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References:
1. Dagens, Bruno. 1986. Mayamata: An Indian Treatise on Housing Architecture and Iconography.New
Delhi: Sitaram Bhartia Institute of Scientific Research,
2.Bharne, Vinayak &Krusche , Krupali. : Rediscovering the Hindu Temple: The Sacred Architecture and Urbanism of India
3. Vardia, Shweta.2008 ,Building Science of Indian Temple Architecture
4. Prof. SKR Rao, Temple Architecture -Devalaya Vastu
5. Ram Raz, On The Architecture of Hindus
presented by:Ar. Fathima Rishin Razak3rd Sem, M.Arch (Architecture Education)SMMCA, Nagpur
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Temple Construction : From Design to Execution
Upapitha
Adisthana
Garbhagriha
Shikhara
Pillars
Mandapa
Layout
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Steps in Temple Construction:
1. Bhu pariksha: Examining and choosing location and soil for temple and town. The land shouldbe fertile and soil suitable.
2. Sila pariksha: Examining and choosing material for image
3. Karshana: Corn or some other crop is grown in the place first and is fed to cows. Then thelocation is fit for town/temple construction.
4. Vastu puja: Ritual to propitiate vastu devata.
5. Salyodhara: Undesired things are dug out.
6. Adyestaka: Laying down the first stone
7. Nirmana: Then foundation is laid and land is purified by sprinkling water. A pit is dug, watermixed with navaratnas, navadhanyas, navakhanijas is then put in and pit is filled. Then thetemple is constructed.
8. Murdhestaka sthapana: Placing the top stone over the prakara, gopura etc. This again involvescreating cavities filled with gems minerals seeds etc. and then the pinnacles are placed.
9.
Garbhanyasa: A pot made of five metals (pancaloha kalasa sthapana) is installed at the place ofmain deity.
10.Sthapana: Then the main deity is installed.
11.Pratistha: The main deity is then charged with life/god-ness.
Site Selection and
Preparation forConstruction
ActualConstruction
SanctifyingCeremony
http://www.hindupedia.com/en/Devatahttp://www.hindupedia.com/en/Vastu7/25/2019 temple construction -pdf
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Temple Design:
Construction Process:
1. The planning of the temple by architect
2. the carving of different parts
3. assembling the parts
prepares list of all parts that go into details oftemple -figures, beams, brackets etc.
carves the parts and segments as per drawings,designs, specifications and guidelines
parts are transported to construction site
parts are assembled with joints -mortise
and tenon joint, lap joint etc.
mortise and tenon joint allow space forstones to expand in heat or even vibratemodestly without moving from itsposition
Design Team:
Acharya Sthapati
Sutragrahin
Takshaka
Vardhakin
Workmen
Sthapaka
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Process:
2. The carving of different partsQuarrying of Stone:
cut a series of pocketsalong the surface of the
stone
filling themwith wood,
watering thewoods
regularly.
wood swells andmakes a crack along
the holes.Transportation:-with wooden rollers drawn byelephants/ humans- floated on wooden bargealong rivers and canals
2.1 Cutting and carving the stone:
carving each stone piece -slow, tedious and work of patience
4 different phases:
1. team of stone masonswill cut stone blocks to appropriate size.2. team of carverswill give basic shape to stone
3. Sculptorsgive them final form along with joinery details4. during assembling time, these details are made fine and correct
to make a proper joint.
2.2 Drawings of Stone:
- drawings on stone made by sharpened coal piece and bamboo
shoot dipped in any colouring agents like lime, ink,redoxide etc.
- long straight lines are marked by soaking the thread incolouring agent and then stretching from one end to other andsnapped.
- after every phase of carving, more lines are made for the canvasto detail the stones.
2.3 Polishing the stone: - final phase, takes 12 -20 days to complete- done using stone bars slowly and patience
fine chiselled surface islevelled using differentcategories of stone bars
washedcleaned to removestains and dirt
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Process of Temple Buiding:
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1. Pada Vinyasa
the land considered for templeconstruction has a square (4:4) or rectangle
(4:5,4:6,4:7,4:8) ratio for breadth to length
first drafted on planning sheets and laterdrawn upon the earth (site)
ground divided into 81 cells, by drawing10 lines from east to west and 10 from bothto south (if square layout and (9X9) isselected).
4
4
5 6 7 8
4
4
1
81
N
N
9X9
Paramasayika
- Garbhagriha
- Brahma pada
- devika pada
- manusha pada
- paishachika pada
2. Garbhadhana:
Foundation pit is dig with not less than 2mdepth
Adyestaka : laying of first foundation stonein the NW corner
stones are fully packed (one above theother) below the sanctum
portion below garbhagriha is filled 3/4th
3. Agni Hotra:
sanctifying ceremony
stone slab - Adhara shila
golden box embedded in earthfoundation stones below
main diety
..actualconstruction startswith assembling ofparts
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Temple Layout:
Garbhagriha:
North India
orthogonal gridsof mandalas areused
South India
Vesara Style:
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Elements of Temple:
Upapitha / Jagati:
usually high plinth to give respect to the temple
made using layers of stones of good quality
Construction:-plinth stones are placed above foundation stone
and it act as retaining wall for the rubble compactedearth within plinth area of structure.
