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Apa Apa yang yang perlu perlu anda anda tahu tahu tentang tentang Teori Teori Muzik Muzik 8 8 konsep konsep muzik muzik Irama Melodi Harmoni Warna ton Tekstur Bentuk Ekspresi Meter C.irama Pic Skel Nada Ragam melodi Jeda Triad P.kord Warna ton Tekstur Bentuk Ekspresi Anda perlu Tahu ini saja Tapi Perinciannya?

Teori Pendidikan Muzik Sekolah Rendah

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Page 1: Teori Pendidikan Muzik Sekolah Rendah

ApaApa yang yang perluperlu andaanda tahutahu tentangtentangTeoriTeori MuzikMuzik

8 8 konsepkonsep muzikmuzik

Irama Melodi Harmoni Warna ton Tekstur Bentuk Ekspresi

MeterC.irama

PicSkelNadaRagam melodiJeda

TriadP.kord

Warna ton Tekstur Bentuk Ekspresi

Anda perluTahu ini saja

TapiPerinciannya?

Page 2: Teori Pendidikan Muzik Sekolah Rendah

THEORY OF MUSICTHEORY OF MUSICGRADE 1GRADE 1( Primary )( Primary )

Based on new syllabus of theBased on new syllabus of theAssociated Board of Royal School of Music, Associated Board of Royal School of Music,

LondonLondon

For R.E. Seminar

Page 3: Teori Pendidikan Muzik Sekolah Rendah

TOPICSTOPICSChapter 1: Time Values of NotesChapter 1: Time Values of NotesChapter 2: BarChapter 2: Bar--Lines & Time SignaturesLines & Time SignaturesChapter 3: The Stave & NotesChapter 3: The Stave & NotesChapter 4: Treble Clef & Bass ClefChapter 4: Treble Clef & Bass ClefChapter 5: RestsChapter 5: RestsChapter 6: Dots after NotesChapter 6: Dots after NotesChapter 7: Sharps, Flats & NaturalsChapter 7: Sharps, Flats & NaturalsChapter 8: C,G,D & F Major & Key SignatureChapter 8: C,G,D & F Major & Key SignatureChapter 9: IntervalChapter 9: IntervalChapter10: The Tonic TriadChapter10: The Tonic Triad

Page 4: Teori Pendidikan Muzik Sekolah Rendah

Chapter 1:Chapter 1:

The Values of NotesThe Values of Notes

Page 5: Teori Pendidikan Muzik Sekolah Rendah

Chapter 1:The Values of Notes

Semibreve (Whole note)

Minim (Half note)

Crotchet (Quarter note)

Quaver (Eight note)

Semiquaver (Sixteenth note)

Note & Name

Page 6: Teori Pendidikan Muzik Sekolah Rendah

Chapter 1Chapter 1The Values of NotesThe Values of Notes

Semibreve

Minim

Crotchet

Quaver

Semiquaver

Page 7: Teori Pendidikan Muzik Sekolah Rendah

Chapter 2: Chapter 2:

BarBar--Lines & Time SignaturesLines & Time Signatures

Page 8: Teori Pendidikan Muzik Sekolah Rendah

Chapter 2: Chapter 2: BarBar--Lines & Time SignaturesLines & Time Signatures

Bar-line

Bar Bar Bar Bar

Double bar-line

Page 9: Teori Pendidikan Muzik Sekolah Rendah

Chapter 2:Bar-Lines & Time Signatures

The numbers you see at the beginning of a piece is call

TIME SIGNATURE:

Page 10: Teori Pendidikan Muzik Sekolah Rendah

Chapter 2:Bar-Lines & Time signature

= 2 crotchets in a bar

= 3 crotchets in a bar

* Another way of writing this Time signature:

OR

Common Time

Page 11: Teori Pendidikan Muzik Sekolah Rendah

Chapter 3: Chapter 3:

The Stave & NotesThe Stave & Notes

Page 12: Teori Pendidikan Muzik Sekolah Rendah

Chapter 3: The Stave & Notes

12345

234

1

The stave has five lines which we count from the bottom and four spaces

Remember: 5 lines and 4 spaces

Page 13: Teori Pendidikan Muzik Sekolah Rendah

Chapter 3:The Stave & Notes

An extra line drawn above or below the stave is called a

LEDGER LINE

Notes on ledger lines

Note above ledger line

Note below ledger line

Page 14: Teori Pendidikan Muzik Sekolah Rendah

Chapter 3:The Stave & Notes

And down on the left hand sideAll notes except the semibreve has stem which goes up on the right hand side

