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Milton’s ideal of innocence 23 7 I do not know the source of this observation. Possibly the late ProfessorClifford Leech’s principle, ’if you have forgotten the source, the idea is your own’, applies. Poems and Fables, ed. James Kinsley (Oxford Standard Authors, 1962), pp. 130-1. John Aubrey, ‘Mr John Milton’, The Early Lives of Miltorr, ed. Helen Darbishire (1932), p. 6. 8 9 NEIL POWELL The prologue He’s part of the scene. He gestures Disdainfully towards action, Outlines a map on which honour And dishonour form the contours. He‘s above such paltry matters As treachery, loyalty, love: The deaths of fools and princes Are ancient history to him. He apologises slyly For his world’s deficiencies: You will kindly imagine An army, a fight now and then. He’s on your side really: He hopes you won’t heckle Or insist on a refund, Yet he doesn’t trust actors. He won’t go away. He belongs. At home you’ll discover him Washing up, gardening, Cooking: part of the scene.

The prologue

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Page 1: The prologue

Milton’s ideal of innocence 23

7 I do not know the source of this observation. Possibly the late Professor Clifford Leech’s principle, ’if you have forgotten the source, the idea is your own’, applies. Poems and Fables, ed. James Kinsley (Oxford Standard Authors, 1962), pp. 130-1. John Aubrey, ‘Mr John Milton’, The Early Lives of Miltorr, ed. Helen Darbishire (1932), p. 6.

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NEIL POWELL

The prologue

He’s part of the scene. He gestures Disdainfully towards action, Outlines a map on which honour And dishonour form the contours.

He‘s above such paltry matters As treachery, loyalty, love: The deaths of fools and princes Are ancient history to him.

He apologises slyly For his world’s deficiencies: You will kindly imagine An army, a fight now and then.

He’s on your side really: He hopes you won’t heckle Or insist on a refund, Yet he doesn’t trust actors.

He won’t go away. He belongs. At home you’ll discover him Washing up, gardening, Cooking: part of the scene.

Page 2: The prologue

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