The Taming - brownsea-theatre.co.uk · staged fight scenes. Anyone taking part will also have the opportunity of a day’s tuition on interpreting Shakespeare with a professional

a registered charity - no: 278003

www.brownsea-theatre.co.uk

The Taming

Written by William Shakespeare • Directed by Denise Mallender

47th Season of fundraising on behalf of The National Trust Registered Charity No. 205846

BROWNSEA OPEN AIR THEATRE PR ESENTS

BOAT 2011 will be Julius Caesar directed by Don Cherrett July 27th – August 12th 2011To all patrons who would like to be placed on our mailing list and have the opportunity of ordering your tickets early. Please contact the FOH staff at the Information Point, or send an SAE between now and March 2010 to:- THE BOX OFFICE MANAGER BOAT PO BOX 338 POOLE BH17 7ZT

��Message From The Chairman

1

Welcome to Brownsea

Island for the annual

p r o d u c t i o n o f

Shakespeare in the

open air. This is our

47th season – we edge

ever c loser to our

50th, of which you can

read more on page 3.

BOAT has presented The Taming of

the Shrew in 1968, 1984 and 1996,

but the concept behind director

Denise Mallender’s production of

the play that sparked Kiss Me Kate,

is a little different from those of

the previous three

d i rec tors o f th is

popular comedy

(See About the Play

on page 2)

Whilst rehearsals

are in progress, a lot

of work continues

in the background

r e g a r d i n g t h e

future of BOAT –

and, as well as having planned the

next three years’ productions (see

page 12), we are always looking to

improve our service, for example

we are hoping to pilot online ticket

sales next year.

I have great pleasure in welcoming you to Brownsea Island on behalf of all our staff and volunteers for the 47th annual Shakespeare production. The National Trust has been looking after the Island since 1962 and so, for all but one year since then, audiences have been coming to the island to enjoy Brownsea Open Air Theatre productions in this fabulous and unique setting.

BOAT has built up a great reputation over the years and the early demand for tickets is a huge accolade to the little army of talented people that make it all possible. We congratulate BOAT for their continued success and thank them wholeheartedly for the funds raised in support of our vital work here. Over the years, they have contributed in excess of £100,000 which has helped to keep the island open and enhance visitors’ experience in many different ways. All this is possible only because you, the audience, keep buying tickets for their shows. Thank you!

We know that you will have an enjoyable evening and hope that you will return to Brownsea Island again soon.

Angela Cott Brownsea Island Property Manager

�rownsea Open Air �eatr��rownsea Open Air �eatr�

To keep in fu l l touch w i th a l l

BOAT news we encourage you,

our patrons, to regular ly v is i t


or register your email address

with us so we can provide you

with regular news updates on our

activities and plans (please visit

the Front-of-House Information

Point for details)

Do enjoy your evening and as ever

have a safe trip home.

Don Cherrett

Chairman

Brownsea Open Air Theatre

TO OUR PATRONS

The Directors of Brownsea Open Air Theatre welcome you to The Taming of the Shrew. Please read the following advice to ensure your safety and comfort this evening. Light refreshments will be served on the field from 6.00 p.m. and during the interval.

There will be one interval of 25 minutes

FOR SAFETY REASONS – PLEASE:

•• leave bulky objects – bags/rucksacks/picnic hampers at designated points near the auditorium. Keep small valuable items keys/money etc with you. BOAT cannot accept liability for loss or damage to items brought to the island by patrons.

•• note that glass may NOT be taken into the auditorium nor is smoking permitted.

•• patrons who need to leave the auditorium during the performance will only be allowed re-admittance under Front of House supervision.

•• you are requested not to distract the players nor take photographs during the performance

•• please switch off all mobile phonesIf you have any problems tonight please contact one of the Front of House team who can be found at the Information Point. They will be happy to assist you or answer your questions.

! PLEASE TAKE GREAT CARE WITH CIGARETTE ENDS AND NAKED FLAMES AS THERE IS A SERIOUS RISK OF FIRE ON THE ISLAND. THERE IS A CLEARLY IDENTIFIED FIRE POINT BY THE EXIT.

��bout The Play - Thoughts from the Director’s Chair

2

The Taming of the Shrew is one of Shakespeare’s earliest comedies and it is his only play to be written with a ‘framing device’ – the Induction, with which the evening begins. It is this device which has enabled me to create a production which sets out deliberately to prove that Shakespeare is one of the funniest (and bawdiest) playwrights of his, or any, time.

Christopher Sly, a drunken Tinker, is thrown out of the Castle Inn by the Hostess and fa l l s as leep on Lord Mortain’s doorstep. On waking, he is tricked into believing he is a rich nobleman for whom a band of strolling players presents a comedy, The Taming of the Shrew.

Baptista, a rich merchant of Padua, has two daugh te rs , B ianca , t he y o u n g e r, o b e d i e n t a n d d u t i f u l , Katherina, the elder, headstrong and ill tempered. He is determined to find a husband for Katherina before he allows Bianca to be wed. Two suitors for Bianca have already presented themselves - the acc ident -prone Hortensio and the elderly Gremio. However, Lucentio, a rich young man from Pisa, and his servant, Tranio, have arrived to study in Padua. On seeing Bianca, Lucentio falls madly in love and determines to woo her. Tranio pretends to be Lucentio and offers himself as a third, very wealthy su i to r to B ianca , wh i ls t the t rue Lucentio disguises himself as a tutor, Cambio, courts her under her father’s nose and wins her love.

