THE CLASSICS OF MODERN F uRNITu RE - Verde Interiori and arm chairs.pdf · ma meno conosciuti, come Jean Michel Frank, Takehiko Mizutani, Frederick Kiesler, Gerald Summers, Wassili

T H E C L A S S I C S O F M O D E R N F u R N I T u R E

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Divani e poltrone Sofas and armchairs

Anonimo - Anonymous.................................................................10

P. Chareau.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

J. M. Frank................................................................................22

E. Gray.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

J. Hoffmann.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

Le Corbusier.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

G. Nelson... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62

I. Noguchi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64

Tavoli e sedie Tables and chairs

A. Aalto... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77

Anonimo - Anonymous.................................................................82

O. P. Bernard..............................................................................86

H. Bertoia... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .88

O. Blümel.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .92

M. Breuer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96

P. Chareau.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .118

Patterned after the design of Charles Eames...................................120

J. M. Frank...............................................................................134

E. Gray.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .136

R. Herbst.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .154

J. Hoffmann... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .160

F. Kiesler.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .164

Le Corbusier.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .166

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W. e H. Luckhardt........................................................................182

C. R. Mackintosh........................................................................184

R. Mallet Stevens......................................................................198

L. Mies Van der Rohe.................................................................200

T. Mizutani. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .238

I. Noguchi.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .239

G. Nelson.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .242

M. Old... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .246

G. T. Rietveld... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .248

E. Saarineen.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .250

The Shakers...............................................................................262

M. Stam....................................................................................264

G. Summers... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .266

Lampade Lamps

Anonimo - Anonymous...............................................................270

P. Chareau.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .272

D. Desky... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .273

M. Fortuny... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .274

E. Gray... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .276

J. Hoffmann... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .277

C. G. Jucker.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .278

G. Pap.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .278

E. Muthesius... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .279

W. Wagenfeld... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .280

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Nel 1984 nasce la luminosa idea che ispi ra e muove a tut t ’oggi ALIVAR. In real tà i l pr inc ip io isp i ratore r isa le agl i anni Sessanta, quando le

opere creat ive dei maestr i del design moderno erano v is ib i l i so lo nei musei o in pubbl icaz ioni specia l izzate. Ri facendosi a l la t radiz ione del design

real izzata nel l ’operato del Werkbund, a l le teor izzaz ioni del “Neue Sachl ichkert” , a l le associaz ioni ar t is t iche ed art ig iane, come l ’ inglese Arts and Craf ts,

che s i proponevano di co l legare s inerg icamente ar te, ar t ig ianato e industr ia, s i g iunge a considerare in una nuova prospett iva i l grande patr imonio d i

r icerca formale e funz ionale espresso nei mobi l i , negl i oggett i del v ivere quot id iano.

Da questa intu iz ione puntualmente approfondi ta con i l passare degl i anni é nata la p iù ampia e coerente col lez ione di mobi l i d i design prodotta

e d ist r ibui ta da un’unica società: ALIVAR. L’at tenz ione posta nel l ’osservare i l panorama cul tura le del nostro secolo, a l la r icerca d i autor i le cui opere

d i arredamento sono quel le che megl io espr imono i l gusto contemporaneo, ha portato a r iprodurre nei “Class ic i del mobi le moderno” autor i not i a l vasto

pubbl ico come Mies Van der Rohe, Alvar Aal to, Marcel Breuer. Ins ieme a quest i anche a l t r i designers a l t ret tanto va l id i e d i un’at tual i tà sconcertante,

ma meno conosciut i , come Jean Michel Frank, Takehiko Mizutani , Freder ick Kies ler, Gerald Summers, Wassi l i e Hans Luckardt , Isamu Noguchi ,

George Nelson e Jules Leleu.

La fedel tà f i lo log ica é a l la base di questa col lez ione di mobi l i d’autore e i l cata logo ALIVAR MUSEUM (230 prodott i con descr iz ione bib l iograf ica,

stor ia del le or ig in i e del la mot ivaz ione ideat iva) s i é t rasformato in un r icco volume, d ist r ibui to nel le l ibrer ie come oggetto d i informazione e r icerca:

l ’anto log ia d i una prest ig iosa ser ie d i mobi l i d i grande e leganza formale, che at t raversano i l tempo, a l d i là dei condiz ionament i del le mode e del le

tendenze.

Quest i complement i d’arredo, f in i t i con cura e aggiornat i constantemente sul la base di r icerche e studi , fedel i nel la forma e nel la t ipo log ia

dei mater ia l i a i progett i or ig inal i , vengono propost i a l pubbl ico d i oggi .

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The inspired idea which is stil l today a guiding concept of Alivar originated in 1984. However the true origins go back to the 60’s, an era in which the

creative works of modern design masters could only be seen in museums or specialized magazines.

The grand heritage of formal and functional design as expressed in furnishings and everyday domestic objects was seen in a new light thanks to the Werkbund

initiatives, the theories of the “Neue Sachlichkert” and the arts and crafts associations such as the British Arts and Crafts which provided a new insight into the

dynamic merging of arts, crafts and industry.

It is on the basis of this stylistic intuition painstakingly refined and developed through the years which has led to the creation of an extensive and

coherent collection of designer furnishings, produced and distributed by the same company: ALIVAR. The deep insight into the cultural spectrum of this century,

and the search for those artists who best express contemporary tastes has led to the reproduction of the works of famous masters such as Mies Van der Rohe,

Alvar Aalto, Marcel Breuer, featured in “The Classics of Modern Furniture” range. As well as the works of less well known artists, but equally valid and amazingly

up-to-date, such as Jean Michel Frank, Takehiko Mizutani, Frederick Kiesler, Gerald Summers, Wassili and Hans Luckardt, Isamu Noguchi, George Nelson and

Jules Leleu.

Philological accuracy is the basis of this master furnishing collection and the ALIVAR MUSEUM catalogue (featuring 230 products with bibliographic

description, history of the origins and creative inspiration) has been transformed into a valuable book in its own right and will be distributed in bookshops as a

source of reference and information; forming an anthology of higly elegant and formal furnishings throught time, which go beyond the limitations imposed by

fashion and trends.

These furnishings ranges which are continually refined and updated on the basis of studies and research are further enhanced by the addition of new

models each year which, while remaining faithful to the original designs in terms of the materials and forms, are now offered to the consumers of today.

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La qualità difficilmente si riconosce a prima vista. Alivar vuole sottolineare come tutti i mobili prodotti dall’azienda, così come questo catalogo, sono il risultato di una attenta analisi sulle scelte

tecniche, produttive e commerciali da seguire per l’ottimizzazione del prodotto.

La qualità Alivar é garanzia di ergonomia, comodità e funzionalità con una particolare attenzione all'assorbimento della seduta, alla cura dello schienale e all’imbottitura dei cuscini all’altezza reni.

Imbottiture realizzate in piuma d'oca lavata, sterilizzata e garantita, in poliuretano espanso schiumato a freddo e in dacron. Rivestimenti tutti di prima qualità: tessuti in fibre naturali o pelle. Cromature

di grande durata con trattamento anticorrosione e ancoraggio. Le saldature vengono testate con sistemi innovativi. Essenze come faggio, ciliegio, betulla e acero provengono da apposite coltivazioni

nel totale rispetto della natura. I legni sono controllati e trattati successivamente con vernici atossiche e antingiallenti per mantenere inalterati colore e venature. Le materie prime utilizzate per le

strutture, acciaio, ferro e legno sono certificate e sottoposte ad ulteriori prove e trattamenti all’interno dell’azienda. Tutto questo é qualità per Alivar, certificata UNI EN ISO 9001:2008.

L a q u a L i T à a L i v a r

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The quality is not immediately apparent. Alivar wish to highlight the fact that all the furniture that produces, as for this catalog, are the results of a detailed analysis of the technical production and

commercial sides to be followed in order to guarantee the best possible product.

Alivar quality is a guarantee of comfort, and functionality with particular attention given to the seat contour, the care taken in the design of the back and the padding of the lower back cushions.

Padding: from washed, sterilized and guaranteed duck down to cold foamed polyurethane foam and dacron. All fabrics covers are of top quality using natural fibres or leather. High resistance chrome-

plating with an anti-corrosion and fixing treatment. All weldings are tested using innovative systems. Wood used such as beech, cherry, birch and maple, comes from special plantations in total

respect of nature. Wood is checked and subsequently treated with anti-toxic and anti-yellowing varnishes in order to preserve the original colour and veining. Raw materials used for the frames,

such as steel, iron and wood are certified and subjected to further tests and treatments within the company. This is the Alivar quality, certified UNI EN ISO 9001:2008.

A L I V A R Q U A L I T Y

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D i v a N i E P O L T r O N E S O F A S A N D A R M C H A I R S

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designer: anonimo / anonymous

art. 683 Divano a tre posti in legno massello ricoperto di espanso. Cuscini spalliera in espanso e piuma d’oca.

