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The Annual Conference of the Australasian Association for LiteratureGriffith University, Gold Coast. 17-19 July 2017
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LITERARY ENVIRONMENTS | Place, Planet and Translation
AUSTRALASIAN ASSOCIATION FOR LITERATURE | 2017 Conference 03
CON
TEN
TS
About the conference..................................................
Program........................................................................
Panels and Keynotes....................................................
Book Launches.............................................................
Campus Map................................................................
Light Rail Map..............................................................
Dinner Information.....................................................
Acknowledgements.....................................................
Page 04
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ABOUT THE CONFERENCE // LITERARY ENVIRONMENTS: PLACE, PLANET AND TRANSLATION
Literary Environments is concerned with the different environments in which literature can occur, and our methods of translating between them. At this critical juncture in the Anthropocene, planetary responsibility and situated knowledges need to be entwined in propositions for social and environmental justice. Bodies, texts and artworks are converging in old and new forms of politics and earthly accountabilities. The task of translation between these increasingly interconnected modes of existence is a crucial one: life in all of its manifestations – from DNA to forests – has textual qualities. What does it mean to ‘read’ such a staggering variety of data?
// Keynote Speakers:
Ursula Heise (UCLA)Alan Bewell (University of Toronto)Stephen Muecke (University of Adelaide)Jerome Rothenberg (UC San Diego)
// Conference Organisers:
Stuart Cooke and Peter Denney Griffith University
// Sponsors:Griffith Centre for Social and Cultural ResearchSchool of Humanities, Languages and Social Science ARC Centre of Excellence for the History of Emotions Australasian Association for Literature.
AUSTRALASIAN ASSOCIATION FOR LITERATURE | 2017 Conference
LITERARY ENVIRONMENTS | Place, Planet and Translation
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PROGRAM
AUSTRALASIAN ASSOCIATION FOR LITERATURE | 2017 Conference
LITERARY ENVIRONMENTS | Place, Planet and Translation
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G07 Link Building Function Centre
8:30am-9:00amRegistration
9:00am-9:30amWelcome to Country
9:30am-11:00amKEYNOTEProfessor Ursula Heise
11:00am-11:30amMorning Tea(G07 Link Building Terrace)
1:00pm-2:00pmLunch(Link Bldg Function Centre and Terrace)
3:30pm-4:00pmAfternoon Tea(G07 Link Building Terrace)
5:30pm-7:30pmDrinks & Canapes
Keynote speakers’Book Launches
MONDAY JULY 17
G34_2.02 (Council)
11:30am-1:00pm (A)Transcultural Decolonisation
2:00pm-3:30pm (A)Translating Cultures
4:00pm-5:30pm (A)Plant Poetics
G34_1.05/1.06
11:30am-1:00pm (B)New Theorisations
2:00pm-3:30pm (B)Ecological Law and Justice
4:00pm-5:30pm (B)Posthuman Narratives
G11_3.50
11:30am-1:00pm (C)Ethological Technologies
2:00pm-3:30pm (C)Transnational Localities
4:00pm-5:30pm (C)Cultures of Science
G27_1.11
11:30am-1:00pm (D)Littoral Environments
2:00pm-3:30pm (D)Atmospheres
4:00pm-5:30pm (D)Everyday Ecologies
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G07 Link Building Function Centre
10:30am-11:00amMorning Tea(G07 Link Building Terrace)
11:00am-1:00pmJOINT KEYNOTE SESSION: Professor Jerome RothenbergProfessor Stephen Muecke
