The Luminary - Issue 10

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    The Luminary

    The Ofce ofDiversity andInclusion Newsletterof Emerson College

    February 2014

    A note from Dr. Sylvia Spears

    Vice President of Diversity & Inclusion

    The Birmingham campaign against racism and

    racial segregation began in Birmingham,

    Alabama, on April 3, 1963. The campaign

    included a series of direct actions including

    marches and sit-ins. On April 12, Dr. MartinLuther King Jr. was imprisoned for his

    participation in a nonviolent demonstration,

    which was in violation of an injunction against

    parading, demonstrating, boycotting,

    trespassing, and picketing.

    Amid the harsh conditions of the

    Birmingham Jail, King wrote the now famous

    Letter from Birmingham Jail, which became

    the roadmap for the nonviolent social change

    movement. His letter was in response to a

    public statement of caution issued by eight

    white clergymen in Alabama. The letter also

    became the core of his book, Why We CantWait.

    The white clergymens so called Call to

    Unity condemned Kings methods of

    nonviolent resistance and called people to

    exercise their concerns through more passive

    means. Kings letter

    defends the strategy of

    nonviolent resistance and

    argues that people have a

    moral responsibility tospeak out against

    injustices.

    We know through

    painful experience that

    freedom is never voluntarily given by the

    oppressor, it must be demanded by the

    oppressed. Frankly, I have never yet engaged

    in a direct action movement that was well-

    timed according to the timetable of those who

    have not suffered. For years now I have heard

    the word wait. This wait has almost always

    meant never. It has been tranquilizing a

    thalidomide, relieving emotional stress for a

    moment. We must come to see with the

    distinguished jurist of yesterday that justice

    too long delayed is justice denied.

    I am condent that some of you who are

    reading, while appreciative of the history

    lesson, are also wondering what this has to

    do with Emerson. However, as I reect on the

    lack of engagement and concern about bias

    incidents on our campus, the low turnout at

    the sexual assault advocate interviews and

    presentations, and the minuscule attendance

    at Martin Luther King Jr. week events, I cant

    help but wonder if we, just like those white

    clergymen in Alabama, have swaddledourselves in a blanket of complacency. I cant

    help but wonder if we have succumbed to the

    tranquilizing effects of gradualism. I cant help

    but wonder if we are content to wait.

    I am not. I feel the deep urgency of now.

    The Urgency of Now

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    Civic Engagement

    On Friday, January 24, the Emerson community

    showed their dedication to civic engagement

    with a Day of Service. Organized by Suzanne

    Hinton, Director of the Serving Learning

    and Community Action, and Steven Martin,

    Director of Off-Campus Student Housing and

    Community Engagement, with assistance

    from the City Mission Society of Boston, the

    Emerson community rolls up sleeves for Day of Service

    day was the culmination of the colleges week-

    long series of events to celebrate the legacy of

    Martin Luther King Jr.

    On-campus, volunteers busied themselves

    writing letters to local legislators in support of

    immigration reform, making blankets for St.

    Marys Center for Women and Children, and

    assembling Family Literacy Kits for Jumpstart

    Photo courtesy of Suzanne Hinton

    Family Night. Off-campus, a group spent th

    afternoon preparing and serving food to peop

    experiencing homelessness at the Bosto

    Rescue Missions Kingston House; anothe

    group tutored grade school children at th

    William E. Russell School in Dorchester.

    Lindsay Pacheco, a rst year VMA major an

    student employee for the Elma Lewis Cente

    for Civic Engagement, Learning, and Researc

    found her service at Kingston House to b

    rewarding and thought provoking.

    It was just incredibly humbling to see a

    those people, Pacheco told The Luminary.

    Dylan Manderlink, a senior studyin

    theatre for social change and an Arts

    Lectures Coordinator for the Ofce of Servic

    Learning, also commented on the service as a

    opportunity for reection.

    Its important to recognize that [peop

    experiencing homelessness] are human being

    and they deserve our respect, attention, goo

    spirits, warmth, and care, Manderlink said.