Meanwhile Petruchio, of Verona, has also arrived in Padua with the sole intention of finding himself a rich wife. On hearing of Baptista’s wealth and the dowry he is offering to any man who will wed Katherina, he decides to marry her, despite her ill temper. Their initial meeting is a tempestuous clash between two equally matched firebrands and Petruchio’s claim that he is ‘rough and woos not like a babe’ is borne out by his treatment of her after their marriage. Eventually the pair reach a mutual understanding, but not before Petruchio, ill-tempered and rude, has subjected her to some extremely unpleasant treatment to show her how unattract ive her shrewish behaviour appears.

Meanwhile Lucentio and Bianca have married secretly and both Baptista and Lucentio’s father, Vincentio, are persuaded to forgive all the trickery which has led to this happy outcome. At the celebration feast Petruchio, by means of a wager, proves to the other men that he has, indeed, tamed the shrew – although the audience may find that Katherina’s final speech leaves them wonder ing whether Petruchio is crowing too soon – he may discover himself a ‘combless cock’ now Kate has’ become his hen’!

The last time The Shrew was presented on Brownsea (1996) the Director, Lynne Aggas, said she ‘wanted to move away from the sexist angle of male domination and to portray Kate and Petruchio as a couple who gain a mutual respect , deep love and understanding of each other.’

I agree that this is one of the most successful ways of presenting this otherwise potentially unappealing relationship to a modern audience and this is what we set out to do. However, during rehearsals we have also found that the ‘game-playing’ in which the pair indulge, offers a further example of their mutual intimacy and partly explains why even Kate, far from being a victim, is finally happy in this match.

From the very beginning I decided to use this ‘play within a play’ to present a production full of energy, knockabout comedy and a lmost pantomime ef fects . The Peacock Players arrive at Lord Mortain’s door with their cart and all their backstage helpers, props and costumes. These they proceed to use in full view of the audience with no requirement for those watching to ‘suspend their disbelief.’ We are not watching real people delivering the kind of violent treatment of women and servants that would cause us all serious concern – th is is the s lapst ick humour of clowns in the circus and those on the receiving end give as good as they get!

I a m e x t r e m e l y g r a t e f u l t o t h e Brownsea Island Voluntary Wardens for allowing us the use of their cart and I am del ighted to be able to incorporate something that is used daily on the island into our production – a tangible reminder that everything we a l l do i s fo r the work o f The National Trust on Brownsea Island. Your presence here tonight is a vital part of that support. We wish you a thoroughly enjoyable evening.


3


Denise has acted, directed and taught English and Theatre Studies for many years. After returning to her home area in 1996 she joined BOAT to play First Witch in Macbeth (1997) was in As You Like It (1998) and the Nurse in Romeo and Juliet (2003)

S h e h a s d i r e c t e d t h r e e previous product ions for BOAT - Twelfth Night (2001) Much Ado About Nothing ( 2 0 0 6 ) T h e M e r c h a n t o f Ve n i c e ( 2 0 0 8 ) a n d a mainland touring production o f Romeo and Ju l i e t f o r BOAT ASHORE! (2007)

She is a lso a member o f Castle Players for whom she directed The Crucible (2000) O h W h a t a L o v e l y Wa r ! (2003) and two pantomimes.

In 2007 she set up her own company, Blade Productions, to present a modern interpretation of Macbeth which toured several venues and also offered workshops to schools. Earlier this year she was delighted to present Tearoom – ‘a daytime play’ written and directed by Tanya Alexander, which played local tearooms to considerable acclaim. She intends that other projects for Blade will follow soon.

She is already researching and making plans for directing A Midsummer Night’s Dream - one of the two plays being presented in 2013 as part of BOATs 50th Celebrations.

bout The Director

Brownsea Open Air Theatre 50th Year Celebrations in 2013

B.O.A.T. is planning to celebrate its 50th season in many ways - including setting o u r s e l v e s t h e e x c i t i n g c h a l l e n g e o f presenting TWO contrasting plays for our audiences to enjoy (see page 12).We are also keen to contact all those who have been involved with the company since our first production of The Tempest, so that they can join our celebrations.

If at any time since 1964 you have been a member of the cast and/or crew of BOAT (or you know of anyone else who has), and you would like to receive information concerning the proposed celebrations, please pick up a form from the Front of House tent or send your details to [email protected], or leave your contact details on 01202 251987.

As the company Archivist I am also very interested in receiving news of past BOAT members as well as any memorabilia you may like to donate. Patrons are also invited to contribute. You may have some very amusing anecdotes!

We are especially keen to see/have any of the programmes dating from 1964. These are precious records which we need for the BOAT Archives.

Many thanks

Linda Nother BOAT 2013 Co-ordinator and Archivist

The Romans Are Coming!Don Cherrett will be directing the first ever BOAT production of Shakespeare’s Julius Caesar in 2011 and hopes to encourage a few new faces for the cast of this play. Read about it on page 12 – maybe you might consider getting involved with the company!

Archive photo of the 1968 performance of The Taming of the Shrew

Photo by Pete Smith

LucentioChris CherrettChris first appeared with BOAT in 1995, as the young Richard, Duke of York and again, later, in Twelfth Night and Romeo & Juliet. Now 25, this is the first acting he’s done for 7 years – quite a break! Most of his

experience comes from youth drama with the Barclays’ Eaglets in the late 90s, with whom he won a number of group and individual awards, most notably ‘Most promising Young Actor with the New Forest Festival. He says, ‘I’m thrilled to be back on Brownsea – long may it continue!’

Tranio Brian WooltonBrian acted at school and University, playing Jerry in Zoo Story, Kent in King Lear and Shelley in Bloody Poetry (Warwick Arts Centre). He trained at The Guildford School of Acting and appeared at the

Yvonne Arnaud Theatre. On the London fringe he devised and performed in several musical review shows. Since 2008 he has played in Murderer (BLTC) and Ring Twice and Ask for Jane (Castle Players). He first appeared for BOAT last year as Laertes in Hamlet.