1:00pm-2:00pmLunch(Link Bldg Function Centre and Terrace)
3:30pm-4:00pmAfternoon Tea(G07 Link Building Terrace)
5:30pm-6:30pmLeave for dinner
6:30pm onwardsConference Dinner, Hideaway Kitchen and Bar, Broadbeach
TUESDAY JULY 18
G34_2.02 (Council)
9:00am-10:30am (A) Fears and Fantasies of Nature
1:00pm-2:00pmAAL Annual General Meeting
2:00pm-3:30pm (A)The United States of Australia
4:00pm-5:30pm (A) Sensory Environments: Listening and Eating
G34_1.05/1.06
9:00am-10:30am (B)Landscape Translations
2:00pm-3:30pm (B)To Mars and Beyond
4:00pm-5:30pm (B) Planetary Hybrids
G11_3.50
9:00am-10:30am (C) Queensland Environments
2:00pm-3:30pm (C)Ruined Gardens
4:00pm-5:30pm (C)Spaces, Species and Transcorporealities
G27_1.11
9:00am-10:30am (D)Interspecies Relations
AUSTRALASIAN ASSOCIATION FOR LITERATURE | 2017 Conference
LITERARY ENVIRONMENTS | Place, Planet and Translation
G07 Link Building Function Centre
10:30am-11:00amMorning Tea(G07 Link Building Terrace)
11:00am-12:30pmKEYNOTE: Professor Alan Bewell
12:30pm-2:00pmLunch
BOOK LAUNCHES: edited collections
(Link Bldg Function Centre and Terrace)
3:30pm-4:00pmAfternoon Tea(G07 Link Building Terrace)
4:00pm-5:30pmClosing Discussion (keynote panel)
5:30pm-6:00pmDrinks(G07 Link Building Terrace)
WEDNESDAY JULY 19
G34_2.02 (Council)
9:00am-10:30am (A)18th & 19th Century Ecologies
2:00pm-3:30pm (A)Theoretical Poetics
G34_1.05/1.06
9:00am-10:30am (B)Australian Landscape Poetics
2:00pm-3:30pm (B)Rural Ethnographies
G27_1.11
9:00am-10:30am (C)Apocalypse
2:00pm-3:30pm (C)(New) Weird Ecologies
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PANELS & KEYNOTES INFORMATION
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PANELS M O N D AY J U LY 17
// KEYNOTE PRESENTATIONUrsula Heise (UCLA)‘Planet of Cities: Urban Environments and Narrative Futures’
// Transcultural DecolonisationChair: Stuart Cooke
Peter Minter (University of Sydney)‘Decoloniality and Geopoethics in meenamatta lena puellakanny: Meenamatta Water Country Discussion’
Matthew Hall (University of Western Australia)‘“no birdsong here”: Maralinga, Nuclear Testing and Radioactive Immortality in Ali Cobby Eckermann’s “Thunder Raining Poison”’
Evelyn Araluen Corr (University of Sydney)‘What Will We Leave Our Daughters: Indigenous Women Writing Climate Change’
// New TheorisationsChair: Daniel Hourigan
Stefanie Fishel (University of Alabama)‘Othering Ecology: Theorizing Subjectivity in the Anthropocene’
Martin Rice (Griffith University)‘Who Determines New Words?: The Contemporary Case of the “Anthropocene” Misnomer’
// Ethological TechnologiesChair: Chris Danta
Chloe Callistemon (Griffith University)‘Transmuting Metaphor in Transmedia Bird Poetry’
Cristobal Escobar Duenas (University of Melbourne)‘Animal Dwellings: The Bodies of Contemporary Theory and SEL’s Documentary Film Sweetgrass’
Chantelle Bayes (Griffith University)‘Let the Animals Speak: Literary Renegotiations of the Romantic Animal’
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9:30am – 11:00am
11:30am – 1:00pm (A)
11:30am – 1:00pm (B)
11:30am – 1:00pm (C)
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PANELS M O N D AY J U LY 17
// Littoral EnvironmentsChair: Chris Lee
Meg Samuelson (University of Adelaide)‘Littoral Literatures and the Anthropocene: Studies of Coastal Settings in Narratives of the African Indian Ocean Shore’
Kelly Palmer (Queensland University of Technology)‘The Beach as (Hu)man Limit in Gold Coast Narrative Fiction’
Janis Bailey, Di James and the Calanthe Collective“‘O back to my red (Tamborine) mountain’”: Doing Poetry in Community’
