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Author: Olha Kvasnystia CyberEmpathy ISSUE 4 / 2013 (6) The Code
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CYBEREmpathy ISSUE 6/2013 The Code
Olha Kvasnystia, The mission of new mediaintellectuals
www.CyberEmpathy.com
Photograph: SuperStock, Inc./www.jupiterimages.com
Abstract:
The journalism of the ХХІ century is an extensive topic for researching
what journalism is, what its mission is, what challenges are sent to it at
present and ultimately what prospects it has in the ХХІ century.
These questions need to be answered, though appearing to be rhetorical
ones. Doubtless the article’s parameters do not let answer all the forgoing
questions, but we will try to answer some of them.
No one wonders that journalism in on the turn as a profession and as a
phenomenon in the context of civilization transformations. This is because
the world alters, and journalism alters right with it, moreover, what
changes is a man. The question is, if this is for better? And finally if the
nature and the mission of a man have been changed? And hence if the
nature and the mission of journalism have been altered?
OLHA KVASNYSTIA graduated of journalism and english philology (Ivan Franko National University of L’viv) Currently, she is lecturer at the Ivan Franko National University of L’viv. In past she cooperated with few editorial offices. Actually she’s sending hers correspondences to Ukrainian daily newspaper “The Day”, “Ukrainian literary newspaper”, periodical review “The Letters to Friends”, Bookworm of Ukraine «Bukvojid». Of specific interestі are cultural studies, literary studies, elitology, communication studies.
Olha Kvasnystia
The mission of new media intellectuals Mode of access: Internet via World Wide Web. URL:
CYBEREmpathy ISSUE 6/2013 The Code
Olha Kvasnystia, The mission of new mediaintellectuals
www.CyberEmpathy.com
Within the science of journalism there are a lot of definitions and
comments on the issue “What is Journalism?”: starting with its explication
as “a type of creative activities” and “reflection of the reality” and ending
with assertive reduction that “journalism is news first and foremost”, that it
is “balance of thoughts” and so on. These definitions are thorough only to a
certain extent, though exactly this interpretation prefers to be the only right
and outright one at present in consideration of ideological and commercial
character of its apologists. Today journalism is defined according to the
formula “(information + entertainment) multiplied by the rating”, that
finally gives a distorted vision of what the world is yet without its
understanding, but gives a great deal of impressions and emotions to its
recipients and provides wide spaces for manipulation and financial profits
to the media companies.
Many journalists run counter to the dominant concepts, raising issues of
the day and meticulously analyzing new trends in journalism. These are,
inter alia, Giovanni Sartori, Ryszard Kapuściński, Gabriel García
Márquez, Nick Davies. Among the forerunners who set the tone not only for
journalism but also for the epoch, it is worth to mention the names of the
classics: Ernest Hemingway, George Orwell, Malcolm Muggeridge, Walter
Cronkite. These and others stand close to the History, the history of a little
human as well as grandeur and tragedy of the nations, where they lived,
whose representatives they were and what they wrote about. In their works
we will not find just the assertion of the facts or all the more balance of
thoughts. Their texts are bunch of thoughts and contemplations, balanced
on the conscience and civil stand. Their aim was not just to inform, as it is
now in journalistic circles, but also to form the worldview and the man, to
look for truth and change the world.
That is why while answering the question what is the main mission of
journalism we will refer to the British journalist Nick Davies, author of the
book Flat Earth News, who thinks that journalism aims to serve for finding
out the truth (underlining is ours – O.K.), and the defining value for
journalists is “honesty – the attempt to tell the truth. That is our primary
purpose. All that we do – and all that is said about us – must flow from the
single source of truth-telling” 1. By the way, the name of the book Flat Earth
News neatly reflects the world picture, modeled by the modern world
journalism, which avoids analyses and fragments the reality without
verifying the facts, which creates or rather distorts human’s conception
1 Дейвіс Н. Новини Пласкої Землі. – К. : Темпора, 2011, p. 19.
