THE HOUSE ON ZAPOTE STREET

Quijano de Manila

About the Author

Quijano de Manila is the pen name of Nick Joaquin. He started writing

before the war and his first story, “Three Generations” has been hailed as a

masterpiece. He has been recipient of almost all the prestigious awards in

literature and the arts, including the National Artist Award for Literature in 1976.

He was also conferred, among other recognitions, the Republic Cultural Heritage

Award for Literature in 1961, the Journalist of the Year Award in the early 1960s,

the Book of the Year Award in 1979 for his Almanac for Manileños, the national

Book award for several of his works, the Ramon Magsaysay Award for Journalism,

Literature, Creative Communication Arts (the Asian counterpart of Nobel Prize) in

1996, and the Tanglaw ng Lahi Award in 1997.

Dr. Leonardo Quitangon, a soft-spoken, mild-mannered, cool-tempered

Caviteno, was still fancy-free at 35 when he returned to Manila, after six years

abroad. Then, at the University of Santo Tomas, where he went to reach, he met

Lydia Cabading, a medical intern. He liked her quiet ways and began to date her

steadily. They went to the movies and to baketball games and he took her a

number of times to his house in Sta. Mesa, to meet his family.

Lydia was then only 23 and looked like a sweet unspoiled girl, but there

was a slight air of mystery about her. Leonardo and his brothers noticed that

she almost never spoke of her home life or her childhood; she seemed to have no

gay early memories to share with her lover, as sweethearts usually crave to do.

And whenever it looked as if she might have to stay out late, she would say: "I'll

have to tell my father first". And off she would go, wherever she was, to tell her

father, though it meant going all the way to Makati, Rizal, where she lived with

her parents in a new house on Zapote Street.

The Quitangons understood that she was an only child and that her

parents were, therefore, over-zealous in looking after her. Her father usually

took her to school and fetched her after classes, and had been known to

threaten to arrest young men who stared at her on the streets or pressed too

close against her on jeepneys. This high-handedness seemed natural enough, for

Pablo Cabading, Lydia's father was a member of the Manila Police Depatment.

After Lydia finished her internship, Leopardo Quitangon became a

regular visitor at the house on Zapote Street: he was helping her prepare for the

board exams. Her family seemed to like him. The mother Anunciacion, struck

him as a mousy woman unable to speak save at her husband's bidding. There

was a foster son, a little boy the Cabadings had adopted. As for Pablo Cabading,

he was a fine strapping man, an Ilocano, who gave the impression of being taller

than he was and looked every inch an agent of the law: full of brawn and guts

and force, and smoldering with vitality. He was a natty dresser, liked youthful

colors and styles, decorated his house with pictures of himself and, at 50, looked

younger than his inarticulate wife, who was actually two years younger than he.

When Leonardo started frequenting the house on Zapote Street, Cabading

told him: ill be frank with you. None of Lydia's boy friends ever lasted ten

minutes in this house. I didn't like them and I told them so and made them get

out." Then he added laying a hand on the young doctor's shoulder:" But I like

you. You are a good man."

The rest of the household were two very young maids who spoke almost

no Tagalog, and two very fierce dogs, chained to the front door in the day time,

unchained in the front yard at night.

The house of Zapote Street is in the current architectural cliché: the

hoity-toity Philippine split-level suburban style—a half-story perched above the

living area, to which it is bound by the slope of the roof and which it overlooks

from a balcony, so that a person standing in the sala can see the doors of the

bedrooms and bathroom just above his head. The house is painted, as is also

the current fashion, in various pastel shades, a different color to every three or

four planks. The inevitable piazza curves around two sides of the house, which

has a strip of lawn and a low wall all around it. The Cabadings did not keep a

car, but the house provides for an eventual garage and driveway. This, and the

furniture, the shell lamps and the fancy bric-a-brac that clutters the narrow

house indicate that the Cabadings had not only risen high enough to justify

their split-level pretensions but were expecting to go higher.

Lydia took the board exams and passed them. The lovers asked her

father's permission to wed. Cabading laid down two conditions: that the

wedding would ba a lavish one and that was to pay a downy of P5.000.00. The

young doctor said that he could afford the big wedding but the big dowry.