// Translating Cultures Chair: Stephanie Green
Meredith McKinney (Australian National University)‘Translating Classical Japanese Travel Writing: A Journey’
Nicholas Jose (University of Adelaide)‘The Story of “Moon-Bone”’
Harry Aveling (Monash University)‘The Shadow of the Absent Father: Political Dimensions of a Collection of Vietnamese Folk Tales in French and English Translation’
// Ecological Law and JusticeChair: Stefanie Fishel
Anthony Burke (University of New South Wales)‘Bluescreen Biosphere: The Absent Presence of the Biosphere in International Law’
Mengtian Sun (University of Melbourne)‘Global and Local: Globalization and Waste in Chinese Science Fiction’
Kathleen Birrell (University of Melbourne)‘Juridicial Environmentalities, Literary Ecologies’
11:30am – 1:00pm (D)
2:00pm – 3:30pm (A)
2:00pm – 3:30pm (B)
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PANELS M O N D AY J U LY 17
// Transnational Localities Chair: Warwick Mules
Paul Giles (University of Sydney)‘Antipodean Anthropocene Ironies: Australian Literature and the Planetary Clock’
Ian Campbell (Macquarie University)‘Dispersal and Spread of Australia-Derived Species of Trees, including Eucalypt and Acacias, into Uruguay in the 19th-20th Centuries: The Literary Links with the Poetry of Chilean Poet, Pablo Neruda (1904-1973)’
Rod Giblett (Independent Scholar)‘The Paris of the South’
// Atmospheres: Ecological Transformations in Art and WritingChair: Erika Kerruish
Susan Ballard (University of Wollongong)‘Network and Nature; or, From the Plant to the Planetary’
Joshua Lobb (University of Wollongong)‘Head in the Clouds’
Louise Boscacci (University of Wollongong)‘Atmospheric Riffing: Manifesto of a Syndisciplinarian’
// Plant Poetics Chair: Corey Wakeling
John Ryan (University of New England)‘The Botanical Imagination: Human-Plant Communication and Poetic Collaboration in the New England Tablelands’
Elliot Patsoura (University of Melbourne)‘“The Language of Flowers”: Georges Bataille’s Vegetal Vision of Nature’
Alexandra Hankinson (University of Sydney)‘On the Shapes of Trees: Romantic and Contemporary Readings of Arboreal Form’
2:00pm – 3:30pm (C)
2:00pm – 3:30pm (D)
4:00pm – 5:30pm (A)
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PANELS M O N D AY J U LY 17
// Posthuman NarrativesChair: David Ellison
Samantha Lang (University of Technology Sydney)‘Le Quattro Volte: Environmental Philosophy for the “Anthroposcreen”
Sue Lovell (Griffith University)‘Critical Posthuman Consciousness as Embodied, Extended Cognition in T. C Boyle’s A Friend of the Earth’
Andrew Lilley (Swinburne University)‘The Unheimliche Manoeuvre: The Transhumanist Uncanny in DeLillo’s Late Fiction’
// Cultures of ScienceChair: Peter Denney
Eleanor Morecroft (Griffith University)‘Science, Nature and History: Witchcraft in Nineteenth-Century Periodicals’
Alexandra Gallagher (University of Sydney)‘Stephen Hales and Samuel Taylor Coleridge – A Miasmatic Connection’
Gabrielle Rowen-Clarke (Griffith University) ‘See the Animals Feed: Joyce’s Dubliners and the Trauma of English Economic and Agricultural Rationalisation’
// Everyday EcologiesChair: Michael Farrell
Jennifer Crone (University of Sydney)‘Translating the Environment in Louise Gluck’s A Village Life’
Caitlin Maling (University of Sydney)‘A Constant Collage: Rethinking the Poesis of William Stafford’
Jono Lineen (Griffith University)‘Perfect Motion: Walking, Writing and Creativity’
4:00pm – 5:30pm (B)
4:00pm – 5:30pm (C)
4:00pm – 5:30pm (D)
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PANELS T U E S D AY J U LY 18
// Fears and Fantasies of NatureChair: Joshua Lobb
