186
Pennsic War XLIII The Pennsic Pile Edited by Margaret Raynsford Aaron Drummond Contact: [email protected]

The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

  • Upload
    others

  • View
    14

  • Download
    0

Embed Size (px)

Citation preview

Page 1: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Pennsic War XLIII The Pennsic Pile

!!Edited by

Margaret Raynsford Aaron Drummond

!Contact: [email protected]

Page 2: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted
Page 3: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Pennsic Pile 43 i

Copyright Notice

The editors have made every effort to ensure that the contents of this book may be freely duplicated andperformed within the Society for Creative Anachronism. Most of the music contained in this publication issubject to copyright protection, noted on each piece. If a copyright is not noted, the piece is believed to be inthe public domain. Thanks to all the arrangers who have given permission for their settings to be publishedfor use within the SCA.

Several arrangers have given permission for their works to be used under a Creative Commons license. Thelicences are briefly outlined below; see creativecommons.org for more information.

CC BY: You may duplicate, modify, perform, and record the work, including for commercial purposes, solong as the original author is attributed.

CC BY-NC: You may duplicate, modify, perform, and record the work, but you must attribute the originalauthor and the work may not be used commercially.

CC BY-NC-SA: You may duplicate, modify, perform, and record the work, but you must attribute theoriginal author and the work may not be used commercially; additionally, all derivative works must be sharedunder the same terms as the original.

For works not under a Creative Commons license, please contact the arranger if you wish to republish thework, make a recording, or use it outside the Society for Creative Anachronism.

Contact information for the arrangers is provided below:

Russell Almond (Mustapha al-Muhaddith): [email protected] Badowski (Margaret Raynsford): [email protected] Butler (Arden of Icombe): [email protected] Casazza (Giuseppe Casazza): [email protected] Cellio (She’erah bat Shlomo): [email protected] Cofrin (Avatar of Catsprey): [email protected] Elkiss (Aaron Drummond): [email protected] Hendricks (Samuel Piper): [email protected] Hunt (Mathilde Adycote): [email protected] Rio (Jadwiga Krzyzanowska): [email protected] Lankford (Dafydd Arth): [email protected] Pavao (John Chandler): [email protected] Schweitzer (Martin Bildner): [email protected] Sherman (Robyyan Torr d’Elandris): [email protected] Smith (Alaric McConnell): [email protected] Stockton (Robin the Just): [email protected] Svoboda (Arslan ibn Da’ud): [email protected] Ter Louw (Octavio de Flores): [email protected] Van Stone (Elsbeth Anne Roth): [email protected] Yardley (Geoffrey of Exeter): [email protected]

Page 4: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

ii Pennsic Pile 43

Note from the Editors

Welcome to Pennsic XLIII! There are many opportunities to play for dancers at War. First, all musicians arewelcome to drop in during any open dance time! This includes Tuesday, July 29 through Thursday, July 31starting around 9:00 PM, and after the officially scheduled ball ends on all other nights. Musicians are alsoneeded and welcome to play for the following scheduled balls:

Friday, August 1, 8-10pm: SCA Dance History BallSaturday, August 2, 11am–1pm: Children’s BallSaturday, August 2, 9pm: Dance GamesSunday August 3, 9 pm: Beginners’ BallMonday, August 4, 9 pm: Grand Masked BallTuesday, August 5, 12pm: In Pursuit of PlayfordTuesday, August 5, 7pm: Dancing TeensTuesday, August 5, 9 pm: To Italy and BeyondWednesday, August 6, 11 pm: BrawlfestThursday, August 7, 9pm: Numerological Ball

Additionally, many dance teachers are happy to have musicians play for their classes. Stop by the dance tentand see what’s going on!

Changes for this year’s edition include music for a number of additional Gresley dances and basse dances aswell as the addition of period arrangements for several dances.

Most tunes are marked with a suggested roadmap or number of repeats. However, and we cannot stressthis enough: Reconstructions and preferences vary. Always consult with the dance master fordesired tempo, roadmap, and number of repeats.

Suggested guitar chords have been added and/or reviewed by the editors on most of the 16th and 17th centurytunes. Where for example “Dsus4” is marked, first play a chord (“suspension”) with the notes D/G/A, thenresolve to a D major chord D/F]/A. Where for example “D5” is marked, this indicates an open D chord -just D and A.

For the 15th century dances, a chordal accompaniment is generally not well-suited to the character of themusic. Instead, most tunes have suggested drones marked.

Please let the editors know if you find any mistakes in the music, repeat structure, roadmap or chords. If youare interested in providing arrangements for the Pile or with helping with the task of editing the Pile, pleasecontact us at [email protected].

Yours in service,

Aaron Drummond and Margaret Raynsford19th of June, A.S. XLIX

Page 5: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Pennsic Pile 43 iii

Table of Contents

Basse Dance

La Allemande . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2Amours . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3Danse de Cleves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Cupido . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Lauro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Le Petit Rouen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

15th Century Italian Dances

Amoroso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Anello . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15Belfiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16Chirintana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17Colonesse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19Figlia di Guielmina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Gelosia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22Gratiosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23Leoncello Vecchio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24Marchesana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Mercantia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27Petit Riens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28Pizocara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31Rostiboli Gioioso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32Spero . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34Tesara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36Vercepe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38Vita di Cholino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Voltate in ca Rosina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Dances from the Gresley Manuscript

Grene Gynger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42Ly Bens Distonys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43New Yer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44Oringe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45Rawty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46Roye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Talbott . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Dances from the Inns of Court

Quadran Pavane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50Turkelone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Earl of Essex Measure . . . . . . . . . . . . . . . . . . . . . . . . . . . 52Tinternell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53Old Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54Queen’s Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55Madam Sosilia Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . 57Black Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Lorayne Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60New Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

16th Century Italian Dances

Alegrezza d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Alta Regina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65Bella Gioiosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66Bizzarria d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67La Caccia d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68Candida Luna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69La Castellana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70Chiara Stella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71Chiaranzana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Contentezza d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74Il Conto dell’Orco . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76Contrapasso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Fedelta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78Fiamma d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Ballo del Fiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .80Fulgente Stella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81Furioso All’Italiana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82Gracca Amorosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Maraviglia d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84Ombrosa Valle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85Passo e Mezzo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Rose e Viole . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Spagnoletta (Caroso) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Lo Spagnoletto (Negri) . . . . . . . . . . . . . . . . . . . . . . . . . . 91Villanella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Dances from Arbeau’s Orchesographie

Jouyssance Vous Donneray . . . . . . . . . . . . . . . . . . . . . . 94Bransle Suites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96Bransle de Chevaulx (Horses’) . . . . . . . . . . . . . . . . . . 100Bransle de la Haye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101Bransle Montarde . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102Bransle Official . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103Bransle de Lavandieres (Washerwomen’s) . . . . . . . 104

Page 6: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

iv Pennsic Pile 43

Improvised Dances

Cantiga 119 (Piva) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106Saltarello II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107Saltarello la Regina . . . . . . . . . . . . . . . . . . . . . . . . . . . . .108Canaries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109Courante CLXXXIII . . . . . . . . . . . . . . . . . . . . . . . . . . . 110Courante CXLII . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112Galliard “A Lieta Vita” . . . . . . . . . . . . . . . . . . . . . . . . 113Pavane “Belle Qui Tiens Ma Vie” . . . . . . . . . . . . . . 114Galliard “Can She Excuse” . . . . . . . . . . . . . . . . . . . . . 115Pavane and Galliard “La Dona” . . . . . . . . . . . . . . . . 116Pavane and Galliard “Earl of Salisbury” . . . . . . . . 118The Frog Galliard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Pavane and Galliard “Mille Ducas” . . . . . . . . . . . . . 122Monsieur’s Almain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Galliard “New Yeere’s Gift” . . . . . . . . . . . . . . . . . . . . 126La Volta (Byrd) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128Volte CCX (Praetorius) . . . . . . . . . . . . . . . . . . . . . . . . 130

English Country Dances

Adson’s Sarabande . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132All in a Garden Green . . . . . . . . . . . . . . . . . . . . . . . . . . 133Argeers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .134Black Nag . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135Boatman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136Chestnut, or Dove’s Figary . . . . . . . . . . . . . . . . . . . . . 137Chirping of the Nightingale . . . . . . . . . . . . . . . . . . . . . 138Confesse (his Tune) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139Cuckolds All A Row . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140Daphne (for Hit or Miss) . . . . . . . . . . . . . . . . . . . . . . . 141

Dargason, or Sedany . . . . . . . . . . . . . . . . . . . . . . . . . . . .142Dull Sir John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143Faine I Would if I Could . . . . . . . . . . . . . . . . . . . . . . . .144Fine Companion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .145Gathering Peascods . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146Glory of the West . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147Goddesses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148Grimstock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149Halfe Hannikin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150Hearts’ Ease . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .151Hyde Park . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152If All the World Were Paper . . . . . . . . . . . . . . . . . . . . 153Jenny Pluck Pears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154Lord of Carnarvan’s Jigg . . . . . . . . . . . . . . . . . . . . . . . 155Lull Me Beyond Thee . . . . . . . . . . . . . . . . . . . . . . . . . . 156Mage on a Cree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158Maiden Lane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157Merry Merry Milkmaids . . . . . . . . . . . . . . . . . . . . . . . . 159Millison’s Jigg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160My Lady Cullen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161New Bo Peep, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162Newcastle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163Nonesuch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .164Old Mole . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165Parson’s Farewell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166Picking of Sticks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167Rufty Tufty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168Saint Martins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169Scotch Cap . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170Sellinger’s Round . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171Stingo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172Trenchmore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173Upon a Summer’s Day . . . . . . . . . . . . . . . . . . . . . . . . . 175Whirligig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Page 7: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chapter 1

Basse Danse

Basse danse (or bassadanza in Italian) was popular across Europe in the 15th and early 16th centuries. Oneof the most important sources for basse danse is Ms 9085 in the Bibliotheque Royale, Brussels (c. 1445) Thismanuscript gives only a slow-moving tenor, or cantus firmus, as the melody for most of the dances. Musiciansnormally would have improvised multipart polyphony above the tenor line.

In the Pennsic Pile, the tenor / cantus firmus is marked for each dance. Be sure that this is the most prominentline as the dancers are dancing to it rather than the improvised melody. The exception is Danse de Cleves: inthis dance the given melody appears in the source, so emphasize this line as well as the slower-moving tenorline.

We have notated the basse danses in 6/4 time, and an appropriate tempo would be approximately dottedhalf note = 40-45.

1

Page 8: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

La AllemandePaul Butler

��

��

���

��

� � �

��

��

��

���

��

��

��

���

���

Basse Danse Tenor (?)

���

����

8

� ��� 46�� �

�� 46�� ��

� 46���

���

�����

��

��

��

� � �

��

��

��

����

��

���

��

���

��

��

��

�8

5

� �

� � �

��

��

��

��

���

��

���

��

��

�� �

��

���

��

� � �

��

��

� �

��

��

� �

��

��

��

�� �

��

���

��

�8

10

� �

� �� �

��

��

��

���

���

����

� ��

��

���

��

��

�� �

���

���

��

���

��

�8

��

��15�

���

����

��

���

��

����

������

��

��

���

��

��

���

����

� �

�8

��

��19�

��

��

���

���

���

��

���

��

� �

��

© Paul Butler, SCA Arden of IcombePermission granted to use this work for any purpose with attribution.

2 Pennsic Pile 43

Page 9: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

AmoursPaul Butler

��

��

��

����

��

��

��

��

���

� ���

��

���

��

��

��

��

���

�Basse Danse Tenor (?)

��

��

����

8

� �

�� 46�� ��� 46�� ��

� 46����

����

��

��

��

��

��

��

��

�����

��

��

��

����

���

��

��� �

��

��

���

� ��

��

��

�8

5

� �

� �����

��

����

� ���

��

����

��

���

��

�� �

����

���

��

��

��

��

��

��

��

��

��

��

��

��

���

��

�8

��

��10�

���

��

��

��

��

��

��

������

���

���

��

��

� �

���

��

���

����

��

�8

��

��15�

��

��

�� � �

��

��

� �

� �

���

© Paul Butler, SCA Arden of IcombePermission granted to use this work for any purpose with attribution.

Pennsic Pile 43 3

Page 10: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Danse de Clevesarr. David YardleyBrussels MS 9085, 15th C.

��

��

��

����

��

�A�

� �

46������

� 46�8

�� 46��

� ��� ���

��

� �

Melody

��

� �

���

��

����

��

���

���

� �

��

����

��� �

����

�8

����

4�

� ��

��

� �

��

��

���

B

��

���

� � ���

��

���

��

���

�������

����

�� ��

����

� �

�� ��

��

�8

� �

����

��8 �

��

�� �

��� �

��

����

��

��

�� �C

���

��

��

��

��

���

8

����

11D�

���

���

������ ��� ��

����

���

���

��

���

���

��

��

���

��

����

© David Yardley, SCA Geoffrey of Exeter

4 Pennsic Pile 43

Page 11: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

��

���

��

���

��

���

8

����

15E�

����

��

��

��

� �

��

��

� �

��

��

��

��

��

��

� ���

� ��

� ��

��

��

��

�� �

��

���

���

8

����

19F

� �

��

���

��

���

� �

���

��

��

� ���

��

�����

��

��

��

��

��

��

��

����

�� ��

� �

��

��

��

� ���

����

� �

���

��

��

����

��23

G

� ��

��

���

�8

��

��

���� �

��

���

��

���

��

Free for non-profit use.

Pennsic Pile 43 5

Page 12: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

6 Pennsic Pile 43

Page 13: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Cupidoarr. Jay Ter LouwTenor: Canzon di Pifari, Cornazano, c. 1465 � � �

��

��������

�����

��

� ��� �

�46

46����

��

8

�� 46 �

� �

�����

� ��

�Basse Danse Tenor� ��

� ���� � �

�����

���

��

��

�� �����

�� �� �

� �

��

���

8

���

4

�����

� �

���

��

���� �� �

��

�����

��� �� ���

���

��

� ������

���� ��

��

���

����

8 ����

��8�

� �����

� � ���

�����

�� ��

� ���

��

�����

���

����

����� ��

��

����� ��

� �� �

� ���

�� �� �

����

8

��12�

� ������ �����

������ ���

� ��

���

��� � �����

���

������

��� �

�����

��

��

� �

��������� ���

����

8

���

16 �

���� ��� ��

�� ���

��

�����

� �����

�����

��

�����

���

� ����� ��� �

��

���

���

8

��20

��

� ���

� �

�� �

��

�� � �

� ���

���

��

��

��� ����

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

Pennsic Pile 43 7

Page 14: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

LauroPaul ButlerTwo times through

���

��

��

��

�G

��

��

��

� 46

� 46�

��

�� 46

8

�� 46�

� �

��

���

���

���

��

Basse Danse Tenor (?)��

�Am �����

���

���

�C

��

� �

���

�C

��

�� �

���

�8���

4�

� ���

��

���

��

��

� �

��

�Am

G

���

�C

���� �

� �

���

�G

���

������

G�

��

���

��

�� �

��

���

�8���

8 ��

� �

��

����

���

���

����

��

�B �

���

�� �

���

���

���

�Dm �

���

�� �

���Am

��

��

��

����

© Paul Butler, SCA Arden of Icombe

8 Pennsic Pile 43

Page 15: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

� ���

Dm�

���

� �

��

��

��

����

�8�

�12�

���

��

��

��

���

���

��

�G

��

���

�Dm �

���

���

��

���

�Dm

� �

���

��

����

��

���

���

�Dm��

���

B �

��

��

�8����

16 ��

��

��

���

���

� �

���

�B � ��

���

���

��

� �

��

��

��� �

��

�G

������

��

���G

��

��

�C�

��

���

8����

20�

���

���

���

��

� �

��

�Am

����

�C � ���

��

��

��

�G

��

���

�C��

���

Permission granted to use this work for any purpose with attribution.

Pennsic Pile 43 9

Page 16: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Le Petit RouenPaul Butler

����

����

��

����

��

���

��

�� �

���

����

��

Basse Danse Tenor (?)

������

�� 46� �

�� 46� �

� �� 468

� �

� ��

���

�����

� ��

��

��

��

����

��

��� ���

��

��

��

� ��

��

��

��

��

��

���

8

���

4�

��

��� �

�����

���

��

��

���

��

��

��

�� �

��� ��

��

���

���

��

��

��

��

8

���

8�

��

��

��

��

���

��

���

��

���

����

��

�����

��

��

����

��

���

��

8

���

12�

���

���

��

��

�� �

��

�� ���

��

���

��

���

���

� �

��

���

���

��

8

���

16�

��

����

�� �

��

��

��

���

© Paul Butler, SCA Arden of Icombe

10 Pennsic Pile 43

Page 17: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

��

���

���

� ����

����

����

�����

��

���

8

���

20�

��

��

���

��

����

��

��

����

��

����

� �

�����

����

���

��

��

��

��

��

��

��

��

8

���

24�

���

���

��

��

���

� �� ��

���

���

���

���

��

��

� ��

��

��

��

8

���

28�

���

���

���

��

��

����

��

��

����

��

��

��

��

�� �

������ ����

��

���

��

��

��

���

��

����

8

���

32�

�����

��

��

���

����

��

���

������

���

���

���

��

��

��

��

��

��

��

��

��

��

��

���

��

��

���

���

8

���

37�

�����

��

���

���

����

��� �

��

Permission granted to use this work for any purpose with attribution.

Pennsic Pile 43 11

Page 18: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

12 Pennsic Pile 43

Page 19: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chapter 2

15th Century Italian Dances

The primary sources for 15th Century Italian dance are manuscripts from the mid- to late 15th centurycontaining dances by (among others) the dancing masters Domenico da Piacenza (c. 1400-1470) and hisstudent Guglielmo Ebreo (c. 1420-1848) (also known as Giovanni Ambrosio after his conversion from Judaismto Catholocism).

15th century Italian dance is somewhat unusual in that dances often change between “tempi”. These aremarked in each dance. Additionally, the melody is not always the top line. Each piece has marked which lineis the melody, and in bassadanza sections the tenor or cantus firmus is marked as the “melody”. Be sure toemphasize these lines when playing the dances.

The various tempi are transcribed as:

• Bassadanza: 6/4

• Quadernaria: 4/4

• Saltarello: 6/8 or occassionally 3/4

• Piva: 2/4 or 6/8

As a rough guide for tempo, keeping a constant tempo of approximately quarter note = 120 (or dotted quarter= 120 for 6/8 piva sections) regardless of the various tempi should work for many of the dances.

(See Joy and Jealousy by Vivian Stephens and Monica Cellio for additional information; it is available onlineat http://sca.uwaterloo.ca/~praetzel/Joy-J-book/).

13

Page 20: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

AmorosoGuglielmo Ebreo da Pesaro, c. 1475 (PnA) arr. Monica CellioOne dance: AAA BB CC DD. Play: Two dances.Drone: D/A

�� ���� ���� ��

����

� ����

��

���

��

���

���

���

(3)

B

�����

��

��

�� �8

� �

�� ��

APiva; Melody

��

� �� �

8

� � �

����

���

��

�� �

�� ��

�� ��

�� ��

�����

��

� �

� �� C�

��� �

��

�� ����

���

��

��

8

�8

��

6�

� �

���

�42 �

���

42 �42

�� ���� ���� �� �

��

���

���

��

��

��

��

��

���

���

��

42 �42 �42 �

��

��

8

�8

��

11�

� �

���

��

��

� ��

D

��

������

�� �

����

� �

���

42 �

42 �42

���� �

��

���

�����

8

�8

��

17�

���

���

�� �

���

���

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

14 Pennsic Pile 43

Page 21: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Anelloarr. Monica CellioDomenico da Piacenza, c. 1425-1450 (PnD)

One dance: once through. Play: two dances.Drone: F/C

��

��

��

������ �� �

��

��

8

�� ��� �

A

�� �8

�� �

��

Quadernaria; Melody� �

�������

�(3)�

��

��

��

����

���� ��

���

��

�8

� ��

��

8

��5 B

��

����

��

��� ��

���

��� �

��

��

��

������

������

��

������

� �

��

��

��

��

�8

�8

��8�

C

��

��

��

��

��

��

�� �

��

��

��D

42 �42 �42

��

��

��

���

��

��

��

��

�8

�8

� �14

E

�� �

���

� �����

�� �� ���

��

��� � �

�� ��

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 15

Page 22: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Belfiorefor three

arr. Monica CellioDomenico da Piacenza, c. 1425-1450 (PnD)One dance: AAA BBB CCC DDD EEE F. Play: 3 dances.Drone: G/D

����

����

������

����

(3)

B� ����

��

��

���

424242

�� �

��

(3)���

� �

8

�� ��8

��� ����

��

��

�� �

Quadernaria; Melody

��

A

��

���

��

��

� �

��� �

��

������ ��������

��

�� ����

������

����

����

���

��

�� �

��

��

��

8

�8

��6

424242

����

��

(3)�

�����(3)

� �

� �� D �� �

���

� �C �

��

� �

��

� �

� �

(3)

8686�

86E

��

Piva

� �

�� ���

��

��

��

���

��

��

8

�8

��11�

��

� �

��

���

��

��

��

��

��

��

F��

���

��

��

��

��

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

16 Pennsic Pile 43

Page 23: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

ChirintanaT'Andernaken / Laet Ons Mit Hartzen

Emma Badowski, based on anonymous 15th C. Dutch melodiesAABB; repeat C until doneDrone: D/A

�� ��

�� ��

�� ��

����

��

����

����� �

��

��

��

�B

���

���

��

���

��� �

��

��

8

� �

�� �� �

��

�Quadernaria

� �� �

���

A

� �

��

��

��

���

� ���

��

��

��

�������

��

��

��

���

��

���

��

1. 3

868686

���

��

�����

���

���

��

��

8

���

7 2.�

���

��� �

��

��

���

����

��

� �����

��

���

���

��

��

���

����

��

����

��

���

��

�������

�� �

� ��

�� ��

�� �

��

��

������

��

�8

�Piva

��

86

86

86

C12

�� �

��� ��

��

� �

���

�� �

���

���

���

��

� �

�����

���� �

��

����

��

� �����

���

� ��

��

���

��� �

��� �

�� �

��

�����

��� ��

��

�� �

8

��

�����

��

���

��� �

� ����

��

��

� �

��

��

�����

� �������

���

19

���

��

������

� ���

�����

��

��

���

��

����

��

���

����

��

1.