Cabading shrugged his shoulders; no dowry, no marriage.

Leonarado spent some frantic weeks scraping up cash and managed to

gather P3.000.00. Cabading agreed to reduce his price to that amount, then laid

down a final condition: after the wedding, Lydia and Leonardo must make their

home at the house on Zapote Street.

"I built this house for Lydia," said Cabading, "and I want her to live here

even when she's married. Besides, her mother couldn't bear to be separated

from Lydia, her only child."

There was nothing. Leonardo could do but consent.

Lydia and Leonardo were on September 10 last year, at the Cathedral of

Manila, with Mrs. Delfin Montano, wife of the Cavite governor, and Senator

Ferdinand Marcos as sponsors. The reception was at the Selecta. The status gods

of Suburdia were properly propitiated. Then the newlyweds went to live on

Zapote Street -- and Leonardo almost immediately realized why Lydia had been

so reticent and mysterious about her home life.

The cozy family group that charmed him in courtship days turned out to

be rather too cozy. The entire household revolved in submission around Pablo

Cabading. The daughter, mother, the foster-son, the maids and even the dogs

trembled when the lifted his voice. Cabading liked to brag that was a "killer": in

1946 he had shot dead two American soldiers he caught robbing a neighbor's

house in Quezon City.

Leonardo found himself within a family turned in on itself, self-enclosed

and self-sufficient — in a house that had no neighbors and no need for any. His

brothers say that he made more friends in the neighborhood within the couple

of months he stayed there than the Cabadings had made in a year. Pablo

Cabading did not like what his to stray out of, and what was not his to stray

into, his house. And within that house he wanted to be the center of everything,

even of his daughter's honeymoon.

Whenever Leonardo and Lydia went to the movies or for a ride, Cabading

insisted on being taken along. If they seated him on the back scat while they sat

together in front, be raged and glowered. He wanted to sit in front with them.

When Leonardo came home from work, he must not tarry with Lydia in

the bedroom chatting: both of them must come down at once to the sala and

talk with their father. Leonardo explained that he was not much of a talking:

"That's why I fell in love with Lydia, because she's the quiet type too". No

matter, said Cabading. They didn't have to talk at all; he would do all the talking

himself, so long as they sat there in the sala before his eyes.

So, his compact family group sat around him at night, silent, while

Cabading talked and talked. But, finally, the talk had stop, the listeners had to

rise and retire - and it was this moment that Cabading seemed unable to bear.

He couldn't bear to see Lydia and Leonardo rise and go up together to their

room. One night, unable to bear it any longer he shouted, as they rose to retire:

"Lydia, you sleep with your mother tonight. She has a toothache."

After a dead look at her husband, Lydia obeyed. Leonardo went to bed alone.

The incident would be repeated: there would always be other reasons,

besides Mrs. Cabading's toothaches.

What horrified Leonardo was not merely what being done to him but his

increasing acquiesces. Had his spirit been so quickly broken? Was he, too, like

the rest of the household, being drawn to revolve, silently and obediently,

around the master of the house?

Once, late at night, he suddenly showed up at his parents’ house in Sta.

Mesa and his brothers were shocked at the great in him within so short a time.

He looked terrified. What had happened? His car had broken down and he had

had it repaired and now he could not go home. But why not?

"You don't know my father-in-law," he groaned. "Everybody in that house

must be in by a certain hour. Otherwise, the gates are locked, the doors are

locked, the windows are locked. Nobody can get in anymore!”

A younger brother, Gene offered to accompany him home and explain to

Cabading what had happened. The two rode to Zapote and found the house

dark and locked up.

Says Gene: "That memory makes my blood boil -- my eldest brother

fearfully clanging and clanging the gate, and nobody to let him in. 1 wouldn't

have waited a second, but he waited five, ten, fifteen minutes, knocking at thai

gate, begging to be let in. I couldn't have it!"

In the end the two brothers rode back to Sta. Mesa, where Leonardo spent

the night. When he returned to the house on Zapote the next day, his father-in-

law greeted him with a sarcastic question: "Where were you? At a basketball

game?"

