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8ARTISTSSELECTEDTOPARTICIPATEINTHERESIDENCIESPROGRAMMEINITIATEDBYTHEENOANETWORK
FollowingtheopencallforresidencieslaunchedinNovember2017,5womenartistsand3menartists,willbeawardedaresidencyinoneorseveralinstitutionsofthenetwork.45applications(25filedbymenand20bywomen)havebeensubmittedby23composers,13stagedirectors,4conductors,2librettistsand3visualartistsof18differentnationalities.Thenetworkaimstoorganise27artistresidenciesover4years(May2016-May2020).SincethelaunchoftheYoungOperaMakersprogramme,6artistshavealreadybenefitedfromtheresidenciesprogramme.TAILOR-MADERESIDENCIESTORESPONDTOTHENEEDSOFANEWGENERATIONOFOPERACREATORSTheresidenciesofferedbyenoaareopportunitiesforyoungcreatorstoliveandworkatanartisticinstitutionforavaryinglengthoftimeanddevelopanongoingandfruitfulrelationshipwithit.Theimmersioninaninstitutionallowsthemtodiscoverhowitworksanditsdifferentactivities,totake inspiration from its artistic programme and take part in outreach projects. It is also a greatchancefortheartiststomeetandtalkwiththe institution’ssingers,musiciansandcreatorsandtoenrichtheirownpractice.Fortheinstitutionshostingartistsresidencies,itisaboutforgingtrustfulrelationshipthatcouldleadtofuturecollaborationsandtobenefitfromtheoutlook,imaginationandcreativityoftheartist.Thedurationofresidenciesandtheiraimsaredetermineddependingontheartistsandthehostinstitution.
«LetusimaginejustforamomentwhattheEuropeanculturalscenewouldbelikeifmostoperahouses–andorchestras!-hadresidenciesforcreativeartists.Notonlywouldwehavemanymorenewworksbut,
moreimportantly,theseresidencieswouldstrengthenrelationsbetweeninstitutions,theiraudiencesandtheartists,offeringthemprivilegedworkingconditionsandprofessionalintegrationopportunities.(…)Thereis
nosingleformatforacollaborationwithcreativeartists,anddifferenttypesofcollaborationscanbeenvisaged,whethertheyareshort-termexperimentsorlong-termresidencies.Whatiscrucial,however,isto
approachthisworkwithconvictionanddetermination.Thatisthepricewehavetopaytokeepmusicandoperaalive.»
•BernardFoccroulle,Chairmanofenoa–June2014
PRESSRELEASEMay7th,2018
MAY2018:3residenciesin3institutionsFollowingacreativeprocessin2co-producinginstitutionsNinaRussi,stagedirector(Switzerland)OnthenewproductionofTheFieryAngel(Prokofiev),directedbyMariuszTrelińskiSession1–May7th-14th,2018/TeatrWielki(Warsaw,Poland)Session2–June22ndtoJuly5th,2018/Festivald’Aix-en-Provence(Aix-en-Provence,France)ClairePasquier,stagedirector(France)On theworld premiere of the participatory opera projectOrfeo &Majnun (Dick Van derHast,MoneimAdwan,HowardMoody),directedbyAiranBergSession1–May20thtoJune30th,2018/LaMonnaie/DeMunt(Brussels,Belgium)Session2–July1st-8th,2018/Festivald’Aix-en-Provence(Aix-en-Provence,France)DevelopingaspecificoperacreationprojectJugMarković,composer(Serbia)Work sessions on his opera project E + O, based on Euridice in the Underworld by KathyAcker.Session1–May17th-21st,2018/CalousteGubenkianFoundation(Lisbon,Portugal)Session2–December2nd-8th,2018/CalousteGubenkianFoundation(Lisbon,Portugal)
ABOUTENOA/EUROPEANNETWORKOFOPERAACADEMIESYOUNGOPERAMAKERSPROGRAMME
InMay2016,withthesupportoftheCreativeEuropeProgrammeoftheEuropeanUnion,enoalauncheditsprogrammedesignedforperformersandcreators,YoungOperaMakers.Itaimstoprovideyoungartistswithafirst-ratetrainingpathwayusingcontemporary,multidisciplinaryapproachtoopera;togivethemexperienceofperformingandofthecreativeprocess;andtosupportthedevelopmentanddisseminationofnewoperaticworkswhichcontributetodiversifyingaudiences.
WiththesupportofCreativeEuropeProgrammeoftheEuropeanUnion.
Forenoa-EliseOrtega,CommunicationandPressofficer/[email protected]/+33(0)442175789
