Szeemann Harald Live in Your Head When Attitudes Become Form 1969

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Kunsthalle Bern

When Attituds Bcom Form

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Wenn Attitd Form wrd

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Openng hoursfnungseten

Heures d'ouverture

Da y / glch/ous les jours 0 2 1 4 7

Thursday/ Donnerstag /Jeud

2 0 - 2 2

Exhibton and Catalogue dected by Haald Semann, B© Kunsthall Ben Swterld



© Kunsthall Ben, Swterld



Der Vorstad des Veres Kusthale Ber dakt ae, die um Geige deser Ausstellug begetrage habe, erster Lie Phlip Morris Europe fr de Ermgichug eses Ausstellugspojektes Der Leiter der Kusthaeist eer Rehe vo Perslichkeite fr re aktive Teahme bei e Vorbereituge u de «Atttudes» ugossem Dak verpflichtet de Veratwortche bei Phlp Morris Europe, de ihm ale die Ausstellugbetreffede Frage volstdige Freheit gelasse habe. Besoderer Dak gebhrt jedoch de Kster,Kustfreude, Sammler, de urch Iformatoe ud im Gesprch magface Areguge vermitteltabe Mrs Na Kaide, Vice Presdet, Drector of Fie Arts, Ruder & F Ic (New York), Mrs. Eugeauter (os Ageles), Madame Ileaa Soabed (Pars), die Herre Rchard Belamy (New York), eo Castel(New York), Korad Fscher (Dssedorf), Heer Fredric (Mche), Pero Glard (Tur), Edward Kehol(Los Agees), Mario Mer (Tur), Robert Morrs (Ne York), Bruce Nauma (Southampto, N Y), RolfRcke ( K), Seth Segeaub (New York), Eo Speroe (Turi), Joh eber (New York). Fr die Erlaubs

um achdruck es Textes vo Tommaso Tr se der Redakto vo Domus, Maad, gedakt. H S.

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Wi chn an dis St an Knslen Saln und a dnn, di duch ih Mithi dis Aussl lung gcht haben besns dann:

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Carl Adre, Ne York - Giovai Aselmo, Torio Richard Artschwager, ew York - Thomas Bag, SataBarbara, Ca. - Jared Bark, Ne York -Robert Barry, ew York - Richard Bellamy, New York - Joseph Beuys,Dssedorf - Me Bocher, ew York Alighiero Boetti, Torio - Marius Boeem, Gorichem - B Boliger,New York - Mchael Buthe, K - Per Paolo Calolari, Booga - Prof. Germao Celat, Geova aul Cotto, Oaklad, Cal. - Hae Darbove, Hamburg & ew York - Ja Dibbets, Amsterdam - Ger va Elk,Velp- Rafael Ferrer, Phiadelphia, Pa. Barry Faaga, Lodo - Piero Gilard, Toro Ted Glass, ew York- as Haacke, New York - Michael Heier, Ne York Eva Hesse, New York - Douglas Hueber, ew York- Paolo Icaro, Geova Aai Jacquet, New ork & aris - Neil Jeey, New York - Stephe Kaltebach,Ne York Jo A Kapla, New York Mr & Mrs. Edward Kiehol, Los Ageles, Cal - Rotraut Klei, Pars- Joseph Kosuth, New York Jas Kouels, Roma - Gary B Kueh, Somerve, N.J. Sol ett, New

York - Berd Lohaus,Aterpe- Rchard Log, Bristol - Roelof Lou, Lodo - alter de Mara, New York- Bruce McLea, Lodo Davd Medala, Keraa, Ia Maro Mer,Toro -Robert Morris, New York - BruceNauma, Southampto, N Y. - Claes Odeburg, New York Des Oppehem, New York - Paamareko,Atwerpe - Cote Guseppe Paa di Biumo, Mao - Paul Pechter, New York- Dr Hubert Peeters, BrggeMicheagelo Pistoletto, Torio Emio Pr, Geova Markus Raet, Ber - Alle Ruppersberg, Los Agees,Cal - Reer Ruthebeck, Dsseldorf - Robert Ryma, ew York - Frederick Lae Sadback, New York -Aa Saret, e York - Sarkis, Paris - JeaFrdric Schyder, Ber -Richard Serra, New York Seth Segelaub, New York - Robert Smithso, New ork - Keth Soier, ew York - Richard Tuttle, ew York - FrakLico Vier, Ne York - Fra Erhard alther, Ne York - iliam G. egma, Mwaukee/iscosi -awrece eier, e York - David hitey, Ne York illiam T iley, oodacre, Cal - Glberto Zorio,Torio