Leonardo became anxious to take his wife away from that house. He

talked it over with her, then they went to tell her father. Said Cabading bluntly:

"If she goes with you, I'll shoot her head before your eyes."

His brothers urged him to buy a gun, but Leonardo felt in his pocket and

said, "I've got my rosary." Cried his brother Gene: "You can't fight a gun with a

rosary!".

When Lydia took her oath as a physician, Cabading announced that only

he and his wife would accompany Lydia to the ceremony. I would not be fair, he

said, to let Leonardo, who had not borne the expenses of Lydia's education, to

share that moment of glory too. Leonardo said that, if he would like them at

least to use his car. The offer was rejected. Cabading preferred to hire a taxi.

After about two months at the house on Zapote Street, Leonardo moved

out, alone. Her parents would not let Lydia go and she herself was too afraid to

leave. During the succeeding weeks, efforts to contact her proved futile. The

house on Zapote became even more closed to the outside world. If Lydia

emerged from it at all, she was always accompanied by her father, mother or

foster-brother, or by all three.

When her husband heard that she had started working at a hospital he

went there to see her but instead met her father coming to fetch her. The very

next day, Lydia was no longer working at the hospital.

Leonardo knew that she was with child and he was determined to bear all

her prenatal expenses. He went to Zapote one day when her father was out and

persuaded her to come out to the yard but could not make her make the money

he offered across the locked gate. "Just mail it," she cried and fled into the

house. He sent her a check by registered mail; it was promptly mailed back to

him.

On Christmas Eve, Leonardo returned to the house on Zapote with a gift for

his wife, and stood knocking at the gate for so long the neighbors gathered at

windows to watch him. Finally, he was allowed to enter, present his gift to Lydia

and talk with her for a moment. She said that her father seemed agreeable to a

meeting with Leonardo's father, to discuss the young couple's problem. So the

elder Quitangon and two of his younger sons went to Zapote one evening. The

lights were on in Cabading house, but nobody responded to their knocking. Then all

the lights were turned off. As they stood wondering what to do, a servant girl

came and told them that the master was out. (Lydia would later tell them that they

had not been admitted because her father had not yet decided what she was to

say to them.)

The last act of this curious drama began Sunday last week when

Leonardo was astounded to receive an early-morning phone call from his wife. She

said she could no longer bear to be parted from him and bade him pick her up at a

certain church, where she was with her foster brother. Leonardo rushed to the

church, picked up two, dropped the boy off at a street near Zapote, then sped with

Lydia to Maragondon, Cavite where the Quitangons have a house. He stopped at a

gasoline station to call up his brothers in Sta. Mesa, to tell them what he had done

and to warn them that Cabading would surely show up there. "Get Mother out of the

house," he told his brothers.

At about ten in the morning, a taxi stopped before the Quitangon house in

Sta. Mesa and Mrs. Cabading got out and began screaming at the gate: "Where's

my daughter? Where's my daughter?" Gene and Nonilo Quitangin went out to the

gate and invited her to come in. "No! No! All I want is my daughter!" she screamed.

Cabading, who was inside the waiting taxi, then got out and demanded that the

Quitangons produce Lydia. Vexed, Nonilo Quitangon cried: "Abah, what have we do

with where your daughter is? Anyway, she's with her husband." At that, Cabading

ran to the taxi, snatched a submachinegun from a box, and trained it on Gene

Quitangon. (Nonilo had run into the house to get a gun.)

"Produce my daughter at once or I'll shoot you all down!" shouted

Cabading.

Gene, the gun's muzzle practically in his face, sought to pacify the older

man: "Why can't we talk this over quietly, like decent people, inside the house?

Look, we're creating a scandal in the neighborhood.."

Cabading lowered his gun. "I give you till midnight tonight to produce my

daughter," he growled. "If you don't, you better ask the PC to guard this house!"

Then he and his wife drove off in the taxi, just a moment before the

mobile police patrol the neighbors had called arrived. The police advised Gene to

file a complaint with the fiscal's office. Instead, Gene decided to go to the house

on Zapote Street, hoping that "diplomacy" would work.

