Embed Size (px)
DESCRIPTION
The submitted study case is about the rupestrian church of Meryemana in Göreme (Cappadocia, Turkey), a small church with mural paints representing valuable heritage at risk due to poor stability of the rock were it’s excavated in. A scale model, build from 3D data with SLS technology (Selective Laser Sintering), and an augmented reality application, developed with Unity 3D and Vuforia are the way to achieve the main aim of the project, which is the recostruction of the church trough the integration of 3D print techniques and augmented reality technologies.
Citation preview
Carlo Gira
Arch i tecture
D ig i ta l Her i tage
Computer Graf ics
carlogiragmailcom
THE CHURCH OF MERYEM ANA IN GOumlREME TURKEYNew life in prototyping and Augmented Reality
UNIVERSITAgraveDEGLI STUDI
F I R E N Z EScuola diArchitettura
AuthorCarlo GIRA
TutorProf Arch Giorgio VERDIANI
Assistant supervisorsDott Andrea ALIPERTA
Arch Filippo SUSCA
4
The submitted study case is about the rupestrian church of Meryemana in Goumlreme (Cappadocia Turkey) a small church with mural paints representing valuable heritage at risk due to poor stability of the rock where itrsquos excavated in The real risk is due to the fact that all the bema and its lower rooms are beyond the crack dividing the church in two parts the whole crack develops all along the vaults and the vertical walls
and interests the pavement too Only a length of half a meter separates the two ex-tremes of the crack on the pavement So any walk done on this side can be considered dangerous for the structure as well for the visitor The survey work was planned in three main solutions photographic survey laser scanner survey panoramic photos survey The results coming out from the scans are quite impressive because they allow to read even more clearly how dra-matic is the condition of the crack and to read the exten-sion of this imminent disaster
This work represent an impor-tant database of a no longer accessible cultural heritage an helpful mean for the deve-lopment of research projects and restauration interventions for enhancement The whole set of pointclouds was optimi-zed simplified and used as a base to create a surface model of this rupestrian architectureEven if the 3D Laser Scanner has been used to take also the pictures in almost all the scans to reach a better and more descriptive result it was pre-ferred to remap the surfaces using high resolution images taken with professional Digi-
5
Cover Render image of the project idea
11 Panoramic views of the Kiliccedillar Valley (pag6)
12 Church of Meryemana exterior view of the southern side (pag6)
13 The Church of Meryemana (snapshot from the point cloud) (pag 6)
14 Plan and Longitudinal Section of the Church (snapshot from the point cloud) (pag7)
15_16_17_18 Retopology (pagg8_9)
19_110_111_112 Mapping (pagg10_11)
113_114_115 3D Printed Model (Selective Laser Sintering Technology) (pagg12_13)
116 Augmented Reality Application for Android (pag14)
117 Real Time Sectioning Web Apllication (pag15)
118 Virtual Reality Tour Application for Android (pag15)
119 Augmented Reality Application for Android - 3D Printed Model Mapping (pag16)
tal SLR cameras In this way it was possible to create very good quality surfaces and ap-ply on them the images using the classical workflow offered by the software based on the definition of corresponding points between the image and the surface The need to produce a lightweight 3D digi-tal model for multimedia and dissemination purposes was faced using common proce-dures based on the extraction of a normal map from the high resolution model applying the procedures of decimation and optimization on this same
model and then using the normal map over the simpli-fied model to create a virtual enhancement of the level of detail according to the ori-ginal not simplified surface This documentation came out to be a great choice to ldquofreezerdquo the state of the monument (with 2D draws 3D models and virtual reality application) but an even more interesting solution can be evaluating the possibility to create a physi-cal clone of the church with 3DPrint techniques A scale model (125) build from 3D data with SLS technology (Se-