    By Blake Campbell

    Ofce of Diversity & Inclusion staff

    Photos from Martin Luther King Jr. Week

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    Feature

    It is easy to draw parallels between the cultural

    impacts of Martin Luther King Jr. and Nelson

    Mandela. Both men are known for combating

    racial inequity (albeit on different geographic

    fronts), and have both been incorporated into

    the narrative of social progressivism as

    symbols of self-sacrice, inspirational oratory,

    and the forgiving of ones enemies. A more

    troubling thread, however, has emerged to link

    the two men, especially in the time since

    Mandelas passing. The gures and institutions

    that adamantly resisted Mandelas and Kings

    respective calls for change are now the most

    visible forces at work in shaping the two mens

    legacies.

    Like King before him, in the medias rush

    to lionize Mandela in death, the aspects of his

    legacy that acknowledge him as a revolutionary

    who worked against a ferociously defended

    status quo have been glossed to oblivion.

    British Prime Minister David Cameron

    memorialized the fallen giant as a towering

    gure of our time; a legend in life and now indeatha true global hero. The mythical

    connotations of the word legend are

    particularly apt when considering the

    posthumous understanding of Mandela.

    Camerons own predecessor and fellow

    Conservative Party leader, Margaret Thatcher,

    staunchly opposed sanctions to the apartheid

    regime, even calling the African National

    Congress a typical terrorist organization.

    Camerons conferral of praise on Mandela is

    an act on behalf of a state that contributed

    greatly to the upholding of a system which

    Mandela dedicated his life to dismantling.

    A similar erasure of nuance pervades

    public knowledge of the American Civil Rights

    Movement. Kings role in the successful

    Montgomery Bus Boycott is well chronicled in

    most public school curricula, but the FBIs

    surveillance and attempted subversion of the

    civil rights advocate under its Counter

    Intelligence Program is a story largely untold.

    That Dr. Kings own government viewed him

    as a credible danger to, rather than savior for,

    the then-existing social and political order is

    an uncomfortable truth not in keeping with

    the platitudes about freedom and equality the

    nation touts each January.

    It is worth considering what the powers

    that be stand to lose by acknowledging their

    complicity in the maintenance of the conditions

    that King and Mandela worked to redress. A

    celebration of these mens respective lives

    that resists illuminating the familiar faces of

    the forces that opposed them diminishes theenormity of their accomplishments.

    A movie about either gure is inevitably

    tasked to contend with these complexities,

    and Mandela: A Long Walk to Freedomdoes

    a better job than most. Based on Mandelas

    1995 autobiography of the same name, the

    conventional but enjoyable biopic chronicles

    both the personal and political exploits of the

    iconic former South African president with

    sensitivity and depth. At the heart of the lms

    charm is Idris Elbas deft portrayal of the titular

    The Deradicalization of Mandela and Kingcharacter. Elbas studied approximation of

    Nelson Mandelas speech and mannerisms

    anchors a script that moves (at times abruptly)

    through several decades, laboring over aspects

    of Mandelas development while shortchanging

    others. For instance, a substantial chunk of

    screen time is allocated to Mandelas 27 years

    in prison, but scenes intended to allude to his

    marital indelity are brief and perfunctory.

    Naomie Harriss powerful performance as

    Winnie Mandela also helps to counter the

    uneven pace.

    The movie is particularly notable for its

    depiction of Mandelas participation in

    desultory tactics to undermine the South

    African regime. In contrast to the sanitized

    narrative coalescing around Mandela since

    his passing, the lm uninchingly conveys the

    activists refusal to condemn black South

    Africans who used violence to resist apartheid.

    Though Mandelas belief in compassionate

    nonviolence is emphasized in the lm, it is

    also made apparent that the former presidentperceived nonviolence as a tactically expedient

    choice rather than a moral absolute. This

    willingness to engage the more unsavory

    elements of Mandelas ideology helps the lm

    to achieve a richness that is tting of its layered

    and complex subject. The broader discussion

    of King and Mandela might benet from taking

    on the lms stance as a template.

