãî èíòåðåñà ó ñëóøàòåëåé ê àóòåíòè÷íî-ìó ìàòåðèàëó è ðàçâèòèþ íàâûêîâ àóäèðîâàíèÿ è óñòíîé ðå÷è.

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The Visitor

Present I am ready.Am I ready?I am not ready.

This planet has only one moon.Does this planet have only one moon?This planet doesen´t have one moon.

Past She was at the end of her long journey.Was she at the end of her long journy?She wasn´t at the end of her long journey.The planet had big oceans.Did the planet have big oceans?The planet didn´t have big oceans.

Future I will be ready.Will I be ready?I won´t (will not) be ready.They will have wars.Will they have wars?They won‚t (will not) have wars.

this planet — these planetsthat planet — those planets

another — the otherothers — the others

There were two straps. One strap was around her leg. The oth-er strap was around the top part of her body.

The robot had more than two hands. Mecco pushed a button infront of him with one hand. With another hand he turned a smallwheel.

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EPISODE 1

This is a story in seventeen episodes. Listen to this episode. Thenanswer the questions.

1. Who is Tan-Lin?2. What do you know about her planet?3. Who is Mecco?4. Describe him.

They were dangerous people. They had wars.

Tan-Linto be at the end of journey to turn a wheela destination Thomas Farheyin many ways to see the lightthe man binocularsthe planet was like her own a low humdangerous people to land in the fieldto kill a strange objectMecco to smell the airshe put two big straps around her then it was goneto push/to press/a button to wacht with an open mouth

The Indefinite/Simple/ Tense Forms

Present The blue helicopter flies out to sea and turns west.Does the blue helicopter fly out to sea and turnwest every morning?The blue helicopter doesn‚t fly out to sea and turnwest every morning.

Past Shandor thought for a moment.Did Shandor think for a moment?Shandor didn‚t think for a moment.

Future They will meet in Southampton.Will they meet in Southampton?They won‚t/will not/ meet in Southampton.

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The Continuous Tense Forms

Present The police are envestigating the fire./now/Are the police envestigatig the fire? /now/

The police aren‚t envestigating the fire.

Past He was giving information to a journalist (at 5 o`clock).Was he giving information to a journalist (at 5 o`clock)?He wasn‚t giving information to a journalist (at 5 o`clock).

Future The van will be following them (on thier way back).Will the van be following them (on thier way back)?The van won‚t be following them (on thier way back).

EPISODE 2

the helicopter flew out to sea to point to a headlineto turn west a front page of a newspapera pilot a company directorto point down to the sea below an accidenta midlle-aged man an articleto wear(wore, worn) a grey suit the police are investigating the firea yacht to find(found;found) outto land on the deck to follow smb’s ordersa cabin a Southampton factoryMr Shandor to give information to smbHarlan a phone calla grey lether briefcase to blinkto go ahead with the plans for the first time he smiledtoo

Questions:

1. Why do you think Shandor and Harlan are interested in the fire?2. What do they say about a journalist and an engineer?

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To be going to do smth

Shandor is going to make a new kind of robot.Is Shandor going to make a new kind of robot?Shandor isn’t going to make a new kind of robot.

Degrees of comparison

Positive Comparative Superlativesmall, biginteresting

smaller, biggermore interesting

the smallest, the biggestthe most interesting

goodbadlittlemuchmany

betterworselessmoremore

the bestthe worstthe leastthe mostthe most

Remembermuch smallerfar bettermuch, more interestingfar more interesting

EPISODE 3

The second article is going to be more interesting than the first!Far more interesting!

Tony Redford a small company called ShandorElectronecs

Business News (magazine) Presleyto be of medium height to have plans for a new kind of

electronica small moustache brainhe was in his boss’es office on the marketLis Davis to make a robotthe editor of Business News no later thanto blow/blew, blown/ a cloud of a newspaper stand smoke at smbthe electronic industry to be politethe article is going to the printer’s a newspaper sellerto puff on a cigarette a foreign visitorto stare at smb

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Questions:

1. Why is Tony Redford so interested in Shandor?2. Who is Redford going to meet?

There is — There are

1. There is a very serious look 2. There was a fence aroundon his face. the factoryIs there a very serious look on his face? Was there a fence around the

factory?There is no serious look on his face. There was no fence around the

factory.