lective Laser Sintering) and an augmented reality appli-cation developed with Unity 3D and Vuforia are the way to achieve the main aim of the project which is a ldquomultime-dia spacerdquo using the physical clone as the space to receive the ldquointeractive projectionsrdquo of the paintings This solution can be considered very expe-rimental and can bring to the limit the sense of ldquocopyrdquo creating a clone loosing so-mething because its nature of copy but acquiring a lot in its nature of extremely new and digitally oriented solution
6
1 1
1 2 1 3
Virual Tour Interno ChiesaQR-Code_1
QR-Code_2
QR-Code_3
QR-Code_4
1 4
Click on QR-Code for LINK
7
8Point Cloud (61 Milion Points 35 GB)
Hi-Poly Mesh - Points triangulation (37 Milion Polygons 27 GB)
1 5
1 6
Mid-Poly Mesh - Optimi-zation (68 Milion Poly-gons 270 MB)
Low-Poly Mesh - Decima-tion (57rsquo000 Polygons 84 MB)
1 7
1 8
9
10
1 9
1 10
1 1 1
1 1 2
11
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
THE CHURCH OF MERYEM ANA IN GOumlREME TURKEYNew life in prototyping and Augmented Reality
UNIVERSITAgraveDEGLI STUDI
F I R E N Z EScuola diArchitettura
AuthorCarlo GIRA
TutorProf Arch Giorgio VERDIANI
Assistant supervisorsDott Andrea ALIPERTA
Arch Filippo SUSCA
4
The submitted study case is about the rupestrian church of Meryemana in Goumlreme (Cappadocia Turkey) a small church with mural paints representing valuable heritage at risk due to poor stability of the rock where itrsquos excavated in The real risk is due to the fact that all the bema and its lower rooms are beyond the crack dividing the church in two parts the whole crack develops all along the vaults and the vertical walls
and interests the pavement too Only a length of half a meter separates the two ex-tremes of the crack on the pavement So any walk done on this side can be considered dangerous for the structure as well for the visitor The survey work was planned in three main solutions photographic survey laser scanner survey panoramic photos survey The results coming out from the scans are quite impressive because they allow to read even more clearly how dra-matic is the condition of the crack and to read the exten-sion of this imminent disaster
This work represent an impor-tant database of a no longer accessible cultural heritage an helpful mean for the deve-lopment of research projects and restauration interventions for enhancement The whole set of pointclouds was optimi-zed simplified and used as a base to create a surface model of this rupestrian architectureEven if the 3D Laser Scanner has been used to take also the pictures in almost all the scans to reach a better and more descriptive result it was pre-ferred to remap the surfaces using high resolution images taken with professional Digi-
5
Cover Render image of the project idea
11 Panoramic views of the Kiliccedillar Valley (pag6)
12 Church of Meryemana exterior view of the southern side (pag6)
13 The Church of Meryemana (snapshot from the point cloud) (pag 6)
14 Plan and Longitudinal Section of the Church (snapshot from the point cloud) (pag7)
15_16_17_18 Retopology (pagg8_9)
19_110_111_112 Mapping (pagg10_11)
113_114_115 3D Printed Model (Selective Laser Sintering Technology) (pagg12_13)
116 Augmented Reality Application for Android (pag14)
117 Real Time Sectioning Web Apllication (pag15)
118 Virtual Reality Tour Application for Android (pag15)
119 Augmented Reality Application for Android - 3D Printed Model Mapping (pag16)
tal SLR cameras In this way it was possible to create very good quality surfaces and ap-ply on them the images using the classical workflow offered by the software based on the definition of corresponding points between the image and the surface The need to produce a lightweight 3D digi-tal model for multimedia and dissemination purposes was faced using common proce-dures based on the extraction of a normal map from the high resolution model applying the procedures of decimation and optimization on this same