Cuscini seduta in espanso e dacron. Sfoderabile. L 196 H 85 P 85.

Three-seater sofa in solid wood covered with polyurethane foam. Back cushions in polyurethane foam and goose-down.

Seat cushions in polyurethane foam and dacron. Removable covers.

W 196 H 85 D 85; W 77,1” H 33,5” D 33,5”.

10

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D I V A N I E P O L T R O N E

S O F A S A N D A R M C H A I R S

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art. 682 Divano a due posti in legno massello ricoperto di espanso. Cuscini spalliera in espanso e piuma d’oca.

Cuscini seduta in espanso e dacron. Sfoderabile. L 136 H 85 P 85.

Two-seater sofa in solid wood covered with polyurethane foam. Back cushions in polyurethane foam and goose-down.

Seat cushions in polyurethane foam and dacron. Removable covers.

W 136 H 85 D 85; W 53,5” H 33,5” D 33,5””.

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art. 681 Poltrona in legno massello ricoperto di espanso. Cuscino spalliera in espanso e piuma d’oca.

Cuscino seduta in espanso e dacron. Sfoderabile. L 76 H 85 P 85.

Armchair in solid wood covered with polyurethane foam. Back cushion in polyurethane foam and goose-down.

Seat cushion in polyurethane foam and dacron. Removable covers.

W 76 H 85 D 85; W 29,9” H 33,5” D 33,5”.

13



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art. 693 Divano a 3 posti in legno massello ricoperto di espanso e cuscini in piuma d’oca. Sfoderabile.

L 229 H 80 P 86.

Three-seater sofa in solid wood covered with polyurethane foam, cushions filled with goose-down. Removable covers.

W 229 H 80 D 86; W 90,2” H 31,5” D 33,8”.

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art. 692 Divano a 2 posti in legno massello ricoperto di espanso e cuscini in piuma d’oca. Sfoderabile.

L 164 H 80 P 86.

Two-seater sofa in solid wood covered with polyurethane foam, cushions filled with goose-down. Removable covers.

W 164 H 80 D 86; W 64,6” H 31,5” D 33,8”.

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art. 691 Poltrona in legno massello ricoperta di espanso e cuscino in piuma d’oca. Sfoderabile.

L 98 H 80 P 86.

Armchair in solid wood covered with polyurethane foam, cushion filled with goose-down. Removable covers.

W 98 H 80 D 86; W 38,6” H 31,5” D 33,8”.



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Particolare della zona attesa dell’Hotel valencia Palace, valencia, Spagna, arredato completamente da Alivar. Detail of the waiting area of the hotel “Valencia Palace”, Valencia, Spain, completely furnished by Alivar.

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designer: P. Chareau

art. 671

Poltrona con struttura in

legno, ricoperta di espanso e

con rivestimento in velluto

a due colori.

L 82 H 120 P 77,5.

Armchair with wooden frame

upholstered with polyurethane

foam and covered with velvet

in two different colours.

W 82 H 120 D 77,5;

W 32,3” H 47,2” D 30,5”.

Particolare della hall

dell’ Hotel Kensigton di

Londra, Gran Bretagna.

Detail of the lobby of

“The Kensigton Hotel” London,

Great Britain.

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designer: P. Chareau

art. 662 Divano a due posti con struttura in legno ricoperta di espanso e con rivestimento in velluto a due colori.

L 194 H 71 P 82.

Two-seater sofa with wooden-frame upholstered with polyurethane foam and covered with velvet in two different colours.

W 194 H 71 D 82; W 76,4” H 27,9” D 32,2”.

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Hotel “Le Meridien Lingotto” di Torino, Italia

“Le Meridien Lingotto” hoteL, turin, itaLy

Par t i co la re de l l a ha l l de l l ’ho te l “Le Mer id ien L ingo t to” d i tor ino r i s t ru t tu ra to su d isegno de l l ’ a rch i te t to renzo P iano ne i l oca l i de l l a ex

sede F ia t . Comple tamente a r reda to da a l i va r ne l se t tembre 1995 s ia ne l l e camere che neg l i spaz i pubb l i c i come la ha l l , i l ba r, i l r i s to ran te .

de ta i l o f the ha l l o f the “Le Mer id ien L ingo t to” ho te l o f tur in res to red accord ing to the des ign o f the a rch i tec t renzo P iano in the ex

F ia t p remises . Comple te l y fu rn ished by a l i va r in Sep tember 1995 inc lud ing bedrooms and gues t a reas such as the ha l l , ba r and res tauran t .

