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Intro
Slowly q = 76
Words and Music by Rick Davies and Roger Hodgson
Bloody Well Right
Copyright © 1974 RONDOR MUSIC (LONDON) LTD. and DELICATE MUSICCopyright Renewed
All Rights in the USA and Canada Controlled and Administered by ALMO MUSIC CORP.All Rights Reserved Used by Permission
from Supertramp - Crime of the Century
= 3 *Gtr. 2
*** 24Bbsus
mp
Bb Bbsus24
VI
4fr
321
Ab
113
Bbsus4
3121
Eb
111
Bb
6fr
213
Bb9
6fr
321
Bb
Bb Bbsus24 Bb
3
*Kybd. arr. for gtr.
**Gtr. 1
mp
**Kybd. arr. for gtr.
***Chord symbols reflect implied harmony.
Bbsus 24 Bb Bbsus 24 Bb
3
36
63
5 7 6 5 3 5 3 1 3 1 13 3 3
3 5 3
354
354
333
333
354
354
333
333
354
354
3 333
333
3
6 78 5 8 8
8 108 10 11 12
10 1212
10 11 1211
1213 11
1214 15
1314 13 11
1211 13 11
12
354
354
333
333
354
354
333
333
1
Sorgdal
Gtr. 3 (elec.)
Bbsus 24 Bb
fw/ clean tone
Gtr. 3 tacet
Bbsus 24
Bb
Gtr. 2
* * *
*Played as even sixteenth-notes.
Gtr. 1
Gtr. 2
**
Bbsus 24 Bb Bbsus 24 Bb
**As before
Gtr. 1
11
10 12 1012 11 10 8
1011 10 8
1010
108
56
6 56
36
5 35
36
56
66
5 35
56
536
5 35
3
354
354
333
333
354
354
333
333
363
63
53
53
53
33
33
1010
1110
1010
13 10 131010
1210 11 12
1112
1413 11 15 14 1513 13
654
354
333
333
3 354
354
333
333
2
Sorgdal
Gtr. 3
Bbsus 24 Bb Bbsus24 Bb
Gtr. 2
3 3
Gtr. 1
Gtr. 2
Gtr. 3 tacet
*
Bbsus 24 Bb Bbsus 24 Bb
3
*Played as even sixteenth-notes.
Gtr. 1
11 9
14 13 1112
11 1313
11 13 1112
1156
6 56
36
536
36
354
354
333
333
33
1 3 354
354
333
333
3
634
34
534
634
634
534
333
333
333
1110
10 11 1210 11 12
11 13 1112
11 14 15
354
354
333
333
3 354
354
333
333
3
Sorgdal
Slower q = 70
Gtr. 2
Bbsus 24 Bb Bbsus 24 Bb Bbsus 24 Bb
33
3 3 3 33 3 3 3 3
Gtr. 1
= Gtr. 3
Gtrs. 1 & 2 tacet
µ
w/ wah-wah
w/ slapback delay
*Bbsus 24 Bb Bbsus 24 Bb
33
33
*Chord symbols reflect overall harmony.
1
grad. release
Bbsus 24 Bb Bbsus 24 Bb
1/21 1
Bbsus 24 Bb Bbsus 24 Bb
1 1 1 1 1 1 1 1 1 1 1
Bbsus 24 Bb Bbsus 24 Bb
P.M. 1 1 1 1 1
15 14 13 1112
11 13 11 11 11 14 15 14 15 1413 13 13
15 1513
1513
1513
1513
1513
1513
14 1313
1112
11 1313
1112
1112
11 1413
15 1112
1113
121113
354
354
333
333
354
354
333
333
3 354
354
3 333
333
1 31 3 4 4 5
34 3 1
3 11
X
3 53 3 5
3 5 3 5
5 54 3 4 3
5 3 5 5 53 5
3 5 3
X6
6 6 6 6 6 6 66
66
6 6 65
5 X 5 X 3 5 5 5 5 5 35 3
X
11
X X
X 1X 1
X3
X 33
33
4
Sorgdal
Gtr. 4 (elec.)
Gtr. 3 tacet
mfw/ slight dist.
Bbsus 24 Bb Bbsus 24 Bb
1/2 1
Gtr. 5 (elec.)
mfw/ slight dist.
1/2 1
Gtr. 4
Bbsus 24 Bb Bbsus 24 Bb
8va
3 3 3
1
Gtr. 5
33
3
1
Gtr. 6 (elec.)
fw/ dist.
3
*Gtr. 7 (elec.)
fw/ dist.
*Doubled throughout
13 13 12 13 15 13 12 1311
13 12 13 15 13 12 13
11
13
6 6 5 6 8 6 5 64
6 5 6 8 6 5 6
4
6
13 12 13 151313 15 15 18 18 18 16 18
18
2018 20 18
6 5 6 855 7
3 6 6 6 4 6 86 6 8 6
5 76
6
13
5
Sorgdal
= 3 VerseGtrs. 4 & 5 tacet
2nd time, Gtr. 6 tacet
G5
So
Write
1.
2.
Rick Davies: you
your
think
prob
Bb5
your
lems-
school
down
C5
ing’s
in
- pho
de
Gtr. 6 tacet
2nd time, Gtr. 8: w/ Fill 1
G5
ney,
tail,
-
-
Bb5 F5
Gtr. 6 Gtr. 8 (elec.)
fw/ slight dist.
3 3 3
1 1/2
Gtr. 7
Rhy. Fig. 1
G5
I guess
take
it’s
’em
hard
to
Bb5
not
a high
to
C5
a
er-
gree.
place.
-
Gtr. 8 tacet
G5 Bb5 F5
1/4
End Rhy. Fig. 1
Fill 1Gtr. 8
6
1
6 85 5 5 5 5 5 5 5 5
35
35 1
335
35
35 1
3
13
3 3
35
35 1
335
35
35 1
3
13
1715
1518 15
17 15 14 14 12 12
6
Sorgdal
CTo oda
Gtr. 7: w/ Rhy. Fig. 1
G5
You
You’ve
say
had
it
your
all
cry,
Bb5
de
no,
pends
I
-
C5
on
should
the
n’t-
mon
say
G5
ey,-
wail,
Bb5 F5
G5
and who
in
is
the mean
in
Bb5
time,-
your fam
hush
C5
’ly
your
- tree.
face.
2nd time, Gtr. 8: w/ Fill 2
G5 Bb5 F5
Gtr. 8
Right,
Chorus
Gtr. 8 tacet
Ab6
(Right.)
you’re blood
Bbsus4
y- well right, you got
Eb
a blood y- right to say.
Bb
Gtr. 1
Rhy. Fig. 2
w/ fingers
Fill 2
Gtr. 8
1 1
0
55
33
0 1 30 0 3
13
151313
151313
151313
151313
13
151516
151516
151516
151516
12 121111
121111
121111
121111
13
151515
151515
151515
151515
13
1715 17
1817 17 15
7
Sorgdal
Ab6
Right, you’re blood
Bbsus4
y- well right, you know
Eb
you got a right to say.
Bb
Gtr. 8
1
Gtr. 1
Gtr. 9 (acous.)
mp
Rhy. Fig. 3
Ab
Ah, ah, you’re blood
Bbsus4
y- well right,
Eb
you know you’re right to say.
Bb
1/2
13 1313
13
151313
151313
151313
151313
13
151516
151516
151516
151516
12 121111
121111
121111
121111
13
151515
151515
151515
151515
13
11 13 1312 10
151313
151516
151516
151516
151516
12 121111
121111
121111
121111
15 151515
151515
151515
151513
13
8
Sorgdal
1.
D.S. al Coda2.
End Rhy. Fig. 3
Ab
Yeah, yeah, you’re blood
Bbsus4
y- well right,
Eb
you know you’re right to say.
Bb
A,
1/21
End Rhy. Fig. 2
me,
Gtrs. 8 & 9 tacet
Ab6/Bb
I don’t care an y- way.