Biondello, Gabriel, Tailor Chris Carr. Chris is a keen participant in local dramatics but this is his first Shakespeare production. More used to the comfort and warmth of a theatre, this open-air style has been a challenge but enjoyable. Studying at

Brockenhurst College, he aspires to join the performance industry one day.

PetruchioJustin Sellick Justin’s fourth appearance with BOAT. He played Don John in Much Ado About Nothing, Shylock in The Merchant of Venice and Mercutio in Romeo & Juliet for BOAT Ashore! He played Oberon in A Midsummer

Night’s Dream for Arena Theatre and Macbeth in the ‘Scottish Play’ for Blade Productions. He has acted for BLTC and Artemis Theatre and recently was George for ImpAct! in The York Realist. He and fellow actor Darren Matthews established their own theatre company, Jilted Swan and toured pubs in Zoo Story. He says, ‘It is a joy to be performing for BOAT once again. I would urge anyone to get involved with next year’s production – you learn so much and make so many friends for life – enjoy!’

Peter, Haberdasher Pete SmithPete has undertaken many roles for BOAT (on and offstage) since 1995. Favourite previous parts include the gormless Slender in The Merry Wives of Windsor. For Bournemouth Shakespeare Players he has

appeared as Snug in A Midsummer Night’s Dream and King Duncan in Macbeth. He has also directed The Herbal Bed for Castle Players.

Hostess, Violenta Gill LinfordGill has been ‘meaning’ to do Brownsea for years. After 16 years performing all of the Savoy operas wi th Bournemouth Gilbert & Sullivan Society, and, more recently, appearing in Not Now Darling and Diana of

Dobson’s at BLTC, she has finally got here and was delighted (and more than a little surprised) to be entrusted with the props as well as the opening lines of the play. She is thoroughly enjoying the BOAT experience and working with such a talented and enthusiastic group.

Christopher Sly – a Tinker Paul de BurtonPaul de Burton, or ‘Uncle Paul’ as he is known to a whole generation of young actors, says he is a legend in his own lifetime. Guaranteed to make any play, however tragic, into a comic feast, his embellishment

of many a classic role would have made the authors weep with envy. He has redefined, among others, the Gravedigger in Hamlet, Merriman in The Importance of Being Earnest and the Duke in the Merchant of Venice.

Lord Mortain, Gremio, Merchant

Stuart GlossopThe story so far… having played the whole of the French army in All’s Well That Ends Well, Salerio, in The Merchant of Venice and Osric (the other ‘Queen’ of Denmark) in Hamlet we thought, this year, we’d give him more

to do! He has asked us to mention that he will be appearing in Broadstone Players’ Plays and Chips in September.

Adam, Curtis, Vincentio Sam StevensonSam has just finished a Theatre & Performance course at the University of Plymouth and is a first-timer with BOAT. He thoroughly enjoys acting and wants to continue his studies by auditioning for drama schools

in the Autumn. He has performed many times in theatre and student films. He played Henry Higgins in My Fair Lady at the Regent Centre and is appearing as Eddie for Arena in Blood Brothers in the Autumn.

Nicholas, Grumio Pete GriffithsPete is a BOAT regular, having p e r f o r m e d i n 6 p r e v i o u s Shakespeares on the Island. Once again, he finds himself playing ‘the fool’, although there are many other f ine ‘ c o m e d i c ’ c h a r a c t e r s i n

tonight’s ‘play within a play’ … Beside his commitment to BOAT, 2010 is already proving to be a busy year for Pete. His February production of Bouncers, by John Godber, was such a success it is now enjoying a nine month tour of Dorset and Hampshire.

Bartholomew/Lady, Ralph Alistair NelhamsAlistair has just completed his GCSEs at Corfe Hills school and moves to Bournemouth a n d P o o l e C o l l e g e i n September to study Performing Arts. Having attended various stage schools from the age of

5, he has already appeared at the Lighthouse, in panto at the Tivoli and at the Pavilion with the Big Little Theatre School. This is his first production with an all-adult cast and he is enjoying himself hugely and is thrilled to have been given the opportunity to work with BOAT.

Actor/Manager, Baptista, Gregory

Harry SusserHarry has previously appeared as Don Pedro in Much Ado About Nothing and Antonio in The Merchant of Venice for Denise. He played the Prince in her Romeo & Juliet for BOAT Ashore! and Duncan and the

Doctor in Macbeth for Blade Productions. Harry has made two other appearances with BOAT – as Doctor Caius in The Merry Wives of Windsor, and, last summer, playing the enjoyably evil King Claudius in Hamlet. His roles outside Shakespeare include various panto ‘baddies’ for Castle Players and Adam in ImpAct!’s Someone Who’ll Watch Over Me.

Katherina Joanne OwenThis is Jo’s first venture back into theatre after a long break. She began acting at school and went on to do a degree in Drama. Jo’s previous product ions include A Midsummer Night’s Dream, ‘Tis Pity She’s a Whore,

Relatively Speaking, Antigone, The Rose Tattoo and a stint at the Edinburgh fringe Festival. She is still surprised to be playing such an exciting role for her first appearance with BOAT.

BiancaKaty Witchell.Katy is delighted to be joining BOAT for the first time. Gaining her Degree in Drama and being involved in several touring productions has previously kept her busy, and now, as a teacher of Drama, Katy is never far from

the stage. Her previous productions include Romeo and Juliet, A Midsummer Night’s Dream, The Crucible and The Bacchae.