On the middle line stems can go either up or down

The stems of notes below the middle line go up, the stems of notes aboveThe middle line go down

Page 15: Teori Pendidikan Muzik Sekolah Rendah

Chapter 3:The Stave & Notes

Right hand side

Left hand side

Page 16: Teori Pendidikan Muzik Sekolah Rendah

Chapter 4:Chapter 4:

Treble Clef & Bass ClefTreble Clef & Bass Clef

Page 17: Teori Pendidikan Muzik Sekolah Rendah

Chapter 4:Treble Clef

MIDDLE C

FACE

EGBDF

Page 18: Teori Pendidikan Muzik Sekolah Rendah

Chapter 4:Bass Clef

MIDDLE C

ACEG

GBDFA

Page 19: Teori Pendidikan Muzik Sekolah Rendah

Chapter 5:Chapter 5:

RestRest

Page 20: Teori Pendidikan Muzik Sekolah Rendah

Chapter 5: Five Kinds of REST

SEMIBREVE REST(whole rest)

Also called A BAR REST as it is used to show that there are no notes in a bar.

Page 21: Teori Pendidikan Muzik Sekolah Rendah

Chapter 5: Five Kinds of REST

MINIM REST( half rest )

Page 22: Teori Pendidikan Muzik Sekolah Rendah

Chapter 5: Five Kinds of REST

CROTCHET REST( quarter rest )

Page 23: Teori Pendidikan Muzik Sekolah Rendah

Chapter 5: Five Kinds of REST

QUAVER REST(eight rest)

Page 24: Teori Pendidikan Muzik Sekolah Rendah

Chapter 5: Five Kinds of REST

SEMIQUAVER REST( sixteenh rest )

Page 25: Teori Pendidikan Muzik Sekolah Rendah

Chapter 6:Chapter 6:

Dots after NotesDots after Notes

Page 26: Teori Pendidikan Muzik Sekolah Rendah

Chapter 6: Dots after Notes

A dot after a note makes it half as much longer

Ex. .

Page 27: Teori Pendidikan Muzik Sekolah Rendah

Chapter 7:Chapter 7:

Sharps, Flats and NaturalsSharps, Flats and Naturals

Page 28: Teori Pendidikan Muzik Sekolah Rendah

Chapter 7: Sharps = Sharps

C

C#

Placed in front of a note

Page 29: Teori Pendidikan Muzik Sekolah Rendah

Chapter 7: Flats

D

= Flat

DPlaced in front of a note

Page 30: Teori Pendidikan Muzik Sekolah Rendah

Chapter 7: Natural = Natural

Page 31: Teori Pendidikan Muzik Sekolah Rendah

Chapter: 8Chapter: 8

C, G, D and F Major ScalesC, G, D and F Major Scales

and Key and Key SiganatureSiganature

Page 32: Teori Pendidikan Muzik Sekolah Rendah

Chapter 8:

C D E F G A B CT T S T T T S

•In a major scales there are Seven Degrees (note) made upof tones and semitones

•All major scales are made up of the same patterns of tonesand semitones

Page 33: Teori Pendidikan Muzik Sekolah Rendah

Chapter 8:

Page 34: Teori Pendidikan Muzik Sekolah Rendah

Chapter 8

F#

Page 35: Teori Pendidikan Muzik Sekolah Rendah

Chapter 8:

Bb

Page 36: Teori Pendidikan Muzik Sekolah Rendah

Chapter 9:Chapter 9:

IntervalInterval

Page 37: Teori Pendidikan Muzik Sekolah Rendah

Chapter 9: Interval

M 2nd M 3rd P 4th P 5th M 6th M 7th Octave

The space between two notes (or 2 degrees) in a scale isCall an INTERVAL

Page 38: Teori Pendidikan Muzik Sekolah Rendah

Chapter 10: Chapter 10:

The Tonic triadThe Tonic triad

Page 39: Teori Pendidikan Muzik Sekolah Rendah

Chapter 10: The Triad Tonic

“Tonic” is another name for key note or the 1st

note of a scale

“A triad” is a chord made up of 3 notes ( a group of notes )

Ex. Fifth

Third

Tonic

TONIC TRIAD OF C

Page 40: Teori Pendidikan Muzik Sekolah Rendah

Chapter 10: The Triad TonicName the key in which the following are tonic triads

a. b.

G note D note

TONIC TRIAD OF G MAJOR TONIC TRIAD OF D MAJOR