Bb
-
A Ab
3
Gtr. 1
Gtr. 4
Interlude
*w/ delay
Gtr. 1 tacet
G5 Bb5 C5 G5 Bb5 F5 G5 Bb5 F5
*Set for eighth-note regeneration w/ 1 repeat.
Gtr. 5
**w/ delay
**Set for eighth-note regeneration w/ 1 repeat.
1311 65 5 5 3
5
151313
151313
13
151313
151313
13
151516
151516
151516
151516
12 121111
121111
121111
121111
13
151515
151515
151515
151515
13
13151313
1313151313
13 13
151515
3 3
3 5 35 X X 1
3X X 3
5
3 3
3 5 35 1 X 1
3
X X 13
3 3
3 5 35 1 X 1
3
X X 13
35
3 5 35 1
335
35
3 5 35 1
3
13
35
3 5 35 1
3
13
9
Sorgdal
Coda
Right,
Chorus
Gtr. 1: w/ Rhy. Fig. 2Gtr. 8 tacet
Ab6
(Quite right.)
you’re blood
Bbsus4
y- well right, you got
Eb
a blood y- right to say.
Bb Ab6
Right, you’re blood
Bbsus4
y- well right,
you
know
Gtr. 9: w/ Rhy. Fig. 3
Eb
you got a right to say.
Bb Ab/F
Ah, ah, you’re blood
Bbsus4
y- well right,
Eb
you know you’re right to say.
Bb
Gtr. 8
fdbk.
8va
1 1
Ab
Yeah, yeah, you’re blood
Bbsus4
y- well right, you know
Eb
you got a right to say.
Bb
loco 8va
Gtr. 9
Gtr. 8 tacet
Outro
Bb9 VIBb
You got
Bb9
a blood y- right to say.
BbVI
Gtr. 1
Rhy. Fig. 4
8va
18 1818 18
1815
15
18
13131316
131313
15151518
1515
1518
131313
13131316
1515
1515
1518
1515
1515
1515
1518
10
Sorgdal
Bb9 BbVI
You got
Bb9
a blood y- right to say.
BbVI
End Rhy. Fig. 4
8va
Gtr. 1: w/ Rhy. Fig. 4 (till fade)
Bb9 BbVI
You got
Bb9
a blood y- right to say.
Gtr. 9 tacet
Ab/Bb Bb
You got
Ab/Bb
a blood y- right to say,
Bb
yeah.
Gtr. 3
(delay off)
Ab/Bb Bb Ab/Bb Bb Ab/Bb Bb Ab/Bb Bb
Begin fade
Ab/Bb Bb Ab/Bb Bb Ab/Bb Bb
Ab/Bb Bb Ab/Bb Bb Ab/Bb Bb
131313
1515
1518
1515
1518
1515
131313
131313
131318
12
1818 13
1515
1518
1515
5 8 X X
1098
1098
101110
101110
101110
101110
1098
X1098
1098
101110
101110
101110
1098
1098
X1098
1098
101110
101110
101110
101110
1098
1098
1098
1098
101110
101110
101110
1098
1098
101110
101110
101110
101110
1098
1098
101110
101110
101110
1098
1098
1098
XXX
XXX
101110
101110
XXX
XXX
101110
101110
XXX
XXX
1098
1098
1098
XXX
XXX
101110
101110
XXX
XXX
101110
1098
1098
1098
XXX
XXX
101110
101110
101110
101110
1098
1098
101110
101110
11
Sorgdal
Intro
Slowly q = 74
Words and Music by Rick Davies and Roger Hodgson
Breakfast in America
Copyright © 1979 ALMO MUSIC CORP. and DELICATE MUSICAll Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission
from Supertramp - Breakfast in America
*Gtr. 1
Cm
mfw/ fingers
*Piano arr. for gtr.
Verse
Cm
Take1.Roger Hodgson: a look at my girl
Bb6
friend,- she’s
Ab,7
the on ly- one I got.
Bb6
**T
**T = Thumb on 6th string
T T T
Cm
Not much of a girl
Bb6
friend,- I nev
Ab,7
er- seem to get a lot.
T T T T
543
5543
5543
5543
5543
5543
5543
5543
5
35543
5543
35543
5543
13333
3333
13333
3333
4
6543
6543
4
6543
6543
4
6543
6543
413333
35543
5543
35543
5543
13333
3333
13333
3333
4
6543
6543
4
6543
6543
4
6543
6543
6
4
6543
1
Sorgdal
*G7
Take a jum bo- ’cross the wa ter,- like
Cm
to see A mer- i- ca,-
Rhy. Fig. 1
*Chord symbols reflect overall harmony.
G7
see the girls in Cal i- for- nia,- I’m hop
Fm7
ing- it’s go ing- to come true,
Bb
but there’s
not
Fm7
a lot I can do.
Bb
End Rhy. Fig. 1
Could
Verse
2.
Cm
we have kip pers- for break
Bb6
fast,- Mum
Ab,7
my- dear, Mum my- dear?
Bb6
Rhy. Fig. 2
T T T T
343
5343
3
3
343
343
5343
3
3
343
543
5543
53
543
543
5543
53
543
343
5343
3
3
343
343
5343
3
3
343
3314
3314
3 51333
1333
3314
3314
1333
333
3 333
3 333
5
35543
5543
35543
5543
13333
3333
13333
3333
4
6543
6543
4
6543
6543
4
6543
6543
413333
2
Sorgdal
Cm
They got ta- have ’em in Tex
Bb6
as,- ’cause ev
Ab,7
’ry- one’s- a mil lion- aire.-
Ab,7/G Ab,7/F Ab,7/Eb
End Rhy. Fig. 2
T T
Gtr. 1: w/ Rhy. Fig. 1
G7
I’m
a win ner,- I’m a sin ner,- do
Cm
you want my au to- graph?-
G7
I’m
a los er,- oh, what a jok er,- I’m
play
Fm7
ing- my jokes up on- you,
Bb
while there’s noth
Fm7
ing- bet ter- to do,
Bb
hey!
Gtr. 2 (12-str. elec.)
Riff A
mfw/ clean tone
let ring let ring let ring
End Riff A
let ring
Ba,
Bridge
Gtr. 2 tacet
G7
da, da, dum,
ba, um, ba, da, um do,
Cm
de, lo, de, lo, lay.
Gtr. 1
35543
5543
35543
5543
13333
3333
13333
3333
4
6543
6543
4
6543
66543
5543
3543
6
543
1
11
13
3
1
11
68
88
78
6
343
5343
3
3
343
343
5343
3
3
343
543
5543
53
543
543
5543
53
543
3
Sorgdal
Ba,
G7
ba, da, dum
ba, um, ba, da, um, do,
Cm
de, lo, de, lo, la, la,
Cm/Bb
la,
Ab
la, la,
Ab/G
la,
Fm
la, la,
Bb
la, la.
T T
Don’t
VerseGtr. 1: w/ Rhy. Fig. 2
3.
Cm
you look at my girl
Bb6
friend,-
(Girl friend.-
she’s
Ab,7
the on ly- one I got.
Bb6
Cm
Not much of a girl
Bb6
friend.-
Girl friend.-
I nev
Ab,7
er- seem to get a lot.
What she got?
Ab,7/G
Not
Ab,7/F
a lot.)
Ab,7/Eb
Gtr. 1: w/ Rhy. Fig. 1
G7
Take
a jum bo- ’cross the wa ter,- like
Cm
to see A mer- i- ca,-
G7
see
the girls in Cal i- for- nia,- I’m
hop
Gtr. 2: w/ Riff A
Fm7
ing- it’s go ing- to come true,
Bb
but there’s not
Fm7
a lot I can do,
Bb
hey!