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designer: J. M. Frank

art. 613 Divano a tre posti in legno massello ricoperto di espanso. Cuscini seduta in espanso e piuma d’oca. Sfoderabile. Piedini in noce nazionale trattati naturalmente con finitura a cera.

L 210 H 86 P 89.

Three-seater sofa in solid wood covered with polyurethane foam. Seat cushions in polyurethane foam and goose-down. Removable covers. Feet in wax-polished walnut.

W 210 H 86 D 89; W 82,7” H 33,8” D 35”.

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art. 612 Divano a due in legno massello ricoperto di espanso. Cuscini seduta in espanso e piuma d’oca. Sfoderabile. Piedini in noce nazionale trattati naturalmente con finitura a cera.

L 150 H 86 P 89.

Two-seater sofa in solid wood covered with polyurethane foam. Seat cushions in polyurethane foam and goose-down. Removable covers. Feet in wax-polished walnut.

W 150 H 86 D 89; W 59” H 33,8” D 35”.

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art. 611 Poltrona in legno massello ricoperto di espanso. Cuscino seduta in espanso e piuma d’oca. Sfoderabile. Piedini in noce nazionale trattati naturalmente con finitura a cera.

L 90 H 86 P 89.

Armchair in solid wood covered with polyurethane foam. Seat cushion in polyurethane foam and goose-down. Removable covers. Feet in wax-polished walnut.

W 90 H 86 D 89; W 35,4” H 33,8” D 35”.



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art. 602 Divanetto a due posti in legno massello ricoperto di espanso, cuscini seduta in espanso e piuma d’oca. Piedini in legno tinto noce. L 140 H 94 P 80. - Two-seater sofa in solid wood covered with

polyurethane foam. Seat cushions in polyurethane foam and goose-down. Feet in walnut-stained wood. W 140 H 94 D 80; W 55,1” H 37” D 31,5”.

art. 601 Poltrona in legno massello ricoperto di espanso, cuscino seduta in espanso e piuma d’oca. Piedini in legno tinto noce. L 83 H 94 P 80. - Armchair in solid wood covered with polyurethane foam.

Seat cushion in polyurethane foam and goose-down. Feet in walnut-stained wood. W 83 H 94 D 80; W 32,7” H 37” D 31,5”.

28

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Designer: J. M. Frank

art. 641 Poltrona in legno massello ricoperta di espanso, cuscino seduta in espanso e piuma d’oca. Piedini in frassino tinto nero. Sfoderabile. L 115 H 90 P 115. - Armchair in solid wood covered with

polyurethane foam.Seat cushion made of polyurethane foam and goose down. Feet in black-stained ash. Removable covers. W 115 H 90 D 115; W 45,3” H 35,4” D 45,3”.

art. 642 Divano a due posti in legno massello ricoperto di espanso, cuscini seduta in espanso e piuma d’oca. Piedini in frassino tinto nero. Sfoderabile. L 167 H 90 P 115. - Two-seater sofa in solid wood

covered with polyurethane foam. Seat cushion made of polyurethane foam and goose down. Feet in black-stained ash. Removable covers. W 167 H 90 D 115; W 65,7” H 35,4” D 45,3”.

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Designer: J. M. Frank

art. 652 Divano a due posti in legno massello ricoperto di espanso, cuscini seduta in piuma. Piedini in frassino tinto nero. Sfoderabile. L 194 H 77 P 94. - Two-seater sofa in solid wood covered with polyurethane

foam. Seat cushions made of goose down. Feet in black-stained ash. Removable covers. W 194 H 77 D 94; W 76,4” H 30,3” D 37”.



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Showroom Cistaia Linia, Mosca, Russia. Designer: Velimir Gasic. “Cistaia Linia”, showroom, Moscow, Russia. Designer: Velimir Gasic.

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designer: E. Gray

art. 421 Poltrona con struttura in legno massello ricoperta di espanso modellato. Base in tubo di acciaio cromato.

L 100 H 75 P 81.

Armchair with frame in solid wood covered with polyurethane foam. Chrome-plated tubular steel base.

W 100 H 75 D 81; W 39,4" H 29,5" D 31".

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designer: E. Gray

art. 427 (foto sopra) Letto con struttura in tubolare di acciaio cromato. Cuscino in gomma poliuretanica e dacron. Rivestimento in tessuto o pelle. L 190 H 62 P 85.