To his surprise, he was admitted at once by a smiling and very genial

Cabading. "You are a brave man," he told Gene, "and a lucky one", And he

ordered a coke brought for the visitor. Gene said that he was going to Cavite but

could not promise to "produce". Lydia by midnight: it was up to the couple to decide

whether they would come back.

It was about eight in the evening when Gene arrived in Maragondon. As his

car drove into the yard of this family's old house, Lydia and Leonardo

appeared at a window and frantically asked what had happened. "Nothing," said

Gene, and their faces lit up. "We're having our honeymoon at last," Lydia told

Gene as he entered the house. And the old air of dread, of mystery, did seem to

have lifted from her face. But it was there again when, after supper, he told

them what had happened in Sta. Mesa.

"I can't go back," she moaned. "He'll kill me! He'll kill me!"

"He has cooled down now," said Gene. "He seems to be a reasonable man

after all."

"Oh, you don't know him!" cried Lydia. "I've known him longer, and I've

never, never been happy!"

And the brothers at last had glimpses of the girlhood she had been so

reticent about. She told them of Cabading's baffling changes of temper,

especially toward her; how smiles and found words and caresses could abruptly

turn into beatings when his mood darkened.

Leonardo said that his father-in-law was an artista, "Remember how he

used to fan me when I supped there while I was courting Lydia?"

(At about that time, in Sta. Mesa, Nonilo Quitanongon, on guard at the

gate of his family's house, saw Cabading drive past three times in a taxi.)

"I can't force you to go back," said Gene. "You'll have to decide that

yourselves. But what, actually, are you planning to do? You can't stay forever

here in Maragondon. What would you live on?"

The two said they would talk it over for a while in their room. Gene

waited at the supper table and when a long time had passed and they had not

come back he went to the room. Finding the door ajar, he looked in. Lydia and

Leonardo were on their knees on the floor, saying the rosary, Gene returned to

the supper table. After another long wait, the couple came out of the room.

Said Lydia: "We have prayed together and we have decided to die

together.” We'll go back with you, in the morning."

They we’re back in Manila early the next morning. Lydia and Leonardo

went straight to the house in Sta. Mesa, where all their relatives and friends

warned them not to go back to the house on Zapote Street, as they had decided

to do. Confused anew, they went to the Manila police headquarters to ask for

advice, but the advice given seemed drastic to them: summon Cabading and

have it out with him in front of his superior officer. Leonardo's father then

offered to go to Zapote with Gene and Nonilo, to try to reason with Cabading.

They found him in good humor, full of smiles and hearty greetings. He

reproached his balae for not visiting him before. "I did come once," drily

remarked the elder Quitangon, "but no one would open the gate." Cabading had

his wife called. She came into the room and sat down. "Was I in the house that

night our balae came?" her husband asked her. "No, you were out," she replied.

Having spoken her piece, she got up and left the room. (On their various visits

to the house on Zapote Street, the Quitangons noticed that Mrs. Cabading

appeared only when summoned and vanished as soon as she had done whatever

was expected of her).

Cabading then announced that he no longer objected to Lydia's moving

out of the house to live with her husband in an apartment of their own.

Overjoyed, the Quitangons urged Cabading to go with them in Sta. Mesa, so that

the newlyweds could be reconciled with Lydia's parents. Cabading readily

agreed.

When they arrived in Sta. Mesa, Lydia and Leonardo were sitting on a sofa in

the sala.

"Why have you done this?" her father chided her gently. "If you wanted to

move out, did you have to run away?" To Leonardo, he said: "And you - are

angry with me?" house by themselves. Gene Quitangon felt so felt elated he

proposed a celebration: "I'll throw a blow-out! Everybody is invited! This is on

me!" So they all went to Max's in Quezon City and had a very merry fried-

chicken party. "Why, this is a family reunion!" laughed Cabading. "This should be

on me!" But Gene would not let him pay the bill.

Early the next morning, Cabading called up the Sta. Mesa house to pay

that his wife had fallen ill. Would Lydia please visit her? Leonardo and Lydia

went to Zapote, found nothing the matter with her mother, and returned to Sta.