CYBEREmpathy ISSUE 6/2013 The Code
Olha Kvasnystia, The mission of new mediaintellectuals
www.CyberEmpathy.com
about the world around, about what is going on in it and finally about the
human itself. The world becomes flat and one-dimensional, the same as a
human itself (speaking apropos the terms of Herbert Marcuse). It is worthy
of note that the author tried to shift one of the basic ideas of Anglo-Saxon
journalism system – the idea of objectivity.
This is what he says on this matter: “The great blockbuster myth of modern
journalism is objectivity, the idea that a good newspaper or broadcaster
simply collects and reproduces the objective truth. It is a classic Flat Earth
tale, widely believed and devoid of reality. It has never happened and never
will happen because it cannot happen. Reality exists objectively, but any
attempt to record the truth about it always and everywhere necessarily
involves selection” 2. Selection of a topic, facts, style, language, headline,
photograph – this is either self-dependent selection or selection dictated by
the editorial policy of a certain media company. Moreover, editorial policy
defines exactly the way of presenting information: European or Anglo-
Saxon one. The latter dominates at present, by the way. Anglo-Saxon model
involves separating the facts from the assessments, comments, while in the
European one the basis is commented information, which aims not only to
inform truthfully, but also to clarify the essence of a phenomenon, event or
fact, because you can be informed about thousands of cases, but no longer
understand the nature of what is happening. How much for instance does it
give for understanding the events to see videos with the line «No
comment!»? Where is the guarantee, that these reportages with majestic
names «Video Verite!» are not edited and detached from the context? In
any case, this is the choice of the shot, the subject, etc. How much does a
viewer get for understanding and comprehension of uncommented
information? Viewers consciousness are bombarded with facts that do not
allow them to understand more than they can see (the latter being the best
case), and that is meaningless to talk about trying to understand or even
experience of what is reported. Flat earth news form not only a new
anthropological type of a human «Homo Videns» (according to Giovanni
Sartori), but also a man who is indifferent both to the world and to himself.
Journalism can explain and clarify the world, nurturing philosophy of
human nature and humanity, and may kill the human base in a human, for
there are a lot of examples of informational killing in modern journalism.
This is for us to choose. However, going back to objectivity and dictatorship
of facts, let us give some counterarguments. The former editor of the British
newspaper The Sunday Times Harold Evans once said: “Facts can be sacred
– but what facts? Mass media is not a neutral glass: we select, what to
2 Ibid., p. 152.
CYBEREmpathy ISSUE 6/2013 The Code
Olha Kvasnystia, The mission of new mediaintellectuals
www.CyberEmpathy.com
reflect” (underlining is ours – O.K.) 3. English novelist and journalist
George Orwell, British journalist James Cameron, American writer and
outstanding war correspondent Martha Gellhorn – all of them disrespected
the idea of objectivity. The former editor of The Sunday Times stated it
clearly in the article about reporters work: “The idea of “a fact” is so
simplified; this is a false idea. Facts are not sacred; at the moment a
reporter starts writing an article he selects certain situations and distorts
them. These “facts”, thrown to readers like clots, should be forgotten. To
say, that the work of journalists is to state the facts, is the same as to say,
that the architect is engaged in laying bricks – looks like the truth, but it
does not reflect the matter at all” 4.
Hence the journalist mission is to bring people the ESSENCE of
what is going on, and for this purpose a journalist should leave his
comfort zone, take off the mask of objectivity and perceive the world not
only with his eyes but also with his heart. In this regard the editor of
TeleKrytyka Nataliia Lihachova said, “journalism is not only reporter
activities but also analytics and publicism, which cannot be created with
cold heart. <...> I think in the sense of journalism as the one providing
information on the position of detached observer we have some excess.
Journalism must be honest, and in particular, in order not to publish its
assessments for the ultimate truth, to separate facts from comments etc.
But this does not mean that it is enough for a journalist to give two points of
view - even if they are both false - and wash his hands. The mission of a
journalist is to tell people the Essence of what is happening ...” 5.