3. There will be people here soon. 4. There are some/many, ten, etc/Will there be people here soon? houses around them.There won’t be people here soon. Are there any houses around them?

There are no houses around them.

EPISODE 4

Listen to the episode with these questions in mind. Answerthem after you listen to the episode.

1. What do you learn about the man called Prestley?2. What happens to him in the episode?3. Why do you think it happens to him?

The newspapers said it was a very strange accident.

John Prestley to bump into smb.to be a computer engineer to push smth. towards smth.with a companya prison a piece of iron in a magnetan intelligent man to twist on his driving wheelto find (found, found) out smth. to have control of the carto work for a magazine to screama manageress of a supermarket to break (broke, broken) freeto work long hours he shot (shoot, shot, shot) through

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to earn money it like a bulletto back one´s car out of the garageto wave to smb. to sink(sank, sunk)to drive(drove, driven) away to turn into a side roadthe cars were parked little traffic on the roadto the rear view mirror to feel(felt, felt) a bump

The Complex Object Construction

1. to want smb to do smth.

to want I want you to find out exactly how muchto expect Redford knows.should/would liketo liketo hateto believe

2. to consider + to be

to think I consider him to be wrongto know

3. to see smb do smth.

to see smb doing smth.to see He didn´t notice the light blue car followto hear him.to watch He could hear the sound of the train approchto notice ing tunnel.to feel

to make smb do smth.to make Let him explain.to let

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EPISODE 5

Tony Redford is a journalist. He wants to find out more about astrange engineer, Thomas Shandor. A man called Harlan visits Shan-dor every day in his yacht.

the electronic industry to lose control of the carto say smth. with a nervous smile to notice an accentto find smth out a pub called «Brunswick»the cabin importantto be on one´s way to hang (hung, hung) up

Questions

1. What do you think Tony is going to do?2. What do you think he should do?3. Why?

What kind of accident is it?What kind of man is it?

I need your help, too.I don’t need your help, either.

Countables Uncountablesfew articles little timea few articles a little timemany articles much timea lot of articles a lot of time

I have very little time.A few hours later, the telephone rung in Tony’s office.There were many people there.

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EPISODE 6

Tony Redford was a journalist. Yesterday a strange woman phonedhim. She asked him to meet her in a pub called «The Branswick».They didn‚t notice the man who sat far away from them reading anewspaper.

to be interested in smth, smb. exactlyto walk in to stare at smb in surpriseto look around the pub an important secretto come over to smb. to sense dangerto nod to wear (wore, worn)you haven‚t been waiting long strange glassesit was very crowded to see throught smth.to sit (sat, sat) down far away from smthto mention

Questions

1. What is strange about the woman?2. What is strange about the tall man?3. Which one of them do you think works for Shandor?

Be careful!Don’t do it!Let us walk along the street a little!Don’t let’s do it!

The Perfect Tense Forms

Present Perhaps he has built it/ the electronic brain/ already.Has he built it already?He hasn‚t built it yet.

Past Harlan said that the operator hadn’t come back.Had he come back?He hadn‚t come back.

Future We will have destroyed the yacht by then.Will we have destroyed the yacht by then?We won‚t have destroyed the yacht.

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EPISODE 7

Tony Redford, a journalist, is talking to a woman in a pub. Theydon’t know that a tall man with round glasses is listening to them.

to leave(left, left) the pub to turn into a narrow side streetto walk towards smth. to walk into an alley that led

(lead, led, led) toto look behind an electronic brainto cross at the traffic lights to look and act like human beingto hit (hit,hit) smb. to jump asideyou shouldn‚t cross a busy road like this in the middleto look up & down

Questions

1. Why do you think Tan-Lin walked so fast?2. Have you any ideas about who she is & what she wants to do?3. Why do you think Tony should be careful?

She walked so fast it was difficult to keep up with her.It took the firemen half and hour to free Tony.

The Perfect Continuous Tense Forms

Present I’ve been waiting for a train for ten minutes now.Have I been waiting for a train for ten minutes now?I haven‚t been waiting for a traitn for tenminutes now.

Past Someone said that he had been waiting fora train for ten minutesHad he been waiting for a train for ten minutes?He hadn‚t been waiting for a train for ten minutes.