Modera useet, Stockholm

Galeria LAttico, Roma - Galeria La Bertesca, Geova - Eugea Buter Galery, Los Ageles, Ca. - BykertGalery, New York - Leo Casteli Gallery, New York Dwa Gaery, New York Fischbach Gaery, New YorkKorad Fischer, Dsseldorf -Robert Fraser Galery, Lodo - Galerie Heier Fredrch, M che - Ala Frumk Galery, New York - Gaerie Toi Gerber, Ber - Joh Gbso, New York - Noah Godowsky Gaery/Ricard Beamy, New York Gaere Mickery, Loeersloo - Betty Parsos Gaery, New York Gaerie Ricke,K - Esther Robles Galery, Los Ageles, Cal - Roa Galery, Lodo - Gaerie Schmea, Dsseldorf -Fersehgalere Gerry Schum, Haa b. Dsseldorf Gaerie Soabed, Pars - Gaera Speroe, Toro dehite Space Galery, Atwerpe - Nck ider Gallery, Los Agees, Ca Gaere Rudof Zwirer, K



Z u Asstlng

Es a set jehe Aufgabe e Kusthalle, ei weiteres Pubikum ber ie eueste Teee beer Kust fomiee Se hat ies e lette ver Jahre geichsam progammatsch uchgeft Die Etappeese tematsce bebcke s cht u Bewegug/Kietsche Kust (1 965), Wess auf Wess/oocome (1 966), Sueaismus / Phatastsche Kust (1 966), Scece Ficto (1 967), Polychome Pastk(967), Fome e Farbe (1 96), Evomets (1 968) Es ware ies e aufegste, abe auch e ameste besuchte u stets vo eier Reihe vo ausische Musee beommee Aussteluge useessttutes Auf Gru eser Aussteugsreihe ehelt er eiter er Kusthalle vo e Php Ms Eurp

e Mtte f e Ogaisato eies weite

bebckes ber gegewrtges Kustschaffe De Wahl fel aufe soohl Ameka as auch Europa eueste Kust Zegte e 4 Documeta ettes Jah e Kust bsfag 1 968, so sol u ie gegewrtige Ausstelug, gob gesagt, as bshe Neuetstaee okumetee m Kataog fguriee 69 Kstler aus Amerika, Belgie, Deutscha, Egla Frakec Ho, tae er Ausstellug si es ugefh 40, e mt Weke vetrete s; e be e Aktvte e aer ka eigch «ifomiet» wee, a he «Weke» cht ausstebar s

e Ausstelug nn Atttdn Frm wrdn (rk - Knzpt Vrgng Stuatinn Inrma kt gegeber ire Vorggee setsam uehetlch u kompet, als eie Aito voEuge i Ic Fom Die Frage st eaubt Habe wi es he mit ee Reaktio auf ie i e lette Jae bemctige Geomete, mt ee subjektive Kust, mt eie Neuaufage es Taschismus utu Scer ke fr e meste e her ausgestelte Kste er vogeebte Werkpoess vocamp, e Itesitt i Polocks Geste, e Eiheit vo Mateial, physscher Astegug u Zeit i e

appeigs e frhe sechger Jahre as Bestatele eies ksteische Stammbaumes bemht were Doch i eige Fle si es icht ei visuelle Erfahuge, e e Wusch, Weke u kreere,asgelst habe. Hippetum, Rockeexiste, er Gebauch vo roge musste sch fher oer spte aufas Verhate eie jger Kstergeeato uswirke. Es ist beeiche, ass eige e Hauptvetee vo e amerikasche Westkste stamme, ie stliche Eiflsse besoes ausgesett ist. Veeso ese GeselschaftsAt Fom, auf er eie Sete er Hag u Kotempato u aeeseits ieo er Vehechug es physsche u schpferische Ichs getragee Akto, st iese eue Kustegefosse I Euopa si weitere Mosaiksteie u fe as Fehle ees Zetums veaasst immeme Kstler, ihe Heimatstte u bleibe u gege ale Vosteuge er jeweige Geselschafteusstseskust u mache Zuglech st er usch sprba, as « Deeck, em sic Kust abspet» - Atee, Gaerie, Museum u spregeem komplexe Phome feht bsher e Name u Aufhger, we ies be e «blbeogee» Pop,

