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The Handmaid’s Tale. Themes Characters Narrative techniques Language and Imagery. Themes. Control and Resistance Survival Responsibility Fertility Power Women’s Roles Religion The Individual Guilt History Love. Quotations. - PowerPoint PPT Presentation
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The Handmaid’s Tale
Themes
Characters
Narrative techniques
Language and Imagery
Themes Control and Resistance Survival Responsibility Fertility Power Women’s Roles Religion The Individual Guilt History Love
Quotations “Such songs are not sung any more[…] This too is
outlawed.” (ch.10)
“They’ve defeated more of the rebels” (ch.4)
“I want to keep on living in any form.” (ch.45)
“Neither of us says the word love, not once. It would be tempting fate” (ch.41)
Utopias and Dystopias
Imaginary good or bad societies that are created in order to comment on distinctive features and trends of a real society.
“Imaginary places and accordingly futile to seek out, that nevertheless exist tantalisingly (or frighteningly) on the edge of possibility”¹
___________________________________________________________
¹ Krishan Kumar, Utopianism (london:OUP, 1991).
Narrative techniques
Emphasis on process and reconstruction where the truth is only a matter of the teller’s perspective. Her narrative is a DISCONTINUOUS one, with frequent time shifts, short scenes and unfinished ending.
“Offred was boxed in. How do you tell a narrative from the Point of View of that person? The more limited you are, the more important details become.” (Conversations, p.216)
Narrative techniques Abrupt shifts from one scene to another and
from present to past so that her present situation and past history are only gradually revealed.
Fragments and flashbacks - the latter is more noticeable in “Night” sections. This works as a period of reflection for Offred
Offred also tells the story of other women, like her own mother, Moira, Janine and even her predecessor at the commander’s house.
Narrative techniques
Offred tells the story of other Handmaids, all of them rebels or victims or both, which form a sad subtext to Offred’s narrative.
The ghostly double: “How could I have believed I was alone in here? There were always two of us. Get it over, she says” (ch.46)
Narrative TechniquesHistorical Notes
The ‘Historical notes’ are not part of Offred’s narrative but they are used as a supplement to her story, helping us to put one woman’s autobiographical record into historical perspective.
Male narrator (Professor Pieixoto). University of Denay, Nunavit. Here men
and women have some status (Chair is a woman, Maryann Crescent Moon)
Narrative TechniquesHistorical Notes
At the conference what are the things that suggest that things are different from the Gilead?
What are the things that suggest that nothing has changed?
Narrative TechniquesHistorical Notes
Nature walks and eat fish (Artic char). Names suggest ethnical minorities have the
same status as everybody else. Chair is a woman.
HOWEVER Professor Pieixoto’s jokes (“tail” and the
“frailroad”). Sexist. He tries to discredit her narrative (shift
between “herstory” and “history”).
Narrative TechniquesHistorical Notes
Professor Pieixoto is more interested in: FIRSTLY: establishing the authenticity of
her story (tries to discredit her narrative by accusing her of not paying attention to the important things).
SECONDLY: establishing the identity of the commander.
Narrative TechniquesHistorical Notes
Ironically, he does exactly what Offred predicted would happen to the story of the Handmaids: “From the point of view of future history, we’ll be invisible”
Isn’t he abusing her as Gilead abused her by removing her authority?
Narrative Techniques
To sum up: Discontinuous narrative Time shifts Fragments and flashbacks Subtext Historical notes
RepresentationMale and Female Roles
Names and connotations Power positions Control Unwomen and unbabies