Hortensio Scott McGarrick Scott is currently studying A levels at St Peter’s. He appeared as Prospero in The Tempest, Viola/Cesario in Twelfth Night and Bottom in A Midsummer Night’s Dream. He was in She Loves me with BLTC and Les

Liaisons Dangereuses for Arena Theatre. He hopes to gain more acting experience before auditioning for Drama schools. He says, ‘BOAT is brilliant and I love playing the accident-prone Hortensio and working (and learning) with such a fine director and cast.’

HHamlet – Cast Biographies

�rownsea Open Air �eatr��rownsea Open Air �eatr�4

�rownsea Open Air �eatr��rownsea Open Air �eatr�5

NathanielColin EvansC o l i n ’ s e l e v e n t h s e a s o n for BOAT and, apar t f rom appearing on stage, he can be seen most Sundays set building on the island as Set Construction Manager and this year’s Set Designer. He has a

long track record with local musical societies and Castle Players. His roles for BOAT include Oswald in King Lear, Montague in Romeo & Juliet, Bardolph in The Merry Wives of Windsor, Verges in Much Ado About Nothing, Old Gobbo in The Merchant of Venice and Horatio’s servant in Hamlet. He has appeared in several films, most recently as a British Officer in The Relief of Belsen, a film for Channel Four.

WidowEmma Moran Emma’s roles include Miss Grey in The Turn of the Screw and Rita in In Need of Care. She produced the five-star rated Twelfth Night at the Edinburgh Festival Fringe. She is excited to be making her first BOAT

appearance - and hopes it won’t be her last.

AdrianaNaomi ButchartNaomi contributed backstage to last year’s Hamlet whilst completing her Drama Degree at Winchester University. She has performed with Castle Players and Poole & Parkstone Players. She is delighted that

her first performance with BOAT is in this play.

MarianaNicola DorrellNicola last appeared for BOAT in Much Ado About Nothing. Since then she has been busy with Castle Players - Lend Me a Tenor, Nunsense, Four Play, Ring Twice and Ask for Jane and, most recently, as the

Cheshire Cat in Alice in Wonderland.

Cecilia Clemency BunnClemency has been with BOAT and Castle Players for the past 8 years. She graduated with a degree in Fine Art and has been working as a scientific illustrator in Greece. She hopes to combine her passion for art

with theatre and become a scenic artist.

ValeriaVal ThomasVal says, ‘This is my first foray into Brownsea and I am really excited about it! Although I am not speaking, if I make my presence felt, I will be next year. As I usually seem to be cast as a batty old woman I’m not sure

how that would fit in to Julius Caesar!

FranciscaLinda Nother

Linda (centre) with some of the of props team

GuidoBob Nother

Bob and Gill at the props shed

The Props TeamFor many years Bob & Linda have been responsible for the exciting and creative props which add so much to BOAT performances. However, aware of the need for ‘new blood’ to invigorate the company they are determined to allow new members to contribute their skills to the productions. Still central to the design and realisation of the ingenious props which add so much to this show, the pair have welcomed the organisational skills of Gill Linford as an additional strength to the team. As well as sharing the supervision of the distribution of props backstage, they are joining the cast on-stage to see their creations in use and to enjoy the fun and frolics.

Emilia Enid RothwellEnid has been with BOAT for 20 years or more, doing prompt and script consultation for rehearsals, making props, set painting and FOH. She says, ‘I have been an extra or even had a few lines – old Will didn’t

write many women’s parts for my age range or I’d have auditioned for them! I enjoy helping the actors to understand the language. Apart from this I am a member of Ferndown Drama Group, BLTC and have played some parts with Castle Players.

Head of Costume Christine Orridge

A member of Castle Players since 1985 and BOAT since 1995, Christine says that for the former she has designed and made costumes, acted, danced, sung, painted and wallpapered her way through the years!

However, for BOAT it has been strictly costumes. In the early days when BOAT hired from the RSC wardrobe Christine assisted with the mending, altering and minor refurbishing that was needed. Since 2001 when the company decided to ask our ‘in-house’ team to produce stunning costumes, she has been central to that process. In 2005 and 2007 she designed the costumes for Measure for Measure and All’s Well That Ends Well and this year she was invited to be Head of Costume and also act in a supervisory role to Ellie Steed who has designed the costumes as one of the projects for her final year at AUCB.

Christine says she has enjoyed her liaison with Ellie and has gained valuable insights into the work of the design course. She is delighted to welcome new talented members who have joined the hugely creative sewing team.

For the future, the BOAT Directors, well aware of Christine’s skills and dedication, have persuaded her to take on a new and exciting challenge – that of Company Wardrobe Mistress.

Ph

oto

by B

ob

No

ther

Ph

oto

by D

enise M

allend

er

6

TThe Taming Of The Shrew – The Cast

�rownsea Open Air �eatr�

The Induction

The Travelling Players

Petruchio’s Household

Attendants

With help from

Hostess ................................................................. Gill Linford

Christopher Sly – a Tinker ........................Paul de Burton

Lord Mortain ......................................... Stuart Glossop

Adam – servant to Lord Mortain ................... Sam Stevenson

Nicholas - servant to Lord Mortain .................. Pete Griffiths

Bartholomew - Page to Lord Mortain .......Alistair Nelhams

Baptista - a merchant of Padua .....................Harry Susser

Katherina - elder daughter to Baptista ......... Joanne Owen

Bianca - younger daughter to Baptista ...........Katy Witchell

Gremio - elderly suitor to Bianca .................. Stuart Glossop

Hortensio - later disguised as Litio .............Scott McGarrick

Lucentio - later disguised as Cambio ............ Chris Cherrett

Tranio - servant to Lucentio .............................Brian Woolton

Biondello - servant to Lucentio .......................... Chris Carr

Petruchio ..........................................................Justin Sellick

Grumio - servant to Petruchio........................... Pete Griffiths

Curtis - Steward to Petruchio ....................... Sam Stevenson

Gabriel ................................................................. Chris Carr