p u Miima er Fall gewese st De vorgeschlagee Termii «AtFom», «Micoemotve Art», «Possbe At», «Impossible At», «Cocept Art», «Arte povera», «Earth At» teffe immer ur ee Aspekt: escebare Opposito gege ie Form; e hohe Ga persiche u gefhlsgetragee Egagemets e Erklug vo Dge u Kust, e bsher icht as soche etfiert si; e Verageug esIteesses vom Resutat auf e Vogag; ie Verweug povee Mateialie; ie Iteaktioe vobeit u Matea; Mutte Ee als Wekmaterial, Werkplat, e Wste als Koept.ufflig ist ie vostge Feiheit i er Veweug er Materialie sowe e Beckschtigug epysikalsche u chemsche Eigeschafte m Wek Whre vo wei Jahre Poyeste u Computee progessive Kster als Meie fasiete u ugech e Aussage bete, so scet ese Kust as Meum cht meh wictg e Gaube a ie Tecoogie st uc e Glaube a eksterische Vogg abgest ore. Ncht mehr as Hauptmerkml heuiger Kust, e Gestaltug es Raumes, soer e Ttgket es Mesche, es Ksters st Hauptthema u halt. Voaher ist auc er Titel (ei Sat u kei Schlagwot) er Aussteug u verstehe oc ie wue e

ee Haug es Ksters so rekt um Wek. Natrich wa es mme so: Moria u Poock habee ee Haltug Form wee lasse - aber im Hiblck auf as fertge Resutat, as autoome ObjektDe Kstler ese Ausstelug jeoch si keie Objektmache, sie suche m Gegetel Freheit vom Ob

jekt u erwete auch esse Beeutugsscchte u e seh wchtige, ber as Objekt hiausauch Stuato u sei. Se wolle, ass er kstersche Vorgag auch m Epoukt u i e «Ausstellug» och schtb r bleibt. Es ist beeiche, ass e eigee Masse es Kpers, ie Kaft emesciche Beweguge fr iese Kstler eie eatg gosse Roe spele, u as eue «Alphabeto Form u Mateie» (Tri) bie.Ee gae Reihe vo Kstler, so ie Guppe er «Ekste», s jeoch gar cht mehr mit Wekeetete, soe mit Ifomatio, oer ie Gruppe er «Koeptkster» mit Wekaweisuge, e ieaterasatio gr icht meh betige. Dese Koeptuele Kust bett sehr gee beets besteheeSysteme (Teefoet, Post, Presse, Kartographie, u «Weke» u schaffe, e schliesslich u eue

Systeme hre, ie jee Kommeta ber e Ausgagspukt meie.Weke, Koepte, Vogge, Stuatoe, formato (wr habe beusst e Auscke Objekt u Expemet vermee) si e «Fome », i ee sch ese kstesche Haltuge eegeschlageabe Es si « Fome », e aus keie vogefasste beische Meuge, soer aus em Eebses ksteische Vorgages etstae si. Dieser ktert auch e Wahl es Mateas u ie Fomes Wekes as Vergeuge e Geste Dese Geste ka ee pvae, tme oe ee pubke, expase se Abe mme bebt e Vogag weselich, e ist «Haschft u Stl» ugeich So egt ee Beeutug ese Kust ari, ass eie gae Kstlegeeato es utemmt, ie « Natur vo Kust Kstle» m atlce Vorgag « Fom» wee u lasse

