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    References:

    1. Dagens, Bruno. 1986. Mayamata: An Indian Treatise on Housing Architecture and Iconography.New

    Delhi: Sitaram Bhartia Institute of Scientific Research,

    2.Bharne, Vinayak &Krusche , Krupali. : Rediscovering the Hindu Temple: The Sacred Architecture and Urbanism of India

    3. Vardia, Shweta.2008 ,Building Science of Indian Temple Architecture

    4. Prof. SKR Rao, Temple Architecture -Devalaya Vastu

    5. Ram Raz, On The Architecture of Hindus

    presented by:Ar. Fathima Rishin Razak3rd Sem, M.Arch (Architecture Education)SMMCA, Nagpur

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    Temple Construction : From Design to Execution

    Upapitha

    Adisthana

    Garbhagriha

    Shikhara

    Pillars

    Mandapa

    Layout

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    Steps in Temple Construction:

    1. Bhu pariksha: Examining and choosing location and soil for temple and town. The land shouldbe fertile and soil suitable.

    2. Sila pariksha: Examining and choosing material for image

    3. Karshana: Corn or some other crop is grown in the place first and is fed to cows. Then thelocation is fit for town/temple construction.

    4. Vastu puja: Ritual to propitiate vastu devata.

    5. Salyodhara: Undesired things are dug out.

    6. Adyestaka: Laying down the first stone

    7. Nirmana: Then foundation is laid and land is purified by sprinkling water. A pit is dug, watermixed with navaratnas, navadhanyas, navakhanijas is then put in and pit is filled. Then thetemple is constructed.

    8. Murdhestaka sthapana: Placing the top stone over the prakara, gopura etc. This again involvescreating cavities filled with gems minerals seeds etc. and then the pinnacles are placed.

    9.

    Garbhanyasa: A pot made of five metals (pancaloha kalasa sthapana) is installed at the place ofmain deity.

    10.Sthapana: Then the main deity is installed.

    11.Pratistha: The main deity is then charged with life/god-ness.

    Site Selection and

    Preparation forConstruction

    ActualConstruction

    SanctifyingCeremony

    http://www.hindupedia.com/en/Devatahttp://www.hindupedia.com/en/Vastu
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    Temple Design:

    Construction Process:

    1. The planning of the temple by architect

    2. the carving of different parts

    3. assembling the parts

    prepares list of all parts that go into details oftemple -figures, beams, brackets etc.

    carves the parts and segments as per drawings,designs, specifications and guidelines

    parts are transported to construction site

    parts are assembled with joints -mortise

    and tenon joint, lap joint etc.

    mortise and tenon joint allow space forstones to expand in heat or even vibratemodestly without moving from itsposition

    Design Team:

    Acharya Sthapati

    Sutragrahin

    Takshaka

    Vardhakin

    Workmen

    Sthapaka

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    Process:

    2. The carving of different partsQuarrying of Stone:

    cut a series of pocketsalong the surface of the

    stone

    filling themwith wood,

    watering thewoods

    regularly.

    wood swells andmakes a crack along

    the holes.Transportation:-with wooden rollers drawn byelephants/ humans- floated on wooden bargealong rivers and canals

    2.1 Cutting and carving the stone:

    carving each stone piece -slow, tedious and work of patience

    4 different phases:

    1. team of stone masonswill cut stone blocks to appropriate size.2. team of carverswill give basic shape to stone

    3. Sculptorsgive them final form along with joinery details4. during assembling time, these details are made fine and correct

    to make a proper joint.

    2.2 Drawings of Stone:

    - drawings on stone made by sharpened coal piece and bamboo

    shoot dipped in any colouring agents like lime, ink,redoxide etc.

    - long straight lines are marked by soaking the thread incolouring agent and then stretching from one end to other andsnapped.

    - after every phase of carving, more lines are made for the canvasto detail the stones.

    2.3 Polishing the stone: - final phase, takes 12 -20 days to complete- done using stone bars slowly and patience

    fine chiselled surface islevelled using differentcategories of stone bars

    washedcleaned to removestains and dirt

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    Process of Temple Buiding:

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    1. Pada Vinyasa

    the land considered for templeconstruction has a square (4:4) or rectangle

    (4:5,4:6,4:7,4:8) ratio for breadth to length

    first drafted on planning sheets and laterdrawn upon the earth (site)

    ground divided into 81 cells, by drawing10 lines from east to west and 10 from bothto south (if square layout and (9X9) isselected).

    4

    4

    5 6 7 8

    4

    4

    1

    81

    N

    N

    9X9

    Paramasayika

    - Garbhagriha

    - Brahma pada

    - devika pada

    - manusha pada

    - paishachika pada

    2. Garbhadhana:

    Foundation pit is dig with not less than 2mdepth

    Adyestaka : laying of first foundation stonein the NW corner

    stones are fully packed (one above theother) below the sanctum

    portion below garbhagriha is filled 3/4th

    3. Agni Hotra:

    sanctifying ceremony

    stone slab - Adhara shila

    golden box embedded in earthfoundation stones below

    main diety

    ..actualconstruction startswith assembling ofparts

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    Temple Layout:

    Garbhagriha:

    North India

    orthogonal gridsof mandalas areused

    South India

    Vesara Style:

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    Elements of Temple:

    Upapitha / Jagati:

    usually high plinth to give respect to the temple

    made using layers of stones of good quality

    Construction:-plinth stones are placed above foundation stone

    and it act as retaining wall for the rubble compactedearth within plinth area of structure.