Mesa. After lunch, Leonardo left for his classes. Then Cabading called up again.

Lydia's mother refused to eat and kept asking for her daughter. Would Lydia

please drop in again at the house on Zapote? Gene and Nonilo Quitangon said

they might as well accompany Lydia there and start moving out her things.

When they arrived at the Zapote house, the Quitangon brothers were

amused by what they saw. Mrs. Cabading, her eyes closed, lay on the parlor sofa,

a large towel spread out beneath her. "She has been lying

there all day," said Cabading, "tossing restlessly, asking

for you, Lydia." Gene noted that the towel was neatly spread out

and didn't look crumpled at all, and that Mrs. Cabading was

obviously just pretending to be asleep. He smiled at the

childishness of the stratagem, but Lydia was past

being amused. She wont straight to her room, were they

heard her pulling out drawers. While the Quitangons and Cabading were

conversing, the supposedly sick mother slipped out of the sofa and went upstairs

to Lydia's room.

Cabading told the Quitangons that he wanted Lydia and Leonardo to stay

there; at the house in Zapote. "I thought all that was settled last night," Gene

groaned.

"I built this house for Lydia," persisted Cabading, "and this house is hers. If

she and her husband want to be alone, I and my wife will move out of here, turn

this house over to them." Gene wearily explained that Lydia and Leonardo

preferred the apartment they had already leased.

Suddenly the men heard the clatter of a drawer falling upstairs. Gene

surmised that it had fallen in a struggle between mother and daughter. "Excuse

me," said Cabading, rising. As he went upstairs, he said to the Quitangons, over

his shoulder, “Don't misunderstand me. I'm not going to 'coach' Lydia". He went

into Lydia's room and closed the door behind him.

After a long while, Lydia and her father came out of the room together

and came down to the sala together. Lydia was clasping a large crucifix. There

was no expression on her face when she told the Quitangon boys to go home.

"But I thought we were going to start moving your things out this afternoon,,"

said Gene. She glanced at the crucifix and said it was one of the first things she

wanted taken to her new home. "Just tell Narding to fetch me," she said.

Back in Sta. Mesa, Gene and Nonilo had the painful task of telling

Leonardo, when he phoned, that Lydia was back in the house on Zapote. "Why did

you leave her there?" cried Leonardo. "He'll beat her up! I'm going to get her."

Gene told him not you go alone, to pass by the Sta. Mesa house first and pick up

Nonilo. Gene could not go along; he had to catch a bus for Subic, where he

works. When Leonardo arrived, Gene told him: "Don't force Lydia to go with you.

If she doesn't want to, leave at once. Do not, for any reason, be persuaded to

stay there too."

When his brother had left for Zapote, Gene realized that he was not sure

he was going to Subic. He left too worried. He knew he couldn't rest easy until he

had seen Lydia and Leonardo settled in their new home. The minutes quickly

ticked past as he debated with himself whether he should stay or catch that bus.

Then, at about a quarter to seven, the phone rang. It was Nonilo, in anguish.

"Something terrible has happened in Lydia's room! I heard four shots," he

cried.

"Who are up there?"

"Lydia and Narding and the Cabadings."

"I'll be right over.

Gene sent a younger brother to inform the family lawyer and to alert the

Makati police. Then he drove like mad to Zapote. It was almost dark when he got

there. The house stood perfectly still, not a light on inside. He watched it from a

distance but could see no movement, Then a taxi drove up and out jumped

Nonilo. He had telephoned from a gasoline station. He related what had

happened.

He said that when he and Leonardo arrived at the Zapote house,

Cabading motioned Leonardo upstairs: "Lydia is in her room." Leonardo went

up; Cabading gave Nonilo a cup of coffee and chatted amiably with him. Nonilo

saw Mrs. Cabading go up to Lydia's room with a glass of milk. A while later, they

heard a woman scream, followed by sobbing. "There seems to be trouble up

there," said Cabading, and he went upstairs. Nonilo saw him enter Lydia's room,

leaving the door open. A few moments later, the door was closed. Then Nonilo

heard three shots. He stood petrified, but when he heard a fourth shot he

dashed out of the house, ran to a gasoline station and called up Gene.

