The Camera and Exposure

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    The Camera and Exposure

    Exerpts copied from Photography by Upton and London

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    SLR vs. Range Finder Cameras

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    SLR Single Lens Reflex

    What You See is What You GetIn the SLR camera both the image previewedand the image captured are identical

    The SRL camera has only one optical path,and it is into the lens

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    It is inside the SRL camerawhere the image is diverted

    between the preview andcaptured modes. A hinged

    mirror is the divertingmechanism. In the preview

    mode, the mirror reflects thelight up into a prism and out

    the preview window

    When the shutter is activated

    the mirror "pops up", and thelight is diverted into the

    image recording-medium

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    Basic Camera Operations

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    Keeping Your Lens Clean

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    Dont touch the Shutter Blades

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    Camera Cleaning Tools

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    Exposure is a term that is used toexpress how much light impacts the

    film

    f-stop (aperture) and Shutter Speedare Exposure Combinations

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    Aperture: Size of Lens Opening

    Controls the brightness of

    the light that reaches film

    like the pupil of an eye

    Size indicated by f-stop

    Largest admits most light

    Each stop after admits halfthe light of previous one

    i.e. f/4 half as much as f/2.8

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    Aperturef/2.8 f/4 f/5.6 f/8 f/11 f/16 f/22

    Aperture/F-stop

    Bigger f-stop number, the

    smaller the lens opening andthe less light that is let in.

    As the number gets bigger

    (4, 5.6, 8), the aperture size

    gets smaller and the amountof light admitted decreases.

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    Depth of FieldDepth of field is a phrase that defines a measure of distance that spans a distanceahead of and behind a subject focused on; and, within that distance the image isfairly sharp. The distance ahead of and behind the subject is not equal. Generally

    the distance ahead of the subject is 1/3 of the depth of field range. This is illustratedin Figure 5.1. The depth of field is shown in color. The red line represents the

    subject and at the bottom is the camera location.

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    Aperture and Depth of Field:Shallow

    f/2 and lens

    focused onboy (b) in

    middle about

    seven feet

    away from

    photographer

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    Aperture and Depth of Field:

    Deep/Wide

    f/16 and lens

    focused on boy

    (b) in middle

    about seven

    feet away fromphotographer

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    Three ways to control Depth of Field:

    1.Smaller the aperture size (i.e. f/16, f/22), the greater

    the depth of field.

    2.Farther you are from the subject (mountain,

    landscape), greater the depth of field.

    3.Wider the lends, greater the depth of field

    (i.e. 27mm, 35mm lens).Conversely:

    1.Bigger the aperture size (i.e. f/2.8), the smaller

    the depth of field.2.The closer you are to the subject (portrait, object

    on desk), smaller the depth of field.

    3.The longer the lens, the more shallow the depth

    of field (i.e. 85-300mm telephoto or zoom).

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    Video Clip depth of field

    http://www.youtube.com/watch?v=uzedefUXARE

    SNODART.COM Depth of Field

    http://vimeo.com/1136116

    http://www.youtube.com/watch?v=uzedefUXAREhttp://vimeo.com/1136116http://vimeo.com/1136116http://www.youtube.com/watch?v=uzedefUXARE
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    Shutter Speed

    The amount of time the shutter remains open

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    Shutter Speed:Length of time light reaches film

    The faster the shutter speed, the more likely a

    moving subject will be sharp. i.e. 1/125 or 1/250

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    Shutter Speed: Slow

    Both the subject and the

    camera were moving

    panning 1/8, 1/15, 1/30

    Camera is steady (possibly on

    tripod) during this slow

    exposure, i.e. 1/15

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    Light and the Shutter Speed:

    To expose film correctly, so that your picture

    is neither too light nor too dark, you need to

    control the amount of light that reaches thefilm.

    In manual operation, you control both theshutter speed and the aperture (f/stop)

    opening.

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    Shutter Speed

    Small aperture,

    slow shutter

    f/16 1/8

    Medium aperture,

    medium shutter

    speed

    f/4 1/30

    Larger aperture,

    fast shutter speed

    f/2 1/500

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    Equivalent Exposures

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    Some example images using

    minimum depth of field:

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    Keith Carter

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    Keith Carter

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    Keith Carter

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    Keith Carter

    http://4.bp.blogspot.com/_BvIF2NCZBqs/R1lMFulq8pI/AAAAAAAAAZ8/_sw1s7Lax-E/s1600-h/Keith+Carter,+Boy+and+Hawk,+2005.jpg
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    Some example images using

    maximum depth of field:

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    Linda Butler

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    Linda Butler

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    Linda Butler

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    Linda Butler

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    Some example images usingslow shutter:

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    Ralph Eugene Meatyard

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    Ralph Eugene Meatyard

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    Ralph Eugene Meatyard

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    Ralph Eugene Meatyard

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    Ralph Eugene Meatyard

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    Ralph Eugene Meatyard

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    Hiroshi Sugimoto

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    Alhambra

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    Byrd Theatre, Richmond, VA

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    Cinerama Dome

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    La Paloma

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    Paramount

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    Union City Drive

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    Rubidoux