Future By this time next year he will have beenwaiting for five years.Will he have been waiting for five years by thistime next year?He won’t have been waiting for five yearsby this time next year.

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EPISODE 8

Yesterday evening Tony Redford met a strange woman in a pub.They talked about Shandor. Later a man with round glasses followedthem. Tony fell in front of the train.

to travel on the underground towards the base of the platformto make robots steel wheels of the trainin his mind a squeling of breaksto be on the edge of the platform to screamin the tunnel his job was doneto step closer to the edge firemento stand away from smth. to free smb.to push smb towards smth. a gap between the rail and the

base of theto grab the edge of the platform platformto pull one’s body inwards a warningaway from the electric rail

Questions

1. Why did Tony fall?2. What happened after he fell?3. What does the tall man with round glasses think?

As ...asnot as ... asnot so ... as

We instructed him to leave the place as soon as possible.He was still angry but not so angry as before.

Passive Voice. The Indefinite Tense Forms

I am satisfied with your explanation.Am I satisfied with your explanation?I am not satisfied with your explanation.

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He was frightened.Was he frightened?He wasn‚t frightened.

This yacht will be destroyed.Will the yacht be destroyed?This yacht won’t/will not/ be destroyed.

EPISODE 9

Tony Redford is trying to find out more about a strange engi-neer & owner of the factory. This man’s name is Thomas Shandor.Nobody knows much about him. Yes-terday someone tried to killTony Redford as he waited for an underground train. But Tonydidn’t die. Harlan works for Shandor. He often goes to see Shandoron his yacht.

to be a worried man to have an imaginationto be disappointed to calculate (calculation)to be furious to be frightenedan explanation to look very worriedto control the fury in one’s voice a briefcaseto follow orders, instructions to stop thinking

The Reported Speech

Statement «It can‚t be. It’s impossible», — he thought.He thought that it couldn’t be. It was impossible.«We instructed him to leave the place as soon as possible,»

Harlan said.Harlan said that they had instructed him to leave the place as

soon as possible.

General, alternative questions

One of the men asked, «Could you help us?»One of the men asked /wondered/ if /whether/ he would help them.

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Special questions

Bart asked, «What are you doing that for?»Bart asked what he was doing that for?

Adverbial Clauses of Time & Condition

It’ll be better if you & I just push the car a bit with our hands.If you come with me, Mr. Redford, you will see things which

nobody will believe.We will have to get to Shandor before he finds out what has

happend to his robot.

EPISODE 10

Carl Eastwood to steer the vanto have a job with the government to get inside thr carto drive/drove, driven/a security van to get behind the steeringwheelvaluable things to feel a gun in one’s backto transport to reav doorBristol everything went blackto come/came, come/ round a bend to hit/hit, hit/ smb over the headto wave to smb in the direction ofto get out of the car to have plenty of timeto give smb a push with smth. He had the same face as Carl.

But he wasn’t Carl.

Questions

1. What happened after Carl stopped?2. Why was he so surprised when he saw the third man inside

the van?3. What do you think is going to happen now?

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Passive Voice. The Continuous Tense Forms.

I think the van is following us. — I think we are being followedby the van.

Are we being followed by the van?We are not being followed by the van.

Passive Voice. The Perfect Tense Forms.

I’ve brought you a gift. — A gift has been brought to you.Has the gift been brought?The gift hasn’t been brought.

EPISODE 11

Carl shot him between the eyes.

Questions

1. What happened to Carl Eastwood in the last episode?2. Listen to this episode and then answer these two questions

a) Who do you think this «Carl» really is?b) Why do you think this?

