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The Tragedy of Julius Caesar By William Shakespeare

The Tragedy of Julius Caesarkealer.weebly.com/uploads/3/8/1/1/38110125/shakespearep...The Tragedy of Julius Caesar cont. When Caesar was given orders by Sulla (general and dictator

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  • The Tragedy of Julius Caesar

    By William Shakespeare

  • William Shakespeare

  • Background on William

    Shakespeare Shakespeare was born on April 23, 1564 in

    Stratford-upon-Avon in England.

    His parents were Mary Arden and John

    Shakespeare, a respected glove-maker.

    He attended the local grammar school

    where he learned to read and write in

    English and Latin.

  • Shakespeare background cont.

    When he was 18, he married a woman by

    the name of Anne Hathaway. She was 26 at

    the time of their marriage.

    The relationship was solely based on

    convenience. It is unclear as to whether or

    not Shakespeare actually loved her, but

    when she became pregnant he felt that it

    was his duty to marry her.

  • Shakespeare background cont.

    Shakespeare and Anne had three children together: Susanna and the twins Judith and Hamlet.

    From 1585-1592, there are no official records of Shakespeare, thus the title “The Lost Years” is given to this period.

    It is speculated that he worked numerous odd jobs to try and support his family.

  • Shakespeare background cont.

    Shakespeare and Anne Hathaway did not have a loving marriage. As soon as Shakespeare had saved enough money, he moved to London to become an actor and left Anne and the kids in Stratford-upon-Avon.

    In 1594, Shakespeare became a charter member of a theatrical group known as the Lord Chamberlain’s Men which became the King’s Men in 1603. (The name changed because King James I was the patron for this group).

  • King James I

  • Shakespeare background cont.

    Shakespeare acted and wrote for this company until he retired in 1612.

    By this time he had written thirty-seven plays-comedies, tragedies, histories, and romances.

    Shakespeare is sometimes referred to as “The Bard.”

    Not a single original manuscript has survived due partly to the fact that they were written strictly for performance.

  • Shakespeare background cont.

    There is much speculation as to whether or not

    there was an actual “Shakespeare.”

    Many historians claim that “Shakespeare” is

    actually a collection of several poets and

    playwrights works, while others claim that it was a

    pseudonym for another writer.

    The three men most associated with the

    “Shakespeare Debate” are Edward De Vere,

    Francis Bacon, and Christopher Marlow.

  • Shakespeare background cont.

    The reasoning behind the controversy seems to lie in the fact that many people find it difficult to accept that a man of poor education and upbringing could write such eloquent masterpieces and have such a strong command of the English language.

    The important thing is not to focus on whether he was real or not, but instead we should focus on the great pieces of literature that we have attributed to him.

  • Shakespeare background cont.

    Shakespeare died on April 23, 1616, at the age of fifty-two.

    At the time of his death he was considered one of the greatest playwrights and actors to have ever graced the stage.

    He wrote 37 plays, 154 sonnets, and 2 long poems.

    His works were not published during his lifetime, but they appeared four years after his death in the “First Folio.”

  • The Elizabethan Stage

    Queen Elizabeth (1558-1603) was the ruling monarch in England during Shakespeare's day.

    She was an avid fan and supporter of the arts.

    At this time, London was the heart of England, reflecting all the vibrant qualities of the Elizabethan Age.

  • Queen Elizabeth

  • Elizabethan Age cont.

    London became a leading center for culture and

    commerce.

    Its dramatist and poets were among the most

    revered and admired men during this time period.

    There was no such thing as a theatre during the

    first part of the Elizabethan Age.

    It seems that traveling acting companies would

    come into England and set up their own stages.

  • Elizabethan Age cont.

    These “stages” were actually more like

    platforms, and they were often set up in the

    courtyards of inns.

    The audience would stand at the three sides

    of the stage, or if they paid more money,

    than they could sit in chairs on the balcony

    of the inn.

  • Elizabethan Age cont.

    In 1576, James Burbage decided to build the first permanent theatre just outside the city of London.

    Burbage called his new playhouse “The Theatre.”

    In 1599, the owner of the land that The Theatre was built upon decided to raise the rent.

  • Elizabethan Age cont.

    Because the theatre was behind on its payments,

    the landlord threatened to take it over.