Nonilo pointed to the closed front gate; he was sure he had left it open

when he ran out. The brothers suspected that Cabading was lurking somewhere

in the darkness, with his gun.

Before them loomed the dark house, now so sinister and evil in their

eyes. The upper story that jutted forward, forming the house's chief facade,

bore a curious sign: Dra. Lydia C. Cabading, Lady Physician. (Apparently, Lydia

continued- or was made- to use her maiden name.) Above the sign was the

garland of colored lights that have been put up for Christmas and had not yet

been removed. It was an ice-cold night, the dark of the moon, but the two

brothers shivered not from the wind blowing down the lonely murky street but

from pure horror of the house that had so fatally thrust itself into their lives.

But the wind remembered when the sighs it heard here were only the

sighing of the ripe grain, when the cries it heard were only the crying of birds

nesting in the reeds, for all these new suburbs in Makati used to be grassland,

riceland, marshland, or pastoral solitudes where few cared to go, until the big

city spilled hither, replacing the uprooted reeds with split-levels, pushing noisy

little streets into the heart of the solitude, and collecting here from all over the

country the uprooted souls that now moan or giggle where once the carabao

wallowed and the frogs croaked day and night. In very new suburbs, one feels

human sorrow to be a grass intrusion on the labors of nature. Even barely two

years ago, the talahib still rose man-high on the plot of ground on Zapote Street

where now stands the relic of an ambiguous love.

As the Quitangon brothers shivered in the darkness, a police van arrived

and unloaded quite a large contingent of policemen. The Quitangons warned

them that Cabading had a submachinegun. The policemen crawled toward the

front gate and almost jumped when a young girl came running across the yard,

shaking with terror and shrieking gibberish. She was one of the maids. She and

her companion and the foster son had fled from the house when they heard the

shooting and had been hiding in the yard. It was they who had closed the front

gate.

A policeman volunteered to enter the house through the back door; Gene

said he would try the front one. He peered in at a window and could detect no

one in the sala. He slipped a hand inside, opened the front door and entered,

just as the policeman came in from the kitchen. As they crept up the stairs they

heard a moaning in Lydia's room. They tried the door but it was blocked from

inside. "Push it, push it," wailed a woman's voice. The policeman pushed the

door hard and what was blocking it gave. He groped for the switch and turned

light. As they entered, he and Gene shuddered at what they saw.

The entire room was spattered with blood. On the floor, blocking the

door, lay Mrs. Cabading. She had been shot in the chest and stomach but was

still alive. The policeman tried to get a statement from her but all she could say

was: "My hand, my hand- it hurts!" She was lying across the legs of her

daughter, who lay on top of her husband's body. Lydia was still clutching an

armful of clothes; Leonardo was holding a clothes hanger. He had been shot in

the breast; she, in the heart. They had died instantly, together.

Sprawled face up on his daughter's bed, his mouth agape and his eyes

bulging open as though still staring in horror and the bright blood splashed on

his face lay Pablo Cabading.

"Oh, I cursed him!" cries Eugenio Quitangon with passion. "Oh, I cursed him

as he lay there dead, God forgive me! Yes, I cursed that dead man there on that

bed, for I had wanted to find him alive!"

From the position of the bodies and from Mrs. Cabading's statements

later at the hospital, it appears that Cabading shot Lydia while she was shielding

her husband, and Mrs. Cabading when she tried to shield Lydia. Then he turned

the gun on himself, and it's an indication of the man's uncommon strength and

power that, after the first shot, through the right side of the head, which must

have been mortal enough, he seems to have been able, as his hands dropped to

his breast, to fire at himself a second time. The violent spasm of agony must

have sent the gun - a .45 caliber pistol- flying from his hand. It was found at the

foot of the bed, near Mrs. Cabading's feet.

The drama of the jealous father had ended at about half-past six in the

evening, Tuesday last week.

The next day, hurrying commuters slowed down and a whispering crowd

gathered before 1074 Zapote Street, to watch the police and the reporters going

through the pretty little house that Pablo Cabading built for his Lydia.