Sunday Evening, November 19, 2017, at 8:30Isaac Stern Auditorium / Ronald O. Perelman Stage

Iris Derke, Co-Founder and General DirectorJonathan Griffith, Co-Founder and Artistic Director

presents

The Suite Sounds of ChristmasDISTINGUISHED CONCERTS ORCHESTRA

DISTINGUISHED CONCERTS SINGERS INTERNATIONALJONATHAN GRIFFITH, DCINY Artistic Director & Principal Conductor

RANDOL BASS, Composer-in-Residence, Narrator

RANDOL BASS Gloria Seasonal Sounds The Night Before Christmas A Feast of Carols

Intermission

DISTINGUISHED CONCERTS ORCHESTRA DISTINGUISHED CONCERTS SINGERS INTERNATIONAL

MARK HAYES, Composer/ConductorLAURA SUTTON FLOYD, SopranoJESSICA BEST, Mezzo-Soprano

SCOTT JOINER, TenorMARK GILGALLON, Baritone/Bass

MARK HAYES International Carol Suites I. Carols of Western Europe Good Christian Men, Rejoice He Is Born, the Holy Child The Son of Mary Still, Still, Still Gesu Bambino Break Forth, O Beauteous, Heavenly Light Angels We Have Heard on High

(program continued)

PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES.

II. Carols of Eastern Europe Ukrainian Bell Carol O, Come Rejoicing Infant Holy, Infant Lowly Rocking Carol Come, Hear the Marvelous News Carol of the Russian Children

III. Carols of the British Isles What Child Is This? God Rest You Merry, Gentlemen Deck the Hall The Wexford Carol Baloo, Lammy The Snow Lay on the Ground Joy to the World

IV. Carols of Central and South America The Journey Going to Bethlehem The Babe At the Hour of Midnight Song of the Wise Men

V. Carols of North America The Huron Carol Brightest and Best Behold That Star Rise Up, Shepherd, and Follow Go, Tell It on the Mountain

WE WANT TO HEAR FROM YOU!

Use #SuiteSounds to post your post-concert and intermission photos and comments to @DCINYon Twitter, Facebook, and Instagram!

DCINY thanks its kind sponsors in education: Artist Travel Consultants, VH-1 Save the Music,Education Through Music, High 5, and WQXR.

Use of orchestral materials for the performance of Mr. Bass’s compositions and arrangements duringthis concert has been donated by Randol Bass Music, Inc. (www.randolbassmusic.com) and CanticleDistributing (http://www.canticledistributing.com).

Use of orchestral materials for the performance of Mr. Hayes’ compositions during this concert have been donated by Mark Hayes (www.markhayes.com) and Heritage Music Press (www.heritagemusicpress.com).

For information about performing on DCINY’s series or about purchasing tickets, e-mailConcerts@DCINY.org, call (212) 707-8566, or visit our website at www.DCINY.org.

DISTINGUISHED CONCERTS INTERNATIONAL NEW YORK250 W. 57TH STREET, SUITE 1610

NEW YORK, NY 10107(212) 707-8566

Notes ON THE PROGRAMby Randol Bass

This composition was written for theNew York Pops Orchestra in 1990 andhas subsequently been extensively pro-grammed by professional and non-professional musical ensembles in a

variety of performance venues and con-cert situations. It is a rhythmic, yet lyri-cal, setting of the liturgical Latin textand has been used with much successon both sacred and secular programs.

RANDOL BASS (b.1953) Gloria(approx. 7 minutes)

This arrangement was written for theDallas Symphony Orchestra in 1985and has been extensively programmedon holiday programs throughout theUnited States and in Europe. The fol-lowing six carols appear, without inter-

ruption, in this manner: GloucesterWassail, Il est née, le divin enfant, OCome, O Come Emmanuel, The Hollyand the Ivy, God Rest Ye, MerryGentlemen, and We Wish You a MerryChristmas.

RANDOL BASS A Feast of Carols(approx. 17 minutes)

This setting of the famous Christmaspoem A Visit from St. Nicholas (attrib-uted to Clement Clarke Moore but, inactuality, probably written by anEnglishman, Major Henry Livingston,Jr.) was commissioned by the ClevelandOrchestra. The first performance of thework took place in that city during theOrchestra’s Holiday concerts in 1988,under the baton of Robert Page. The

piece is cinematically conceived, andeach poetic image of the narration isimaginatively colored in such a waythat audiences can clearly visualize thehappenings from passage to passage.Some rehearsal is required to properlyalign a live performance with the narra-tion, in such a way that the orchestralframing is synchronized moment-by-moment with the text of the poem.

RANDOL BASS The Night Before Christmas (approx. 7 minutes)

This arrangement was created for usein the 1999 Dallas SymphonyChristmas Pops concerts. It consists of4 well-known secular Christmas songs,designed to be performed without

pause. After a brief orchestra introduc-tion, the carols appear as follows:Santa Claus Is Comin’ to Town,Rudolph, the Red-Nosed Reindeer,Frosty the Snowman, and Jingle Bells.

RANDOL BASS Seasonal Sounds(approx. 9 minutes)

The term “carol” is derived from theFrench word carole, which means “acircle dance accompanied by singers.”This perfectly captures the essence ofthese festive songs we traditionallysing to celebrate the Advent andChristmas seasons.

Originating from village festivals, wed-dings, and birthday celebrations, SaintFrancis of Assisi is credited with usher-ing carols into the more formal churchworship setting. Carols also became anintegral part of the medieval mysteryplays. As the carol continued to evolve,it actually mirrored the history of theChristian church itself, moving from alargely Latin text to the use of nativelanguages after the ProtestantReformation. This allowed the com-mon people the world over to embracecarols as part of their seasonal obser-vances. And surely this is the heartbeatof the carol today – the experience ofcaroling, as joyous groups of neigh-bors, family, and even strangers jointogether to sing with the angels, “Gloryto the newborn King!” “I grew up play-ing Christmas carols around the pianowith my family and accompanying car-ols in church services,” writes MarkHayes, arranger and orchestrator ofInternational Carol Suites. “What a joyit was to discover new carols and seehow cultures around the world cele-brate the season with their own uniqueperspective on this timeless story.”

