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Apa Apa yang yang perlu perlu anda anda tahu tahu tentang tentang Teori Teori Muzik Muzik 8 8 konsep konsep muzik muzik Irama Melodi Harmoni Warna ton Tekstur Bentuk Ekspresi Meter C.irama Pic Skel Nada Ragam melodi Jeda Triad P.kord Warna ton Tekstur Bentuk Ekspresi Anda perlu Tahu ini saja Tapi Perinciannya?

Teori Pendidikan Muzik Sekolah Rendah

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ApaApa yang yang perluperlu andaanda tahutahu tentangtentangTeoriTeori MuzikMuzik

8 8 konsepkonsep muzikmuzik

Irama Melodi Harmoni Warna ton Tekstur Bentuk Ekspresi

MeterC.irama

PicSkelNadaRagam melodiJeda

TriadP.kord

Warna ton Tekstur Bentuk Ekspresi

Anda perluTahu ini saja

TapiPerinciannya?

THEORY OF MUSICTHEORY OF MUSICGRADE 1GRADE 1( Primary )( Primary )

Based on new syllabus of theBased on new syllabus of theAssociated Board of Royal School of Music, Associated Board of Royal School of Music,

LondonLondon

For R.E. Seminar

TOPICSTOPICSChapter 1: Time Values of NotesChapter 1: Time Values of NotesChapter 2: BarChapter 2: Bar--Lines & Time SignaturesLines & Time SignaturesChapter 3: The Stave & NotesChapter 3: The Stave & NotesChapter 4: Treble Clef & Bass ClefChapter 4: Treble Clef & Bass ClefChapter 5: RestsChapter 5: RestsChapter 6: Dots after NotesChapter 6: Dots after NotesChapter 7: Sharps, Flats & NaturalsChapter 7: Sharps, Flats & NaturalsChapter 8: C,G,D & F Major & Key SignatureChapter 8: C,G,D & F Major & Key SignatureChapter 9: IntervalChapter 9: IntervalChapter10: The Tonic TriadChapter10: The Tonic Triad

Chapter 1:Chapter 1:

The Values of NotesThe Values of Notes

Chapter 1:The Values of Notes

Semibreve (Whole note)

Minim (Half note)

Crotchet (Quarter note)

Quaver (Eight note)

Semiquaver (Sixteenth note)

Note & Name

Chapter 1Chapter 1The Values of NotesThe Values of Notes

Semibreve

Minim

Crotchet

Quaver

Semiquaver

Chapter 2: Chapter 2:

BarBar--Lines & Time SignaturesLines & Time Signatures

Chapter 2: Chapter 2: BarBar--Lines & Time SignaturesLines & Time Signatures

Bar-line

Bar Bar Bar Bar

Double bar-line

Chapter 2:Bar-Lines & Time Signatures

The numbers you see at the beginning of a piece is call

TIME SIGNATURE:

Chapter 2:Bar-Lines & Time signature

= 2 crotchets in a bar

= 3 crotchets in a bar

* Another way of writing this Time signature:

OR

Common Time

Chapter 3: Chapter 3:

The Stave & NotesThe Stave & Notes

Chapter 3: The Stave & Notes

12345

234

1

The stave has five lines which we count from the bottom and four spaces

Remember: 5 lines and 4 spaces

Chapter 3:The Stave & Notes

An extra line drawn above or below the stave is called a

LEDGER LINE

Notes on ledger lines

Note above ledger line

Note below ledger line

Chapter 3:The Stave & Notes

And down on the left hand sideAll notes except the semibreve has stem which goes up on the right hand side

On the middle line stems can go either up or down

The stems of notes below the middle line go up, the stems of notes aboveThe middle line go down

Chapter 3:The Stave & Notes

Right hand side

Left hand side

Chapter 4:Chapter 4:

Treble Clef & Bass ClefTreble Clef & Bass Clef

Chapter 4:Treble Clef

MIDDLE C

FACE

EGBDF

Chapter 4:Bass Clef

MIDDLE C

ACEG

GBDFA

Chapter 5:Chapter 5:

RestRest

Chapter 5: Five Kinds of REST

SEMIBREVE REST(whole rest)

Also called A BAR REST as it is used to show that there are no notes in a bar.

Chapter 5: Five Kinds of REST

MINIM REST( half rest )

Chapter 5: Five Kinds of REST

CROTCHET REST( quarter rest )

Chapter 5: Five Kinds of REST

QUAVER REST(eight rest)

Chapter 5: Five Kinds of REST

SEMIQUAVER REST( sixteenh rest )

Chapter 6:Chapter 6:

Dots after NotesDots after Notes

Chapter 6: Dots after Notes

A dot after a note makes it half as much longer

Ex. .

Chapter 7:Chapter 7:

Sharps, Flats and NaturalsSharps, Flats and Naturals

Chapter 7: Sharps = Sharps

C

C#

Placed in front of a note

Chapter 7: Flats

D

= Flat

DPlaced in front of a note

Chapter 7: Natural = Natural

Chapter: 8Chapter: 8

C, G, D and F Major ScalesC, G, D and F Major Scales

and Key and Key SiganatureSiganature

Chapter 8:

C D E F G A B CT T S T T T S

•In a major scales there are Seven Degrees (note) made upof tones and semitones

•All major scales are made up of the same patterns of tonesand semitones

Chapter 8:

Chapter 8

F#

Chapter 8:

Bb

Chapter 9:Chapter 9:

IntervalInterval

Chapter 9: Interval

M 2nd M 3rd P 4th P 5th M 6th M 7th Octave

The space between two notes (or 2 degrees) in a scale isCall an INTERVAL

Chapter 10: Chapter 10:

The Tonic triadThe Tonic triad

Chapter 10: The Triad Tonic

“Tonic” is another name for key note or the 1st

note of a scale

“A triad” is a chord made up of 3 notes ( a group of notes )

Ex. Fifth

Third

Tonic

TONIC TRIAD OF C

Chapter 10: The Triad TonicName the key in which the following are tonic triads

a. b.

G note D note

TONIC TRIAD OF G MAJOR TONIC TRIAD OF D MAJOR