But public opinion is pressed by the standard of neutral or rather sterile
journalism as the ultimate truth, which gives two points of view, and this
the task of society to make conclusions. This is an easy formula of retreat
and escape from social problems and responsibilities: “We do not know
what is going on - decide it yourself.” According to Nick Davies “Neutrality
requires the journalist to become invisible, to refrain deliberately (under
threat of discipline) from expressing the judgments which are essential for
journalism. Neutrality requires the packaging of conflicting aims, which is
precisely the opposite of truth-telling” 6. Balance can mean only one thing:
there will be no need to apologize; to seek the truth is not indispensable;
admit one’s ignorance and incompetence is taboo. On the “news factory”
this is one of the fundamental rules of production. If we talk about the rules
3 Ibid., p. 153. 4 Ibid., p. 153. 5 Скуба В. Що «нагріє»? Шеф-редактор «Телекритики» Наталія Лигачова – про те, чому якісні меді неможливо створювати з «холодним носом» // День. – 2011. – 30 груд. 6 Дейвіс Н., op.cit. p. 153.
CYBEREmpathy ISSUE 6/2013 The Code
Olha Kvasnystia, The mission of new mediaintellectuals
www.CyberEmpathy.com
of production “Flat Earth news”, we consider it appropriate to give some
examples in the context of our search.
Thus, according to Nick Davies, these rules mark the content of news and
principles of modern journalism functioning. They call for production
cheap news, including trivial ones which do not require from journalists a
huge investment of time, which do not make problems as to publication
and, what is the most important, do not urge to deep investigation. Authors
of “news factory” are prone to choose safe facts from official sources,
because it is easier to refer to press service information than to check it out
oneself. Another way to pass by the truth or rather to avoid it, is
tendentious coverage of dangerous, sensitive, controversial topics with
filtered content, with a statement of facts without context and analysis of
values, such as the Palestinian-Israeli conflict. According to Nick Davies,
such news are “natural selectivity of ignorance”. Moreover authors of “Flat
Earth news” want not so much to maintain peace where it is war, as to
maintain panic, since the more fearful news are – the higher ratings and
profits will be achieved.
The matter is not so much in raising income of media holdings as in the
answer at what cost it is. The cost is hushing up the truth, but under the
guise of objectivity. Nick Davies stated, “In a totalitarian state, media lies
stand up proud and insult their readers direct to their faces. In the free
society, the lies rest quietly and in comfort inside their clichés - clichés of
language and of fact and of value - <…> In a totalitarian state, ideology
stands up and announces itself in every sentence - ‘the glorious
fatherland…the heroic soldiers…our great leader and immortal helmsman’.
In a democracy, the ideology is still there in every sentence, but it lies down
and hides beneath the surface. There is no need for a totalitarian
regime when the censorship of commerce runs it’s blue pencil
through every story” (underlining is ours – O.K.) 7. There came a time of
mercantile dictatorship, which is as much inhumane as totalitarianism, but
in refined forms of easy being or rather pseudobeing. There came the age of
“democracy of impressions”. This is such an interesting form of escape from
reality with the help of media: «NON VIDI? ERGO NON EST!» – according
to Giovanni Sartori. – “Is it not shown? – It is not happening!” Hence
journalism of truth remains to be somewhere on the margin, risking to
vanish as huge layers of substantial information vanish from the
informational world picture.
7 Ibid., p. 207-208.
CYBEREmpathy ISSUE 6/2013 The Code
Olha Kvasnystia, The mission of new mediaintellectuals
www.CyberEmpathy.com
“We have faced global failure of news gathering and its true interpretation.
– said Nick Davies. – Thus, we find ourselves in the chaos of knowledge
where the very subject of global debate is converted from substantial into
arbitrary; where policy of government, cultural values, widespread
assumptions, declaration of war and attempts of establishing peace are
poisoned by distortion; where ignorance is taken for knowledge and lies -
for the truth” 8.
And if until quite recently journalism has been called chronicle of the day,
and with its help one could see the portrait of the time, events, facts, names
(let us mention, for instance, publicistic works by Ivan Franko), then at
present we can suppose future generations not to have possibility to take
anything valuable from modern journalism, because there is almost nothing
valuable in it a priori, though with some exceptions. Unfortunately, it will
be falsified and distorted portrait of the day, because cobblers from factory
news are not guided by the rules of the journalism, which George Orwell
observed for example. In the essay for British literary magazine Gangrel
“Why I Write” he mentions “the historical impuls” as one of his motives for
writing news articles from Burma as well as the book “Homage to
Catalonia”. This was “desire to see things as they are, to find out true facts
and store them up for the use of posterity” 9.What inheritance will we
leave?