International Carol Suites is an exuber-ant, diverse choral celebration thatweaves 30 carols from 20 countriesinto a seamless, artistic tapestry. Thework is arranged in a group of five geo-graphically-themed suites that capturethe indigenous musical character ofeach unique culture. The first suite fea-tures the carols of Western Europe,

where the tradition of the noel – aFrench term meaning “Christmas” thatalso refers to the popular songs of theseason – first began. A spirited arrange-ment of the 14th century German carol“Good Christian Men, Rejoice” opensthe suite, which also includes a lush set-ting of the Austrian lullaby “Still, Still,Still” and a haunting alto solo on thetraditional Catalonian song, “The Sonof Mary.” A rousing 2/2 setting of theperennial French favorite “Angels WeHave Heard on High” provides a pow-erful finale, highlighting the rising andfalling melismatic sequence, “Gloria! Inexcelsis Deo!”

The carols of Eastern Europe comprisethe second suite. Graced by a certainplaintive and reflective tone, the selec-tions recall the Slavic carolers who forcenturies have walked from house tohouse on Christmas Eve. The opening“Ukrainian Bell Carol” with its famousfour-note ostinato motif has been givena dynamic new vocal setting with anoriginal sacred text by the arranger.The gentle rhythms of “Infant Holy,Infant Lowly” resemble the mazurka, atraditional Polish folk dance madefamous by Frédéric Chopin. Thepoignant melodic strains of the Czech“Rocking Carol” and the Bohemian“Come, Hear the Marvelous News”provide a fitting prelude to the closingsolemnity of the 16th century “Carol ofthe Russian Children” which featuresthe original Russian lyrics.

Many of the vibrant carols from theBritish Isles are well-known on this sideof the pond, in particular the hauntingGreensleeves (“What Child Is This?”)and the robust “God Rest You Merry,Gentlemen.” But perhaps less familiarare the charming 17th century Scottish“Baloo, Lammy” (“Lullaby, Little

MARK HAYES (b.1953) International Carol Suites(approx. 20 minutes)

Lamb”) and “The Snow Lay on theGround,” a spirited Irish air whichretains its original Latin refrain “Veniteadoremus Dominum.” Mr. Hayes bringsthe third suite to a festive conclusionwith the beloved anthem “Joy to theWorld,” featuring its famous melodicdescending scale and lyrics by the masterof English hymnody, Isaac Watts.

A unique rhythmic ambience character-izes the carols in the fourth suite fromCentral and South America. Theprominent role of Mary and the beauti-ful cadence of the Spanish lyrics furtherdistinguishes these seasonal songs.Both the Venezuelan folk carol “TheJourney” and the lilting “Going toBethlehem” from Chile recall Maryand Joseph’s journey to Bethlehem,which is often reenacted during thenine-day parranda in various LatinAmerican communities. Mary’s loveand protection of her Son are reflectedin the Mexican lullaby “The Babe”with its lyrical mezzo-soprano solo andthe evocative “At the Hour ofMidnight” from Puerto Rico. The suiteconcludes with the traditional “Song ofthe Wisemen,” reflecting the PuertoRican celebration of Three Kings Day,

or “Dia de Reyes,” where children putboxes of grass under their beds for thekings’ camels on the evening of January5th and awake to find gifts in theirplace the next morning.

The fifth and final suite celebrates car-ols from North America. The sequenceopens with the rich, sonorous tenor ofthe French-Canadian “The HuronCarol,” perfectly capturing the darknorthern winter and the light of blazingYule logs. This more meditative moodthen explodes into a joyous celebrationfrom the heart of the African-Americanspiritual tradition. From the soulful“Brightest and Best” and “Behold ThatStar” to the swing-infused “Rise Up,Shepherd, and Follow,” the lyrical mes-sage is always positive and proactive,compelling the listener to become partof the celebration. Mr. Hayes’ exuber-ant setting of the traditional favorite“Go, Tell It on the Mountain,” pro-vides a perfect finale to this uniquelyAmerican observance of the Christmasseason, with a proclamation – and achallenge: “Jesus Christ is born! (Now)go tell it on the mountain!”

—Note by Deborah Craig-Claar

Texts and TranslationsGloriaRANDOL BASS

Gloria.Gloria in excelsis Deo.Et in terra pax hominibus bonae volun-tatis.

Gloria in excelsis Deo.Laudamus te. Benedicimus te.Adoramus te.Glorificamus te.

Gratias agimus tibi propter magnamgloriam tuam.

Domine Deus, Rex coelestis.Deus Pater omnipotens.Domine Fili unigenite, Jesu Christe.Domine Deus, Agnus Dei, Jesu, FiliusPatris.

Qui tolis peccata mundi, miserere nobis.Qui tollis peccata mundi, suscipe depre-cationem nostrum.

Qui sedes ad dexteram Patris, misererenobis, Jesu.

Quoniam tu, tu solus sanctus.Tu solus Dominus.Tu solus altissimus, Jesu, Jesu Christe.Cum Sancto Spiritu, in gloria Dei,Patris.

Amen.

A Feast of CarolsRANDOL BASS

Il est né le divin Enfant, jouez hautboisrésonnez musettes;

il est né le divin Enfant, chantons tousson avénement.

Depuis plus de quatre mille ans nous lepromettaient les prophètes,

depuis plus de quatre mille ans nousattendons cet heureux temps.

Il est né le divin Enfant…

Glory.Glory to God in the highest.And on earth peace, goodwill towardmen.

Glory to God in the highest.We praise you.We Thank you.We adore you.We glorify you.

We give thanks to Thee, for Great is thyGlory.

Lord God, in Heaven.God the Father Almighty.O Son, Jesus Christ.God, Lamb of God, Jesus, Son of God.He takes away the sins of the world.You, who take away the sins of theworld, receive our prayer.

You are seated at the right hand of theFather, have mercy on us, O Jesus.

For you, you alone are holy.You alone are Lord.You alone are Jesus Christ.With the Holy Spirit in the glory of Godthe Father.

Amen.

He is born the Holy Child, playthe oboe and bagpipes merrily;

He is born, the Holy Child,sing we all of the Savior mild.

For more than four thousand years wehave been promised a prophet,

and for four thousand years we haveawaited this happy time.

He is born, the Holy Child…

Veni, veni Emmanuel, captivum solveIsrael.

Qui gemit in exilio privatus Dei filio.Gaude, gaude, Emanuel nascetur pro teIsrael.