Sebnem Kaya (Hacettepe University)‘Echoes of Beatrix Potter’s Ecophobia’
Shannon Todd (University of Newcastle)‘“Once a tree has tasted blood it won’t forget the taste for long”: Nature fights back in Janni Lee Simner’s Bones of Faerie and Holly Black and Ted Naifeh’s The Good Neighbors – Book One: Kin’
Helen Stubbs (Griffith University) ‘Nature, Emotion and the Supernatural’
// Landscape TranslationsChair: Stephanie Green
Fiona McKeague (Griffith University)‘Ghosts who Walk: Lessons from the Displaced History of Minimal Impact Bushwalking in Australia’
Laura Kenny (Queensland University of Technology)‘Reading and Writing Place in Realist Fiction as an Act of Translation’
Michael Meadows (Griffith University)‘Myths, Memories and Obsessions: Writing about Landscape’
// Queensland EnvironmentsChair: Kay Ferres
Chrystopher Spicer (James Cook University)‘“Touching the Edges of Cyclones” – Thea Astley and her Apocalyptic Winds of Revelation’
Jane Frank (Griffith University)‘Ironbark and Stone: Place and Belonging in the Nature Novels of Inga Simpson’
Deirdre Coleman (University of Melbourne)‘Walter D. Dodd: Natural History Collecting in the “Deep North”’
9:00am – 10:30am (A)
9:00am – 10:30am (B)
9:00am – 10:30am (C)
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PANELS T U E S D AY J U LY 18
// Interspecies RelationsChair: Rod Giblett
Moira Sheppard (Griffith University)‘The Posthuman-Neo-Rawlsian Literary Animal’
George Damalas (University of New South Wales)‘The Church Animal in Modern Fiction’
Sam Armatys (Griffith University)‘The Boundaries of the Dog-Human Relationship in Marie Ndiaye’s Ladivine’
// JOINT KEYNOTE SESSIONJerome Rothenberg (UC San Diego)‘Technicians of the Sacred: Ethnopoetics and the New Indigenous Poetries’
Stephen Muecke (University of Adelaide)‘Theorising Literary Environments’
// The United States of Australia Chair: Paul Giles
Gavin Smith (Western Sydney University)‘Land, Labour and Loss: Frost and Lawson on Economic Landscapes in the Shadows of Industrial Transformation’
Nick Keys (Independent Scholar)‘The Walpiri in David Antin’s Thirsty Camel: The Tanami comes to Southern California’
Ameer Furaih (Griffith University) ‘Cultural and Linguistic Resistance in the Poetry of Kath Walker (Oodgeroo Noonuccal) and LeRoi Jones (Amiri Baraka)’
9:00am – 10:30am (D)
11:00am – 1:00pm
2:00pm – 3:30pm (A)
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PANELS T U E S D AY J U LY 18
// To Mars and Beyond Chair: Susan Ballard
Kaya Barry (Griffith University)‘Interactive Climate Data and Alternative Articulations of Polar Landscapes’
Erika Kerruish (Southern Cross University)‘Mars Rover’s Translation of the Mars Environment’
Chris Danta (University of New South Wales)‘The Fable of Extinction: Ted Chiang’s “The Great Silence”’
// Ruined GardensChair: John Ryan
Claire Thomas (University of Melbourne)‘Controlling the “Wilderness”: Literary Intrusions in Wallace Stegner’s Crossing to Safety’
Corey Wakeling (Kobe College)‘Narcissus and the Politics of the Locus Amoenus’
Phacharawan Boonpromkul (Thammasat University)‘“Sao Hai” by Daen-arun Saengthong: The Sacralization of Nature and the Dilemma of Preservation by Transformation’
// Sensory Environments: Listening and EatingChair: Clara Tuite
Peter Denney (Griffith University)‘The Soundscapes of John Clare and William Cobbett’
Michael Farrell (University of Melbourne)‘What is Seen and What is Said to be Seen / The Mimesis of Listening’
Chris Lee (Griffith University)‘“Cooking for One and Another:” Writing as Food Sharing in Roger McDonald’s Shearer’s Motel’
2:00pm – 3:30pm (B)