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Saying is invnting' Sau Bcktt, Mooy

is exibitio gaters a umber of atists wose woks ave very little i commo yet aso a great ea icommo. Te similarities ae less styistic ta itelectua, at east amog te participatig Ameicas afew maor groupigs may be mae multifomal o oigi at (Caes Oleburg, Robert Moris, Evaesse, Frak Vier, Ricar utte), coceptual o ieatioal at (Ewar Kieol, Lawrece Weier,Josep Kosut, Stephe Katebac, Douglas ueber), eartworks a ogaicmatter art (Deis Oppeeim, Nei Jeey, Micael Heie, Rica Log), geometic abstactio (Carl Are, Sol LeWitt, RicarArtscwager, Fe Saback), proceura or 'process' at (Ricar Sera, Keit Soier, Robet Ryma)oupig artists by itetios or teir coice of mateias will ceate commuities oterwise ureate Forexample, it seems to be te aim of bot Artscwage a Huebler to frustrate te viewer's meto of ifomatiogaterig, but ow iffeet is a wok of forty separate a wiey distribute parts (Artscwager's bps), fom oe cotaiig iformatio (package wrappers, registere mai receipts) substatiatig tewok's imesios i tousas of miles I eiter case is it possible to perceive te work i its spatialetiety or its extesio i time (i Hueber's case, about 40 ays i Artscwage's, owever og it takesto ocate a te sepaate parts). But te two aly resemb eac oter furtere geometicaly eguar esigs sare by So LeWitt a Carl Ae cofe o te pai a stylistic reatiowic is te cotaicte i teir work Ae's piece is completey vaiabe sice its separate parts are

exacty aike t is of o importace weter squae a squae cage paces. Tis formal abitariessiks Ae tematicaly wit te users of flexible, tus vaiable materials LeWitt, o te oter a, is otoy makig geometical esigs, e is makig tem irecty o te wall i oer to einat variability.is wal rawigs are ike bot a great Italia mura ad a wall gaffito: if tey o ot exist i a fixe relatiosip to tei eviromets, tey o ot exist at a LeWitt's wok, ulike Are's, caot be altee i ayway witout beig estroyeRicar Sea, a artist of a vey ifferet sesibiity, also ceates woks to exist ony i oe specific paceA amout of mote lea poure irecty o te foor caot be tasferre from pace to pace, obviousy,but ulike LeWitt, Sea focusses ou attetio o te maipulatio of te popeties of matte. e ocatioecie upo fo te istributio of a uid materia uavoiably affects te mer o meas of istibutio fo example, te eigt from wic Serra pous his lead will affect te very ie of te reult. Sera'sspas pieces are as situatioaly specific as ay arcitectural o relief sculptue was ever meat to be, but

by a vey ove a simple meas.Oe of te few geera caracteristics of te artists i te sow is ow tey relate tei wok to ocatio eeraly, te coice is betwee a totaly fixe positio or a totally fre eatio of work to site. Car Areas use te term, 'poststuio atists " to escibe imsef ad oters wo o ot actualy make teir owat but ave it fabicate. Te prase is equaly appicable to artists like Serra or LeWitt, wo make teirow pieces toug ot aways i tei stuios, as well as to Kosut or Weie, wo may use typewritersa telepoes, but eimiate te pouctio of obects etiely. Weie' ' wal Remova 'a work i wicabsece costitutes presece as aeay bee see i New York a Europe bot sowigs, accorigto te atist, are te same work Its ietity ies i its iea, wic ca exist ust as well as a ' statemet ' ote prite page Sera's spas piece as also bee see i New York a Europe i tis case, owever, teatist isists tat te two are completely ifferet works of art. Ietity lies i its actua pesece, a positio paaee by te impossibility of movig te work from it siteBot Weer a Sera are ' rigt'. Wat mattes is ot so muc te estetic positio i itsef as teextemity to wic it is take, a tis exibitio icues some of te most extreme art ever prouce Temoer obsessio wit goig as far as possibe is emostrate agai a agai eatiosips betwee ata iea, at a site, at a mateia, art a metoology ae puse to tei imits by tese atists Peraps te oy quaity tat uifies te artists i tis sow is teir urgecy.e supecool ioies of Bruce Nauma a te almost Expressioist patos of Eva esse are two vesios of tat pat of te moerist temperamet wic is Romatic. Te eay Romatic, weter PercyBysce Seey o Caspar Davi Frieic, fet imself to be a tiy ot i te vast cosmos Olebug'svastly elage obects create a simia aptic respose oe's boy suey siks. e fact that Oleburg is paoyig te relatio betwee sef a te uiverse makes im eve more of a Romatic is esieto ceate moumets is cosisteto Robet Moris te ucotolabe forces of ature are emboie i te law of gavity wic omiatesis oopig spasmicay curlig legts of fet More ta meto, process becomes prouct itsef we,