-above this compacted rubble are laid stone slabsof thickness 20-30 cm, for flooring.
-stones are placed one above the other and madestable with the self weight (3-10 layers)
-top most course has groover for pillar bases
Proportions:
Types: Vedibhadra
Pratibhadra
Manchabhadra
Adisthana / Pitha:Cumbhabandha
Rhutabandha
Pratibandha
Pattabandha
ManchabandhaSribandha
3. Assembling the parts
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Mandovara / Pada:
wall that connects base to the shikhara
Proportions:
generally, width : height = 1:1 (Aparachitaprecha)
divided into 44 parts with mouldings
Construction:
-structural stone masonry, withinterlocking of stones with mortice andtenon joint
-Through stone is provided for extrastability
-Stone slabs are cut, dressed andcarved and used as facing stones.
-Stone thickness varies from 30 -450cmand wall thickness 80-120cm
Proportions of Garbhagriha:grid considered is 4X4 or 8X8 -(vastu purusha mandala) ,considered auspicious for both horizontal and vertical proportions
basic unit of measurement is 1 danda = 180cm, (human proportion)width X length =180 X 180 cms (1:1)width of sanctum wall would be 60 cmsouter dimension of sanctum = 300 cms
6 ft
180 cms
4
44
Garbhagriha - plan
Garbhagriha - view
mesayuddha - mortice and tenon joint in stones in wall
Through Stone
Elements of Temple:
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Shikhara / Vimana:
the most distinctive part of hindu temple pyramidical structure built over the garbhagriha stepped, curvilinear / conical in North, and
pyramidical in South
Construction:
-The horizontal courses one above the other arestepped inwards and progressive forward to coverthe space.
-The sikhara is usually hollow from inside or in
some cases filled with rubble.-The apex of the superstructure is mounted by a
single piece of stone
corbelling construction system
Constructing of shikhara:based on curvature / rekha
1. Candrasala Rekha
2. Udayakala Rekha
relation between width of wall and height of shikhara
Proportions:
relation between garbhagriha and Shikhara
- area of shikhara is divided into 16 (4X4)if width of sanctum is 2, then width and height
of shikhara is 4 and 2/3rdof total height
wall and shikara are collectively divided into 20 parts
2
44
4
8 geometric progression: width of garbhagriha :
width of shikhara :height of shikhara =2:4:8
3
Elements of Temple:
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Types:
based onposture of deity
sthanaca (erect)
asana (sitting)
sayana (recumbent)
based on materials
sudha (pure)
misra (mixed)
sancirna (anomalous)
based onmagnitude
santica 7 10
panstica 6 9
jayada 5 8
atbhuta 4 7
sarvacama 3 6
breadth height
(units)
(units)
based on shape
Phamsana
latina
sekhari
NorthIndia
SouthIndia
kutina
shala
abovegarbhagriha
abovemandala
kalasa
amalasaraka
griva
skatha
candarasala
parts of shikhara
Elements of Temple:
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Columns & Beams:
consists of tall, slender, free-standing,beam supporting columns, pillars andpilasters.
based on cross section
square
circular
polygonal} faceted
scalloped fluted
lobed
staggered
stellate
parts of column
Types:
Proportions:
Construction:monolithic structures,
divided into 5 parts and joint bymortise and tenon joints.
vahana/pedestal
ghata/base
shaft
padma/capital
uttaroshtha/entablature
height ofcolumn
based on dimensionsand ornamentations
chitra -kanthapadma -kantha
chitra -stambha
palika sthambha
kumbha-stambha
Elements of Temple:
l f l
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Mandapas:
pillared halls
Construction:
trabeated system of construction
-horizontal and vertical members are used and stability is achievedby massive arrangement of vertical elements and heavy cross beams
-Roofing: stone slabs laid horizontally, spanning from onesupporting beam or wall to another
-Ceiling: deliberately confined to the overlapping of one stone
course with another
laying of diagonal and square stone course to producedesigns with rotating and diminishing squares.
South IndiaNorth India
Types:antarala / ardhamandapa -narrow pavilion
navaranga / nrittamandapa- big hall for singing anddancing etc.
sanapana mantapa - hall forceremonial purpose
mukha mantapa - openingpavilion
view from interior
Pproportion:
reflects the grid usedfor the garbhagriha
Elements of Temple: