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Animal kingdom: Two famous Yakushima inhabitants — Yaku deer and Yakushima macaques —
seen here beside the Seibu Rindo, originally a logging road built in the 1910s, that forms the
northwestern portion of the main road around the island. EDAN CORKILL PHOTOS
The glories of Yakushima
By EDAN CORKILL
Staff writer
There's a film you should see before you go to Yakushima, an
island off the southern coast of Kagoshima Prefecture in
Kyushu. It's more informative than the average guidebook or,
for that matter, the island's World Heritage-listing citation from
1993, which misleadingly talks about "the sacred values of (its)
ancient forests of Yakusugi (cryptomeria)."
The fact is that little on
Yakushima was ever considered
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sacred, and none of it is perfectly ancient. Everything was
touched, in some way, by logging, which was carried out
industriously throughout the Edo Period (1603-1867) — when
locals paid taxes to their feudal lord in Kagoshima in the form
of wood roof shingles — until the last chainsaw fell silent in the
1980s.
That's not to say Yakushima does not possess a grand and
beautiful wilderness. With its mountains lapped by warm
currents from the south and soaring to almost 2,000 meters,
the island boasts a truly extraordinary environment. Where
else can you be surrounded by hibiscus flowers while
regarding a backdrop of snow-capped mountains?
It is these two opposing perspectives of Yakushima — as a
resource ripe for exploitation on the one hand, and an
awe-inspiring natural wonderland on the other — that are
captured in the 1955 film "Ukigumo" ("Floating Clouds"), by
director Mikio Naruse.
Of course, the film is about much more than just the island. It's
about love and infidelity, making mistakes and making amends
— or not making amends. The main character, Kengo Tomioka,
is an official with the national government's forestry agency. He
arrives on the island in the 1950s with the largely unspoken
desire to rediscover a freedom that he knew only in Indochina,
where he did forestry work during the war. Yakushima, the film
implies, was as foreign and as ripe for exploitation then as
Japan's wartime acquisitions.
Scenes from the film (if you've seen it) assail you as you hike
through the island's mountainous forests — as almost every
visitor does. There are many trails in designated walking parks,
such as Yakusugi Land and Shiratani Unsuikyo, and there's also
the one-day trek up to the famed Jomon Sugi, a giant
cryptomeria some say is up to 7,000 years old. There is one
scene in the film when the roar of the wind in the trees melds
with the beating of the rain to form a kind of biblical howl. Hike
in Yakushima and the chances are you'll hear it for yourself.
People on the island say it rains 35 days a month there. Talk to
the manager of the Hotel Yakushima Sanso, an old
establishment in the village of Anbo, and he'll tell you that the
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Where tourists can enjoy the island's vast
forests (right) via a network of walking
trails.
saying originates from the novel "Ukigumo," on which the film
is based. He'll even show you the room where the authoress,
Fumiko Hayashi, stayed in 1950 as she penned the very words.
Room 201 is perched above the Anbo River and looks out on
the mountains to one side and Anbo Harbor on the other. Be
sure to ask for it when you make a booking.
Some locals dispute the idea
that the 35-days-of-rain
description originated from
Hayashi's book. They say it
predates her, like another
saying on a similar theme: It's
alright to forget your lunchbox
when you go out for the day, but
don't forget your umbrella. The
lesson is, of course, that
Yakushima gets a lot of rain —
around 4,000 millimeters per year around the coast, and up to
10,000 in the mountains, in fact.
If you're keen to experience the island's beauty, but hope to
keep a respectful distance from the elements, then a recently
opened resort hotel might be the answer. The luxury Sankara
Hotel & Spa on the island's southern coastline boasts just 29
hotel rooms and secluded bungalows that step gracefully down
a gentle slope at the foot of the island's central mountains. Its
director, Jiro Sato, who has built, designed and managed hotels
from Vietnam to Barcelona, says the real key to the hotel's
success will not be the access it provides to Yakushima's
natural wonders, but its cuisine.
"The secret is the quality of the water," he said. "The usual
problem with seaside resorts is that you can't get good-quality
water, and you can't make good food without good water.
Yakushima has so much water that we can get all of ours from
natural (and replenishing) aquifers."
The other "secret" is the hotel's three leading chefs — who
between them have several decades of experience in Paris and
also luxury hotels, such as the Grand Hyatt, in Tokyo. From
behind a broad glass window that separates their kitchen from
one of the resort's two restaurants, they banter in French as
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Take 2: "Second-generation" Cryptomeria
trees growing in a stump left by loggers
hundreds of years ago.
they whip up a diverse range of culinary delights: shrimps
tempura-ed in kadayif pastry, chilled Tanegashima yam potage
with fresh foie gras, Yakushima orange tart, and much more.
From Sankara, in the island's
south, you will want to take a
drive westward along
Prefectural Route 78, which
links with Route 77 to
circumnavigate the island. After
about 40 minutes you will get to
a section of the road on the
island's northwest coast, known
as Seibu Rindo (Western
Forestry Road). It's the only part
of the road that still traces the
same route as it did when it was
first surveyed in the 1910s — as
an access route for logging
vehicles. It's now part of a
nature reserve, which means it
abounds in two of the island's
most famous inhabitants: deer (a
small variety known as
Yakushika, or Yaku deer) and
monkeys (Yakushima macaques). Drive slowly — you'll need to
creep around the occasional oncoming vehicle anyway — and
you'll see the wildlife on all sides.
But, as you drive — or hike — past the monkeys, deer, giant
cryptomeria trees, waterfalls and countless other natural
attractions and vistas the island has to offer, you will always
find reminders of man's impact.
It might be the fact that you're using a trail initially built for
logging, or it might be the trees themselves — many of the
cryptomerias are so-called "second- generation" specimens that
have germinated and grown on top of stumps left behind by
Edo Period loggers. Or, indeed, it might be vestiges of the
island's human exploiters themselves that you find — including
the Kengo Tomioka character in "Ukigumo."
As one local explained: "There is
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not a rocky escarpment or deep gully on the island that was
spared. You can always find marks left by axes."
But he said that more in awe of his ancestors' tenacity than in
despair.
The fact is that Yakushima's inhabitants have been living off
their mountains and timber for countless generations, and it is
that rich history of interaction — visible in the trees themselves
— that makes the island such a fascinating place to visit.
The Japan Times: Sunday, April 18, 2010
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