(above) Bed with frame in chrome-plated tubular steel. Cushion filled with polyurethane foam and dacron.

Leather or fabric covers. W 190 H 62 D 85; W 74,8” H 24,4” D 33,4”.

art. 423 (foto a destra) Divano con struttura in massello ricoperto di espanso. Cuscini in piuma, rivestiti in pelle o tessuto. Non sfoderabile.

Fianchi in legno laccato al poliestere nero con ruote. L 240 H 87 P 90.

(on the right) Sofa with frame in solid wood covered with polyuretane foam. Cushions in down, covered with leather or fabric. End boxes on casters in black-laquered wood with polyester finish.

Non- removable covers. W 240 H 87 D 90; W 94,5” H 34,2” D 35,4”.

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designer: J. Hoffmann

art. 623 Divano a tre posti con struttura in massello ricoperta di espanso. Rivestimento in tessuto o pelle, bordi in passamaneria (bianco/nero o stesso colore del tessuto/pelle).

Non sfoderabile. L 200 H 97 P 73.

Three-seater sofa with frame in solid wood, covered with polyurethane foam. Leather or fabric covers with edging trims in braid (white/black or same colour as the fabric/leather).

Non-removable covers. W 200 H 97 D 73; W 78,7” H 38,2” D 28,7”.



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art. 621-622

Poltrona e divano a due posti con

struttura in massello ricoperta di

espanso. Rivestimento in tessuto

o pelle, bordi in passamaneria

(bianco/nero o stesso colore

del tessuto/pelle).

Non sfoderabile.

art. 621 L 92 H 97 P 73.

art. 622 L 158 H 97 P 73.

Armchair and two-seater sofa with

frame in solid wood, covered with

polyurethane foam. Leather or

fabric covers with edging trims in

braid (white/black or same colour

as the fabric/leather).

Non-removable covers.

art. 621 W 92 H 97 D 73;

W 36,2” H 38,2” D 28,7”.

art. 622 W 158 H 97 D 73.

W 62,2” H 38,2” D 28,7”.

(foto in basso e pagina a destra)

Particolari dell’ Hotel

San Roque, Tenerife, Spagna

completamente arredato

con prodotti Alivar.

(below and right )

View of the “San Roque” Hotel,

Tenerife, Spain, totally furnished

with Alivar products.

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Particolare dell’

Hotel San Roque,

Tenerife, Spagna

completamente arredato

con prodotti Alivar.

View of the “San Roque” Hotel,

Tenerife, Spain, totally

furnished with Alivar products.

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Veduta della hall del Grand Hotel Valencia Palace Valencia Spagna,

completamente arredato da Alivar inclusi pezzi speciali su misura disegnati dal progettista.

View of the hall of the “Grand Hotel Valencia Palace” Valencia, Spain. Totally furnished by Alivar including

special pieces made-to-measure and according to the designer plans.

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Particolare del Grand Hotel Valencia Palace, Valencia, Spagna. View of the “Grand Hotel Valencia Palace” Valencia, Spain.

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art. 632

Divano a due posti con

struttura in legno massello

ricoperta di espanso.

Rivestimento non sfoderabile.

L 162 H 72 P 75.

Two-seater sofa with wooden

frame covered with polyurethane

foam. Non-removable covers.

W 162 H 72 D 75;

W 63,8” H 28,3” D 29,5”.

art. 631

Poltrona con struttura

in legno massello ricoperta

di espanso. Rivestimento

non sfoderabile.

L 93 H 72 P 75.

Armchair with wooden frame

covered with polyurethane foam.

Non-removable covers.

W 93 H 72 D 75;

W 36,6” H 28,3” D 29,5”.

A destra particolare del

Grand Hotel Valencia Palace

Valencia Spagna.

Right: View of the

“Grand Hotel Valencia Palace”

Valencia, Spain.

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art. 633 Divano a tre posti con struttura in legno massello ricoperta di espanso. Rivestimento non sfoderabile. L 224 H 72 P 75.

Three-seater sofa with wooden frame covered with polyurethane foam. Non-removable covers. W 224 H 72 D 75; W 88,2” H 28,3” D 29,5”.

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51Particolare dell’Hotel “Le Meridien Lingotto” di Torino. Detail of the “Le Meridien Lingotto” hotel in Turin, Italy.