343
5343
3
3
343
343
5343
3
3
343
543
5543
3
543
543
5543
3554
6
554
4
654
54
6 654
4
654
3 1
3111
3111
1333
333
3 333
3 333
3
4
Sorgdal
La,
Outro
G7
la, la, la,
la, la, la, la, la, la,
Cm
la, la, la, la, la. La,
G7
la, la, la,
la, la, la, la, la,
Gtr. 1
la,
Cm
la, la, la, la, la. Hey,
mm,
G7
mm,
hey, mm, mm, hey, mm,
Cm
mm, hey,
mm, mm, hey,
mm,
G7
mm,
hey, mm, mm, hey, mm,
Cm
mm, hey,
mm, mm, la, la,
Cm/Bb
la,
Ab
la, la,
T T
la,
Fm7
la, la,
Bb
la, la.
T
343
5343
3
3
343
343
5343
3
3
343
543
5543
53
543
543
5543
53
543
343
5343
3
3
343
343
5343
3
3
343
543
5543
53
543
543
5543
53
543
343
5343
3
3
343
343
5343
3
3
343
543
5543
53
543
543
5543
53
543
343
5343
3
3
343
343
5343
3
3
343
543
5543
3
543
543
5543
3554
6
554
4
654
54
6 654
4
654
3
1
3111
3111
1333
5
Sorgdal
Intro
Moderately fast q = 148
Words and Music by Rick Davies and Roger Hodgson
Dreamer
Copyright © 1974 RONDOR MUSIC (LONDON) LTD. and DELICATE MUSICCopyright Renewed
All Rights Controlled and Administered by ALMO MUSIC CORP.All Rights Reserved Used by Permission
from Supertramp - Crime of the Century
*Gtr. 2
D
mfHarm.
8va
let ring
*Kybd. arr. for gtr.
**Gtr. 1
mfw/ fingers
**Kybd. arr. for gtr.
Dream
Verse
Gtr. 2 tacet
1.
Roger Hodgson:
D
er,-
A7sus4
you know you are a dream
D
er,-
A7sus4
well, can you put your
Gtr. 1
Rhy. Fig. 1
3
77
0775
775
775
775
775
775
775
775
775
775
775
775
775
775
775
0
775
0775
775
775
775
775
775
775
775
775
775
775
775
775
775
775
0
775
0775
775
775
775
775
775
775
775
775
0
233
233
0
233
0
233
0
223
0
203
0
20775
775
775
0
775
0775
775
775
775
775
0
233
233
0
233
0
233
0
223
0
203
0
2
1
Sorgdal
hands
C
in your head? Oh, no!
F,7
I
G
said dream
D
er,-
End Rhy. Fig. 1
Gtr. 1: w/ Rhy. Fig. 1
A7sus4
you’re noth ing- but a dream
D
er.-
A7sus4
Well, can you put your hands
C
in your head? Oh, no!
F,7 G
F,7
I
G
said,
“Far
Chorus
*Ab
out,
Bb'2
what a
day,
Gm
a
year, a
Gtr. 1
Rhy. Fig. 2
*Chord symbols reflect overall harmony.
life
C
it is.”
C'9 C
You
Ab
know,
Bb'2
well, you
know
Gm
you
had it
3
553
553
553
3
553
3
553
553
553
553
553
3555
3555
3555
3555
5433
5433
5433
0775
775
775
0
775
0775
775
775
775
5433
3555
3555
3555
3555
5433
5433
5433
10898
10898
10898
10898
10898
10898
10898
10898
1210118
1210118
1210118
1210118
1210118
1210118
8121011
9121011
10121211
121211
121211
9121211
10121211
121211
121211
10121211
8
988
8
988
8
988
1098
10
1098
10
10988
10988
10988
10898
10898
10898
10898
10898
10898
10898
10898
1210118
1210118
1210118
1210118
1210118
1210118
8121011
9121011
10121211
121211
121211
9121211
10121211
121211
121211
9121211
2
Sorgdal
com in’
- to you.
C
Now,
Gm
there’s
not a lot I
can do.
C
End Rhy. Fig. 2
Dream
Verse
2.
D
er,-
A7sus4
you stu pid- lit tle- dream
D
er,-
A7sus4
so now you put your
Gtr. 1
Rhy. Fig. 3
Gtr. 3 (clean)
mfw/ wah-wah
P.M.
head
C
in
your hands. Oh, no!
F,7 G
Whoo!
D
A7sus4
End Rhy. Fig. 3
P.M.
10121211
9121211
10121211
121211
8
988
988
988
988
10121211
121211
121211
9121211
10121211
121211
121211
9121211
10121211
9121211
10121211
121211
8
988
988
988
988
0775
775
775
0775
0775
775
775
775
775
0
233
233
0
233
0
233
0
223
2
203
4
20775
775
775
0775
0775
775
775
775
775
0
233
233
0
233
0
233
0
223
0
203
2
2
57
59
57
57
59
57
57
59
57
5 54 5
757
59
57
57
59
57
57
59
57
5 5 7
3
553
553
553
3
553
3
553
553
553
553
553
3555
3555
3555
3555
5433
5433
5433
0 0
8
775
0 0 0
8
775
0 00778
0 0778
0778
076
076
076
35
35
37
35
35
35
37
35
35
13
13
13
35
35 5
757
59
57
57
57
59
57
57
57
59
57
57
57
57
57
3
Sorgdal
D
A7sus4 C
F,7
I
G
said,
P.M.
“Far
Chorus
Gtr. 1: w/ Rhy. Fig. 2
Gtr. 3 tacet
Ab
out,
Bb'2
what a
day,
Gm
a
year, a life
C
it is.”
C'9 C
You
Ab
know,
Bb'2
well,
you
know
Gm
you
had it com
in’
- to you.
C
Now,
Gm
there’s
not a
lot
I
can do.
Bridge
C
Bb'9/C
Gtr. 2
8va loco
Gtr. 1
let ring
Rhy. Fig. 4
let ring
0 0
8
775
0 0 0
8
775
0 00778
0 0778
0778
076
076
076
8 8 7
1098
8 8 8 7
1098
8 88
101010
8101010
8101010
10978
10978
57
57
59
57
57
57
59
57
57
57
59
57
57
57
57
735
35
37
35
37
35
35
35
13
13
35
35
20 15 17 1818 17
10121211
9121211
10121211
121211
8
988
988
988
988
988
988
988
988
988
988
988
988
988
988
988
988
8
768
768
768
768
768
768
768
768
4
Sorgdal
C
8va
let ring
Rhy. Fig. 4
let ring
Work it out some day.-
Ooh,
8va
let ring
Bb'9/C
ma, ma, ma, ma, ma, ma, ma, ma.
If
8va
let ring
End Rhy. Fig. 4
18 1717
18 17 18 17 191817
20 19 20
768
768
768
768
768
768
768
768
8
768
768
768
768
768
768
768
768
768
768
768
768
768
76
10
76
10
76
8
988
988
988
988
988
988
988
988
16 1715
1617
1717
16 1715
1617
1717
988
988
988
988
988
988
988
988
8
988
988
988
988
988
988
988
988
988
988
988
988
988
988
988
988
1817
1715
1513
8
768
768
768
768
768
768
768
768
768
768
768
768
768
768
768
768
8
768
768
768
768
768
768
768
768
768
768
768
8
768
768
8
768
768
768
5
Sorgdal
I
Gtr. 1: w/ Rhy. Fig. 4 (2 times)
C
could see some thing.-
(You
could see an y- thing- you want,
boy.)
If
Gtr. 2
loco
I
Gtr. 2 tacet
Bb'9/C
could be some one.-
(You
can be an y- one,- cel
e- brate,- boy.)
Well, if
I
C
can do some thing,-
(You can do some thing,-
if I could do an y- thing.-
but
you
can do some thing-
out
Bb'9/C
of this
world?)
Ooh, ooh, ooh,
Gtr. 2
8va
8va
ooh,
Gtr. 2 tacet
C
la, la.