    On the night of January 20, 1599, James

    Burbage’s son Cuthbert and others in the company

    stealthily took the theatre apart piece by piece and

    relocated across the river.

    They reconstructed a new theatre and named it

    “The Globe.”

  • The Globe Theatre

  • The stage at The Globe

  • Side view of the stage

  • The Gallery during performance

  • The Gallery

  • The Groundling Area

  • The Globe Theatre

    Shakespeare was part owner of the Globe Theatre.

    This was the theatre where Shakespeare’s greatest works were performed.

    Among these works included: Romeo and Juliet, Hamlet, Macbeth, and King Lear.

    There were no elaborate stages, but instead Shakespeare relied on the imaginations of his audience.

    There were, however, numerous special effects that Shakespeare employed into his works.

  • The Globe Theatre cont.

    All of the plays were performed during the

    day.

    The cost of admission was one penny.

    All of the actors were young boys or men.

    (Women were not allowed to act until 1660).

    Actors on stage dressed like Elizabethans, but

    their costumes were controversial just the

    same.

  • Shakespearean Actors and

    Accessories

    http://www.costumes.org/history/renaissance/boehn/1580hofherr1.jpghttp://www.costumes.org/history/renaissance/boehn/16thcentwatch.jpg

  • Shakespearean Actors and

    Accessories

    http://www.costumes.org/history/greatwomen/10340_26.jpghttp://www.costumes.org/history/greatwomen/10340_32.jpg

  • The Globe Theatre cont.

    England had “Clothing Acts” which forbade

    certain classes of people from dressing like

    a higher class.

    So, for an actor-a person of the lower

    classes- to dress like a nobleman or a king

    was something of a scandal.

  • Parts of The Globe Theatre

    The Pit- Sometimes referred to as “The Yard”

    where the groundlings watched the play for their

    one-penny admission.

    The Stage- Major playing area jutted into the Pit,

    creating a sense of intimacy with the audience.

    Hangings curtained off space beneath.

    Main entrance- Here the doorkeeper greeted

    playgoers and collected one penny from everyone.

  • Parts of the Globe cont.

    Lord’s Rooms- private galleries; six pennies let a viewer sit here, or sometimes even on the stage itself.

    Middle Gallery- called “two-penny rooms” because the seats here were higher priced.

    Inner Stage- A recessed playing area often curtained off, then opened for appropriate scenes.

  • Parts of the Globe Theatre cont.

    Flag- a flag hoisted above the theatre meant a show would be performed that day. White-comedy, Black-tragedy, Red-history

    Stage Doors- doors opening into the Tiring-House.

    Hut- a storage area that also held a wench system for lowering enthroned gods or other characters to the stage.

  • Parts of the Globe Theatre cont.

    The Heavens- so identified by being painted

    with the zodiac signs.

    Gallery- located above the stage house for

    musicians or spectators. An auxiliary stage

    for special scenes.

    Dressing Rooms- rooms where actors were

    “attired” and awaited their cues.

  • Parts of the Globe Theatre cont.

    Tiring-House- The important backstage area

    which provided space for storage and business

    offices.

    Stairs- Ascending to the first level, theatre goers

    reached the galleries by wooden staircases

    enclosed by stairwells.

    Trap Door- Leading down to the Hell area where

    equipment included the winch elevator that raised

    and lowered actors or properties.

  • Parts of the Globe Theatre cont.

    Hell- The area under the stage, used for

    ghostly comings and goings or for more

    mundane storage of properties.

  • The Tragedy of Julius Caesar

    Most scholars agree that Shakespeare wrote The

    Tragedy of Julius Caesar in 1599.

    The historical play is based upon the assassination

    of Julius Caesar by his close friends and

    confidants.

    Shakespeare gained much of his knowledge about

    Caesar and Roman life from Plutarch’s The Lives

    of the Noble Grecians and Romans.

  • The Tragedy of Julius Caesar

    During Caesar’s time, Rome was constantly

    at war.

    The ruling power of Rome was in the hands

    of its generals.

    These generals would contract “private

    armies” and subdue other countries that

    were weaker than Rome.

  • The Tragedy of Julius Caesar

    After these “private armies” conquered a new

    area, a Roman governor was sent there to watch

    over the new land.