���

���

���

��

��

�� �

����

��� �

�� �

����

���

8

��

2.27

�� �

����

��

���

��

�� �

��

��� �

��

��

��

�� �

��

��

��

© Emma Badowski, SCA Margaret RaynsfordPermission granted for non-commercial use with attribution (CC BY-NC-SA 3.0)

Pennsic Pile 43 17

Page 24: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

18 Pennsic Pile 43

Page 25: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Colonessearr. Monica CellioGuglielmo Ebreo da Pesaro, 1463 (PnG)

One dance: AAAA BBB CC D. Play: two dancesDrone: F/C

����

���

��

� �

��

��

��

���

A

�� 86�8

�4.�

��

��

���

86�8

�� 86

��

��

���

��

� �

�Melody

Saltarello

��

��

��

��

� �

1.--3.

��

����

���

����

��

��

��

���

�� ��8

�8

���

����

6

��

��

��

B

46�

46 �46

Bassadanza��

��

���

���

� ���

���

���

���

����

��

(3)�

� ���

��

��

���

424242

� � � �

���

8

�8

��

�9

���

��

���

���

���

���

��

���

��

��

���

����

��

����

��

����� ��

����

��

����

�8

�8

��12 C

424242

� �� ��

��

���

��

��

��

�Piva�

���

��

D

� � Quadernaria���

���

��

� ��� �

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 19

Page 26: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Figlia di Guielminaarr. Al CofrinDomenico da Piacenza, c. 1425-1450 (PnD)

AABCDE x 2Drone: D/A

� �

���

� ��

��

������ �

A

�� �

� ��

��

��

�� ���

8

�� ���� �

���

���

��

Melody

Quadernaria�� �

��

��

��

��

��

��

� ��

��

����

C

�� �

������

8

���5�

����� ���

����

46

B

46��

46Bassadanza

��

��� �

���

�� ��

��

���

����

���

���

�����

�����

8

���9�

���

� �

��

���

��

��� � ���

��

��� ���

�� �

��� ��

��

�����

��

����

�� D

�� ��

Quadrenaria

��

8 ������

���13�

� �

��

� ���

��

��

��

���

���

���

�����

���� ��

����

�� ����

© Al Cofrin, SCA Avatar

20 Pennsic Pile 43

Page 27: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

���

��

���

���

��

�� �

���

17

868686

� �����

8

��

���

���

����

���

���

��

��

��

���

��

��

� ��

���

����

���

�������

�����

��

������

����

� ��

��

��

��

���

����

��� �

�����

21E

868686

��

Piva���� �

�����

8

���

���

��

��� ��

��

����

����

� ���

� ��

�����

��

���

����

��

�����

8

��

26

��

���

� �������

���

���

���

����

���

����

����

������� �

���

Freely distributable within the SCA.

Pennsic Pile 43 21

Page 28: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

GelosiaLongways for 3 couples

arr. Monica CellioDomenico da Piacenza, c. 1425-1450 (PnD)One dance: AAA B CC D EE FFF GG. Play: 3 dances.Drone: G/D

��

��

��

����

� ��

����

���

��

A

�� ��

� ���

���

��� ��

8

�� ���

��

� ��� �

Quadernaria; Melody��

����

(3)

����

�B�

���

��

����� �

���� ��

����

��

���

��

D

����

��

8

����

��5 C�

� ��

��

��

���

���� �

�� �

��

�����

��

��

���

��

��

��

����

����

��

��

��������

����

����

����

��

�� ���� ��

� ���

G�

���

���

8

��9 E

����

� ���

��

���

��

���

��

������

���

� �

(3)

42 �4242 ���

��

� F

��

��

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

22 Pennsic Pile 43

Page 29: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Gratiosaarr. Monica CellioGuglielmo Ebreo da Pesaro, 1463 (PnG)

Drone: G/D

������������

��

��

���

��

�� �

BA

�� �8

��

�� ��

� �8

�� ��

��

������

Quadernaria; Melody

��

��

���� �

���

�� � �

��

����

����

����� �

��

��� �

��

��

���

8

�8

���

����� �7

����

�� �

����

��

��

��C

46Melody�

46 �46

Bassadanza

� �

��

��

����

����

���

��

���

��

8

�8

�11�

� �

� 424242

���

����

��

���� ��

��

� ����

����

��

� ��

��������

����������

���

� � �

����

�� � �

8

�8 �

���

��� ���

15 D

424242

��

� ���

Piva; Melody

�� �� �

����

���

��

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 23

Page 30: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Leoncelloarr. Monica CellioDomenico da Piacenza, c. 1425-1450 (PnD)

Ax5 BB CC D E FDrone: F/C

����

��������

����

����

����

��

C

��

���

� ���

��

�8

8

� ���

�� ���

� � ����

��

� �

���

��

��

��

��

��

��

��

�A

�Melody

�Quadernaria

� � �

��

��

��

��

� ��

(5)��

�B

� �

��

��

��

��

��

��

��

��

� �

�8

�8

��7 ��

�� �

��

��

��

��

��

46 �46 �46

D

���

��

��

���

��

�Bassadanza�

��

��

���

���

��

���

��

�8

�8

�12 ��

���

����

���

� �

��

���

��

��

��

��� �

E

� �

��

� �

����

��

��

��

���

�F Quadernaria�

��

��

���

��

�� ��

��

� �����

17

� �

8

�8

� �

���

� ���

���

���

��� ��

�� �� �

��

�� �

� �

�� �

���

��

�����

�� �

��

��

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

24 Pennsic Pile 43

Page 31: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Marchesanaarr. Monica CellioDomenico da Piacenza, c. 1425-1450 (PnD)

Drone: F/C

�� ��

����

�� ��

B���

� �

��

���

���

��� �8

�� ��

8

��

� �

��

����

���

��

��

Quadernaria; Melody��

�A� �

��

��

��

�� (3)

��

��

��

��� ��

��

��

����

��

��

�8

�8

��6�

���

� ��

� ��

�46�

46C Bassadanza

��

��

�46Melody

�� ��

��

��

�� �

���

��

��

� ��

���

��

��

���

� ���

���

� �

���

�8

�8

��10�

���

��

��

��

�� �

��� �

��

��

� �

��

�� �

��

��

�� ���

��

���

����� ���

��

���

8

�8

��14�

����

����

��

��

��

��

� �

��

�� �

���

� ��

��

��� �

���

�� �

�� �

��

��

�� ��

��

������

��

���

������

��

�����

�8

�8

�18

� �

��

� �

�����

� ��

��

��

��

��

��

����

Quadernaria; Melody��

��

��

���

� �

� �� D�

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 25

Page 32: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

26 Pennsic Pile 43

Page 33: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Mercantiaarr. Monica CellioDomenico da Piacenza, c. 1425-1450 (PnD)

Drone: F/C

������

���

�����

����

���

���

��

���

��

� � 86��

A

� � 86��

�8

� 86�

���

��

��� �

���

��

���

��

���

��� �

��

���

��� �

��Saltarello; Melody

���

��

����

� ��

���

���

��

���

� �

���

��

��

����

�� �

��

��

��

����

���

��

���

8

���

8

��

����

��

� �

�C

4646

Melody�46

Bassadanza

���

���

��� B

� �� �� Quadernaria

�� �

���

���

���

���

���

���

���

���

������

����

��

����

�� ����

���

���

8

��

16

��

���� �

����

�����

� �

�����

��

�� ����

��

���

D�

���

��

���

���

� �

��

��

����

���

���

��

��

����

���

���

��

���

8

��

22 1.�

� �

G

� �� �� Quadernaria

�� � �

����

��

2.�

��

��

��

� �� �

����

�F

46 �46 �46 �

����

43�

E

43 43

Melody�

��

��

��

� �

� ��

��

� ���

���

8

��28

� ��

�� ��

���

��H

43 43 43 ��

��

���

���

��

�� �

���

���

� �

��

J

46 �46

Melody�46

Bassadanza� ���

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 27

Page 34: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Petit Riensfor three

Guglielmo Ebreo da Pesaro, c. 1475 (PnA) arr. Monica CellioOne dance: AAB; play 3 dancesDrone: G/D

q

qq

qq

q�

qq

q�

q

q

q�

q qq

q

�q

q

q�

q

qq

q

q

q

���

qq

��

q qq

q�

qq

q

q

qq

q

q

��

qq

q

q

q

qq

q��

qq�

8

86q�q

q�8

86

qPiva; Melody

� 86qq q q

q

qqq

A

�q

q

qq �

q

q

q� q

qq

��

qq

q

qq

q

��

q

qq

��

��

�� qq�q

��qq

q�

��

q

qq�q

q

�q

qq

��qq

��qq

q

q

q�q

�q

qq

qqq

�qq

q

��

��

q

qq

�qq

q

8

�8

��

7�

q

qqq

q�q

q

qq�q

��

q

qq

B

�q

qq�

q

q

q�

q

q qqq

q

q

qq

q

�q

q

qqq

q

q

q

q

�qqq

q

q�qqq

q

q

q

q

qq

q

qq�

q

q �

qq��

qq

q�

q

q

q �8

qq

q �

14

��

8

��

qqq��

qq

q

qqq

q

q

q

qqq

q

q

��

�qq

��

q

qq

��

q

q

q

�q

q

q

q�

q�

q

qq

q

q

q

q

q

q

q

� q

q

q�

q q

qq

��

��

q qq

q

�q

qq

� q

q

q

�q

q���

qq

q

q

� �

q

q

q

� q qq

q

�8

q

q

q

21

��

8

q�

q� q

q

q �

q

q�

q

q

q

q q

q

q

�q

q

q

q�

� q �

qq

© Monica Cellio, SCA She�erah bat Shlomo

28 Pennsic Pile 43

Page 35: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

qqq

q

�qq

q�

��

qq

q

q

qq

qqqq

q

q

qq

q

qq��

qq

� q

��

qq��

q

��

qq

q

q

q �

qq

qq

q

q

q

qq

��q��

q

q

q8

q

qq

���

28

��

8

qq

q

��

��

qq

q�

q

q

qq

q

qq

q

�q�

��

q

qq

� qq

q

qq

q

q

q

q

�q�

q

qq

qq

q

� �

q

q

��

q q

q

q

qqq

q

q

q

��

qqq

q

q

q

q

��

��

q

qq

qq

q

�q q

qq

q�8

q

q

q

35

��

8

q

q

q

qqq

q

q

q�

q � �

q

q�

��

q

q

q

q

q

q

q

qq

q

q

�q

Non-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 29

Page 36: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

30 Pennsic Pile 43

Page 37: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

PizocaraDomenico da Piacenza, c. 1425-1450 (PnD) arr. Monica Cellio

��

��

��

�� ��

�� ��

�� �� ��

��

��

��

��

��

� �B

(3)

��� �

�C46�46�

46

(4)

��Bassadanza

����

� ���

��

���

��

���

���

���

���

��

�8

� 86��

�Melody

�8

� 86�

�A

� � 86��

��Piva

��� �

��

��

��

� ��

��

��

���

��

���

��

����

�������� �

��

���

��

� ����

���

���� ���

��

� �

(3)

��

��

D�

� �

��

� ��

�8

�8

��8�

�����

���

��

����

���

����

��

���

����

�����

��� �

��

��

��

� �

����

������

�Saltarello

��

���

� ����

�8

��

��

14

� �

�8

� ��E

86�86�86�

� ��� �

���

� �

� �

��

��

��

������

��������

�����

���

����

���

���

��

�� �

��

���

���

��

���

�� �

��

(3)

��

����

���

��

��

���

���

���

��

���

���

��

22

� �

�8

�8

��

� ����

��

��Piva

���

��

��

��

��

�F

��

��

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 31

Page 38: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Rostiboli Gioiosoarr. Aaron PavaoGuglielmo Ebreo da Pesaro, 1463 (PnG)

One dance: AA BB CC DD. Play: two dances.

����

��

��

����

��

���

��

��

�� 46��� 46

���

8

�� 468

� �� 468

� �

���������

���

Intro�

�������� �

��

� �

���

��

� ��

A

��

Bassadanza; Melody�

��

����

��

��

��

� �

��

�8�

8

�8

�6

��

����

���

���

���

�� ��

���

� ��

���

��

���

��

�� �

����

������

����

����

��������

��

��

����

��

���

���

�8�

8

�8

�11�

��

��

��

���

� �� �

���

��

���

���

�������B

���

���

��

��

����

��

� ��

���

15

�8

8

�8

��

� �

��

���

���

��

��

��

��

��

��

� ���

��

��

��

��

� �

���

���

�© Aaron Pavao, SCA John Chandler

32 Pennsic Pile 43

Page 39: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

����

��������

����

��

��

���

��

���

���

���

19

�8

�8

��

���

�8�

��

� �

���

���

��

��

��

��� �� �

��

���

�� �

���

��

��

���

Salterello

86�86�86�

86

C

���

� �

���

��

����

��

��

��

����

����

���

��

��

D

Piva

���

�2.

���

� �

���

�� ����

���

25

���

8

��

�8

�8

���

� �

���

��

����

� ���

� �

���

� �

���

���

���

���

���

��

� ��1.

���

���

������

���

��

���

��

��

�����

��

���

1.�

��

���

��

��

32

�8

�8

���

���

2.

8�

��

���

����

� ��

���

���

��

���

���

� �

���

���

���

���

���

���

���

� �

��

���

Permission granted to photocopy for use during creative anachronism.

Pennsic Pile 43 33

Page 40: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Speroarr. Monica CellioGuglielmo Ebreo da Pesaro, 1463 (PnG)

AABBCDEF X2Drone: F/C

����

��������

B ���

�� �

�� �

��

��

A

�� 86�

�8

���

��

���

�� 86�

8

�� 86��

��

�� �

��

��

��

��

Piva; Melody

����� �

��

��

���

��

��

����

���

���

��

��

��

��

��

���

���

��

���

���

��

� 868686

�8

�8

���

6�

� �

��

��

��

��

����

��

��� �

���

����

��

C

� Quadernaria�

��

��

��

��

��

����

���

���

��

��

8

464646

��

�8

���

11�

D

868686

��

���

��

��

��

��

��

�Saltarello� ���

��

���

��

���

���

��

��

����

��

��

���

���

��

���

��

��

�8

�8

��17

E

464646

��

��

���

��

��

��

��

� �Melody

��

Bassadanza

��

�� �

����

��

��

© Monica Cellio, SCA She�erah bat Shlomo

34 Pennsic Pile 43

Page 41: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

� �

��

�� �

� ��

��21

�8

����

� �8

� �

��

��

868686

��

���

��

��

��

��

��

��

�� ��

��� �

��

����

��

� �

���

���

�� �

�� ���

� �

����

�� �

��

����

Piva; Melody

� ��

86�

��

��

���� �

���

�8

�8

���

25F

8686

��

�����

��

���

�����

�8

�8

����

31�

����

��

����

�� �

��

��

��

�� ��

� �

��������

� �

�����

��

����

��

��

��

� �

Non-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 35

Page 42: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Tesara

arr. Monica CellioDomenico da Piacenza, c. 1425-1450 (PnD)Drone: G/D

����

����

��������

�� �

��

�� ��

��

�Piva

B

��

�� ��

��

��

��

8

86��

� 86����

� ��8

86�

A

��

��

� �

��

��

��

��

���

���

� �

��

��

�� �

�Saltarello; Melody

��

�� �

�� �

��

� �

���

� � ��

���

� �

��

��

��

���

��

���

����

� �

��

��

�� �

���

9

��

��

�8

�8

���

��

��

���

� ��

��

��

��

��

��

����

��� �

��

���

���

��

� �

�� �� �

��

��

�����

����

������ ��

��

��

���

����

��

� ��

���

8

��

17 ��

��

�8

� � �

��

��� ��

� �

C

��

���

���� ��

��

� �

��

��

��

� (4)

���

� ��

��

���

����

��

���

������

��

�� �

��

��

��

� �

����

� ���

��

��

�� �

25

��

��

��

�8

�8

�� �� �

�� �

�� ��

��

��

���� ��

� �

�� ��

��

��

��

���

� (4)��

���

��

��

��

��

��� ��

���

© Monica Cellio, SCA She�erah bat Shlomo

36 Pennsic Pile 43

Page 43: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

����������

�� ����

��

� �

��

��� �

E

�Piva�

��

���

���

��

��

��D

34

�� �

�����

�8

�8

���

����

��

��

���

��

��

��

���

Saltarello

���

��

� �

� ��

�� �

��

���

��

���

���� ��

�� ����

���

���� �

��

��

��

��

���

��

� �

42

��

8

��

���

�8

���

����

��

�� �

�G

Saltarello���

��

��

��

��

F

(4)

� �

��

��

���

�����

��

��

��

��

�����

��

���

��

��

����

� ��

��

��

��

��

� � �

��

��50

�� �

8

�8

��

���

��

��

���� �

��

��

� ��

��

��

��� �

��

� ��

��

����

�H

� (4)��

� �

��

����

Non-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 37

Page 44: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Verçepe

arr. Monica CellioDomenico da Piacenza, c. 1425-1450 (PnD)Play once throughDrone: D/A

��������

��

�� � �

�� ��

��

����

��

��� ��

���

���

����

��

A

868

�� 868

��

� 464646��

��

��

� 86�

��

��

��

��

��

��

� ���Saltarello; Melody

����

��

���

���� �

�����

��

��

��

����

4646 �46 �� 43

��43

43��

�8

�8

��

9 B

4646

46� �

� � �

��

��

���

Bassadanza

��

��

��

� �

���

��

��

��

����

����

����������

42 �42 �42�

��

��

8

�8

��

14

����

86�

D

86 �86 �

Saltarello� ��

��

��

��

����

��

� � ��

��

��

�����

Quadernaria

��

� �

��

�C

������ �

� �

� �

���

�8

��

20 ������

�8

��

��

86 �86 �86

Saltarello

��

��

��

��

�� �

��

��

��

����

E

46 �

46 �46

Bassadanza�

��

��

� �

���

�� �

���� ������

�������� �

� �

������

���� � � ��

8

�8

��

28

��

� �

��� ����

��

��

���

���

���

��

F

� Quadernaria�

��

�� �

��

���

��

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

38 Pennsic Pile 43

Page 45: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Vita di Cholinofor a lord between 2 ladies

arr. Monica Celliomodified by V. Stephens from "La Vida de Culin"One dance: 5 times through. Play: two dances.

����

�� ���F

��

���

�����

�� ��

�� �

�8

���

�� ��C

���Dm

��F

���

��

Melody

�C

���C

�� ��

����

������

��

��

���

���C

��

1.--4.

���G

����Dm

�8�

8 5.�

����G

���C

���C

���GC

����

����

C

���G

��

����

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 39

Page 46: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Voltate in Ça RosinaGuglielmo Ebreo da Pesaro, c. 1475 (PnA) arr. Monica CellioOne dance: AAA BB or AAA BBBB. Play: two dancesDrone: A/E

q�

q q

qq

�qqqq

��

q

qq

�qqq

q

qqq

qqQuadernaria; Melodyq

qqqq �

8

� �qq ��

Aq�

� qq �8

� � �

�qq

qqqqqqq

��

��

���� ���� ���� �� �

�q

q

qqqqq

q

qqqq q qq

q �

��q

q

q

(4 or 2)qq

q

qq

q

q qq

q

��

qq

q�8

q�

7

��

8

q q�

q q

q

q

qq

q

q

q�

�42

(3) qB q42

�42

qPiva

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

40 Pennsic Pile 43

Page 47: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chapter 3

Dances from the Gresley Manuscript

The Gresley manuscript dates to the late 15th or early 16th century and was re-discovered in Derbyshire,England. It contains choreography for 26 dances and music for 13. Of the few dances included here, Ly BensDistonys and Talbott have both choreography and music in the manuscript, while Grene Gynger and NewYer appear here with music composed by Master Martin Bildner.

The dances are all transcribed in a lively 6/8 time; a tempo of dotted quarter = 115-120 should work well.Watch out for sections where the dance goes to more of a 3/4 feel – be sure to keep the measure the samelength.