2:00pm – 3:30pm (C)
4:00pm – 5:30pm (A)
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PANELS T U E S D AY J U LY 18
// Planetary Hybrids Chair: James Gourley
Ruby Niemann (University of Adelaide)‘“It Means You”: Writing, Identity, and the Destabilised Nature of Humanity in Margaret Atwood’s MaddAddam Trilogy’
Emily Yu Zong (University of Queensland)‘A Planetary Devolution of Reading Literature’
Jennifer Mackenzie (Independent Scholar)‘Climate and the Imagination: Amitav Ghosh’s The Great Derangement’
// Spaces, Species and TranscorporealitiesChair: Peter Minter
Alwyn Roux (University of South Africa)‘A Mesh of Strange Strangers in Juliana Spahr’s Well then there now’
Maia Gunn Watkinson (University of New South Wales)‘Placing Invisible Women: Environment, Social Space and Power in Two Works by Ana Patricia Martínez Huchim’
Robyn Maree Pickens (University of Otago)‘Convergence and Everyday Complicity: The Trans-corporeal Eco-poetics of Juliana Spahr’
4:00pm – 5:30pm (B)
4:00pm – 5:30pm (C)
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PANELS W E D N E S D AY J U LY 19
// Eighteenth- and Nineteenth-Century EcologiesChair: Deirdre Coleman
Christie Margrave (Cardiff University)‘Ecofeminism in French Women’s Pre-Romantic Fiction’
Clara Tuite (University of Melbourne)‘Perfect Storm, Blackest Spring: Manfred’s Wrecks’
Jessica White (University of Queensland)‘Storifying Science: Translating Environment through Ecobiography’
// Australian Landscape PoeticsChair: Nicholas Jose
Jonathan Dunk (University of Sydney)‘Celan and Kinsella: Negative Lyricism and Displacement’
Daniel Hempel (University of New South Wales)‘Colonial Melancholy in Australia: Subjects, Environments and Peoples’
Rod Grant (University of Sydney)‘Crow Country: The Australian Landscapes of Kenneth Slessor’
// ApocalypseChair: Meg Samuelson
Carly Osborn (University of Adelaide)‘The Ecology of Tragedy in Two American Novels’
James Gourley (Western Sydney University)‘Cli-Fi and Panic: The Island Will Sink and Clade’
// Keynote PresentationAlan Bewell (University of Toronto)‘Place, Emotion, and the Colonial Translation of Natures’
9:00am – 10:30am (A)
9:00am – 10:30am (B)
9:00am – 10:30am (C)
11:00 – 12:30pm
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PANELS W E D N E S D AY J U LY 19
// Theoretical PoeticsChair: Stuart Cooke
Warwick Mules (Southern Cross University)‘“Say it, no ideas but in things”: Poetics as World-Forming’
Claire Albrecht (University of Newcastle)‘Solastalgic Poetry: A Study in Loss’
Anne Stuart (Griffith University) ‘Is an Earth Ethics Possible based on a Terraphilia Hypothesis? How Reading a Poem can be Mediated by Philosophy’
// Rural EthnographiesChair: Peter Denney
Alana Brekemans (University of Queensland)‘Translating Transitive Environments – An Ethnographic Study of Settler-Descendent Weather Narratives in North West Queensland’
Barbara Pini (Griffith University)‘Imagining Rurality: Introducing Chook-Lit’
Naomi Horridge (University of Adelaide)‘Things that go Thump’
// (New) Weird EcologiesChair: Sue Lovell
Daniel Hourigan (University of Southern Queensland)‘Affect and Environment in the Bas-Lag Novels of China Miéville’
Anne-Maree Wicks (University of Southern Queensland)‘Notes on New Weird Atmospheres in Bishop and Link’
Nike Sulway (University of Southern Queensland)‘The Spring Tide has Teeth: Dark Ecology in Karen Russell’s “from Children’s Reminiscences of the Western Migration” and “Haunting Olivia”’
// Closing discussionPanel discussion featuring Professors Alan Bewell, Ursula Heise, Stephen Muecke and Jerome RothenbergFollowed by Q & A.