    In many cases, the governor exacted cruel taxes on

    the conquered people.

    Sometimes the generals themselves turned on one

    another, because they were strong men battling for

    power. This treachery is exactly what happened in

    Julius Caesar.

  • Julius Caesar

  • The Tragedy of Julius Caesar

    cont. Julius Caesar was born in 100 B.C. in Rome.

    Julius Caesar rises to power through the use of his

    oratory skill.

    He was always a member of the democratic or

    popular party.

    He married Cornelia, the wealthy daughter of

    Lucius Cornelius Cinna.

    Caesar’s uncle arranged the marriage.

  • The Tragedy of Julius Caesar

    cont. When Caesar was given orders by Sulla (general and dictator at the time) to divorce Cornelia, he fled Rome in 81 B.C. for fear of his life because he refused to obey Sulla.

    After Sulla’s death, Caesar returned to Rome and began to climb his way through the political arena.

    Caesar soon began to back Pompey, the head of the popular party.

    Caesar helped him gain both military and political advantages.

  • The Tragedy of Julius Caesar

    cont. Caesar and Pompey agreed that one would leave to fight for the good of Rome every three years, and then return to Rome so that the other person could leave and have his turn at conquest.

    During this time Caesar, Pompey, and Crassus form the First Triumvirate, which means “three men” or “rule by three.”

    They took over the Senate and the rulings of Rome for a while. The idea was that Caesar had the backing of the Legions (army).

  • The Tragedy of Julius Caesar

    cont. Pompey had the political power, and

    Crassus had the financial backing.

    Pompey was even married to Caesar’s

    daughter Julia at this time.

    The First Triumvirate would not last long

    due to the jealousy that erupted between

    Caesar and Pompey.

  • The Tragedy of Julius Caesar

    cont. Pompey returned early from his sieges and

    told Caesar that it was his turn to leave

    again. While Caesar is gone, Pompey uses

    this opportunity to rally people behind him

    by claiming that Caesar has become too

    powerful and is only interested in

    benefitting himself and not the Roman

    Empire.

  • The Tragedy of Julius Caesar

    cont. By making these allegations, Pompey declares a war with Caesar.

    The problem is that Caesar had the backings of the Legions, and Pompey only had the backing of the Senate.

    While Caesar is conquering new territory for Rome, he gets word of Pompey’s plan. Caesar decides to quit his campaigns and return to Rome to face Pompey and the charges against him.

  • The Tragedy of Julius Caesar

    cont. When Caesar returns to Italy, Pompey warns him that if he crosses the Rubicon River, he is declaring a civil war on Rome.

    Caesar responds with Alea Iacta Est, which translates to “the die is cast.”

  • The Tragedy of Julius Caesar

    cont. Caesar’s crossing of the Rubicon is a symbolic

    acceptance of Pompey’s challenge.

    During this time the other member of the First

    Triumvirate, Crassus, takes his money and

    flees.

    Caesar easily makes his way into Rome and

    forces Pompey to flee.

    Caesar was now in total control of Rome.

  • The Tragedy of Julius Caesar

    cont. During this time Caesar proclaims himself Senator for Life.

    Caesar eventually tries to go after Pompey, who fled to Egypt, but he never catches him.

    Servants of Cleopatra later kill Pompey while he is in Egypt, and his sons try to avenge the death of their father by declaring war on Caesar.

    Shakespeare’s play begins after Caesar defeats Pompey’s sons.

  • The Tragedy of Julius Caesar

    cont. Contrary to popular belief, Caesar was not an

    actual Emperor of Rome. In fact, Rome had no

    actual emperors until about twenty years after

    Caesar’s death.

    While Caesar was living, Rome was a Republic

    ruled by a Senate.

    The name “Caesar” eventually became not a

    name, but a word meaning “ruler” or “chief” in

    Latin.

  • The Tragedy of Julius Caesar

    cont. The word “Caesar” evolved into different

    languages such as German which took the name

    and turned it into Kaiser. The Russian word Czar

    as well traces its roots back to “Caesar.”

    The term “caesarian sections,” or “C-sections” can

    trace its origins back to Julius Caesar because the

    popular belief was that Caesar did have not a

    natural childbirth, but instead was “cut from the

    womb.”