60
ISSUE 1 JANUARY 2013

The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

Embed Size (px)

DESCRIPTION

THE JAZZ IN M.E.E. is the newest addition to the M.E.E. network, targeting devotees to jazz and the arts. This online magazine will include dynamic cover stories, trendy Jazz Watch music reviews, boldly stylish CD releases, trend setting blog updates, enchantingly cool featured festival insights, informative “Inside M.E.E.” reports and other consequential jazz information. The magazine was developed after the success of In the Jazzy Limelight, an online article profiling various jazz artists. In the Jazzy Limelight has reached over 180,000 readers in 25 countries, with highest international views in Japan, Canada, Russia, Ukraine, France, and the United Kingdom. Readers of the online feature have a passionfor jazz vacations, explorations and getaways. These topics will continue to be explored and expanded upon with the launch of THE JAZZ IN M.E.E.

Citation preview

Page 1: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

I S S U E 1 J A N U A R Y 2 0 1 3

Page 2: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

2

AUDIO

WEB DESIGN

POSTCARDS PROJECTS

APPS

EMAILMOBILE

SIGNS

BOOKS

ANIMATION

INFOGRAPHICS

CORPORATE

SMALL BUSINESS

WEB

SOCIALNETWORKING

BROCHURES

BANNERS

BRAND STRATEGY

WEB

LOGOSVIDEO

E-COMMERCEWEB

ANALYTICS

MOTION

INTERACTIVE

BRANDMANAGEMENT

SMALL BUSINESS

PHP

XHTML

WORDPRESSRESPONSIVE

IDENTITY

SEO

CSS

FLASH

BUSINESS CARDS

CONSULTINGNEWSLETTER

PHOTOGRAPHY

WRIGHT TOUCH DESIGNS LLCwhen you are ready....wrighttouchdesigns.com

MAGAZINES

Page 3: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

3

Contents04

14

18

08

22

26

32

34

36

37

38

28

40

44

51

52

53

54

55

Editor’s Notes of Jazz

A Jazz Family’s Precious Loss Ana Grace Márquez-Greene

Martha’s Vineyard Jazz Festival

Jazz Watchhighlights artists that are

creating a buzz in the industry

THE MELODY IN M.E.E.a blog of musical expression

In The Jazzy LimelightFeature Triple Take

The Musical LegacyMonday Nite Texas Jazz Jam

THE JAZZ IN M.E.E. Meet & Greet

Facebook & Twitter Sightings

White LinenBeckoned Once Again

Sax Man Elan Trotman Gets Autobiographical on Tropicality

JaZz in P!nk Austin 2012 _page 44

10th Annual San Antonio Summer Art & Jazz Festival

HESTONThe Soulful Gentleman

JaZz In P!nkGail Jhonson

2nd Annual Chocolate Summer Night

Saxes Under The Sign With M.E.E.

Advertising Opportunities

Jazz Call

Swag M.E.E

COVER STORY

Publisher & Editor-in-Chief Melody Warren

Contributing WritersAngela P. Moore–ThorpeRick ScottT. R. Reed

Contributing Photographers

Cover ImageBob Bartlett

Design & LayoutTD Wright

Copy EditorValerie McCarley

THE JAZZ IN M.E.E..P.O. Box 683184Houston, Texas [email protected]

THE JAZZ IN M.E.E.. is published 4 times a year quarterlyThe publisher assumes no responsibility for claims or actions of its advertisers. Opinions expressed are not necessarily those of the publisher, advertisers or staff. No portion of this publication may be reproduced in any form without prior written permission from the publisher

All rights reserved by Multifaceted Exquisite Events Inc. & THE JAZZ IN M.E.E.

ph

oto

by

Yola

nd

a B

ell

Magazine design and layout by WrightTouchDesigns.com

Vena Ashley Bob Bartlett Yolanda Bell April Hall JirardMicheal JohnsonMicheal Osborne

Tar-ImpressDavid SlocumbNick SpanosDemaris StarrPeter Tung Cole Yates

Page 4: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

4

My love affair with jazz started years ago! I have fallen madly in

love with the art form, the artists, the musicians, and those who support this genre of music. Jazz fits perfectly into my creative and

artistic disposition, which is in close proximity to fashion and the arts. These three facets of beauty have always played an integral role in my life. So falling head over heels for the true American art form of jazz was totally understandable. Yet, what surprises me is that I had no idea I would find my purpose in the process. We all have a divine purpose in life and some people know their purpose, while others struggle to find direction. I do believe that we have inner guides that help us navigate life’s obstacles, but we have to listen very closely to that inner voice. Everything that has transpired since I started my jazz exploration feels right; the process, the people I have connected with, the feedback, the cause to advocate for, the growth of the company and the decisions I make every day. I have an overflowing plate in life and people always ask how I do it all? My mom chimes in to say, “It’s because you love it and if you did not love it you would never do so much.” This journey has been completely amazing to me and I get very emotional thinking about it. We are always asking the question, “What’s my purpose, why am I here, what is my calling, what am I suppose to do?” Many people make a living and never live their passion, fulfill their dreams, or realize their purpose. I feel tremendously blessed to have found my place on this path of life, to realize it and be fulfilling my dreams. The purpose that I have longed to find is now laid out, vividly, in front of M.E.E.to embrace.

And Then There Was M.E.E.I should step back a bit and explain how this was all created. THE MELODY IN M.E.E.. and THE JAZZ IN M.E.E. are products of Multifaceted Exquisite Events Incorporated, which is the events planning company I created in 2010.

I’ve always enjoyed planning and designing events and I established this company during a rejuvenation break from corporate America.

The name Multifaceted reflects the many dimensions and perspectives that I have to offer; passion, commitment, style, and organization, coupled with a love for fashion, the arts and music. I wanted to melt all of these loves into one, I wanted my events to be works of art; thus, Multifaceted Exquisite Events Inc. was born. I started out like most event organizers planning weddings, corporate functions and parties. The tides changed during the planning phase for my milestone birthday party. I wanted a saxophone serenade and was introduced to Dean James. I had no idea who he was at the time, but after being introduced to his music, I not only liked it, I loved it. It was the most beautiful instrumental music that I had ever heard. I could not stop playing his CDs. Myfavorite tracks to date are still “Love Takes Time,” “Skylight” and “Brighter Days.”

Dean started talking to me about various types of jazz:bebop, smooth, latin, mainstream, straight ahead, traditional,jazz royalty and legends: Charlie Parker, Miles Davis, JohnColtran, Ramsey Lewis, Cannonball Adderley, Grover Washington Jr., etc. and over the next weeks he sent me songs and played songs by different artists for me to listen to. I was smitten with Cannonball Adderley. Cannonball Adderley was a prominent jazz saxaphonist that played in the ‘50s and ‘60s. Even though I kept referring to Cannonball’samazing tune “Mercy Mercy Mercy” as the Pink Panthersong before I was familiar with it, Dean rolled with it and continued to expose me to more music, but politely remindedme of the name each time I forgot it. Dean did perform at my birthday party and was a major hit. From that point onmy love affair with jazz grew and I wanted to know more. I started incorporating jazz musicians or artists into my eventsand quickly became a host, promoter, media outlet and advocate for jazz. I had found my niche.

— Melody Warren CEO, THE JAZZ IN M.E.E..

Editor’s Notes of Jazzp

ho

to b

y M

ich

eal O

sbo

rne

Page 5: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

5

The M.E.E. NetworkOver the next few years the Multifaceted Exquisite Eventsfamily grew to include THE JAZZ IN M.E.E., THE MELODY IN M.E.E. and GLAM. We are now a national network of support for the jazz industry.

Multifaceted Exquisite Events Inc. (M.E.E.) An events planning company completely dedicated to the creation of events as works of art! Specializing in delivering unforgettable, elegant, and creative events that bring your dreams to life. http://multifacetedevents.com

THE JAZZ IN M.E.E.The News, Media & Marketing division that was created to be a platform to showcase, support, advocate, market, and promote the love of jazz and the arts, the artists, musicians, enthusiasts and supporters of this magnificent culture and the events that are a springboard for its success. http://thejazzinmee.com

THE MELODY IN M.E.E.A musical blog created to capture our musical discoveries, experiences and journey of the jazz genre across the USA. A creative and interactive avenue to report our experiences to our jazz followers and supporters. http://themelodyinmee.com

Girls & Guys Love Arts and Music (GLAM) GLAM is an organization for young girls and boys dedicated to the jazz and arts community. This non-profit organization’s goals include advancing education and exposure to innovative art forms, promoting musical and artistic performances, sculpting new audiences and developing a new fan base for jazz. http://glammee.org

2012 Recapped2012 was outstanding and the summer was explosive. We partnered with Martha’s Vineyard Jazz Festival to bring jazz enthusiasts to the official vacation destination of jazz. “When Jazz Goes on Vacation, It goes to Martha’s Vineyard.”

We hosted a San Antonio and an Atlanta meet and greet for our friends, partners and supporters. We landed in the Alamo City to cover the San Antonio Summer Art & Jazz Festival and the blazing heat could not keep us away.

We held our 2nd Annual Chocolate Summer Night event and delivered an exciting poetic and musical experience that had everyone captivated.

We also interviewed and covered some of the most in credible jazz artists in the scene: Gail Jhonson & JaZz in P!nk, Jeff Lorber, Mike Burton, Elan Trotman, Warren Hill, Stephen Richard, Everette Harp, Michael Lington, Marcus Adams, Eric Darius, Dwan Bosman, Tom Braxton, Reggie Hines,Jackiem Joyner and Keiko Matsui. We implemented Jazz Steps With M.E.E., a program that builds musical bridges and relationships with our jazz counterparts across the USA.

MULTIFACETEDEXQUISITE EVENTS INC.

EVENTS CREATED AS A WORK OF ART

THE

IN M.E.E.

THE

IN M.E.E.

G L A MGIRLS & GUYS LOVE ARTS & MUSIC

· · ·

“If you have life, you have purpose.” —Caroline Myss

Page 6: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

6

What to Expect from M.E.E. in 2013We are very ecstatic for the arrival of 2013. We have several important projects in the planning stages and many to implement. We are rolling out our magazine and it has been a laborious but rewarding task to design and develop. Throughout 2013 our plan is to focus on the expansion of our media, public relations and booking divisions, cover more jazz festivals/events, increase our brand recognition globally, host a radio broadcast, roll out our nonprofit organization, enhance our artist services and build a more interactive artist and partner network. http://thejazzinmee.com/promotions

KEEp an EyE ou t foR M.E.E. Visit our websites: http://thejazzinmee.com http://www.multifacetedevents.com

Join our Group:http://www.facebook.com/groups/THEJAZZINMEE

Like our facebook page: http://www.facebook.com/pages/Multifaceted-Exqui-site-Events/132182663467132

tweet M.E.E.: @meeevents

Subscribe to our youtube Channel: http://www.youtube.com/user/multifacetedevents

— Musically Yours,

CEO, THE JAZZ IN M.E.E.P.O Box 683184 Houston, Tx 77268

[email protected]

281.260.8469

Page 7: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

Page 8: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

8

Jaso

n M

ora

np

ho

to b

y M

ich

eal J

oh

nso

n

Page 9: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

9

We set out for our breathtaking summer adventure August 3, 2012 to enjoy seven days of jazzy bliss on the “V”... It took us two planes, two shuttles,

a taxi and a ferry ride to get to the “V” but the experience wasall well worth it. We all know when jazz goes on vacation, it goes to Martha’s Vineyard. If you were looking to enjoy a real vacation this island was the place to be…add jazz and it was unforgettable.

The Martha’s Vineyard Jazz Festival “All things Jazz” presented the diversity of jazz in a variety of formal and informal venues, to include live musical performances, art exhibits, book readings and signings, film presentations, and masterclasses, all while you vacationed on the beautiful island ofMartha’s Vineyard. The festival was a fun and engaging experience that presented jazz in a variety of assorted and unique formats.