    By GRa Asim

    Ofce of Diversity & Inclusion staff

    Photo courtesy (right)obaixetudodownloads.com

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    Opinion

    As our educational community and the nation

    at large takes time this month to reect upon

    the legacy of Dr. Martin Luther King Jr., it is

    important to recognize the broader scope of his

    message. In addition to being a frontrunner in

    the ght against racial injustice, King was a vocal

    advocate of the poor and an incisive critic of

    capitalism. While the countless advancements

    in race relations that have occurred since Kings

    assassination in 1968 are often trumpeted as

    evidence of the realization of his dream, his

    vision of the struggle for human rights included

    more than the achievement of a desegregated

    society.

    It is especially apt to examine the

    implications of Kings message as it applies

    to poverty in view of the recent passing of the

    50th anniversary of President Lyndon Johnsons

    declaration of war on poverty. As the architect of

    the Poor Peoples Campaign in the late 1960s,

    an economic rights effort spearheaded by the

    Southern Christian Leadership Conference,

    King demonstrated a belief in the importance of

    nancial dignity for all.

    This component of Kings legacy is of

    particular import to our student body. As the

    artists and communicators of tomorrow, it

    behooves Emerson students to appreciate the

    impact that popular perceptions of the poor

    have on the means used to combat economic

    inequality. Fifty years into the War on Poverty, the

    narrative that paints poverty as a consequence

    of decient character, initiative, or integrity

    continues to have considerable currency in the

    public imagination. The notion that capitalism

    only fails those who rst fail themselves is a

    falsehood that King hoped to eradicate.

    As producers and consumers of culture,

    we may advance the cause by recognizing

    the power we have to reshape class-related

    attitudes and expectations. Whether one

    is addressing economic inequity via news

    reporting, writing nonction, screenwriting, or

    otherwise, rendering the issue with recognition

    of the societal structures that propagate it is a

    revolutionary act. Let Kings legacy serve as a

    reminder of the opportunity we have to elevate

    the national discourse through media portrayals

    of class that embrace complexity and nuance.

    By GRa Asim

    Ofce of Diversity & Inclusion staff

    On Wednesday, January 22, I had the good fortune to be invited to Emersons reception

    for Martin Luther King Jr. Day at the Ritz-Carlton Hotel. The reception had delicious

    desserts, a wonderful bar, amazing singing (including a particularly impressive rendition

    of We Shall Not be Moved by the Berklee Reverence Gospel choir), and a few elegant

    speeches by President Pelton, Sylvia Spears, and others. The highlight of the event was

    an address delivered by MJ Knoll-Finn, the Vice President of Enrollment Management. Her

    speech was a powerful account of how the words of King spoke to her as a woman. She

    spoke about the struggle of education for women, how Kings work allowed her, and the

    past female generations in her family, a chance at education, although he might not have

    realized it at the time, and how Kings words can, and should, inspire everyone. The whole

    event from start to nish was a well-executed celebration of Kings l ife and achievements.I could tell as I sat in my chair that a lot of heart had gone into making something that

    students would feel good about.

    There was just one small problema lack of the aforementioned students. When I

    arrived there were only a few people, but I had hopes that more people would show up as

    the event got into swing. A large number of staff from the 10th oor of the Walker Building

    did eventually show up, but the lack of students was frankly disappointing. At one point I

    even tried to envision what the room would have looked like had more people attended.

    I bring up my disappointment not to make people feel guilty, but to question why more

    of the Emerson community did not attend. I dont regret that the whole of the student

    body didnt show up; Im sure that some of them had classes, and that some of them

    had homework to do. Yet there was a stillness in the room that I found disquieting. As an

    Emerson graduate, I know rsthand that Emersons student body cares about civil rights

    issues. But the poor attendance made me question that notion, if only for a moment.

    When you put your whole heart into something, to educate and to provide enjoyment forpeople, you want what you have made to be shared by as many people as possible.

    I dont want to live in a complacent world, where people forget how we got here and

    where there is not celebration for the achievements we have made and the growth we

    have experienced, especially now, when there are still gures intent on forcing us back

    to a time when the voices of people of color, women, LGBTQ people, and other minorities

    were silenced. I want to enter a room where many people from different walks of life

    come to discuss and grow from their shared and diverse experiences. In the end, all I

    want is what King wantedthe forward movement of all lives, through conversation and

    togetherness. And I have the audacity to hope that I will see it someday.