Nathaniel ......................................................... Colin Evans

Ralph ............................................................Alistair Nelhams

Peter ....................................................................... Pete Smith

Gregory .............................................................Harry Susser

Tailor ................................................................... Chris Carr

Haberdasher ...................................................... Pete Smith

Merchant .................................................... Stuart Glossop

Vincentio – father to Lucentio .................... Sam Stevenson

Widow ...........................................................Emma Moran

Adriana ....................................................... Naomi Butchart

Mariana .........................................................Nicola Dorrell

Violenta .............................................................. Gill Linford

Emilia ............................................................. Enid Rothwell

Cecilia ...............................................................Clem Bunn

Francisca ..........................................................Linda Nother

Valeria ................................................................Val Thomas

Guido ......................................................................Bob Nother

Servants to Baptista, stall-holders, guests – played by members of the Peacock Players’ Company

7

TThe Taming of the Shrew – Behind the Scenes


Director ................................................................................................................................................. Denise Mallender

Production and Stage Manager ...................................................................................... Morarg Davenport

Production Assistants .............................................................................................Tanya Alexander, Matt Forkin

Stage Crew .............................................................................. Chris Bunn, Jamie Campbell, Matt Forkin, Ben Marsh

Set Design .................................................................................................................................................... Colin Evans

Set Construction Managers .....................................................................................Colin Evans, Bob Nother

Set Construction Foreman ............................................................................................................Terry Luminati

assisted by ....................................Tanya Alexander, Clem Bunn, Chris Bunn, Jeremy Bunn, Naomi Butchart, Jamie Campbell, Chris Carr, Paddy Cremin, Nikki Dorrell, Andy Dudgeon,

James Forkin, Matt Forkin, Stuart Glossop, Laurent Lucas, Terry Luminati, Chris Manning, Ben Marsh, Scott McGarrick, Alistair Nelhams, Mike Newham, Silvi Newham, Pete Nicholls,

Joanne Owen, Mike Roberts, Justin Sellick, Oscar Sellick-Pilley, Jacqui Rhodes, Pete Smith, Harry Susser, Val Thomas, Gay Wood, Brian Woolton,

Lighting designed and operated by ......................................................................................... Kevin Wilkins

Sound designed and operated by ................................................................................................. Gary Hayton

Rigging Crew .................................................................................................................... John Herbert, Angela Lim

Music composed by ........................................................................................................................Stephen Deutsch

Head of Costume .........................................................................................................................Christine Orridge

Costume Designer .................................................................................................................................... Ellie Steed

Wardrobe Mistress ............................................................................................................................ Lesley Moors

Wardrobe Assistant ............................................................................................................................. Eve Moors

Costumes realised by ...................................Charlie Atkinson, Heather Brown, Helen Cheetham, Sandy Cremin,Maren Dietrich, Christine Orridge, Pat Parker, Becky Thomas

Katherina’s wedding dresses by AUCB students ................. Sophie Earnshaw, Joscelyn Webb

Properties Manager ............................................................................................................................ Gill Linford

supported by .................................................................................Amanda Bassett, Bob Nother, Linda Nother

assisted by ............................................................ Viv Crockett, Rachel Lucas, Chris Manning, Silvi Newham, Jacqui Rhodes, Enid Rothwell, Val Thomas, Pam Skilton, Gay Wood

Front of House Manager .............................................................................................................. Julie Evans

Front of House Team .......................................Carole Allen, Maureen Arnatt, Margaret Bennett, Roger Bennett, Anne Clifford, Terence Dear, Stephanie Edwards, Barbara Gardner, Sheila Gooden,

Gloria Graham, Christine Manning, Judy Parsons, Judy Pechey, Elaine Porter, Val Powell, Jaqui Rhodes, Gerald Ryan, Judith Ryan, Anne Stainer, Linda Thorne

Quay Manager ...........................................................................................................................................Pat Lange

assisted by .................................................................................... Chris Allen, Doreen Jagger, Julie Scammell

Catering Manager ........................................................................................................................... Kathy Roberts

assisted by .................................. Carol Jarvis, Mike Roberts, Barbara Sharpe, Gay Wood and the FOH team

Continuity and script consultant ........................................................................................... Enid Rothwell

Box Office ...........................................................................................................................Don Cherrett, Karen Swain

Photography and Visual Publicity ................................................................Linsey O’Neill, Steve O’Neill

Additional photography ........................................................................................................................Pete Smith

Poster and Programme Design and Artwork ................................................................. M&A Design

Programme Editor and Publicity Manager ........................................................... Denise Mallender

Additional publicity ............................................................................................................................ Ellie Cowley

Website Designer ................................................................................................................................ Chris Cherrett

DVD ..............................................................................................................................................................Carl Appleby

Production Manager and Stage ManagerMorarg Davenport As eve r she has comb ined efficiency with ‘coolness under fire’ and has handled mini-crises wi th a smi le – and kept the Director (relatively) sane!

Production AssistantsTanya Alexander, Matt ForkinBehind the scenes they have contributed valuable help and support.

Set DesignColin EvansColin’s imaginative realisation of the Director’s vision is exciting for both actors and audience. His attention to detail and deft touches bring Tudor England to Brownsea Island.

Construction ManagersColin Evans, Bob NotherAs well as sharing the challenge of bringing the design to life, Colin and Bob will both be seen on stage this year – keeping an eye on the set (and the actors!)

Set Construction ForemanTerry Luminati Local DIY enthusiasts would be well advised to sign on for a season of set building for BOAT in 2011. Under Terry’s skilful guidance they would certainly hone their carpentry skills.

The Set-Building TeamOnce again the team has produced an amazing edifice which enables the actors to inhabit a make-believe world that seems completely real.

