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The
Rena
issa
nce
Timeli
ne Ca
rds
Subj
ect M
atte
r Exp
ert
Ann E
. Moy
er, Ph
D, De
partm
ent o
f Hist
ory, U
nivers
ity of
Penn
sylva
nia
Illus
trat
ion
and
Phot
o Cre
dits
Title
Scho
ol of
Athe
ns, f
rom th
e Sta
nza
della
Seg
natur
a, 15
10–1
1 (fr
esco
), Ra
phae
l (Ra
ffaell
o San
zio of
Urb
ino) (
1483
–152
0) /
Vatic
an M
useu
ms an
d Ga
llerie
s, Vati
can C
ity /
Bridg
eman
Imag
es
Chap
ter 1,
Card
1 Ric
hard
Cumm
ins/S
uperS
tock
Chap
ter 1,
Card
2 De
Agos
tini/S
uperS
tock
Chap
ter 1,
Card
3 Eff
ects
of Go
od Go
vern
ment
in Cit
y, de
tail fr
om Al
legor
y and
Effec
ts of
Good
an
d Ba
d Go
vern
ment
on To
wn a
nd C
ountr
y, 13
37–1
343,
by A
mbrog
io Lo
renze
tti (
activ
e 12
85–1
348)
, fres
co, R
oom
of Pe
ace,
Palaz
zo P
ublic
o, Sie
na, L
orenz
etti, A
mbrog
io (1
285-
c.134
8) /
Palaz
zo Pu
bblic
o, Sie
na, It
aly /
De Ag
ostin
i Pict
ure Li
brary
/ G. D
agli O
rti /
Bridg
eman
Imag
es
ISBN: 978-1-68380-075-0
Chap
ter 1,
Card
5 Ms
Fr 28
10 f.5
1, Tra
nspo
rtatio
n of
spice
s to t
he w
est a
nd un
loadin
g spic
es
in th
e ea
st, m
iniatu
re fro
m Liv
re de
s me
rveille
s du
mon
de, c
.1410
–12
(temp
era on
vellu
m), B
oucic
aut M
aster
, (fl.1
390–
1430
) (an
d wo
rksho
p) /
Biblio
theq
ue N
ation
ale, P
aris,
Franc
e / D
e Ag
ostin
i Pict
ure L
ibrary
/ J.
E. Bu
lloz /
Bridg
eman
Imag
es
Chap
ter 1,
Card
6 Int
erior
of a 1
6th ce
ntury
printi
ng w
orks,
copy
of a
minia
ture f
rom ‘C
hants
roy
aux s
ur la
Conc
eptio
n cou
ronne
e du P
uy de
Roue
n’ (co
lour li
tho)
, Fren
ch
Scho
ol, (
16th
cen
tury)
(after
) /
Biblio
theq
ue N
ation
ale, P
aris,
Franc
e /
Bridg
eman
Imag
es
Chap
ter 2
Scho
ol of
Athe
ns, f
rom th
e Sta
nza
della
Seg
natur
a, 15
10–1
1 (fr
esco
), Ra
phae
l (Ra
ffaell
o San
zio of
Urb
ino) (
1483
–152
0) /
Vatic
an M
useu
ms an
d Ga
llerie
s, Vati
can C
ity /
Bridg
eman
Imag
es
Chap
ter 3,
Card
1 Co
simo d
e’ Med
ici (I
l Vec
chio)
(138
9–14
63) 1
518 (
oil on
pane
l), Po
ntorm
o, Jac
opo (
1494
–155
7) / G
alleri
a deg
li Uffiz
i, Flor
ence
, Italy
/ Brid
gema
n Ima
ges
Chap
ter 3,
Card
2 Th
e ‘Ca
rta d
ella
Caten
a’ sh
owing
a p
anora
ma o
f Flor
ence
, 149
0 (d
etail
of 16
1573
)
Chap
ter 4
Self P
ortra
it, c.1
506 (
tempe
ra on
woo
d), R
apha
el (R
affae
llo Sa
nzio
of Ur
bino)
(1
483–
1520
) / Ga
lleria
degli
Uffiz
i, Flor
ence
, Italy
/ Br
idgem
an Im
ages
Chap
ter 4
Pope
Leo
I (c.
390–
461)
Rep
ulsing
Atti
la (c.