model and then using the normal map over the simpli-fied model to create a virtual enhancement of the level of detail according to the ori-ginal not simplified surface This documentation came out to be a great choice to ldquofreezerdquo the state of the monument (with 2D draws 3D models and virtual reality application) but an even more interesting solution can be evaluating the possibility to create a physi-cal clone of the church with 3DPrint techniques A scale model (125) build from 3D data with SLS technology (Se-
lective Laser Sintering) and an augmented reality appli-cation developed with Unity 3D and Vuforia are the way to achieve the main aim of the project which is a ldquomultime-dia spacerdquo using the physical clone as the space to receive the ldquointeractive projectionsrdquo of the paintings This solution can be considered very expe-rimental and can bring to the limit the sense of ldquocopyrdquo creating a clone loosing so-mething because its nature of copy but acquiring a lot in its nature of extremely new and digitally oriented solution
6
1 1
1 2 1 3
Virual Tour Interno ChiesaQR-Code_1
QR-Code_2
QR-Code_3
QR-Code_4
1 4
Click on QR-Code for LINK
7
8Point Cloud (61 Milion Points 35 GB)
Hi-Poly Mesh - Points triangulation (37 Milion Polygons 27 GB)
1 5
1 6
Mid-Poly Mesh - Optimi-zation (68 Milion Poly-gons 270 MB)
Low-Poly Mesh - Decima-tion (57rsquo000 Polygons 84 MB)
1 7
1 8
9
10
1 9
1 10
1 1 1
1 1 2
11
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
4
The submitted study case is about the rupestrian church of Meryemana in Goumlreme (Cappadocia Turkey) a small church with mural paints representing valuable heritage at risk due to poor stability of the rock where itrsquos excavated in The real risk is due to the fact that all the bema and its lower rooms are beyond the crack dividing the church in two parts the whole crack develops all along the vaults and the vertical walls
and interests the pavement too Only a length of half a meter separates the two ex-tremes of the crack on the pavement So any walk done on this side can be considered dangerous for the structure as well for the visitor The survey work was planned in three main solutions photographic survey laser scanner survey panoramic photos survey The results coming out from the scans are quite impressive because they allow to read even more clearly how dra-matic is the condition of the crack and to read the exten-sion of this imminent disaster
This work represent an impor-tant database of a no longer accessible cultural heritage an helpful mean for the deve-lopment of research projects and restauration interventions for enhancement The whole set of pointclouds was optimi-zed simplified and used as a base to create a surface model of this rupestrian architectureEven if the 3D Laser Scanner has been used to take also the pictures in almost all the scans to reach a better and more descriptive result it was pre-ferred to remap the surfaces using high resolution images taken with professional Digi-
5
Cover Render image of the project idea
11 Panoramic views of the Kiliccedillar Valley (pag6)
12 Church of Meryemana exterior view of the southern side (pag6)
13 The Church of Meryemana (snapshot from the point cloud) (pag 6)
14 Plan and Longitudinal Section of the Church (snapshot from the point cloud) (pag7)
15_16_17_18 Retopology (pagg8_9)
19_110_111_112 Mapping (pagg10_11)
113_114_115 3D Printed Model (Selective Laser Sintering Technology) (pagg12_13)
116 Augmented Reality Application for Android (pag14)
117 Real Time Sectioning Web Apllication (pag15)
118 Virtual Reality Tour Application for Android (pag15)
119 Augmented Reality Application for Android - 3D Printed Model Mapping (pag16)