Burt Harris a microfilmto be the guard in the security van every five minutesto stay in the radio contact with smb. at the headquarters ofa two- way radio the security companyto contact smb. to go straight to the bankmen in uniform to reach for the radio

microphonevaluable things hie eyes never blinkedto send smb by air to starea special sack with diamonds in it a canala metal box to screamto be locked to be gone

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Now think of some more questions you would like to answerto, but which you can’t find in this episode.

to suggest /that/ smb /should/ do smth

I suggest that our operator should visit Mr. Redford in hospital.

should do — should have done

1. I think something should be done about him /advice/2. The operator should have gone to the hospital & killed

Redford yesterday evening /reproach/

EPISODE 12

Shandor studied the film carefully

Questions

1. Who was Carl Eastwood?2. What happened to him?3. Which of these do you think is correct. Explain why.

a) The man who looked like Carl wasn‚t really him at all.b) Carl was really a dangerous criminal all the time but

nobody knew that.

a cabin below the deck a spyto wait for smb. to look satisfiedto put the microfilm into a small machine to step closer to smb.to make things on the microfilm larger to suggest that smb

should do smth.to poject smth on a screenweapons to give smb a giftto be thrown /to throw, threw/ chocolatea criminal to make sure of smth.an excellent idea

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Questions

1. What do you think the operator is going to do?

Modal Verbs

must1. They must promise me something /obligation/.2. They must be at home now. /high probablity/. They must be following us . They must have made a robot already.

may1. You may take it /permission/. You might take it /by chance.2. He may/might/ be at home now. He may/might/ be following us ./uncertain supposition/ He may/might/ have left.

can1. I can earn some money that way /ability/.2. Can /could/ he be at home now? Can he have left /great doubt/? He can’t /couldn’t/ be at home now. He can’t /couldn’t/ have left /disbelief/.

EPISODE 13

Revision questions

1. Tony Redford is in hospital. Why?2. Do you think he is in any danger there? Give reasons for

your answer.3. Retell some of the other important things that have hap-

pened in the story so far.

to look around the room to speak like a parrotLiz Davis to taste a chocolatethank God to be sweet bitterto examine smb to grip smb.

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to have an accident it was a grip of steelto have a dress on to force smb down in the bedthe dress went badly with her hair a terrible nightmareto unwrap smth. a box of chocolatesit was some kind of joke it’s good for youto stare at smb.

Questions

1. What do you think he is trying to do? You want this chocolate & you‚ll eat it.

Some of Both of them were very strong.All of For a moment neither of them moved.none ofboth ofneiher of

Pronouns

Personal Possesive

I we me usyou you you youhe himshe they her themit it

my our mine oursyour your yours yourshis hisher thier her thiersits its

EPISODE 14

Tony is in hospital and his boss, Liz Davis, is trying to forcechocolate down his throat. Why do you think she is doing this?

to give smb trouble with smth. the machine kicked out ather with one leg

to be afraid of to move away from the kickto have strength of a tiger to chop at smb’s neekto be terrified a karate expertto blink a knife-like hand

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to bite /bit, bitten/ the hand a blowto bite a lump of steel a blue sparkto hold /held, held/ smth down to freeze /froze, frozen/with a kneeto force open the mouth to stare out lifelesslypoison a frozen karate fighterto spit /spat, spat/ out to lose one’s strengthto be red-haired the machine cut /cut/through

the air with itsone of its hands was still handin the air, like a frozen karatefighter

Questions

1. Do you agree that the thing with Lis’s face is some kind ofmachine?

2. Give reasons.3. Who do you think made the machine?

EPISODE 15

to stare at smth. Southamptona frozen statue to find smth outto point to smth. to be a case for the policeto look and smell like a burnt-out to drive /drove, driven/machine throughto grip smb’s arm the nightto wear/wore, worn/ a cotton hospital night a fire escapegownto stare at the strange sightprimitive

Questions

1. What do you think Tan-Lin means when she says «Shandorisn’t a case for your police.»?

She carried him out of the window & down a fire escape.

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EPISODE 16

dawn a low, hummering noisethe hill was overlooking the sea a ball of lightyacht to landto point up to smth. a spaceshipto use highly developed robots for smth. a flying saucerto be trained to do /to make/ smth. the metal skin of the

spaceshipterrible weapons a square headto be forbidden for smth. a large eyeto break /broke, broken/ a law to rise /rose, risen/to interfere in the affairs of a planet to steel secrets

The figure looked something like a man.

