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Temporal Waves (2001) - for 4 pianos, harps, guitars, marimbas, vibraphones or any combination Duration: 8 min. Premiered by 4 Gallon Drum at the Sonic Boom Festival - March 13, 2004 * Released on the CD “Undercurrents” by Rob McDonald, guitar
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Temporal Waves
open score version
Jordan Nobles
© Vancouver 2001
Part 1
ppp mf ppp
& í ™™°¢
INSTRUMENTSTemporal Waves can be played by 4 pianos, harps, guitars, vibraphones, marimbas or any combination as long as there are four performers.
All players read from the full score, there are no parts.
CELLSIn Temporal Waves each performer has a number of repeating cells to play; fading in and out com[pletely before puasing and starting the next one. When exactly each performer stops and starts varies slightly with each performance, but it must line up homophonically with the other players. The duration of the piece can be anywhere from 6 to 10 minutes depending on how quickly the performers move through the cells.
Each cell should be approx. 15 seconds long (5 seconds fading in from ppp to mf ; repeat at mf for 5 seconds; then fade out again for 5 seconds to ppp.Then each player takes a short break (5 seconds or so) to listen and acquire the new tempo and then play their next cell.
For example, the first cell... ...should be played as such:
Players take their cue to start new cells from following the others. (i.e. when player 1 has completed their crescendo then player 2 begins)
Players can play the cells in the octave written or one octave above or below (guitarists should play as written which of course transposes down an octave).
METRIC MODULATIONSTemporal Waves utilizes metric modulations to frequenty chaneg pulse proportionally.
Tempos are given... - when a new pulses enters, such as when one performer starts playing quarter notes while other were playing eighths. For example: This is not neccessary of course but is conveinient during practice when starting the piece in the middle.
- in Bold when a metric modulation occurs. For example:
After a new pulse is introduced all following players must line up homophonically with it.
All notes should be allowed to ring out as much as possible.
ppp
î™™ ü† mf ppp
∑ 5 sec. approx. 5 sec. approx. 5 sec. approx. ∑5 sec. approx.
Jordan NoblesTemporal Waves
for open score
PERFORMANCE NOTES
e. = e (= 270)
(q = 135)
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Temporal Waves © Jordan Nobles, Vancouver 2001 www.jordannobles.com
Part 1
Part 2
Part 3
Part 4
continue dynamic swells
e = 180
continue dynamic swells
continue dynamic swells
continue dynamic swells
1
2
3
4
3
e = e (= 270) A
& í ™™°¢ppp
î™™ ü†Repeat each cell for approx. 5 seconds
mf ppp
∑ í ™™°¢ î™™ ü† ∑Jordan Nobles
Temporal Wavesopen score version
(q = 90)
& ∑ í ™™°¢ppp
î™™ ü† mf ppp
∑ í ™™°¢ î™™ ü†
& ∑ ∑ í ™™°¢ppp
î™™ ü†mf
ppp
∑ í ™™°¢ î™™ ü†
& ∑ ∑ ∑ í ™™°¢ppp
î™™ ü†mf
ppp
∑ í ™™°¢ î™™ ü†Ò3
3
(e = 270)
& í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† ∑
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† 3
3
(e = 405)
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† 3 3(q = 135)
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†Ò3
e = x (= 405)
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œbœ œ œ œb œb œb œ
=
Temporal Waves © Jordan Nobles, Vancouver 2001 www.jordannobles.com
1
2
3
4
q _ x = q (= 81)
(x = 324)
(e = 162)
B
1
2
3
4
(x = 216)C
(e. = 108)
&í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† ∑
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†Ò
&í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† ∑
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†Òe. = e (= 108)
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œœRœœ œœR œœ œœR œb œ œ œj
œœœb
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œœbb œœ œœb œœ œœ œ œ œb œ
œ œ œb œœb œb œb œ œ
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œ ™ œb ™ œ ™ œb œ œ œb
œ ™ œb ™ œœbb ™™ œœbb ™™ œb œ œ œb œbœb œb œb œb œ œ œb œ œ
=
Temporal Waves © Jordan Nobles, Vancouver 2001 www.jordannobles.com
2
1
2
3
4
(e. = 72)
(e = 144)
(x = 288)
D
1
2
3
4
6
(x = 432)
q _ x = q (= 86)
6
x = x (= 432) (e = 172)
E
&í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† ∑
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† e. = q (= 72)
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†Ò
&í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† ∑6
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† 6
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†Ò
œb ™ œœbb ™™ œ ™ œb œn œb
œb ™ œb ™ œb ™ œb ™œb œb œ œb
œœbb œb ˙̇b œ# œ# œ# œ#
œb œn œ œœn œ# œ#
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œ# œR œ# œR œ# œr œ# œ# œ
=
Temporal Waves © Jordan Nobles, Vancouver 2001 www.jordannobles.com
3
1
2
3
4
(e. = 115)
(x = 344)
F
1
2
3
4
(x = 230)
(e. = 77)
G
&í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† ∑
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†Òe. = e (= 115)
&í ™™°¢ î™™ ü† ∑
& ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü†Ò
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œ# ™j œ ™j œ ™j œ ™J œ ™j
=
Temporal Waves © Jordan Nobles, Vancouver 2001 www.jordannobles.com
4
1
2
3
4
H
(x = 308) q _ x = q (= 60)
1
2
3
4
3
(e = 180)I
3
e = e (= 180)
ppp f ppp
&í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü† ∑e. = q (= 77)
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†
& ∑ í ™™°¢ î™™ ü† ∑ í ™™°¢ î™™ ü†Ò
&í ™™°¢ î™™ ü† ∑ ∑ ∑ fine3 3 3
& ∑ í ™™°¢ î™™ ü† ∑ ∑ fine
& ∑ í ™™°¢ î™™ ü† ∑ fine
& ∑ í ™™°¢ î™™ ü† fine
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œn œ œ œ œ œ œ œ œœn œ œ œ œ
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=
Temporal Waves © Jordan Nobles, Vancouver 2001 www.jordannobles.com
5