On Saturday, August 4th the festival kicked off with a parade from the Oak Bluffs Steamship dock to the campground, led by Made in the Shade, a New Orleans-style brass band, and dancing in the street never looked so good. An all-day jazz extravaganza in the Tabernacle followed the parade. The atmosphere was electric and excitement filled the air as people gathered to bask in the music. Some sat inside while others lounged on the grass and listened from outside, and groups gathered on porches as far away as the edge of the Arts District to get an ear full of jazz.

Covering a wide range of jazz styles, the lineup featured some of the most entertaining artists in jazz, including saxophonist Elan Trotman, three-time winner of the New England Urban Music Award for Best Jazz Male; drummer Teri Lyne Carrington, whose latest album won the Grammy for Best Jazz Vocal Album; Drew Davidsen, Best New Artist by the Oasis Contemporary Jazz Awards in 2011; dynamic saxophonist Tia Fuller; and the impressive, boldly stylish, enchantingly cool and absorbingly brilliant urban jazz harmonicist, Frédéric Yonnet.

THE JAZZ IN M.E.E.. partnered with Martha’s Vineyard Jazz Festival to bring jazz enthusiasts to the official vacation destination of jazz.

Jazz Festivalby Melody Warren

Page 10: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

10

On August 5th, Sunday afternoon, an elegant and fashionable crowd arrived at Hooks in Oak Bluffs to enjoy an incredible buffet and the smooth jazz performance of the charming and alluring vocalist Vivian Male. Vivian packed the house! This was her first performance on the island and people came out to support her. She gave a very passionate and entertaining show. Hooks was filled to capacity. You could feel the love for this Bostonian native and she gave the crowd much to cheer about with her soulful interpretations of classic songs such as "Stormy Weather."

Singer, saxophonist, flutist, and actor Stan Strickland performed an exquisite evening of jazz on the beautiful campus of the Featherstone Center for the Arts on August 6th. Stan Strickland has performed extensively throughout the United States, Europe, Scandinavia, New Zealand and the former Soviet Union.

On August 7th, Brian King Nelson Quintet , the Vineyard’s premier jazz combo, jazzed up the Island House; their sound and approach rooted in tradition but stretching towards the outer edges of the jazz spectrum. The front line hard bop sonorities of C-Melody sax (not heard since the ’30s) and trombone ride over the modern push of the group’s piano, bass, and drums creating a new and compelling blend ofinside and outside. The band’s sound is informed by the extensive individual experience of the members garnered from touring across the US, Caribbean and Europe, as well as appearing on numerous jazz recordings. Brian King Nelson – C-Melody saxophone, Mark Campos – trombone, Glenway Fripp – piano, Matty “Ro” Rosenthal – drums, Brian Sandlin – bass.

The film screening for Chico & Rita was divine on August 8th.Dreamland was the perfect location to view this amazingfilm and the ideal artistic flair for the festival. Chico & Rita was nominated for a 2012 Academy Award for “Best Animated Feature Film.” Set in Cuba in 1948, the film chronicles Chico, a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unitethem, but their journey— in the tradition of the Latin ballad, the bolero — brings heartache and torment. From Havanato New York, Paris, Hollywood and Las Vegas, two passionateindividuals battle impossible odds to unite in music and love.

On the beautiful breezy morning of August 9th, at the Bunch of Grapes Bookstore in Vineyard Haven, author Quincy Troupe signed copies of his book. Born July 22, 1939 in St. Louis, Missouri, Quincy Troupe is an awarding-winning author of eight volumes of poetry, three children’s books, and six non-fiction works. In 2010 he received the American Fr

édér

ic Y

on

net

p

ho

to b

y M

ich

eal J

oh

nso

n

10

Page 11: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

Book Award for Lifetime Literary Achievement. Among his best-selling works are Miles: The Autobiography of Miles Davis and his memoir, Miles & Me. He was able to share his experiences and stories of Miles Davis, jazz royalty. Mr. Troupe also co-authored the autobiographical The Pursuit of Happyness, which was made into a major motion picture starring Will Smith.

Larry Brown Quintet was a hot addition to the festival on the evening of August 9th at the Island Bar & Grille on Circuit Avenue. They entertained us with straight-ahead jazz at its best, with a forthright approach to well chosen material, supported by first rate soloists and a rocksolid rhythm section. The Larry Brown Quintet featured Larry Brown on piano, Kent Miller on bass, Greg Holloway on drums, Thad Wilson on trumpet, and Peter Fraize on tenor sax.

Stunning is what comes to mind after hearing Christian Sands Trio rock the Island House with their bluesy tunes on August 10th. Christian was refreshing, entertaining and super talented. Best known for his tutelage under the late Dr. Billy Taylor, Christian Sands is a “rising star” in the world of jazz. He possesses pianistic technique in abundance, butit perfectly matches his conception. The band was phenomenal, featuring Ulysses Owens Jr. on drums and Matthew Rybicki on bass.

Jason Moran, our fellow Houstonian, was the festival's headliner. He performed on Monday night, August 6th at Dreamland. Mr. Moran and the Bandwagon - Tarus Mateen bass and Nasheet Waits drums - delivered an absolutely supreme performance of original tunes. The crowd exploded with excitement during the stellar musical display. Jason's purely original style incorporates elements of stride piano, avant-garde jazz, classical music, and hip hop — he is virtuoso player.

Since his formidable emergence on the music scene in the late 90’s, jazz pianist Jason Moran has proven more than his brilliance as a performer. The Blue Note Records recording artist has established himself as a risk-taker and innovator

Drew

David

senp

ho

to b

y Melo

dy W

arren

Tia Fuller, Elan Trotman, Drew Davidsen and Frédéric Yonnet photo by Melody Warren

11

Page 12: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

of new directions for jazz as a whole. Over the course of his 25 year career, he has garnered a number of honors: recently named artistic director for the Kennedy Center Jazz program, has received a MacArthur Genius award, Playboy magazine's first Jazz Artist of the Year, and has received commissions from a number of organizations including Jazz at Lincoln Center.

Mr. Moran was the recipient of the second annual Vinegard (pronounced like "Vineyard") Award. Mr. Lee established the award last year. This, according to Mr. Lee is, "An award we give to one of our performing artists who we think represents the authenticity of the music." Of this year's honoree, Mr. Lee says, "Jason is one of the most serious cats in music today, and not just in jazz. He's really a leader in terms of moving the music forward." The wire sculpture award was designed specifically for Mr. Moran by local artist Steve Lohman, who said that he watched hours of the pianist performing on Youtube.com before executing the piece. It features Mr. Moran, complete with his signature hat and a piano, crafted from a single piece of heavy duty wire. After the presentation of the award, Mr. Moran ended the evening with an encore and was honored with a rousing standing ovation.

Isaac Green of Durham, N.C., was attending the festival for the first time this year, encouraged by his wife who was on hand last summer. "I've heard a lot of jazz in my life, but this was right up there with the very best I've heard," he said of Mr. Moran's performance. Among other festivals, Mr. Green has attended the legendary Jazz Festival in Switzerland.

Festival producer John Lee says that he has encountered a number of people who came to the Island specifically for the festival – many of them first-time visitors. "Just like last year, the response from people attending has been overwhelming,"

he said. "I look for the response from the people, not just attendance. I wanted to include something where day-trippers and weekend people could participate," he says. “The festival presents not only live musical performances but different ways that people express themselves through jazz," says Mr. Lee, "It's the arts in general that I support."

THE JAZZ IN M.E.E. had an amazing time on the "V"! It was an honor for us to be a part of and to cover such an incredible festival. We look forward to next year’s festival and we hope to see you there! http://mvjazzfest.com.

I look for the response from the people, not just attendance.

— John Lee

Ela

n T

rotm

anp

ho

to b

y M

ich

eal J

oh

nso

n

“ ”

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

12

Page 13: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

Marcus Adams, the Milwaukee based composer and artist, made a few musical appearances in Houston and was able to perform and network with some of Houston’s most talented in jazz.

Stephen Richard welcomed Marcus to play a set at the Red Cat Jazz Cafe and Dean James also welcomed Marcus to play a set at Club Divus.

I would also like to thank Dana Jackson for supporting our endeavors. She opened her show up to M.E.E. as well! Houston has major talent and many artists with exceptional character!

Marcus gave Houston a glimpse of his urban sax flavor! Check him out: http://www.reverbnation.com/marcusadams Houston Jazz Artist Stepping Up to Support the National Jazz Community “STEPS WITH M.E.E.”

THE JAZZ IN M.E.E.. connects Houston & Milwaukee in Jazz!

http://thejazzinmee.com/houston-connects-milwaukee

to Support the National Jazz Community

STEPS WITH M.E.E.

Houston Jazz Artist Stepping UpTHE JAZZ IN M.E.E. strives to build musical bridges and relationships with our jazz counterparts across the USA. Our Houston artists stepped up to support our efforts.

13

WW

W.TH

eJA

zzINM

ee

.CO

M

Page 14: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

Ana Grace Márquez-Greene, 6, of Sandy Hook, beloved daughter of James S. Greene, Jr. and Nelba (Amaro-Márquez) Greene, passed away senselessly on Friday, December 14, 2012 during the horrific massacre enacted upon Sandy Hook Elementary School in Newtown, CT.

ana was born in Hartford on April 4, 2006, and lived in Bloomfield before moving to Canada and

recently settling with her family in the Sandy Hook section of Newtown.

Ana's love for singing was evident before she was even able to talk. In a musical family, her gift for melody, pitch, and rhythm stood out remarkably.

She never walked anywhere! Her mode of transportation was dance. She danced from room to room and place to place. She danced to all the music she heard, whether in the air or in her head. Ana loved her God, loved to read The Bible, and loved to sing and dance as acts of worship. We ask that you pray for the legions of people who are left behind to cherish memories of her.

Ana is survived by her father, Jimmy Greene, a jazz saxophonist and an assistant professor of music at Western Connecticut State University; her mother, Nelba Márquez- Greene, program coordinator for the Family Therapy Institute at Klingberg Family Centers and Central Connecticut State University adjunct faculty; and her brother, Isaiah, a happy, intelligent and musical boy who loves hockey and very much misses his sister.

14

ph

oto

co

urt

esy

of

the

Gre

ene

fam

ily

Page 15: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

15

I wish I could have had the pleasure of seeing my daughter’s smiling face, running across our front lawn from the school bus two Fridays ago, safe and sound. I wish I never had to feel my son’s body slump in my arms as I told him his sister, his best friend and playmate, was murdered at their school. I wish his ears never heard and his little mind never was forced to process the gruesome sounds and sights at school that morning. I wish I could have protected them from such horror – I wish I could have been there at Sandy Hook School that morning. I wish I could enter a room in my house without being overcome by grief, remembering Ana’s presence in the little things: the smell of her shampoo, the sound of her singing or snoring or saying “Hi Daddy!”

It is because these wishes won’t come true for me that I’m writing. My reality, the anger, loneliness and heaviness I feel is only made bearable by the faith, hope and love we embrace as a family. There are 25 other dads, whether of a brave

Sandy Hook 1st grader or valiant teacher, who have been stricken just like me, forced to cope with this unimaginable burden of loss.

In the coming weeks and months, my hope is that laws and hearts will be changed but in the meantime, what do we do? I’m a musician - so was Ana. After a period of recovery, I trust that a new song will eventually be sung. Regardless of vocation, though, if each one of us, in our own sphere of influence, do all we can to invest in the eternal, show love in the natural, practice mercy and provide for another’s well-being, then our reality will look so much brighter.

Thank you for your overwhelming support, love and prayers. To quote my Glory Chapel pastor, Bishop Raul Gonzalez, “Together We Will!”

Love, Jimmy Greene

Dear Ana,It's been two weeks and two days since you've left us and I'm hanging on for dear life. Special blanket has lost your smell... and the sky looks a lot more gray. I hear you in every note of music. I see you in every falling snowflake. I miss combing your hair and painting your nails. I miss my tag sale buddy. Remember when we bought that kite at the neighborhood tag sale? You were determined to fly it even though it wasn'twindy enough. I must have told you 100 times it wasn't windy enough. Somehow you talked your brother into tying the kite to your bicycle and the next thing I knew, that kite wasup in the air. You were so determined! I was so proud of bothof you. We ended every night and started every day with an "I love you". I'm thankful we took the time for the little things that don't seem so little now that you're in heaven.