Questions

1. Explain why Tan-Lin has come to this planet?2. What do you think is going to happen now?

EPISODE 17

The spaceship was just above them, turning slowly in the air.

a saucer to hit /hit, hit/ smb.to operate the controls his eyes flashed with angera helicopter a whistling noiseto be ahead of smb. to run /ran, run/ up to the deckto point to a radar screen to put /put, put/ one’s fingers

into the earsto program the operator to lie /lay, lain/ stiffly without

movingto be stunned to wake up /woke, woken/a terrible headache to destroyto catch /caught, caught/ fire to explodeto be hold by a beam of light an invisible chainhatred a beacha long journey to flow /flew, flown/ out low

over the wavesin the direction of

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Tenses

Active Voice

Tenses InfinitivesIndefinite

PresentPastFuture

The blue helicopter flies out to sea & turns west.Shandor thought for a moment.They will meet in Southampton.

Indefiniteto fly, to turnto thinkto meet

ContinuousPresentPastFuture

The police are investigating the fire.He was giving information to a journalist.The van will be following them.

Continuousto be investigatingto giveto be following

PerfectPresentPastFuture

Perhaps he has built the electronic brain already.Harlan said the operator hadn’t come back.We’ll (will) have destoyed the yacht by then.

Perfectto have builtto have cometo have destroyed

PerfectConti- Presentnuous Past

Future

I’ve been waiting for a train for ten minutes now.Someone said that he had been waiting for a trainfor ten minutes.By this time next year we will have been waitingfor five years.

Perfect Continuousto have beenwaiting

Passive Voice

Tenses Infinitive

IndefinitePresentPastFuture

I’m satisfied with your explanation.He was frightened.This yacht will be destroyed.

Indefiniteto be satisfiedto be frightenedto be destroyed

ContinuousPresentPastFuture

We are being followed by the van.We were being followed by the van.________________________________________

___________

PerfectPresentPastFuture

A gift has been brought to you.A gift had been brought to you.A gift will have been brought to you by then.

Perfectto have been brought

PerfectConti- Presentnuous Past

Future_______________________________________

___________

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Grammatical Structures Used in the Text

Episode 1 To be, to have in the Indefinite Tense Forms;this — these, that — those, another — the other

Episode 2 The Indefinite Tense Forms, the Continuous Tense FormsEpisode 3 To be going to ..., Degrees of ComparisonEpisode 4 There is — there areEpisode 5 The Complex Object ConstructionEpisode 6 What kind of ..., too — either, countables —

uncountablesEpisode 7 Imperative Mood, The Perfect Tense FormsEpisode 8 The Perfect Continuous Tense FormsEpisode 9 As ...as, not as ...as, the Indefinite /Simple/

Tense Forms/, Passive VoiceEpisode 10 The Reported Speech, Adverbial Clauses of Time

and ConditionEpisode 11 The Continuous Tense Forms /Passive Voice/,

The Perfect Tense Forms/ Passive Voice/Episode 12 To suggest, should do — should have doneEpisode 13 Modal verbsEpisode 14 Some of, all of, none of, etc. Pronouns.Episode 15 Verbs with postpositionsEpisode 16 PrepositionsEpisode 17 Tenses

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Ó÷åáíîå èçäàíèå

Àñòàôóðîâà Òàòüÿíà Íèêîëàåâíà

ÏÐÈØÅËÜÖÛ

Ó÷åáíî-ìåòîäè÷åñêîå ïîñîáèåïî ðàçâèòèþ íàâûêîâ àóäèðîâàíèÿ

(äëÿ ñëóøàòåëåé êóðñîâ ïåðåïîäãîòîâêèóïðàâëåí÷åñêèõ êàäðîâ Ðîññèè)

Ãëàâíûé ðåäàêòîð À.Â. ØåñòàêîâàÐåäàêòîð Ò.À. Ñóñ

Òåõíè÷åñêèé ðåäàêòîð Ë.Â. Ðåìíåâà

ËÐ ¹ 020406 îò 12.02.97

Ïîäïèñàíî â ïå÷àòü 05.10.98. Ôîðìàò 60½84/16.Áóìàãà òèïîãðàôñêàÿ ¹ 1. Ãàðíèòóðà Òàéìñ. Óñë. ïå÷. ë. 1,4.

Ó÷.-èçä. ë. 1,5. Òèðàæ 50 ýêç. Çàêàç .

Èçäàòåëüñòâî Âîëãîãðàäñêîãî ãîñóäàðñòâåííîãî óíèâåðñèòåòà.400062, Âîëãîãðàä, óë. 2-ÿ Ïðîäîëüíàÿ, 30.