Lighting DesignKevin Wilkins This is Kevin’s second season for BOAT and, after the exciting effects he produced for The Merchant of Venice, we look forward to the way in which his lighting gives depth and colour to the action.

Sound DesignGary HaytonGary has created the sound for several BOAT productions and his skilful use of subtle effects, as well as the more obvious sounds, adds realism and supports the changing mood and atmosphere

of the play. This year he has been assisted by Jo Tyler.

Costume DesignerEllie SteedAfter helping BOAT backstage for several years, Ellie has stepped forward and completed her successful course at the AUCB by designing the overall look of the costumes and working with the Head of Costume to bring the characters to life. Her colourful sketches and ideas have resulted in a world of colour and fun.

Head of CostumeChristine OrridgeChristine heads this year’s team and she has worked tirelessly to ensure that the actors are dressed in a way that reflects the characters they are playing. Her meticulous attention to the needs of the cast and her awareness that it is essential for them to move freely and comfortably, makes a significant contribution to the success of their performances.

�rownsea Open Air �eatr�8

BB ehind The Scenes

Scaplen’s Court Museum& Herb Garden(next to Poole Museum)Scaplen’s Court dates back to the 15th century when it was a merchant’s mansion. By Elizabethan times it had become an inn and in the Civil War Roundhead soldiers staying there carved graffiti on a fireplace. In the mid-18th century the building was owned by John Scaplen, a furniture maker. During Victorian times Scaplen’s Court went into decline. The building was threatened by demolition until rescued by HP Smith and the Society of Poole Men in the 1920s.

In 1930 the garden was laid out to a design by George Dillistone, who also worked at Castle Drogo, Devon and Goddards, York. In 2000 the garden was restored and re-planted by volunteers from the local community, working with Poole Museum Service. It is in the style of a physic garden, with plants that are associated with healing. As well as being of educational interest, the planting creates an oasis of colour and tranquillity close to Poole Quay.

Scaplen’s Court Museum1st - 31st August 2010 Mon - Sat 10am - 4.30pm Sun12pm - 4.30pm

Scaplen’s Court Museum Activities Mon - Tues in August 11am - 3pm

Herb Garden 29th May - 30th September 2010 Mon - Sun 1pm - 4pm

Tel: 01202 [email protected] Museum, 4 High Street, Poole, BH15 1BW

free

entry

Ph

oto

by P

ete Sm

ith

Events on Brownsea Island Red Squirrel Walks Mon 27 Sept - Fri 22 Oct Discover more about these elusive creatures.

Hidden Box Trail Sat 23 Oct-Sun 31 Oct Get out in the fresh air and find the hidden boxes!

Events on Brownsea Island Red Squirrel Walks Mon 27 Sept - Fri 22 Oct Discover more about these elusive creatures.

Hidden Box Trail Sat 23 Oct-Sun 31 Oct Get out in the fresh air and find the hidden boxes!

Registered charity No. 205846.

You're never far away from us, so come along for a visit Book your event on 01202 707744

www.nationaltrust.org.uk/brownsea

9


Technical Assistant John Herbert John is a qualified electrician and we are very grateful for his help in ensuring that cast, crew and audience have a safe production

Head of PropsGill LinfordAs well as co-ordinating the making of some amazing (and amusing) props for the play, Gill, together with several other members of the props team, will be appearing on stage to enable the props to be incorporated into the action.

FOH ManagerJulie EvansJulie has been FOH Manager for several years now and her organisational skills are legendary. Her calm efficiency helps make the evening a success for patrons.

FOH TeamOn the Quay at Poole, greeting patrons as they first arrive, and on the island throughout the evening, the FOH team ensures that the BOAT experience is a positive and enjoyable one for patrons.

Quay ManagerPat LangeThis is another job that needs a welcoming smile and the ability to stay calm under pressure.

Catering ManagerKathy RobertsKathy is in her third year heading up the team who manage to serve a large number of patrons both before the show and during the interval. A cup of hot chocolate in the interval when the evening is chilly can be a life-saver!

Box Office ManagersDon Cherrett and Karen Swain This efficient team ensures that patrons get the seats they want and all the additional information to make their evening out a success. Next year they hope to add limited online booking.

Website ManagerChris CherrettAs well as creating a fresh new look for the website and keeping it updated with photos and information about the progress of the current production, Chris has come into the limelight to play Lucentio.

Publicity Manager and Programme EditorDenise MallenderDenise is supported by Pat Lange who assists with handbill distribution.

Programme DesignAndy Dawson, M&A DesignAndy not only designed this year’s poster but is responsible for artworking the programme. His creative input for many years has given the programme a visual quality to match most professional companies.

Photography and Visual PublicityLinsey and Steve O’Neill Each year Linsey & Steve contribute exciting photographic ‘tasters’ of what the performances will reveal. This year’s venue, Scaplen’s Court, gave them scope for an exciting variety of indoor and outdoor shots.

DVDCarl ApplebyCast & crew enjoy Carl’s happy record of the production – rain or shine it captures the flavour of the show and is a record for the Archives.

Carltan Video Productions Wedding & Corporate Film makerA DVD of this production will be available in the autumn.

For more details call Carl Appleby Tel: 01202 461428 E mail: [email protected]

or see BOAT Website: www.brownsea-theatre.co.uk

Price £20 +£1.50 p&p

For all bookings and enquiries 01202 669955For special offers & ‘what’s on this week’ visit WWW.GREENSLADEPLEASUREBOATS.CO.UK

GROUP DISCOUNTSAVAILABLEUnder 5’s goFREE!