406–
453)
151
1–14
(fres
co),
Raph
ael (
Raffa
ello S
anzio
of U
rbino
) (14
83–1
520)
/ Va
tican
Mus
eums
and
Galle
ries, V
atica
n City
/ Al
inari /
Bridg
eman
Imag
es
Chap
ter 5,
Card
1 Th
e Mira
cle of
the R
elic o
f the
True
Cros
s on t
he R
ialto
Bridg
e, 14
94 (o
il on
canv
as) (
see a
lso 11
9437
), Ca
rpacci
o, Vit
tore (
c.146
0/5–
1523
/6) /
Gall
eria
dell’ A
ccade
mia,
Venic
e, Ita
ly / B
ridge
man I
mage
s
Chap
ter 5,
Card
2 Se
lf Por
trait, c
.1562
–64 (
oil on
canv
as), T
itian (
Tizian
o Vec
ellio)
(c.14
88–1
576)
/ Ga
lleria
degli
Uffiz
i, Flor
ence
, Italy
/ Br
idgem
an Im
ages
Chap
ter 5,
Card
3 Po
rtrait
of Isa
bella
d’Este
(147
4–15
39), T
itian (
Tizian
o Vec
ellio)
(c.14
88–1
576)
/ Ku
nsth
istori
sches
Mus
eum,
Vien
na, A
ustri
a / Al
i Mey
er / B
ridge
man I
mage
s
Chap
ter 6
Wes
tend6
1/Su
perst
ock
Chap
ter 6
Fine A
rt Im
ages
/Sup
erstoc
k
Chap
ter 7
Portr
ait o
f Mich
elang
elo, c
a 15
35, b
y Jac
opino
del
Conte
(151
0–15
98) /
De
Agos
tini P
icture
Libra
ry / B
ridge
man I
mage
s
Chap
ter 7
Pieta
by M
ichela
ngelo
(147
5–15
64),
St Pe
ter’s
Basil
ica in
Vati
can
City
/ De
Agos
tini P
icture
Libra
ry / M
. Carr
ieri /
Bridg
eman
Imag
es
Chap
ter 8,
Card
1 ak
g–im
ages
/Sup
erstoc
k
Chap
ter 8,
Card
2 Pe
ter W
illi/S
upers
tock
Chap
ter 9,
Card
1 Se
lf Por
trait a
t the
Age o
f Twen
ty-Eig
ht, 15
00 (o
il on p
anel)
, Düre
r or D
uerer
, Al
brech
t (14
71–1
528)
/ Al
te Pin
akoth
ek, M
unich
, Germ
any /
Brid
gema
n Im
ages
Chap
ter 9,
Card
2 Me
lanch
olia,
1514
(eng
raving
), Dü
rer o
r Due
rer, A
lbrec
ht (1
471–
1528
) /
Priva
te Co
llecti
on /
Bridg
eman
Imag
es
Chap
ter 9,
Card
3 Po
rtrait
of M
iguel
de Ce
rvante
s y Sa
aved
ra (1
547-
1615
), Jau
regui
y Agu
ilar,
Juan
de (c
.1566
–164
1) /
Priva
te Co
llecti
on /
Bridg
eman
Imag
es
Chap
ter 9,
Card
4 Po
rtrait
of W
illiam
Shak
espea
re (15
64–1
616)
c.161
0 (oil
on ca
nvas)
, Taylo
r, Joh
n (d.
1651
) (att
r. to)
/ Nati
onal
Portr
ait Ga
llery,
Lond
on, U
K / Br
idgem
an Im
ages
Cre
ativ
e C
om
mo
ns L
icen
sing
This
wor
k is
lice
nsed
und
er a
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reat
ive
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mon
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ttrib
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onC
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e 4.
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tern
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nal L
icen
se.
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er t
he f
ollo
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itio
ns:
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the
Cor
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nco
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may
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use
this
wor
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r co
mm
erci
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urpo
ses.
Sha
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u al
ter,
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sfor
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k,
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may
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trib
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the
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k on
ly u
nder
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h th
e un
der
stan
din
g t
hat:
Fo
r an
y re
use
or d
istr
ibut
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you
mus
t mak
e cl
ear
to
othe
rs th
e lic
ense
term
s of
this
wor
k. T
he b
est w
ay to
do
this
is w
ith a
link
to th
is w
eb p
age:
http
s://
crea
tivec
omm
ons.
org/
licen
ses/
by-n
c-sa
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/
Cop
yrig
ht ©
201
7 C
ore
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aid
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THE RENAISSANCE
CHAPTER 1: A New Dawn
Big Question: What factors helped bring about the age known as the Renaissance?
People living during the Renaissance were interested in the writing of great thinkers and writers from ancient Greece (2500s–300s BCE), such as Plato and Socrates.
THE RENAISSANCE
CHAPTER 1: A New Dawn
Big Question: What factors helped bring about the age known as the Renaissance?
The architecture, art, and writings from ancient Rome (700s BCE–400s CE) also inspired people living during the Renaissance.
THE RENAISSANCE
CHAPTER 1: A New Dawn
Big Question: What factors helped bring about the age known as the Renaissance?
