The Metametaphors of Plato's Republic

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    Simon Ayzman

    A Just Order: Social and Political Thought

    Professor Darren Staloff

    September 21, 2012

    The Metametaphors of PlatosRepublic

    The philosophical formulations in PlatosRepublic adhere to a very methodical interplay

    between the construction, destruction, and elaboration of arguments on the part of Socrates. The

    compelling nature of his principles, however, stems emphatically from the inextricable link

    between the content of Socrates ideas and the form in which he presents them. His metaphors

    and analogies serve not merely to illustrate particular concepts in specific contexts, but to

    function as microcosms for his overarching project to educate the group of men around him.

    Carefully intertwining the prospects of the noble lie and the divided line with an ironic attempt to

    bring the interlocutors out of the cave, Plato builds the arguments of Socrates in frameworks

    consistent with the very images he refers to, and as a result, the author effectively develops a

    plotline that refers to and strengthens itself through the subtly metaphysical ideas contained

    within.

    One of the important concepts that Socrates indicates as necessary in the creation of the

    just cityand thus, the just manis that of the noble lie. He maintains that propagating these

    lies, such as thepopulaces mutual origin from the earth and the myth of the metals, is essential

    in creating and preserving unity within the city. This seems true enough at the initial stage of

    Socrates construction because aligning the people with such a fabrication would be good for

    making them care more for the city and one another (415d). In reality, however, the entire

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    concept of the noble lie is closely interconnected with Socrates elucidation of the divided line.

    In scaling up the ladder from images to objects to mathematics to forms, the overarching main

    distinction that he makes is between that which is seen and that which is intellectedthe

    opinable and the knowable respectively. The lies he tells with his myths seek to build a

    landscape with which knowledge can be realized, but Socrates does so by supposing that he

    will leave out quite a bit...but all the same, insofar as its possible at [the] present, [he will]

    not leave anything out willingly (509c). The nature of his argument tactic is to provide

    comprehension on the highest level possible at the current moment through his spectators

    present position in the divided line. In effect, his lies represent some distorted version of the

    forms as they appear in the lower stages of understanding; the lower one is on the line, the

    further from true knowledge they find themselves.However, the nobility of Socrates half-truths

    and unfilled gaps derive from the fact that they do still characterize some portion of the objective

    truth, and if one arrange[s the segments] in a proportion, and believe[s] that as the segments to

    which they correspond participate in truth, so they participate in clarity (511e ). Thus, while this

    method of progressive education may undoubtedly use noble lies, it still has the potential for

    intellection by allowing one to comprehend the forms at the pinnacle of knowledge.

    Moreover, the noble lie has significance beyond just its role as an indistinct, incomplete

    reflection of the truth. Once the foundations of Socrates myths have been set, for example, he

    can extrapolate upon his concepts of bronze, silver, and gold souls, and reach a greater

    understanding of such characters and how they will engage the city. It soon becomes apparent,

    however, that Socrates outline of the just city faces some opposition from the other thinkers,

    because in fact, they have implicitly accepted his premises, the noble lies themselves. The

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    internalization of the myths followed by an evermore-elevated discussion is a crucial element in

    Platos advancement of the philosophical doctrines in the text, for it indicates development on

    the level of the individual as well. Indeed, the true literary success is how this forward motion

    metaphysically parallels progression through the divided line; the beginnings of Socratess

    arguments actually resemble the initial formation of the just city itselfwith Socrates referring

    to fabricated metaphors as a means of pseudo-explanation.

    In particular, one noteworthy instance of such a configuration is when Socrates argues in

    favor of the philosopher-king as the just ruler, despite the protests that philosophers are either too

    vicious or too disconnected from society to be any good for the people. As usual, he begins with

    an image, this time describing the disjointed relationship between the shipowner, the sailors, and

    the true pilot. What is interesting, however, is that even though the sailors ferociously vie for

    power, the ship still sails because of the pilots direction. This draws an interesting connection to

    the very beginning of the Republic when the sophists arrest Socrates and begin the discussion

    about justice; while the pseudo-intellectual men put forth their own philosophical rationales,

    Socrates is the only one who genuinely seeks to peruse their various concepts for the

    construction of a greater philosophical sense of justice. Socrates is thus still steering the ship, and

    is trying to guide the other sailors into his rhythm as well. The other prominent example of

    Platos metametaphorical structure occurs immediately after Socrates demarcation of how the

    elements of the divided line must be arranged. In virtually the next few lines after this concept is

    established, Plato cleverly has his philosopher protagonist introduce the metaphor of the cave,

    which is an image in and of itself (514a). In fact, Socrates actually uses the word image in

    setting the context, which seems to be an ironic, but nonetheless intentional reference. Plato is

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    once again pushing the reader and the interlocutors across a microcosmic rendition of the divided

    line, all while attempting to explain the concept at the same time.

    The incredible precision within Platos combination of content and form is apparent in

    the many metaphors and analogies he designs to bolster the arguments of the Republic. This

    ever-noticeable connection illustrates a method of argumentation that drives home the point of

    learning on multiple levels of visible and intellectable knowledge. And while the concept of

    extolling comprehension through images may initially seem like a lie, the individuals

    progression through the divided line indeed shows the noble and self-correcting mechanisms that

    the lie actually has. Platos intellectual frameworks effectually serve a multi-fortifying purpose;

    not only do they encourage enlightenment by allowing freedom from a metaphorical cave, they

    metaphysically reiterate themselves in the very real context of discussion.

    Works Cited

    Plato.The Republic of Plato. Trans. Allan David Bloom. [New York]: Basic, 1991. Print.