the piano of Chopin, Schubert, Schumann and Edvard Grieg. He died in the shipwreck of the ship Sussex, in the English Channel, on having been bombarded in the course of the First World war

He was born in Lleida, Spain the 27 July 1867He is known by his work as pianist, specially for the suite "Goyescas" (1911), on which the opera with the same name is based. He created the school of piano in Barcelona, which has produced figures as relevant as Frank Marshall and Alicia de Larrocha. He is considered neo-romantic by his stylistic entail by

Piano music:-Letter of love-Poetic waltzes-Exquise gypsy waltz-Six Military marches - two of it for four hands-Spanish Caprice-Gypsy dance-Twelve Spanish dances - 1890 - For piano, three of it  orchestrated  .Six pieces on Spanish popular songs-Fantasy-Paisaje (Landscape)-Goyescas The crepuscule)-The tango of green eyes

Chamber music:-Sonata for violin and piano-Sonata per a violoncello and piano-Trio for piano, violin and violoncello -Quartet for two violins, viola and violoncello-Romance (string quartet)-Serenade (two violins and piano)-Quintet for piano and string-Andante (violin and piano)-First romance (violin and piano)Music for orchestra:-The night of the death - 1912 – suite-The legend of the fairy-Gypsy dance

29 May 1860, Camprodon– 18 May 1909, Cambo-les Bains Albéniz was a child prodigy who first performed at the age of four He was a Spanish pianist and composer best known for his piano works based on folk music idioms. However, many of his works have been transcribed by Miguel Llobet and others for guitar, and many of his pieces such as Asturias (legend), Granada, Sevile, Cádiz, Córdoba, Cataluña, and the Tango in D are among the most important pieces for classical guitar.

Opera The magic opal Henry Clifford Pepita Jiménez Merlin Lancelot (unfinished: 1st act complete)

Zarzuela Cuanto más viejo. Lost music. Catalanes de Gracia. Lost music. El canto de salvación. Lost music. San Antonio de la Florida. La real hembra.

Three ancient suites (1885–1886). Chants d'Espagne, Op.232 Spanish suite). With 8 pieces: Granada, Cataluña, Sevilla,Cádiz,Asturias, Aragón,Castilla and Cuba. España, Op.165. 6 pieces: Preludio, Tango, Malagueña, Serenata, Capricho Catalán and Zortzico. Twelve characteristic pieces (1888). Travel memories, Op.71. 7 pieces: En el mar, Leyenda, Alborada, En la Alhambra, Puerta de Tierra, Rumores de la caleta, En la playa Iberia. Suite for piano with 12 pieces in 4 books: La Vega. Navarra, finished by his pupil Déodat de Séverac Azulejos, finished by Enrique Granados

Spanish rhapsody (1887)

(1882-1949)He is one of the most important 20th century Spanish composers, second only to Manuel de Falla. Born in the Andalusian city of Seville, he was throughout his life fascinated by the hustle of this city. The composition "Canto a Sevilla" is a large, forty minute work, in which Turina set to music poems of a Sevillan poet with themes like the vibrant Easter Procession, the spirit of flamenco, and the ornamental fountains of the city ... - It is, in short, a loving homage to Sevilla! This work is complemented by three smaller pieces for mezzo-soprano and orchestra: a short "Farucca" a form of flamenco and “Poem in the form of song " and "Saeta, en forma de salve ", two song cycles for mezzo soprano and orchestra. Brazilian conductor Celso Antunes has the temperament, and the emotional connectedness to this subject matter to convincingly realize the exotic impressions and infectious rhythms.

Chamber Works 117 tracksCirculo, for piano trio, Op.91 6 tracksEl poema de una sanluqueña, fantasy for violin & piano (or orchestra), Op.28 12 tracksFandanguillo, for guitar, Op.36 6 tracksHomenaje a Navarra, for violin & piano, Op.102 2 tracksHomenaje a Tárrega, for guitar, Op.69 6 tracksLa Oración del torero, for lute quartet (or string quartet or string orchestra), Op.34 5 tracksLa oración del torero 2 tracksMusas de Andalucía for piano quintet, Op.93 3 tracksPiano Quartet in A, Op.67 3 tracksPiano Trio in F 4 tracksPiano Trio No.1, Op.35 6 tracksPiano Trio No.2 in B-, Op.76 3 tracksRáfaga, for guitar, Op.53 3 tracksSerenata, for string quartet, Op.87 1 trackSevillana, fantasia for guitar, Op.29 6 tracksSoleares, for guitar 1 trackSonata española, for violin & piano 6 tracksGuitar Sonata in D-, Op.61 15 tracksSonata for violin & piano No.1 in C, Op.51 Sonata for violin & piano No.2, Op.82 ("Española")

String Quartet ('De la Guitarra'), Op.4 Variaciones Clasicas, for violin & piano, Op.72 Las Musas de Andalucía, for piano quintet, Op.93 1 trackTOPOrchestral Works 26 tracksConcertos 3 tracksLa procesión del Rocio, for piano and orchestra, Op.9 3 tracksDanzas fantásticas, for orchestra, Op.22 10 tracksFantasía sobre cinco notas, Op.83 3 tracksRitmos, fantasía coreográfica, for orchestra, Op.43 7 tracksSinfonia sevillana, for orchestra, Op.23 3 tracksTOPPiano Works 146 tracksAlbum de viaje, Op.15 5 tracksBailete for piano ("Suite de danzas del siglo XIX"), Concierto sin orquesta, Op.88 2 tracksCuentos de España, Book 1, Op.20 7 tracksCuentos de España, Book 2, Op.47 7 tracksDanzas (2) sobre temas populares españoles, Danzas andaluzas (3) for piano, Op.8 3 tracksDanzas gitanas, for piano, Set 1, Danzas gitanas, for piano, Set 2, Evocaciones, Op.46 3 tracksFantasia cinematográfica, in rondo form for piano