2:00pm – 3:30pm (A)
2:00pm – 3:30pm (B)
2:00pm – 3:30pm (C)
4:00pm – 5:30pm (C)
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B O O K L A U N C H E S M O N D AY J U LY 17, 6P M
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Alan BewellNatures in Translation: Romanticism and Colonial Natural HistoryJohn Hopkins University Press, 2016
For many critics, Romanticism is synonymous with nature writing, for representations of the natural world appear during this period with a freshness, concreteness, depth, and intensity that have rarely been equalled. Why did nature matter so much to writers of the late eighteenth and early nineteenth centuries? And how did it play such an important role in their understanding of themselves and the world?
In Natures in Translation, Alan Bewell argues that there is no Nature in the singular, only natures that have undergone transformation through time and across space. He examines how writers—as disparate as Erasmus and Charles Darwin, Joseph Banks, Gilbert White, William Bartram, William Wordsworth, John Clare, and Mary Shelley—understood a world in which natures were traveling and resettling the globe like never before. Bewell presents British natural history as a translational activity aimed at globalizing local natures by making them mobile, exchangeable, comparable, and representable.
Bewell explores how colonial writers, in the period leading up to the formulation of evolutionary theory, responded to a world in which new natures were coming into being while others disappeared. For some of these writers, colonial natural history held the promise of ushering in a “cosmopolitan” nature in which every species, through trade and exchange, might become a true “citizen of the world.” Others struggled with the question of how to live after the natures they depended upon were gone. Ultimately, Natures in Translation demonstrates that—far from being separate from the dominant concerns of British imperial culture—nature was integrally bound up with the business of empire.
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Ursula HeiseImagining Extinction: the Cultural Meanings of Endangered SpeciesUniversity of Chicago Press, 2016
We are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Activists, filmmakers, writers, and artists are seeking to bring the crisis to the public’s attention through stories and images that use the strategies of elegy, tragedy, epic, and even comedy. Imagining Extinction is the first book to examine the cultural frameworks shaping these narratives and images.
Ursula K. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not. These assumptions are hardwired into even seemingly neutral tools such as biodiversity databases and laws for the protection of endangered species. Heise shows that the conflicts and convergences of biodiversity conservation with animal welfare advocacy, environmental justice, and discussions about the Anthropocene open up a new vision of multispecies justice. Ultimately, Imagining Extinction demonstrates that biodiversity, endangered species, and extinction are not only scientific questions but issues of histories, cultures, and values.
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Paddy Roe, (ed.) Stephen MueckeGularabulu: Stories from the West Kimberley University of Western Australia Press, 2016
A groundbreaking presentation, in a revised edition, of Indigenous Australian storytelling as it actually sounds, these stories provide a fascinating picture of the life of the people of the west Kimberley after colonisation. Paddy Roe was a legendary figure in the revival and maintenance of law and culture in the Broome area in the mid-twentieth century. In this book he continues and revitalises one of the great literary traditions of Australia.
Gularabulu, ‘the coast where the sun goes down’, stretches from Bidyadanga (La Grange) in the south, through Broome, and north up Dampier peninsula as far as Ardyaloon (One Arm Point). Goolarabooloo encompasses a song-line or dreaming track and includes language and dialect groups such as Karajarri, Yawuru, Jugun, Ngumbal, Jabirr Jabirr, Nyul-nyul and Bardi – dialects that shade into one another, sharing about half their vocabulary from one end of the peninsula to the other.
In the 1970s, storyteller, author and elder Paddy Roe shared his Gularabulu stories with anthropologist Stephen Muecke, who drew on the oral traditions of Homer and an interest in French narrative theory in his work with Kimberley storytellers. Hailed by Bob Hodge as “a new tradition in Australian literature” when it was first published in 1983, Gularabulu is as much about listening as reading:
Reading is a little more difficult for those who have never sat down with such a storyteller. If you have heard stories like this, reading it from the page will be easier. Otherwise, work on the part of the reader is probably a necessary part of gaining a better understanding of Aboriginal cultures. And in listening you should also try to hear what he is saying: that things have always been the same, but that they are different now; that as long as his people can speak out clearly, their culture will live on.