Thank you to all who have contributed through prayer, supportive words or donations and to those who have committed to making peace and love win over fear, hatred or anger. Thank you for thinking of all of the families that were victims, our first responders and our entire community.

Thank you to all who have committed to making a call to action. The layers of this are complex and while we may not agree on all pieces - perhaps we can agree that no parent, grandparent or caregiver should ever again put their child on a school bus only to have their backpack and uneaten lunch returned to them by an FBI agent and police officer because their child was executed at school.

When you experience grief/loss in this way, it takes up every little corner of the heart. Walking through grief is a long journey. Essential to recovery is the heart's ability to grow around and through the grief - so that the grief is still there but your heart just gets bigger. This is what the therapist told us. It makes a lot of sense to me. . . .

Three things will last forever--faith, hope, and love--and the greatest of these is love. I Cor 13:13 Love wins,NMG

Dad's Wishes

Mom’s Note

Page 16: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

16

Nelba Márquez-Greene said she hopes the tragedy of the school shooting will bring a greater awareness to mental health issues and to reduce the stigma attached to those with mental illness, perhaps preventing tragedies like the one that took Ana's life. Information on how those with mental illness can get help can be found at www.aamft.org.

Donations in Ana's memory may be made to: The ana Grace Márquez-Greene Music Scholarship fund c/o Western Connecticut State University, Office of Institutional Advancement181 White St., Danbury, CT, 06810 http://www.wcsu.edu/ia/greene-scholarship.asp

The ana Grace Márquez-Greene family Therapy fund care of the Outpatient Clinic/Family Therapy Institute Klingberg Family Centers, 370 Linwood St, New Britain, CT 06052

The artist's Collective1200 Albany AvenueHartford, CT 06112.

In addition, friends have set up a fund to support the Marquez-Greene family at: http://anagracefund.imageworksllc.com

ph

oto

s co

urt

esy

of

the

Gre

ene

fam

ily

Page 17: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

www.ryankilgoremusic.com

17

Page 18: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

Beckoned Once Again

ph

oto

s b

y D

LSp

ho

tog

rap

hy

Hank Stewart

18

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

— by Melody Warren

Melvin Miller

White Linen

Page 19: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

White Linen, the event that inspired M.E.E. to create Chocolate Summer Night, beckoned us once again to Atlanta to refresh our memory of what a celebration with a purpose embodies. Hank Stewart and his team know just how this is orchestrated and they accomplish it effortlessly and exceptionally every year. This classy upscale event offers many facets of entertainment and fulfillment of various levels. White Linen is special because itcontains components that stimulate intrigue, and educate the mind, body and soul.

White Linen is a supportive platform for the Stewart Foundation. The Stewart Foundation is Hank Stewart's non-profit organizationthat works to encourage a generation of children to becomeinfluential leaders of society through a program that fosters independence, self pride and respect for others while educating and motivating each child to reach their ultimate potential. This 3-day event was filled with an overabundance of entertainmentand knowledge that was packaged in the form of history, art, film, fitness, health, music, poetry ,inspiration, fashion,

Antonio Allen Ken Ford

19

WW

W.TH

eJA

zzINM

ee

.CO

M

Page 20: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

conversation and positivity…all to raise money and awareness for a great cause. The Couch Conversation and Cappuccino event with Roland Martin, Janice Mathis, and Tyronne Stoudemire from AON Hewitt was extremely impactful. Roland Martin and the panel really provided important and beneficial informationregarding politics. The audience engaged the panel which provided excellent political and business takeaways and eye opening moments. Rev. Joseph Lowery, leader in the American civil rights movement and third president of the Southern Christian Leadership Conference was honored; he shared wisdom and humor with the crowd. Hank's Muse Concert featuring Michael El Dalcoe was a unique blend of talent and the crowd loved it. Five Men on a Stool (Hank Stewart, LaMorris Sellers, Ken Ford, Antonio Allen and Melvin Miller), always the crowd favorite, had everyone rocking and up out of their seats. The Bramer Leon Couture Fashion Show was phenomenal; he took us back in time toexperience "Lady Sings the Blues" in fashion. Art Terrell's day party was a hit and the Red Light party hosted by eventz-r-us was a hot ticket! Anthony David, Seven, Dichotomy, Abyss & UpRite Lion, Xavier Lewis, and

Sandy Redd also had stellar performances. If you missed this event this time, you cannot let that happen again. Join the experience next year!

for event information please visit http://www.hankstewart.net or http://www.thestewartfoundation.com

Rev

Jo

sep

h L

ow

ery,

Co

urn

ee F

utc

h, H

ank

Ste

war

tp

ho

tos

by

DLS

ph

oto

gra

phy

Tyronne Stoudemire, Janice Mathis, Roland Martin

Cecilia Houston Torrence, Nita Gray, Hank Stewart

and Tyronne Stoudemire

20

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

Page 21: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

mp

ho

tos b

y DLS

ph

oto

grap

hy

21

Page 22: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

A full circle approach of success in the jazz industry without skipping a beat!

Talk about feeling special… I reached out to the Eric Darius camp to setup the interview and of course I was expecting his management team to call, but one evening about 6pm I

received a call from an unrecognized number.

“May I speak to Melody Warren?” “This is she.” “This is Eric Darius.” You could hear crickets for a minute, but I quickly answered, “Heyyyyy!!!!!” And the rest is history! A jazz bond was formed with M.E.E. With my gear in hand and sporting my fan club t-shirt, I was out the door! No, it was not Santa Claus coming to town, it was

Eric Darius. I was excited to meet the electrifying saxophonist that pulls at your heart strings with the emotional vibe in his slow ballads and jolts you with his powerful melodic vibration with his fast grooves.

He agreed to meet with THE JAZZ IN M.E.E.. after rehearsal for his show that was scheduled for 8pm on June 16, 2012 at the Red Cat Jazz Cafe. He rarely comes to the south, but when he does he sells out the show. His last visit to Houston was October 2011, where he teased us with only a few songs. I was more than ready to experience his dynamic and exhilarating live show.

I have always been a fan of Eric Darius; he showcases a full circle approach of success in the jazz industry without skipping a beat. His image, marketing, performance, fan interaction, and showmanship is vividly outstanding. He’s like a magnet and draws support and fans globally. This much in demand sax-man’s worldwide performances include Japan, Indonesia, London, France, and Italy, among numerous other countries.

To sign up for his fan club visit: http://www.ericdarius.com.

Playfulness and laughter were heard from rehearsal as I entered the Red Cat Jazz Cafe. I thought it was quite gracious of him to meet with M.E.E. even though he had only 3 hours of sleep the night before. He joked with the band, showing his lighthearted side, but there was no doubt about him being completely serious about his musical expectations for his show. He rehearses just like he was playing a concert, with the same energy level and power. He is dynamic; I was in awe!!!

THE MELODY IN M.E.E. is a blog of musical expression that will take you on a journey of exploration into the world of jazz.

Eric Darius

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

22

THE

IN M.E.E.

Page 23: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

I was a bit nervous for the band as I sat there, even though they were the utmost professionals and thoroughly prepared. You could feel the unspoken pressure and supreme level of the bar being raised. As I set up for the interview I could not get Eric’s sax sound out of my head. Eric definitely talks through that sax! And you know what... I understood every word. Tonight’s show was going to be memorable!

Rehearsal is finished now and he is walking over. Wow, he is in shape! Stay tuned for what he had to share with M.E.E. and the recap of his Houston show at the Red Cat Jazz Cafe in his upcoming Jazzy Limelight feature!

http://thejazzinmee.com/eric-darius/

JEff LorbEr PAST + FUTURE + FUSION = GALAXY

On May 19, 2012, I had the opportunity to spend the morning interviewing and the evening being thoroughly entertained by the spectacular Grammy nominated jazz legend, keyboardist, composer, and

producer Jeff Lorber. He is well recognized for the cutting edge movement known as jazz fusion – a marriage of traditional jazz with elements of rock, R&B, funk and other electrified sounds. I was truly impressed with him and his musical gift, which he discovered at the early age of four. He had not played in Houston since 1982, so this was a real treat for me and the many fans that have awaited his return to the Lone Star state.

The Grammy nominated Jeff Lorber played two packed shows at Red Cat Jazz Cafe with some incredible musicians backing him up: Musical Director Vernon Barbary on bass, Patrick

Williams on drums, Kelly Dean on saxophones and John Calderon on guitar. I sat mesmerized at the musical flamboyancy that came from the stage, by the man that seemed very low key and conservative during our interview earlier that day. He took the audience on a musical tour of his new CD Galaxy that was released January 31, 2012 on Heads Up International, a division of Concord Music Group. On this CD, he revisits a sound he helped pioneer. Galaxy features Lorber on keyboards, Jimmy Haslip on bass, and Eric Marienthal on saxophones, along with guitarist Paul Jackson Jr. and Larry Koonse, drummers Vinnie Colaiuta and Dave Weckl, percussionist Lenny Castro and trumpeter Randy Brecker.

I have a love of discovery in the moment, so I tend not to over research an artist before interviewing them to actually be surprised by the stories they tell and the questions they answer. I was truly surprised to find out many interesting things about Jeff’s musical journey, but to learn that hip hop stars Notorious BIG and Lil’ Kim sampled Jeff ’s song “Rain Dance“ from his Grammy nominated CD Now Is The Time, which became a huge hit for Notorious BIG known as “Crush on You” was arevelation. During his show he played the song and people gasped because they thought, “Jeff Lorber knows Notorious BIG,” but in actuality it was vice-versa! Notorious BIG had the pleasure of knowing Jeff Lorber! If you would like to experience a similarhip hop vibe from Jeff Lorber the track “Big Brother“ on his Galaxy CD moves into hip hop territory, similar to Jeff ’s grooving “Rain Dance”.

Jeff and I had a conversation about musical influences and Thelonious Monk was one that he mentioned to beinstrumental. I knew that Jeff danced to the beat of his own drum and created music that he wanted, but it was not until after the fact that I ran into this quote by Thelonious Monk, “I say, play your own way. Don’t play what the public wants. You play what you want and let the public pick up on what you’re doing. Even if it does take them fifteen, twenty years.” This holds true because it has taken me 15 years to discover Jeff ’s ties to the hip hop arena!

I have much more to reveal about the legendary Jeff Lorber, but you will have to wait for the upcoming release of the Inside M.E.E. Jazzy Limelight issue.

http://thejazzinmee.com/past-future-fusion-jeff-lorber-galaxy-2/http://www.lorber.com.

23

WW

W.TH

eJA

zzINM

ee

.CO

M

Page 24: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

Powerhouse Duo!

THE JAZZ IN M.E.E. had the opportunity to witness the impressive show of Kirk Whalum and Jonathan Butler on April 29, 2012 at the Arena Theater. It was love at first note!!! Jonathan took the stage like a storm

in Houston and was amazing. His performance was buoyant and inspiring. He was equally pleasing in person with his incredible personality.

Wow!!! We have found our South African jewel! Jonathan performed with a broken foot and offered to take off his boot so that he could get down on his knees to give us the full performance. What a gentleman and champion!

Kirk Whalum, the sax phenom, is an amazing talent. He had the Houston crowd buzzing the entire night. He has a special connection with Houston and put on a down home delightful show. THE JAZZ IN M.E.E. was impressed!

follow this duo! Jonathan Butler: http://www.jonathanbutler.com

Kirk Whalum: http://www.kirkwhalum.com

http://thejazzinmee.com/kirk-whalum-and-jonathan-butler

All Encompassing!

Warren Hill swooped down on Houston Saturday, April 21, 2012 and had me at hello! My experience with him and his music was nothing less than magnificent! All encompassing,

comes to mind when describing him. He delivered an exceptional performance on sax and had the crowd on their feet!

