The Dunlendings Ancestors of the Celtic Clans

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    The Dunlendings, ancestors of the Celtic clans

    J.R.R. Tolkien regarded Arda and in particular Endor (Middle-earth) to be a mythical

    prehistory to our own world and that the two worlds blended somwehere in the i!th Age" the

    ourth Age marking a transition between the mythical and the historical. My own take on this"

    in the house rules system" is that Arda and Earth e#isted as parallell worlds which e$entually

    merged into one. %n this process" the mythical prehistorical e$ents in the Third and ourth

    Ages spilled o$er into our world" gi$ing incenti$e to the de$elopment o! the early mannish

    ci$ilisations and cultures" such as the &umerian" Egyptian" 'reek" Roman" eltic" 'ermanic"

    etc. Thus" these historically $eri!ied cultures and ci$ilisations re!lected the ancient cultures

    and races o! the Middle-earth" the latter ser$ing as spiritual ancestors to the earthly races.

    %n this article % will address the unlending clans. %t seems that Tolkien ga$e some hints to

    unlendings being drawn !rom eltic or 'allic inspiration when he en$isioned them" and that

    the Rohirrim represented the &a#on in$asion o! their lands in *ritain" the +orthmen o!

    Rho$anion o! course being hea$ily drawn on the 'ermanic &a#on and +orse tribes. %ron

    rown Enterprises (%E) capitalised hea$ily on these hints and e#panded them into

    de$eloping the unnish clans into !ull !ledged 'allic-style cultures" such as historians

    en$ision them. This can be assertained by the %E campaign modue !rom its Middle-earth

    Seriesentitled ,unland and the &outhern Misty Mountains (&tock /011) published 2345"

    especially seen in its co$er painted by 6alter 7ele89

    https://midgardakampanjer.wordpress.com/2015/01/21/the-dunlendings-ancestors-of-the-celtic-tribes/https://midgardakampanjer.wordpress.com/2015/01/21/the-dunlendings-ancestors-of-the-celtic-tribes/
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    Thus" % ha$e attached a series o! paintings o! Angus Mc*ride which depicts 'allic warriors

    !rom anti:uity. Thank!ully" he made a lot o! paintings on eltic or 'allic warriors o! di!!erent

    shades. That was probably due to his own &cottish 'allic descent. % in particular !ancy Angus

    Mc*rides paintings" which started to appear in the %ron rown Enterprises catalouge in 234;

    and which would become the staple o! %Es Middle-earth products. Many o! the modules

    produced in their Middle-earth Series line would become memorable because o! AngusMc*rides co$er art. *y then he was already a respected painter o! military historical

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    reenactment. The only Mc*ride painting !or %E which actually bore a eltic design to the

    unlendings where the co$er o! the Middle-earth Ad$enture module ,'host 6arriors (&tock

    4120) !rom 2331 depicting the aen oentis o! the 6hite Mountains" the

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    =! Angus Mc*rides 'allic painting % will only show a !ew" which may ser$e as inspirational

    art. The initial painting at the head depicts some 'allic worriors (supposedly !orward scouts)

    !rom the >nd or /rd entury * (all o! the paintings that !ollow depicts scenes taken !rom the

    !irst !ew centuries be!ore the ommon Era)" probably scouting at Roman legionaries and

    engaging them with shouts and slurs" which incidentally % depict as the enbodiment o! the

    ?nedain o! Arnor (i.e. the Roman spirit) o! the Third Age. &o" i! we allow oursel$es to betransported back to Middle-earth" looking at the same picture we see instead some

    unlending warriors de!ending their unnish homeland @ unland @ with the Misty

    Mountains in the background. ollowing this scene we look at a unlending chie!tain riding a

    chariot with a unnish !orti!ied town in the background (notice its similarities with 6alter

    7ele8 co$er painting abo$e)9

    =n the ne#t page we see some unnish warriors looting and spreading mayhem in a+menBrean Temple" probably sometimes in the late &econd or early Third Age era" killing

    some poor Temple ser$ants or de$otees in the process. Cou may easily spot the typical 'reek

    !la$our o! achitecture and clothings o! the early +menBreans. There is something ominous

    about this picture" as the unlendings are being punished by the 7alar !or their sacrilegious

    acts" who sends thunderbolts striking at them and inciting !ear into their !aces9

