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Tchaikovsky. Romeo and Juliet Fantasy Overture. Key Words. Overture – music usually heard in one movement before an opera. Programme Music – descriptive music which tells a story. Sonata form – Music divided into 3 sections Exposition Development Recapitulation. Tchaikovskys Style. - PowerPoint PPT Presentation
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TchaikovskyRomeo and Juliet Fantasy Overture
Key Words Overture – music usually heard in one
movement before an opera. Programme Music – descriptive music
which tells a story. Sonata form – Music divided into 3
sectionsExpositionDevelopmentRecapitulation
Tchaikovskys Style
Very creative and used lots of different combinations of instruments
He used lots of contrasting keys, tempi and textures in the music
He likes to write scale passages He used sonata form
Themes
Friar LawrenceThe Strife ThemeThe Love Theme
Themes Introduction: Friar Lawrence theme Exposition: Strife theme LOVE THEME Codetta Development: Friar Lawrence Strife theme Recapitulation: Strife theme LOVE THEME Altered LOVE THEME Strife theme Final conflict Coda: Funeral March
Friar Lawrence Theme
Friar Lawrence Theme heard 3 times:
Frair 1st Time - Introduction
FRIAR LAWRENCE THEME FOR 1ST TIME F# minor Heard in the Bassoons and Clarinets Hymn-like Homophonic Low register
Friar 2nd Time - Introduction
TRANSITION WITH THE FRIAR LAWRENCE THEME FOR 2ND TIME (bar 41)
F minor Theme in flutes and oboes Contrapuntal Higher register Pizzicato strings Scale passages
Friar Third Time - Introduction
LINK PASSAGE WITH A VARIED FRIAR LAWRENCE THEME FOR 3RD TIME
(bar 83) E minor Theme is in the woodwinds Dynamics getting louder Tempo getting faster Tremolo strings Timpani roll Much more lively
Strife Theme and Love Theme Exposition1ST TIME WE HEAR THE STRIFE THEME: flutes and violins playing in octaves (bars 112-115) Homophonic texture (melody with accompaniment) Loud volume Repetition Syncopation Dotted rhythms Fast tempo Bminor
2ND TIME WE HEAR THE STRIFE THEME: D minor – G minor – B minor Played as canon by cello and double bass and followed
by piccolo/flute/oboe Imitation at the octave and double octave Distance of a minim Canon is repeated a 4th higher Because it is played as a canon…the texture is
Polyphonic
Strife Theme and Love Theme Exposition
Strife Theme and Love Theme Exposition
3rd TIME WE HEAR THE STRIFE THEME: flute violin and trumpet
B minor – D major Louder dynamics ff Brass join in Timpani more involved
Let’s listen to part one of THE LOVE THEME
It is in D flat major (im missing a G flat on stave!.....sorry)
LOVE THEME PART 1: Cor anglais(English horn) and muted viola (con sordini) in unison b184
• Key of D flat Major• Homophonic texture: melody on Cor anglais and
viola with• Syncopated horns in background• Wide leaps 1st time
• Pizz cello and double basses• Rising harp arpeggio
Strife Theme and Love Theme Exposition
Lets look at LOVE THEME PART 2 now
LOVE THEME PART 2: 1st violins………… Continuous crotchets Homophonic texture Strings are divided into 4 parts(div) and muted (con sordini) Wide leaps 2nd time Repeated notes
Strife Theme and Love Theme Exposition
Strife Theme and Love Theme Exposition
Gradually more instruments are added to thicken the textureLOVE THEME PART 1 AGAIN semi quaver scale introduction passage
Strife Theme and Love Theme Exposition Love theme in higher register in flute + oboe
LOVE THEME PART 1: flutes and oboes in a higher register………… Love theme introduced by rising semiquavers in flute and oboe Pizz cello and double bass Rocking/Broken chords on violin and viola No percussion THE LOVE THEME PART 1 IS REPEATED exactly as the above but this time
the Clarinets join in with the flutes and oboes Bass trombone joins in A short Codetta brings the section to an end with the harp playing crotchet
chords
FRIAR LAWRENCE THEME Bminor to F sharp minor STRIFE THEME Horn (later flute/clarinet) 7 BAR BUILD UP 2nd violin =strife rhythms No key signature Dialogue between strings/wood Lots of semi-quavers Pizzicato IN CELLO/D.BASS Polyphonic texture Sequences Staccato violins
DEVELOPMENT SECTIONFriar Lawrence Theme and The Strife Theme
DEVELOPMENT SECTIONFriar Lawrence Theme and The Strife Theme
2ND TIME FRIAR LAWRENCE THEME G minor STRIFE THEME Horns
strings Exact repetition 3 note Semi-quavers idea across orchestra Sequences 326-330 Crescendo
3rd timeFRIAR LAWRENCE THEME B Minor strife theme (rhythms)
Trumpets with orchestra accompanying Syncopation in strife theme
Descending line in cello/tuba and bassoon
DEVELOPMENT SECTIONFriar Lawrence Theme and The Strife Theme
Recapitulation section (bars 353-462) SECTION KEY BARSTRIFE B MINOR 353LOVE THEME PART 2 D MAJOR 368
LOVE THEME PART 1 D MAJOR 389
ALTERED LOVE THEME
D MAJOR 419
STRIFE + FRIAR LAW.THEME
B MINORC MINORC# MINOR
441
TRANSITION C#MINORB MINOR
462
Transition to Coda
TRANSITION (BARS 462-484) C# minor to B minor Strife rhythm Loud drum roll brings recap to a close
Coda
CODA = BARS 485 - 510
FUNERAL MARCH LINK PASSAGE LOVE MOTIF