    -above this compacted rubble are laid stone slabsof thickness 20-30 cm, for flooring.

    -stones are placed one above the other and madestable with the self weight (3-10 layers)

    -top most course has groover for pillar bases

    Proportions:

    Types: Vedibhadra

    Pratibhadra

    Manchabhadra

    Adisthana / Pitha:Cumbhabandha

    Rhutabandha

    Pratibandha

    Pattabandha

    ManchabandhaSribandha

    3. Assembling the parts

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    Mandovara / Pada:

    wall that connects base to the shikhara

    Proportions:

    generally, width : height = 1:1 (Aparachitaprecha)

    divided into 44 parts with mouldings

    Construction:

    -structural stone masonry, withinterlocking of stones with mortice andtenon joint

    -Through stone is provided for extrastability

    -Stone slabs are cut, dressed andcarved and used as facing stones.

    -Stone thickness varies from 30 -450cmand wall thickness 80-120cm

    Proportions of Garbhagriha:grid considered is 4X4 or 8X8 -(vastu purusha mandala) ,considered auspicious for both horizontal and vertical proportions

    basic unit of measurement is 1 danda = 180cm, (human proportion)width X length =180 X 180 cms (1:1)width of sanctum wall would be 60 cmsouter dimension of sanctum = 300 cms

    6 ft

    180 cms

    4

    44

    Garbhagriha - plan

    Garbhagriha - view

    mesayuddha - mortice and tenon joint in stones in wall

    Through Stone

    Elements of Temple:

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    Shikhara / Vimana:

    the most distinctive part of hindu temple pyramidical structure built over the garbhagriha stepped, curvilinear / conical in North, and

    pyramidical in South

    Construction:

    -The horizontal courses one above the other arestepped inwards and progressive forward to coverthe space.

    -The sikhara is usually hollow from inside or in

    some cases filled with rubble.-The apex of the superstructure is mounted by a

    single piece of stone

    corbelling construction system

    Constructing of shikhara:based on curvature / rekha

    1. Candrasala Rekha

    2. Udayakala Rekha

    relation between width of wall and height of shikhara

    Proportions:

    relation between garbhagriha and Shikhara

    - area of shikhara is divided into 16 (4X4)if width of sanctum is 2, then width and height

    of shikhara is 4 and 2/3rdof total height

    wall and shikara are collectively divided into 20 parts

    2

    44

    4

    8 geometric progression: width of garbhagriha :

    width of shikhara :height of shikhara =2:4:8

    3

    Elements of Temple:

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    Types:

    based onposture of deity

    sthanaca (erect)

    asana (sitting)

    sayana (recumbent)

    based on materials

    sudha (pure)

    misra (mixed)

    sancirna (anomalous)

    based onmagnitude

    santica 7 10

    panstica 6 9

    jayada 5 8

    atbhuta 4 7

    sarvacama 3 6

    breadth height

    (units)

    (units)

    based on shape

    Phamsana

    latina

    sekhari

    NorthIndia

    SouthIndia

    kutina

    shala

    abovegarbhagriha

    abovemandala

    kalasa

    amalasaraka

    griva

    skatha

    candarasala

    parts of shikhara

    Elements of Temple:

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    Columns & Beams:

    consists of tall, slender, free-standing,beam supporting columns, pillars andpilasters.

    based on cross section

    square

    circular

    polygonal} faceted

    scalloped fluted

    lobed

    staggered

    stellate

    parts of column

    Types:

    Proportions:

    Construction:monolithic structures,

    divided into 5 parts and joint bymortise and tenon joints.

    vahana/pedestal

    ghata/base

    shaft

    padma/capital

    uttaroshtha/entablature

    height ofcolumn

    based on dimensionsand ornamentations

    chitra -kanthapadma -kantha

    chitra -stambha

    palika sthambha

    kumbha-stambha

    Elements of Temple:

    l f l

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    Mandapas:

    pillared halls

    Construction:

    trabeated system of construction

    -horizontal and vertical members are used and stability is achievedby massive arrangement of vertical elements and heavy cross beams

    -Roofing: stone slabs laid horizontally, spanning from onesupporting beam or wall to another

    -Ceiling: deliberately confined to the overlapping of one stone

    course with another

    laying of diagonal and square stone course to producedesigns with rotating and diminishing squares.

    South IndiaNorth India

    Types:antarala / ardhamandapa -narrow pavilion

    navaranga / nrittamandapa- big hall for singing anddancing etc.

    sanapana mantapa - hall forceremonial purpose

    mukha mantapa - openingpavilion

    view from interior

    Pproportion:

    reflects the grid usedfor the garbhagriha

    Elements of Temple: