Motif a: triadDevelopmentBars 227-236E flat majorInverted Turn
Motif (2nd subject) Flute + Oboe + Bassoon + ViolinChords:Followed
by short-long motif by VIOLINS for rest of phrase
Bars 237-249 G MINOR+ DOMINANT D PEDAL: Clarinet, Trumpet, Oboe,
FluteViolin play syncopated downward scale, bassoon and lower
strings play scalic bassline
End with PLAGAL CADENCE (D major)
Motif b: Scalic DescentMotif c: Short-longMotif d: Chromatic
DescentMotif e: Turn Figure (2nd subject)Motif f: Repeated notes
and chromatic ascent
Orchestral ExpositionSolo ExpositionDevelopmentRecap
1st SubjectC minor, PImitation1. Strings2. WW: Oboe, Bassoon,
Horn echoExtension Rhythmic MotifSequence + Imitation1. Violin2.
Violin3. FluteChords:
Increasing Harmonic Intensity Keep changing chordsBars 111-130:
Intro + 1st SubjectPIANO! (vs Dev.)3 Octaves of C minor Scale Bars
249-256PIANO!3 Octaves of D Major Scale3 introductory scales as a
dramatic interruption, followed by short-long motif(ending of
phrase accented by tutti, beginning of each bar d major chord)
C minor, FFImitation1. TUTTI2. WW: Oboe, Bassoon, Horn +
CLARINET
Piano play 1st Subject in FORTE (C MINOR)In Octaves triplets +
decorations, unaccompaniedHarmony similar to orchestra, more
decoratedStrings play simple accompaniment harmonic fillersEnd with
PERFECT CADENCEExchange between piano and ww (short-long motif)
Flute + Oboe, Bassoon, StringsBar 257-266Piano play 1st subject in
PIANO (G MINOR)Accompaniment More rhythmically intense: Quavers in
strings
As piano plays lyrical version of 1st subject, cello weave
short-long motif between pianoPERFECT CADENCE (G minor)Bars
266-278Bassoon plays diminished version of 1st subject, imitated by
oboe, then imitated by clarinet Polyphonic Texture, Canon F
minorShort-long motif returns in exchanges between cello and
bassoon as rhythmic accompaniment while piano continues lyrical
theme.Bassoon as soloist very rare!PERFECT CADENCE in F minor
TransitionPart 1Continue the extension of motifC minor E Flat
MajorStrings vs WoodwindPart 2E flat MajorMotif a + b + extended
bHorn + Violin, Oboe + Violin, Flute + ViolinPart 3Syncopated Motif
B: ViolinsDOMINANT B FLAT PEDAL: Horn, Viola, Clarinet Prepare for
E flat minor+ Rhythmic intensity from Strings, Chromatic descent in
WW to link to 2nd subjectBars 131-137: Part 1C minor E FLAT
MAJORStrings + Horn vs PianoChords vs Broken ChordsBars 138-145:
Part 2Orchestra vs PianoChords vs Piano Bravura: Chromatic Runs4+4
Phrasing
Bars 146-163: Part 31st subject in Violin + Clarinet + Horn (E
flat major)1st subject in Violin + Clarinet + Flute (A flat Major)B
flat minor E flat majorPiano plays syncopated motif b (scalic
descent) with string accompaniment Triplets in left hand, Arpeggio
Scales (same as in recap)TONIC B FLAT PEDAL: HornDOMINANT B FLAT
PEDAL: Piano Clear signal of the appearance of E flat major as 2nd
subjectIMPERFECT CADENCENo trills to 2nd subjectBars 279-291Motif a
(triad) EXTENDED: Clarinet + Bassoon, continued by
FluteSimultaneously, lower strings continue Short-long motifPiano
accompanies with triplets in both hands as accompaniment
D flat major (Neapolitan Relationship) C minorIMPERFECT CADENCE
(C minor)Bars 291-308:C minorOboe codetta theme returns (repeated
notes)TIMPANI ENTERS FOR THE FIRST TIME IN DEV. Short-long motif
with stringsNew Technicality demonstrated Alternate broken octaves
between LH and RHChords:
Short-long motif continues as rhythmic backbone on the
stringsSmall range chromatic melody similar to chromatic descent
motif interweave between oboe, clarinet and bassoon.Quintuplet
descending scales instead of just trills on the pianoBars
317-325:Similar to Dev.Short-long motif exchange between strings
and ww
Bars 326-329Neapolitan 6th figuresPiano plays syncopated motif b
(scalic descent) with string accompaniment, solo Triplets in left
hand, Arpeggio Scales (same as in solo ex)
DOMINANT G PEDAL: PIANO+ Extension: Flute, Oboe, PianoTRILLS 2nd
subject
2nd Subject1st Appearance, p1. E FLAT MAJOR Violin 1 +
Clarinet(Violin 1 and 2 comes in again, Subject imitated by
Bassoon)------->2. C MAJOR Flute + Oboe
Repeated 2nd Subject with extension of appoggiatura figure
Whole Orchestra Playing vs Trumpet Oboe Timpani missing in
Dev.
Bars 164-181: 2nd Subject1. E flat major PIANO: states 2nd
subject with arpeggio + B flat pedal LH, strings accompany
2. E flat major Clarinet and Violin 1 play subject
++ Surprising 2 bar piano solo on the appoggiatura figure from
the 2nd subject Bars 340-3621. C Major PIANO: states 2nd subject
with arpeggio + G pedal LH, Strings accompany
2. C Major Flute + Violin 1
Part 1 Transition Codetta1st Subject Appearance again, in
imitation1. C MINOR Bassoon and Cello, Double Bass2. F MINOR Violin
13. Flute, Clarinet, BassoonEnding: PERFECT CADENCE (C minor)------
CODETTA!
Bars 182-185: Transition Part 1Scalic descent motif in piano
part: mordents/accented passing notes
Chords: Ending: PERFECT CADENCE (E flat Major)
TransitionSimilar to solo ex:Scalic descent motif in piano part:
mordents/accented passing notes
Ending: PERFECT CADENCE (C major)
CodettaTransition Part 2: CODETTAC MAJOR C MINOR (abrupt) Oboe
play codetta motif (extended: Repeated notes and chromatic
ascent/descent)
Cello + Double Bass, play Short-Long Motif Violin + Oboe play
INVERSION of 2nd subject (Turn figure) WIND vs STRINGS
1st Subject in TUTTI, C MINOR Woodwinds, imitated by strings
(fugal) ORCHESTRA Horn + Trumpet play short-long motif
throughout
PERFECT CADENCE3 Tonic Chords at FF Strong and Symphonic
endingBars 186-219: CODETTAE FLAT MAJOR MINOR MAJOR Oboe play
codetta motif again (extended: Repeated notes and chromatic
ascent/descent) Interplay between piano and orchestra (WW), solo
oboe + bassoon used again
Extended motif d (chromatic descent) on PIANO TRILLS
+ Short-long motif imitation Exchange between 1. Horn vs
Strings2. Clarinet + Bassoon vs Strings
Short-long motif in IMITATIVE MANNER accompanying piano
bravura
CONDENSATION OF THEMES
Part 31st subject in CLARINET + HORN, E FLAT MAJOR Piano trills,
string chordal accompaniment at beginning of bar
PERFECT CADENCE (E Flat Major)
Trills at end of Codetta Development+ Horn and Clarinet: 1st
SubjectCHROMATIC DESCENT TO DEVELOPMENTBars 362-394: CodettaC
MINOR/C MAJOROboe play codetta motif again (extended: Repeated
notes and chromatic ascent/descent)
Extended motif d (chromatic descent) on PIANO TRILLS+ Short-long
motif imitation Exchange between1. Horn and Strings2. Flute + Oboe
+ Horns + Timpani vs Strings Short-long motif in IMITATIVE MANNER
accompanying piano bravura
PERFECT CADENCE (F minor)
Trills at end of codetta Cadenza+ Horn and Trumpet: 1st
subject