International Carol Suites MARK HAYES

I. Carols of Western Europe

He Is Born, the Holy ChildIl est né, le divin Enfant.Jouez hautbois, résonnez, musettes!Il est né, le divin Enfant.Chantons tous son avénèment!Ah! qu’il est beau, qu’il est charmant,Ah! que ses grâces sont parfaites.Ah! qu’il est beau, qu’il est charmant,Qu’il est doux, ce divin Enfant.

The Son of MaryQuè li darem a n’el Noi de la Mare?Què li darem que li sàpiga bon?Li darem panses en unes balances,Li darem figues en un paneró.Li darem panses en unes balances,Li darem figues en un paneró.

Still, Still, StillStill, still, still,Weil’s Kindlein schlafen will!Maria tut es niedersingen,Ihre keusche Brust darbringen.Still, still, still,Weil’s Kindlein schlafen will.

Gesu BambinoVenite adoremus,Venite adoremus, Dominum.Venite adoremus,Adoremus DominumVenite,Venite adoremus, Adoremus Dominum.

Angels We Have Heard on HighLes anges dans nos campagnesOnt entonné l’hymne des cieux,Et l’écho de nos montagnes,Redit ce chant mélodieux

O come, o come Emmanuel and ransomcaptive Israel.

That mourns the lonely exile here untilthe son of God appear.

Rejoice, rejoice, Emmanuel shall cometo thee, O Israel.

He is born, the Holy Child.Play the oboe and bagpipes merrily!He is born, the Holy Child.Sing we all of the Savior mild.O how lovely, O how pureIs this perfect Child of Heaven.O how lovely, O how pureGracious gift of God to man.

What shall we give to the Son of the Virgin?What can we give that the Babe will enjoy?First, we shall give Him a tray full of raisins,Then we shall offer sweet figs to the Boy.First, we shall give Him a tray full of raisins,Then we shall offer sweet figs to the Boy.

Still, still, stillThe night wind softly blows.With mother, Mary, safely keeping,Now in peace the Babe is sleeping.Still, still, stillThis holy night long ago.

O come, let us adore Him,O come, let us adore Him, Christ the Lord.O come, let us adore Him,Adore Him, Christ the Lord.O come,O come, let us adore Him,Let us adore Him, Christ the Lord.

Angels we have heard on highSweetly singing o’er the plains,And the mountains in reply,Echoing their joyous strains.

II. Carols of Eastern Europe

Infant Holy, Infant LowlyW�lobie le�y, ktoz pobie�yKol�ndowa� malemu.Jezu sowi, Chrystusowi,Dzi� nam narodzonemu.Pastuszkowie przyby wajcieJemu pieknie przygrywajcie,Jako Panu naszemu,Jako Panu naszemu.

Rocking CarolHajej, nynej, Ježišku, Ježišku,Pu�ime ti kožišku.Budeme t� kolibatiAbys moh’ libe pospati,Hajej, nynej, Ježišku,Pu�ime ti kožišku.

Carol of the Russian ChildrenСнежны горы, снежны холмы

Плосокгорье белое,Мужики в мехах, дворяне в мехах,Дети в мехах видят свет.Мохнатые кони, мохнатые волыНежные пастыри ждут да свет.Малый Иисус, малая матъБлагой Иосиф придут в ночь.Мужики в мехах, дворяне в мехах,Дети в мехах ждут да свет.

IV. Carols of Central and South America

The JourneyDin, din, din, Es hora de partir,Din, din, din, Camino de Belén.Los esposos van des de Nazaret,Los esposos van des de Nazaret.

Los buenos amigos De José y María

Llegan a porfía a decircle adíos.

Largo es el camino; Aire sofocante;

Mas es importante cumplir el deber.

Infant holy, infant lowlyFor His bed a cattle stall;Oxen lowing, little knowing,Christ the Babe is Lord of all.Swift are winging, angels singing,Noels ringing, tidings bringing;Christ the Babe is Lord of all,Christ the Babe is Lord of all.

Little Jesu, close your eyes, close your eyes,As I sing you a lullaby.Lovingly I rock you, rock you.Closely to my heart I rock you.Little Jesu, close your eyes,As I sing you a lullaby.

Snowbound mountains, snowbound valleys,

Snowbound plateaus, clad in white,Fur-robed moujiks, fur-robed nobles,Fur-robed children, see the Light.Shaggy pony, shaggy oxen,Gentle shepherds, wait the Light.Little Jesu, little mother,Good Saint Joseph, come this night.Fur-robed moujiks, fur-robed nobles,Fur-robed children, wait the Light.

Din, din, din, the journey must now begin,Din, din, din, the journey to Bethlehem.See the Holy Family leaving Nazareth,See the Holy Family leaving Nazareth.

Joseph and his Mary saying theirfarewells to

All their friends and loved ones, leavingall behind.

Hot and dusty journey trudging downthat long road

Faithful to the promise, on to Bethlehem.

The BabeA la rururu, niño chiquitoDuérmase ya mi Jesusito.Del elefante hasta el mosquito,Guarden silencio, no le hagan ruido.A la rururu, niño chiquitoDuérmase ya mi Jesusito.Noche venturosa, noche de alegria.Bendita la dulce, divina María.A la rururu, niño chiquitoDuérmase ya mi Jesusito.

Song of the Wise MenO brillante estrellaQue anuncias la auroraNo nos falte nuncaTu luz bienhechora.Gloria en las alturasAl Hijo de Dios,Gloria en las alturasY en la tierra amor.

A la rururu, my little baby,It’s time to sleep, oh, baby Jesus.From the elephant to the small mosquito,Be very still, don’t wake the little baby.A la rururu, my little baby,It’s time to sleep, oh, baby Jesus.O wondrous night, O holy night of joy!Blessed be sweet Mary, so divine, rejoice!A la rururu, my little baby,It’s time to sleep, oh, baby Jesus.

O shining star,The herald of the morning,Forever mayYour light be there to guide us.Glory in the highestTo the Son, our Savior.Glory in the highest,On earth good will to all.