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Jerome Rothenberg (Ed.)Technicians of the Sacred: a Range of Poetries from Africa, America, Asia, Europe, and Oceania (50th Anniversary Edition)University of California Press, 2017
The Los Angeles Times Book Review counted Technicians of the Sacred among the hundred most recommended books published in late twentieth-century America. Hailed by Robert Creeley as “both a deeply useful book and an unequivocal delight,” this landmark anthology has educated and inspired generations of poets, artists, musicians, and other readers, exposing them to the multiple possibilities of poetry throughout the world.
Juxtaposing “primitive” and archaic works of art from many cultures with each other and with experimental poetry, Jerome Rothenberg contends that literature extends beyond specific temporal and geographic boundaries, and must be understood globally, cutting across space and time.
A half-century since its original publication and more timely than ever, this revised and expanded edition provides readers with a wealth of newly gathered and translated texts from reinvigoratedindigenous cultures, bringing the volume to the present and further extending the range and depth of what we recognise and read as poetry.
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B O O K L A U N C H E S W E D N E S D AY J U LY 19, 1P M
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Monica Gagliano, John C. Ryan, and Patrícia Vieira (Eds.)The Language of Plants: Science, Philosophy, LiteratureUniversity of Minnesota Press, 2017
The eighteenth-century naturalist Erasmus Darwin (grandfather of Charles) argued that plants are animate, living beings and attributed them sensation, movement, and a certain degree of mental activity, emphasizing the continuity between humankind and plant existence. Two centuries later, the understanding of plants as active and communicative organisms has reemerged in such diverse fields as plant neurobiology, philosophical posthumanism, and ecocriticism. The Language of Plants brings together groundbreaking essays from across the disciplines to foster a dialogue between the biological sciences and the humanities and to reconsider our relation to the vegetal world in new ethical and political terms.
Viewing plants as sophisticated information-processing organisms with complex communication strategies (they can sense and respond to environmental cues and play an active role in their own survival and reproduction through chemical languages) radically transforms our notion of plants as unresponsive beings, ready to be instrumentally appropriated. By providing multifaceted understandings of plants, informed by the latest developments in evolutionary ecology, the philosophy of biology, and ecocritical theory, The Language of Plants promotes the freedom of imagination necessary for a new ecological awareness and more sustainable interactions with diverse life forms.
Contributors: Joni Adamson, Arizona State U; Nancy E. Baker, Sarah Lawrence College; Karen L. F. Houle, U of Guelph; Luce Irigaray, Centre National de la Recherche Scientifique, Paris; Erin James, U of Idaho; Richard Karban, U of California at Davis; André Kessler, Cornell U; Isabel Kranz, U of Vienna; Michael Marder, U of the Basque Country (UPV-EHU); Timothy Morton, Rice U; Christian Nansen, U of California at Davis; Robert A. Raguso, Cornell U; Catriona Sandilands, York U.
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Lisa Samuels & Sawako Nakayasu (Eds.)A Transpacific PoeticsLitmus Press
A Transpacific Poetics is a collection of poetry, essays, and poetics committed to transcultural experimental witness in both hemispheres of the Pacific and Oceania. The works in ATPP re-map identity and locale in their modes of argumentation, resituated genres, and textual innovations.