Take a dream on a
Gtr. 1
8 98 8
20 20 20 20
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121210
121210
121210
121312
121312
121312
121210
121210
121210
121312
121312
6
Sorgdal
Sun
Bb/C
day,-
Bb,7/C
oh, take a life, take a
Gtr. 2
Riff A
8va
End Riff A
let ring
Gtr. 1
hol
C
i- day.-
F/C C
Gtr. 2 tacet
Take a lie, take a
Harm.
8va
let ring
Pitch: E
22 1818
151513
151513
151513
151513
151513
151513
151513
151513
151513
151513
151513
151513
151513
151513
151513
151513
101110
101110
101110
101110
101110
101110
101110
141110
141110
141110
141110
141110
141110
141110
141110
12
5 2020
121312
121312
121312
121312
121313
121312
121312
141313
141313
141313
141313
171817
171817
141313
141313
141313
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
121312
7
Sorgdal
dream
Bb6/C
er,-
Gtr. 2: w/ Riff A
(Dream,
dream,
dream,
dream,
Bb,7/C
dream,
dream,
dream.)
dream a -
Gtr. 1
long.
C F/C C F/C C
F/Bb C/Bb F/Bb C/Bb Bb F/Bb C/Bb F/Bb C/Bb Bb
121113
121113
121113
121113
121113
121113
121113
121113
121113
121113
121113
121113
121113
121113
121113
121113
101113
101113
101113
101113
101113
101113
101113
141113
141113
141113
141113
141113
141113
141113
141113
141113
121312
121312
121312
121312
141313
121312
121312
141313
141313
141313
141313
141317
141317
141313
141313
141313
10 10 101010
10 101010
1098
10 10 101010
10 101010
1098
10 10988
10988
10988
12 12 121010
12 121010
1298
12 12 121010
12 121010
1298
12 121011
121011
121011
12 12 121010
12 121010
1298
12 12 121010
12 121010
1298
12 121011
121011
121011
8
Sorgdal
Dream
F/C
(Come
er.
on
-
and dream
C
on, dream
F/C
a long,
C
-
F/C
come on and dream
C
on, dream
F/C
a long.
C
-
Go lay down!
F/Bb
Come on and dream
C/Bb
on, dream
F/Bb
a long.
C/Bb
-
Bb
La,
F/Bb
la,
Come
la,
on
la,
and
la,
dream
la,
C/Bb
la,
on,
la, la,
dream
F/Bb
la, la,
a
la,
long.
C/Bb
-
la, la,
Bb
la, la.
Dream3.
Verse
Gtr. 1: w/ Rhy. FIg. 3 (1 5/6 times)
D
Come on and
er,
dream
-
on, dream
A7sus4
a
you
long,-
know you are a dream
D
come on and
er,
dream
-
on, dream
A7sus4
a long,-
can you put your
hands
C
in
come
your
on,
head? Oh, no!
F,7
come on.
I
G
said dream
D
Come on and
er,
dream
-
on, dream
A7sus4
a long,-
noth ing- but a
10 10 101010
10 101010
1098
10 10 101010
10 101010
1098
10 10988
10988
10988
10 10 101010
10 101010
1098
10 10 101010
10 101010
1098
10 10988
10988
10988
12 12 121010
12 121010
1298
12 12 121010
12 121010
1298
12 121011
121011
121011
12 12 121010
12 121010
1298
12 12 121010
12 121010
1298
12 121011
121011
121011
9
Sorgdal
Fade out
dream
D
come on and
er,
dream
-
on, dream
A7sus4
a long,-
can you put your hands
C
in
come
your
on,
head? Oh, no!
Gtr. 1: w/ Rhy. Fill 1
F,7
come on.)
G
Oh,
no!
F,7 GOutro
µ (D)
Gtr. 1 tacet
*Gtr. 4
mf
let ring throughout
Harm.
8va
*Glockenspiel arr. for gtr. Pitch: A A G A A G
Gtr. 1
Gtr. 4
Begin fade
Harm.
8va
Pitch: A A G A A G A A G A A G
Rhy. Fig. 1
Gtr. 1
3 3 34
37 5
712
73 3 3
43
7 57
12
7
3555
3555
3555
3555
5433
5433
3 3 34
37 5
712
73 3 3
43
7 57
12
73 3 3
43
7 57
12
73 3 3
43
7 57
12
7
553
3555
3555
3555
3555
5433
5433
10
Sorgdal
Intro
Free time
Words and Music by Rick Davies and Roger Hodgson
Even in the Quietest Moments
Copyright © 1977 ALMO MUSIC CORP. and DELICATE MUSICCopyright Renewed
All Rights Controlled and Administered by ALMO MUSIC CORP.All Rights Reserved Used by Permission
from Supertramp - Even in the Quietest Moments
Moderately q = 132
(Bird noises, keyboards)
µ
21 sec. *Gtr. 1 (12-str. acous.)
**
mflet ring throughout
G/D
A'9/D A/D
**Chord symbols reflect implied harmony.
*Doubled throughout
D7 G/D D7 G/D
A'9/D A/D D7
G/D D7 G/D Gm6/D
0787
0
7
0
7
07
06
57
0
55
0
05
75
0
75
0 04
33
04
3
0 05
75
0
75
0 04
33
04
3
0
04
33
04
3
0 0787
787
787
787
0787
0 0 06
57
0
55
0 05
75
0
75
0
04
33
04
3
0 05
75
0
75
0 04
33
04
3
0 03
53
03
5
0
1
Sorgdal
Rhy. Fig. 1
D7sus4/A D9 D7sus4/A D9
Dm Am7 G6sus4/D D
End Rhy. Fig. 1
Rhy. Fig. 2
G6sus4/D D G6sus4/D
D
End Rhy. Fig. 2
G6sus4/D D
E
e
e
1.
Verse
Roger Hodgson:
G/D
ven
ven
ven
-
-
-
in
though
when
the
the
the
qui
stars
song
et
A'9/D
- est
are
is
-
lis
mo
o
’ning
A/D
-
ver,-
ments-
D7
and
I
the
where
wish
o
have
I
cean’s
I
-
knew
deep,
been?
G/D
55
30
05
3
5 45
30
54
3
4 55
30
05
3
5 45
30
54
3
0
32
31
3
03
0 02
01
2
30
2 00
10
00
3
0 02
32
02
3
0
00
10
00
3
0 02
32
02
3
0 00
10
00
3
0
02
32
02
3
0 00
10
00
0
0 02
32
02
3
0787
078
10
0787
0787
0 0 06
57
0
55
0 05
75
0
75
0 04
33
04
3
0
2
Sorgdal
2CTo oda
D7
what
I
was
I
just
it
had
go
just
to
to
a
do.
sleep.
dream?
G/D
And
And
And
e
then
though
I
ven
cre
your
- though
ate
door
-
the
a
is
sun
si
al
-
-
A'9/D
is
lent
ways
-
-
shin
mov
o
A/D
ing,
ie,
pen,
-
-
-
D7
well,
you
where
I
be
do
feel
come
I
-
the
the
be
rain,
star,
gin?-
G/D
D7
here
is
it
that
comes
what
a
you
gain,
are,
-
G/D
dear.
dear?
Gm6/D
And
Your
e
whis
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
D7sus4/A
ven
per
-
-
when
tells
you
a
showed
se
D9
me,
cret,
-
my
your
heart
laugh
D7sus4/A
was
ter-
out
brings
of
me
tune,
joy
D9
for there’s
and
a
a
05
75
0
75
0 04
33
04
3
0 04
33
04
3
0 0787
0 078
10
0787
0787
0 0
06
57
0
55
0 05
75
0
75
0 04
33
04
3
0
05
75
0
75
0 04
33
04
3
0 03
53
03
5
0
3
Sorgdal
1CTo oda
D.S. al Coda 1 1 Coda
shad
won
Dm
ow
der
-
-
of
of
doubt
feel ing-
that’s not
I’m
let
Na
Am7
ting- me
ture’s-
find
own
you
lit
too
tle- boy.