THE Artists

An acclaimed conductor, educator, andlecturer, Jonathan Griffith has led per-formances across North America,Europe, Australia, and Asia. MaestroGriffith is co-founder and artistic direc-tor of Distinguished ConcertsInternational New York (DCINY),which has brought together, under hisartistic leadership, thousands of musi-cians and choral singers in concert atprestigious venues across the UnitedStates, including Carnegie Hall, LincolnCenter, and Disney Hall. The founderand music director of the DistinguishedConcerts Orchestra, Maestro Griffithalso oversees DCINY’s mentoring pro-gram for conductors. He made hisCarnegie Hall conducting debut in1989 and has conducted well over 100performances at Carnegie Hall andLincoln Center combined. In addition

to the major works of the classicalrepertoire, conducting highlightsincludes the U.S. premieres of KarlJenkins’ Stabat Mater, The ArmedMan, and Te Deum; Sergei Taneyev’sUpon Reading a Psalm; Miloš Bok’s

JONATHAN GRIFFITH, DCINY Artistic Director and Principal Conductor

Mr. Bass holds degrees in choral con-ducting from The University of Texas,the College-Conservatory of Music inCincinnati, and did post-graduate studyat the Robert Shaw Institute of OhioState University. As composer-arranger,he has achieved an impressive array ofcommissions and performances by manyprestigious ensembles – among these, theChicago Symphony Orchestra, theNational Symphony of Washington, DC,the Philadelphia Orchestra, the NewYork Philharmonic, the Los AngelesMaster Chorale and the Mormon Taber-nacle Choir. In 2008, he completed a

recording project as guest conductor ofthe Buffalo Philharmonic Orchestra andChorus. The resulting album is a collec-tion of his arrangements andcompositions, including a largescalecommissioned work entitled: PassageInto Spirit – an expansive 30-minute ora-torio for large orchestra, solo baritoneand chorus, based on poetry selected bythe composer from Leaves of Grass, byWalt Whitman. He has also performedas solo pianist with the OrchestreMaîtrise de Saint Leonard in Fougères,France, performing Dohnanyi’s Varia-tionen über ein Kinderlied andGershwin’s Rhapsody in Blue. Mr.Bass’s Gloria setting, now performedextensively worldwide, was premieredat Carnegie Hall in 1990 by the NewYork Pops under the baton of SkitchHenderson, and his holiday arrange-ment Joy To the World; A Fanfare forChristmas Day has been recorded bythe Boston Pops Orchestra and Tangle-wood Chorus under the baton of KeithLockhart. This artist’s Christmas musiccan also be heard on his own CD albumrelease: A Feast of Carols, featuring theNational Symphony of London andTallis Chamber Choir.

RANDOL BASS, Composer-in-Residence, Narrator

Missa Solemnis; Luigi Boccherini’sVillancicos; and Eugene Goossens’ re-orchestration of Handel’s Messiah,along with world premieres by EricFunk, Seymour Bernstein, and RobertConvery. His additional conductingcredits include the Mormon TabernacleChoir in Salt Lake City; ManhattanPhilharmonic and New EnglandSymphonic Ensemble, both at CarnegieHall; The European Symphony

Orchestra in Spain; Bohuslava MartinPhilharmonia and PhilharmoniaChorus, Virtuosi Pragensis ChamberOrchestra, Karlovy Vary SymphonyOrchestra, and Dvořák ChamberOrchestra in the Czech Republic; andthe Bialystok State Philharmonic inPoland, as well as numerous regionalorchestras and choruses across theUnited States.

Mark Hayes is an award-winning con-cert pianist, composer, arranger, andconductor of international renown. Hispersonal catalog, totaling over 1,000published works, includes works forsolo voice, solo piano, multiple pianos,orchestra, jazz combo, small instrumen-tal ensembles, and choruses of all kinds.Hayes wrote the musical score for CivilWar Voices, which won 6 awards at theMidtown International Theatre Festivalin July 2010. He has conducted atCarnegie Hall, featuring his Te Deum,Magnificat, and Spirit Suites. Hayesconducted the world premiere of hisRequiem in 2013 and The AmericanSpirit in 2012 at Lincoln Center. InNovember 2014 Hayes conducted hisRequiem at St. Ignatius Basilica inRome, as part of the Festival ProMusica E Arte Sacra, sponsored by theVatican. In January 2015 he launchedhis new publishing company, HolmesStreet Publishing. Whether concertizing

on the other side of the globe or com-posing at his home office in Kansas City,Missouri, Mark is blessed to live out hismission “to create beautiful music forthe world.” He is honored to be con-ducting the East Coast premiere of hisInternational Carol Suite. This is MarkHayes’ sixth appearance on the DCINYConcert Series.

MARK HAYES, Composer/Conductor

Soprano Laura Sutton Floyd enjoys anactive and varied career in oratorio,opera, operetta, and musical theatre aswell as solo recitals of art songs, sacredmusic and even bossa nova. Critics rave“An irresistible electricity and energy,both controlled and thrilling” and “Theaudience [is] in complete thrall everymoment Laura is on stage.” She hasappeared as soloist with symphonyorchestras, opera companies, choruses,and chamber ensembles in the South-eastern U.S., Michigan, and Brazil.Favorite performed roles/works includeLucia in Donizetti’s Lucia di Lammer-moor, Micaëla in Bizet’s Carmen,Pamina in Mozart’s Die Zauberflöte,Ravel’s Schehérazade, Orff’s CarminaBurana, Mahler’s Symphony No. 4,Brahms’ A German Requiem, Barber’s

Knoxville: Summer of 1915, VillaLobos’ Bachiana Brasileira No. 5, theMother in Menotti’s Amahl and theNight Visitors, Eliza in Lerner andLoewe’s My Fair Lady, and Handel’s

LAURA SUTTON FLOYD, Soprano

Messiah. Raised in Rio de Janeiro,Brazil, Ms. Floyd holds degrees in vocalperformance from the University ofLouisville and Michigan State Univer-sity and joined the voice faculty ofHope College (Holland, MI). In 1999,she and her conductor/clarinetist/gui-tarist husband, Russell Floyd, moved to

Hilton Head Island, SC where Lauramaintains a private voice studio. Whilekeeping up with their daughter Saman-tha, she tutors the Abecedarian class ofthe Classical Conversations Home-school Community in Hilton Head.Laura relishes every opportunity to “lifther voice in song.”