    By Clare Wilson-Pelton

    Ofce of Diversity & Inclusion staff

    The Dreamers Take on the

    Capitalist Nightmare

    Activism Needs ActivityPhoto courtesy of Suzanne Hinton

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    Events on Campus

    Victory Stride

    Multiple events throughout FebruaryThis campus-wide celebration of AfricanAmerican History Month includes a hostof events. Featured guests range fromBoston city councilor Michelle Wu to rapperProfessor Lyrical (who is also a real-lifeprofessor at Northeastern University).A group of Emerson faculty memberswill also participate in a teach-in fromFebruary 3 to 25, each dedicating one

    class to a social justice issue. For moreinformation, please visit word.emerson.edu/victorystride.

    Self-Reection: African American

    Heritage Month 2014

    The Ofce of Multicultural Student Affairs

    and GLBTQ Resources is hosting aseries of events throughout the month ofFebruary to celebrate African AmericanHeritage. For a full listing of events,please visit ecampus.emerson.edu. Formore information, please contact [email protected].

    Covering Civil Rights

    Thursday, February 1311:30 a.m. 1:00 p.m.Multipurpose RoomMax Mutchnick Campus CenterJournalist-in-Residence Cindy Rodrguezwill moderate this discussion about themedias treatment of contemporary civilrights issues, featuring guest speakersWGBH senior investigative reporter PhillipMartin and Farah Stockman, a columnist

    for the Boston Globe. This is a free eventonly open to members of the Emersoncommunity. For more information, pleasecontact Professor Rodrguez [email protected] or 212-810-1100.

    Bright Lights: Cutie and the Boxer

    Tuesday, February 18, 7:00 p.m.Bright Family Screening Room, Paramount

    CenterZachary Heinzerlings documentaryexamines 40 years of marriage betweentwo creative people, the famed and

    Events

    eccentric boxing painter Ushio Shinohara

    and his wife, Noriko. As Ushio navigatesthe ne line between commercialism and

    genuine creative expression, Noriko worksto advance her own artwork and gaina new sense of independence. This is afree event. For more information, pleasecontact Anna Feder at [email protected].

    Fefu and Her Friends

    Multiple showings from February 20 to 25;check website for detailsTufte Performance and Production CenterSemel Theater, 3rd Floor

    Mara Irene Fornss feminist dramafollows the lives of a close-knit group ofseven women. Admission to the show is$8 for the Emerson community and $12 forthe general public. For more information,please contact Megan Wygant at [email protected] or 617-824-8000.Directed by Maureen Shea.

    Bright Lights:Fruitvale StationThursday, February 27, 7:00 p.m.Bright Family Screening Room

    Paramount CenterRyan Cooglers 2013 lm tells the true

    story of Oscar Grant, an African AmericanBay Area resident who was fatally shot bythe police in 2009. This is a free event. Formore information, please contact AnnaFeder at [email protected] by EBONI as part of African

    American Heritage Month

    Boston Events

    Reelabilities Boston: Disabilities Film

    Festival

    Now through Thursday, February 6;see website for screening informationThis festival features a variety of lms from

    around the world that tackle the issue ofdisabilities. Many of the screenings are freeevents. For tickets and more information,please visit boston.reelabilities.org.

    The Mirror of Race: Seeing Ourselves

    through History

    Now through Tuesday, February 25Adams GalleryDavid J. Sargent Hall

    Suffolk University

    120 Tremont St.

    Boston, MA 02116This exhibition features representationsof race in early forms of photography,including ambrotypes, tintypes, anddaguerreotypes. These stark imageschallenge viewers to think critically aboutrace relations and the history of peopleof color in the United States. Admission

    is free. For more information, please visitsuffolk.edu/adamsgallery or mirrorofrace.org.

    Ayesha Mattu and Nura Maznavi discuss

    Salaam, Love: American Muslim Men

    on Sex, Love, and Intimacy

    Tuesday, February 11, 7:00 p.m.Harvard Book Store

    1256 Massachusetts Ave.Cambridge, MA 02138

    Photo from suffolk.edu

    Photo from hufngtonpost.com

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    Events

    Ayesha Mattu and Nura Maznavi arethe editors of Salaam, Love, a collection

    of writings by Muslim men on sexualand emotional intimacy and how itintersects with their faith. Forgoing Muslimstereotypes, the book presents thetestimonies of a wide array of men. This isa free event. For more information, pleasevisit harvard.com.

