THE HORROR

GENREA2 Media

• Horror films are unsettling movies that strive to elicit the emotions of fear, disgust and horror from its viewers. They deal with the viewer's nightmares, hidden worst fears, and fear of the unknown.

• Many sub-genres of horror have been established over the years, with many overlapping the fantasy, science fiction & thriller genres.

• The basis of many horror films are the intrusion of an evil force of supernatural origin, into the everyday world.

• The most common elements of horror films are ghosts, torture, gore, ancient curses, diseases/viruses, demons, vicious animals, vampires, cannibals, haunted houses, zombies & masked morbid serial killers.

• Horror films focus on pushing the boundaries of what is exceptable in terms of shock value & socially acceptable fear.

1. If it appears you have killed the monster, never check if it’s really dead. 2. Never read a book of demon summoning aloud. 3. Do not search the basement, especially if the power has gone out. 4. If your children speak to you in Latin or any other language which they should

not know, shoot them immediately.5. When you have the benefit of numbers, never pair off and go alone. 6. As a general rule, don't solve puzzles that open portals to Hell. 7. Never stand in, on, or above a grave, tomb, or crypt.8. If you hear a loud noise, and find out that it's just the cat, get the hell out! 9. If appliances start operating by themselves, don’t check circuits; just run! 10. Do not take anything from the dead. 11. If you find a town which looks deserted, there's probably a good reason for it. 12. If you're running from the monster, expect to trip or fall down at least twice,

more if you are female. 13. If you find your house is built on a cemetery, or that the previous inhabitants

went mad, murdered someone, or committed suicide.. Move out! 14. If you are running and the monster is walking, it will still catch you! 15. If your companions begin to exhibit uncharacteristic behavior such as hissing,

bleeding, glowing eyes, increasing hairiness.. kill them!16. If your car runs out of gas at night on a lonely road, don’t go to a deserted

house to phone for help, shoot yourself instead. . you’re going to die anyway! 17. If you have just smoked dope, gotten drunk with friends or, especially, just had

sex, you are as good as dead.

Slasher films typically involve a psychopathic killer, who stalks & kills a sequence of

victims in a graphically violent manner, often with a tool such as a knife. Although“Slasher" may be used as a generic term for any graphic horror, it actually has its

ownset of characteristics which sets it apart from related genres.

Characteristics of a Slasher:

1. The Killer: Generally male, Identity unknown (perhaps history of child trauma), masked or concealed by lighting, often mute, withstands pain, signature weapon.

2. The Victims: Young, attractive, high school, punished for indulging in vices such as pre-marital sex or drugs.

3. Final Girl: One survivor, female peer of victims, does not indulge in illicit activities (sex, drugs etc) like their peers, left alone at the end to fight on her own.

4. The Violence: high level of graphic violence, de-emphasize plot and character development in favour of violence and terror.

Popular Slasher Films:

PSYCHO – 1960 Alfred HitchcockBLACK CHRISTMAS – 1974 Bob Clark

TEXAS CHAINSAW MASSACRE – 1974 Tobe Hooper

HALLOWEEN – 1978 John CarpenterI SPIT ON YOUR GRAVE – 1978 Meir Zarchi

FRIDAY 13TH – 1980 Sean CunninghamPROM NIGHT – 1980 Paul Lynch

MY BLOODY VALENTINE – 1981 George MihalkaNIGHTMARE ON ELM STREET – 1984 Wes

CravenSCREAM – 1996 Wes Craven

I KNOW WHAT YOU DID LAST SUMMER – 1997 Jim Gillespie

• Splatter horror is.. Extreme gore! It goes straight to the blood-and-guts and aims for the gross-out without hesitation.

• A splatter /gore film is a sub-genre that deliberately focuses on graphic portrayals of gore and graphic violence.

• These films, through the use of special effects and excessive blood and guts, tend to display an overt interest in the vulnerability of the human body and the theatricality of its mutilation.

• The term "splatter cinema" was coined by George A. Romero to describe his ‘Dead’ film franchise featuring Dawn of the Dead, Day of the Dead, & Night of the Living Dead. It has since been taken to a new level with the SAW franchise.

• The combination of graphic violence and sexually suggestive imagery in some films has been labeled "torture porn" or "gorno”. In films such as Braindead, the gore is sometimes so excessive that it becomes a comedic device.