Jessica Ann Best (Mezzo-Soprano) isknown for her interpretations in mod-ern opera; recently singing the role ofMrs. Otis in Gordon Getty’s The Can-terville Ghost with The Center forContemporary Opera in New York.Best will make her LA Opera premierein this same production in June 2018.Best recorded the roles of Bessie andMary Rivers for the Naxos label in JaneEyre. Composed by Louis Karchin, JaneEyre was premiered by The Center ofContemporary Opera in October 2016.Best also created the title role in Alice

Ryley by Michael Ching, at the Savan-nah Voice Festival in 2016. Bestreturned to The Savannah Voice Festivalin 2017 to present Funny Girl in Con-cert, with the gypsy jazz ensemble,Velvet Caravan. Best will be featured ona new EP with Velvet Caravan in 2017.She returns to The Savannah Voice Fes-tival in 2018 to sing Annina in LaTraviata and direct Camp Voice. Bestwill perform the mezzo soli in Handel’sJudas Maccabaeus with The RochesterOratorio Society in December 2017,followed by the Mother in Menotti’sAmahl and the Night Visitors in 2018.Best will also return to the SavannahMusic Festival in 2018 in several con-certs. Best premiered the role of Mrs.Foster in Shot! with Nickel City Opera,where she also sang Marcellina in LeNozze di Figaro and the Mother inAmahl and the Night Visitors. Othercredits include: Gotham ChamberOpera, The Florida Orchestra, The Buf-falo Philharmonic, The RochesterChamber Orchestra, The RochesterBach Festival, and Geva Theatre Center.www.jessicaannbest.com.

JESSICA BEST, Mezzo-Soprano

Scott Joiner has been lauded for his“lovely tenor” (Classical Review) andperformances described as “splendid”(SF Examiner) and “flawlessly sung”(American Record Guide). Joiner madehis San Francisco Opera debut asDickon in the premiere of Gasser’s TheSecret Garden. In the 2016–17 season hemade his Carnegie Hall debut in Strauss’Friedenstag with the American Sym-phony Orchestra followed byappearances at the National Opera Cen-ter and concerts with the HelenaSymphony and the Center for Contem-porary Opera. This March, Joiner wasfeatured on National Public Radio forhis role in the popular internet sensation,Connection Lost (The Tinder Opera).This season, Joiner performs as Edoardoin the North American premiere of Zan-donai’s Il Grillo del Focolare withTeatro Grattacielo, the title roles in Vic-toria Bond’s Gulliver’s Travels and EricSalzman’s Big Jim & the Small-TimeInvestors at NY Symphony Space and inconcert with Mexico’s Orquesta Filar-monía de Xalapa. Recent appearanceshave included Pedrillo (Die Entführungaus dem Serail) for St. Petersburg Opera,the NY premiere of Howard Goodall’sEternal Light with DCINY at Carnegie

Hall, Fenton in Verdi’s Falstaff, andChevalier Danceny in Susa’s DangerousLiasons, conducted by George Mana-han. A past winner of theHeafner/Williams Vocal Competitionand a Metropolitan Opera RegionalFinalist, Joiner has also performed withOpera Colorado, Central City Opera,Knoxville Opera, Teatro Magnani diFidenza, Colorado Music Festival,Asheville Symphony; Choral Societies ofGreenwich, Harrisburg and New Jersey;the Wintergreen Music Festival, GardenState Philharmonic, the Escher StringQuartet, and many others.

SCOTT JOINER, Tenor

Mark is delighted to be returning to thePerelman Stage of the Isaac Stern Audi-torium where he first sang in 1999 asthe baritone soloist with the National

Children’s Choir under the direction ofHenry Leck. A versatile singing actor,Mr. Gilgallon’s roles range from HenryHiggins in My Fair Lady to GiorgioGermont in Verdi’s La Traviata. He hasmade his solo debuts with the Detroit,Pittsburgh, and Baltimore symphoniesunder the baton of Jack Everly; theKansas City Symphony with Sandi Pattyand with the Cincinnati Pops under thedirection of Erich Kunzel. In addition toMark’s performing career, he serves asDirector of Music at North UnitedMethodist Church Indianapolis, VocalCoach to five-time Grammy winner,Sandi Patty, and a studio musicianrecording for Beckenhorst, ShawneePress, Hal Leonard, Hope, Lorenz,Alfred music publishers, and others.

MARK GILGALLON, Baritone/Bass

Founded in 2008 by esteemed choraland orchestral conductor, Dr. JonathanGriffith, Distinguished ConcertsOrchestra (DCO) is the resident orches-tra for Distinguished ConcertsInternational New York (DCINY), thecity’s preeminent producer of choraland orchestral concerts in New York’smost prestigious concert venues. TheDCO is comprised of some of the toporchestral musicians in the area includ-ing numerous graduates of Juilliard,The Manhattan School of Music, TheNew England Conservatory and BostonConservatory. While the vast majorityof these players have performed inevery DCINY production since itsinception, those players who have leftthe New York area have gone on to per-manent posts in orchestras such as theBoston Symphony, Los Angeles Philhar-monic and the London Philharmonic.

Under the direction of Jonathan Griffithand DCINY’s roster of notable guestconductors, the DCO performs atCarnegie Hall and Lincoln Center.Whether performing choral/orchestralmasterworks or premiering adventure-some new compositions, the DCO hasbeen lauded by conductors and review-ers alike for its fresh interpretations,musical subtlety and virtuosic ensembleplaying. Griffith and the DCO are pastwinners of the prestigious AmericanPrize in the professional orchestra cate-gory, awarded in 2014 and 2015, and asemi-finalist for the 2016 competition.Distinguished Concerts Orchestra isdriven by passion, innovative vision, atotal belief in its artists, and an unwa-vering commitment to bring forth anunforgettable musical experience forperformer and public alike.

DISTINGUISHED CONCERTS ORCHESTRA

Distinguished Concerts Singers Interna-tional (DCSI) forms the backbone ofDistinguished Concerts InternationalNew York (DCINY), the city’s preemi-nent producer of choral and orchestralconcerts in New York’s most prestigiousconcert venues. DCSI is comprised ofsingers and chorus members fromaround the world. Between 30-40 per-cent of the singers are alumni of DCSIand have sung in 2 or more of theDCINY concert series over the years.The DCSI has drawn members from 42

countries and 6 continents. While themajority of singers are dedicated ama-teur musicians, many professional andsemi-professional ensembles, as well asindividual professional singers, havealso participated in the DCSI. All singersand/or ensembles go through an audi-tion process reviewed by the DCINYArtistic team in order to receive an invi-tation to appear on the DCINY concertseries. The DCSI can vary in size frombetween 100 to 500 singers, dependingupon the repertoire.

