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The Renaissanc e 1450 -1600

The Renaissance

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The Renaissance. 1450 -1600. THE RENAISSANCE. What does “renaissance” mean? A re-birth of what?. The Early Renaissance 1400s – 1490s. Where did the Renaissance begin? Why did it begin there? What were the driving factors behind the Renaissance?. The Italian City-States. - PowerPoint PPT Presentation

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Page 1: The Renaissance

The Renaissance

1450 -1600

Page 2: The Renaissance

THE RENAISSANCE•What does “renaissance” mean?

•A re-birth of what?

Page 3: The Renaissance

The Early Renaissance1400s – 1490s

Where did the Renaissance begin? Why did it begin there? What were the driving factors

behind the Renaissance?

Page 4: The Renaissance

The Italian City-States

What is a City-State?

Page 5: The Renaissance

The Italian City-States

What were the advantages?

Page 6: The Renaissance

The Italian City-States

What were the disadvantages?

Page 7: The Renaissance

The Italian City-States

Florence and Milan were ruled by rival families, the

Medici’s and the Sforza Family respectively.

Page 8: The Renaissance

The Italian City-States

Venice was a Republic, ruled by a Senate which elected a Doge to head the government. The

Doge remained in power for life but the position

was not hereditary.

Page 9: The Renaissance

The Italian City-StatesThe Papal states were run

by the Pope elected by the Bishops for life. The

power of which was diminishing as the

Renaissance ideas of humanism and secularism

were expanding.

Page 10: The Renaissance

Western Schism

Page 11: The Renaissance

Florence, Italy The Cultural Center of Europe in the Early

Renaissance Art Commerce Banking

Page 12: The Renaissance

The Social Structure

POPULO GROSSO: “fat people” – 5% of the population – elite/nobles, wealthy merchants, and manufacturers.

MEDIOCI: middle – smaller merchants and master artisans. SKILLED WORKERS

POPULO MINUTO: “little people” – bulk of the urban population. UNSKILLED WORKERS

Page 13: The Renaissance

The Social Structure

There was some social mobility – Why?

Page 14: The Renaissance

The Medici FamilyCosimo de’ Medici

Carlo di Cosimo

de’Medici

Piero de’Medici

Giuliano de’Medici

Giulio de’Medici [Pope Clement

VII]

Lorenzo “The Magnificent”

Piero de’Medici

Lorenzo de’Medici

Catherine de’Medici [Queen of France]

Giovanni de’Medici [Pope

Leo X]

Cosimo established the Medici Bank and

“unofficially” ruled Florence from 1434-

1464He was a patron of the

humanities and supporter of

Bunelleschi and Donatello among

others

Lorenzo de’Medici was known as

The Magnifient. He was also a

patron of humanities and

supported Botticello, da

Vinci, and Michelangelo

Piero lost control of Florence in

1492. He died in exile

Piero’s son Lorenzo gained

control of Florence back

and ruled at the height of the

Medici’s power over Florence

Catherine de’Medici married Henry of Navarre and became the Queen of France

Page 15: The Renaissance

The Medici Family

Wealthy Banking Family – provided stability

Banished rival clans

Manipulated electoral process

Cosimo’s Grandson – survived an assassination attempt – hours later enemies of the family were hanging upside down from a government building – including the archbishop of Pisa

Botticello was commissioned to paint them as they swung.

Page 16: The Renaissance

The Beginning of the Modern

Banking System The Medici’s set up the first modern

banking system with branches in England and Bruges as well as throughout the Italian peninsula

The Gold Florin became the standard currency in European trade

WHAT ARE THE BENEFITS OF BANKING?

WHAT ARE THE RISKS?INDIVIDUALIS

M

Page 17: The Renaissance

HUMANISM A transition from the scholasticism of the

Middle Ages Revival of Greek and Roman beliefs Appreciation of physical beauty Emphasis on man’s own achievements Secularism PETRARCH – considered the first humanistINDIVIDUALISM

Page 18: The Renaissance

Science and Technology

Influenced by Humanism which encouraged curiosity and questioning of accepted beliefs

Experimentation and observation Define and understand the laws of nature and

the physical world.

INDIVIDUALISM

Page 19: The Renaissance

THE EARLY RENAISSANCE

1400-1490s Patronage of the Medici

family made: Florence the center of

the Early Renaissance Allowed artists to

become successful celebrities

Page 20: The Renaissance

Brunelleschi 1446-1461 8 sided dome of

Santa Maria del Fiore Cathedral

The symbol of Florence

Page 21: The Renaissance

Brunelleschi Devised a way

to draw and paint using linear perspective

“chiaroscuro” – the illusion of 3DINDIVIDUALISM

Page 22: The Renaissance

Donatello David, de Donatello 1430 – commissioned

by Cosimo de Medici Humanism – first free

standing nude statue since ancient times

Civic-humanism

Page 23: The Renaissance

Titian & Giorgione Developed method of painting

with oil directly on canvas Allowed artists to reword an

image which they couldn’t do with fresco painting

Transitioning into the Northern RenaissanceINDIVIDUALISM

Page 24: The Renaissance

DESIDERIUS ERASMUS

Erasmus of Rotterdam

promoted religious toleration

wanted the Church to reform

Page 25: The Renaissance

The High Renaissance

1490s – 1527 Rome replaced

Florence as the center of culture

Pope Leo X – he was the son of Lorenzo de Medici

Page 26: The Renaissance

Michelangelo David 1501- 1504–

became the symbol of Florence

Dominant sculptor of the Renaissance

Humanism – reflected the ideals of the Greek Gods

Page 27: The Renaissance

Michelangelo Pieta, 1498 - 1499

INDIVIDUALISM

Page 28: The Renaissance

Michelangelo The Ceiling of the Sistine

Chapel, 1508 - 1512

Page 29: The Renaissance

Leonardo da Vinci

Mona Lisa, 1503-1506

“Renaissance Man” Artist Scientist Architect Philosopher Engineer

Page 30: The Renaissance

Leonardo da Vinci The Virgin of the

Rocks, 1483 Unparalleled ability to

portray light and shadow

And to portray the physical relationship between figures and the landscape

Page 31: The Renaissance

Leonardo da Vinci

The Last Supper, 1494 - 1498

Page 32: The Renaissance

Raphael The School of Athens,

1509-1511 Learned from

Michelangelo and da Vinci

Humanism – expressed classical ideals of beauty, serenity and harmony

Page 33: The Renaissance
Page 34: The Renaissance

Northern Renaissance

Northern “Christian” Humanism – applied the Classical beliefs and ideals to the traditional understandings of the gospel.

Art was more detailed and more focused on color than in the Italian Renaissance

Sir Thomas More - Utopia

Page 35: The Renaissance

Jan Van Eyck Arnolfini Portrait – 1434 Netherlands Techniques allowed for

deeper and more vibrant color

Considered one of the first painting of “everyday life”

Page 36: The Renaissance

Albrecht Durer Self Portrait, 1500 Germany

INDIVIDUALISM

Page 37: The Renaissance

Hans Holbein the Younger

Portrait of Henry VIII, 1536

German Became the Court

Painter for Henry VIII Humanist

Page 38: The Renaissance

Pieter Bruegel, the Elder

The Peasant Wedding, 1567 Flemish (Belgian)

Page 39: The Renaissance

Transitions of the Renaissance

SCHOLASTICISM HUMANISM

RELIGIOUS SECULAR

IDEALISM REALISM