“Path” is the imaginary path followed by the eye and the varying perceptions of an object that depends on how it appears

to the eye. Now a days it may also be the path followed by the mind across a multiplicity of phenomena, far apart in time

and space, gathered in a certain sequence into a single meaningful concept.

-Sergei Eisenstein

In the deconstruction of montage there is the search for a conceptual platform for the development of a technique to assemble

an architectural space or series of spaces along a path that are engaged in a dialectic relationship with places and histories at

multiple points in time and geography that are beyond its own.

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The Eye In the Camera and the Baldacchino : The Detail

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The Theater In the Mind and the Acropolis : The Site

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The Slice In the Eye and Broadway : The Path

Bunuel’s cutting of the eye is the destruction of the belief in sight.

The slice in the eye reveals the sight of the subconscious. Broadway cuts through the grid; it is an inhabitable section through the

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The Plan: The form of the city

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The Eye In the Camera and the Baldacchino : The Detail

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The Theater In the Mind and the Acropolis : The Site

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The Slice In the Eye and Broadway : The Path

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