tal SLR cameras In this way it was possible to create very good quality surfaces and ap-ply on them the images using the classical workflow offered by the software based on the definition of corresponding points between the image and the surface The need to produce a lightweight 3D digi-tal model for multimedia and dissemination purposes was faced using common proce-dures based on the extraction of a normal map from the high resolution model applying the procedures of decimation and optimization on this same
model and then using the normal map over the simpli-fied model to create a virtual enhancement of the level of detail according to the ori-ginal not simplified surface This documentation came out to be a great choice to ldquofreezerdquo the state of the monument (with 2D draws 3D models and virtual reality application) but an even more interesting solution can be evaluating the possibility to create a physi-cal clone of the church with 3DPrint techniques A scale model (125) build from 3D data with SLS technology (Se-
lective Laser Sintering) and an augmented reality appli-cation developed with Unity 3D and Vuforia are the way to achieve the main aim of the project which is a ldquomultime-dia spacerdquo using the physical clone as the space to receive the ldquointeractive projectionsrdquo of the paintings This solution can be considered very expe-rimental and can bring to the limit the sense of ldquocopyrdquo creating a clone loosing so-mething because its nature of copy but acquiring a lot in its nature of extremely new and digitally oriented solution
6
1 1
1 2 1 3
Virual Tour Interno ChiesaQR-Code_1
QR-Code_2
QR-Code_3
QR-Code_4
1 4
Click on QR-Code for LINK
7
8Point Cloud (61 Milion Points 35 GB)
Hi-Poly Mesh - Points triangulation (37 Milion Polygons 27 GB)
1 5
1 6
Mid-Poly Mesh - Optimi-zation (68 Milion Poly-gons 270 MB)
Low-Poly Mesh - Decima-tion (57rsquo000 Polygons 84 MB)
1 7
1 8
9
10
1 9
1 10
1 1 1
1 1 2
11
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
5
Cover Render image of the project idea
11 Panoramic views of the Kiliccedillar Valley (pag6)
12 Church of Meryemana exterior view of the southern side (pag6)
13 The Church of Meryemana (snapshot from the point cloud) (pag 6)
14 Plan and Longitudinal Section of the Church (snapshot from the point cloud) (pag7)
15_16_17_18 Retopology (pagg8_9)
19_110_111_112 Mapping (pagg10_11)
113_114_115 3D Printed Model (Selective Laser Sintering Technology) (pagg12_13)
116 Augmented Reality Application for Android (pag14)
117 Real Time Sectioning Web Apllication (pag15)
118 Virtual Reality Tour Application for Android (pag15)
119 Augmented Reality Application for Android - 3D Printed Model Mapping (pag16)
tal SLR cameras In this way it was possible to create very good quality surfaces and ap-ply on them the images using the classical workflow offered by the software based on the definition of corresponding points between the image and the surface The need to produce a lightweight 3D digi-tal model for multimedia and dissemination purposes was faced using common proce-dures based on the extraction of a normal map from the high resolution model applying the procedures of decimation and optimization on this same
model and then using the normal map over the simpli-fied model to create a virtual enhancement of the level of detail according to the ori-ginal not simplified surface This documentation came out to be a great choice to ldquofreezerdquo the state of the monument (with 2D draws 3D models and virtual reality application) but an even more interesting solution can be evaluating the possibility to create a physi-cal clone of the church with 3DPrint techniques A scale model (125) build from 3D data with SLS technology (Se-
lective Laser Sintering) and an augmented reality appli-cation developed with Unity 3D and Vuforia are the way to achieve the main aim of the project which is a ldquomultime-dia spacerdquo using the physical clone as the space to receive the ldquointeractive projectionsrdquo of the paintings This solution can be considered very expe-rimental and can bring to the limit the sense of ldquocopyrdquo creating a clone loosing so-mething because its nature of copy but acquiring a lot in its nature of extremely new and digitally oriented solution