“A Transpacific Poetics beautifully inscribes what the Barbadian poet Kamau Brathwaite would call ‘tidalectics’ by following multiple voice waves across the region and by capturing their registers in an astounding range of genres. A collection of poetry and prose that includes entries such as memory cards, lists and palimpsests, counting journals, scripts, the necropastoral, and critical essays, readers will follow the rhythms of translation and the transcultural, where wavescrashwavescrashwavescrash.” —Elizabeth Deloughrey
AUSTRALASIAN ASSOCIATION FOR LITERATURE | 2017 Conference
LITERARY ENVIRONMENTS | Place, Planet and Translation
SEE CAMPUSMAP
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G01. Academic 1
G04. Services
G05. Health Sciences
G06. Academic 2
G07. The Link
G08. Flammable Liquid Store
G09. Engineering
Building Legend
G03. Lecture Theatres 1 & 2
G10. Library
G12. Science 2
G13. Multistorey Car Park 1
G14. Visual Arts
G17. Lecture Theatres 3 & 4
G11. Learning Commons
G23. Multimedia
G24. Science 1
G25. Glycomics 2
G27. Business 2
(C4)
(D6)
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G20. Chiller House 1
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G22. Chiller House 3
G30. Arts and Education 1
(D2)G02. Clinical Sciences 1
(D3)G16. Clinical Sciences 2
(E6)
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G33. Student Centre
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G28. Kiosk
G29. Chiller House 4
G31. Arts and Education 2
(B3)
G32. The Pavilion
(A3)G34. Leneen Forde Chancellery
G26. Glycomics 1 (D3)
G36. Law
G37. Chiller House 5
G51. Smart Water Research Centre
(C6)
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Queensland Academy forHealth Sciences
G38. Chiller House 6 (B4)
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G52. International Building (F4)
G53. Chiller House 7 (F5)
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(D5)
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Griffith Health Centre (A2)
Science, Engineering & Architecture (C6)G39.
G40.
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Griffith Business School (C6)G42.
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Athletics Track (B2)G44.
G54. End of Trip Facility (F4)
Multistorey Car Park 2 (J4)G55.
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AUSTRALASIAN ASSOCIATION FOR LITERATURE | 2017 Conference
LITERARY ENVIRONMENTS | Place, Planet and Translation
Light RailServicingGold Coast University HospitalGriffith UniversityQueen StreetNerang StreetSouthportSouthport SouthBroadwater ParklandsMain BeachSurfers Paradise NorthCypress AvenueCavill AvenueSurfers ParadiseNorthcliffeFlorida GardensBroadbeach NorthBroadbeach South
Southportconnecting buses
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QueenStreet
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Main Beach
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Northcliffe
Florida Gardens
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Queen St Queen St
Breaker St
Palm AvePalm Ave
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Clifford St
Thornton St
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Wharf StWharf St
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Queensland AveQueensland Ave
Alexandra AveAlexandra Ave
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Monaco St
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Diagrammatic map - not to scale
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AUSTRALASIAN ASSOCIATION FOR LITERATURE | 2017 Conference
LITERARY ENVIRONMENTS | Place, Planet and Translation
32
CONFERENCE DINNER HIDEAWAY KITCHEN & BAR
2657 Gold Coast Highway, Broadbeach
Tuesday 18 July
6.30pm-9.30pm
AUSTRALASIAN ASSOCIATION FOR LITERATURE | 2017 Conference
LITERARY ENVIRONMENTS | Place, Planet and Translation
33
A C K N O W L E D G E M E NT S It has been an enormous privilege to organise Literary Environments,
and to see the exciting research currently being produced in Australia
and elsewhere in fields such as ecocriticism, animal studies and
environmental humanities. Many thanks to the president of the
Australasian Association for Literature Chris Danta for the invitation
to host the annual conference at Griffith University, and for much
excellent advice and ongoing support. The vice-president of AAL
Clara Tuite also provided invaluable assistance and encouragement
along the way. In addition, we are very grateful to Susan Danta for
designing the conference poster and booklet, to Kim Podger and
Sheree Robinson for providing efficient administrative support, to
Bevan Bache for overseeing IT, and to Graham Dillon for conducting
the Welcome to Country ceremony.
The conference was made possible by the generous financial and
in-kind support provided by the Griffith Centre for Social and Cultural
Research, the School of Humanities, Languages and Social Science
and the Arts, Education and Law Group at Griffith University. For
helping us secure this funding, we are indebted to the enlightened and
committed leaders of these organisations, especially Susan Forde,
Sarah Baker, Jamey Carson and Gerry Docherty. Their generosity and
assistance at every turn have been crucial to our capacity to organise
this conference. We have also been blown away by the kindness of
Grace Moore, who organised for one of our keynote presenters to be
funded using the travel allowance attached to her fellowship in the
ARC Centre of Excellence for the History of Emotions.
Peter Denney and Stuart Cooke,
Griffith University,
Gold Coast