The master on the drums that night was none other than Houston’s own Patrick Williams! He took the show toanother level! Warren was incredible and Patrick was aspecial addition and he killed it! Warren could not acknowledge Patrick enough for his show stopping drum performance! Patrick represented Houston well! Way to go Patrick!!! I love artists that share the spotlight!

Warren is talented, funny and generous. Wow!!! He treated the Houston audience like family with his warm personality and complete musical package. I met him briefly before and after the show and was impressed that he remembered my name (first and last). I guess Warrens are just special! His show at the Red Cat Jazz Cafe told a story in song. He revealed some of his most precious musical memories and introduced us so graciously to his world. We learned that he had written countless hits dedicated to the true lovesof his life… his wife of 16 years, Tamara, and their 13 year old daughter, Olivia, including “The Passion Theme,” “Our First Dance,” “Tamara,” “U R the 1”, “Olivia” and “Still in Love”.

Olivia is now getting ready to take over the role of “star” in the family, as her career is beginning to take off. She has a feature film, Olivia Rox, being released as one the world’s first family oriented webisode series. Olivia is an incredible singer/songwriter with over 200 songs composed since the age of four. A natural performer, Olivia starred in the role of Annie for 75 shows during the summer of 2009, receiving an Ovation Award nomination from the critics. Talent runs in the family.

Born and raised in Toronto, Canada, Warren Hill began his musical journey on the guitar and vocals at the age of seven. In his first lesson, his guitar teacher simply asked him, “Tell me your favorite songs and I’ll teach you how to play them.” It was this simple question that set the stage for Warren’s entire musical future, playing the music that he loved.

Currently, Warren is touring with the “Soul of Summer,” a package tour featuring Jonathan Butler and Maysa. He is working on several projects including: a new CD, his daughter’s CD and next film, his online Sax Club – with student members around the globe, concert promotion, and an innovative new internet music series. When he is not working, he enjoys the outdoors for long family walks with the dogs, jogging, cycling and swimming. Although if you ask him, his response would be, “Technically I don’t feel like I ever stop working. Even when I go for a jog, I’m

WarrEn HiLL

KirK WHaLum &JonatHan butLEr

24

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

Page 25: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

working on some new song or arrangement in my head. But I’m not complaining!”

Warren agreed to an interview with THE JAZZ IN M.E.E. for an upcoming Jazzy Limelight feature, but until then we can keep up with this compassionate and oh so talented artist on his website.

http://www.warrenhill.com

http://thejazzinmee.com/the-jazz-in-m-e-e-meets-warren-hill

robErt GLaspEr Robert Glasper Experiment On March 3, 2012, Robert Glasper came home and the line was wrapped around the building of the Red Cat Jazz Cafe as hundreds waited to see our Houston-born jazz pianist. He released Black

Radio in late February and the critical praise has piled on thick and heavy since. It debuted at No. 15 on Billboard's Hot 200 chart. He was featured in the New York Times, on NPR's "All Things Considered" and appeared on CBS' The Late Show with David Letterman and NBC's Tonight Show with Jay Leno.

He introduced us to his new project and it was nothing less than amazing. The home town crowd embraced him and erupted with thunderous applause after each song. I was thrilled to see him and his band perform: Robert Glasper, piano; Casey Benjamin, saxophone; Derrick Hodge, bass; and Chris Dave, drums. I was able to meet him after the show and he was down to earth and humble. His star is shining bright and we are very proud of him.

Read more about Robert Glasper in his Houston Chronicle feature article.

http://www.chron.com/life/article/Robert- Glasper-push-es-the-boundaries-of-jazz-3364968.php?

http://www.robertglasper.com

KEiKo matsuiDestined to connect with M.E.E.

First I must tell you that the hands of fate were truly at work. I missed Keiko Matsui’s Houstonperformance in February, butthis time I believe we were destined to meet. My schedule was completely booked until a few days before Keiko’s arrival.

Then miraculously my schedule was cleared and I was led to her performance announcement.

I’ve never felt anything like I experienced listening to Keiko’s music. Her music is like a spiritual light beckoning for you to come in and find solace from the world. It was a call of rejuvenation, a musical prayer that made my inner spirit swell. I felt compelled to reach out to her team. I thought that it might be a long shot to confirm an interview on such short notice, but her team quickly responded to M.E.E. and the stars were aligned for our notable introduction.

On October 6, 2012, Keiko landed in the Lone Star State to promote her new project – The Road…, released in January 2011 by Shanachie Entertainment. The Road…, is Keiko’s long awaited, self produced, 22nd album released in the US. It is also Keiko Matsui’s first new recording in four years and a follow-up to her acclaimed 2007 South African inspired release entitled Moyo, which featured Hugh Masakela among other amazing artists. The Road…, is a riveting collection of timeless, passionate, cathartic, emotional and exotic melodies with lush harmonies and global rhythms.

The sense of peace and harmony that I experienced from her music translated into our meeting. Keiko was absolutely divine! I felt an overwhelming sense of calmness while spending time getting to know her. She has a very open and welcoming demeanor and it felt as if we had met before. I was so comfortable with her that I forgot it was an interview; we talked as though we were long time friends.

Keiko’s no borders ideology to music poured out of herpersonality. “Music has no borders and it creates a oneness

25

WW

W.TH

eJA

zzINM

ee

.CO

M

Page 26: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

1. Marcus adams - Suddenly Marcus Adams is a late-blooming smooth jazz saxophonist who proves on his debut CD that some things are worth the wait. Adams mixes moods throughout the CD with buoyant sax harmonies and in-

the-groove clap tracks that are simply irresistible.

2. paula atheron - Enjoy the RideSaxophonist/Singer/Songwriter Paula Atherton is proving herself to be quite the connoisseur of groove with her third CD, Enjoy the Ride. With its nine songs all recently composed specifically for the

release, it is an exhilarating and focused set conceived to rock listeners’ worlds! New York-based Atherton moves from hard-driving instrumentals like “Turn it Up” and

the JBs-esque “Catch Me If You Can” to the wistful soulful vocals “I Won’t Give Up” and “Can’t Get You Out of My Mind” – all in a CD that flies by in the blink of a playfully batted eyelash.

3. tom Braxton - Endless HighwayTom’s latest project, Endless Highway, highlights Braxton as a composer, producer and arranger along with six of his original compositions that feature his effortless transition from soprano, alto

and tenor saxophones to showcasing his versatility on piano, keyboards and flute. Bursting with exhilarating grooves and sizzling hot horn arrangements, Endless Highway manages to lift Braxton to a new level of artistry and is a testament to the many challenges Tom has faced along his highway of life.

among people,” confided the Japanese born pianist, composer and producer. Now I understand why her unique melting pot of musical influences have garnered her a devout international following.

We touched on many topics: her beautiful daughters, work and life balance, how music saved her life, her musical influences, the transition into music from Japan and what her fans mean to her. Keiko has a bubbly sense of humor and was ecstatic about experiencing a Texas BBQ with Joe Sample, who told her to give him a call whenever she was in Houston. Keiko took him up on his offer and Joe Sample invited her over to his house for a Texas style BBQ, and she had a blast!

That night following our meeting, Keiko performed to a thunderous crowd at one of Houston’s best-kept secrets Dosey Doe, located in the Woodlands. She put on the ultimate show! She took control of that stage and delivered a 90 minute non-stop, entertaining and truly unique experience. Keiko is a phenomenal jazz player, and her music has such strong classical, world and new age influences that the result is truly unparalleled. She was joined by the killer musical talents of Jackiem Joyner on sax, Eric Baines on bass, Blake Aaronon guitar and Steve Hass on drums. This band shook the building!

The Keiko experience is a must! I have much more to reveal about this harmonious spirit in an upcoming issue of

In The Jazzy Limelight. I went to meet Keiko for an interview, but left with enlightenment. Keiko’s star is pretty bright in the industry, and yet she extended her hand to M.E.E. in support of our endeavors and I was moved by this beautiful gesture.

The staff and management team at Dosey Doe rolled outthe red carpet for M.E.E. and were gracious hosts to all their guests. I applaud them for their hospitality and professionalism. Dosey Doe is one of the most well respected listening rooms in the country featuring nationally recognized artists from contemporary to country, jazz to bluegrass, and everything in between. The 165-year-old historical structure has been saved for its current purpose. Originally built as a tobacco barn in Kentucky, the 300-600 year old growth oak and birch massive beams are the foundation not only for a beautiful room but also for the great acoustics. It is a place where memories are made. No need to run from restaurant to music hall; at Dosey Doe’s you have it all. http://thejazzinmee.com/destined-to-connect-with-m-e-e-keiko-matsui http://www.doseydoescoffeeshop.com

http://www.keikomatsui.com

26

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

Page 27: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

4. Karyn Elyse - Matters of the Heart Karyn Elyse has shown the music world she is a serious artist and creative force with her new album Matters of the Heart. In this 12 song jazz release, Karyn displays her artistry in her smooth and elegant

vocals and outstanding songwriting. The arrangements on the release are an excellent compliment to her stylish knowledge of the jazz genre.

5. tony Exum - The One The One doesn’t disappoint with fourteen tracks written mostly by Tony himself and close friend Tarell Martin. The One, is yet another beautiful ballad with a strong sexy bass line by Keith

Askins. Clearly Tony Exum Jr. wants to put the music world on notice as he showcases his range and versatility with incredible passion.

6. Jackiem Joyner - Church BoyRenowned chart-topping contemporary

jazz artist and producer Jackiem Joyner has traveled all over the world with hissignature saxophone sound, yet he returns

home—figuratively—on his fourth release, Church Boy. Reaching back to his roots and reigniting his faith, Joyner brings together his beloved jazz and his foundational gospel music. Joyner made his debut in 2007 as a standout saxophonist who plays a range of other instruments.

7. Michael Lington -Pure Michael Lington had a few friends drop by to help with Pure. Lee Ritenour, Jeff Golub, Rickey Minor, Jonathan Butler, Brian Culbertson, Paul Jackson Jr., Michael Bolton, Ray Parker Jr. and then toss in Paul

Brown. The stars were all in perfect alignment when it cametime to roll tape on Pure, the rest were in the studio performing! From mixing board to microphone, Pure is a five star winner and as entertaining a release as you will find across any genre of music.

8. Jeff Lorber - GalaxyBy the late 1970s, trailblazing keyboardist/composer/producer Jeff Lorber had becomea prominent figure in the new movement known as jazz-fusion – a marriage oftraditional jazz with elements of rock, R&B,

funk and other electrified sounds. Lorber and his band, theJeff Lorber Fusion, first honed their craft in the Portland,

Oregon, club scene and rapidly expanded their reach toa national and international audience via a combination of complexharmonies unconventional time signatures and compelling rhythms.

9. Dee Lucas - Rebirth of the SmoothWith his current release of Rebirth of the Smooth, saxophonist Dee Lucas visionsthis CD as a celebration on what he hasaccomplished in his short but steadilyrising career, but it also indicates his

direction in soul jazz. It offers a wide array of styles comingfrom various producers pushing the envelope in this competitive genre of jazz. With his profound sense of styleand technique, and his love of life, Dee Lucas plans to bearound for a while. Lucas’ music is like a bottle of fine wine.It just keeps getting better with time.

10. Kekio Matusi - The Road...Her music is like a spiritual light beckoning for you to come in and find solace from theworld. It was a call of rejuvenation, a musical prayer that made my inner spirit swell. The Road…, is a riveting collection of

timeless, passionate, cathartic, emotional and exotic melodies with lush harmonies and global rhythms.

11. Stephen Richard - Bread-n-Water Vol.2Gifted Saxophonist Stephen Richard is emerging as one of today’s up and coming jazz musicians. Stephen’s clean, soulful styling punctuated with dazzling solo flourishes are the result of his unique interpretation

of many forms of music encountered throughout his life.

12. Rod Williams - Hands Down Rod’s songs and playing are lyrical, understated,

tasty, well produced (in his own home studio!), and quite appealing. Mr. Williams creates an almost ephemeral sound from his instrument… very classy, very elegant, even when the tempo

and energy go up, as with “Jiordyn’s Groove” and “Funky Sensation.