as i Morris's eroic a elpess cot pieces, te work itself ca be altee. Ulike a Are floor piece,ay cage i a Morris work may be oticeable, toug oly to someoe wo as see te piece i aeaie state. Memory is essetial to compreesio i tis caseAgai arises te cruciay importat subect of time i te ew at e uambiguous foms of PimaryStuctue scuptue tie to be ike paitig by iucig istataeous peceptio a iformatio about aDoa Ju box is obtaie as quicky as possibe But te ew art geeray oes ot try to efeat oey its existece i time, but istea makes te viewe igly awae of itIt is sti ' miima ' i its actua pesece ote te avoace of mass i Saback's stig pieces, te fimsiess of Soier's agig fabics, te reuctace to elieate voume ceay i Sa ret's cumple bas ofwie fcig Muc of te ew work looks vueable, ot oy spatiay isubstatia but omiate asoby te effects of timeoug o igi art may at times refe to te weigt a egrees of eergy of te uma boy it is ot ' uma



oug o igi art may at times refe to te weigt a egrees of eergy of te uma boy it is ot uma

oal ambguts of t n t std n sh contst to ts dt occupton of sc o scfc dmonao of physcl ls most fundmntl l of ntu s tht vythng tt xsts sc so xsts tm tsts tod ok tht knoldg n ufosn ys A Bll Bollng op c dos not cg fom d to dy ndd, fdnss, ts tson s t sttcs btn to ncong bolts, s ts vy ot But t ns to t s sassmbld? Dos t stl xst? If so, dos t xst s o, s otntl t, o s t? Its nstllton sa syoymous th ts xstnc, hs ntng o fxdfom scultu, no mtt ho dcl ts, os ot tly cs to b hn t s n stog Th ontologcl stbty of th Bollng ous,on th psychologcl n, n xc of nxt bout bng, c s bn t cf subjct ofosophy s Dscts. Consousnss s oof of xstnc s tnstd n sthtc tms: cocpton s

od of ato.oth Bong ok (sn n Yok n Jnuy) consstd of n mout of gt stn coss t foo T spctcl of ok n svl dffnt ts s not unfml, but h s ok n udds ofousas of dffnt ats Of qul lvnc s t sctto's ncssy tpto n ts fom; n oas aoss Bog's gahtovd floo, t s nvtbly cgd n ts dstbuton of volum Ts s both ad adt, a combnton stmmng fom Ducm nd Dd but tly mo fml s comooa v th ok of John Cg, Mc Cunnngm, Robt Ruscnbg, nd, bfo thm, that Epssosts, tuly Pook as ho xplos chanc ny futh tody hs most nssly to us tm n hs ok. Mos s ou hs tton of okng o s nxt sho vy monng bfo th gly ons so tt t bssay to vst vy day n od to k u th th multl cngs If Mos dos ths, hs ' fomnc b at lst s lvnt s t ok's tngb mts.at s hapng to fom s t nd to od hn t s subjctd to chnc by Ducm, A, d

os t povs cpbl of ppntl nfnt xtnson. (It s sgnfcnt tt sv of th tsts usfbl o tndbl mtls lk ubb. T ntcton btn tm nd mtl lso dtmns t tsts'otu tst ' common ', nont ' mtlscloth, pstc, dt d ognc mtt, dustl fockgs thngs a mutbl, shbl, snstv to mnulto to dg tt mo usul mtls lk sto ood a ot Sv ys go Ruscbg sd ' I ty to ct n th g btn t nd l f', fo thtap otus to no At s bn vtbly invdd by f, f lf mns flux,cng, chnc, tm, undtabty. Somtms th oy dffnc btn t to s sh conscousnss, t nss ttat smd to b st on t l s n ft ok of t. O tc n t sno, o l of scs,o a o th all, o hol n t dst Aft ll, f d Koonng ntng s t cod of ss of hy ot ct dctly uo th old by cuttng thmlIong sth n t sno, s Dns Op has o? (Robt Smthson hs dvlod th dlctc btn st nd ok of t to hg d of t d complxty Smthson's ' nosts', consstng of otoghs, ms, n ls of oks o