THE HILLS HAVE EYES – 1977 Wes CravenEVIL DEAD – 1981 Sam Raimi

BRAINDEAD – 1992 Peter JacksonHOUSE OF 1000 CORPSES – 2003 Rob Zombie

SAW – 2004 James WanDEVILS REJECTS – 2005 Rob Zombie

WOLF CREEK – 2005 Greg McleanHOSTEL – 2005 Eli Roth

MARTYRS – 2008 Pascal LaugierANTICHRIST – 2009 Lars Von Trier

HUMAN CENTIPEDE – 2010 Tom Six

• Vampire films have been a staple since the silent days, so much so that the depiction of vampires in popular culture is strongly based upon their depiction in movies throughout the years.

• The most popular cinematic adaptation of vampire fiction is Bram Stoker's Dracula, with over 170 versions to date & by 2005, Dracula had been the film subject in features, more times than any other fictional character.

• From the original ‘Nosferatu’ in 1922, up until the present day Twilight trilogy, Vampires have been an ever present part of cinema history.

• Werewolf fiction denotes the portrayal of werewolves and other shape shifting man-beasts, in the media of literature, drama, film, games, and music.

• Werewolf literature includes folklore, legend, saga, fairy tales, Gothic and fiction.

• A classic cinematic example is The Wolf Man (1941) in which a man transforms into a werewolf at full moon, and in later films joins with Frankenstein and Dracula, as one of the three famous horror icons of the modern day.

NOSFERATU – 1922 F.E MurnauDRACULA – 1958 Terence Fisher

SALEM’S LOT – 1979 Tobe HooperAN AMERICAN WEREWOLF IN LONDON – 1981

John LandisLOST BOYS – 1987 Joel Schumacher

INTERVIEW WITH A VAMPIRE – 1994 Neil JordanFROM DUSK TILL DAWN – 1996 Robert

RodriquezBLADE – 1998 Stephen Norrington

DOG SOLDIERS – 2002 Neil MarshallLET THE RIGHT ONE IN – 2008 Tomas Alfredson

DAYBREAKERS – 2009 Michael SpierigRED RIDING HOOD – 2011 Catherine Hardwiche

• Psychological horror has become very popular in modern day cinema, attempting a certain level of ‘Realism’ to inflict fear in its audience.

• Often based on the disturbed human psyche, they focus around possession and dark forces which can remain spiritual presences, or can take the guise of witches (Blair Witch), ghosts (The Haunting) or demons (Exorcist).

• Since the reader's perception is sometimes altered by exposure to an insane viewpoint, psychological horror can also deal with ambiguous reality and seem ‘Supernatural’.

• Demonic possession in films such as the Exorcist & Paranormal Activity, play on fear of the unknown, superstition & the idea that evil forces exist in the world.

• Characters fall prey to an evil force that is trying to victimize them somehow. The evil entity is perhaps gaining vengeance for something that happened in the past.

ROSEMARY’S BABY – 1968 Roman PolanskiEXORCIST – 1973 William FriedkinTHE OMEN – 1976 Richard Donner

THE SHINING – 1980 Stanley KubrickPOLTERGEIST – 1982 Tobe Hooper

HELLRAISER – 1987 Clive BakerBLAIR WITCH PROJECT – 1999 Eduardo Sanchez

EXORCISM OF EMILY ROSE – 2005 Scott Derrickson

DRAG ME TO HELL – 2009 Sam RaimiPARANORMAL ACTIVITY – 2009 Oren Peli

INSIDIOUS – 2011 James WanTHE DEVIL INSIDE – 2012 William Brent Bell

• Zombies are creatures usually portrayed as either a reanimated corpse or a mindless human being.

• While zombie films generally fall into the horror genre, some cross over into other genres, such as comedy, science fiction, thriller, or romance.

• There have even been developments in zombie-specific sub-genres, such as "zombie comedy" or the "zombie apocalypse". Working Titles 2004 release Shaun of the Dead has been responsible for a rise in amateur zombie flicks.

• George A’ Romero is known as the Godfather of Zombie films for his contribution to the Zombie genre with his ‘Dead’ series featuring Dawn of the Dead, Day of the Dead, & Night of the Living Dead.

• Zombies are portrayed as representing a variety of social, economical and cultural issues , affecting our world today (consumerism for example).