41

Page 48: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Greene Gyngerarr. Dennis R. Sherman Richard SchweitzerOne dance: AABCCDDE

��

��

���

� �

�B

��

��

����

��

��

��

��

���

� ��

��

��

��

�������

��

��

�� 86�� �

�� 86�� Drone: G/D��

A

�� 86�

8

� � ��

��

��

��

� ���

���

����

�� ����

�� ��

�� �� ��

��

����

��

D

��

� �

��

���

����

��

� �

��

�����

��

��

���

��8

��

��7�

��

��

� ���

�� �

��

C

��

� �

������

�� �

��

��

���

��

��

��

��

���

��

��

��

�8

��

��13�

���

��

��

��

��

��

�E

��

© Richard Schweitzer and Dennis R. ShermanPermission granted for not-for-profit copy and performance. (CC BY-NC-SA 3.0)

42 Pennsic Pile 43

Page 49: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Ly Bens Distonysarr. Kathy Van StoneGresley Manuscript, c. 1500

ABBC or ABC

��

D

����

��

�C��

���

��

�G

� �

B

��

�GA

�� 86�8

��

��

�D

�86��

�� 86��

��

��

����DC

����D

� �

���

��

���

�G

���

���

�� �

��

�C

��

���

� ��

�G

��

��

D

��

��

��

������

��

�D

� ���

Repeat B for 'long' version�C

����

8

��

��7�

��

�G

��

��

��

�C

��

D

��

���

�� �

��

�G

���

�D

���

��

��

�C

����

G

��

�D

����

��

�C

���D

��

���

��

�8

� �

�G

��

C

��

��13 �

� D

���

��

���

�� �

��

���

�G

D

���

����

��

G

��

��

��

�C

� �

© Kathy Van Stone, SCA Elsbeth Anne RothPermission granted to distribute within the SCA without alterations.

Pennsic Pile 43 43

Page 50: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

New Yer

for ThreeRichard SchweitzerOne dance: AA BBB CCC DDD E

�������� � � �� �

B

���(2)�� ��

86��� � � (3)�ADrone G/D

� �� � � �� �� � ���

���� ���� �� ��C

���D(3)

� � �� ���E � � ��� �

7

� ��

(3)

Permission granted to copy within the SCA.

44 Pennsic Pile 43

Page 51: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Oringefor Three

Gresley Manuscript, c. 1500 Richard SchweitzerAA BBB CCC D E

��� ���� ����� ������ ���������� ���� 86��Drone: F/CA� � �� � � � ��� ��

���� ���� ������ �� �������� ��� ��

B

���9 ����� �� ���� � �� �

���� � ���� ����� � � �� �E �����

D

�� (3)�(3)17

� � �C� ���� � � � � � ��� � �

Permission granted to copy within the SCA.

Pennsic Pile 43 45

Page 52: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Rawtyfor Two

Gresley Manuscript, c. 1500 Richard SchweitzerAABC

���� ���� �� � � � �� � ��� � �

B

� �� � ���Drone F/C� � 86��

A�

��� �� � � �

�� � � ��� � �� � � ��� � � �� �� �8

� � � �� � � � �� � �

� � ��� � �� ��� � � � �� �� �C15

� � � �� � �� ��� � �

Permission granted to copy within the SCA.

46 Pennsic Pile 43

Page 53: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Roye

for ThreeGresley Manuscript, c. 1500 Richard SchweitzerAA BBB CCCC DDD

�� �� ���B

��� �� � � � � �� � � ��� � �� ��ADrone: F/C

� � 86�� � � � ����� �� ���� � �� ��� � � (3)

�� � �� � ��� �(3)7

� � �C� � � �D(4)

��� ���

Permission granted to copy within the SCA.

Pennsic Pile 43 47

Page 54: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

TalbottGresley Manuscript, c. 1500Drone: F/C

��� ��� �� � �� �A� ��� 86�

� ��� � � ���� � � �� �� ����� �� ��� � ���Intro?

��� � � �43 �

B

�(3) ��

9 � � ��� �� � � � �� � � � �C

� � �� � � �

�89 � �� � � � ��19 � � � � �86 ��� � �� ��� � � �� � �� �� �

48 Pennsic Pile 43

Page 55: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chapter 4

Dances from the Inns of Court

The dances in this section are from the Inns of Court: professional associations for English barristers datingto the 15th century. There are several known manuscripts dating from the mid-16th to mid-17th centuryinformally describing these dances, eight of which are believed to have been performed in a fixed order at thebeginning of revels at the Inns of Court. We have preserved that order (for Quadran Pavane through BlackAlman) to facilitate dancing the entire suite, also known as “The Old Measures”.

Tempos vary wildly, so check with the dancing master for their preference. Reconstructions vary as well, socheck for the desired roadmaps especially for the more unusual ones such as Turkelone and Tinternell. Wehave included suggested numbers of repeats when playing all 8 Old Measures as a suite, but you may wantto play more times through the dance if playing just one of the dances.

49

Page 56: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Quadran Pavanearr. Kristina PereyraMelody from R.C.M. Ms. 1119

Play once through.

��

� C��

�� �� G

���

��Gsus4

��

��

��

��

��

���

�8

� ���� � ���

� �� ���

�8

� �

D

��

� � D��

��

� �Am��

��

Am��

��

G�

���

�� ��

G

� ��

��

���

�� �

�� ���

�� ��

� C��

� �

� C��

��

Gsus4

��

��

��

� ��D

��

��

��

Em

��

��

��

��D

A

��

D

��

��

Am��

��

��� ��

��

9

� �

�8

�8

��

� �

G

Am

��

��

��

D

��

� � ��

��

��

��

��

� �� �G��

��

��

Em

��

��

G��

���

�� � ��

��

��

���

��

��

���

��

D

��

���

�� �

� � Am��

��

��

� �

���

C�

���

� �

��

Gsus4

��

��

� �17

��

8

�8

D��

��

� �

C � G��

Am��

�� � ��

��

� G��

� �

� �C

��

��

��

G��

��

� D

��

��

� C��

��

� ��

��

�Gsus4

��

��

��

��

��

� ��D

��

Em

��

��

��

D

��

G��

� � ����

� ��

�C�

8

25

� �

� �

�8

�� �

��

G��

��

��

��

��

D

��

��

� �D C

��

��

��

��G�

��

��

��

��

��

��

�� �G

��

�G

��

���

Dsus4

��

50 Pennsic Pile 43

Page 57: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Turkelonearr. Monique RioWilloughby Lute Book, c.1585

AA BB CC D x 4

��

��

��

�����

��

��

��F �

��

��B �

��

A

�� 46����

� ��

��F�

�46�8

�� 46�8

��� 46��

���

��

���Gm

���

��

�D

��

��

��

��

��

��B �

����D

��

��

D

����Gm

���

����

������������

��������

���

��

�Gm

���

��D

���

���

���8

�8

���

5�

� ��

��D

��

��

��

D

����

� �� �

���

��

���

G�

��

��Gm

���

��

�B

��

��Gm

���

��

� ���

�� ����

��

������

��

��

��G

��D

��

��

���

� �

�8

����

�8

���

9C�

��

� ��

��

��

��Dm B �

��

����

���

��

��

��

��

��Gm

�Gm

��

��F��

��

��

�� ��

��

��

��

��

����D

��

C

�� �

��

���

���

���

8

�8

��

��13

D

�����

��

��C

����

��C

���

��

���F

����

��

���

��

��

© Monique Rio, SCA Jadwiga Krzyzanowska

Pennsic Pile 43 51

Page 58: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

The Earl of Essex Measurearr. Steven HendricksMelody from R.C.M. Ms. 1119

AAB x 2

C�

��

��

���

��

�� �

��G

��

��

A

�� 46��

��

� ��

��G����

46�

8

�� 46�

8

� 46� �

��C

��

��C

��

���

��G �

��

��G

�� �

�G

��C

� ���

��

���D

��

��

��������

G

��

��

��

��� ��

��

��D

�8

�5

� ���

8

��

��

��C

��

��

���

��

��D �

��G

����

��

��G�D �

C

��

B

��

� �

��

���

��

��G

��D

��

��

��

��D C

��

��

��G�

��

��

��

���

8

�8

G

9 ��

��

��

���

��

���

��

�D

� ��

��

��D

��G

��

��

��

��

��C

��

��

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

52 Pennsic Pile 43

Page 59: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Tinternellarr. Joseph CasazzaDallis Lute Book, c.1583

A BB C AAA BB C

���������

���

��

��D

��

Gm

��

��

�A5

��

A

42

��

�8

42���

��

��

� 42���

8

42

Dm

��

��

� � ��

���

�A5

��

Dm

��

���

��

� ��

��

A

��

��

Dm

��

��

C

��

��

��

���� ��

���� ��

��

��

� ����

Dm

A

��

��

���

Gm

� �

�Dm

��

Em

��

�� ���

D

��

��

B

��

8

�8

� ��

Em

��

D

��

��

A

��

��

� ���

��

C

��

��

�Dm

��

F

��

C

��

��

�Dm

��

��

C

��

�A��

��

��

��

��

A

��

© Joseph CasazzaPermission granted for non-commercial use with attribution. (CC BY-NC 3.0)

Pennsic Pile 43 53

Page 60: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Old Almanarr. Paul ButlerAnthony Holborne, The Cittharn Schoole, 1597

AAB x2

��

����

Gm

���

���

���

�� ���D

����

8

�� ����

A

�� �8

�� ����F �

���

���

���

���

���C

��

Gm

�� �

���Dm

� ����F

��

C

��

Gm

���

Dm��

��

8

5

� ��

B

�8

���

D

���

��� �

��GmB��

��

F

���

���

Gm�

���

�����

��

F B����

���

� �

Gm���

���

� B����

C�

��

© Paul Butler, SCA Arden of IcombePermission granted to use this work for any purpose with attribution.

54 Pennsic Pile 43

Page 61: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Queen's Almanarr. Robert SmithWilliam Byrd (c. 1540 - 1623)

AABB x2

����

����

����

����

��

���

�� �

��

���

B���

B�B�

�� �

� �� � ����

A

8

� ���

�8

� ��

�� � �

��

� � ��� ��

��

�� �

� ��

����

Gm

��

D

��

��

��

Gm

��

D

��

���

����

��

��

��

Cm

��

��

��

�����

� ��

��

��

���

��

B�

��

� �

�8

7

�8

��

��

��

�G

��

Dsus4

��

F

��

��

���

��

D��

C

��

Gm���

��

��

� �� � � �

C

��

��

�� ��

��

� ��

Gm��

© Robert Smith, SCA Alaric MacConnalPermission granted to distribute within the SCA without alterations.

Pennsic Pile 43 55

Page 62: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

56 Pennsic Pile 43

Page 63: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Madam Sosilia's AlmanJoseph CasazzaAABB x2

��

��

��

��

C

��

��

��

��G

��G

��

��D

�� �����

��G

D

���8

�� ��8

�� ���

��D

��

��Am�

��

�G

� �

��

�G �

��

��Am�

��D

��

��G

��

��

���

��

��

��

����

��Asus4

��

C

��D

��

�8

��D�G �

�8

��6

��D

��

��Am�

��

�G

��C�

��

��

��

��G

��D

��D

��

��Asus4

��

�G

��

��C

��

�8

��D�

�8

��10 � �

D

��

��Am�

���

��

G

C

��D

��

� ��

��G

��

��

��

���

D

��G

�C

��

G

��

��

G

���

8

�8

�14

��D�

��Am�

��

��G

��

� �

��G

��

��D�

��

�C��

© Joseph CasazzaPermission granted for non-commercial use with attribution. (CC BY-NC 3.0)

Pennsic Pile 43 57

Page 64: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Black Almanarr. Robert StocktonMelody from R.C.M Ms. 1119

����

����

����

����

��

��

Dm

��

��

��

���

��

��

Gm

��

��

Dm

�1.

��

��

��

���� � 46�

��8

� 46��

8

� 46�

2.�

��

��

�� � 46� �

���

��

��

C

��

B�

��

��

��

��

��

Dm

��

A

���

�� � �

���

��

� �

B�

��

��

��

��

��

�� �

C

��

��

���

��

��

��

������

������

��

��

��

��

��

��

��Gm

��

Dm

�1.

��

��

�8

�� �

�8

���

6

B

2.�

��

��

��

��Dm

��

��

��

��

��

��

��

Gm Am

����

� �

��

���

��

�F

��

�C

��

��

��

���

��

��

�Dm

����

��

���

������

�� ���� ��

��

�A

��

��

��

� ��� �

��

��D

��

��C �

�� ��

����

8

�8

���

11

C�

��

��

��

��

��

��D

� �

��

�����

�� �

��

��

��Am

��

��Dm

��

��

��

��B�

��

��

��Bm

�D

���

��

� ��

��Am

��

��Gm

© Robert Stockton, SCA Robin the Just

58 Pennsic Pile 43

Page 65: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

����

��

��

��

��

����

��

1.�F

���

��F

��

��

��

��

��

8

�� �

�8

���

15

D

�2.�

�� �

��

��C

�B���

��

���

��

��

C

��

��

� ��

��

�C

Dm

��

�� �

�Gm

��

��

��

�� �

����

��

F

��

�� �

��

C

��

��

��

��

��

��

���

���

20E

8

��

���

8

�� �

��

��G

���

D

���

��

���

��

��

��

��Gm C

��

��

��

��Gm� �

���

��F

��

Permission granted to distribute and perform within the SCA with this notice on all copies.

Pennsic Pile 43 59

Page 66: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Lorayne AlmanPierre Phalese (1571)

¬¬ ¬¬¬¬ ¬¬¬¬ ¬¬¬¬ ¬¬

G

��

�C

���

B

¬

���

�G

���

�Dm �

���

���

��D

���

���

��

�� �

Dm�

��

� � ��

�� � �����

8

� �

G

�� � ��

���� � ���

A

¬F

����

C�

��

��

G�

����

��

� �

¬¬

¬¬

¬¬¬¬�

��

��

�C

�G�

���

¬ �

��

��D

���

G

��

� ��D

��� �

��

� �

�8

7

� � �� �

���

G

���

¬ � �

���

� � D�

��

� �

�¬

���

�G

���

60 Pennsic Pile 43

Page 67: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

New Almanarr. Robert SmithBernard Schmid (c. 1577)

ABB

��

��

��G�

C ���

��

Am

��

��

Dm

��

��� ��

A

8

���

�8

��

� ��

Am

��

� ����

�� D

���

��

Am

��

��

G��

��

C��

� �

��

C

G�

G

��

� �

��

��

C

�D

��

G

��

��

����

��

Dm

��

��

��G

��G

�8�

8

��

7

��

��

��

���

��

��

��

��G

���

��

��CD

��

��

��

C

B

��

���

���

��Dm

��

��

��

��

����

��

��

��

�� �C

1.

��

��

G

8

�8�

��

12 2.�

�C

��Dm

��Am

��G

��

��

��G

�Am

Dm

��

��C

���C

��

��

��

© Robert Smith, SCA Alaric MacConnalPermission granted to distribute within the SCA without alterations.

Pennsic Pile 43 61

Page 68: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

62 Pennsic Pile 43

Page 69: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chapter 5

16th Century Italian Dances

The major sources for 16th century Italian dances are the published books of Fabritio Caroso (c. 1526-1605)and Cesare Negri (c. 1535-1605).

Many of the dances included in this collection are cascarda, a bouncy, triple time kind of dance unique toCaroso. We have used a 3/4 time signature for these but the dances should really be felt in 1, with a tempoof approximately dotted half = 110-120.

The other dances (mostly balletti) in common time such as Bizzarria and Lo Spagnoletto should work wellwith a tempo of half note = 100-110. Some of these dances shift to 3/4 time partway through; let dotted halfnote in the 3/4 section = half note in the common time section.

A few exceptions: Passo e Mezzo is written with doubled note values in cut time, so use a tempo of wholenote = 100-110. There are also a few dances we have transcribed in 3/4 that are not cascarda, such asContrapasso and Villanella. For these use a tempo approximately half that of the cascarda, about dottedhalf = 50-55. (However, just to be confusing, sometimes Villanella is played like a cascarda, so check withthe dance master!)

63

Page 70: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Allegrezza d'AmoreCascarda for three

arr. Monique RioFabritio Caroso, Il Ballarino, 1581

����

��

������ �

1.�

��

��

���Am

��

�G

��

����

��� 43�

�� 43�2.�

��� 43

��

��

���Am

��

��

�B�

� ��

��C

��

A

���

��

C

��

��

��

���

��

���

�����

� ���G

��

��� D

���

��� ���

C�

��

���

���

� �

��

B10

��

��

Am�

��

G�

��

��

G� ���

��

���

���

��� �

� G�

C

��

Am

��

�� �

G�

��

�G

���

��

C�

���

�21 �

��

��

���

��

C�

���

���

�� �

��

��

G�

���

C�

��

� B��

���

F�

��

��

�� �

B��

��

���

© Monique Rio, SCA Jadwiga KrzyzanowskaPermission granted for use with attribution (CC BY 3.0)

64 Pennsic Pile 43

Page 71: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Alta ReginaCascarda

arr. Aaron ElkissFabritio Caroso, Il Ballarino, 1581For Alta Regina: AB x 6For Squilina: A x 21

��

C

��

���

F

��

� �

��

��

��

43��

�8

���

� � 43

��

� � 43

� 43��

A

C

�� �

���

F

��� � �

E ��

��

��

�C

�� �

��

��

C

���

E ��

���

��

��� �

E ��

��

�F

��

��

��

��

���

�C

� ��

���

8

��

��

� �

��

�9

���F

C

���

�F

��� � �

��

C

��

�B �

���

�F

��

�B �

��

��������

�C

��

�F

���Dm

���B �

���

8

��

��17

B�

��

�F

��

���

��

��

�B � �

���

�F

���B �

����

� �

���C

���

�F

���

© Aaron Elkiss, SCA Aaron DrummondPermission granted for non-commercial use with attribution. (CC BY-NC 3.0)

Pennsic Pile 43 65

Page 72: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Bella GioiosaCascarda for three

arr. Steven HendricksFabritio Caroso, Il Ballarino, 1581AA BBC x 7 (or sometimes AA BBC AA x 6)

��

��

��

��

��

��

��

�D

��

��� ���

A

��

�8

�43��

� � 43

� �

� �43��

� �43

���

���

���

� �

��

��

G�

��� �� �

��

G�

� �

��

C�

��

�� �

����

����

���������

��

��

�G

��

�D

��

��

�� �

�8

� �

�9

��

B

���

��

��

� �

��

C��

��

���

�G

����

� �

��

G�

����

��

� �

��

��������

���

��

��

���G�

���D

� �

�8

� �

��17�

���

� �

���

D

��� �

G

��

� �

����

�G �

���

CG���

���

���

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

66 Pennsic Pile 43

Page 73: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Bizzarria d'AmoreBalletto for two couples in a diamond

arr. Dave SvobodaCesare Negri, Le Grazie d'Amore, 1602AA BB CC x 6

��������

��

�C

�����

��

���

� F�� �

C

� � ����� ���

8

� ���

���

� �� ��� �

����

���

���

�Gm

���

�AF����

F����

��

��

��

F

���

C

���

��� �

��

F���

��

��

����

��

�� ����

����

��

���

���

��

F

���

Gm

��

���

��

Gm

��

7

� ���

8

�� �

1.

�Gm

��

���

��

����

F

�1.

��

C

� ����

���

��

F

C

���

Gm

����

B

��

Am

��

���

���

F

�2.

���

���

������

����

�� ����� �

����

��

C

���

��

��

F

�1.

���

� ��

8

�� �

14

� ��

2. 2.

F

� �

����

���

��

� �

�C

����

C

���

��

Gm

���

���

��

Am

��

��

F

��

��C

����

���

© David Svoboda, SCA Arslan ibn Da�udPermission granted for use with attribution (CC BY 3.0)

Pennsic Pile 43 67

Page 74: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

La Caccia d'AmoreQuesta dolce sirena

Giovanni Giacomo Gastoldi, Balletti a cinque voci, 1591

��

�����

B²�

���

F�

���

F�

���

C�

����

��

Dm�

��

C�

��

��

��

Gm�

���

B²�

���

F�

���

� ���

�� � ����

��8

� �

F�� � ���

��

��

�� � ���

���

��

Gm�

���

F�

���

C�

����

Am�G��

���

Dm�

���

�����

C�

���

F�

���

���

D�

����

���

G�

���

F�

��

�����

C�

��

�8

�� �

A�

���

6

� �

� �

���

� A�

����

D�

��

�Asus4

Dm�

��

��

���

F�

��

C�

���

��

A�

���

��

���

D�

��

D�

���

A�

����

Gm�

��

F�

���

C�

����

��

�����

�� �

B²�

���

11

� �

� �

� �

�8

Gm�

���

F��

���

���

���

��

Dm�

���

C�

��

��

68 Pennsic Pile 43

Page 75: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Candida LunaCascarda

arr. Aaron ElkissFabritio Caroso, Il Ballarino, 1581AA BB CC x 3

��

������

����

��G

��C

����F

� ����A

�� 43�

�� 438

����

���

���� 43� �

Em

���

���

���G �

��

�C

������

� ��

���

���G

���C��

��

�F �

����

����

��

��

��

��Dm

���

���� �

���

���

�8

��

B

���

� ���B�

���

� ��

���C

��

��

��

��C �

��

���

���

��

CG �

����

����

���F

�� � Dm

���

������G

���C

��

��

���F

���

��8��

17�

��

��� �

��� �

G

��� �

���Am

���

�� �

����C

�� ��

����

G

��

� �

���

��

����

��

����

��

��

G

���G

��

�F

�8��

C�

���C

���

����

���

�����

��

��

����B�

���

��

��� �

���

���Am

���

© Aaron Elkiss, SCA Aaron DrummondPermission granted for non-commercial use with attribution. (CC BY-NC 3.0)

Pennsic Pile 43 69

Page 76: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

La CastellanaCascarda

arr. Aaron ElkissFabritio Caroso, Il Ballarino, 1581AABBCC x 3

����

��

����

����

�� ��

��

F

�1.

