The Memory of Light (Excerpt)

8/20/2019 The Memory of Light (Excerpt)

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A R T H U R A . L E V I N E B O O K S

A N I M P R I N T O F S C H O L A S T I C I N C .

F R A N C I S C O X . S T O R K


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Copyright © 2016 by Francisco X. Stork

All rights reserved. Published by Arthur A. Levine Books, an imprint of Scholastic Inc.,

Publishers since 1920. scholastic and the lantern logo are trademarks and/or registeredtrademarks of Scholastic Inc.

The publisher does not have any control over and does not assume any responsibility for authoror third-party websites or their content.

No part of this publication may be reproduced, stored in a retrieval system, or transmitted inany form or by any means, electronic, mechanical, photocopying, recording, or otherwise,

without written permission of the publisher. For information regarding permission, write toScholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012.

This book is a work of fiction. Names, characters, places, and incidents are either the product of

the author’s imagination or are used fictitiously, and any resemblance to actual persons, living ordead, business establishments, events, or locales is entirely coincidental.

Library of Congress Cataloging-in-Publication Data

Stork, Francisco X., author. The memory of light / Francisco X. Stork. — First edition.

pages cmSummary: When Victoria Cruz wakes up in the psychiatric ward of a Texas hospital after her

failed suicide attempt, she still has no desire to live, but as the weeks pass, and she meets Dr. Desaiand three of the other patients, she begins to reflect on the reasons why she feels like a loser

compared with the rest of her family, and to see a path ahead where she can make a l ife of her own. ISBN 978- 0-545-47432-0 (hardcover : alk. paper) 1. Mexican Americans — Texas — Juvenile

fiction. 2. Suicide — Juvenile fiction. 3. Depression, Mental — Juvenile fiction. 4. Psychotherapypatients — Juvenile fiction. 5. Friendship — Juvenile fiction. 6. Families — Texas — Juvenile

fiction. [1. Mexican Americans — Fiction. 2. Suicide — Fiction. 3. Depression, Mental — Fiction.4. Psychotherapy — Fiction. 5. Friendship — Fiction. 6. Family life — Texas — Fiction. 7. Texas —

Fiction.] I. Title.PZ7.S88442Me 2015

[Fic] — dc232014044136

10 9 8 7 6 5 4 3 2 1 16 17 18 19 20

Printed in the U. S. A. 23First edition, February 2016

Book design by Christopher Stengel


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Nana

I tried to write you in Spanish but my Español no es muybueno en este momento. So I try in English. If you’re reading

this it’s because you found it taped to the back of Mamá’s

painting. Take the painting with you to Mexico and the

climbing pink roses will remind you of Mamá and maybe

of me too. I know you’re sad now as you read this. I wish I

could tell you not to be triste but I know you. Think of some-

thing happy and funny like the time I finally got you to go in

the pool because it was good for your arthritis. Remember

how I laughed and you screeched when we went in? How you

held on to me for dear life? The Spanish word I never heard

you say before when I let go of you.Nana I want to tell you this. Please don’t think I don’t

love you or that I don’t love Becca or Father or Barbara either. I

held off from doing this for a long, long time because I knew

how bad you and everyone would feel. But the love I have for

all of you doesn’t stop the hurt I feel inside. I’m sorry my nana.

I love you. It gave Mamá peace to know you would be there

to take care of me and Becca. And you did, you took care of

me. Like your own daughter. Thank you. Gracias mi nana.

I better go. I’m getting real sleepy and I want to tape this

up while I still can.

Love you

Vicky


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CHA P T E R

ONE

“Victoria.”

I open my eyes when I hear my name.

I’m lying down. A white bed. To my left a window. Pale-

blue sky. To my right a face. The same lady from last night.

Underneath her white coat, I see a shiny green dress.

She told me her name before. In the emergency room when

they brought me in. I am in a different room now.

Dr. Desai. I remember.

My head is full of words, floating unconnected, moving in

slow motion. Dr. Desai is talking. Sounds without meaning.

Some of the words are coming from her and some of them comefrom someplace in me.

“Victoria,” I hear Dr. Desai say again in the distance.

“People call you Vicky.”

I nod.

Dr. Desai pulls up a chair and sits, but my bed is so high I

can see only the top of her gray head. She pushes a button

beside the bed to lower it, but nothing happens. She stands and

moves back a step or two to give me space.

“How do you feel?”

I can tell she’s asking about my body and not my mind. I

touch my throat, noticing soreness there for the first time.“From the stomach pump,” Dr. Desai says. “I can give you

some lozenges if you like.”


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I shake my head. I remember waking up, gagging, a rubber

tube in my mouth and a woman with dark hair holding my

shoulders down. Then I must have passed out again.

I’m wearing a hospital gown. I wonder what happened tomy clothes. The skin on my chest is scratched and raw.

