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That’s Not Funny: Reevaluating Racial Humor in the U.S. Sarah Lugo

That ’ s Not Funny: Reevaluating Racial Humor in the U.S

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That ’ s Not Funny: Reevaluating Racial Humor in the U.S. Sarah Lugo. Act 1. Title Sequence in After Effects Quote about history and humor Titles Fade t o black. Act 1. Sequence of titles of racial jokes. In effects, have the titles overlap one another until they fill the screen - PowerPoint PPT Presentation

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Page 1: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

That’s Not Funny: Reevaluating Racial Humor in the U.S.

Sarah Lugo

Page 2: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 1

• Title Sequence in After Effects– Quote about history and humor– Titles– Fade to black

Page 3: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 1

• Sequence of titles of racial jokes.– In effects, have the titles overlap one another until

they fill the screen– Fade to white (from the texts coming together)

Page 4: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 1

• Fade from white• Introduce myself and identity on screen:– “I grew up with two different ethnicities, my

mother raised me Jewish, and my father raised me Puerto Rican. Of course, as a child and even today, people have a mouthful to say to me when they hear that I am a ‘Puerto Rican Jew’”

– B-Roll: photos of myself through the years

Page 5: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 1

• Introduce my mother: Her speaking about my upbringing, and racial/ethnic challenges I faced growing up

• Voiceover (possibly myself on screen):“I think that’s why I want people to understand how racial humor truly has implications in stereotyping, because most people make the assumption that because everyone else is laughing that it’s okay or acceptable.”

• B-roll of racial humor on tv

Page 6: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 1

• Inciting Incident• B-Roll turns into A-Roll• Footage of racial humor scene on television– Have the scenes fill the screen in the same style

that the racial jokes did at the beginning of documentary.

Page 7: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 2

• Voiceover explaining that we know there’s racial humor on television but how is racial humor in media changed over the years?

• Give mini synopsis/history of racial humor – A-roll: graphic timeline – B-Roll: clips of famous comedians racial stand ups– No voiceover, music to set the mood while giving

background

Page 8: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 2

• Point where racial humor goes from past to present, the contemporary form of racial comedy, examples such as Dave Chappelle and Margret Cho

• Labeled as “Today” in the graphic timeline.• Voiceover of comedian interviewee (Ken

Miller) talking about what Dave Chappelle does

Page 9: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 2• Introduce comedians• Clips of club scene of standup (Kirk Bonasi)

– Title of who they are• Kirks explanation of racial humor viewpoint.• Clips of club scene of standup (Ken Miller)

– Title of who they are• Ken explanation of racial humor viewpoint.• Clips of club scene of standup (Chase Rangel)

– Title of who they are• Chase explanation of racial humor viewpoint.• Clips of club scene of standup (Ali Flores)

– Title of who they are• Ali explanation of racial humor viewpoint.

Page 10: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 2

• Show clips of comedians (Kirk, Chase, and Ali) extended explanation of why they are able to use racial humor– Ken will not be in this series of extend explanations

because he does not use racial humor• In between comedian interviews will be scholarly

interviews (Dr. Brandon and Dr. Chambliss) response to the comedians explanations with B-roll of the Comedians stand up acts.

Page 11: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 2

• A-Roll: Dr. Brandon talking about how racial humor effects our society negatively and the complexity of race.

• B-Roll: Graphic of racial hierarchy• A-Roll: Dr. Chambliss (TBD, since he the

interview is scheduled for next week)

Page 12: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 2

• Show local black comedian Ken Miller talk about why he refuses to use racial humor.

• B-Roll: photo of his children (fade in, etc. for emotional appeal)

• B-Roll: Stand up act in the club making joke about racial joke about Puerto Ricans and bulldogs.

Page 13: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 3, Climax

• My mom explaining her own story of racial humor and the consequences that come with stereotypes

• Television news stories of UCF professor being fired for refusing to use textbook that teaches racial stereotypes (my mom).

• My mom’s response to what happened.

Page 14: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 3 Falling Action

• B-Roll: Stand up talking about stereotypes as the “norm”

• B-Roll: Graphic text about how the “norm” is created through media

• Interview of myself talking about how I felt about the lawsuit and the truth I have come to realize.

• Followed by scholars interview talking about how racial humor reinforces stereotypes and racial hierarchy.

Page 15: That ’ s Not Funny: Reevaluating Racial Humor in the U.S

Act 3

• Call to action: Graphic text or voiceover suggesting audience think consciously about racial humor and why. – List reasons why so that audience can physically

see what they have learned.