Jazz Watch highlights artists that are creating a buzz in the industry and THE JAZZ IN M.E.E is keeping watch. Tolisten to samples tracks from some of these amazing artists visit THE JAZZ IN M.E.E. listening party:

http://thejazzinmee.com/listening-party

27

WW

W.TH

eJA

zzINM

ee

.CO

M

Page 28: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

Rihanna may be the most famous Barbadian makingworldwide headlines, but saxophonist/flautist Elan Trotman is another gifted islander who is bringing

the Caribbean island’s culture to the masses via music. Tropicality, which will be released February 19th on WoodwardAvenue Records, chronicles Trotman’s journey from Barbados

Sax man Elan Trotman gets autobiographical

on Tropicality

The star-studded set slated for release February 19th chronicles his journey from Barbados to Boston while celebrating island culture.

by Rick Scott

28

Page 29: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

to Boston and celebrates the multihued beauty of the tropicalparadise. Trotman and guitar star Peter White produced the12-track set that was recorded in Barbados, Boston and Los Angeles and includes performances by a stellar array of musicians from around the world. The inherent difficulty for instrumentalists is to “speak” without words, hence Trotman’s challenge to speak volumes through melodic riffs, rhythms and grooves that tell hispersonal story and share his ardor for his homeland. He

wrote or co-wrote seven of the collection’s nine originals andselected a few fitting covers, including the first singleprefacing the album at radio, a rollicking rendition of StevieWonder’s reggae-inflected “Master Blaster.” Recording inthree widely diverse cities afforded Trotman the opportunityto draw upon an international talent pool that boasts compatriotBarbados-born bassist/producer Nicholas Brancker, British guitarist White, French guitarist U-Nam, Brazilian guitar marvel Fabiano Da Silva, Aruban guitarist Serghio Jansen,Cuban percussionist Luis Conte, and an accomplished American

ph

oto

by C

ole Yates

29

Page 30: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

This album is very special to me as I’ve always wanted to showcase my Caribbean heritage through my music. We ‘islanders’ are happy people by nature and that quality has always been evident by the way our music grooves.

ph

oto

by

Co

le Y

ates

30

Page 31: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

31

contingent consisting of keyboardist/producer Jeff Lorber, guitarist/producer Paul Brown, guitarist Nick Colionne, drummers Terri Lyne Carrington, Ricky Lawson and Tony Moore, trumpeter Lin Rountree, bassist Alex Al and percussionist Lenny Castro. “This album is very special to me as I’ve always wanted toshowcase my Caribbean heritage through my music. We‘islanders’ are happy people by nature and that quality hasalways been evident by the way our music grooves. As a child, I spent countless hours at the beach swimming and exploring the beautiful landscapes of the western and southern coasts of Barbados. On a recent visit back home, I began to composethese songs as I walked on those same beaches. My musicaljourney really began when I left my homeland to attend Berklee College of Music in Boston. Tropicality is the story of thatjourney from ‘Bridgetown to Beantown,’ and I’m very fortunate to have some close friends from across the globejoin me on this project. My original compositions featurerhythms and grooves not just from Barbados, but from otherCaribbean Islands, Cape Verde, and Latin America,” saidTrotman, who will launch the album with concerts in thethree cities in which it was recorded beginning with a January 20th

show in Barbados at the Prime Minister’s home of Illaro Courtwith Lorber as special guest, followed by a February 21st gig at Scullers Jazz Club in his adopted hometown of Boston and a March 1st date at Spaghettini’s near Los Angeles. Tropicality is Trotman’s sixth solo album and follows thesuccess of 2011’s Love and Sax, a Billboard Top 20 contemporaryjazz album that spawned the single, “Heaven in Your Eyes,” a duet with keyboardist Brian Simpson, which reached #11on Billboard’s jazz songs chart. Trotman has lent his soulfulhorn flair to recordings and shared the concert stage with an extraordinary assortment of marquee musicians includingRoberta Flack, Patti Austin, Will Downing, Phil Perry, EarlKlugh, Rick Braun, Jonathan Butler, Brian McKnight, Jamie Foxx, Johnny Gill, Nathan East, Gerald Veasley, Don Grusin, Keiko Matsui, Raul Midon and fellow saxophonists Dave Koz, Kirk Whalum, Gerald Albright, and Najee. He is a three-time winner of the New England Urban Music Award as Best Jazz Male, the 2011 Barbados Music AwardsInstrumentalist of the Year, and was twice nominated for a Boston Music Award. Growing up influenced by seminalsax legend Grover Washington Jr. and mentored by Barbadiansax man Arturo Tappin, Trotman received a full scholarship to the Berklee College of Music courtesy of the governmentof Barbados. He shares his knowledge by teaching music in the Boston school district when not touring or recording.

Additional information is available at www.elantrotman.com. Trotman’s Tropicality album is comprised of the following songs:

“Master Blaster (Jammin’)”“Tradewinds”“Bridgetown To Beantown”“Always With You”“Wait In Vain”“A Time And Place”

“Sunset In Paradise”“Danca Ku Mi (Dance With Me)”“Funkalypso”“Tropicality”“Island groove”“Wave”

ph

oto

by B

ob

Bartlett

Page 32: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

SEPTEMBER ISSUE 2012 —STEPEHEN RICHARD THE JAZZ IN ME.E. had been hearing the buzz around town about this new, up and coming artist that we needed to meet. After a chat with Mark Copeland, keyboard extraordinaire, his feedback compelled me and I could not resist….so I popped in one night unannounced at Café 4212 to take a listen to Stephen Richard. I feel that this analogy best describes my introduction to this jazzy star: he has been twinkling in the Houston sky for sometime before we got a glimpse of him. We now have discovered Stephen: his musical talents, his dedication,and his inclusive commitment to jazz. and its longevity. We would now like to welcome him into our JAZZ IN M.E.E. family and introduce him to you in the Jazzy Limelight!

Read more:http://thejazzinmee.com/in-the-jazzy-limelight-stephen-richard

In the Jazzy Limelight:

2012

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

32

Feature trIPLe take

Page 33: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

MARCH ISSUE 2012 —MIKE BURTON THE JAZZ IN M.E.E. is a huge fan of the incredible sax players the world has to offer, so we follow the careers of many. There is one in particular that we have followed through numerous cities and over 1500 tweets. We have experienced his excitementand felt his frustrations in Twitter land, but one thing is a given,when he takes the stage he lights it up. Mike Burton landed in Houston, Texas January 19th, 2012 with Tyler Perry’s stage play The Have and the Have Not’s. Burton has played keys and sax for the Tyler Perry stage productions Madea Goes to Jail, What’s Done in the Dark, Why Did I Get Married, Laugh To Keep From Crying, Madea’s Big Happy Family, and A Madea Christmas. Burton has appeared in the Perry films Madea’s Big Happy Family, I Can Do Bad All By Myself, The Family That Preys and Madea’s Family Reunion.

Read more:http://thejazzinmee.com/in-the-jazzy-limelight-mike-burton-2

JUNE ISSUE 2012 —ELAN TROTMAN THE JAZZ IN M.E.E. blends the extraordinary talent of Houston artists with incredible artists from around the world. We constantly search for unique and dynamic jazz artists. It was in the process of an intensive social networking talentsearch campaign that I clicked upon a smile, a sax, a hat and a star quality that radiated from my screen. The photographincluded three saxophonists, but this particular saxophonist was paramount! I had not heard one note from this artist but his presence demanded my attention and intrigued me enough to find out more. This shimmer of light was none other than Barbados born, world renowned, Berklee College of Music educated, Billboard Smooth Jazz chart topping saxophonist Elan Trotman! I’m aware it’s a mouthful, but he was just that astonishing.

Read more:http://thejazzinmee.com/in-the-jazzy-limelight-elan-trotman

33

WW

W.TH

eJA

zzINM

ee

.CO

M

Page 34: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

Houston Spotlight

—by T.R. Reed

originally set in motion by Vi and Johnny Williams, jazz legend and bassist, at the J & V Lounge in the heart of old 3rd Ward, the original Monday Nite

Jazz Jam has a sixty (60) year tradition on the Houston musicscene. Jazz artists like vibraphonist Lionel Hampton, Texas tenor Arnett Cobb, pianist Sammy Price, sax men David "Fathead" Newman, Don Wilkerson, Eddie "Cleanhead" Vinson, vocalist Lil' Esther Phillips, drummer Ben "Scatman"Turner and many others have joined in these weekly musical affairs. Monday night was the night that barbers, beauticians, waiters and musicians were off from work and they would all meet up to experience this phenomenal jazz happening. Groups of musicians would gather to do jam sessions that later became know as “Cutting Sessions”!!! Of course the exciting performances drew crowds from all around. In later years saxophonist Sylvester “Stank” LeBlanc and the group “5th Ward Express” continued the tradition at a small nite spot on the north side called Pecko's. Pecko's was owned and managed by record producer and music mogul, Don Roby of the famous Duke/Peacock Records. This band included legendary guitarist Clarence Holliman, trumpeter Pat Williams and trombonist Al Jones. Monday became the nite that musicians came out to polish theirchops and just be a part of some of the best live music in Houston. Many times musicians would compete in solos to see who could blow the other musician off the stage!!! Competitionsbecame so great and the music so good that audiences andmusicians began to flock to the club to experience these dynamic affairs. The Monday Nite Jazz Jam quickly becamethe place to be! The 5th Ward Express’ fame, soon outgrew the club and the Monday Nite Jam session moved to Mingo's. It was then taken over three years later by cornetist and vocalist Leo “The Voice” Polk, who enlisted bassist Adrian Clark,drummer Tracey Shivers, pianist John Torres and one of theearly Monday Nite Band members, trombonist Al Jones, who can still be seen at the Jam sessions today.

The Musical Legacy of the Monday Nite

Texas Jazz Jam

ph

oto

by

Ven

a A

shle

y

34

Page 35: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

35

This beautiful collaboration continued for thirteen (13) years with Leo at the helm. Over the years the band included bass players Jelando Johnson, David Craig, pianists Liz Mendez “The Salsa Queen”, the great Charles Rhineheart and Phil Blackman, drummers Carl Lott Jr. and father Dr. Carl Lott, Sr. along with Sam Dinkins, a New York transplant who was a big part of the growth in the 90’s. Many of those musicianshave gone on with major acts and/or created their own ensembles.

The Monday Nite Jazz Jam has drawn musicians from aroundthe city and many legendary giants of the industry from around the world. Artists like jazz vocalist Betty Carter, Terence Blanchard, Joe Sample, Ronnie Laws, Randy Weston, JohnnyO'Neal, and Steve Turre' have all made the trek to Houstonto participate in these Jam sessions. Even the Houston Ballet’s principal dancer, Lauren Anderson, has displayed hertalents on Monday Nite. Along with other Houston greats, vocalist Anita Moore of the Duke Ellington Orchestra, trumpeter Jay Berg (who replaced Miles Davis in the Charlie Parker band in 1946), “Texas Tenor” Arnett Cobb, saxophonist Jimmy Ford, Down Beat Magazine’s“Musician of the Year” drummer G.T. Hogan, vibraphonist Harry Sheppard (of Billie Holiday fame), music professor Conrad Johnson, guitarist Clayton Dyess, drummer Rick Porter and many other legendary musicians have all been a part of this famous “Houston Music Tradition”. One very positive aspect of these Jam sessions brings music students and young horn players out to test their skills. Being in such a strong musical environment has encouraged many of them to continue their careers in the music industry. The Monday Nite Jazz Jam is not only an event to enjoy, but also a place to learn. These Jam sessions had been held at the Ebony, Sonoma, Cezannes, the Red Cat but have showcased at other venues with great reviews and are now being played weekly at Phil and Derek's Restaurant & Wine Bar, in the River Oaks area. Though we experienced the loss of the most recent show host and jazz vocalist, Carol Sanders, who carried the show for many of its recent years with veteran trumpeter, Nelson Mills, III, the Jam sessions continue to attract the best of the best.Carol’s phenomenal “Straight No Chaser” jazz ensemble features the incredible Robert Sanders on piano and bloch flute, Houston Symphony’s upright string bassist Dr. Lex Valk, Dr. Carl Lott on drums and special guest artists each week from around the world. Carol Sanders added a new element to these performances byenlisting the aid of entertainment photographer T.R. Reed to showcase rare and classic film footage with photos from the “Golden Era of Jazz & Tap” at the jam session!!!

You can experience this sensational musical affair every Monday Nite, at Phil & Derek's Restaurant with guest artists and audiences literally from around the world. Where even today the fantastic music competitions will continue to bringthe hottest musicians from everywhere to shine in the light of... Monday Nite!!! Phil & Derek’s Jazz Cafe has a great music room that creates the perfect atmosphere for this dynamic music and film showcase that is a Houston Music Tradition!!!

Barry S

ea p

ho

to b

y On

Poin

t Ph

oto

grap

hy

Page 36: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

36

meet & Greet

tHE JaZZ In M.E.E. visited San Antonio to meet friends, partners and supporters on Saturday, June 2, 2012 at Crowne Plaza Riverwalk, 111 E. Pecan St., San Antonio, TX 78205.

Thank you for welcoming us into the Alamo City. We felt right at home amongst kind and friendly people. We had a blast!

In order from left to right:Mr and Mrs Melvin David Lampkins, the Social Networker; Melody Warren, CEO THE JAZZ IN M.E.E.; Mr & Mrs John Hairston, 1067 The Bridge; Jiordyn Clements, CEO Revolutions Entertainment.

tHE JaZZ In M.E.E. spent some time meeting, greeting and supporting jazz in Atlanta, Georgia in July. What a wonderful weekend of musical bliss! We had an opportunityto experience jazz influences and music in Atlanta thatcontributes to the pulse of the jazz in the city. The explosiveand entertaining saxophonist Dwan Bosman welcomed M.E.E. with open arms! We surprised him by showing up for his performance at the SkyBoxx Lounge, but you would havenever known it because he never skipped a beat... introducing usto the crowd and welcoming us. Dwan Bosman is known as one of Atlanta's most talented jazz and gospel saxophonists.

We popped over to Acoustix Jazz Lounge to visit Doc Robinson(JazzBeat Promotions) and to hear the incredible Phil Davis. Phil is an accomplished producer, keyboardist and songwriter that gave a stellar performance! http://www.phdproductions.net.

We were making our rounds in the ATL and our next stop was Cafe 290 to be captivated by Reggie Hines. He was born to captivate the world with the multitude of talents he possesses. An instrumentalist, songwriter, producer, and composer, Reggie Hines is a multi-faceted talent playing guitar, piano, bass, EWI (Electronic Wind Instrument) and, of course, the saxophone.

San Antonio

ph

oto

by

Ven

a A

shle

y

What a show! www.reggiehinesny.com.

We truly enjoyed our visit and we thank Atlanta's jazz community for welcoming us; we look forward to visiting again very soon! We are also very excited to have more Atlanta talent visit Houston.

meet & Greet

Atlanta

photos by Vena Ashley

Phil Davis

Dwan Bosman

Reggie Hines

Page 37: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

37

KEEPING IT SOCIAL In a time where the jazz genre equates to approximately 1% of the musical genre pie, jazz artists take to Facebook and Twitter to gain more visibility. Jazz music is very intimate and these artists utilize these social networking resources in the same format. They share their extreme talent, display their magical music and take the fans across the globe with them on the social network wave.Take a look.

ERIC DARIUS THE JAZZ IN M.E.E. met with Eric Darius in Houston in June 2012 and since then he has been jet setting across the world. The electrifying saxophonist that pulls at your heart strings with the emotional vibe in his slow ballads and jolts you with his powerful melodic vibration with his fast grooves has

left his musical footprints in Tokyo, Germany, Phoenix, Napa Valley, Las Vegas and San Francisco since our last meeting in Houston

MICHAEL LINGTONTHE JAZZ IN M.E.E. connected wi th Michae l L ing ton in December 2010 and we have followed him through over 300 shows in 45 countries. He gave a stellar performance at our Jazzy Valentine event February 2011. He is one of the

most popular and charismatic saxophonists on the contemporary jazz scene; Lington has performed for royalty and sold-out crowds around the world. This saxophonist has always been first-call for musical superstars. He's opened arena shows for Barry Manilow and recently spent 18 months on tour with Bolton as his special guest. The tour exposed Lington to a new audience and he has played in front of about 1 million people. One of the tour's many highlights for Lington was performing in London's famed Royal Albert Hall and also performing and meeting former President Bill Clinton at a special show at the Kuwait Embassy. Lington has been touring the world this year in promotion of Pure, and when not recording music or performing, he manages his own cigar company, Michael Lington Cigars. He also writes a column about cigars for Wine and Jazz magazine.

-- November 13Come see my debut performance this Saturday, Nov. 17th at Yoshi's in San Francisco, CA!! Get your tickets

while they last! Are you gonna be there?? ;)

October 31 I'm playing the national anthem tonight at the Phoenix Suns season opening game! Looking forward to

performing in front of a sold out crowd of 20,000 on Halloween night! :)

September 17 Hangin' with John Stoddart, Kirk Whalum, and Joey Sommerville after we jammed on stage together at the

end of my set in Germany! Good times!!

--@LingtonSax Oct 20 At Kuala Lumpur airport on my way to Indonesia. Great show last night here in KL @LingtonSax Oct 7 In the air on a chopper to Catalina island to perform right now. Beautiful up here

@LingtonSax Sep 19 In beautiful Paso Robles, CA. First look at what could become my first signature wine. Tomorrow is harvest

@LingtonSax Jul 11 At Hollywood bowl watching a tribute to Ray Charles with Martina Mcbride,Patty Austin and so many more. A beautiful evening

Page 38: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

San antonIo Summer art & Jazz FeStIvaL | June 1-3, 201210th Annual

tHE JaZZ In M.E.E.. landed in the Alamo City to cover the San Antonio Summer Art & Jazz Festival and the blazing heat could not keep us away! Also known as SAS Fest (San Antonio Summer Festival) and Jazz Fest S. A. (Jazz Festival of San Antonio), this 3-day event is held on the first full weekend of June. SAS Fest features 17 great jazz concerts, an arts and crafts Fair and delicious Texas cuisine. The San Antonio Summer Art & Jazz Festival celebrated its 10th year of presenting great fun and entertainment for the whole family. The event was held at Crockett Park, 1300North Main Ave in San Antonio, and admission was FREE! The lineup was packed with talent and the crowd embraced every musical note. Artist Olivia Villanueva's painting was selected to grace this year’s SAS Fest poster. Proceeds from this festival help to support children from homeless shelters in the San Antonio area. All types of jazz were showcased: straight ahead, contemporary, smooth and Latin. We were able to meet up with some new and old jazzy friends. Ken Slavin gave us a traditional jazz jolt

during his lively brunch performance and was also honoredwith the Life Time Achievement Award for his musical contributions in San Antonio. Stephen Richard's powerful performance had the crowd hyped and ready to dance. Dean James is not a stranger to this festival and the crowd is always excited about his high energy and dynamic show. Tom Braxton had the crowd eating out of his sax with his eloquent and sexy display of musical grace. Michael Lington was the headliner on day two and in typical Lington fashion, he brought Hollywood to San Antonio with his Beverly Hills glitz. You have to witness him to believe it, but his sound takes you to a place of happiness. He gave us a breathtaking rendition of the National Anthem that gave us chills! To learn more about the SAS Fest and other great performances during the 2012 festival visit:

ph

oto

by

Ven

a A

shle

yM

ich

ael L

ing

ton

Dea

n J

ames

Ken

Sla

vin

Tom

Bra

xto

n

www.sanantoniosummerartjazzfestival.comwww.kenslavin.com www.stephenrichard.comwww.deanjamesmuzik.comwww.tombraxton.comwww.michaellington.com

38

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

— by Melody Warren

Page 39: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

www.facebook.com/jazzyfrankjazz

photo by Tar-Impress Photography

39

WW

W.TH

eJA

zzINM

ee

.CO

M

Page 40: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

40

Page 41: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

41

— by Angela P. Moore-Thorpe

Soulful, sensual, and timeless illuminate international recording artist and R&B/Soul singer HESTON, a.k.a. the Soulful Gentleman. HESTON is no stranger

to the music industry. This passionate, soulful gentleman’s love affair with music started at the tender age of three, and now he is on a musical journey destined for greatness.

A music lover at heart, this stone-to-the-bone entertainer lives and loves great music. Known for his smooth, lyricallyrefreshing music, his soulful polished voice is laced with confident sensuality. Through his music, HESTON allows his listeners to enter his love spaces and hear his raw truth. His music, accompanied by a full band with foundational rhythms that stem back to his island roots, is comprised of percussions, horns, acoustic and electric guitars, leaving audiences mesmerized. Often compared to the likes of Marvin Gaye, Smokey Robinson, Maxwell and Leon Ware, his mellow, seventies, soul music is timeless. “Creating timeless music has always been my ultimate goal,” says Heston. “I want to leave the world with music that can be played for a lifetime.” Growing up on the island of Dominica (British West Indies), singer, songwriter, composer and producer, HESTON reminisces about his childhood days listening to his father’s albums and music on the only radio station in the city. He recalls hearing reggae, pop, classical, soul, R&B, and rock music. From Barbara Streisand to Aretha Franklin, The Bee Gees, Marvin Gaye, Elton John, Beres Hammond, Stevie Wonder and Michael Jackson (to name a few), enjoying music was natural in his home.

His professional career in music began in Atlanta, Georgia, where he launched his self-titled EP in 2005 and the rest is history. HESTON has come a long way from that knees shaking, handsome, little shy boy nervously singing on Sunday mornings. Now, this soulful sexy crooner is all grown up and is on a

The Soulful Gentleman

Page 42: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

mission to mesmerize music lovers all over the world. His music has hit the airwaves of urban, internet and jazz stations both in the U.S. and abroad. Since taking that leap of faith, he has polished his act and has performed at some of the top venues in the country and to audiences of 40,000 people at international venues. In fact, Europe has fallen in love with the Soulful Gentleman, while he remains America’sbest kept secret.

Although HESTON has journeyed the road less traveled as an independent artist, he has received airplay and performed at some of the top venues around the country and abroad, to include Europe and the Caribbean. His performance

portfolio includes the world famous Blue Note Jazz Club, Blues Alley, Apollo Theatre, Highline Ballroom, Emancipation Park (Jamaica), The Jazz Café (London), Bizz Art Club (Paris, France), The Drum and The Union Chapel Islington (London) and numerous other places.

When HESTON released his full-length debut CD, Storyteller, on WorldSoul Music/Dome Records in 2008, it was an instant hit in Europe, selling over 30,000 copies. Storyteller was name to the “Top 5 Soul Albums” of 2008. Storyteller also won two Soul Tracks Award Nominations. In 2009, BET J nominated HESTON for “Independent Artist of the Year.” p

ho

to b

y D

emar

is S

tarr

42

Page 43: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

43

HESTON’S sophomore CD, Warm Human, Cold World (World Soul Music/Dome Records), is unabashedly romantic, allowing listeners to enter his most intimate spaces and thoughts. Warm Human, Cold World charted #1 for three weeks on Solar Radio in Europe. The album also hit the charts as one of the Top 10 Albums on Soul Tracks, Album of the Month in 2011, and nominated for Soul Tracks Awards in 2011. The single, “Greatest Lover” reached “Top 20 Soul Tracks of the Year” on Soul Brothers Records in 2011 and is featured on the Music Choice Cable Television channel. HESTON was also “Best Male Vocalist of the Year” in 2011 by Soul Tracks.

HESTON recently released his third single, “You” off the CD and iTunes has deemed the song a “Hot Track”. He is currently in the studio working on his next CD, due out summer 2013.

Stay tuned! This legendary artist is just getting started and is sure to be around for a very long time. Visit HESTON'S website at: www.hestonmusic.com to check out his music and upcoming tour schedule.

follow Heston:Facebook.com/HestonFansUnite or Heston Francis Twitter: @HestonSoulMusic

Hear what the critics have to say about HESton…

“A throwback to the best of seventies’ mellow soul”—Ebony

“His voice rises and falls like ocean waves rolling over the white sands of his Dominica homeland. A guitar-welding troubadour whose tenor is as melodious as the island accent of his native tongue.”