G6sus4/D
soon.
D
The
But
mu
D7sus4/A
sic- that you gave
D9
me, the lan
D7sus4/A
guage- of my soul,
D9
Lord, I
wan
Dm
na- be with you, won’t you let
Am7
me come in from the cold?
G6sus4/D D
Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)
G6sus4/D D
Gtr. 1: w/ Rhy. Fig. 2 (2 times)
Chorus
G6sus4/D
Don’t you let the sun
D
fade a way,-
G6sus4/D
don’t you let the sun
D
fade a way,-
G6sus4/D
don’t you let the sun
D
be leav ing,- won’t you
come
G6sus4/D
to me soon?
D
And2.
still,
D7sus4/A
the tears keep fall
D9
ing,
- they’re
rain
D7sus4/A
ing- from the sky.
D9
Well, there’s a lot
Dm
of me got to go un
Am7
der- be fore- I get
high.
G6sus4/D D
Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)
G6sus4/D D
Chorus
Gtr. 1: w/ Rhy. Fig. 2 (4 times)
G6sus4/D
Don’t you let the sun
D
dis ap- pear,-
G6sus4/D
don’t you let the sun
D
dis ap- pear,-
4
Sorgdal
Play 3 times
G6sus4/D
don’t you let the sun
D
be leav ing,- no, you can’t
G6sus4/D
be leav ing- my life.
D
Say that you
won’t
G6sus4/D
be leav ing- my life,
D
say that you won’t
G6sus4/D
be leav ing- my life.
D
Say won’t you
please,
G6sus4/D
say won’t you please,
D
say won’t you please,
G6sus4/D
say won’t you please,
D
Lord, won’t you
come
Bridge
Half-time feel*Gtrs. 1 & 2: w/ Rhy. Fig. 2 (4 times)
*Gtr. 2 (elec.) w/ clean tone, played mf.
G6sus4/D
and get in to- my life,
D
Lord, won’t you come
G6sus4/D
and get in to- my life.
D
Say won’t you
please,
G6sus4/D
say won’t you please,
D
say won’t you please,
G6sus4/D
say won’t you please,
D
oh, Lord, don’t
go.
G6sus4/D
(Come on, let the sun
D
fade and go,
G6sus4/D
come on, let the sun
D
fade and go,
G6sus4/D
Voc. Fig. 1
come on, let the sun
D
fade and go,
G6sus4/D
come on, let the sun
D
fade and go.)
End Voc. Fig. 1
Gtrs. 1 & 2
Lead Voc. ad lib., next 20 meas.Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)
G6sus4/D Dsus4 D G6sus4/D Dsus4 D
00
13
00
2
0 02
33
02
2
0 00
13
00
2
0 02
33
02
2
0
5
Sorgdal
D.S. al Coda 2
2 Codarit.
rit.
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
G6sus4/D
D
G6sus4/D
D
Interlude
Bkgd. Voc.: w/ Voc. Fig. 1Gtrs. 1 & 2: w/ Rhy. Fig. 2 (6 times)
G6sus4/D
Aah.
D G6sus4/D D
La, la,
ooh,
G6sus4/D
(Come on, let the sun,
D
let the sun,
G6sus4/D
let the sun,
D
let the
sun,
*Voc. Fig. 2
*Refers to downstemmed voc. only.
G6sus4/D
let the sun,
D
let the sun,
G6sus4/D
let the sun,
D
la,
let
la,
the
End Voc. Fig. 2
la,
Bkgd. Voc.: w/ Voc. Fig. 2 (3 times)
G6sus4/D
stay, please.
D G6sus4/D
D
Won’t you
come
G6sus4/D
to
D
me?
G6sus4/D D
La, la,
G6sus4/D
la, la,
D
la, la.
G6sus4/D D
And3.
D7
May I please come in,
G/D
dear?
Gm6/A
05
75
0
75
0 04
33
04
3
000353
6
Sorgdal
Moderately q = 88
from Supertramp - Even in the Quietest Moments
Give a Little BitWords and Music by Rick Davies and Roger Hodgson
Copyright © 1977 ALMO MUSIC CORP. and DELICATE MUSICCopyright Renewed
All Rights Controlled and Administered by ALMO MUSIC CORP.All Rights Reserved Used by Permission
Intro
** A7 D
Oo,Roger Hodgson: yeah.
A7 D
G A7
Al right.-
G A7
*Gtr. 1
(12-str. acous.)
mflet ring throughout
*Two gtrs. arr. for one.
**Chord symbols reflect overall harmony.
And here we go a gain.
G
-
D
A7 D G
Nay, nay.
A7
Whoa, no.
G
Na, na.
A7
Hey, hey.
G
Yeah.
D
I’ll
Verse
2.
1.
D
Give
give
a
a
lit
lit
tle
tle
-
-
bit,
bit,
A7 D
Rhy. Fig. 1
2020
02020
232
0232
2020
02020
0232
0232
320033
320033
02020
02020
02020
02020
00
32003
320033
2020
02020
0 02020
02020
000
2003
320033
0232
0232
23
23
0232
0 0232
202
2020
02020
0 0232
0232
0232
0 0232
00
32003
320033
2020
02020
02 2
0
02020
02020
000
32003
320033
00
2020
02020
20
02
02020
202020
000
32003
320033
0 0232
0232
0232
0232
2020
2020
02020
0 0232
1
Sorgdal
oh,
I’ll
give
give
a
a
lit
lit
tle
tle
-
-
bit
bit
of
of
G
your
my
love
life
A7
to
for
me.
you.
G A7
G D
I’ll
So
give
give
a
a
lit
lit
tle
tle
-
-
bit,
bit,
A7 D
I’ll
oh,
give
give
a
a
lit
lit
tle
tle
-
-
bit
bit
of
of
G
my
your
love
time
A7
to
to
you.
me.
G A7
G Bm
Bridge
There’s
See
so
the
much
man
that
with
we
the
need
lone
Esus4
to
ly-
share
eyes.
E
so
Oh,
D5/F#
End Rhy. Fig. 1 Rhy. Fig. 2
0232
0 0232
0232
000
32003
320033
2020
02020
202
202
02020
020
020
02020
000
320033
320033
202
02020
202
020
02020
202020
000
32003
320033
0 0232
0232
0 0232
0232
020
020
02020
0 0232
0232
0232
0 0232
000
320033
320033
202
2020
02020
0 02020
2020
02020
2020
000
32003
320033
000
2020
02020
20
020
02020
2020
02020
202
000
32003
320033
00
44
24432
24432
24432
2 24432
000
02220
2200
02220
022100
022100
00
200
00
2
Sorgdal
1.
2.
send
take
G
a
his
smile
hand,
and
you’ll
show
be
A7sus4add6
you
sur
care,
prised.
A7
-
A7sus4add6 A7[no3rd]
al
A7
right.-
D
End Rhy. Fig. 2
A7sus4add6
Oo,
A7[no3rd] A7
take it.
Sax Solo
F#m
Gtr. 2: w/ Fill 1 (2 times)
Bm Bm/C# Bm/D Bm/E
Oh,
Bm/F#
*Gtr. 4
divisi
Gtr. 2 (12-str. elec.)
Fill 1
w/ clean tone & heavy reverb mf
let ring f
End Fill 1 Gtr. 4 3
*Tenor sax arr. for gtr.
1
Gtr. 1
Gtr. 3 (elec.)
mf w/ clean tone
P.M.
3X003
3X0033
0 2320033
00
320033
00
0403
4030
0403
2020
02020
02 2
0
02020
0000
0403
4030
04030
0
05
05
0
05
05
2020
02020
0 0232
119
79
7 7 10 10 107 121210
1010 7
0403
4030
0
05
05
0
05
05
05
05
05
05
02
202
0 244 2
22
44
XXXXX
44222
44222
44222
2222
44222
44222
24432
24432
24432
24432
4432
4432
4432
4432
4432
4432
4432
4432
0 2 2
24
2 2 2
24 4 2 4 4 5
2 4
3
Sorgdal
yeah.