Another challenge for journalism was the total deintellectualization of the
very information space as well as the individual journalist. This is the
transformation with the “minus” sign. During the ХХ century a journalist
had a chance to become “a new type of intellectual” (speaking with the
words of Jules Régis Debray, Pierre Bourdieu), and at present he risks to go
down to the level of mediaworker (speaking with the words of Ryszard
Kapuściński).
We are not to go into details concerning the question “what is an
intellectual?”, but let us, for instance, mention the definition of
intellectuals by the American political sociologist Seymour Martin Lipset as
those who create, distribute and apply culture, that is, the symbolic world,
including art, science and religion. The American sociologist Lewis Coser
considered intellectuals to be involved in the ‘core values of society’, or to
be interested in the symbolic world, constituted by culture 10. In other
words an intellectual is a medium of symbolic, cultural and intellectual
8 Ibid., p. 209-210. 9 Orwell G. Why I Write // Gangrel . – 1946. – Summer. – No. 4. 10 Леклерк Ж. Соціологія інтелектуалів. – Львів : Ахілл, 2009, p. 11.
CYBEREmpathy ISSUE 6/2013 The Code
Olha Kvasnystia, The mission of new mediaintellectuals
www.CyberEmpathy.com
power. According to the French sociologist Gérard Leclerc, “Intellectuals
are socially responsible individuals, who are informally authorized to
declare the open truth about society, and not at the level of individual
recognition and temporary interests, but because of the fact, that the
collectivity has to be the bearer of fundamental values bidding for
universality and absoluteness” 11. With the emergence of new media the
role of intermediaries increases. “Not just ‘classic’ intellectuals are forced to
go ‘under the Claudine yoke’ 12 of media, so to speak, to worship monks who
rule, according to journalists, civil discourses at present, but the very
journalists now turn to these ‘new intellectuals. <...> “Journalist-
intermediary becomes an intellectual, a new type of an intellectual which is
always media-intellectual” 13. Precisely he can be or could be such, however,
is he such really? Is he a new type of an intellectual in the classic sense of
the word, the intellectual who produces spiritual and intellectual meanings
in the forms of a book, newspaper or scholarly article, or is he a
pseudointellectual-media mediator with intelligence and intellectual power
pretensions, particularly due to the phenomenon of mediatization? There
are a lot of questions, but looking for the answers is another object of
scientific and journalistic search.
In conclusion let us add, that journalism will have its perspective and will
not lose its ontological purpose, if it is guided by the Decalogue, including
the journalist Decalogue. The latter is the one for example, that the Polish
reporter journalist Jacek Hugo-Bader values in his works. In response to
the question of the magazine Ukrainian Week “What ethical rules of
reportage do you observe?” J. Hugo-Bader said, “Those relating to the
whole of humanity. All the Ten Commandments. I do not have any special
reporter code of ethics. For example, honesty with your reader that you had
described a true story, that you had heard and seen everything with your
own eyes … nothing dreamed up - this is the Eighth Commandment: thou
shalt not bear false witness against thy neighbor. Respect for your hero, his
dignity, vulnerability or even safety - that is the Fifth Commandment: thou
shalt not kill. In Poland, Russia, as well as in Ukraine and worldwide, I
think, there have been cases where journalists killed. With lies, slander,
mindless interpretation. Our profession is to serve others. Our mission is to
improve the world.”
11 Ibid., p. 65. 12 After the Second Samnite War (321 BC) the Roman army was clutched in the Claudine Forks, and having no way out it was forced to capitulate and sign an unwanted treaty. The Romans had to march out under a “yoke of spears”, they were forced to give up their spears and march under them, a sign of the ultimate battlefield humiliation. 13 Леклерк Ж., op.cit. p. 66.