The clock fantasy, Op.94 3 tracksItalian fantasy, for piano, Op.75 3 tracksGarden of children, for piano, Op.63 8 tracksMallorca, Op.44 3 tracksMiniaturas, for piano, Op.52 8 tracksSeville women for piano, Op.89 5 tracksSpanish women, for piano, Set 1, Op.17 3 tracksNiñerias, Book I, Op.21 8 tracksNiñerias, for piano, Series 2, Op.56 8 tracksOrgía, for orchestra (or piano) (Danzas fantásticas No.3), Op.22, No.3 1 trackFantastic poem, for piano, Op.98 4 tracksMemories from the old Spain, for piano (or lute quartet), Op.48 4 tracksMagic corner (Desfile en forma de sonata), Seville, suite for piano, Op.2 3 tracksSiluetas, suite for piano, Op.70 5 tracksSonata fantasia, for piano, Op.59 2 tracksSonata rómantica sobre un tema español, Op.3 3 tracksPost cards, Op.58 5 tracksViaje maritimo, Op.49 3 tracks

TOPVocal Works 35 tracks3 Arias, Op.26 3 tracksAve Maria, Op.95 1 track2 canciones, Op.38 2 tracksCantares, poema en forma de canciones for voice & piano (or orchestra), Op.19, No.3 2 tracksHomenaje a Lope de Vega, Op.90 3 tracksPoema en forma de canciones, for voice and piano (or orchestra), Op.19 5 tracks3 Poemas, Op.81 3 tracks3 Sonetos, Op.54 4 tracksTriptico, for voice and piano, Op.45 5 tracksVocalizaciones, Op.74 7

Joaquín Rodrigo 1901-1999 Joaquin Rodrigo was born on November 22, 1901, in Sagunto, Valencia, Spain. He was blinded by complications from diphtheria when he was three years old. His condition did not improve after a surgery and then glaucoma blinded him completely. Rodrigo confessed without regret, that his blindness predisposed him to music. Young Rodrigo studied piano and violin at a school for blind from the age of eightJoaquin Rodrigo was responsible for establishing the guitar as a classical concert instrument. He is best known for his three-part 'Concierto de Aranjuez' (1939), the first concert work composed specifically for guitar and symphony orchestra. This innovative concert work was created for Spanish guitarist Regino Sainz de la Maza, who premiered 'Concierto de Aranjuez' in 1940 with the Barcelona Philharmonic Orchestra. The work has become among the most well-known pieces of Spanish music. Rodrigo received several awards and decorations for his music. He also taught music for many years

His Concert of Aranjuez (1939), for guitar and orchestra, has great celebrity in the whole world. Other of his worthy compositions are Concert of summer (1943), Absences of Dulcinea (1948), Fantasy for a gentleman (1954), the ballet royal Pavane (1955) and Andalusian Concert (1967).

Manuel de Falla y Matheu was born in Cadiz, Spain, on the 23rd of November 1876. He studied in Cadiz and in Madrid around the late 1890s, where he was a pupil of Trago for the piano and Pedrell for composition.

Spanish composer Manuel de Falla remains the most celebrated figure in Spanish music. Considered his masterpiece is ("Nights in the Gardens of Spain”. He is also known for ballet "El Amor brujo" (Love, the Magician) and opera La vida breve (The Short Life

Manuel de Falla y Matheu was born in Cadiz, Spain, on the 23rd of November 1876. He studied in Cadiz and in Madrid around the late 1890s, where he was a pupil of Trago for the piano and Pedrell for composition.

Spanish composer Manuel de Falla remains the most celebrated figure in Spanish music. Considered his masterpiece is ("Nights in the Gardens of Spain”. He is also known for ballet "El Amor brujo" (Love, the Magician) and opera La vida breve (The Short Life

At 26 years old, de Falla produced a zarzuela, Los amores de Ines (Loves of Ines), written with very little tuition in composition. He lived in Paris when he was 31 until he was 38. There he met prominent composers who influenced him: Debussy, Ravel, Rodrig, and Dukas, who influenced.At the outbreak of World War I, he returned to Spain and settled in Madrid. The production of La Vida Breve (The Short Life) at Nice and Paris, and later, of his very popular ballet El Sombrero de tres picos (The Three-Cornered Hat) in London, spread his reputation.

List of De Falla's Major Works Opera, La Vida Breve (The short Life) including "Spanish Dance No.1", 1905Ballet, El Amor brujo (Love, the Magician) including Ritual Fire Dance, 1915Symphonic Noches en los jardines de Espana (Nights in the Gardens of Spain), 1916Ballet, El Sombrero de tres picos (The Three-Cornered Hat) including "Miller's Dance", 1919Chamber opera, El Retablo de Maese Pedro (Master Peter's Puppet show), 1922Concerto for harpsichord and chamber ensemble, 1926Cantata, Atlantida (Atlantis) unfinished, and later completed by Ernesto Halffter, 1946

February 21, 1893 – June 2, 1987 He was a virtuoso Spanish classical guitarist from Linares, Andalucía, Spain. He is widely considered to be one of the best known and most influential classical guitar personalities of the 20th century, having a considerable influence on later guitarists, particularly because of important guitar works that were dedicated to him by composers such as Federico Moreno Torroba

Segovia is credited for his modern-romantic repertoire,mainly through works dedicated to him by modern composers, but he also created his own transcriptions of classical works that were originally for other instruments. He is remembered for his expressive performances: his wide palette of tone, and his distinctive (often instantly recognizable) musical personality in tone, phrasing and style