F#m Bm Bm/C# Bm/D Bm/C#
Come a long.
Bm
-
Gtr. 4
Gtr. 1
Gtr. 3
F#m
Yeah,
G
yeah, yeah,
Bm
yeah.
Bm/A G
1 1
P.M.
7 10 7
9 7 9 7 97
79
0 244 2
22
44
XXXXX
44222
44222
44222
2222
44222
44222
24432
24432
24432
24432
4432
4432
4432
4432
4432
4432
4432
4432
4432
4432
0 2 2
24
2 244 2
2
44
44
2 4 4 5 4 2
7 7 1010 7 10 107 10
0 244 2
2
44
XXXXX
44222
44222
44222
44222
44222
44222
3X003
003
3X000
2443
044 4
3
3
0 2 2
24
2 2 2 2 32 0
3
4
Sorgdal
Yeah,
Cadd9
yeah, yeah,
G6
yeah, yeah, yeah,
(Ah.
A7
yeah.
A7sus4add6
Gtr. 41 1
Rhy. Fig. 3
Gtr. 2
Gtr. 3 let ring throughout
divisi
Riff A
*Gtr. 3 to left of slash in tab.
*1/2
Gtr. 3 tacet
A7[no3rd] A7sus4add6Gtr. 1: w/ Rhy. Fig. 3 (2 times)
Ah.
Go,
A7[no3rd]
boy.
A7sus4add6
Gtr. 4
1
Gtr. 1
End Rhy. Fig. 3
Gtr. 2
End Riff A
10 10 7
9 7 9 9
3203
3 32033
2 3
0430
0430
3X0430
302020
2020
2020
2020
02020
04030
4030
4030
04030
4030
04030
32 3
02
42
55
4
5
9 109 11 12
9 11 1210 8 7 8
10
107 9 10
0
05
05
05
05
05
05
0
05
05
0
05
05
0
05
05
04030
4030
4030
04030
4030
4030
2
0
5
42
54
2
55
4
5
5
Sorgdal
A7[no3rd]
A7sus4add6
Ah.)
A7
Yeah.
A7sus4add6
Gtr. 4
1 1
Gtr. 2
A7[no3rd]
A7sus4add6
VerseGtr. 1: w/ Rhy. Fig. 1
D
Give3. a
lit tle
- bit,
A7 D
1
Gtr. 4 tacet
oh, give a lit tle- bit of
G
your love
A7
to me.
G A7
G D
Gtr. 2
10 8 7 8 107 129 10 12
1212 10
10 10
12 10
2
0
5
42
54
2
55 5
4
5
99 11 12
9 11 1210 12
9 10 1512 14 15
2
0
55 0
53
03
03
6
Sorgdal
I’ll give a lit tle- bit,
A7 D
I’ll give a lit tle- bit of
G
my life
A7
for you.
G A7
G Bm
Bridge
Gtr. 1: w/ Rhy. Fig. 2
Now’s the time that we need
Esus4
to share.
E
So
D5/F#
find
G
your self,- we’re on
Cadd9
our way
G
back home.
A7
Gtr. 1: w/ Rhy. Fig. 3 (3 times)Gtr. 2: w/ Riff A (3 times)
A7sus4add6 A7[no3rd]
Oh,
A7sus4add6
go in’- home,
Gtr. 1
Gtr. 2
A7 A7sus4add6 A7(no3rd)
don’t you need, don’t you need
A7sus4add6
to feel at home?
A7 A7sus4add6
5 0 53
03
03
2
2 1 1
320
32033
32033
32033
32033
32033
320033
320033
320033
320033
320033
0202
45 5 5
5
7
Sorgdal
A7[no3rd]
Oh, yeah,
A7sus4add6
we got ta- sing.
OutroD G/D
Whoo.
A/D G/D
Ooh,
D
you’ve got
Dsus4
ta
D
- get
Dsus2
a
Rhy. Fig. 4
Gtr. 1
feel
C/D
in’.-
Cadd#4/D C/D G/D
Ooh,
D
yeah,
Dsus4 D
come
Dsus4
a
D
long
Dsus2
-
End Rhy. Fig. 4
too.
Gtr. 1: w/ Rhy. Fig. 4 (3 times)
D G/D
Whoo.
A/D G/D D
Yeah, come
Dsus4
a
D
long
Dsus2
- too.
C/D Cadd#4/D C/D
G/D
Come a, come
D
a, come
Dsus4
a,
D Dsus4
oh,
D
come
Dsus2
a long.
D
-
G/D A/D
G/D
Cha
D
ka,- do, cha ka,- do,
Dsus4 D
cha
Dsus2
ka,- do,
C/D
day.
Cadd#4/D C/D
G/D
Oo,
D
yeah,
Dsus4 D
come
Dsus4
a
D
long
Dsus2
- too.
D G/D A/D
0232
0787
0787
0787
0 09
109
09
109
09
109
0 0787
0 0232
0232
0233
0232
010
0010
0010
0010
0010
0013
0013
0012
0010
0433
0433
0 0232
0233
0232
0233
0232
0230
8
Sorgdal
G/D D
Yeah, come
Dsus4
a
D
long
Dsus2
- too.
C/D Cadd#4/D C/D
G/D D Dsus4 D
Sing,
Dsus4 D
bang
Dsus2
a- loo.
Gtr. 1: w/ Rhy. Fig. 4 (last 2 meas., 2 times)
C/D
-
Cadd#4/D C/D
G/D D Dsus4 D Dsus4 D Dsus2 C/D Cadd#4/D C/D
G/D D Dsus4 D
Come
Dsus4
a
D
long
Dsus2
- too.
Cadd9
What a long
Gtr. 1
ride.
Em7 Em
We’ve come a long way.
A7sus4
Oh,
G6
sing
A
it to night.
D
-
G/D A/D G/D
Oo,
D
yeah.
3203
3203
3203
3203
3203
3203
3203
3203
3203
3203
2203
22000
22000
22000
22000
003
003
003
003
003
000
0203
0203
0203
0203
03X203
203
203
2030
2030
2030
2030
02220
00232
0787
0787
0787
0 09
109
09
109
09
109
XXX
XXX
0787
XXX
XXX
0232
0232
0141514
9
Sorgdal
Intro
Moderately q = 116
Words and Music by Rick Davies and Roger Hodgson
Goodbye Stranger
Copyright © 1979 ALMO MUSIC CORP. and DELICATE MUSICAll Rights Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved Used by Permission
from Supertramp - Breakfast in America
**Ab
Was1.Rick Davies: an
*Gtr. 1
mfw/ fingers
let ring throughout
*Kybd. arr. for gtr.
**Chord symbols reflect implied harmony.
ear
Verse
Ab
ly- morn ing- yes
Dº/Ab
ter- day,-
Bbm7/Ab
I was up be fore- the dawn,
Rhy. Fig. 1
Ab
and I real ly- have en joyed
Dº/Ab
- my stay,
6544
4
56544
4
56544
544
4
56544
4
56544
4
56544
4
56544
544
4
56544
4
6544
4
56764
4
6764
764
4
48664
4
8664
4
6544
4
56544
4
56544
544
4
56544
4
6544
4
56764
4
1
Sorgdal
Bbm7/Ab
but I must be mov ing- on.
Ab
Like a
End Rhy. Fig. 1
king
Pre-Chorus
Ab/Gb
with out- a cas tle,- like a queen
Fm
with out- a throne,
I’m an
Gtr. 1
Gtr. 2 (dist.)
Riff A
f
ear
Db
ly- morn ing- lov er- and I must
Bbm
be mov ing- on, yeah.