—The Apollo Theatre

“A poised modern day soul vocalist." —BPM Magazine

to book HESton contact: Angela P. Moore-Thorpe, APM Public Relations, www.apmpublicrelations.com 770-733-2600 or email: [email protected].

Page 44: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ph

oto

by

jirar

d

44

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

Page 45: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

45

We reached out to JaZz in P!nk because of the wonderful accomplishments and strives they have made in jazz individually and collectively.

JaZz in P!nk is an all-star female ensemble of musical women in jazz that projects talent, beauty, power and femininity as they embrace the stage! Their mission is to promote women in jazz, by providing live performance opportunities and showcasing each other’s music. We had an opportunity for a private meeting to get to know more about this talented group of ladies before their concert in Austin, Texas on April 14, 2012.

The vivacious group encompasses a wealth of musical talent from all over the U.S., but the creation of this super woman group is none other than Philly’s 1st Lady of Smooth Jazz, Gail Jhonson. Born and raised in the city of Philadelphia, Gail Denise Jhonson began piano lessons in elementary school at age 10. Proving to be a gifted student she advanced quickly and at age 14, played her first gigs on the organ with numerous local funk and R&B bands. By the time she was 18, her musical pursuit led her to enroll into Berklee College of Music where she received a B.A. in Composition. Returning home as a jazz

pianist, Gail performed with several jazz bands and other popular Philadelphia artists. She left Germantown in 1985, with her keyboard strapped on and landed an audition with Morris Day of the Time. She eventually moved to Los Angeles to make her dream career come true and the rest is history.

Today, Gail is one of the most phenomenal jazz pianists this world has to offer. She is known by her musical friends andfamily as the talented beautiful woman with the million-dollar smile, warm personality and heart of gold. As she rode downthe glass elevators to meet me in the hotel lobby, I could only smile because she was just that...beautiful! She wore an amazing pink outfit that flowed behind her as she walked and grabbed the attention of many. Then there was the million-dollar smile; it greeted and welcomed me into her story.

She was gracious, friendly, engaging and upbeat. You would have never known that she had lost her beloved son Aaron just two days before this interview. We offered to cancel our meeting, but she would not entertain it. It was more important to her that we were able to get all of the necessary information and pictures that we needed to support our magazine.

ph

oto

by Peter Tu

ng

— by Melody Warren

Page 46: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

“I would like to be remembered as an artist that could keep it together musically and spiritually.”

—Gail Jhonson

ph

oto

by

Nic

k S

pan

os

46

Page 47: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

47

I was extremely impressed with her amazing strength and resilience during this difficult time. She wanted the show to go on and she did not want her fans to be disappointed on stage or in print.

With a heavy heart and teary inner demeanor I proceeded with the interview. To get us back in our interview frame of mind, we spent time chatting about our jazz connections and how we could work together to support this art form. The passion of this topic brought us directly to our first question.

What was your first experience with music?Growing up in Philadelphia everybody was intomusic. When you walk down the street, you passed

someone’s house and they were practicing or rehearsing for something. Our family had a very rich musical background… during high school all of us played music, so we would pass each other on the weekend in our redesigned busses. All of the groups around town had their own little detailed busses and we would make posters and put them on the side of the bus. We would include where we were going and the name our band. Natural Experience was the name of our band.

Why did you create JaZz in p!nk?I experienced growing up with Nina Simone, Carole King and Aretha Franklin. They played piano and

sang, but they were not instrumentalists. I knew there had to be other women out there doing what I was doing. I have been on the road 20 years, and I could count on my hand how many women I would see out there playing music. Sowhen I ran into Nichelle N’Degechello, I wanted to do more. Nichelle played bass and I had never seen a woman play bass before so I was really impressed. I started to seek out and learn about other female musicians like Sherry Mitchell with Pieces of a Dream, homegirl Rochelle Farrell, the genius Karen Briggs and eventually flautist Althea Rene that I met on theSmooth Jazz Cruise. I wanted to start and carry on the legendary JaZz in P!nk to let people know that women are still under-represented in jazz. I want to let the world know what we do. When guys are on their way to practice, we are too. When the guys are practicing, we are too. When the guys are hauling and carrying heavy equipment after a gig, we are doing the same thing.

How do you want to be remembered?I would like to be remembered as an artist that could keep it together musically and spiritually. I like to

have a lot of fun and a lot of laughs. People will remember me for my jokes and good music. I hope they will pick one of my songs as their favorite.

What’s on your life’s bucket list?I’m also an author and I would like to do more writing. I have other musical literary projects that I

would like to publish. Funk Keyboards, Dictionary of Keyboard Grooves and Jazzy Keyboard Vol.1 is already on the shelves, so I need to do Vol. II. I also aspire to write for film and TV. This year I scored a gospel play OverCome OverJoyed, produced byCharRo Productions, and also completed a score for Saving Grace the movie by Dennis Rowe Productions. I would love to take it from the stage to live theater... Broadway!!!!!

Did you fall in love with Jazz?Yes I did! I fell hard, but...not until I got to Berklee and was exposed to Duke Ellington, Ramsey Lewis,

Coltrane and my mentor, the late James Williams. I was then head over heels!

What is your opinion on jazz today?Jazz is wide open. There are so many young people getting involved now. I’m really glad about that. My

daughter is on her way to Berklee College of Music. She received a four-year scholarship and she is so talented. I contribute to the jazz of tomorrow by teaching. I teach high school, 10th grade and 11th grade. In fact, we had a workshop today. I feel good giving back to students because you don’t want all your hard work to just stop with you. Your music will live on if you teach it and share it with our youth.

Is there anything else you would like us to know?Yes. I want you to know that I had an amazing son. He was a great person and had so much promise. He

was a fine producer and artist, penned VEIN! He had an ear for music and he would let me hear tracks that he did and they were really good. He would always wow me. I think he just had enough. He had a troubled life. Not that he was in trouble, but emotionally and spiritually. I think something was missing here for him. He lost a lot of his friends at a young age.He asked, “Mom why are all my friends dying?” We love him dearly and he will be missed. RESt In pEaCE aaRon.

In past years Gail has performed with Morris Day, Bobby Womack, Pink, Norman Brown, Vanessa Williams, Bobby Lyle/featuring Mindi Abair, Dave Koz, Jermaine Jackson and Sheila E. With early influences of Duke Ellington and Herbie Hancock and later Stevie Wonder and Joe Sample, Gail has shared the stage with Ray Parker Jr. Vesta, Howard Hewitt, Brian Culbertson, OC Smith, Paul Jackson Jr., Pamela Williams, Phil Perry and yes, Milli Vanilli. Her various television performances include: BET on Jazz, MTV, Lou Rawls/Parade of Stars, Soul Train, The Tonight Show and numerous video performances.

Page 48: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

KAREN BRIGGS ~ VIOLINOften referred to as “the lady in red”, Karen Briggs’ fiery violin features onthe multi-platinum selling, “Live at theAcropolis,” a PBS special seen by millions of people around the world. In fact, thePBS special has been broadcast in 65

countries, viewed by over 500 million people and is the secondbest-selling music video of all time behind Michael Jackson’s“Thriller”. Karen Briggs takes the violin to places it’s never been and reaction is ecstatic. Whether she’s electrifying an audience at the world famous Apollo in Harlem or mesmerizingan outdoor throng at the ancient Acropolis in Greece as afeatured soloist or world touring with Yanni, Karen Briggsis unforgettable. She has appeared in movies and TV, touredthe USA, India, and China. She’s UNFORGETTABLE!

ROBIN BRAMLETT ~ BASSRobin Bramlett plays electric, keyboard, and lead bass. She has toured with JaZz in P!nk, Gail Jhonson, Karen Briggs, Althea Rene, Klymaxx featuring Cheryl Cooley and has performed or recorded with artistssuch as the late Rev. Timothy Wright,

Malcolm Jamal-Warner, Chrisette Michelle, Eric Darius, ShaniceWilson, Miki Howard, Louie Cruz Beltran, Chelsea Nichole,Pete Escovedo, and Darren Gholston, just to name a few. In addition, she did an appearance on the Trinity Broadcasting Network (TBN) with Prophet Kim Clement. Her upcoming debut CD, This is my Life, is an instrumental autobiographythat combines her musical experiences throughout her career while staying true to her first loves, jazz and neo-soul.

DANIELLE “POCKETT” BROWN ~ DRUMSPockett Brown was born to a family of professional gospel musicians. Her mother a pianist, singer and vocalist; father a bassist and songwriter; brother a organist, pianist, singer, virtuoso; and sister vocalist

and songwriter, so it was only natural for Brown to have music in her blood as well. She started playing drums for church at the age of seven and began singing and directing choirs at the age of 12. Though gospel music is Brown’s foundation as a musician, her father’s love for fusion and smooth jazz was adopted as well. Today she plays many different styles of music.

“Understanding the importance of staying ‘in the pocket’ aswell as remaining versatile are definitely the keys to staying in demand…” Her resume includes everything from gospel to jazz to soul to rock to hip-hop and funk. She is endorsed by Vic Firth, the world’s most respected drumstick company.

MARIEA ANTOINETTE ~ HARPMariea Antoinette’s celebrated musical career of stunning performances as theprinciple harpist for the Los Angeles Southeast Symphony Orchestra, the jazzband JazZ in P!nk, and her solo performanceand recording career have established her

as one of the most exciting and gifted harpists today. Audiencesare enchanted by Ms. Antoinette’s classy and elegant performances. Whether she is on stage performing atpremier jazz festivals or strolling through the venue with herstate-of-the-art portable electric harp, a special kind ofmagic is experienced by everyone as she shares her musicaltalents and love and appreciation of music.

JaZz in P!nk’s core all-star cast includes:

48

THe

JA

zz IN

Me

e M

Ag

AzI

Ne

JA

NU

AR

Y 2

013

Page 49: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

Brown is currently working on her debut album, which prom-ises to be as free and versatile as she is.

DARLENE MORENO ~ GUITARDarlene came onto the scene in 1995 with the Barry White He was touring internationally with his hot new CD The Icon Is Love, and celebrating his huge hit single “Practice What You Preach”, and his hit with El DeBarge

“Secret Garden” by the great Quincy Jones. Darlene became a seasoned veteran with the double Grammy winning artist and his orchestra, touring with him for more than seven yearsand doing shows like Ally McBeal and Arby’s restaurantcommercials. While continuing to work with Mr. White she had the opportunity to work with some of the hottest platinum, double platinum, and Grammy winning artists and producers in pop and urban music such as vocalists Mya and Tevin Campbell. She wrote and produced with vocalist Jon B on his CD entitled Jon B’s Greatest Hits-Are U Still Down.

ALTHEA RENé ~ FLUTEThis unparalleled artist, born December25th in Detroit, Michigan, began her musicalcareer at age four as a classical flautist. She studied classical music while attendingHoward University in Washington D.C.and later gained further musical inspiration

from the accomplishments of Yusef Lateef, Ian Anderson, and Dave Valentine. She has since developed her own creative style. Althea René has worked more than 10 years as a Wayne County Deputy Sheriff (Detroit, Michigan). Today, Ms. Renéis a full-time performing/recording artist and is regarded among many as one of the nation’s most exciting solo improvisational flautists. She is currently signed with Trippin N Rhythm and her new CD will debut in February 2013.

Look for JaZz in p!nk in a city near you:www.jazzinpink.com

pick up the new Christmas single:www.cdbaby.com/cd/jazzinpnk1

49

Page 50: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

ph

oto

by

Ap

ril H

all

ph

oto

s b

y Ve

na

Ash

ley

In order from left to right:: Andre Pitre, Punkin from Pluto, Patrick Williams, Wendy Taylor, Jordan Donald, Melody Warren, Hank Stewart, Wayne Ashley.