GREE

NS

LADE

P L E A S U R E B O A T S

Boat trips, pleasure cruises & ferry servicesaround beautifulPoole Harbour

• Daily ferries to Brownsea Island

• Delightful days out for all your family

• Fun, laughter and memory-filled party and celebration nights

• Unique business and corporate events• Enjoyable educational trips for youngsters• Fireworks, Airshow & theme night cruises

BB rownsea Island

For most of the year the campsite is only open to organised youth groups and schools with at least two weekends a year dedicated to family camping.South Shore Lodge is a Victorian cottage owned by the National Trust and adapted to provide hostel style accommodation. It is located on the south side of the island, close to the shore and about 15 minutes walk from the Quay and a 5-minute walk from the campsite. The lodge is open to all youth and school groups, but is also the perfect place for corporate team building events or other club activities and residentials. The Lodge i s a l so a success fu l venue for a series of photography residentials run by the Arts University College at Bournemouth. These un ique courses a re designed for aspiring photographers who would like to achieve both competence and confidence with their camera, taking some fantastic pictures along the way!

We would welcome any contact to d iscuss any Lodge o r Camps i te bookings. Please call 01202 492161 for further details. The Outdoor Centre offers a range of exciting activities and events for pre-booked school and youth groups and more recently we have developed activities to help you and your family to explore the great outdoors and experience a Brownsea adventure!

“The best place for seeing wildlife in Dorset”That’s how Bill Oddie described Brownsea Island. Whether you love nature or just want to escape from the stresses of modern life, Brownsea Island is the perfect place to explore, relax and take time out – here are some of the things you’ll enjoy on Brownsea Island this year.

10


Brownsea Island Outdoor Centre - Explore the great outdoors with us!The Brownsea Island Outdoor Centre comprises a 20 hectare campsite, 24 bed hostel and a range of instructor-led activities and events.The unique campsite was the site of Robert Baden-Powell’s first experimental camp which led to the formation of the worldwide Scout & Guide movements. It lies on the south side of the island which gently slopes down to the shore of Poole Harbour. There are stunning views of Poole Harbour, other islands and the Purbeck Hills. The whole of the island, including the campsite, is part of the Poole Harbour SSSI (Site of Special Scientific Interest) and Dorset Heaths SAC (Special Area for Conservation) – the southern side of the island is especially important for its heath land habitat and the pinewoods, it is also home to Brownsea Island’s famous red squirrels.

Forthcoming events include:

Annual Family Camping Weekend Saturday 11th and Sunday 12th September 2010Take advantage of the rare chance for you and your family to stay on the campsite and enjoy a range of outdoor activities, and a BBQ and sing song in the evening!

Outdoor Activity Day Tuesday 26th & Thursday 28th October 2010, 11am-4pm

Join our Outdoor Activity Centre team for an action packed island adventure! Take part in instructor led activities, choose from archery, low ropes and den building.

The nature reserve on Brownsea comprises nearly hal f the is land and has been managed by Dorset Wildlife Trust since 1963. There is a great diversity of habitats within the 100 hectares, and plenty of wildlife, especially bats, may be seen around the staging during tonight’s performance.

Many people come to Brownsea to see the rare Red Squirrels. In July they can be difficult to spot, especially on very hot or very rainy days. They become ever easier to find as the summer turns to autumn, and especially right at the end of the season in October when they come down to the ground continually, to look for, and cache, their winter food supplies.

There is always some spectacular wildlife to see on Brownsea, much of it centred on the lagoon, a strategic refuge for breeding Terns and Gulls and wintering wading birds. At this time of year there are plenty of young Sandwich and Common Terns and Black-headed Gulls and the very beginnings of large wader flocks which may build up to 10,000 birds on high tides around the New Year.

Throughout the season access to the nature reserve is by a self-guided nature trail, open all day. In July and August there is also a daily guided tour which leaves the Public Bird Hide at 2pm. The tour and trail are designed for maximum enjoyment and include various bird hides and the Villa, the Wildlife Trust’s headquarters which was originally built as the island vicarage. I hope you will come and see for yourselves a different dimension to the island.

HE ISLE IS FULL OF NOISES...TTWalking with wildlifeE x p l o r e w o n d e r f u l w o o d l a n d , heathland and coastal walks with fr iends and family and discover Brownsea’s unique wildlife along the way. Spot avocets, terns and godwits on the lagoon and look out for the elusive and rare red squirrel. We have a range of self-led walks, daily introductory walks and an exciting range of guided walks throughout the year.

History and mysteryGo to the visitor centre to discover more about some of the people who have lived on the island and made Brownsea their home. From a hermit in the middle ages to the reclusive Mrs Bonham Christie there is plenty of history and intrigue. Why not take part in some of the activities and events throughout the year and explore the island through some of the previous islander’s eyes.

Taste of the placeEnjoy delicious food and drink in the Villano Café and admire stunning harbour views.

Take home a memoryShop for great gifts and treat yourself to some local Dorset goodies and red squirrel souvenirs.

11


Dorset Wildflife Trust leases part of the island from the National Trust.

This nationally and internationally important nature reserve is well

worth exploring ......

• The Villa has a small shop, toilets, exhibition & a live TV link to a special red squirrel feeding platform.

Join the Dorset Wildlife Trust. For details Tel: 01305 264620 or visit www.dorsetwildlife.co.uk

• Bird hides overlooking the lagoon provide spectacular close-ups of common & sandwich terns & an array of wading birds.

• Beginning at the boardwalk a nature trail winds its way through reedbeds, woodland & passes close to the heronry

OPENING TIMES - Access at all times when the island is open is by self-guided trail. In July and August additional daily guided tours are offered (2pm – 3.45pm) starting from the public hide.ADMISSION PRICES - Adults £2, Children 12-18yrs £1, under 12yrs free. Parties & group visits, please book.DWT members have free access during opening hours.For further information contact The Reserve Manager 01202 709445

On behalf of the W i l d l i f e Tr u s t , I w ish everyone assoc ia ted wi th BOAT an enjoyable a n d s u c c e s s f u l p r o d u c t i o n o f Ta m i n g o f t h e Shrew.