6
1 1
1 2 1 3
Virual Tour Interno ChiesaQR-Code_1
QR-Code_2
QR-Code_3
QR-Code_4
1 4
Click on QR-Code for LINK
7
8Point Cloud (61 Milion Points 35 GB)
Hi-Poly Mesh - Points triangulation (37 Milion Polygons 27 GB)
1 5
1 6
Mid-Poly Mesh - Optimi-zation (68 Milion Poly-gons 270 MB)
Low-Poly Mesh - Decima-tion (57rsquo000 Polygons 84 MB)
1 7
1 8
9
10
1 9
1 10
1 1 1
1 1 2
11
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
6
1 1
1 2 1 3
Virual Tour Interno ChiesaQR-Code_1
QR-Code_2
QR-Code_3
QR-Code_4
1 4
Click on QR-Code for LINK
7
8Point Cloud (61 Milion Points 35 GB)
Hi-Poly Mesh - Points triangulation (37 Milion Polygons 27 GB)
1 5
1 6
Mid-Poly Mesh - Optimi-zation (68 Milion Poly-gons 270 MB)
Low-Poly Mesh - Decima-tion (57rsquo000 Polygons 84 MB)
1 7
1 8
9
10
1 9
1 10
1 1 1
1 1 2
11
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
Virual Tour Interno ChiesaQR-Code_1
QR-Code_2
QR-Code_3
QR-Code_4
1 4
Click on QR-Code for LINK
7
8Point Cloud (61 Milion Points 35 GB)
Hi-Poly Mesh - Points triangulation (37 Milion Polygons 27 GB)
1 5
1 6
Mid-Poly Mesh - Optimi-zation (68 Milion Poly-gons 270 MB)
Low-Poly Mesh - Decima-tion (57rsquo000 Polygons 84 MB)
1 7
1 8
9
10
1 9
1 10
1 1 1
1 1 2
11
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
8Point Cloud (61 Milion Points 35 GB)
Hi-Poly Mesh - Points triangulation (37 Milion Polygons 27 GB)
1 5
1 6
Mid-Poly Mesh - Optimi-zation (68 Milion Poly-gons 270 MB)
Low-Poly Mesh - Decima-tion (57rsquo000 Polygons 84 MB)
1 7
1 8
9
10
1 9
1 10
1 1 1
1 1 2
11
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
Mid-Poly Mesh - Optimi-zation (68 Milion Poly-gons 270 MB)
Low-Poly Mesh - Decima-tion (57rsquo000 Polygons 84 MB)
1 7
1 8
9
10
1 9
1 10
1 1 1
1 1 2
11
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
10
1 9
1 10
1 1 1
1 1 2
11
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
1 1 1
1 1 2
11
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
12
1 1 3 1 14
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
13
1 1 5
13
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
14
1 1 6
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
QR-Code_5 Augmented Reality App (Android)
QR-Code_8 Virtual Reality Tour Application (Android)
QR-Code_7 Real Time Section (Video)
QR-Code_6 Real Time Section (Web App)
Click on QR-Code for LINK
1 1 7
1 1 8
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
1 1 9
QR-Code_9 3D Printed Model Mapping (Video)
Click on QR-Code for LINK
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
The digital musealization researches prototyping3D printing and multimedia extraction of the Meryemana church came from the Carlo Girarsquos work in his Architecture degree thesis (Tutor GVerdiani co-tutor A Ali-
perta FSusca)
The research mission in Cappadocia of the University of Tuscia ldquoRock paintings in Cappadocia For a project of knowledge conservation and enhancementrdquo directed by Maria Andaloro is composed by multiple research
units
The group working on this research from the DIDA (Department of Architecture Florence) is composed by C Crescenzi (coordinator) M Scalzo G Verdiani S Di Tondo A Pasquali C Giustiniani The Digital Survey of
Meryemana was operated by G Verdiani C Giustiniani
The data treatment and the post processing phases on the whole dataset from the digital survey campaign were operated together with the PRIN by G Verdiani S Di Tondo C Crescenzi C Gira T Pignatale A Cha-
ralambous
The mission in Cappadocia was supported by the General Direction of Monuments and Museums of the Tur-kish Republic and Murat Gulyaz director of the Archeological Museum of Nevsehir For the 2012 survey in particular we are greatly indebted to the two Cultural Ministry Deputy Metin Ccedilakar from the Archaeological Museum of Ccedilorum and Gultekin Yanbeyi from the Department of Archaeology of the General Direction of
Monuments and Museums