50

Page 51: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

51

M.E.E. held its 2nd Annual Chocolate Summer Night event on Saturday, June 23, 2012 and it was breathtaking. It was the perfect combination of assorted flavor and talent!

Chocolate Summer Night delivered an exciting poetic and musical experience that had everyone captivated. This classy upscale cast of artists offered many facets

of entertainment and fulfillment on various levels. Their performances left everyone wanting more! “When is the next one?” Everyone wanted to know…

Wayne Ashley, Tenor Flavor, warmed up the crowd with his tenor perfection during his opening performance. Jordan Donald, Saxy Flavor, rocked the house with his slamming and unique Roger and Zapp medley. Wendy Taylor, IdolFlavor, brought the house down with her powerful performanceof “Proud Mary”. The crowd stood up in triumph after her riveting display. What a class act! Punkin from Pluto, FunkyFlavor, kept the audience guessing with her multi-talentedability - singing, hosting and using her poetic gift of spoken word - to drive the pace of the show. She is the ultimate entertainer. They never saw Pluto coming! Andre Pitre, Grown and Sexy Flavor, had the ladies up in arms with hissexy performance. He connected with the crowd with his high energy and interactive performance. Emmy Award winning poet Hank Stewart had the entire room on their feet as they embraced him and his poetic essence during his 2nd HoustonChocolate Summer Night performance. Hank’s performance is always memorable...we can never get enough of IT or Chocolate!!

If you are asking yourself, “What is a Chocolate Summer Night?” Chocolate Summer Night is an amazing array of artistic talent, music, poetry, and entertainment, wrapped with love and equaling “chocolate” inspiration, motivation, sophistication and style. This event is an extension of a very impactful and powerful moment in time experienced in Atlanta, Georgia. I was inspired to create this annual eventafter experiencing a Hank Stewart performance during a trip to Atlanta in 2009. Amazing was an understatement! All I could think about was sharing him with Houston. The Emmy Award winning poet, sensual orator, motivational speaker, inspirational poet, author, activist, founder and president of the Stewart Foundation (a youth leadership

organization) and the founder of Five Men on a Stool left an everlasting impression that had to be shared. Once you experience this event you will understand why!

Comments from the show!“Tired of a dinner and a movie? This is an awesome date night diversion...a sultry combination of jazz & poetry! I've experienced this amazing event before and you should not miss it! M.E.E. only throws fancy soirees so you're in for quite a treat!”

—Carla Nadia Harrison

“Thank you Melody Warren with Multifaceted Exquisite Events for putting on yet another AMAZING show...the array of the music and poetry was incredible and with no doubt the finest and most talented choices for this show…another job well done…can't wait to see what's upcoming in the future.”

—Brenda Merritt

“The show last night was amazing! For those of you who desired to go but were not able to attend, you missed a treat. Can't to see who Melody has next year :) This keeps getting better and better...”

—Arleda Newman

2nd Annual

Chocolate Summer NightAssorted...

— by Melody Warren

Page 52: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

UNDEr THE SIgN WITH M.E.E.Saxes

Elan Trotman

Everette Harp

Mindi Abair Jackiem JoynerEric Darius52

Page 53: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

THE JAZZ IN M.E.E. is an affiliate of Multifaceted Exquisite Events Inc. News and Media division. THE JAZZ IN M.E.E., based in Houston, hosts and reports on jazz, literary and art events nationally.

THE JAZZ IN M.E.E. is the newest addition to the M.E.E. network, targeting devotees to jazz and the arts. This online magazine will include dynamic cover stories, trendy Jazz Watch music reviews, boldly stylish CD releases, trend setting blog updates, enchantingly cool featured festival insights, informative “Inside M.E.E.” reports and other consequential jazz information. The magazine was developed after the success of In the Jazzy Limelight, an online article profiling various jazz artists. In the Jazzy Limelight has reached over 180,000 readers in 25 countries, with highest international views in Japan, Canada, Russia, Ukraine, France, and the United Kingdom. Readers of the online feature have a passion for jazz vacations, explorations and getaways. These topics will continue to be explored and expanded upon with the launch of THE JAZZ IN M.E.E.

THE JAZZ IN M.E.E. was created to be a platform to showcase, support, advocate, market and promote the love of jazz, the artists, musicians, enthusiasts and supporters of this magnificent genre of music and the events that are a springboard for its success. M.E.E. is on a mission to keep jazz and its artists in the forefront.

THE JAZZ IN M.E.E. aims to be an informative, inspiring and entertaining jazz style of living, magazine where readers

can find in-depth feature articles and columns pertaining to everything jazz with an artistic flair.

Advertise with M.E.E.and let us help you find your target market! This is an excellent opportunity for maximum exposure for artists, musicians, festivals, radio/internet stations, jazz business supporters and enthusiasts within the national jazz community.

“I like your commitment, knowledge and dedication to keeping the jazz genre alive. Your site and Jazzy Limelight features reflects what it is current and gives us information on the current jazz scene, as it references the past. Also, you allow your members to be interactive, i.e. posting their favorite videos and sharing there knowledge of jazz with each other. Lastly, the word PROFESSIONALISM comes to mind...you give us personal insight...into the jazz artist(s) you spotlight and showcase them as regular people. Melody your site is user friendly and you create a down home atmosphere on your site. Mel the Social NET-WORKER from San Antonio, Texas is glad to be a part of THE JAZZ in M.E.E. family. LET¹S NETWORK SAN ANTONIO and the WORLD!” June 6, 2012 at 12:36 pm

—Melvin David Lampkins, The Social Net-Worker

Please email us at: [email protected] for more information regarding our introductory offer rates.

THE JAZZ IN M.E.E. MAgAZINEAdvERTISINg OppORTUNITIES

Girls & Guys Love Arts and Music (GLAM) is an organization for young girls and boys that is dedicated to the jazz and arts community. This non-profit organization’s goals include: - Advancing education and exposure to innovative art forms - Promoting musical and artistic performances - Sculpting new audiences and developing a new fan base

for jazz

If you are interested in partnering with us, please email us at [email protected]

G L A MGIRLS & GUYS LOVE ARTS & MUSIC

WWW. GLAMMEE.ORG

· · ·

53

WW

W.TH

eJA

zzINM

ee

.CO

M

Page 54: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

54

CALL FOR PHOTOGRAPHERSTHE JAZZ IN M.E.E./Multifaceted Exquisite Events Inc.is looking for photographers who are interested in helping us capture various events. If you are interested, please email us at: [email protected].

CALL FOR WRITERSTHE JAZZ IN M.E.E. is looking for contributing writers.We are looking for writers who share a passion for music and the arts. We are able to promote contributing writers through advertisement on our site, social media outlets, and via artist networks/fan pages.

Write for usWe are looking for guest contributors, so if there’s a story, tip, or feature you’d like to share, e-mail us. Our key areas of interest are content that showcases, supports, advocates, educates, markets and promotes the love of jazz and its’ artists.We’re looking for articles that relate in some way to these categories and that would also contribute to our mission to keep the jazz genre and its artists present.

We can only consider posts that are your own writing, haven’t been published elsewhere, and which you allow THE JAZZ IN M.E.E. to publish exclusively.

What we needIn your pitch, please provide the topic or title of your article, outline briefly what the post would explain or deliver to thereaders, and list any inclusions you would like to use to accompany your post (i.e. files, video, etc.).

How to applyPlease send clips and/or writing samples to: [email protected]. http://thejazzinmee.com/in-the-jazzy-limelight-call-to-action

CALL FOR ARTISTSTHE JAZZ IN M.E.E.. will be attending major jazz festivals and events this year and we would like to take you with us in song! If you are interested in being a featured artist on our JAZZ IN M.E.E. music CD sampler, we would be happy to hear from you. We will use our CD to market our brand and yours. If you would like the opportunity to be exposed to over 100,000 additional jazz lovers email us at [email protected].

This is an exceptional marketing opportunity to reach different markets and share your music creatively. Reserve your space today.

CALL FOR RADIO & JAZZ FESTIVAL PARTNERSTHE JAZZ IN M.E.E. is seeking radio and festival partners to join us on our journey to ignite jazz passion and support our mission to keep jazz and its artists present. Join us aswe embark on a tour of melodic pleasures of all things jazz!http://thejazzinmee.com/radio

Please email us info@thejazzinmee for additional information.

E-BLAST SERVICESTHE JAZZ IN M.E.E. is proud to roll out it’s E-Blast service to its customers. Our email blast service affords you the luxury of having leads, new clients and fans driven directly to you. We can E-blast your brand, event, product or service to our active subscribers. Take advantage of this marketingopportunity. Email us at info@thejazzinmee or give us a call 281-260-8469.

http://thejazzinmee.com/let-m-e-e-e-blast-you

Page 55: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

THE

IN M.E.E.

www.thejazzinmee.com

THE

IN M.E.E.

www.thejazzinmee.com

THE

IN M.E.E.

www.thejazzinmee.com

actual size of imprint: 7’x 4’

SWAG M.E.E.Swag Jazz Shirts

Available in Black and WhiteSmall to XL ..................... $302X, 3X ............................. $35

Visit thejazzinmee.com to purchase yours today.

THE

IN M.E.E.

www.thejazzinmee.com

THE

IN M.E.E.

www.thejazzinmee.com

THE

IN M.E.E.

www.thejazzinmee.com

actual size of imprint: 7’x 4’

THE JAZZ IN M.E.E. would like to keep your style fashionable, so purchase your t-shirt today to display your JAZZ swagger!

55

WW

W.TH

eJA

zzINM

ee

.CO

M

Page 56: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

56

Page 57: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

57

Thank You to our Sponsors

WRIGHT TOUCH DESIGNS LLC

wrighttouchdesigns.com

Page 58: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

the

ja

zz in

me

e m

ag

azi

ne

ja

nU

aR

Y 2

013

58

STRENGHTENING THE WHOLE CHILD...MIND, BODY AND SOUL!

P.O. BOX 54680 • ATLANTA, GA 30308(404) 328-0095

WWW.THESTEWARTFOUNDATION.COM

Page 59: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

ww

w.th

eja

zzinm

ee

.co

m

59

Page 60: The Jazz In M.E.E. MAGAZINE Issue 1 January 2013

BRAND MANAgeMeNTIdentity DesignBrand Strategy & ManagementWebsite Design & DevelopmentMarketing (Strategy & Consulting)Social Networking

ARTIST/MUSIC SeRVICeSTalent BookingTalent DevelopementMixing, Mastering& Digital DistributionRecording Studio

PUBLICITY DeVeLOPMeNTProgram DesignPress Kits (ePK’s)Media RelationsMedia ToursFeature StoriesNews StoriesBiography CreationPersonal AppearancesPress Releases – DistributionPress Releases – WritingContributed ArticlesSponsorship

PROMOTIONSProgram executionCreative Development Advertising

PUBLICATIONSBrochuresNewsletters THe JAzz IN M.e.e. Magazine

SPeCIAL eVeNTSPress Conferences/briefingsMeetings and SeminarsParties/receptions/fundraisersBook signings/Artist signings/CDsigningsgrand Openingsevent BookingsCelebrity eventsOn-site event SupportJazz events and Festivals

IMAge/ADVeRTISINgDeVeLOPMeNTPrintRadioTelevisionAd productionMedia buying

IMAge MANAgeMeNTImage ConsultingPhoto ShootsIssue AnalysisCommunity RelationsCrisis ManagementClient Media Training

PROFeSSIONAL WRITINgFeature Stories and ColumnsCelebrity Profilesghost WritingOriginal Online ContentMarketing and Promotional MaterialsTHe MeLODY IN M.e.e. BlogThe Jazzy Limelight Feature

MULTIFACETEDEXQUISITE EVENTS INC.

EVENTS CREATED AS A WORK OF ART

THE

IN M.E.E. radio showAn a�liate of Multifaceted Exquisite Events Inc.

THE

IN M.E.E.

G L A MGIRLS & GUYS LOVE ARTS & MUSIC

WWW. GLAMMEE.ORG

· · ·

THE

IN M.E.E.

WWW.THEJAZZINMEE.COM

m a G a Z i n E