“You’re at Lakeview Hospital. Your father agreed to let

you stay here until tomorrow, but you can decide to be with us

longer if you want to,” Dr. Desai says.

Want. Decide. The words are like the cascarones we used

to decorate for Easter when my mother was alive. Eggshells

empty of all life, meant to be admired. What I want now is the

silence I glimpsed last night.

“Do you feel like talking a little?”

“Not really,” I whisper hoarsely. I mean that I don’t know

what there is to say.Dr. Desai offers me a glass of water and I drink from it. I

give her back the glass and she places it carefully on the night-

stand next to the bed.

“I’m happy to just be with you without speaking, if you wish.”

“Okay.”

We are silent for a while, and I don’t mind the silence. I

think of the times when I would sit by my mother’s bed after

she became ill. I read to her from her favorite poets, and some-

times she would fall asleep while I read and I would just sit

there watching her. I look past Dr. Desai and see an empty

bed with magazines on top. I hope whoever sleeps in that beddoesn’t talk.


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“Do you know who found you?” she asks at last.

“Found me?”

“You would surely have died if you hadn’t been found.

Another fifteen minutes and you’d be gone.”I guess it was my father and Barbara who found me after

they got home. But neither of them ever comes into my room.

So how was I “saved”? Who is responsible for prolonging

this mess?

Dr. Desai opens a brown file folder. “The paramedic wrote

in her report that a Juanita Alvarez called 9-1-1.”

“Juanita.” Something breaks and burns near my heart. A

block of frozen shame dissolves and I am flooded with it.

“Apparently,” Dr. Desai says. “You didn’t know?”

“I don’t remember much. . . . I took the pills. A pain in my

chest. My throat. The ambulance.” I remember suddenly thescared look on my father’s face when he and Barbara came to

see me in Intensive Care.

Dr. Desai waits for me to say more.

“Juanita is my nanny. Since I was born.”

“She must love you very much.”

I look around the room for a place to hide my eyes.

“What happened last night?” Dr. Desai asks.

I bite my lip. Last night. Was it me or someone else who

saw my father and Barbara leave, who said good night to

Juanita and waited for her to go to sleep? The letter I wrote

to her. Did I manage to tape it to the back of the painting?“Vicky?”


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I wait until the pressure in my throat loosens enough for

me to breathe. “How can you love someone and still try to kill

yourself?”

Dr. Desai does not answer. She hands me the box of tissues,and I stare at it until I realize there are tears streaming down

my face. I wipe the tears away.

“Would you like to call Juanita?” She reaches into the

pocket of her white doctor’s coat and pulls out an old-fashioned

cell phone, the kind that flips open.

No. Yes. How can I feel both with equal force? I’m so

ashamed, but I want to hear her voice. “She’ll want to know

why” is all I say to Dr. Desai.

“Do you know why?”

“No.”

“Then say you don’t know. That it’s something you’re try-ing to figure out.”

“She’s going back to Mexico soon.”

“Oh?”

“Her arthritis. She can hardly walk. My father and step-

mother thought it better if she was in Mexico. With her

family.”

There’s something like disbelief on Dr. Desai’s face. Then

she nods with understanding and says, “I’ll let you have some

privacy.” She stands and hands me the phone. She walks out of

the room and closes the door gently behind her.

It is after one p.m. That’s when Juanita sits down to haveher café con leche and a slice of white bread with peanut butter.

That’s all she ever has for lunch. I let the phone ring once, hang


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up, and dial again. Barbara has told Juanita not to answer the

phone because of all the messages she has bumbled, but Juanita

and her friend Yolanda have devised this secret code to signal a

call for her. The phone rings and rings, and just when I amabout to give up, I hear Juanita’s voice.

“Aló.”

“Nana. It’s me.”

“Hijita, hijita.” Her voice is weak, fragile, tearful. “You

okay?”

“I’m okay.”

“I so worried about you. You at the hospital? Your father

say you come home tomorrow. I want to go with you last night,

but the ambulance men say no. I can’t believe I hear your voice.

Es un milagro that you’re alive. Thank you, Diosito. Thank

you, Virgencita de Guadalupe.“You know what happen last night?” she continues. “I in

my room asleep and I hear the gato meow, meow outside my

door. I never heard him meow like that before, like someone

pulling his tail or something. So I open the door to see and he’s

meow, meow. I follow him and he run upstairs and on top of

the stairs, meow, meow. I don’t know what, but just then I felt

something in heart so heavy. I know something very bad. I

climb stairs on hands and knees like a baby. I knock on your

door but you don’t open, so I think maybe you’re not there. But

the gato is meow, meow there by door, going loco. Then I open

door and see you in bed with eyes closed, so I think everythingokay, you asleep, but the gato runs in and jumps on top of you,

meowing and pulling your shirt with his nails.”