DISTINGUISHED CONCERTS SINGERS INTERNATIONAL

Distinguished Concerts Singers InternationalActon UMC Chancel Choir (TX), Ken McDonald, Director*Arcadian Chorale (NJ), Marina Alexander, DirectorBitterroot Valley Chorus (MT), Peggy Bucheit, DirectorThe Chancel Choir of Beymer Memorial United Methodist Church (FL), Jason P. Locker, DirectorEagle Song (ID), Stephen P. Kuykendall, DirectorFirst Christian Church Chancel Choir, Las Vegas (NV), Timothy Cooper, Director*First Presbyterian Church Sanctuary Choir, Hilton Head Island (SC), S. Russell Floyd, III, Director*Glen Cove High School Select Chorale (NY), Edward P. Norris III, DirectorThe Hampton Choraliers (FL), Marty Pieper, DirectorHope Lutheran Church Chancel Choir (CA), Priscilla Silver, Director*Johnson County Chorus (KS), Anita Cyrier, Director*Jubilate - Orange County Youth Choir (NY), David Crone, Director& Steven Wing, Assistant DirectorLoch Raven United Methodist Church Chancel Choir (MD), Samuel Chin, DirectorLynnewood United Methodist Church Chancel Choir (CA), Donna Kirch, Director*New York Chamber Choir (NY), Alistair Hamilton, Director*Plainfield High School Chamber Choir (CT), Brian Stevenson, Director*The Presbyterian Church in Morristown Chancel Choir (NJ), Matthew Webb, Director*Richmond Choral Society (NY), Marina Alexander, DirectorSeverna Park United Methodist Chancel Choir (MD), Chris Dillard, DirectorSouthport Christian Church Chancel Choir (IN), Karri Lynn York, DirectorSpectrum Singers of West Kelowna (Canada), Kim Kleineberg, DirectorSt. John The Evangelist Catholic Church Choir (FL), Gabriel Wanous, DirectorThe United Methodist Church of the Palm Beaches Chancel Choir (FL), Cary L. Collins, Director And Individual Singers from around the globe

*Denotes DCINY Alumni

Julia AbbondanzaBarbara AbelJohn AdlerThomas AdlerMigliana AlamoNafeesah AliNatsumi Allen

Sashin AluwihareZion AmparoIgnacio Angulo-PizarroDaniel ArboledaAshleigh ArnoneDan AshtonMikaila Ayala

Anik BakerEdward BakerKrystyna BakerLinda BaldwinNancy BarryBrenda BartholomewWilliam Bass

Larry BatesBeth BaumezDenise BeckCatherine M. BeckerDominick BedasseMarcia BedasseGreg Behm

PERFORMING ARTS PARTNERS

DCINY would like to thank our Performing Arts Partners, who, with their financialsupport, have made this performance possible.

DISTINGUISHED CONCERTS SINGERS INTERNATIONAL

Josh BehmSeth Bisen-HershRoberta Blair-ThompsonLonn BlankenshipNancy BracksMary Jo BraddockSarah BrownBarry BrowningCarl BruenElizabeth BruenPeggy BucheitRichard BucheitJudy BukowskiPolly BurkhartCyra BurnettBarbara BurnhamLaurie BurnhamArlene BussKayla Yvonne CalkinTricie CallaghanFatima CardozaKeanu CarmonaWilliam CarterWilliam CasaleMelissa CasertanoSuzanne CateChristina CavalloneLisa CavnarGail CheaneyVictoria ChieraMarsha ClarkTom ClarkeSaidi ClementeSharon ClemonsLynnette CloughlyCary CollinsMadalyne CollinsMatthew ColomaRyan ColomaLacey ConnellJim ConoverCarolyn CookPhilip CooperTimothy CooperSteve CoppolinoFlávia CorreiaGretchen CotnoirJanice CoverlyDeana CowanJack CoyleRoger Gilbert CraneBarbara CrossleyStephen CrowleyCristian Cueva-BonillaClarence Curry, Jr.Ashley CuzzartSandy CuzzartAnita CyrierHannah DagenaisStacey DahmenDennis DaigleVicki DaughtryStuart DavidsonDiane DavisLena DavisBeth DeitrickKerri DeitrickPhillip DelandAndy DelgadoMichael DelormeTracy Delorme

E Hope DemitryKayla DemostheneJan DenisonYefri DepazJohn DepetrisHarold DerksenNicole DessonKelsi DevolveDanielle DiazSamantha DicapioFrancesca DicaterinoKaren DickersonJohn DigiacomoAllyson DinittoMarcia Dordahl-JonesMatthew DovicoPat DoweyEdith DowningSandee DrapeauErica DuaneErik DuaneGillian DuaneMolly DubnerMckenzye DupontGillian DyckBrenda DyeLydia DyeSue DykesNina EadsHannah EakinRobert EddlemanMargaret EddyLogan ElliottDebra EllisAnn EmanuelsSteven EmeryJaynise EspinalAlicia EvansEmily EzrattyKyle FaheyJennifer FalesPaula FeinbergWilliam FerdinandCraig FergusonPatricia FernandezDavid FerrisEmily FerrisErin FieldCynthie FisherJanis FisherMorgan FitchRusty FloydKaren FowlerPam FranchiPatricia FranklinLauren FriedmanJoshua FriesenKonatsu FukamachiAndreas FunkEmily GaffneyPaul GaglianoLilliana GarciaJack GardnerJeff GarnerJudy GarverClaudette GenestElaine GenzenMorgan GestryAngela GibiliscoHeather GingrasKiera Gioffe

Judy GladdenCarlos GomezChalmers GormanScott GotheSara Hill GrantJanice GreeneAngie GreenfieldGwen GrubbJesse GunnGeoff HallNancy J. HallfinSarah HancockJ. Alan HannaSandy HansenLynne HarmenJohn HarreBarbara HarringtonDeborah HarrisKimo HarwardMarc HassanLinda HatfieldFelicity HeilfertyLiz HerringSandra HigginsReginald HillDonna Reed HladunFranmarie Hlatky-RiveraMolly Rose HoenigJody HoffmanAubrielle HollyDoug HollyMarilyn HollyLinda HoustonBenjamin J HowardSarah HowardJohn HoytSusan HumanWanda HustonMegan IrvingKaren IslikerLisa IsslerAnneliza ItkorKaren IwasonSerena JacksonPaul JacobsonElijah JamesIsaiah JamesRinor JaniKylie JenkinsAngela JeppersonChalee JohnsonDaniel JohnsonGordon JohnsonJanice Meadows JohnsonKathleen JohnsonLowell JohnsonSidney JohnsonRalph JolleyJoe E. JonesShelley JonesMasayo KagitaAlyssa KamaraSteven KassMallory KauffmanKatina KehayasJohn KellomDonna KellyGrace KempEmily KendrickLaura KeyesMary Jane King