End Riff A
6764
764
4
48664
4
8664
4
6544
4
56544
4
56544
544
4
56544
4
544
4544
4544
354
2 1
664
4
664
4 3 1332
4 4 3 1
2
Sorgdal
Gtr. 2 tacet
Ab
Now2.
Gtr. 1
Gtr. 3 (slight dist.)
mpP.M.
I
Verse
Gtr. 1: w/ Rhy. Fig. 1
Ab
be lieve- in what
Dº/Ab
you say,
Bbm7/Ab
is the un dis- put- ed-
Gtr. 3
P.M.
Ab
truth, but I have to have things my
Dº/Ab
own way,
P.M.
6544
4
56544
4
56544
544
4
56544
4
4 4 4 4 4 4 3 4 4
4 4 3 4 4 4 4 3 4 4 4 4
4 4 3 4 4 3 4 4 3 4 4 4 4 4 4
3
Sorgdal
Bbm7/Ab
to keep me in my
Ab
youth. Like a
Gtr. 2
Gtr. 3
P.M.
ship
laugh
Gtr. 2: w/ Riff A
Gtr. 3 tacet
Pre-Chorus
Ab/Gb
with
at
out
my
- an
be
an
hav-
chor,-
ior,-
like
that
a
’ll-
slave
nev
Fm
with
er-
out
both
- a
er-
chain,
me,
just
say
a
the
Gtr. 1
thought
dev
Db
il-
of those
is
sweet
my
la
sav
dies-
ior,-
sends a
but
shiv
I
Bbm
er
don’t
- through
pay
my
no
veins.
heed. And
16
3 4 4 4 4 4 4 4 4 3 4 4 4 4 3 4 4
544
4546
4544
3544
664
4
664
4 3 1332
4
Sorgdal
I
Ab
will go on shin ing,- shin
Ab/Gb
ing- like brand new, I’ll
Gtr. 1
Gtr. 2
nev
Db
er- look be hind- me, my trou
Bbm
bles- will be few.
Interlude
Gtr. 2 tacet
Ab
*Whistled
Ab(#5) Fm Bbm Eb6
Gtr. 1
8va
*1st time, Voc. tacet (next 4 meas.).
544
6546
6544
4546
4
4 2
664
4 4 3866
64
64
4 4 3 1
151313 13
1315
131316
13131318
131318
131316
1514
131315
131316
14131318
14 1413
1515
131313
1513 13
1316
131318
131318
131316
16
151418
151418
18
171620
17
16
17
5
Sorgdal
Gtr. 1
Ab
Ab/Gb Db Bbm Eb8va
Gtr. 4 (clean)
mflet ring let ring let ring let ring let ring
Chorus
Ab
Good bye- stran ger,-
Ab/Gb
it’s been nice,
*Db/F
hope you find your
Bbm
par a- dise.
Eb
-
loco
Rhy. Fig. 2 End Rhy. Fig. 2
Riff B
let ring let ring let ring let ring
End Riff B
let ring
*Bass plays F.
Gtr. 1: w/ Rhy. Fig. 2 (5 times)
Gtr. 4: w/ Riff B (5 times)
Ab
Tried to see your
Ab/Gb
point of view,
Db/F
hope your dreams will
Bbm
all come true.
Eb
Voc. Fig. 1
Ab
Good bye- Mar y,-
Ab/Gb
good bye- Jane,
Db/F
will we ev er-
Bbm
meet a gain?
Eb
-
151313 13
1315
131316
13131318
131318
131316
1516
131315
16131316
13131318
131313
16 161513
161513
15
161513
16
16 161513
18
16 161513
13
151418
13
151418
13131516
131516
89
8
87
811
10
99
108
66 8
88
6543
6544
6546
6544
4543
4544
546
4 44
68
4
664
4
666
664
6
666
666
6
886
8
108
89
8
87
811
10
99
108
66 8
88
6
Sorgdal
CTo oda
Ab
Feel no sor row,-
Ab/Gb
feel no shame,
Db/F
come to mor- row-
Bbm Eb
Sweet de vo-
Bkgd. Voc.: w/ Voc. Fig. 1
Ab
tion,- it’s not for me,
Ab/Gb
just give me mo -
feel no pain.
End Voc. Fig. 1
Db/F
tion- and set me free,
Bbm Eb
and the land and the o
Ab
cean- far a way,-
Ab/Gb
it’s the life I’ve cho
Db/F
sen- ev ’ry- day.
Bbm Eb
So good bye-
Mar
Ab
(Good
y,-
bye- Mar y,
good
-
bye- Jane,
Ab(#5)/E
good bye- Jane,
will we ev -
Gtr. 1
Gtr. 4
let ring let ring
6543
6544
6546
6544
2113
2114
6556
7
89
810
9
88
9
7
Sorgdal
Fm
er-
will we ev er
meet
-
a gain?-
Ab/Gb
meet a gain?)-
let ring let ring
Gtr. 4 tacet
Ab
Now3.
Gtr. 1
Gtr. 2
w/ wah-wah
P.M.
some
Verse
Gtr. 1: w/ Rhy. Fig. 1
Gtr. 2 tacet
Ab
they do and some
Dº/Ab
they don’t,
Bbm7/Ab
and
Gtr. 3
P.M.
3113
3114
6566
656
4543
544
546
4 4543
544
546
4
1010
89
10 87
8
87
6544
4
56544
4
56544
544
4
56544
4
4 4 4 3 4 4 4 4 4 4 3 4 4 4 4 4 4 3 4 4 4 4 4 4 3 4 4 4
4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4
8
Sorgdal
D.S. al Coda
some you just can’t
Ab
tell,
P.M.
and some they will and some
Dº/Ab
they won’t,
P.M.
Bbm7/Ab
with some it’s just as
P.M.
Ab
well. You can
P.M.
34 4 4 4 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4
4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4
4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 34 4 4 4 4 4 4 4
4 4 4 4 3 4 4 4 4 4 4 4 4 3 4 4 4 4 4 34 4 4 4 4 4 44 16 16
9
Sorgdal
Coda
Bbm Eb
Now I’m leav
Bkgd. Voc.: w/ Voc. Fig. 1Gtr. 1: w/ Rhy. Fig. 2 (2 times)
Gtr. 4: w/ Riff B (2 times)
Ab
ing,- got to go,
Ab/Gb
hit the road.
Db/F
I’ll say
Bbm
it once a gain,-
Eb
yes, I’m leav
Ab
ing,- got to go,
Ab/Gb
got to go,
Db/F
I’m sor
Bbm
ry- I must tell
Eb
you, good bye-
Mar
Ab
(Good
y,-
bye- Mar
good
y,-
bye- Jane,
Ab(#5)/E
good bye- Jane,
will we ev -
Gtr. 1
Gtr. 4
let ring let ring
6543
6544
6546
6544
2113
2114
6556
7
108
89
810
9
88
9
10
Sorgdal
Fm
er-
will we ev er
meet
-
a gain?-
Ab/Gb
meet a gain?)-
Gtr. 1
Gtr. 5 (dist.)
mf
Gtr. 4
let ring let ring
Ab7
Abm7
Gtr. 1
Gtr. 2
Gtr. 5 Riff C End Riff C
3113
3114
6566
656
4543
544
546
4
74
1010
89
10 87
8
87
657
654
65
6
657
657
654
65
6
647
647
644
64
6
4 4 4 4
74 74 74
11
Sorgdal
Gtr. 5: w/ Riff C (2 1/2 times)
Oh, I
3
be
Ab7
lieve,- yeah,
Gtr. 1
Gtr. 2
Abm7
that I’ve got to get a -
647
647
644
64
6
657
657
654
65
6
4 4 4 4
657
657
654
65
6
647
647
644
64
6
647
647
4 4 4 4 4 4 4 4 4
12
Sorgdal
way.