In the late Middle Ages (1200s–1300s), Europe experienced the growth of towns, an increase in trade, and the rise of a money economy.
THE RENAISSANCE
CHAPTER 1: A New Dawn
Big Question: What factors helped bring about the age known as the Renaissance?
The Italian Renaissance began in Italy in the mid-1300s.
Venice
FERRARA
LUCCA
SAVOY
FlorenceFLORENCE
TyrrhenianSea
Sicily
Mediterranean Sea
Adriatic Sea
Sard
inia
Cors
ica
FRANCE OTTOMANEMPIRE
Siena
Siena
Naples
KINGDOM O
F TWO SICILIES
Genoa
PAPALSTATES
Milan
Rome
REPUBLICOF VENICE
MODENA
MILAN MANTUA
The Italian Peninsula in the Renaissance
GENOA
S
W
0 200 miles
N
E
THE RENAISSANCE
CHAPTER 1: A New Dawn
Big Question: What factors helped bring about the age known as the Renaissance?
In the 1400s, trade expanded within Europe and between Europe, Asia, and the Middle East.
THE RENAISSANCE
CHAPTER 1: A New Dawn
Big Question: What factors helped bring about the age known as the Renaissance?
In about 1450, Johannes Gutenberg developed movable type in Europe.
THE RENAISSANCE
CHAPTER 2: From Artisan to ArtistIn the 1400s, Brunelleschi and Alberti invented the technique of perspective in painting, brilliantly demonstrated in Raphael’s School of Athens.
Big Question: What were some of the changes that occurred during the Renaissance for artists and the work they produced?
THE RENAISSANCE
CHAPTER 3: The Cradle of the Renaissance
Big Question: How did the success of merchants and bankers during the Renaissance benefit artists?
By 1429, Cosimo de’ Medici became the leader of the Medici family, which had banks in several important cities in Italy as well as in other European cities.
THE RENAISSANCE
CHAPTER 3: The Cradle of the Renaissance
Big Question: How did the success of merchants and bankers during the Renaissance benefit artists?
1400s–1770s: Florence was governed by the Medici family.
THE RENAISSANCE
CHAPTER 4: Rome and the Renaissance Popes
Big Question: How did the Roman Catholic Church use the many talents of Renaissance artists?
The great Renaissance painter Raphael lived from 1483 to 1520.
THE RENAISSANCE
CHAPTER 5: Venice: Jewel of the Adriatic
Big Question: Why was Venice known as the “Jewel of the Adriatic” during the Renaissance period?
In about 1500, Venice was the leading commercial center in the Western world, controlling trade routes through Europe, the Middle East, and the rest of Asia.
THE RENAISSANCE
CHAPTER 5: Venice: Jewel of the Adriatic
Big Question: Why was Venice known as the “Jewel of the Adriatic” during the Renaissance period?
The Renaissance painter Titian (left) lived from about 1485 to 1576. He painted many celebrated portraits of men and women, such as the one on the right.
THE RENAISSANCE
CHAPTER 6: Leonardo da Vinci
Big Question: Why might Leonardo da Vinci be described as a symbol of the Renaissance?
The Renaissance man Leonardo da Vinci (below) lived from 1452 to 1519, and he painted such masterpieces as The Last Supper (left).
THE RENAISSANCE
CHAPTER 7: Michelangelo
Big Question: What does the art that Michelangelo created tell us about the Catholic Church at this time in history?
Michelangelo (left) was a master painter and sculptor who lived from 1475 to 1564. Among his greatest works is this sculpture of the Pieta (right).
THE RENAISSANCE
CHAPTER 8: Two “How-To” Men
Big Question: Why might people have been shocked by Machiavelli’s book The Prince?
In 1513, Machiavelli wrote The Prince. The printed version was first published in 1532.
THE RENAISSANCE
CHAPTER 8: Two “How-To” Men
Big Question: Why might people have been shocked by Machiavelli’s book The Prince?
In 1528, Castiglione published The Courtier.
THE RENAISSANCE
CHAPTER 9: The Renaissance in Northern Europe
Big Question: How did the ideas of the Renaissance spread to other parts of Europe?
German artist Albrecht Dürer (left) lived from 1471 to 1528. He created many outstanding paintings and engravings, such as the one shown on the right.
THE RENAISSANCE
CHAPTER 9: The Renaissance in Northern Europe
Big Question: How did the ideas of the Renaissance spread to other parts of Europe?
Spanish author Miguel de Cervantes lived from 1547 to 1616.
THE RENAISSANCE
CHAPTER 9: The Renaissance in Northern Europe
Big Question: How did the ideas of the Renaissance spread to other parts of Europe?
The English playwright and poet William Shakespeare lived from 1564 to 1616.