��

C

��

��

�F

��� ��

��

��� � 43��

A

���

�8

� 43��

�8

� 43

2.

43F

��

��

�� � �

��

C

��

��

��

F

��

�Dm

��

��

���

���

� ���Dm

Gm

��

F

����

��

��

��

F

��

��

���

��

��

��������

��

����

A

��

��

���

��

��Dm

��

G

�8

���

8

����

10B�

��

A

�� �

��

��

� ��C

C

C

��

��

Dm

� ��

��

� C

��

��

��

��

��C

�� ������

��

��

�������� ��

���

��

��D

D

��

G

��

��

Dm

��

DA

��

C

18

� ��

8

�8

�� �

��

2.

��

�1.

D

��

��

��

��

�C

���

��

���

��

�� �

� �

C

��

����

� �

��A

��

�Dm

��

� ��

��

Em

��

��

��

© Aaron Elkiss, SCA Aaron DrummondPermission granted for non-commercial use with attribution. (CC BY-NC 3.0)

70 Pennsic Pile 43

Page 77: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chiara StellaCascarda

arr. Dennis ShermanFabritio Caroso, Il Ballarino, 1581ABB x 4

���� � �

Dm�

A��

���

��

� ��

Dm�

�43��

�8

43��

A

43�8

��� �

�8

��

� �

��

��

� ��

� ��

Dm�

���

A��

� �

C�

�� � F�

F�

� �

��

� A� ��

��

F�

13

�8

�8

�8

���

� Dm�

��

��

��

� �Dm

�� �

� �

A�

C�

��

Dm�

F�

���

�A

��

�A

G� �

���

�8

�8

�8

�24�

� �

�A

��

��G

���

�Dm ���

A

��� �

��

��

�� ������

��

�� �

� �A����

8

�8

�33

B�

�8

��

� �

�C

��Dm�F

� �Dm

�C

�F

© Dennis R. Sherman, SCA Robyyan Torr d�ElandrisPermission granted for not-for-profit copy and performance. (CC BY-NC-SA 3.0)

Pennsic Pile 43 71

Page 78: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

72 Pennsic Pile 43

Page 79: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

ChiaranzanaFabritio Caroso, Il Ballarino, 1581 arr. Emma Badowski

�� �

���

F

��

���

��

� A�

��

� �

��

��

� � �

��

�� ���

� C�

��

��

���

��

� C�

��

��

�� 46��

��8

46�

F

�� 46�� �

��� 46��

A � Dm�

��

���

��

����

� �

��

��

��

���

��

G��

��

�� D�

��

��

���

D��

��

�� 43

43

43

43

��

��

��� Asus4��

��

�� D�

��

Asus4�

��

� �

��

8�

G��

��

7

�� �

� � � � � Asus4�

��

�� ��

����

��

�G�

��

��

��

�� �

��

�F

��

��

� ��

���

G

��

��

� �

� ��

A

��

���

C�

��

��

��

���

��

��

��

��

��

C�

��

�C�

��

��

��

C�

���

��

F�

�� �

��

43

43

43

43

B13

���

8���

F�

��

� Dm�

��

���

��

A�

��

� �

Dm�

��� �

��

��

��

���

��

G��

��

����

��

��

D�

��

� �

� ���

D�

��

D�

��

��

��

����

��

Asus4�

��

D�

��

��

� D�

��

��

��

��

��

G��

��

��

25

���

8�

Asus4�

���

� �

���

Asus4�

��

��

��

D�

��

��

G��

��

��

© Emma Badowski, SCA Margaret RaynsfordPermission granted for non-commercial use with attribution (CC BY-NC-SA 3.0)

Pennsic Pile 43 73

Page 80: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Contentezza d'AmoreBalletto

trans. Robert SmithCesare Negri, Le Grazie d'Amore, 1602Ax5 B Cx3

����

����

F� �Gm F

��

��

���

��

����

��

��

��� � ����

��

�8

� � �

�8

� �

���

��

��� � � ��

Gm�

���

��

���

F��

� F��

��

A

���� �

��

��

���� �

Gm

��

��

F��

��

��

��

B���

����

��G

��

��Gm �

F

��

���

��

7

� ��

8

�8

� � �

�� �

�F

����

��

���

� �G

��

D

��

��

��

��

��

��

��

��

�G

��

F

��

C

��

��

��

����

F

��

��

� ��

�� �

��

�C

��

C

��

� �

G

��

��

��

����

14

� �

8

�8

� �

� �

C

�Dm

��

��� ����

C

��

�Dm

��

��

��

��

G

��

�� ��

� �

�G

���

��

�C

��

� � �F

�����

© Robert Smith, SCA Alaric MacConnal

74 Pennsic Pile 43

Page 81: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

��

����

��

F

��

43

Gm

��

��

��

��

�F

�5.

F

43

43 43

B

��

21

� ��

8

�8

D

��

��

�� �

����

��

Gm

F

��

��

��

��

C

����

B�

�C

��

�F

����

C

B�

� �

��

�� �

���

F

�1.--4.

����

���

����

��

�F

��

��

��

C

���

D

� Gm

��

���

��

��

Gm

�29

��

8

�8

���

���

�� � �

F

��

��

� �

��

�� �

���

Gm

��

C

��

���

��

F

��

�� �

����

�Gm�

D

��

�G

����

��

��

����

����

��

C

��

����

��

F

1.--2.

���

Gm

��

F

�40

��

8

�8

� ��

3.

� � �

F

F

��

��

��

C

C

Dm

��

��

C

��

��

C

Gsus4

� �

G

��

��

C

��

��

��

�����

��

G

Permission granted to distribute within the SCA without alterations.

Pennsic Pile 43 75

Page 82: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Il Conto Dell'OrcoBalletto

arr. Katrina HuntFabritio Caroso, Il Ballarino, 1581(AABB)x2 Cx2 or 3

��

����

���G

�� � ���� ��

��

��F

A

�� ����

��C

��

8

�� �8

�� ��

C

��

��F

��

��

��

��

��

��

��

��

��C

��

��

��C

��

�C

��

��

�C

��

��F

��

��

��

��

��

��

��

��

���

�G

Repeat AABB!

��

���

��

� � �

��

�F

��

�8�

8

��

B

��

���

C

��

��

��

��F

��

��

��

��C

��

��

��

��C

��

��

��

��

��C

��

��C

��

C

��

��

��

��

��F

��

��������

����

�� ���

���

��G

� �

��

��F

�8�

8

��

C�

� �

���

C

��

��C

��

��

F

��C

��

��

��

��C

��

��

�� �

C

��

��

���

� ��

��

��

��C

��F

© Katrina Hunt, SCA Mathilde AdycoteMay be freely copied for use within the SCA

76 Pennsic Pile 43

Page 83: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Contrapasso NuovoBalletto

arr. Kathy Van StoneFabritio Caroso, Nobiltà di Dame, 1600AAA BBB AA BBB (for Contrapasso in Due)

������

��� ����

C F

����

��

���

�� 43��

�� 43�

�8

�� ��

�� 43�� ���

���F

��C

���

���

��F

�A

��� �

��C

��

���F

��

���

����B�

����

��

������

��

��

���

���

�B�

���

���8

���

7�

� �

��

C

� �

��

1.--2.

�F

���C

��

���B�

��

���

��

B

���F

����

��

3.

�F

�F

�����

����F

���

��

���

8

���

13�

����B����

���

����

��

F� �

��� �F

��B��

���

��

���

�� �

C�

��

�� �

��

��

������

�1.--2.

F

���

C

����

���

����

8

��20 3.�

�F

��

��

� ��

���

��C

��

���Cm

��

���Dm

���Dm

��

��

���B�

���C

�����F

� ���

© Kathy Van Stone, SCA Elsbeth Anne RothPermission granted to distribute within the SCA without alterations.

Pennsic Pile 43 77

Page 84: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

FedeltaCascarda

arr. Aaron ElkissFabritio Caroso, Il Ballarino, 1581AAB x 3

��

��

��

��

��

��

��

��

��

A

��

��

��

��

��

43��

A

��

����

�8

43���

43

A

��

� �� 43���

8

�� �

D

��

��

��

����

D

��

D

��

��

��

� �

D

��

G

��

��

��

��������

�����D

��

��

��

��D

��

��A

���

8

���

��8

���9�

��

���

���

��

��

��

���

��

���

��

D

��

�� �

��

��

��A

G

��

D

��

���

��

A

��

��

��

��D

��Asus4

��

��D

���

��8

��8

���17

B�

� ��

��

��

��A

��

��D

��

G

��

��

��G

��

�D

��

��

© Aaron Elkiss, SCA Aaron DrummondPermission granted for non-commercial use with attribution. (CC BY-NC 3.0)

78 Pennsic Pile 43

Page 85: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Fiamma d'AmoreCascarda

Fabritio Caroso, Il Ballarino, 1581 arr. Katrina HuntAA B x 4

B ²

zzz ��

�� ��

���

D

zzz

F

zz

z �

�� ��

��

�� ��

�z

z

�C

�z

z

�C

�z

z

��� ��

�� ��

�43��

��8

� 43��

�� � 43����

8

��z

z

�B ² B ²

�z

z

��

��

�A

�z

z

����zz

�z

zzF

z

��

B ²

�z

z

�F

zz

z

�� ��

zz

z�

��

zz

z

���

��

����

��� �

A

�z

z

�D

zz

z

��� ��

���

C

�z

z

F

zz

z

�� ��

��

zz

z

12

� �

�8

�8

��

Gmzz

z

�B ²

�z

z

� �� ��

C

�z

z

zz

z�

��

��

z

z

��A

� ��

��

z

z�B ²

��

��

z

zz�

z

�zD

����

z

z

zzC

z

zz

z

zzF

�8

�8

��25

����

� z

zz

z

zzB ²

43

z

z43 z

F

43z

zzC

zB ²

z

zz

z

z

© Katrina Hunt, SCA Mathilde AdycoteMay be freely copied for use within the SCA

Pennsic Pile 43 79

Page 86: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Ballo del FioreBransle de la Torche

Michael Praetorius, Terpsichore, 1612Intro: A; one dance = (AB)x4

C���

��

��

��

Dm�

��

��

��

��

��

�����

��� ���

A

��

�8

���

�8

��

� ���

� �

�Am

��

���

��

� �

��

��

���

� ��� �

��

���

Dm�

��

��

C�

��

��

��

��

A���

��

��

Dm�

��

��

��

��

��

��

��

��

�Dm�Em�

��

��

��

��

��

8

�8�

�7

�� �

��

��

��

���

�A�

��

D�

��

��

���

Dm� �

��

��

� ��

��

��

��

��

B �

F�

��

����������

� �

��

��

�A

�Dm

���� �

��

��

��

��

�8�

8

���

12

��

��

�D

��

��

��

���

��

��

��

F

���

A�

��

��

��

���

� �

���

��

��

����C

���

80 Pennsic Pile 43

Page 87: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Fulgente StellaCascarda

arr. Aaron ElkissFabritio Caroso, Il Ballarino, 1581AABB x4

��������

D��

��

���

���

����

��

Gm ��

��������

A

�8

� 43�� � 43��

42

42

42

42� ��

���

���

� 43���� 43��

D�

G5

�� �

D�����

G5

���

� ���

Gm�

��

� �

���

�� �

���

� �

���

��A�

���

��

������

����F

��

����Gm

��

����

��

8

����9 B

42424242

� ��

�F

����CF�

��B�

��

��

�B�

��

�B�

���

�B�

����

���

�F

���

�B�

����

���������

D

��

G

� �

���

��

��

�Dsus4

��

��

8

�����

G

��

�17

�����F

����

� �

�B�

����F

���C

� ����F

����Gm

���C�

© Aaron Elkiss, SCA Aaron DrummondPermission granted for non-commercial use with attribution. (CC BY-NC 3.0)

Pennsic Pile 43 81

Page 88: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Furioso all'ItalianaBalletto for three couples

arr. Al CofrinFabritio Caroso, Nobiltà di Dame, 1600Ax10 Bx3 C Bx2 C B

������ �

����

����

���

��

��

���

� � ���

� � ���

�8

� �

� �

���

D

� �C

��

���

��

� ��

G���

A

���

��

� ��

� �

� ��

� ��

� �

� ���� � �

�� ����

����

��

� �

Am

��

� ���

�G

�7

� �

�8

�� ��

�� � ��

Am

D

��

��

�G

��

1.--9.

���

��

��

Dsus4

��

���

G

B

�����

�G

���

��

��� 43

G

4310.

43

��

����

1.--2.

�� �

��

C

D

���

G

17 ��� �

�8

��

��

�� ��

G

3.

� 23G

2323

C

���

��

�� �Em

��

�� ���

��

D

C

����

� ��

��

�Dsus4

����

���

��

���

8

�29

G To Bx2 C B�

��

��

G

��

C

C

Em

F

G

© Al Cofrin, SCA AvatarFreely distributable within the SCA.

82 Pennsic Pile 43

Page 89: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Gracca AmorosaCascarda

arr. Steven HendricksFabritio Caroso, Il Ballarino, 1581ABB x 5

���

G�

���C

���

��

���

���

8

43��

��

43��

A

� 43��

� 43��

����

���

C�����

��� �

C��

��

������

���

C�

���

��

���

Dm�

��

C����

G�

���

��

���

���

Dm�

���

Dm

��

��

C���

��

���

���

13

��

�8�

G�

���

��

��� �

���

Dm�

���

C��

G��

� � �

����

C����

G���

��

��

C����

��

Dm�

��

��

����

���

���

��

��

����

��

����

����

��

��

�� �

���

C

�1.

���

��� ���

��

B

���

8

�� �

2. ���

��

���

��

��

G

����

���

��

F

�G

���

����

�Dm�

���

C

����

C

���

����

B �

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 83

Page 90: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Maraviglia d'AmoreCascarda

arr. Aaron ElkissFabritio Caroso, Il Ballarino, 1581ABBCC x 4

D

��

G���

D

��

C

���

�D

��

4343�

� �

��

A

43� ���

�8

�F

��

��

� C

G���

��

G���

C��

D

��

G�

� �

Em

��

D

��

F

���

Em

�����

C�

��

��

G

����

��

��

����

��

G���

�����

� ���

GAm���

��

11

� � ��

�8

� �

���

G Am���

D

��

��

G

��

� G���

��

EmD

��

��

G���

��

C��

C��

G

���

��� �

���

B

� ��

���

C

���

G

���

D

���

����

����

��

��������

��

G

��

��

��

G

���

���

D

��

��

23

� �

�8

��

2.

� �

G

�1.

��

���

G

G

�2.

�� ���

D

��

C

��

�G

��

��

G

�1.

� �

��C

��

� �

C

��

C

���

D

��

�� �

G

���

© Aaron Elkiss, SCA Aaron DrummondPermission granted for non-commercial use with attribution. (CC BY-NC 3.0)

84 Pennsic Pile 43

Page 91: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Ombrosa ValleBalletto

arr. Aaron ElkissFabritio Caroso, Il Ballarino, 1581AB x 7

���G

� ��

�F

�������

��

��

��

����

�8

��

��

A

� ��

�� ��

�B�

��

�G

��

�Dm

��

�C�� �

���

C�

��

���

Dm�

��

C�

��

���

�C ���

G�

��

���G�

Am��

� G

�B

��

�B�

��

�G�

���G

���F

���

��

8

��

�Dm

�8

� ��

�C

��

��

�B���

���

�C

� �

�C

�Dm

C ��

��

��

���

��

�C

���Am

�G

���

��

��

����

�� ��

����

��

�� �

1.--6.�C

���

�C

�G

8

���

��

�7.�

� ��

��

��

�C

���C

���F

���

��

�C

����

�G

�15 �

��

�C

��

�Dm

��

�B�

���F

��

��

�G

© Aaron Elkiss, SCA Aaron DrummondPermission granted for non-commercial use with attribution. (CC BY-NC 3.0)

Pennsic Pile 43 85

Page 92: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Passo e Mezzo

arr. Dave LankfordFabritio Caroso, Il Ballarino, 1581for Passo e Mezzo: 11 times throughfor Dolce Amoroso Fuoco: 5 times throughfor Ardente Sola: 7 times through

���

��

��

���

���

��

��

���

F

��

���

��

���

��

���

� � ��

��

� � ���

� ���

�8

��

��

��

�8

� �� ��

��

��

��

���

��

���

���

��

�� �

��

Gm

�Optional Descant

�Melody

��

��

�� �

��

��

��

����

���

��

��

���

��

��

��

���

D

��

��

8

�8

� ��

� �

� �

8

�� �

���

� �

��

��

��

� ��

��

� �

�Gm

��

��

��

��

��

���

���

��

��

��

��

© Dave Lankford, SCA Dafydd Arth

86 Pennsic Pile 43

Page 93: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

��

���

��

���

��

��

�� �

��

� �

� �

8

�� �

��

14

�8

��

��

�� �

���

��

��

��

��

� ��

�� ��

��

���

��

����

� Gm�

��

���

���

��

���

� ��

��

��

��

��Dm

� �

���

��

Gm

����

Gm��

��

F�

� �

�8

� �

20

�8

��

��

��

��

F

��

����

� ��

���

��

��

���

� ��

���

��

��

��

���

F

��

��

��

���

��

��

D�

��

��

�� �

� �

��

��

��

�G

���

��

� �

�8

� �

26

�8

��

���

G

���

��

��

��

D

��

� �

� �

D

� �

D�

��

��

��G�

��

�G

��

��

��

Am�

Permission granted to copy within the SCA.

Pennsic Pile 43 87

Page 94: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Rose e Violearr. Paul Butlerattrib. Antonio Casteliono, 1536

AABB

���

� �

���

�EmAm�����

���

��

�� 43��

A

8

43��

� 43��

���

43 ����

����

��

Dm�

��

��

��

� F����

��� �

C�

��

����

G�

��

��

��

� �

� ����

��

�C

��

��

� ����

�Am

�8���

9 �

��

� �

��

��

���

��

���

��

���

�F

��

�C

��

�G

��

�Dm

��

��

��

� Em

��

�����

���

� Am

��

� ����

�8���

17 ��

���

���

���

�Dm

���

���

��

���

�F

��

�C

���

G

��

��

� �

��

��

���������

����

���

�C

�Am

���

� �

��

�8��

25�

� ���

���

���

� �

��

Dm

���

�F

���

��

���

��

�C

���

��G

��

��

© Paul Butler, SCA Arden of Icombe

88 Pennsic Pile 43

Page 95: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

�������� �Em

����

���

��

����

���

Am �

�8���

B

��

����

���

� �

Dm�

���

��

��

��

�F

���

� �

��

��

�C

�����G�

��

��

��

��

����

���

� ���

�Am

��

�8���

41�

� �

�C

���

��

��

����

�F

���

� �

��

��

�C

����G

��

��

�Dm

���

��

��

� Am

��

���� �

�G

� �

���8���

49

��

��

���C

���

� ��

��

��

��

�Dm

����G

��

��

�����F

��

��

��

�����Am

��

��

��

�Em�

����

���������

��

� ��

��

C

��

��

��

�Dm57

�8����

� �

��

���

����G

��

���

���F

��

�C

��

�Dm

����

����Am

���

� ���� �

���

��

�Em

��

Permission granted to use this work for any purpose with attribution.

Pennsic Pile 43 89

Page 96: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Spagnolettaarr. David YardleyFabritio Caroso, Il Ballarino, 1581

5 times through (6 for Spagnoletta Nuova)

��

��

��

���

D

��

��� �

B ��

���

�8

� 43�

� � � 43��

� � 43�

���

Gm

���� � ��

����

F���

� � �

� B ��

��

Gm�

A

���

�����

� �

B ����

�� � ���

F��

���

�� �

��

��

�� �

���

����

B ��

���

���

10

� �� �

���

�8

��

Gm���

� F���

���

��

B ��

��

���

� �

���

B ����

B �

��

���

F����

��

���

F���

���

��

��

B ����

���

����

��

���

����

��

��

���

Gm �� �

F�20

� �� �

��

8

�� �

�� �

Gm�

�D���

� �

��

��

��

��

��

� �Gm

��

���

B ����

��

� ���

Gm��

��

���

C�

��

��

���

�D� ��� �

����30

�8

�����

����

���D

�C

���

C

���Gm

��

� ��

���Gm

���

�D �

���

�� ��

���D

�C�

����

���D

��

��

������

��

���D

���C

��

�� �

���D

��

��39

� �� ��

8

���

����G

����� �

����D

��

��

Gm��

��

��

���

��

��

��

Gm���

��� ��

� �

C

���

� � �

��

���D

© David Yardley, SCA Geoffrey of ExeterFree for non-profit use.