NIGHT OF THE LIVING DEAD – 1968 George A ’Romero

THE CRAZIES – 1973 George A’RomeroDAWN OF THE DEAD – 1978 George A’Romero

EVIL DEAD – 1981 Sam RaimiTHRILLER – 1983 Michael Jackson

DAY OF THE DEAD – 1985 George A’RomeroBRAINDEAD – 1992 Peter Jackson

28 DAYS LATER – 2002 Danny BoyleRESIDENT EVIL – 2002 Paul W.S AndersonSHAUN OF THE DEAD – 2004 Edgar Wright

REC – 2007 Jaume BalagueroZOMBIELAND – 2009 Ruben Fleischer

THE WALKING DEAD – 2011 TV Series

• Monster movie (also can be referred to as a creature feature or monster film) is a name commonly given to horror movies, which centre on the struggle between human beings and one or more monsters.

• Originating from Japan, this sub genre is most famous for introducing Godzilla, and King Kong.

• While there is no specific academic genre classification of that name, the term is usually applied to films sometimes labeled as horror, fantasy or science fiction genre that in most cases involve oversized monsters.

• In Japanese cinema, such monsters are referred to as Kaiju. Typically, movie monsters differ from more traditional antagonists in that many exist due to circumstances beyond their control; their actions not entirely based on choice, potentially making them objects of empathy to film viewers.

FRANKENSTEIN – 1931 James Whale KING KONG – 1938 Merian C Cooper

GODZILLA – 1954 Ishiro HondaJAWS – 1975 Steven Spielberg

PIRANHA – 1978 Joe DanteALIEN – 1979 Ridley Scott

THE THING – 1982 John CarpenterTHE FLY – 1986 David CronenbergTREMORS – 1990 Ron Underwood

THE FACULTY – 1998 Kevin Williamson JEEPERS CREEPERS – 2001 Victor Salva

CLOVERFIELD – 2008 Matt Reeves

• Japanese horror, sometimes referred to as J-horror, is the Japanese contribution to horror fiction in popular culture. They are most well noted for their unique thematic & conventional treatment of horror, in light of western treatments.

• Japanese horror has been hugely influential over the years and many films have been re-made by the western market (Ring, Grudge, Eye etc).

• They tend to focus on psychological horror and tension building (anticipation), particularly involving ghosts, poltergeists, possession, and exorcism.

• A common convention of J-Horror films is the Yūrei. Yurei are Japanese ghosts bound to the physical world through emotions which do not allow them to pass on. Depending on the emotion, they manifest as a particular type of ghost.

• Yurei are female, who wear white clothing (funeral attire in Japan). They have long, unkempt black hair, which comes from the tradition of Japanese women growing their hair long & wearing it pinned up, only letting it down in death.

RINGU (THE RING) – 1998 Hideo Nakata AUDITION – 1999 Takashi Miike

BATTLE ROYALE – 2000 Kinji FukasakuICHI THE KILLER – 2001 Takashi Miike

THE EYE – 2002 The Pang BrothersJU-ON (THE GRUDGE) – 2002 Takashi Shimizu

DARK WATER – 2002 Hideo Nakata ONE MISSED CALL – 2003 Takashi Miike

• Thrillers are often regarded as being outside the horror genre, however, depending on the graphic content of the film, occasionally some films cross over.

• They do not including supernatural elements as much as Psychological horror, but instead focus on a constant sense of threat coming from an outside menace.

• By adding a strong investigative angle to the film, it becomes a mystery more than a slasher/splatter gore, jump fest! Add some action and adventure to this suspense, and you come up with a "thriller” .

• What's considered to be a horror film has varied from decade to decade. Films that were once called horror, would now be categorised as thrillers (The Silence of the Lambs, Jaws, Psycho, Seven).

• These days in cinema, the boundaries of horror film making are constantly being pushed by film makers, with the horror genre becoming more and more extreme each year.

CARRIE – 1976 David De PalmaTHE SHINING – 1980 Stanley Kubrick

MISERY – 1990 Rob ReinerSILENCE OF THE LAMBS – 1991 Jonathan

DemmeSE7EN – 1995 David Fincher

FUNNY GAMES – 1997 Michael HanekeTHE SIXTH SENSE – 1999 M. Night Shyamalan

THE VILLAGE – 2004 M. Night ShyamalanMIRRORS – 2008 Alexandre Aja

THE STRANGERS – 2008 Bryan BertinoBURIED – 2010 Rodrigo Cortes