Tesselated Canes from Polymer Clay Master Class

Embed Size (px)

Citation preview

  • 7/29/2019 Tesselated Canes from Polymer Clay Master Class

    1/3

    Exploring Process, Technique, and

    Collaboration with 11 Master Artists

    JUDY BELCHER & TAMARA HONAMAN

    POLYMER CLAY

    MASTER CLASS

  • 7/29/2019 Tesselated Canes from Polymer Clay Master Class

    2/3

    TESSELLATED CANES BY JUDY BELCHER

    Much of the jewelry I create celebrates both left-brain and right-

    brain ways of approaching the creative process. Similar left-brain/

    right-brain strategies can be employed when making the tessel-

    lated canes for the Twirling Necklace. Use the left side of your

    brain to cut, mirror, and list the various ways your original canecan be recombined. Or exercise the right side by smashing and

    morphing the original cane into a new triangle and create dozens

    more tessellations.

    SUPPLIES polymer: 6 oz. (170g) white; 6 oz.

    (170g) turquoise; 6 oz. (170g)yellow (I used Kato Polyclay, as

    it holds even minute details clearly

    during the caning process and frms

    up quickly so I can immediately

    slice the cane.)

    pasta machine

    cutting blade

    1.Using the Two-Color

    Skinner blend technique,

    create various hues of lime

    green polymer and, with

    the pasta machine, roll each

    color to a 1 x 3inch (2.5 x

    7.5cm) strip on a medium

    thickness. Stack each strip, beginning with white and

    gradually getting darker, ending with the original

    color, to create a gradated cane. Repeat to create a

    gradated cane in turquoise.

    2. Turn 1 gradated

    cane on its side and

    cut 3 triangular-shaped

    wedges. Repeat for

    the other color.

    3. To create amaster cane that

    will be recom-

    bined into many

    tessellated or

    mirrored canes,

    combine the wedges, making sure they remain

    straight throughout the cane. Work toward

    a form that loosely resembles a triangle.Compress the cane, folding over any edges that

    stick out, as they will form curved elements

    that are lovely when repeated. Choose a

    point of the triangle and use your ngers

    in a pinching motion to rene the point

    and press down against the work surface

    to atten the opposite side to form it into

    an equilateral triangle. Turn the cane and

    continue to rene. Reduce the cane soeach of its sides is 1/2 inch (13mm). Cut off

    the distorted ends of the cane, as they will

    not mirror well.

    Note:Each of the 5 variations of tessellated beads

    shown in steps 48 requires segments from this master

    cane. While you may not have enough of the master

    cane to create all of the combinations that follow, if

    you combine the pieces gently, you can take them apart

    and try different combinations. Build at least 3 varia-tions of the tessellated design, as they will add interest

    to your fnished necklace.

  • 7/29/2019 Tesselated Canes from Polymer Clay Master Class

    3/3

    8. Square: The master cane can also be recombined into tessel-

    lated square canes. Cut two 3-inch- (7.5cm-) long segments of

    the master cane, and mirror one side of the triangles. Reform this

    new, diamond-shaped cane into a square cane by pressing with

    your ngers and rolling each side with an acrylic rod. Stretch and

    reduce the square cane so each side is 1/2 inch (13mm) wide.

    Cut the new square cane into 4 equal segments. Mirror these segments so the centers meet

    and all sides mirror each other to form the tessellated square cane.

    Think about all the combinations that this method of mirroring can produce. Seven canes

    are shown here, but by manipulating the master cane, hundreds more of these beautiful

    canes can be built.

    4.Tessellating the master cane is the most fun par t of the

    process! For the rst design, cut six 1-inch- (2.5cm-) long

    segments from the master cane. Put 2 triangles together

    so the sides mirror each other. Repeat, mirroring the same

    2 sides, for the other 4 segments. Piece these 3 new seg-

    ments together so the centers meet and all sides mirror to

    form a hexagonal cane.

    5.White center point:

    For the second design,

    still using 6 segments,

    look at the side of one

    of the triangles mirrored

    in the rst cane. Choose

    a different side tomirror and piece these

    segments together as you did before, paying

    close attention to the center point to ensure

    that the new pattern is different.

    6. Blue center

    point: This design

    also uses 6 seg-

    ments, mirroring

    the side of the

    triangle that is

    different fromthe rst 2 varia-

    tions. Piece these

    segments together as you did before, pay-

    ing close attention to the center point.

    7. Complex: For an even more complex pattern, cut two

    3-inch- (7.5cm-) long segments from the master cane, mirror

    one side of the triangles, and reform them into a new triangle.(Use the technique in step 3 to form the new equilateral

    triangle.) Stretch and reduce the triangular cane so each side is

    1/2 inch (13mm) wide. Cut the cane into six 1-inch- (2.5cm-)

    long segments, and mirror again as in the rst 3 variations. This

    complex cane can be done in many variations, depending on which sides of the master triangle

    you chose to mirror for the rst part of the step. The image shows only two of these variations.