90 Pennsic Pile 43

Page 97: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Lo SpagnolettoBalletto for two couples in a diamond

arr. Katrina HuntCesare Negri, Le Grazie d'Amore, 1602AABBCC x 7

����

��

���

B �

��

��� �

��

A

����

� ���

�� ��

8

����

��

��F�Gm

���

� ���

���

���F�

�� B �

��

��

����

��

����

��

� �

��

G5

��D

��

��

� ���

8

��B

���

��

F

��

���Gm�

���D

�C

��

��

��

��������

��

���G5

��D

�� �

���

�8 �

��

��C

��

��

� ��

� �

F

���

��

�Gm�

�F��

© Katrina Hunt, SCA Mathilde AdycoteMay be freely copied for use within the SCA

Pennsic Pile 43 91

Page 98: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

VillanellaBalletto

arr. Kathy Van StoneFabritio Caroso, Il Ballarino, 1581AABB x 6 (fast) or AABB x 3 (slow)

���������

��

��D

C

��

��

���

���

43��

A

�43

��

�8

����

���

G��

�� �43�

�8

�43

��

���

���

���

�Am��

��

��

��

�G�

��

G��

��

� ��

�D

��

��� �G��

��

��

��

��

����

��

����

�����

��

��D

���

����

��

��G��

9B

��

���

� ���

8

�8

� �

� ���

��G

F��

��

��

��

��

���

�G�

�� �

���

��F F�

���

���

��F

��

��C

© Kathy Van Stone, SCA Elsbeth Anne RothPermission granted to distribute within the SCA without alterations.

92 Pennsic Pile 43

Page 99: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chapter 6

Dances from Arbeau’s Orchesographie

Published in 1589 in Langres, France, Orchesographie includes music and instructions for many differentkinds of dances. Numerically speaking, the bulk of the dances in Arbeau are bransles. Most of the branslesare in duple time and should be played at about half note = 115. The triple time bransles are Bransle Gayand Bransle de Poictou; for these, a tempo of dotted half = 60-65 should work.

Many of the bransles are included as single melody lines with suggested drones to facilitate on-the-fly creationof bransle suites: just have the leader call out which number to play next! We have also included 4-part settingsfor some of the bransles which are likely to be done on their own, including a wonderful period setting ofWasherwoman’s Bransle. For Bransle de la Torche, see the Praetorius setting on page 80 – the dance isheavily related to the Italian Ballo del Fiore.

Arbeau also includes instructions for the pavane, galliard and courante, music for which appears in theImprovised Dances section.

93

Page 100: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Jouyssance vous donnerayarr. Steven HendricksThoinot Arbeau, Orchésographie, 1589

AA BB CC

B���

��

��

����

��

��

� ����

���

A

�8

� 46�� � 46

��

��

FC

��� � 46�

�8

� 46���

��

��Dm

��

��� �

C

��

�� �

Dm

Am

���

���

��

F

��

��

��

��

� �

��

�����

��

��

F

��

��

������

��

���

� ��

��A

���

��

���

�Gm��

��

�8

�8

5

� ��

��

� � � �

��

��

��D

���

��

��

B�

��

C

��

��

� �����

�F

��

��

��

�� ��

F��

��

� ����

����

��

�� ����

��

��

������

E

�� �

�� ��

��

��

��

��

� �

��

D���

��

��

9

� ��

8

B

8

�� �

���� ��

��

� � �

��A

��

�� � �

Am

��

Dm��

��

��

��

Dm��

��

��

���

���

��

Am

��

�� �

E

� ��

��

��

��

A

���

� �� �

© Steven Hendricks, SCA Samuel Piper

94 Pennsic Pile 43

Page 101: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

����

����

�B�

�� �

��

���

��

���

��

8

� ��

8

� �� � �

C13�

��

� �

�C

��

� �

��

�F

��

Am

��

��

� � ��

��

Dm

��

��

� ���

��

� �

� ��

Dm

��

���

F

��

��

�F

��

��

��

��

��

����

��

��� ��

��

��A

����

��

��

� �Gm

���

���

8

�8

��

� �

��17�

� � �D

��

���

��

��

���

C

���

F

��

��

� �

��

B�

� ��

��

����

F��

��

��

�� �

���

��� �

��

�� ��

Permission granted to copy within the SCA.

Pennsic Pile 43 95

Page 102: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Bransles CouppésMixed Bransles

Thoinot Arbeau, Orchésographie, 15891 Air du branle couppé nommé Cassandre.

���� ����� ��� ��� ����� ��� � ����� �����Drone: A/D� �� ��� ����� �

2 Air du branle Pinagay.

�� �� ���� � �� ��� ��� ��� ���� � �� �� ��Drone: G/D

� � �� �� ��� ��� � ��

3 Air du branle couppé appellé Charlotte.

�� �� � ��� �� �� � 23� � � �� � ��Drone: G/D

� � � � � �� �� � � �

� �� �� �239

� � �� � � � �� � � � �� �� � � � � �� � � �23

4 Air du branle couppé de la guerre. (War)

��� � ��� � � �� � � � � � �� � ��Drone: G/D� �� � � � �� �� � �

� � ��� � ��� � �9 �� � ���� �� ��� ������ �� ��� � ���

5 Air du branle couppé appellé Aridan.

���� � � �� � � � � �� � � � � �� � � ��Drone: G/D� � � � � � ���23 � �

���� �� � � � � �8

� � ��� �� � �� � � � �� � � � � � �� � �

96 Pennsic Pile 43

Page 103: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Bransles de Base et RégionauxBasic and Regional Bransles

Thoinot Arbeau, Orchésographie, 15896 Air du branle Double.

���� � � � �� � ���2.

� � �� � � ��� � �1.

��Drone: G/D ��� � �

7 Air du branle Simple. (Single)

���� � �� � �� � � � ��

� �� ���Drone: G/D

� � � �� �� � �

8 Air du branle Gay.

���� �� ��

� �� � 46 � � ��Drone: G/D

� � � �� �

9 Air du branle de Burgoigne. (Burgundian)

���� �� � ��� � � � ��Drone: G/D� � � �� �

10 Air du branle de Poictou.

��� �� � �43� � ���Drone: G/D� � � �� � �

11 Air du premier branle d' Escosse. (Scottish 1)

����� � ��� � � � � �� � �2.

� � � �� � ��Drone: G/D

� � � � � � �1.� � � �

12 Air du second branle d' Escosse. (Scottish 2)

�� ��� �� � � � �� � �� ��� � � 2.�Drone: G/D� � � � � �� � � �1.

13 Air du branle Triory de Bretagne.

���� �42 �� � � ��Drone: G/D� � ��

14 Air du branle de Malte. (Maltese)

�� �� ��� �� ��� ���� � ��� ��� � ����Drone: C/G� ��� �� ����� ���

Pennsic Pile 43 97

Page 104: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

98 Pennsic Pile 43

Page 105: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Bransles MorguezMimed Bransles

Thoinot Arbeau, Orchésographie, 1589

15 Air du branle des Lavandieres. (Washerwomen's)

���� ��� � �� �� �� � � � � �� � �Drone: G/D

� � � � �� � �� � � �

� � �� ��� �8

� �� � � �� �� � � � �� � �

16 Air du branle appellé des Pois. (Pease)

�� � �� ����� ��� ��� ��� ��� ������ ���� � �Drone: G/D� �� �� ����� ��

17 Air du branle des Hermites.

�� �� ���� ��� ����� ��� ����� ����� �Drone: G/D� � ��� ��� ��� ���

18 Air du branle des Sabots. (Clog)

���� ��� � � � ��� � � � � �� � � �23 � �� � �� � ��Drone: C/G� � � �� �� � � �

19 Air du branle des Chevaulx. (Horses)

� � � �� � � � �� � � � � ��� � ��Drone: G/D

� �� � � � �� � ��

�� � �� ����9 �

� ���� � ���� ��� ��� ��

� �� ���� �� �

� �� ���� ���17 � ��� � ����� ��� �� �� � �� ��� ���

20 Air du branle de l' Official.

���� �� � �� � ��� � �� � �� �� � ��� � ��Drone: C/G� � � �� �� � �

���� �� � � � �7

� �� � �� � � �� �� � ��� � � �� � �� � � � � �

Pennsic Pile 43 99

Page 106: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Bransle des Chevaulx (Horse's Bransle)arr. Steven HendricksThoinot Arbeau, Orchésographie, 1589

��

��

��

��C

��

G

��D

���

A

�� ����� �

��

8

�� ��8

� ���

��C�

��

���

���

��G �

��

�� �

�� �

��

��A

G��

��

�D

��

��

��

��

� � ��

���

��

�8

�8

��

� �

��7�

���

��

��

���

��D

��

G

��

��

��

��

D

��

G��

��

��

����

� C��

��

D��

B

��

��

��

����

D

��

��

Gm����

��

����

C

��

8

�8� �

13

� ��

��

��

���

��

C��

��

��

G��

��

��

��

� ��

��

��

� ��

���

�G

��

���

���

D

��

� ��

��

��

��

��

� � �

Dm

���

��

�� �

�8

�8

�� � �

19�

Cm

��

G

��

��

D

��

��

��

�� �

��

�� �

Dm

��

��

��

��

� �

D

��

��

��

� �

��

��

��

Gm��

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

100 Pennsic Pile 43

Page 107: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Bransle de la Hayearr. Steven HendricksThoinot Arbeau, Orchésographie, 1589

��

�� � Gm

��

Gm��

���

��

��

��

C��

����� �

��

�8

�����

� �� �

� � ����

�8

��

Gm��

��

��

��

Gm

��

C��

��

Gm

��

��

��

��

� ��

��

Dm

�D

��

� ��

Gm��

��

C�

�� �

��C�

��

� �

� G��

�� �

�8

�8

�� �

�C

7�

F��

��

��

� ��

���

��

��

� ��

��

Gm

��

��

�D

��

�� �

C��

��

��

��

C

� �

� �

��

��Cm

���

��

Gm

��

��

��

��

D

��

��

�8

��

8

�� �

14�

D

��

��

Gm

��

��

C��

��

��

� Gm��

��

Gm�

�� �

��

��

��

��

D

��

��

��

��

��

D

��

Cm��

��

��

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 101

Page 108: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Bransle de la Montardefor sets of 4 (or more)

Pierre Phalese, 1571 Arr. Emma BadowskiD

���

Gm�

���

��

���

F�

���

B²�

���

Gm�

���

F�

���

Gm�

���

���

C�

���

F�

���

���

C�

��

Gm�

���

��8

� �����

8

� ���

Gm�� � ���C

��� � ���

A Gm�

���

Gm�

��

��

Dm�

���

��

�� ��

���� ��

�� �� ��

��

�� ��

���

� B²�

��

E ²�

���

��

Gm�

��

B

B²�

��

���

Gm�

���

F�

���

���

Gm�

��

Dm�

���

Gm�

���

�8

�� �

C�

��

6

� �

�8

��

F�

���

B²�

���

��

���

���

��

Music is based on Phalese's “Almande Courante,” but the meter has been changed and the last measure hasbeen removed to fit the dance. Additionally, measure 8 is an editorial change to better reflect the structure ofArbeau's version of the melody.

© Emma Badowski, SCA Margaret RaynsfordPermission granted for non-commercial use with attribution (CC BY-NC-SA 3.0)

102 Pennsic Pile 43

Page 109: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Bransle Officialarr. Russell G. AlmondThoinot Arbeau, Orchésographie, 1589

��������

��������

��

��

� �

��

� B��

��

C�

��

��

� ����

��� ��

�8

��

�8

���� ��

��

� �� � ��

��

��

C

�����

��

��

��

GC��

��

���

��

��

� ��

��

Gsus4

��

��

C��

���

F

��

�� ��

����

�����

C

��

G��

�� �� ��

7

8

�8

��

���

Gsus4

��

��

� ��

��C�

G�

� �

Am�

��

����� ��

� � ��

� � �

���

� ��

��

������

��

� �

� F

� �

© Russell G. Almond, SCA Mustapha al-MuhaddithPermission granted to use and copy this work with attribution

Pennsic Pile 43 103

Page 110: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Bransle des LavandieresWasherwoman's Bransle

Jean d'Estrees, Premier livre de danseries, 1559

����

����

��

��Dsus4

� �����

��

F�

��

��Gm�

��

� ���

��

��G

���

��� ��8

� � ��8

�� D

��

��

��

��Gm

�� �

��

��F Cm

��

��

���

��

�� �

B �

����

����

������

�� F��

�� �

��F

��Gm

��

���8

�8

5�

��

��

��

��C

��

F�Dm

� ��

��

��

��Gm

��

��

��

��

��Gm

��D

��

��

��

��D

��

��Gm

��

��G

��

Gm

��

��Dsus4

���

���

��

��

8

���

�8

10�

F

��G

���

��

��D

��

��

��Gm

��Gm��

��

��Gm

��

��

��

��F

��

��

��

��

��Gm

��

��D

104 Pennsic Pile 43

Page 111: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chapter 7

Improvised Dances

Improvised dances such as the Pavane, Galliard, Courante and Volta were very popular in the 16th centuryall over Europe. Music and instructions for these dances appear in numerous sources. Settings are providedfrom such sources as Praetorius’ Terpsichore of 1612, We have also included tunes for some early Italianimprovised dances, the Piva and the Saltarello.

The Canarie and the Courantes are transcribed in 6/4. For the Canarie, use a tempo of approximately dottedhalf = 70; the courante should be played faster, around dotted half = 85.

Galliards can be transcribed in either 3/2 or 6/4. We have chosen to use 3/2 for clarity for some of the morerhythmically complex settings while halving the original note values and using 6/4 for the more straightforwardones. The tempo for galliards (for the 6/4 settings) can be anywhere from dotted half = 45 - 60, depending onthe whims of the dancing master. For transcriptions in 3/2 use dotted whole = 45 - 60 instead (two measuresof a 3/2 galliard equating to one measure of 6/4 galliard). The Volta is really just a variation on the galliardand can be played as such.

The pavanes are transcribed in cut time, and again, the tempo can range from half note = 45 to 60.

Preferences vary, so always check with the dancing master for desired tempo. Additionally, modern chore-ographies have been created for some of these tunes, so be sure to confirm the roadmap with the dancingmaster if these are being danced.

105

Page 112: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Cantiga 119arr. Jay Ter LouwAlfonso X- 13th Century Spanish

����

����

��

��

���

� �

��

��

��

��

� ��

� �

������

��

��

�8

�8

�86��

� �86��

� � 86

� �86���

� ��

A

��

���

��

���

�� �

��

��

��

��

��

��

���

��

��

��

��

��

��

��

��

��

� �

��

��

��

��

��

��

��

��

��

�� ��

���

��

� �

��

� �����

��

��� ��

������

����

��

��

��

��

��

��

��

��

��

��

� ��

���

��

�� ��

� �

��

����

B

9

� �

�8

�8

��

� ��

��

��

��

��

� �

��

�� ��

��

�� �

�����

��

� ���

��

��

��

��

����

��

� �

���

��

��

��

��

��

� ��

� �

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

106 Pennsic Pile 43

Page 113: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Saltarello II (Prendente in Gyro)Anonymous (14th C. Italian)ABC ABD ABD ABC B Coda

�� �� �� � � � �� � �� � �A � �� � � � � �� � � � � �� � �

�� � �� � �� ��7

� �2.

� ��1.

� � �� � ��� � �� � � �B� � � �

� ��� ��� ������ ��� �� ���� �����C� �� � ���� �� ��

���� � � � ���� � ��������� ������ �����D� �� �� � ���

�� ���

� �����������Coda� ����

Pennsic Pile 43 107

Page 114: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Saltarello la ReginaAnonymous (15th C. Italian)Roadmap: V1 C1, V2 C2, V3 C1, V4 C2, V5 C1, V6 C2, V7 C1, V8 C2Drone: G/D � �����86� � ����

Verse 1,2

��

Drone: G/D

�� ��� ���� �� ��86�� ���

2.

���� ���� � ������Chorus

� ��� ��� �1.���� �� ����

Drone: G/D

� � �� � �� �� �� �86 �� ��

Verse 3,4

� � � � ��� � ��

Drone: G/D

��� ��� ����� ��86�� �������

2.

��� � ������ �Chorus

� ��� � ��1.

���� � � �� �� �

Drone: G/D

��� �� � � ��� �86 �� ��

Verse 5,6

� � � � �� �� � ��

Drone: G/D

��� �� ����� �� ��� ��86� ���� ��� ���� ����

Chorus

�2.

��� �� � 1.

����� ���� ��

Drone: G/D

�� �� �� � � �� � ��� �86 � � � ��

�� � ���

Verse 7,8

� � � �� � � � �� � �

Drone: G/D

��� � �� ���� �� ��� ��86� ���� ��� ���� ����

Chorus

�2.

��� �� � 1.

����� ���� ��

108 Pennsic Pile 43

Page 115: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

La CanarieMichael Praetorius, Terpsichore, 1612

����

����

����

������������

��D

��

C G�

���

��

�� 46��

��

G

�� 46

�8

���

�46

��

�� 46�� �

��

� �

��

�C

��

�� �

��

���

�G

���

����

��

�G

���G

����D

����G

������

�� C�

G�

� �

��

����

��

����Em�

���

8

���

5�

� �

���G

����G

����D�

C

����

Am��

����G

���G

���

� ����

��

����

��� �

G

G

���

��

��

���

� D���

G

��

��������

Bm �

���

� �

C

�� �

� ��

�Em

����

�� � �

� �

�8

�� �

��9�

� �

G���

��

���G

����D

���

��G����

Am�

����

��

���

�D�

� �

����

D�

���

�G

��� �

��

G� D�

���

���

����

������

������ C

����

��

���

�� �

����G

� ��

8

��

��13�

G

�����

���

����D

��

����C

�G

���

��

���

C

��

���G

�� �

��

����

D �

���

D

����C

���G�

Pennsic Pile 43 109

Page 116: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Courante CLXXXIII à 4Entree Courante

Michael Praetorius, Terpsichore, 1612

¬¬

¬

¬

��

G�

���

C�

��

G�

���

Am�

���

G�

��

C�

���

Am�

���

���

��

F�

��

�¬

��

�¬

��G�

��

���

¬� 46��

��8

46��

�� 46��

C�

��

�� 46��

A �

��

���

���

F

¬¬

C�

��

¬ �

�¬

¬¬ ¬¬

¬¬ ¬¬

¬¬ ¬¬

¬¬ ¬¬�

�C

G�

���

Em

����

G�

���

F

���

��

B�

��

C�

���

��� ¬�

¬

¬¬

��

��

���

���

��

Dm

�8�

G���

¬�

6

��

����

�¬¬

¬

G�

���

C�

��

C�

�¬

¬��

C�

� ��

�Dm

���

¬

¬

¬

���

¬

��

D�

��

G�

��

��

¬

��

� �

��

�¬

C�

��

��

��

¬

��

��

� ¬ ¬

� G�

��

�8�

G�

��

11

��

¬

�C �

���

¬

��

��

��

��

¬

��

110 Pennsic Pile 43

Page 117: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

F

��

���

����

C

��

���

F

��

C

��

C

��

��

¬

D

����

G

��� �

¬¬

¬

Dm

��

¬

D

���

��

�Dm�

��

��

C�

���

8�

F�

��

¬�

16

���

��

¬�

��

�¬¬

¬

F

���

���

G

���

F�

��

���

C

¬�

Em

����

��

Am ¬

���

F

¬

���

Am

� ����

Em

���

F

���

B ²

¬¬¬

���

��

���

���

G

��

���

DG

�8���

21�

���

���

Am

���

�� �

��

���

Em

���¬

¬

¬

¬

Em

���

���

¬¬¬¬¬¬¬¬

¬¬

���

��

AmC

���

G

C�

���

¬

���

� ¬�

¬

¬¬

��

F�

���

G�

��

C�

��

G�

���

F

���

B ²

���

¬¬

G

���

¬

�8�

B ²

���

¬�

25

��

F

��

C

���

¬G

���

G

���

��

���¬

�� ��

C

���

Pennsic Pile 43 111

Page 118: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Courante CXLII à 4So ben mi ch'ha bon tempo

Michael Praetorius, Terpsichore, 1612

��

Gm����

�F

���

�Am

��

Dm

F�

��

Gm

��

�C� ��

� 46��

A

�8

� 46��

� � 46��

C�

��

��

� � 46�� �

��

��

� �

Gm�

��

Dm�

��

Cm�

���

Gm����

���

C

��

� �

���

Gm

B���

��

F����

G�

�� �

Gm

��

C

���

����

����

��������

��

���

�Gm

��

�B

����Gm

���

�Gm

�� ��

8

� �

6

��

��

���

Am

�����F��

Dm

���

A�

��

� D�

����

���

���

F�

���

D�

��

� �

��

���

Gm�

��

Dm�

���

��

A

��

����

��

F

����

Cm

��

���

Gm

����

� Am�

���

Gm����

11

� ��

�8

����

� �

G

���

D

���� �

����

F�

��

����

Gm ��

��

F�

��

�C

��

��

B��

��

��

�� �

����

E ��

��

F�����

Gm����

112 Pennsic Pile 43

Page 119: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

GalliardA Lieta Vita

Giovanni Giacomo Gastoldi (c. 1554 - 1609)

����������������

����

G

���

� ��

� F���

��

��

D���

��

��

G

��

�8

46�

��� 46��

����

� 46��

�8

46

��

C���

��

���

��

� 46

���

��

�G

��

��

����

��

��

���

���

G�

���

��

G���

��

C��

Am�

��

��

���

G�

��

��G

����

�C

��

��

�G

��

��

��

��

��

����

����

��

G

F����

��

����

��

D�

��

��

C�

��

��

C�

��

G

���

��

��

��

��

�8�

� �

6

����

8

G

���

��

���

��

���

��

�DCC�

��

��

G�

����

�G���

��

�� �

Dm���

F�

��

��

C���

�� �

C�

��

��

G����

C���

���

��

���

��

G���

��

2. Hor lieta homai i‿scacciando guaiFa la, &c.Quanto ci resta in‿viviamo festae diam l'honore un‿a tal signore.Fa la, &c.