    Events for African American History

    Month

    Massachusetts Historical Society

    1154 Boylston St.Boston, MA 02115The Massachusetts Historical Society will

    be hosting these events exploring thehistory of race in America: A tacit proclamation of achievement by

    the Race: Landscapes Built With AfricanAmerican Civilian Conservation CorpsLabor in the Rural Midwest (Tuesday,February 11, 5:15 p.m. 7:30 p.m.) Created Equal: The Loving Story

    (Wednesday, February 12, 5:30 p.m. 7:30 p.m.) How can the wife submit? African

    Families Negotiate Gender and Slavery

    in New England (Thursday, February 13,5:30 p.m. 7:00 p.m.)These events are free but require

    registration. To learn more or RSVP,

    please visit masshist.org.

    Can Kemal: Dreams of Bosphorus

    Tuesday, February 18, 8:15 p.m.Berklee Performance CenterBerklee College of Music136 Massachusetts Ave.Boston, MA 02115Turkish drummer Can Kemal will performtraditional and modern pieces fromhis home country in his senior recital.American and Middle Eastern musicianswill accompany him to invoke the musicalheritage of Bosphorus, the strait inIstanbul which forms a border between

    Europe and Asia. This is a free event. Formore information, please visit berklee.edu/events.

    Mili Bermejo and Soa Rei in Concert

    Wednesday, February 19, 8:15 p.m.Berklee Performance CenterBerklee College of Music136 Massachusetts Ave.Boston, MA 02115Mili Bermejo and Soa Rei represent two

    generations of soulful singers in LatinAmerican music traditions. At this concert,they will combine their talents to presenta new set of original music. Admission is$8 in advance and $12 on the day of the

    show. For tickets and more information,please visit berklee.edu/events.

    Poetry Days Presents Tracy K. Smith

    Thursday, February 20, 7:00 p.m.Gasson 100Boston CollegeChestnut Hill, MA 02467Celebrated African American poet Tracy K.Smith will read at Boston Colleges Gasson

    Hall as part of the Lowell HumanitiesSeries. Smiths 2011 collection, Life on

    Mars, won the 2012 Pulitzer Prize forPoetry. This is a free event. For directionsand more information, please visit bc.edu/ofces/lowellhs.

    Edmund White reads from Inside a

    Pearl: My Years in Paris

    Monday, February 24, 7:00 p.m.Brookline Booksmith279 Harvard St.

    Coolidge CornerBrookline, MA 02446Gay novelist Edmund White, author of theacclaimed novel A Boys Own Story and

    many other works of ction and nonction,reads from his new book, a memoir ofhis years living in Paris. This is a freeevent. For more information, please visitbrooklinebooksmith-shop.com.

    African American History and Its

    Expressions: A Festival of Plays, Dolls,

    and Oral History

    Thursday, February 27 toSaturday, March 1

    The Factory Theatre791 Tremont St.

    Boston, MA 02118

    This three-day celebration of AfricanAmerican culture features a puppetadaptation of The Purple Flower, a playby Harlem Renaissance playwright MaritaBonner; Obie-Award-winning playwrightEd Bullinss The Man Who Dug Fish;a presentation of historical dolls by thefounders of the National Black DollMuseum of History & Culture; and a poetryperformance by theatre artist and Emersonfaculty member Robbie McCauley. Fortickets and more information, please visitsleepingweazel.com.

    Photo from berklee.edu

    Executive EditorsSylvia SpearsAlayne FioreRobert Amelio

    EditorBlake Campbell

    DesignJudy Jun

    Copy Editor

    Published monthly by

    the Office of Diversityand Inclusion

    Send news suggestions and tips to

    [email protected]

    Blake Campbell

    Advisory GroupGRa AsimJeeyoon KimAndrea Gordillo

    ContributorsClare Wilson-PeltonGRa Asim

    [email protected]

    Photo from sleepingweazel.com