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    +e#t we see a !ormation o! charging unlendings carrying spears and bron8e helmets and

    shields" trying to make a desperate attack mounted on chariots against the orderly !ormation

    o! disciplined +menBrean soldiers. This battle is probably set on a Arnorian plain in the mid

    or late &econd Age. The appro#imate age depicted may be ascertained as the unlending

    warriors are seen being e:uipped with old style unnish weapons9

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    +e#t we see some 6ildmen o! unland assaulting the enemy !rom a !orti!ied hill on the

    plains o! unland. %n a typical heroic unnish berserker mode" which means using no amour

    and only being armed with crude weapons" such as slings and small bucklers" they charge

    down the slope taking ad$antage o! the higher ground. +otice the typical unnish style tatoos

    on their bodies" ser$ing a magical purpose9

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    +e#t" in this scene taken !rom the late &econd Age or early Third Age" we see a unlending

    chie! with his elite $anguard !ending o!! an ambush staged by +menBreans set in a unnish

    !orest" with the Misty Mountains clearly seen in the background. +otice the $arious styles o!

    patterns and colours on the Dillmens clothing. Dere is also seen a head hunting custom" the

    se$ered heads o! course being claimed by the proud unnish chie!tain himsel!9

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    +e#t we see some proud and $ictorious unnish warriors returning back home to their $illage

    in unland" a!ter a success!ul raid against the +menBrean enemy. 6e see them being greeted

    by cheer!ul children and making a spontaneous $ictory parade mounted on a chariot. The

    typical unnish custom o! wearing no armour and e#posing the naked tatooed breast is

    clearly seen in this scene9

    +e#t we see a attachement o! well armed and protected unlending warriors with their hie!

    on a raid deep in Arnorian territory" preparing a surprise attack against a +menBrean city inthe &econd Age under the co$er o! the night. These elite unnish warriors are seen wearing a

    $ariety o! hea$y armour9

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    +e#t is a painting" again drawn by Angus Mc*ride" which depicts a unnish assault on the

    battle!ield against a Arnorian ?nedain legion somewhere in the !irst hal! o! the Third Age"

    who are seen throwing their a$elins back at the unlending warriors. %n this picture the tribal

    plaid patterns and braided hair typcal o! the unlendings are clearly shown9

    %n the !ollowing painting by Mc*ride we see a proud unlending chie!tain standing in his

    plaided mantle and old style bron8e helmet and shield. This places the set somewhere in the

    second hal! o! the &econd Age. %n the background we catch a glimpse o! a grand gate o! a!orti!ied unnish town. 6e also see the typical unnish chariot" a $ehicle that the

    unlendings use with great tactical pro!iciency9

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    Fastly we se a scene !rom the mid-Third Age" possibly appro#imating T.A. 20G1 (the general

    game time o! MERH andICEs Middle-earth Series) depicting an assembly o! !our unnish

    chie!s" all wearing hea$y armour" o$eseen by a ?nedain lord at the !ar right indicating that

    the Dillmen represent clans which has been subdued by 'ondor and has pledged loyalty to the

    Iing o! 'ondor. =ne o! the remaining opposing and un!aith!ul unlending chie!s is also seen

    paying tribute to a unnish chie!tain" a!ter his de!eat to the !aith!ul unlendings" against thebackground o! a 'ondorian castle or !orti!ied city wall9

    %n this article % ha$e shown the reader some !ew and good e#amples on how a creati$e

    'amemaster may trans!orm plain historical paintings and illustrations into !antastic

    occurances in a mythical Middle-earth setting during the &econd and Third Ages. %

    recommend the 'amemaster o! a Middle-earth campaign to use the images and illustrations

    painted by Angus Mc*ride as a primary source" pre!erring his designs o$er the more

    today because o! Heter Jacksons mo$ies" who used Fee and Dowe as conceptual artists)" as

    Mc*ride partly is responsible !or creating that special historical realistic !eeling o! ICEsMiddle-earth Series and because he is so intrinsically associated with the aestetics o! %Es

    game products. There are lots o! more pictures in the same $ein and % reccomend the

    'amemaster or player to do a through resarch on 'oogle on Angus Mc*rides artwork using

    the search words