4. Ne fuggir giova ognun‿ch'ogli trova:Fa la, &c.

ha‿Veloci e‿l'ali foco e strali.Dunque s'adore un tal Signore.Fa la, &c.

1. A lieta vita amor c'in vitaFa la la la la la fa la la la.Chi gior brama se di cor ama

il‿donerá core un‿a tal signore.Fa la la la la la fa la la la.

3. a‿Chi lui non crede è‿privo di fede.Fa la, &c.

haver‿Onde merta Contra aperta‿see'l‿L'ira furore d'un tal Signore.

Fa la, &c.

Pennsic Pile 43 113

Page 120: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Belle qui tiens ma vieThoinot Arbeau, Orchésographie, 1589

E�

��dansprèstoi

��� �

��C�

��apsi

cap

��

chesuisve

�B �

���

projeti

�������

����

B �

��mondetes

��F

����

��

bien,toi,

yeux,

��

�chefuisqui

��D

Gm

�5. Ap

Pour1. Bel

��Gm

2.

�Battemant du tambour

��proquoi

le

��

��

e

��B �

de,

��

belnarvi

��B �

��

le,

��donctu,

tiens

��mamigma

��F

E�

��

��coeur

degrasou

��C

me

��puis

perderis

�B �

mon

��que

��5�

� ��

��est

dansci

�F

eux,

��

tien,moi,

��B �

��soisyeuxl'â

��D

��plus

jeme

��Gm

��Ne

QuandQui

��Gm

��metesm'a

��B �

��ledee

��d'un

��rerera

��F B �

��

belgarvi

��

je

��

moimesfau

��Gm

ac

��un

dra

��Dsus4

�C

� �

��negentme

��er,

ons,rir,

��

�mou

��G

��bais

ti

�Dm

��montestôt

��F Gm

��malperme

��PourCar

Viens

��B �

��er

onsrir,

��D

�ou

��donchan

��B �

9

��apfecse

� �

��pais

ticou

�Cm

��

��

��Dsus4

��

���

moi

dra

�unac

��negentme

��C

fau

�Gm

mes

��

��13�

mou

��bais

ti

�� �

��er.

ons.rir.

�G

mal

��perme

��Dm

fec

��ap

se

��Gm

��PourCar

Viens

��B �

��montestôt

��F B �

��er

onsrir,

��donchanou

��cou

��Cm

ti

� ��D

��pais

114 Pennsic Pile 43

Page 121: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

GalliardCan she excuse

arr. Steven HendricksJohn Dowland, setting from Morley's Consort Lessons, 1599 & 1611

��

� C����

�� E �

Cm�

��

��

�Gm

���

��

B ����

��

F�

� � 23���� � 23��

�8

� 23��

Gm����

��

� � 23�

D

��

���

� �

���

�����

Gm

B ��

��

� �

��

��

D

���

��

Dm�

FB ����

Gm���

��

���

��������

��������

� ���� ��

���

�Dm

�� �

E ��

���

B ��

D�

��

��

�� �� �

8

�8

�� �

���

�Gm����

� � � �

FCm����

Dm�

��

B ��

���

�� �

��

G

���

���

��C�

��

��

F�

��

Gm���

� ��

Gm�D�

��

����

����

����

���� �

���

�C

�����

���

� �B �

��

���������

8

����

14

� ������

���

�D

��

�E �

� �

��

�Cm

��

����B �

��

��������� �

���

� B ��

����D

��

����

��

��

��

�C

���G

�� �

����G

� �

����

���

8

����

20

��

��

���� �

���

�D

��

�� �

� ���

D

� �

���C

���

��

� ��

��

���

�����

��

����D

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 115

Page 122: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

PavaneLa dona

Tylman Susato, Danserye, 1551

��

��

F�

���

Dm�

��

C�

��

Dm�

��

C��

��

Gm�

�� �

Dm�� ���

�8

��

� ���

8

���

��

� �

��

� ��

B��

��

Am��

��

�Gm��

��

Dm

��

���

G�

��

G�

��

Dm

��

��

�C

��

� �C

F�

��

Am��

��� �

Dm�

���

��

��

��������

��������

����

��������

���� �

� ��

�C��

��

� F�

���

Csus4

F�

��

8

F�

C�

8

�8�

B�

��

��

��

� � �

��

���

��

C� F�

���

��� �

��

Dm

A

��

��

� �

����

Dm�

��

Gm�

��

F

���

F��

��

����

����

Asus4

���

D5

Gm�

��

���

C

���

15

��

8

�8

2.

� �

��D

�1.

D

��

F

��

Am

��

��

Dm

�� �

F�

Gm

��

Am

��

Am�

��

��

CG�

���

CDm

��

Em�

��

��

116 Pennsic Pile 43

Page 123: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

GalliardLa dona

Tylman Susato, Danserye, 1551

����

����

��

Dm

�Gm

�Em

���

��Dm

�� 46��� 46

8

��

��A

��

��

�468

�� 46�

���

���

Gm

���

��

��

��

�Am

���

�Dm Dm

��

���

C��

��

��

�F �

���

� �

��

��

��C�

��

�� ����

��

��

��

���

��

Dm

��

��

�� �

��

C

��8�

8

��

5�

� ��

�F�

��

����C�

�F

��

��

��

���

�Dm C

��

� �

��

C

��

�F

���

���

��

������

�� ����

�� ��

��F

��

�Gm

��

��Am

8

�8���

8�

�D

�A

��

����

����

��

��

� ��

��C�

��

��

�Dm G

�Dm

���

��

��

��

��

��

�Dm

��

Pennsic Pile 43 117

Page 124: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Pavane

Earl of SalisburyWilliam Byrd (c. 1540 - 1623)

Arr. Aaron Elkiss based on anthem “Lord, make me to know”AABB x 2

����Am F

��

��

A

��

� ��

A

�� ��

��� ���

�� �

8

��

�8

���

��

��Esus4

���

���

��Am

� � �

��

E

��

��

��

��

���

D

���� �

�� ����

����

����

��

���

C

��

G

Dm

��

����

B

��

��C

8

6�

�8

��

��

����

��

��� �

��Em

��

����F

���

����G

��

1.

�E

��

2.

�E

Dm

��

��

���

����

����

��

��

��

� �� �

����

1.

��

��Esus4

��

��A�

2.

��A

��

� �

�C

��

��

��

��

8

12

8�

G

�� �

���� �

C

��

��

� ��

Am E

��

� �

��

��

Am

��

�� �

E

��

��

118 Pennsic Pile 43

Page 125: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

GalliardEarl of Salisbury

arr. Steven HendricksWilliam Byrd (c. 1540 - 1623)

��

��

��

���

���

���

��

���

��

��

��

23��

8

23���

�� 23

8

���

A

��

��

��23�

��

���

��

��

��

��

���

� � �

��

��

���

��

��

���

��

��

��

��

��

� �

��

��

��

��

��

��

����

����

����

����

�� �

��

��

��

��

��

�� � ��

B

��

��

�� �

��

��

��

6

�� �

��

� ���

���

��

8

�8�

��

���

��

��

��

��

��

���

��

���

���

�� �

��

��

��

��

� �� ������

��

�� ��

����

��

������

���

���

��

���

��

��

���

��

11

��

8

� ��8

��

�� ��

� ��

��

��

���

��

��

��

���

����

��

��

� ��

���

���

��

��

��

��

��

��

��

���

�� �

��

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 119

Page 126: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

120 Pennsic Pile 43

Page 127: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

The Frog Galliardarr. Steven HendricksJohn Dowland, setting from Morley's Consort Lessons, 1599 & 1611

�� ��

Am

��

��

��D

C

���G

�� 46��

���

��

���

��46

�8

��� 46

��� 46

�� �

����C

����Bm

� ��

��

�D

� �

�G

���

Em

G �

���

��

���

�G

��

��

����D

����

����

��

G

��

��

��

�C

����

��

� Dsus4

����C

���8

��

��5�

���

� �

��

��

�C

���Bm

���

���

�G �

���

�Em

��

�D

��G

��

�C

���

�G�

��

���

��D

��

����

�� ���

Esus4

�� �

��

�A�

��

� �

��

�Am

��

�E

���

8

��

��9

� � ���

��

� ��

��

��

��

�G

� ��

��

���C

��

��

���

�Am

���

��

��

���

��������

��

��

Dsus4

���G

����

��

���Am

��

��

����G

���

8

��

��13�

��

���

��

����C

���Bm

���

�G

���

���

�Em

��

�D �

����G

��

��

�G

���

����G

���D

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 121

Page 128: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Pavane

Mille ducasTylman Susato, Danserye, 1551

��Am

���

��

Dm

��

���

Dm

��

Am

��

��

��

��

�8

����� �

� ����

8

� ��

��

��

B�

Em�

��

��

��

Am

�Dm

��

��

Em��

�B�

��

��

��

Dm

��

��

Am

��

���

C

��

� �

Am

��

��

Dm

��

��

Gm

��

��

�Dm

���

Am

��

���

Am

��

C

��

��

� ��

��8� �

��

��F

��

��

��B��

7

��F�

8

��

��C

��

��

��

��

Em

��

���� �

��A

��

A

��

Am

��

��

Dm

�C

��

Dm

��

��

��

���

��

��C

��

��D5

��

��

��

������

����

C

��

��

��Dm

��

Dm F

� ����

��

�8�

8

��

12�

� ��

Asus4

���

��D5

����Am

��

��

����

A5

��C

� ��

��

�Dm

��Am

��

��G

���

B�

�����

�Am

����G

����B� F

��

122 Pennsic Pile 43

Page 129: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

GalliardeMille ducas

Tylman Susato, Danserye, 1551

����

����

C Dm

��

��

��

��A

��

��Dm

��

��Em

� ��

�� �

F

��� 46��� 46

8

��

46

��

��D5

8

��� 46�

Dm

��

Am

��

� ��

��

��� �

A

�Dm

C

��

���

�� �

��Am

��

B�

��

���

��

��

Am

��

� ���

��Em

��

��

��

��

��

��

��

��

�C

� �� ��

��

��

���

��

��F

��8�

8

��

5

��

Dm

��A5

��

��

��Dm

��

��

���

��C

��

��Em

��

��

��

��Dm

��

��

��

��C

�C

��

��Dm A

��

��Dm

��

����

��

�� ������

���

��

C

��

�Dm

��

G F

��

8

��

9

�8�

Asus4

��

��D5

B�

��F

��

��G

� ��

��

��

Am

��

��G

��F

��

��Am

�F

Pennsic Pile 43 123

Page 130: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

124 Pennsic Pile 43

Page 131: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Monsieur's AlmainWilliam Byrd arr. Steven HendricksSetting from Morley's Consort Lessons, 1599 & 1611

���

� � �

G�

���

���

����

Am�

��

G�

���

���

��

G

�� �

Am�

���

��

C

���

� �

��

��

D

���

��

���

��8

� ���

��8

� ��

G

�� � ���

�� � ��

�� � ���

G�

���

Am

��

� � � ��

���

�� ��

�� ��

�� ��

�� ��

�� ��

��

�D

� ���

���

���

� � �

G

����

��

��

��

G�

���

��

���

� �

G

����

C

���

�8

� �

D

���

6

� �

� �

�8

� �

���

��

�����

G

���

�G

����

����

��

��

��

��

��

���

C

���

���

D

�� �

��

��

G

��

���

�� � �

���

D

���

���

��

G

���

���

���

A

���

�� �

���

���

�� �

Am

���

11

� �

� �

�8

�8

E

����

����

���

���

�� �

D

���

�C�

���

��

G�

���

��

� �© Steven Hendricks, SCA Samuel Piper

Permission granted to copy within the SCA.

Pennsic Pile 43 125

Page 132: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

GalliardThe New-Yeere's Gift

Anthony Holborne, 1599

��

����

����

Dm�

��

F���

��

Asus4

��

��

��

C

��

�G�

���

��

��

��

� 46����

8

46��

�8

46�

���

D�

��

A�� 46��

� 46��

���

��

��

Em�

��

���

Dsus4�

��

��

G�

����

��

G�

D

��

G

��

��

��

� ��

C���

��

D�

Dsus4�

��

��

��

�� ����������

����

��

����

AmC�

��

��

Am

Bm�

��

C�

��

��

��

Dm���

� �

5

���

8

��

��

8

��

��

���

AE

��

D���

A���

��

D Em�

��

��

D �

��

��

���

��

��

��

� G�

��

��

����

D �

G�

��

��

��

��

Dsus4

126 Pennsic Pile 43

Page 133: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

����

������

��

��

��

C

���

��

���

Em

� �

���

F���

Dm

��9

���

8

Am���

��

�8�

��

� C� �

��

� �

���

���

��

�G

��

���

G�

��

D���

��

Em

��

��

� �

Am�

��

D

��

��

���

G

��

��

�� ��

��

Asus4

��

��

D���

��

�� A��

������

��

��

��

����

Dsus4

� �C

��

��

�Am

�8�

8

��

13�

���

D

���

���

�G

��

���C

��

��

G

���

���D

��

��

Am

��

��

��

�Dsus4

� ��

�G

��

��D

���G

��

CC-NC-BY-SA - Originally transcribed by Ulrich Alpers

Pennsic Pile 43 127

Page 134: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

La Voltaarr. Robert SmithWilliam Byrd (c. 1540 - 1623)

C

��

��DD �

��

��

� ��

��

���

����

�46�

�� 46

8

�� 46

8

���

��

��

��

��G

46�

��

��

��G

��

� ���

��D�

��

��

��G

���

��

��

���

��

��G

��

��Em

��DEm

��

��

� �

�� �

��

��D

��

D

���

��

��

��G

��

�� C�� �

���

��

5

8

�8

��

C�

��

G

��

D G��

��

��

����

��

��

��

G��

G��

� �

��G�

�� �

��

D��

Em

��

Em

��

��

D��

��

��� �

D��

�� �

��G

���G

��

�D

��

� ��

��

�8�

8

��

10�

� �

��

�G�

�C�

��

��

��G�

���

� ��D

���

��C

� �

�� G

����

��

��

��C

��

��

�� �

��

����

��

����

G�

��

��

��D �

��

G

��8

�8���

14

��

���

��

��

��

���

��

��

��G

��

��G

��� �

��

�C�

��

�D�� ����

�� �

��C

��

��

�����

© Robert Smith, SCA Alaric MacConnal

128 Pennsic Pile 43

Page 135: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

��

��

��

��G

��

��D� �

��G

��

� �

�8�

8

��

18

�� ��

��Em

��

��

����

��

��

��D

��

��

��D

��

��G ��

��

��Em

��

��

��C

����

Em

��

��G

D �

��

��

��

����

��

��

��

��G

�� �

��

��D

����

��G

�8�

8

��

22

��

�C�

���

���

��

��G� �

�� �

��

��G

� �

��

��G

� �� D��

���

��Em

��

� �Em��

��

��AmEm

� �

���

����

��

��D

��G

����

���

��

��

��G

��

�8�

8

��

26

��

��

��

��

� ���

���

��G

���

��D ���

��

��

��

��

A D�����

��

�� ��

��

��G ��

��

��C�

��

��G

� ���C

�Am

��

D

�� �

���G

��� ���

��C

��

�8�

8

�30�

��

��

��G

��

��

��G

��

��D ��

��

��

��Am

��

G

� ��

��

��

��

��

��

��

��D

� �

��

�G� �

���

Permission granted to distribute within the SCA without alterations.

Pennsic Pile 43 129

Page 136: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Volte (CCX)Michael Praetorius, Terpsichore, 1612

��

����

����

��

D

� ���

��

��

��

��

��

�� �

��

���

��� � 46�

A

46���

8

�46��

�8

�46

� �

���

��

� �����

� �46��

G

���

��

��

��

��

��

��

��

��

�����

G

��

����

�� �

G

���

��

����

�G�

��

��

C

G���

��

��

D����

����������

��������������������G

��

��

���

�� �

��

��

G

��

��

��

��

��

��

��

D�

��

��

��

�B

5 �

� �

�8

�8

��

C�

����

�� �

��

C

���

D�

���

��

C�

G���

��

� G���

��

���

��

G���

� �

�� �

G

���

D���

D���

��

G

��

��

��

G�

��

D���

��

G

���

���

G�

��

G�

��

����

����

��

��������

������

��

����

�� �

��

��

��

��

��

��

D

�8

�8

�� �

10

� �

� ��

��

G

����

��

G

��

D

��

��

��

G���

��

��

Am����

� �

���

��

��

��

G���

D

��

��

D

��

��

130 Pennsic Pile 43

Page 137: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chapter 8

English Country Dances

While John Playford’s The English Dancing Master of 1651 was the first published book to give instructionsfor the dances, many dances such as Trenchmore, Heart’s Ease and Sellinger’s Round have published musicor are referenced by name in the late 16th or early 17th century.

The dances are generally transcribed in either cut time or in 6/4. For cut time use a tempo of approximatelyhalf note = 115 or for 6/4, dotted half = 115. Some dances such as Chestnut are often danced slower, so besure to check with the dancing master just in case.

131

Page 138: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Adson's SarabandLongways for three couples

arr. Jay Ter LouwJohn Playford, The English Dancing Master, 1651Play 12 times through

���Am

��

�� �

��

��C�

46����� 46

8

� �

��

Em

� ����

� 46�

����

��

�C

��

��

�C

��

�G

�C

��

�Am

���

���

��

�G

���G

���

� G�

��

�G

��

C

��

�8

��

6

�����

� ���G

��

�C

��

����C

���

�G �

���F ���

���

��

��G��

��C

���

� �

��

�G

� �

��C

���Dm

���

�G

��

�C

��

12 �

��C�

��8

��

���Am

��

��C

���Am

��

�Am

���F

�� �

��

���

�� �

����Em

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

132 Pennsic Pile 43

Page 139: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

All in a Garden GreenLongways for Three Couples

arr. Robert SmithJohn Playford, The English Dancing Master, 1651AA BB x 3

� �

���� �

��

F��

��B�

���

A

�� ����� �

� �

��� ��

8

�� ��8

� ��� �

��

����

C

��

���

��F Dm�

��

�� C

��

���

�� �

��

��B�

��

����

����

����

����

������ Gm

��

��

���Dm

��

���

���8

�8

����

7

��

�� �

���F�

��

����B�

��Gm

��

��B��

��

B

��

��C �

��

��

���

����

����

��

��C�

� �

� ��

��

8

�8

��

� �

��13�

��

���

��

��F�

Gm��

��

�F��

�� �

�� ��

���

��

���

��

��B���

��

��

��

Am

��

��

© Robert Smith, SCA Alaric MacConnalPermission granted to distribute within the SCA without alterations.

Pennsic Pile 43 133

Page 140: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Argeersfor two couples facing

arr. Jay Ter LouwJohn Playford, The English Dancing Master, 1651AA BB x 3

��

��

�� �

��

��

���

���

� �

��

�� ��

A

8

���

�8

��

� ��

�������� �

��

��

���

��

��

��� �

��

� �

� ��

��

�����

���

���

��

��

��

��

������������

���� ����

��

����

��

�8�

8

��

7

��

����

��

���

���

����

���

���

B

��

�����

����

�����

��� �

�������

��

��

��

�8�

8

��

12

����

��

��

����

���

� ��

��

��

��

����

����

��

��

����

��

��

����

� ��

��

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

134 Pennsic Pile 43

Page 141: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Black NagLongways for three couples

John Playford, The Dancing Master, 1670 arr. Jay Ter LouwAA BB x 3

¬¬

¬¬

¬¬¬¬

¬¬

¬¬¬¬

¬¬� �� �

¬

¬

¬¬

��GAm��

¬¬¬

¬¬

¬

¬

��

��

��

¬¬

��

��Am��

��

��

¬¬

¬¬

A

��Am �

¬

¬�

�� 468

� �

�� 46� ��

� �� 46� ��� 46

8

� ¬¬

¬

��

�Am

����G���

¬

¬

¬¬

��

��Em�� ���

¬

¬¬

¬¬

¬¬

¬¬

��

�Am

��

��

��

��

��

��

��

��

��

�Em

��

��

��

��Em

�8�

8

��

5B�

��

��

��

��

��

Am

��

���

���

��

��

¬¬

¬¬

¬¬¬¬�

¬

�¬

¬¬

��Am

��

¬

¬

E

��

��

¬

�� �

� ¬¬

Am

¬¬

1. ��

¬

¬ �

��

��

��

Em

��

��

��

�8

�8�

Em

��

2.9

� ��

���

��

��

��

Am

��

¬��

��

��

��

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

Pennsic Pile 43 135

Page 142: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Boatman

Longways for three couplesarr. Steven HendricksJohn Playford, The English Dancing Master, 1651

AABB x 3

� �

��

�C

��

���

�G

� �

� ���

���

A

�� 46��� 46

�8

��

�� 46�

�� 46�

��

�C

���

��

� �

�C

��

G

��

� �

�D

����

��

��

��

�C

��

����������������

��

��G �

���

Am

B

��

�C

��

�G�6�

��8

��

Em

��

�C

��

�C

���

�Am

��

��

��

�C

��

���

��

�C

��

�C

� ��

���

���

C�

��

�G

�Gsus4

��

��

����

��

��

��

��

�C

��

�C

� �

���

��

���

�11

C�

��

��

�G

���

�Gsus4Am

���

��

���

G�

���

8�

C

�����

Dm

���

��

���

��

��

���

��

C

��

���

�© Steven Hendricks, SCA Samuel Piper

Permission granted to copy within the SCA.