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I touch my chest. So that’s where the scratches came from.

Galileo.

“I saw the empty bottle. I know they sleeping pills from

Barbara. I call 9-1-1 right away, then your father on his cell,” Juanita continues. “Es un milagro. Tu ángel de la guarda made

that silly gato save you. He climbed tree, went through win-

dow, saw you, and climbed down to my room to get me. Es un

milagro.”

“Galileo?” All that energy and movement are so uncharac-

teristic of Galileo. He is as serene and lazy and content as only

a well-fed eight-year-old neutered tomcat can be. The thought

of him meowing or doing anything in a hurry is so strange.

“What happened, mi niña? Why you do something so hor-

rible? Something happen in school?”

“No, no.”“Do you miss your mamá? I miss her too. Your mamá

wouldn’t want you to do this.”

“I know,” I say, rubbing my eyes with my hands.

“Who hurt you, mi niña? Tell me.”

“No one, Nana, no one hurt me. It just hurts inside, I don’t

know why.”

“Is it Barbara? Is that what happen?”

“No . . .” I have no answers to these questions, no explana-

tions that make any sense. I feel my head shrinking, tightening

with pressure, as if I were taking an exam in a foreign language

on a subject I never even knew existed.“She okay. She tries. She needs learn to smile. So serious


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always. But she not bad inside. Your father, he loves you also.

They sometimes confused about how to love. But they okay.”

It is so painful to hear Juanita’s voice. Why? “Nana, I have

to go. I wanted to let you know I’m okay.”“I be here, my Vicky. I don’t go to Mexico until you come

home. I stay here with you if I could always.”

“Nana.” She hasn’t seen my letter, so I need to tell her.

“This thing I did. Taking the pills. It doesn’t mean I don’t

love you.”

“I know that, my niña, I know. I no never have doubts.

Don’t worry. I be here waiting for you. Don’t forget the gato.

Diosito didn’t want you to die.”

“I have to go now, Nana.”

“Don’t cry, my little baby. Everything okay. You see.”

The call ends. I lie there for I don’t know how long, myhand on the telephone, as if I’m afraid to let go of the voice that

flowed through it. It is possible, I realize, to have people in your

life who love you and who you love, and to still want to kill

yourself. It’s almost as if part of the reason you’re doing it is for

them, because you are not worthy of their love, and you want

to stop being a burden to them, contaminating their lives with

your moodiness and grumpiness and miserableness. I feel

Juanita’s love now. I even feel Galileo’s love. And it makes me

feel so much worse.

There’s a gentle touch on my shoulder, and I let go of the

phone and look up to see Dr. Desai.“My cat,” I say.


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She sits down in the chair, her hands folded.

“He meowed outside Juanita’s room and took her to

my room.”

Dr. Desai doesn’t look one bit surprised, as if in her experi-ence, saving lives is standard cat behavior. “I’m glad your cat

saved you,” she says. “Are you?”

“No.” The word rises up on its own, a lone air bubble from

some drowning breath. It surprises me to see it there, floating

on the surface between Dr. Desai and me.

She nods as if she appreciates the honest answer. “Vicky,

I’m going to recommend that you stay here for a couple of

weeks, if it’s okay with you. I think it would be helpful for you

to be in a different environment for a while. You can come to

our daily group therapy meeting. There are three other young

people currently attending, and it would be good for you to bewith others . . . like yourself, in many ways. You and I would

also meet regularly, and a few hours of your day would be spent

helping around the hospital. I believe this combination of talk-

ing, listening, doing something useful, and being around other

young people who are learning to live will give you some tools

you can use when you return to your previous circumstances.”

“Tools?” I imagine a hammer and a chisel, my life inside a

boulder I need to crack.

“A greater understanding of who you are and what you

need to do to be at peace with your life.” She pauses. “At

the very least, a time for the thoughts of killing yourself toquiet down.”

I look up at her quickly.


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“Do you have anything you want to say to me or ask me?”

she says.

I want to tell her that she’s right, that I’m going to try again.

Sooner or later, the days, hours, minutes, and seconds of mylife will slowly choke me until I feel like the only way to breathe

is to die. All the group therapy meetings or private sessions full

of talking or comfortable silences are not going to stop me. She

shouldn’t feel bad when that happens. I want to tell her this

because I like her. I want to spare her whatever it is she feels

when she fails.

But I don’t tell her any of this. I don’t even know if I could

find the words, because the sentences that struggle to come

together inside my head get gobbled up by the silence that I’m

yearning for, the one I know is always near.

She continues, “Just think about whether you would like tostay here. You can let me know tomorrow morning.”

Two weeks, two days, two minutes, it’s all the same.

Lakeview or home, here, there — does it really matter?

Sooner or later, I will kill myself.

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The Memory of Light (Excerpt)