Catherine Y. KirchDonna KirchSteven KirchSuzanne KirchGeorge KiserJane KiserJane KixmillerJohn KixmillerKimberley KleinebergThomas KlimazewskiLee KnappMichaelann KnottsBrittney KnyszekJon KollLee KrausAlissa KruseDon KruseSandy KuttruffMichelle L KuykendallStephen P. KuykendallIsabella LafayetteJacqueline LafayetteSusan LambertColleen LangleyDanamarie LanutiJeremy LanutiLois LarsenLuke LauterbachCathy LeeDick LeePam LeitmanLizzie LepreJeri LevineAlison LevoskyBonnie LewisDonna LewisTom LewisJonathan LincolnDebbie LinderStefania LisenaJason P. LockerDoug LongDavid LopezMax LoxleyRichard LundbergJack LundquistAl MaencheAnnette MaloneIrvin ManciaJulia MansfieldGillian ManziChad MartinKelly MartinezTimothy MartinezPaul MartinoJaneve MassonToney MathewsRachelle MathieuDean L. MatlockClaire MatthewsDick MayberryKelda K. MaynardSuzanne MccartyAnne McclintockClaudia MccreeshField McdonaldRussell McfaulKatye McgouldrickSarah McnicholasLauren McswainDan Melius

Founded by Iris Derke and JonathanGriffith, Distinguished Concerts Interna-tional New York (DCINY) is the leadingproducer of dynamically charged musi-cal excellence. With its unforgettableconcert experiences in renowned venues,empowering educational programs, andits global community of artists and audi-

ences, DCINY changes lives through thepower of performance.

For more information about Distin-guished Concerts International NewYork, and upcoming DCINY musicalevents around the world, please visit:www.DCINY.org.

DISTINGUISHED CONCERTS INTERNATIONAL NEW YORK (DCINY)

The Performing Arts Partners list includes names supplied by directors. Any questions regarding missing ormisspelled names should be addressed to the individual directors.

Joan MerrymanLarry MervineSalvatore MessanoNancy MiletteBob MillerCarl MillerCecelia MillerKaren MillerRandy MillerGaby MirasolaKathy MolinariSally MortonJulia MosierPatty MullerJolee MurphyBarry MyersDonna MyersPatricia MyersLeigh NashJo A. NaueSeverin T. NelsonVance NelsonAnnie NesbittOwen NeubauerIzzy NewberryMckayla NewburyElisa NikolouliasMadeline NoklandPam NolanEdward NorrisArt NuttKathy NuttElwood O’dellJean O’dellBarbara OlsonJeanine OlsonEvan OrloffAbigail OrtizElena OrtizZig PalagyiToni M. PancieraJillian PantonRebecca ParkerToni ParsonsPhyllis ParthemerRaeanne PassantinoNancy PatonKathie PattenPhyllis PattersonJoseph PattonJohn Pelham

Tamara PercyRonald PetersonPaul PetitChristina PiazzaAnn PieperMarty PieperSusan PincusEdward PipkinMary PrincingBob PritchardSandra PritchettAnya QuinnPeggy Coleen QuinnCatrina RaevensJoel RamseyerConnie RandallBenjamin RaynorLeanne ReaAnastasia RegeSarah ReillyHannah ReinmuthMike RevenaughAlexis ReveyosoAdiel ReyesGilbert ReyesRebecca RheaLisa RiggeElisabeth RiveraJane Coker RiversDebbie RoadarmelMarty RoarkAnna RobertsDiane RogersKate RogozinMike RolishBrenda RosasAl RothsMario RuizArden Sanders-D’allevaGiulia Sanford-AlleyJeffrey SaundersAmanda SavageCamilla ScanlonPatricia ScarangelloAngela SchjodtElena SchmelzenbachAlyssa SchmittAlondra SchuckBrian ScorciaJoy ScottChristine Scully

Alexandra Selawsky-GroupLaszlo SeressGenie ShaverJohn ShieldsDawn ShortJoel ShortClifford SilverKourtney SlowikJanneke SmithMeghan SmithSian SmithAlan SmitteeRobby SnitkofLisa SogoAlexandra SparksHaile SpearPaulina StanczykHarry SteckAnne SteinhauerShaina SteirLavon StevensBrian StevensonGerdina SteynWilliam StiersMelinda StillmanW. David StillmanTitus StimsonChad StoffelJeffrey StonerEmily StopkaRhonda StopkaSamantha SullivanAlex SuozziChris SuprenantCarol SzweiBarbara TalbottRebecca TanGerald TealLaura TesorieroElsie TiedeAlexandra TilleyJennifer TooleySteven TooleyMillie Tringale-MurrayIsabella TuscanoJesus UragaVinny ValentiPatti Van GundyMarah VanbeekomFrancine Vandenberg

Pedro VásquezAamaiyah VaughanHannah VeetyCassie VergeKevin VillatoroEmily VincentConnie VoightRebecca Ann WalkerTricia Kim WalshBrad WalstonBeth WannopGabriel WanousSpencer WardStacie WardBenjamin WattsMatthew WebbKerri WebberMekayla WeberDiane WeddleMatthew WeitzmanAnna WellsDavid WellsMarian WelshCarol WengelLinnet WesterwickAndrew J WheelerKatrina J-L WheelerJudy WhiteElaine WidaPhyllis WieserJulia WilkinsonCherisse WilliamsCherissia WilliamsDawn WilliamsGrace WilliamsJustin WilliamsJulianna WillsonAdela E. WilsonKaren WilsonBrian WongKaren WongSusan WoodMarlene WoodroffKarri YorkMatt ZambelliAndrew Eric ZaneAutumn Grace ZaneJohn ZippGrady Zittrouer

DCINY 2017–2018 Concert SeriesSunday Afternoon, November 26, 2017 at 2:00Stern Auditorium/Perelman Stage, Carnegie HallMessiah…Refreshed!Handel: Messiah (Goossens’ Edition)Jonathan Griffith, DCINY Artistic Director and Principal ConductorDistinguished Concerts Orchestra and Distinguished Concerts Singers International

Monday Evening, November 27, 2017 at 7:00Stern Auditorium/Perelman Stage, Carnegie HallAppalachian Winter: A Bluegrass ChristmasMartin: Appalachian WinterMartin: Rhapsody in Bluegrass (WORLD PREMIERE)Joseph Martin, Composer/ConductorAward-winning Bluegrass Ensemble, Dailey & VincentDistinguished Concerts Singers International