136 Pennsic Pile 43

Page 143: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chestnut, or Dove's FigaryLongways for three couples

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651AA BB x 3

����������������

��

����

G

C��

�C��

��

���

B

��� ���

A

��

�8

���

�8

��

� � ��

��

� �

��

��

��

���

Am��

Dm E��

��

Am��

��

��

Am�

��

G��

��

��

Am��

�� �

���

E��

����

����

��

��Am �

Dm

���

��

��

� ��

��

��

7

��

8

A

8

��

���

E��

��

��

��

��

�Dm��

G��

� �

C�

��

�� �

Am��

��

��� ���

� �

G��

��

��

C��

��

� �

C�

��

��

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 137

Page 144: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Chirping of the NightingaleRound for as Many as Will

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651

����

����

�C

��

��F

��

��

��

��

��

��C

A

�� 46�

��� 46

8

�� �468

�� 46

��

��G

���

��

��C

� �

��

��F

��

��

��C

��F

�����

��G

��

��C ���

��

��

����

�� ��

��C

��

�F

��

��

C

��

��

8

�8���

5B

��

���

��

��

���

��

C

��F

��

��C

��

���

C

� �

��

���

��

��

���

��

C

������

�� �

��

����

����

��

��G

�C

���

��

��

�8�

8

��

9�

C

��

��

��G

��F

��

���

��

��C

��

���

��

�F

��

��C C

��

��

��C

��F

���

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

138 Pennsic Pile 43

Page 145: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Confess (his tune)Two Lords and Four Ladies

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651ABB

Dm

��

A

����

��

Gm

��

Dm���

�A Dm

���

� �����

�� � 46�

A

� � 46��

8

� 46�

� ��

����

���

� � 46� ����

Dm��

����

����

A

����

��

Dm

���� �

Gm

��

Dm

����

����

Dm���� �

Gm�

���

Gm����

����� �

��

������ �

��

� ����F

����GmAm

���� �

��

���

8

����

7�

� ��

��

���F

����C

����

����Dm

��

��

�Gm�

Gm

��

����

� ����

��

���

�Dm

� �

���

�A

��

B

����Am

���

������

��

��

��

ADm�

���

����F

����A

����

�Dm

���

8

�����

12�

� �

���

�� �� �

���

�D

����

����F

��

���

�F

��

�Csus4

���F

����Gm �

���

���

�Gm

����Dm

��F

�����C

������

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 139

Page 146: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Cuckolds all a Rowfor two couples facing

arr. David YardleyJohn Playford, The English Dancing Master, 1651ABB x 3

������

� ��

�G

��

1.�G

��

�A

��

2.�

��

��

46

46�8

����

�� 46�� �

��

�D� �

�Em

� ���

�D

�� �

���

� ��D

��

����

��G

���

���Am

��

����

� �

��G

��

���Am�

� ��

�D

�8

��

� �

��6

B

���

���

G

��

��D

���

���

�C

��

�G

��

���

�� ��

������

����

���

�D

��

�G

��

��8

��

��

��

��G�

10

���

������

��

��

���G

Am����

��

�C �

��

���

��

���

����D

��

© David Yardley, SCA Geoffrey of ExeterFree for non-profit use.

140 Pennsic Pile 43

Page 147: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Hit or Miss (Daphne)Square for four couples

arr. Jay Ter LouwJohn Playford, The English Dancing Master, 1651AA BB C x 3

��

����

��

� �Dm

��

��

��

���

C

��

��

Dm

�1.

��

��

��

A

4646

��

�8

���� �

2.

� � ��

��

� � 46��

�8

� 46�

��

��

��

��

���

A

��

��

��

Dm

��

� �

��

�F

��

��

���

��

��

��

��

��

Dm

��

��

���� ��

��

���� ��

� �� � ��

��

CF6

B

��

��

���

�C

��

��

F

����

8

� ��

8

� �� �

� �

���

�� �

��

��

� B���

��

��Dm�

��

��

� C��

��

�� �

�F�

��

��� �

���

A��

��

��

��

��

��

���

��

Gm

���

� � � �C

��

��

��

�F���

��

��

��

8

�8

��

� �

��11

��

��

� �

Dm

��

� ��

���

Dm

���

��

��

���

��

�� ��

��

F

�� C�

��

��

� ��

Dm��

��

��

��

C

����

��

���

B���

����

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

Pennsic Pile 43 141

Page 148: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Dargason, or SedanyFor as many as will

arr. Robert SmithJohn Playford, The English Dancing Master, 1651

��

��

��

��

��

� ���

��

��

��

� 46

�46��

� ��

���� 46

�8

�� 46�

8

��

��

��

����

��

����

��

��

��

�� Am

��

��

��

G

���

��

���

��

��

���

��

��

��

��

����

�8

�8

���

��

��5 �

��

���

��

��

��

��

��

��

���

���

��G

��

��Am

��

��� �

���

���

© Robert Smith, SCA Alaric MacConnalPermission granted to distribute within the SCA without alterations.

142 Pennsic Pile 43

Page 149: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Dull Sir JohnSquare for four couples

John Playford, The English Dancing Master, 1651 arr. Steven HendricksAABB x 3

¬

¬

¬

C

��

��

��

Dm

��

��

F

��

��

¬C

��

G��

��

���

��

F

��

��

��

FC

��

Dm

��

��

A

��

��

��

Dm

��

A

��

��

��8

� 46��

��8

� 46

Dm

�� � 46�

���

�� � 46��

A

� �Dm

��

��

¬

¬¬

A

¬¬��

¬¬� �

C

��

��

¬¬ ¬¬

¬¬ ¬¬¬¬ ¬¬

¬¬ ¬¬ ��

��

F �

��

��G

B

��

��F

¬ ����C

����FC

���

Am��

��

¬ �

��

¬

��Dm

�C

��

�� �

��A

����

8

�8

6

� �

¬¬

�Am��

��

¬¬

��

¬

¬

¬ ¬

F

��

��

¬¬

���Dm

�¬

��C

¬¬

¬¬

¬¬

¬¬

�� �

���

¬

Dm

�¬¬

¬

�F

��

��

A�

���¬

¬

¬�

¬

¬¬�

Asus4

��

��

¬��

� D�� ��

��

��

��

¬ �¬

¬

G

��

��

¬

�8

�� �

C

���

11

� �

�8

Dsus4

��

F

��

�� ¬

¬¬

¬

¬

¬

¬

� �C

��

���

C�

�¬

��

��

��F

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 143

Page 150: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Faine I WouldSquare for four couples

arr. Kathy Van StoneJohn Playford, The English Dancing Master, 1651AA BB x 3

Dm�

���

� �

��

�F

F �

��

��� ���C

A

� 46���� 46

��

�Gm

��

�� 46��

��� �

��

��

��

�D

��

��

�Gm

�Gm

F

�F

���

���

���

��

�C

����

��������

����

��

��

�Dm�

��

��

��

������

7 ��

��

�B �

���

��

��

�B �

����

����

�F �

��

��

��

� �

� ��

�����

B

��

��

��

�F

�������Gm

� �D��

��

��

Gm

����

�Dm

�����

12�

� ���� �

�G

��

����� �C��

����

���

�F �

���Dm

��

� �

��

C

� ���

�Dm

© Kathy Van Stone, SCA Elsbeth Anne RothPermission granted to distribute within the SCA without alterations.

144 Pennsic Pile 43

Page 151: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

The Fine CompanionSquare for four couples

arr. Paul ButlerJohn Playford, The English Dancing Master, 1651AABB x 3

��

� ��

��

C�

��

Am�

��

A

� � 46���� � 46��

8

� 46��

��� �

� �

� � 46��

���

� �

��

��

� �

�Am�

���

Dm�

��

���

� �� �

F�

��

Dm

��

��

��

���

� Dm�

�� �

��

����

��������

����

��

���

� �

��

�Am

��

��Am

���

��

�� �

�8

� �

��

6

��

��

��

� ���

��

��

��

� �

Dm�

��

��

�Am

�� �

����

� �

���

��

B

��

Am�

��

Dm�

���

��������

��

��

���

� �

Am�

��

��

�11

� �

� �

�8

��

��

�� �

��

Dm

��

�� �

��

Dm�

��

��

��

C�

Dm�

���

��

� �

���

��

��

��� Dm�

���

� �

��

��

Am�

���

���

���

© Paul Butler, SCA Arden of IcombePermission granted to use this work for any purpose with attribution.

Pennsic Pile 43 145

Page 152: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Gathering PeascodsRound for as many as will

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651AA BB CC x 3

��

������

�� ��

����

G

� �1.

��

G

�2.

��

��C

��

Dsus4

���

��

���

A

����

�8

����

G

��

B

�� ���

� �

� �

���

����

��

� ��

G

�G

���

��

G

C

��

��

GD

����

��

C

��

G

����

������

��

����

����

����

����

D

����

C

���

�D

G

��

� ���A

����

8

� ��

�8

�� �

��

��

G�

��

��

����

���

G

D� D�

���

G����

���

� ��

D

����

D

����

G

���

���

��

G

��� �

D���

��

���

����

������

��

��

D

����

��

���

G

�G

��

15

� ��

�8

�� �

2.

G

�1.

��

��

��

�G

���

��

��

���

� �

C

��

G

��

��

���

��

�C

��

��

C

��

��

G

���

��

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

146 Pennsic Pile 43

Page 153: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Glory of the Westfor two couples facing

arr. Jay Ter LouwJohn Playford, The English Dancing Master, 1651AABB x 3 or AAB x 3

��

��

����

Dm

�������

��

��C

��Am�

A

���

8

�� �� � �

�� ����� ��

8

�� ��

C

��

���

��

��Dm

��

���

��

��Dm

�� �

���

�Am

��

����

�� ��

��C

��

��

��B�

Am

��

����

����

8

�8

��5

B�

� ��

��C�

��

��

��F

��

��F

��

��� �

��

��

���

��

��

���

��C

��

��

����

��

��

C

��Am

��

��

����

���

8

�8

��

� ��Dm10

��

��

��Am�

��

��Am

��

��

��Dm

���� � �

Dm

��

��

��

��

��Dm

��

��C

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

Pennsic Pile 43 147

Page 154: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

GoddessesLongways for four couples

arr. Kathy Van StoneJohn Playford, The English Dancing Master, 1651AA BB x 11

��������

���

�E

��

���

��

��

�A

�� ����

�8

�� �8

�� ���

��

���

��

��G

��

��

��Am

���

��

��Am

���

��

���

���

��

��������

����

��

���

��

� ��

��Am

���

��

Em

��

��

�8�

8

��

��

��

��

��

BG

���

����

��

�5

��C

��

��

��Am� �

��

��

��

© Kathy Van Stone, SCA Elsbeth Anne RothPermission granted to distribute within the SCA without alterations.

148 Pennsic Pile 43

Page 155: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

GrimstockLongways for 3 couples

arr. Monica CellioJohn Playford, The English Dancing Master, 1651AA BB x 3

���

��D

���

��

��

��

��

��C

��

��

��C

A

�� 46���

� ��

��

����

� 46�8

�� 46

8

�� 46�

��

��

��C

��

�� �

���

��G

��

��

��

����

��G

����

��

��D

���

��

����

����

C���

��

��

��C

����

��

��

��

���

8

�8

��

��

�D

��

��5

��

��G

��

��C

��

��

�G

���

��

��

��

��G

��

� ��

��

��

��

��

��

��

��D

��

��

������

��

����

����

����

��

�� �

���

���

8 ���

�8

�9

B�

� ��

��

��

��

��

��

��

���

��

���� ��

��

��G

���

���G

�����

����

��

��

��

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 149

Page 156: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Half HannikinLongways for as many as will

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651

��������

������

��

��

���

� �

���D

����

�� 46���

��

��

��

�G

46�8

�� 46

�� 46� �

���

C ��

���

�G��

����G

����

���

� �

���

G

��

���

���

��� �G

�����D

����

���� � �

��

G

���

�C

���D

���

���

8

��

�G

���

�5

��

��

�G

��

�C

���

���

� �

���

�G

����� ��D

����

����G

���

�G

����

��

��

�G

����D

���

� �

�C

���

8

�9

� ������

��

��

��

�G�

���

�C

����

���

���

��

���

�G���

����G

����D �

����G�

����G

�����

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

150 Pennsic Pile 43

Page 157: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Heart's Easefor two couples facing

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651AABB x 3

��������

��������

B

���

�Em

� �

��

�G

���

�E

���

� �

����

A

46���

���

8

46���

46�

���

� � �� 46��

���

��

���

��

E�

��� �

E

��

Am�

�Am�

��

���

� �

Am����

� ��

Dm�

E�

Am����

Am���

E

� �

����

���

��

����

���

��

�� �

Am

��

��

Am E�

��

� �

��

G�

��

� �E

��

Am�

�����

6

� �� �

�8� �

�� ��

��

���

� ��

A

��

E

��

Am�

��

����

E�

��

��

G�

���

�� �

Em�

��

���

C�

G�

Dm�

EAm�

���

��

� ����

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 151

Page 158: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Hyde ParkSquare for four couples

arr. Kathy Van StoneJohn Playford, The English Dancing Master, 1651AABB x 3

����

��

�D���

��

���

�AA�

�� �

46����

G �

�� 46����

�46

��8

� �D

� �� ���

��

��

���

��

��

�D

�D ����

���

�A

������

���

�A ��

��

� ��

����

��8

���

� �

��

D

�5

B

���

��

��

��AA

���

����D

��

��

��

��

��

��

��D�

��

� �

��

���

��8

� ��

��

���9 �

����

�G�

���

� �

���

�A

��

���

��

���

�D

�A � �

��

��

© Kathy Van Stone, SCA Elsbeth Anne RothPermission granted to distribute within the SCA without alterations.

152 Pennsic Pile 43

Page 159: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

If all the World were PaperSquare for four couples

John Playford, The English Dancing Master, 1651 arr. Monica CellioAA BB x 3

¬

¬¬

���

¬

��

��

G

���

��

¬ ¬�

����

��

F

����

���

��

¬

¬¬

F

��

��

¬

¬�

����

��8

46��

��8

46�

�� 46��

��� 46�

A

��

��

¬¬

����

Am

��

��¬

� �

C�

���

¬

¬

¬¬ ¬¬

¬¬ ¬¬

¬¬ ¬¬¬¬ ¬¬ �

¬ �

��

B�

��

��

G��

¬

���

��

��

¬

��

� �¬

�¬

� ¬

G�

���

�8�

Dm

��

��

6

��

8

��

��

¬

¬ �

¬

C�

��

��

��

�¬

����

��

¬

¬¬

¬¬

¬¬

¬¬G

��

��¬

G���

����

¬

���

� ¬

¬

¬�

����

¬�

��

C�

��

¬

��

��

��

¬¬

¬�

� �

��

�8�

C��

11

��

8

��

��

��

��

¬

Gsus2

��

¬¬

��

��

�F�

If all the world were paperAnd all the sea were ink,If all the trees were bread and cheeseWhat would we do for drink?

If every bottle leaked,And none had but a crack,If Spanish apes ate all the grapes,What would we do for sack?,

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

Pennsic Pile 43 153

Page 160: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Jenny Pluck PearsRound for three couples

arr. Robert StocktonJohn Playford, The English Dancing Master, 1651AAB x 6

���

���� �

Em

��

C�

�����

� �

��

Am��

��

��

A

86���

��

�8

86��

86 �

G�

��

��

� 86��

�8

��

���

�� �

Am��

��

��

���

��

GAm��

��

��

��

��

� � �

��

G��

� �

��

��

���

Em

F��

��

����

���

B

43 �43

����43 43 �

Am

����6

��

� ��8�

8

���Am

���G

G

�������Em

��

��D

��

���Am

��

���

��

���

��

��

��

��

��Am

��

� �

��

��C

��

��

��Em�

��

���Am �

���

D

��

��

��G

��Am

��

����

��

���G

� �

���AmAm

�8�

8

11

��

��

���G

G

��

��

��

��Am

© Robert Stockton, SCA Robin the JustPermission granted to distribute and perform within the SCA with this notice on all copies.

154 Pennsic Pile 43

Page 161: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Lord of Carnarvan's JigLongways for four couples

arr. Steven HendricksJohn Playford, The English Dancing Master, 16518 times through

��

����

�� ��

Csus4

���

��C

Csus4

��

1.�

���

��

A

�� �

2.�

� �

��

�C

���

��� ��

8

�� ��8

�� ��

B �

��

�� ��

��

��

��

��

��C

��

��

��

� �

��

��

���

��Gm

��

�� �

��

��C

��

����

����

��

��

��

�� ��

C

�1.�

����

G

��

��

� �

��

��

�8

�� �

�8

B

2.

��

��

��

���

��C

F

��

��

��

��

��

Am

� �

Dm

��

��

��

C

�Gm

��

���

Am

���

B �

�� �

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 155

Page 162: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Lull Me Beyond TheeLongways for four couples

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651A BB x 3

���

��� �

��

Am�

����E��

��

� �

A

��

46���

��

�8

46��

46���

� ��

��

� 46��

����

��

���

��

� �

��

�Dm���

Am

����

AAm

��� �� �

�� �

��

Am

���

���

���

��

��

E�

���

����

����

�� �� �

Dm

� ��

����

�Am

B

� ��

��

�8���

6

���

���

G

��

��C

���

��

��

���

�E

��

���Am

���

��

���

� �

��

�Dm �

��

����E

�Am

����

�A�

����

���

��

� �

��

��������

����

��Am

���

� �

��

��

��

���

E�

��

��

11

���

A�

��

�8

��

E

����

� ��

��

��

��

C�

��

�� ��

� �

G����

��

C�

��

����

���

��

���

G

����

G����

Am��

�����

� C��

����

�� ����

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

156 Pennsic Pile 43

Page 163: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Maiden LaneLongways for three couples

John Playford, The English Dancing Master, 1651 arr. Steven HendricksAABBCC x 3

¬¬

¬¬

¬¬

¬¬G

��

��

��

�G

� D

���G

��¬

��

�G

� �D

��

� �

���

���� ��� �

�� ��� �G�

¬

¬A

�� �� �

�� ��8

� �

�G

��

�D

��

���

�G

��

¬¬

¬¬

¬¬¬¬¬¬

¬¬

¬¬

¬¬

��

�Dm�

�Am

��

����

���E

��

����

���

��

�8

��

��5

B�

¬����Am

��

�E

����Am

���

�Am

¬¬¬¬¬¬

¬¬¬¬

¬¬

¬¬

¬¬�

��

�D

���

�G

��

���G

��¬

��

�G

�D

��

��

���

�G

�8

��

��9

C�

��

¬���

��

��

���

�G

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 157

Page 164: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Mage on a CreeRound for four couples

arr. Steven HendricksJohn Playford, The English Dancing Master, 165114 or 12 times through

�������� �

Gm���

� �

B �����

��

����

� �

� ��

���

��

��

���

�8

� 46�� � 46

� �

���

��46�

� � 46�

����GmF� �

���

���

F����

� �����

Gm���

�Gm

����

Gm�

��

���

� ���

����

��

���

D

��

�������

��

�� � �

���

�D

������

����

��C

�����

8

����

5�

��

���

G

��

������

�F�

����F

����

��

����Gm

�������

Gm

����� �

����

����

����

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

158 Pennsic Pile 43

Page 165: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Merry Merry MilkmaidsLongways for four couples

arr. Jay Ter LouwJohn Playford, The English Dancing Master, 1651AABB x 3

���

C

��

��

�C

��

��

��

��

��

���� 46��

A

�8

� 46��

� � 46��

8

� ��

��

� ��

��

�� 46��

��

��

��

��

���

G��

��

���

��

��

G

��

��

G

�� �

��

���

G

��

��

���

���

����

�� � �

� ��

��

���

����������������

� �

��

��G��

G�

��

��

��8

�8

�� �

6

� ��

� ��

�� �

��

��

��

��

��

� ��

G�

��

��

��

� ��

D��

��

� ��

��

��

��

��

��

D��

G

���

��

B

��

���

��G

��

��C

���D

����

8

�8

��11�

��

��

��

���

�G

� �

���

��C �

��

��

��

��

��

��

��G

��

��

��Em

����

����

��

��D

���

����

��

��G

����

8

�8

��16�

� �

��G

��

��D

� �

��

� ��G

����

��Am �

��

���

��D

��

��

���

��C

��

��

��Am

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

Pennsic Pile 43 159

Page 166: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Millison's JigLongways for three couples

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651

����

����

��

��

G

��

��

���

���

�C

����G

�� 46��� 46

8

��

� ���

�C

���

� 46�

�� 46�

��

���

��

���

�C

����G

����C �

���

�G

��

����

�G

��

����C

��

�G

���

�C

����

��

��

��

��

���

�C

��� �

��

���

�8����

� ��

��

� ��

��

��

����

G

���

���

��

����

���

����C

��

��

�C

���

���

�G

�� �

����

��

��

��

��

� �����

�C

��

���

G

�9

���

�C�

��8�� �

��

�G

���

��

����

��

��B �

��

��

��

��

��B �

��

�G

��

��

�C

� �

������

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

160 Pennsic Pile 43

Page 167: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

My Lady CullenLongways for as many as will

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651AABB x 4 = one progression

������

��

��

D

���

��

����

� �

�Asus4

A�

���

�� � �

���� �

� �8

��� �Gm

��

���

��

���Dm

���

� �

��

�Dm�

��

�� �

����A

��

����

��

������

�����

�A�

���

��

��

8

� ���

�D��� ���

5B

���

��

C

�F

��

��

� �

���

����F

����Gm�

���

��

��

�����

����

��

��

����

���

��� ���

��

��

8

�9

��

� ����

���

����

���

��

Alternate harmony parts

���

���� �

���

��������

����

���

��

� �

� �

��

� ���

���

��

���� �

8

13

� ���

��

��

��

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 161

Page 168: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

The New Bo PeepLongways for as many as will

arr. Monica CellioJohn Playford, The English Dancing Master, 1651AABB x 3

����

����

����

����

�B

�� C�

��

�G

� ��

�8

46��

�8

46��

� 46���

� �� 46�

A

���

��� �

���

�� �

G��

��

Am�

��

��

� G�

��

�� ��

��

��

��

��

D

��

��

���

���

Am��

�� ��

��

��

�� G

��

��

� ��

��

�8

�8

��

6

��

�D

��

��

��

�� �

��

��C

��

��

��G

� ��

�G

����

����

����

���

��

��

��

����

��

��C

� ��

��

���

11

��

8

�8

�� ��

G

��

��

���

��

��

��

D

D��

��

� �

��

G

��

��

��

� ��

��

��

� C

G��

��

� �

� �

��

Em�

© Monica Cellio, SCA She�erah bat ShlomoNon-profit reproduction and performance are allowed as long as this notice is retained on all copies.