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designer: Le Corbusier

art. 233 Divano a tre posti con struttura in tubo di acciaio cromato o laccato, cuscini imbottiti in poliuretano e dacron. Sfoderabile.

L 180 H 68 P 70.

Three-seater sofa in chrome-plated or painted tubular steel. Cushions in polyurethane foam and dacron. Removable covers.

W 180 H 68 D 70; W 70,9” H 26,8” D 27,6”.

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art. 232 Divano a due posti con struttura in tubo di acciaio cromato o laccato, cuscini imbottiti in poliuretano e dacron. Sfoderabile.

L 130 H 68 P 70.

Two-seater sofa in chrome-plated or painted tubular steel. Cushions in polyurethane foam and dacron. Removable covers.

W 130 H 68 D 70; W 51,2” H 26,8” D 27,6”.

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art. 231 Poltrona con struttura in tubo di acciaio cromato o laccato, cuscini imbottiti in poliuretano e dacron. Sfoderabile.

L 76 H 68 P 70

Armchair in chrome-plated or painted tubular steel. Cushion in polyurethane foam and dacron. Removable covers.

W 76 H 68 D 70; W 29,9” H 26,8” D 27,6”



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art. 241-242 Poltrona e divano a due posti con struttura in tubo di acciaio cromato o laccato, cuscini imbottiti in poliuretano e dacron. Sfoderabile.

art. 241 L 99 H 64 P 73 - art. 242 L 168 H 64 P 73.

Armchair and two-seater sofa in chrome-plated or painted tubular steel. Cushions in polyurethane foam and dacron. Removable covers.

art. 241 W 99 H 64 D 73; W 39” H 25,2” D 28,7” - art. 242 W 168 H 64 D 73; W 66,1” H 25,2” D 28,7”.

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art. 222

(foto in alto)

Divano a due posti con struttura

in tubo di acciaio laccato

o cromato.

Cuscini imbottiti

in poliuretano e piuma d’oca.

Sfoderabile.

L 170 H 77 P 70.

(above)

Two-seater sofa in chrome-

plated or painted tubular steel.

Cushions in polyurethane foam

and goose-down.

Removable covers.

W 170 H 77 D 70;

W 66,9” H 30,3” D 27,6”.

art. 221

(foto in basso)

Poltrona con struttura di tubo

in acciaio cromato o laccato.

Cuscini imbottiti

in poliuretano e piuma d’oca.

Sfoderabile.

L 104 H 77 P 70.

(below)

Armchair in chrome-plated

or painted tubular steel.

Cushions in polyurethane

foam and goose-down.

Removable covers.

W 104 H 77 D 70;

W 40,9” H 30,3” D 27,6”.

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art. 223 Divano a tre posti con struttura in tubo di acciaio laccato o cromato. Cuscini imbottiti in poliuretano e piuma d’oca. Sfoderabile.

L 240 H 77 P 70.

Three-seater sofa in chrome-plated or painted tubular steel. Cushions in polyurethane foam and goose-down. Removable covers.

W 240 H 77 D 70; W 94,5” H 30,3” D 27,6”.



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designer: G. Nelson

art. 484 Divanetto con struttura in tubo d’acciaio cromato con traversi laccati o tutto laccato.

Imbottitura in poliuretano e dacron. Rivestimento in pelle o fintapelle. L 158 H 96 P 85.

Sofa with chrome-plated frame with painted cross-bars or totally painted frame. Cushions made of polyurethane foam and dacron.

Leather or synthetic leather covers. W 158 H 96 D 85; W 62,2” H 37,8” D 33,5”.



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designer: I. Noguchi

art. 722 Divano in multistrato di pioppo e profilato di acciaio ricoperto di espanso. Piedini in faggio naturale. Sfoderabile. L 250 H 74 P 119. - Sofa in poplar plywood and steel profiles covered with

polyurethane foam. Feet in natural beech. Removable covers. W 250 H 74 D 119; W 98,4” H 29,1” D 46,8”.

art. 726 Pouff in multistrato di pioppo e profilato di acciaio ricoperto di espanso. Piedini in faggio naturale. Sfoderabile. L 133 H 48,5 P 76,5. - Ottoman in poplar plywood and steel profiles covered with

polyurethane foam. Feet in natural beech. Removable cover. W 133 H 48,5 D 76,5; W 52,4” H 19” D 30,1”.

A destra particolare ZWART HUIS, La Casa Nera, Knokke, Belgio.

Right: detail of the “ZWART HUIS” - THe BlAck HoUSe, knokke, Belgium.

64



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