Photos supplied by The National Trust and DWT

Acknowledgements

The following are kindly thanked for their help towards this production• Dr Angela Cott and the staff, wardens and

volunteers of Brownsea Island• The Brownsea Island Voluntary Wardens• Scaplen’s Court Museum & Herb Garden• The English National Ballet• The Kiwi Hotel, West Cliff, Bournemouth• United Reformed Church, Skinner Street, Poole• Bellringers of St James’ Church, Poole,• St Mary’s Church, Brownsea Island• Upton House & Country Park, Poole• St John AmbulanceProgramme credits

• Front cover/poster and programme layout and artwork by M&A Design

• Photography by Linsey O’Neill (unless otherwise credited)

© for images and text remains with the originators.

AAND FINALLY . . .

12


THE ROMANS ARE COMING in 2011

Next year BOAT will be presenting one of William Shakespeare’s Roman plays for the first time – and what better choice than the most well-known and popular of these – namely Julius Caesar?Director Don Cherrett has already been planning this production for more than a year and it promises to be a fast-moving exciting experience.

Julius Caesar has a large (particularly male) cast and BOAT would love to see a lot of new faces involved. The range of parts is extensive and there are numerous roles suitable for those with little or no experience, both speaking and non-speaking to suit all abilities. There are a number of crowd scenes and some opportunities to be involved in staged fight scenes. Anyone taking part will also have the opportunity of a day’s tuition on interpreting Shakespeare with a professional actor. (It is fun and it is free).

So if you or anyone you know could be tempted to come along and get involved, why not email via the website or leave your details at the Front-of-House information point. Or contact Don on our box office phone 01202 251987 and he will be happy to speak to you about the possibilities.

Keep up with all news on Brownsea Open Air Theatre by visiting our website: www.brownsea-theatre.co.uk

Dates Of Our Future Presentations27th July – 12th Aug 2011 Julius Caesar (8 performances)

25th July – 10th Aug 2012 Love’s Labours Lost (8 performances)

24th July – 2nd Aug 2013 A Midsummer Night’s Dream (5 performances)

7th Aug – 16th Aug 2013 Pericles (5 performances)

BOAT 2011 Tickets will be on sale from March 2011 and the price will remain at £19

Previous BOAT Productions

1964 The Tempest1965 A Midsummer’s Night Dream1966 Twelfth Night1967 As You Like It1968 The Taming of the Shrew1969 Romeo and Juliet1970 The Merchant of Venice1971 Henry V1972 Much Ado About Nothing1973 The Winter’s Tale1974 The Merry Wives of Windsor1975 Twelfth Night1976 Macbeth1977 A Midsummer’s Night Dream1978 A Man For All Seasons1979 The Merchant of Venice1980 The Queen and the Welshman /The Tempest1981 As You Like It1982 Love’s Labour’s Lost1983 Becket1984 The Taming of the Shrew1985 A Midsummer Night’s Dream1986 Twelfth Night1987 The Comedy of Errors1988 The Tempest1989 The Merry Wives of Windsor1990 Romeo and Juliet1991 Much Ado About Nothing1992 Othello1993 The Merchant of Venice1994 The Winter’s Tale1995 Richard III1996 The Taming of the Shrew1997 Macbeth1998 As You Like It1999 A Midsummer’s Night Dream2000 The Tempest2001 Twelfth Night2002 King Lear2003 Romeo and Juliet2004 The Merry Wives of Windsor2005 Measure for Measure2006 Much Ado About Nothing2007 All’s Well That Ends Well2008 The Merchant of Venice2009 Hamlet

POOLE LITERARY FESTIVAL 29-31 October 2010 A three day literary festival celebrating the past, present and future of the word. Enjoy a stimulating and inspiring programme of events as Poole plays host to a wealth of literary talent. With over 30 acclaimed writers, 50 events there really is something for everyone of all ages to enjoy.

Visit our website www.poolelitfest.com for the full line-up; tickets will go on sale in August and you will be able to book on line. Look out for a taster of our programme in the Lighthouse brochure.

Special thanks to Denise Mallender and the B.O.A.T players for agreeing to take part in the festival, they will be popping up with impromptu performances from Taming of the Shrew.

PLF’s Founder and Director, Sue Luminati, whose husband Terry is involved in set build at BOAT, commented “We are thrilled to know that the BOAT company will be showcasing highlights from this wonderful production at PLF, we wish them well for this year’s show, and look forward to their contribution to a successful Festival. If PLF captures the imagination of our audience as well as BOAT has been doing for over 40 years, we will be in very good company indeed.”

Cast & Crew photographs taken at Scaplen’s Court Museum & Herb Garden by kind permission of Poole Museum Service.

Photography by Linsey O’Neill (unless otherwise credited)


email: [email protected]

The Box Office Manager, B.O.A.T. PO Box 338, Poole BH17 7ZT

01202 251987

Treasurer

ROGER BENNETT

Publicity Officer & Education Liaison

DENISE MALLENDER

Assistant Stage & Technical Manager

COLIN EVANS

Chairman & Box Office Manager

DON CHERRETT

Front of House Manager

JULIE EVANS

Technical Director

MORARG DAVENPORT

Hon. President

MRS JOYCE WHITE

Secretary

PAULINE SCOTT

Stage Director

BOB NOTHER

Documents

The Taming - brownsea-theatre.co.uk · staged fight scenes. Anyone taking part will also have the opportunity of a day’s tuition on interpreting Shakespeare with a professional