162 Pennsic Pile 43

Page 169: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

NewcastleSquare for four couples

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651AA BB x 3

��

G�

��

��

C�

��

��

� �

��

� � ���

A

� � ���

�8

� ���

D���

��

��� ��

� � ��

G

���

G

���

��

��

���

���

��

G�Optional Descant

��

��

D�����

���

��

�� ��

��

��

���

���

����

� ��

G��

��

��

����

��

��

��

��

��

�� �

� �

��

��

B

��

C

��

� G�

��

�6 �

� �

� �

��

Am

���

�8

�� � �

���

��Am

���

� �

� �

C�

��

G

��

��

���

��

�� �

D

���

��

��

C

���

��

����

G

�2.

��

��

���

� �

� ���

��

G

�1.

��

���

��

� ���

��

��

����������

C���

���

D

���

��

������

Am

����

� ���

��

12

� ��

� �

�8

��

�� ��

G

���

��

D

��

���

� ��

�� �

��C

���

��

� � ��

G���

���

� � �

G

���

� �

��

��

��

��

��

��

D�

����

��

����

G

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 163

Page 170: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

NonesuchLongways for four couples

arr. Steven HendricksJohn Playford, The English Dancing Master, 16519 times through (or sometimes 11 or 15)

�Am�

�� �

����

�Am

��

���

�� ���� �

8

��

���

� ��

�� ��

���

��

���

���

�Am

��

�Am

��

�Am

��

��

�Am

����

��

�Am� �

���Em

��

��

��� Am

��

������

���

G�

G�6�

��8

��� �

����

���

�Em

���

�Am

��

��

�Am��

���

�Am

���

�Am

��

�E

���

�Am

��

������

�Dm

��

� ��

�Am

��

��

����

G���

����Em

����

�E

���

���

Am�

��

��

��

���

��

�Am

��

��

��

��

�8

���

�Am

��

���

���

11

����

�G

���

Am

��

���

����G �

���

�Em

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

164 Pennsic Pile 43

Page 171: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Old MoleLongways for three couples

arr. Jay Ter LouwJohn Playford, The English Dancing Master, 165111 times through

��

�C

��

��

���� 46�

��

� �

����

��Am

46

468

���

��Dm

�� �

� �

��

��

�C

� ���

��

��Am

��Am� G

��

��

��

��G �

��C

��

��Am

�� �

��

���C

���

�8�

6

��

��

� ��

�G

� �

����

��Am

��

��

�G

��

�� �

��

��

���

���

��G

C

��

����

F

� �

�� ��

��

��

C

���

�8��

11

��G

��

� � �

��C

��

��

��F

�� �

��G

��

�� �

��

��

��C �

��� ��

��G

�����

���Am�

� ��

�Em

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

Pennsic Pile 43 165

Page 172: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Parson's Farewellfor two couples facing

Bouree XXXII à 4

Michael Praetorius, Terpsichore, 1612AABB x 3

¬¬

¬¬

¬¬ ¬¬¬¬¬¬¬¬

¬¬

��

�¬¬

A�

��

¬

���

� �

��

��

F�

��¬

�1.

Dm

��

� �¬�

¬

A�

��

Dm

��

� ��

���

��

�� ���

�� �

2.�� �

��� � ���

A �

� ¬¬

Dm

��

¬

C�

�� �

¬¬¬¬¬¬¬¬

��

��

��

��

��

�C

��

��

��

��¬

��

��

¬�

�F

���

6B�

¬

��

��

��

��

¬¬¬¬

¬¬

¬¬��

�� �

�Dm�

¬� ¬

�Gm

��

�F�

1. ����

��

�A

��

�D

��

��

��

��

�Gm

���

11 2.�

���

�Dm

��

¬

��

�A

��

��

�A

��

Gm

Music is the second part of the Praetorious bouree. Measures 14-15 here are an editorial addition to allow thesecond part of the Praetorious to stand alone.

© Emma Badowski, SCA Margaret RaynsfordPermission granted for non-commercial use with attribution (CC BY-NC-SA 3.0)

166 Pennsic Pile 43

Page 173: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Picking of SticksLongways for three couples

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651Note Roadmap: Ax7 Bx3 Ax7

Dm�

���

����

�� �

���

�A

����

�� �

� ��

��

A

�� 46�����

���Gm

�A

46�8

��� 46��

�� 46�� � �

���

�A

��

��

��

��

��

�Dm

��

Lavena�

� �

��

�Dm

��

� �

���

�Dm

� ���

����

����

���

�A

�Dm�

�� �

�����

��

��

����Gm

����

���

8

���

���

D

��5

�����

����

��

���� �

����Dm

���Gm

��

���

����Dm

�����

��

�����

� �

����C

��������

���

�G

����

���

����F

��

��

��8���

B

��

��

���

��

���

��

���

�G

���

��

��

���

��

���

Picking of Sticks - Note Key Change!

�G

����

����

��

��

���

����

�F

����

��

��

�� ��

��

� ����G

��

���

��

��

�8�

�13

��

��

� �

���

� F

���

� �

�G

���

� �

� �

��� �

����F

���

����

����

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 167

Page 174: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Rufty Tuftyfor two couples facing

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651AABCC x 3

����

����

��

�D

��

D

��

�G

�Am

���

��

B

� G�

��

��

A

�8

� ���� � �

C

���

G

�� � ���

� � ��

� �A

���

G�

��

D�

A

D

� ���

��

D�

��

��

D

1. 2.

���

��

D

� D�

��

���C�

��G

�C

�G� ���

���

����

8

��

��8�

���D

���

�G

���G

��

D

��G

�C

����

����

�G

��

�Am

��

�D

��

�G

��

�D

��

�D

����G

��

�G�

��

��

����

����

���� �

��G

�C

��

�G

���

�G�

8 ����

��

��14

C�

��

Dsus4

G

���

��

���

�C�

��

�G��

���G �

���

����C� �

��

���G

����

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

168 Pennsic Pile 43

Page 175: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Saint Martinsfor two couples facing

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651AA BB x 3

����

���� �

Em� �

�� �

���

�G�

���

�E���

��

�� ��

�� ������ ��

8

���

������ ��

�� � ��

G� ����

C�

��

Am

���

�Am

��

��C

��

D�

���

G����

���

��

�� ��

��

������

���

��Em

����

��Am

����Em

��

����

8

�6�

���

��

��

��

�Am

��

�F

��

� ������

� ����Am

2.

A

����E

�A

��

1.

���

��

����

��

� �

� ��

A

1.

E

���

� ��

� �

Am

���

� �

8

� �

12

2.

A

� ���

���

���

C

��

����

C

���

�G

��

��

��

�Em

���

� �Dm

��

��G

���

F

���

���

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 169

Page 176: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Scotch CapLine of three couples

arr. Jay Ter LouwJohn Playford, The English Dancing Master, 1651AABB x 3 or AABB x 5 or AA(BB x 3)(AABB x 2)

����

����

����

����

B

��

�Dm��

�G

��

����

� 46��

A

�46��

8

46��

8

��

��

��

��

�� 46��

��

��

��

�� �

Am�

��

�Dm

��

Dm

��

� ���

��

G��

���

���

��

���

��

� ��

���

��

��

����

Em��

��

��

��

���

C

��

��

���

��

��

��Dm��

��

��

6

��

8

Dm

��

��

�8�

Dm

��

��

�Em

��

��

��

Dm�

��

��

��

��

���

��

��

Dm�

���

��

��

��

��

��

��

��

G

�Dm

��

��

��

Dm

��

��

����

�� �

��

��

��

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

170 Pennsic Pile 43

Page 177: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Sellinger's RoundRound for as many as will

arr. Robert SmithWilliam Byrd (c. 1540 - 1623)AA BB x 4

����

����

����

���

�C�

1.�C

���

A

�� 46��� 46

2.�

�8

����

�� 46�

�� 46� �

���

�C

���

�� ��

���

���

�G

���

��

���

�C

���

���

�G

����

���

�Dm

��

������

��

��

��

� �

���

���D�

�8����

6B�

� ���

��

���

G

��

��

����G�

���

�C

��

��

���� ��

��

��G�

�� �

��

��

��

��

��

������������

����

���

��

��

����D

1.

�G

��

8

���

10

��

2.�

��

���

�G

��

���

��

��

����G

��

����F

�C

����

���

���

F

��

�C

���

����G

© Robert Smith, SCA Alaric MacConnalPermission granted to distribute within the SCA without alterations.

Pennsic Pile 43 171

Page 178: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

StingoLongways for three couples

arr. Steven HendricksJohn Playford, The English Dancing Master, 1651AA BB x 3

��

C

��

���

��

��

��

���

��

���

Dm

��

���8

� 46�� � 46�

�� 46��

8

� 46���

� ���

���

��

��

��

C

��

��

���

����

��

Dm

��

��

��

��

�� �

��

�� �

��

���

Dm

��

��

Dm

��

��

��

��

��

������

�����

��

��

��Dm

��

��

��

��C

��

��

8

���

7

��

���

8

� �

��

��

��

� ����

���

��

� ���

��

��Dm

��� ����

��Dm

��

��

���

���

��

��

��

��F

��

����

����C

��

�Dm

���

��

���

���

��Dm

��

���

8

�8

���

12

� ��

�� � �

��

� ���

F

��

��

���

F��

��

���

C�

��

��

���

���

� ��

��

���

��

��

C

��

��

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

172 Pennsic Pile 43

Page 179: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Trenchmoreto Tomorrow the fox will come to towne

Longways for as many as will

Thomas Ravenscroft, Deuteromelia, 1609

��

G

�F

G�

���

D

����

G�

��

�C

��

D

���

���46

�46�

� �8

��

�� �

46���46��

� �

G�

��

� �

G�

���

D

���

���

G�

���

� �

D

���

D

���

D

���

G

���

���

G

��

��

�G�

���

��

D

��

�G

����

�G

���

��

��

��

G�

���

G

����

G

��� �

��

���

�7

� �

� �

��

G�

���

�8

� ��

G�

����

C�

��

����

D

����

D

���

�G

��

Am

��

� �

D

��

��

Em�

��

� G

D

���

���

G D

��

D

��� �

��

���

���

�D

���

G

���

G�

���

D

���

D�

F�

��

�G

���

G

���

��

14

� �

�8

��

�� �

Am

��

Em�

���

�G

D

G�

���

���

��

��

F�

��

��

�� �

D

��

G�

����

D

��

D

��

�G

��

��

� �

G�

��

��

Pennsic Pile 43 173

Page 180: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

(This page intentionally left blank)

174 Pennsic Pile 43

Page 181: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Upon a Summer's DayLongways for three couples

arr. Jay Ter LouwJohn Playford, The English Dancing Master, 1651AABBB x 3

��

��

� �B��

��

��

��

�8

� 46�

� � 46

�� � 46�

�8

� 46�

��

A

Dm

��

��

� ��

��

���

��

Dm

��

Gm

��

��

� � �

��

Gm� �

���

Dsus4

���

��

��

��������

����

���� ��

� ��

��

���

�DmB

��

���

��

���

6

� �

�8

��

�����

�8

�Gm�

����

� ��

���

Dm�

B��

��

��

���

���

��

���

�� �

�Gm

��

� �

����

��

���

��

���

Dsus4

��

��

��

��

Dm�

8

�8

�� �

11

��

(3)

��

Gm

��

���

B��

�� ��

��

� �

��

Gm�

��

Dm

��

��

��

��

��

�B��

��

��

��

��

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

Pennsic Pile 43 175

Page 182: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

WoodycockLongways for three couples

John Playford, The English Dancing Master, 1651For Whirlygig: Woodycock (A BB)x3 A Whirlygig (AA BB)x3 AA Woodycock (A BB)x3 A

� �

�Dm

���

��

Am�

���

��

��

� �

��

A

4646

���

8

���� �

��

��

�� � 46��

� � 46

��

Am�

���

���

��

���

Dm�

���

��

���

���

���

��

���

���

� �

���

���

���

Dm

���

��������

��

���

��

��

B

����F

� �

��

�� ��

8

� �

6

��

��

� �

���

���

���

��

Dm

��

���

��

Gm���

Am�

��

���

��

��

Am�

���

��

����

��

����

���

��

��������

��

� �

�����

��

���

���

���

Dm�

�� �

11

� �� ��

����

8

��

�� �

Dm�

���

���

��

��

����

��Dm� �

���

����

���

Dm����

��

Am�

��

���

����

�����

���

��

Gm����

��

F��

���

���

��

© Jay Ter Louw, SCA Octavio de FloresMay be freely used and distributed within the SCA with this notice.

176 Pennsic Pile 43

Page 183: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

WhirlygigLongways for three couples

John Playford, The English Dancing Master, 1651

��������

��

�C

���

�G

����

G��

�A

�� 46���

� �

��

��

468

�� 46�

�� 46� �

��

��C

��

�� �� �

��

�� ����

��

���

����

��

�C

���C

��

��G

�������� �

��

��

�C��

����

���

�8���

5B ����

� ��

����

����G�

���

��

� ��

��

�G

��

��

�����

�Dm

���

��

C �

���

���� �

����

���

��������

���

���

�G

��

� ��

�F

���

��

9

����

�8���

���

�C�

����G

��

���� �

���

�Dm

��

��

���

��

�C�

��

���

�C

��

© Steven Hendricks, SCA Samuel PiperPermission granted to copy within the SCA.

Pennsic Pile 43 177

Page 184: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

178 Pennsic Pile 43

Index

Adson’s Sarabande . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132Alegrezza d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64A Lieta Vita (Galliard) . . . . . . . . . . . . . . . . . . . . . . . . . 113Allemande . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2All in a Garden Green . . . . . . . . . . . . . . . . . . . . . . . . . . 133Alta Regina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65Amoroso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Amours . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3Anello . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15Ardente Sola – see Passo e Mezzo . . . . . . . . . . . . . . . . 86Argeers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .134Ballo del Fiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .80Belfiore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16Bella Gioiosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66Belle Qui Tiens Ma Vie (Pavane) . . . . . . . . . . . . . . . 114Bizzarria d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67Black Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Black Nag . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135Boatman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136Bransle de Chevaulx (Horses’) . . . . . . . . . . . . . . . . . . 100Bransle de la Haye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101Bransle de la Torche (Praetorius) . . . . . . . . . . . . . . . . 80Bransle de Lavandieres (Washerwomen’s) . . . . . . . 104Bransle Montarde . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102Bransle Official . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103Bransles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96Caccia d’Amore, La . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68Canaries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109Candida Luna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69Can She Excuse (Galliard) . . . . . . . . . . . . . . . . . . . . . 115Cantiga 119 (Piva) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106Castellana, La . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Chestnut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137Chiara Stella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71Chiaranzana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Chirintana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17Chirping of the Nightingale . . . . . . . . . . . . . . . . . . . . . 138Cleves, Danse de . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4Colonesse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19Confesse (his Tune) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139Contentezza d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74Conto dell’Orco, Il . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76Contrapasso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Courante CLXXXIII (Entree Courante) . . . . . . . . 110Courante CXLII (So ben mi ch’ha bon tempo) . .112Cuckolds All A Row . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140Cupido . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7Danse de Cleves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4Daphne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Dargason, or Sedany . . . . . . . . . . . . . . . . . . . . . . . . . . . .142Dolce Amoroso Fuoco – see Passo e Mezzo . . . . . . .86Dove’s Figary, or Chestnut . . . . . . . . . . . . . . . . . . . . . 137Dona, La, Pavane and Galliard . . . . . . . . . . . . . . . . . 116Dull Sir John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143Earl of Essex Measure . . . . . . . . . . . . . . . . . . . . . . . . . . . 52Earl of Salisbury Pavane and Galliard . . . . . . . . . . 118Entree Courante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .110Faine I Would if I Could . . . . . . . . . . . . . . . . . . . . . . . .144Fedelta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78Fiamma d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79Figlia di Guielmina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Fine Companion, The . . . . . . . . . . . . . . . . . . . . . . . . . . 145Fiore, Ballo del . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Frog Galliard, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Fulgente Stella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81Furioso All’Italiana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82Galliard “A Lieta Vita” . . . . . . . . . . . . . . . . . . . . . . . . 113Galliard “Can She Excuse” . . . . . . . . . . . . . . . . . . . . . 115Galliard “Earl of Salisbury” . . . . . . . . . . . . . . . . . . . . 119Galliard “Frog” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Galliard “La Dona” . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117Galliard “Mille Ducas” . . . . . . . . . . . . . . . . . . . . . . . . . 123Galliard “New Yeere’s Gift” . . . . . . . . . . . . . . . . . . . . 126Gathering Peascods . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146Gelosia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22Glory of the West . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147Goddesses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148Gracca Amorosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Gratiosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23Grene Gynger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42Grimstock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149Halfe Hannikin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150Hearts’ Ease . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .151Hit and Miss (to Daphne) . . . . . . . . . . . . . . . . . . . . . . 141Horses Bransle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100Hyde Park . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152If All the World Were Paper . . . . . . . . . . . . . . . . . . . . 153Inns of Court . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50Jenny Pluck Pears . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154Jouyssance Vous Donneray . . . . . . . . . . . . . . . . . . . . . . 94Lauro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Leoncello Vecchio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24Lorayne Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Lord of Carnarvan’s Jigg . . . . . . . . . . . . . . . . . . . . . . . 155Lull Me Beyond Thee . . . . . . . . . . . . . . . . . . . . . . . . . . 156Ly Bens Distonys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43Madam Sosilia Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . 57Mage on a Cree . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Page 185: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

Pennsic Pile 43 179

Maiden Lane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157Maraviglia d’Amore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84Marchesana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Mercantia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27Merry Merry Milkmaids . . . . . . . . . . . . . . . . . . . . . . . . 159Mille Ducas Pavane and Galliard . . . . . . . . . . . . . . . 122Millison’s Jigg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160Monsieur’s Almain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Montarde Bransle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102My Lady Cullen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161New Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61New Bo Peep, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162Newcastle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163New Yeere’s Gift (Galliard) . . . . . . . . . . . . . . . . . . . . .126New Yer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44Nonesuch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .164Official Bransle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103Old Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54Old Measures Suite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50Old Mole . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165Ombrosa Valle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85Oringe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45Parson’s Farewell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166Passo e Mezzo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Pavane and Galliard “Earl of Salisbury” . . . . . . . . 118Pavane and Galliard “La Dona” . . . . . . . . . . . . . . . . 116Pavane and Galliard “Mille Ducas” . . . . . . . . . . . . . 122Pavane “Belle Qui Tiens Ma Vie” . . . . . . . . . . . . . . 114Petit Riens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28Petit Rouen, Le . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10Picking of Sticks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167Piva (Cantiga 119) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106Pizocara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31Quadran Pavane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Quadran Pavane (Inns of Court) . . . . . . . . . . . . . . . . . 50Queen’s Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55Rawty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46Rose e Viole . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Rostiboli Gioioso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32Roye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Rufty Tufty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168Saint Martins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169Saltarello II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107Saltarello la Regina . . . . . . . . . . . . . . . . . . . . . . . . . . . . .108Scotch Cap . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170Sedany, or Dargason . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142Sellinger’s Round . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171Spagnoletta (Caroso) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Spagnoletto, Lo (Negri) . . . . . . . . . . . . . . . . . . . . . . . . . .91Spero . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34Squilina – see Alta Regina . . . . . . . . . . . . . . . . . . . . . . . 65Stingo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172Talbott . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48Tesara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36Tinternell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53Trenchmore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173Turkelone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51Upon a Summer’s Day . . . . . . . . . . . . . . . . . . . . . . . . . 175Vercepe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38Villanella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Vita di Cholino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39Volta, La (Byrd) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128Voltate in ca Rosina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40Volte CCX (Praetorius) . . . . . . . . . . . . . . . . . . . . . . . . 130Washerwoman’s Bransle . . . . . . . . . . . . . . . . . . . . . . . . 104Whirligig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Page 186: The Pennsic Pile · 2014. 7. 7. · performed within the Society for Creative Anachronism. Most of the music contained in this publication is subject to copyright protection, noted

180 Pennsic Pile 43