Celebrating DCINY’s 10th Anniversary Season:Monday Evening, January 15, 2018 at 7:00Stern Auditorium/Perelman Stage, Carnegie HallThe Music of Sir Karl JenkinsJenkins: The Armed Man: A Mass for PeaceJenkins: Sing! The Music was Given (WORLD PREMIERE, Courtesy of the DCINYPremiere Project)

Jonathan Griffith, DCINY Artistic Director and Principal ConductorSir Karl Jenkins, DCINY Composer-in-ResidenceDistinguished Concerts Orchestra and Distinguished Concerts Singers International

Monday Evening, February 19, 2018 at 7:00Stern Auditorium/Perelman Stage, Carnegie HallPerpetual Light: The Requiems of Mozart and DurufléMozart: RequiemJames M. Meaders, DCINY ConductorDuruflé: RequiemJean-Sébastien Vallée, Guest ConductorDistinguished Concerts Orchestra and Distinguished Concerts Singers International

Iris Derke, Co-Founder and General DirectorJonathan Griffith, Co-Founder, Artistic Director &Principal Conductor

Danuta Gross, Director of Finance & AdministrationKevin Taylor, Director of Program DevelopmentJames M. Meaders, Artistic and Educational ConsultantJason Mlynek, Associate Director of ProgramDevelopment

Katie Silvestre, Program DevelopmentJulia Falkenburg, Program DevelopmentKimberly Wetzel, Program DevelopmentJeff Binner, Program Development

Jason Arnold, Program Development AssistantMaggie Latona, Program Development AssistantTabitha Glista Stewart, Production ManagerAndrea Niederman, Director of Marketing, Box Office & Promotions

Malcom Moon, Box Office & Marketing AssistantDeAnna Choi, Office Operations Manager, Accounting & Billing

Maria Braginsky, Concert Operations LiaisonMarisa Tornello, Concert Operations AssociateMorgan Yachinich, Concert OperationsGary Crowley, Graphic Design & Website

DCINY ADMINISTRATIVE STAFF

For PR and media inquiries, please contact Press@DCINY.org or (212) 707-8566 Ext. 314.

Saturday Evening, March 17, 2018 at 7:00David Geffen Hall, Lincoln CenterReflections of LightCherubini: Requiem in C minorHilary Apfelstadt, Conductor LaureateDistinguished Concerts Orchestra and Distinguished Concerts Singers InternationalMartha Shaw, DirectorDistinguished Concerts Singers InternationalConstantinides: Concerto for Flute, Harp and OrchestraJonathan Griffith, DCINY Artistic Director and Principal ConductorIris Derke, FluteDistinguished Concerts Orchestra

Sunday Afternoon, March 25, 2018 at 2:00David Geffen Hall, Lincoln CenterTotal VocalDeke Sharon, Guest Conductor and Creative DirectorDistinguished Concerts Singers International and surprise celebrity Guest Artists

Monday Evening, April 2, 2018 at 8:00Weill Recital Hall at Carnegie HallWarren Lee, Piano

Sunday Afternoon, April 8, 2018 at 1:00Stern Auditorium/Perelman Stage, Carnegie HallThe Music of Eric WhitacreEric Whitacre, Composer/ConductorDistinguished Concerts Singers International

Sunday Evening, April 8, 2018 at 8:00Stern Auditorium/Perelman Stage, Carnegie HallDon Trott, DirectorThe University of Mississippi Concert Singers (MS)Duane Otani & Zachary Christy, DirectorsRancho Bernardo High School (CA)Jonathan Richard Grantham, DirectorAmador Valley High School Wind Ensemble 1 (CA)

Sunday Afternoon, April 15, 2018 at 2:00Stern Auditorium/Perelman Stage, Carnegie HallDreamweaverThe Music of Ola GjeiloForrest: Jubilate DeoJames M. Meaders, DCINY ConductorOla Gjeilo, Composer-in-Residence and PianoDistinguished Concerts Orchestra and Distinguished Concerts Singers International

Sunday Evening, April 15, 2018 at 8:00David Geffen Hall, Lincoln CenterThe Music of Eric WhitacreEric Whitacre, Composer/ConductorDistinguished Concerts Singers Interntional

Sunday Evening, April 22, 2018 at 8:30Stern Auditorium/Perelman Stage, Carnegie HallCelebrating the King’s Singers 50th AnniversaryBob Chilcott, Guest ConductorSimon Carrington, Guest ConductorThe King’s Singers, Special GuestsDistinguished Concerts Singers International

Friday Evening, May 25, 2018 at 7:00Stern Auditorium/Perelman Stage, Carnegie HallVocal ColorsThe Music of Reese Norris and OthersReese Norris, Composer/ConductorBarnum: A Thousand Red Birds Eric Barnum, Composer/ConductorDistinguished Concerts Singers International

Monday Evening, May 28, 2018 at 7:00David Geffen Hall, Lincoln CenterThe Sacred and Profane: Carmina BuranaRosephanye Powell: Gospel TrinityWilliam Powell, Guest ConductorOrff: Carmina BuranaJonathan Griffith, DCINY Artistic Director and Principal ConductorDistinguished Concerts Orchestra and Distinguished Concerts Singers International

Sunday Evening, June 17, 2018 at 8:30Stern Auditorium/Perelman Stage, Carnegie HallSpirit JourneyChoplin: Our Father: A Journey through the Lord’s Prayer Pepper Choplin, Composer/ConductorHayes: Spirit Suite I, II, & IIIKevin McBeth, Guest ConductorAndy Waggoner, Guest ConductorDistinguished Concerts Orchestra and Distinguished Concerts Singers International

Sunday Afternoon, June 24, 2018 at 2:00Stern Auditorium/Perelman Stage, Carnegie HallThe Music of Grases & NúñezWorld Premiere work by Francisco J. NúñezFrancisco J. Núñez, Composer/ConductorWorld Premiere work by Cristian GrasesCristian Grases, Composer/ConductorDistinguished Concerts Orchestra and Distinguished Concerts Singers International

For DCINY’s full season listing, visit www.DCINY.org

DISTINGUISHED CONCERTS INTERNATIONAL NEW YORK250 W. 57TH STREET, SUITE 1610

NEW YORK, NY 10107(212) 707-8566 | DCINY.org