Outro-Guitar Solo
Ab7
Gtr. 2 tacet
Gtr. 3
w/ wah-wah
Gtr. 1
Rhy. Fig. 3
Gtr. 2
Gtr. 3
Db7sus4 Db7 Db7sus4 Db7
Gtr. 1 End Rhy. Fig. 3
Gtr. 3
Gtr. 1: w/ Rhy. Fig. 3 (till fade)
Ab7Voc.: ad lib. (next 13 meas.)
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
657
65
657
654
654
657
65
657
654
4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
647
4 4646
644
647
4 4646
644
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
13
Sorgdal
Db7sus4 Db7 Db7sus4 Db7
Ab7
Db7sus4 Db7 Db7sus4 Db7
Ab7
let ring let ring let ring let ring
Db7sus4 Db7 Db7sus4
3
Db7
let ring
Ab78va
1/2
Db7sus4 Db7 Db7sus4 Db7
8va
1/2 1/2 hold bend
4 6 6 6 6 8 8 8 8 9 9 9 9 11 11 116 8 8 8 8 10 10 10 10 11 11 11 11 13 13 13
13 15 15 15 15 15 15 15 15 1513 14
15 15 15 15 15 15 15 15 1513 14
14 14 14 14 14 1613 13 13 13 13 13
13 14 14 14 14 14 1613 13 13 13 13 X X
13 1513
1413
15
1313
1313
13 13 1513
1413
15
1313
1313
13
13 15 16
1616
16
1616
16
1816
16
18 18 18 18 18 16 18
18 18 18 18 16 18 1818
18 1816
18 1614
16 1413
14
14
Sorgdal
Fade out
loco
Ab7 Db7sus4 Db7
1/2 11/2 1/2
Db7sus4 Db7
Begin fade
Ab7
1/2
Db7sus4 Db7 Db7sus4 Db7
Ab7
let ring let ring let ring let ring
Db7sus4 Db7
Db7sus4 Db7 Ab7
1/2 11/2
Db7sus4 Db7 Db7sus4 Db7 Ab7
1 1/2
12 12
11 1311 13
12 14 12 1213
12 14 14 12 1213
12 12 14
12 1213
12 12 00 11
11XX
1111
XX
XX
1111
1111
1111
11 1311 X 11
11XX
1111
XX
1111
1111
1111
11 1311
13
1312
XX
1312
XX
1312
1111
XX
1111
XX
1111
109
109
109
109
109
109
109
119
119
119
87
87
66 6
X X 54
5 32
3 11
1 0 1 1 1 1 1 0 1 1 1 1 1
13 14 13 13 13 13 13 13 13 13 13 1312 14 12 12 0
11 1311 13
12 12 12 1213 13
12 14 14
12 12 0
1111
12 14 12 1213
12 14 14 12 1213
15
Sorgdal
Intro
Free time
Words and Music by Rick Davies and Roger Hodgson
School
Copyright © 1974 RONDOR MUSIC (LONDON) LTD. and DELICATE MUSICCopyright Renewed
All Rights in the USA and Canada Controlled and Administered by ALMO MUSIC CORP.All Rights Reserved Used by Permission
from Supertramp - Crime of the Century
Slowly q = 80
(Harmonica & kybd.)
38 sec. Gtr. 1 (12-str. elec.)
ppw/ chorus
let ring throughout
G6 G/B
231
Am
21 3
G
3211
F
321
Fmaj7
12fr
321
E
7fr
321
B'4
5fr
321
A
10fr
321
D'9
F6 F,13
mf
I1.
Verse
Am
can see you in the morn ing- when you go to school,
G6
don’t
G/B
for get- your books, you know you’ve got to learn the gold
F6
en- rule. The
54
53
54
54
53
54
97
87
87
97
87
87
32
31
32
32
30
3 0
0
910
810
9
8
910
810
95
45
3
45
45
45
3
45
97
87
78
79
78
7
78
0 32
31
32
32
31
3
3
1
Sorgdal
teach
Am
ers- tell you, “Stop your play and get on with your work.”
G6
And
be
G/B
like John ny,- too good, don’t you know he
F6
nev er- shirks, he’s com ing- a -
long.
Interlude
Am D/A
Am
G'9
Gtr. 2 (elec.)
w/ dist.**w/ delay
pp* mffdbk.
w/ bar
*Vol. swell
**Delay set for dotted quarter-note regeneration w/ 2 repeats.
-1/2-1 -2
Gtr. 1
0
910
810
9
8
910
810
95
45
3
45
5 54
53
45
5
97
87
78
79
78
7
78
0 32
31
23
23
23
1
23 0
9 9
05 7
555
70777
10
05 7
555
5 5435
2
Sorgdal
Verse
Faster q = 87
pp* mf
w/ bar
Am
D/A
** pp mf
*Vol. swell -1 1/2 **As before
Am G'9
pp mf
fdbk.
8va
***
***G string sounds during bend of B string. †As before
†
1
1/2 1/21/2
Af
††
Gtrs. 1 & 2 tacet
2.
Am
ter- school is o ver- you’re play ing- in the park,
†††G6/A
ooh,
Gtr. 3 (elec.)
mf
††Chord symbols reflect overall harmony. †††Bass plays A, next 7 meas.
1 18
5435
05 7
555
0 0777
10
88
151515 15
0777
10
05 7
555
5 5435
109
108
109
108
109
108
109
108
XXXX
XXXX
XXXX
XXXX
109
108
109108
109
108
109
108
XXXX
XXXX
XXXX
XXXX
5453
5453
5453
5453
XXXX
XXXX
XXXX
XXXX
5453
5453
5453
5453
XXXX
XXXX
XXXX
XXXX
3
Sorgdal
don’t
G/A
be out too late, don’t let it get
F6/A
too dark. They
tell
Am
you not to hang a round- and learn what life’s
G6/A
a bout,- and
grow
G/A
up just like them, won’t let you work
F6/A
it out, and you’re
full
C
of doubt.
E7
9787
9787
9787
9787
XXXX
XXXX
XXXX
XXXX
9787
9787
9787
9787
XXXX
XXXX
XXXX
XXXX
3231
3231
3231
3231
XXXX
XXXX
XXXX
XXXX
3231
3231
3231
3231
XXXX
0 0 0
109
108
109
108
109
108
109
108
XXXX
XXXX
XXXX
XXXX
109
108
109
108
109
108
109
108
XXXX
XXXX
XXXX
XXXX
5453
5453
5453
5453
XXXX
XXXX
XXXX
XXXX
5453
5453
5453
5453
XXXX
XXXX
XXXX
XXXX
9787
9787
9787
9787
XXXX
XXXX
XXXX
XXXX
9787
9787
9787
9787
XXXX
XXXX
XXXX
XXXX
3231
3231
3231
3231
XXXX
XXXX
XXXX
XXXX
3231
3231
3231
3231
XXXX
XXXX
00
3201
3201
02213
4
Sorgdal
Interlude
Double-time feel q = 174
Gtr. 3 tacet
Am7 Am13
Gtr. 2
**w/ delay
*pp
**Delay set for quarter-note regeneration w/ 1 repeat.
*Vol. swell
***Gtr. 4 (elec.)
mplet ring throughout
Riff A End Riff A
***Keyboard arr. for gtr.
Gtr. 2
Gtr. 4: w/ Riff A (12 times)
mf
Am7 Am13
w/ bar delay off
8va
-1/2-1 -1 1/2
Am7 Am13
8va loco
Am7 Am13
1 1
15
1214
1412 13
14
1512 12
1412
1412 14
12
14
1311 11
14
15 15 1717
1717
1517 17 13 15
13 1312 12 12 5
5
Sorgdal
Gtr. 5 (acous.)
mp
Am7 Am13
Gtr. 2
Am7 Am13
Gtr. 7 (elec.)
Gtr. 2 tacet
Am7
mpw/ clean toneHarm.
Am13
let ring
Gtr. 5
let ring
Gtr. 6 (elec.)
mpw/ clean tone
P.M.
4 5 5 5 5 5 5 4 5 5 5 5 5 5 4 5 5 5 5