t hs hadsom bns, doumnt hs ptcul vson of ndustl cholog fo t glly udcot s dct us of t lndsc nd s systm of documntton mlct m cntlly n t tos of t)at tssng s n ntulsm o lsm bon of xtndd collbotons btn t tsts atu, ca, mat, vnt t v. T ntntctuy mnfstton of sm (scly Euop, hch s not und t Acdn llusons of contmonous Amc) s not only styl aso pf fo ctn knd of subjct mttt , unlsnt, odny, ugly, olt. sma pf s flt gn nd gn n th ton, flong ' nxous objcts' ths xbton But umbnss of Rchd Tuttl's nkld dyd, du pcs of clot s vd only by t gnu of onptonthy hv no bck, no font, no u o don, ty m b ttchd to th ll oa out on th foo Imgn mkng n objct c l mtn ts ntgty n ll ccumstncs yth ts absolutly o dmnds on ts stuton.

o s th supfcty nd ofundty of smts d dffncs btn t tsts n ts so,opa th Tutts to th ptoap oks by Robt Rymn Th tt gud to t ll n ta aagmt nd though thy s flt d nsubttl s t oth's cloth oks, thy bout ovtos of tcu tpntngth thn bout th d of t tslf. It s not ossbl toa hth a Tutt s tg o sulptu t uss popts of both nd s obbly t. But ta must b sn n stcty ctol cotxt, nd spcly on of cnt Amcn bstton . ma patngs hv gott g nd lg, thy hv lso bcom thck (my n Fkta) though th us of xthvy stth bs tg hs sstd mo d mo ts objctnssouh ts mns, nd so n th dptu fom ctgul sh mny css, nd vn n slsm ,h mphsd hyscty though squnc. Agnst l ts Rym cts to mk oks s hyscllyost as thy conctully dmndng dpcton of t, s n S's dmonstton of somtng ll knotht on objct ll n t agast ll f th tsons cocty (not sngly but coctly) dpoyds oy ntlya paton. At s st ht s uslss fo t to mtt t tltn s on y out of th pto oforaveness i bstrct piting tody. ut patuly ntstng n ato to modst bstton s th n mss on tm, t ntoduco of uaton nd fom. Catgos bg dctd, dstctons bud to n omous tody Th dffc btn antg nd sutu hs gon (follong tt bt poty ndos vbl t) Th tmdous tl ntgnc dmndd fom t mbtous tst s bngg hmos and cos to th ntlltul; t nd ds bcomg ndstngushbl T tnton of som oft young pots s nothng ss th t bndng of vsul nd vbl t ods lookd t, ctus a, poms ' vnts', lstc o vsul t s ' fomd ' I n dnc, t dffnc btn sklda utad body movmt s dndlg oly lg sttc dstncton mnng s tt btnat ad f ths xhbton vs o tht dstncton s fdng.



th f t i i f th t f d f t l t ll b t b t

Diversit, abondance .

Une cinquantaine d'artistes, amricains, itaiens, allemans, holandais, anglais, fran<ais .•. des uvres aussidiversifies qu'un reportage photographique sur I'excuton 'une excavation das e dsert du Nevada, unegicle de pomb sur Ie sol, un texte dans les journaux locaux ou un amoncelement de matriaux bruts dispara-tes . des techniques utiisant aussi bien e mta, Ie non, les ractions physicochimiques que Ie feutre, lacorde, a terre, a cendre ou mme e saindoux . enfin, pour ce qui est es formes, a gomtrie voisine avec\'informe, avec un certain baroquisme ou avec 'absece totae de forme (\'information pure).

Un nouveu mouvement'

Harad Szeema a voulu motrer tout ce qu'on 'avait pas ecore vu, tout ce qui venait aprs e « Pop Art» et Ie « Minimal Art», sans vritable critre de choix; cest la premire impression qui risque de se gager de cettevaste expositio A moins qu'on ne sache que chacun de ces artistes s'intresse de prs ce que font les autres,que les dcouvertes des us se rpercutent dans Iuvre des autres, que ce sont les mmes gaeres (Dwan,Castei, Bykert ... New York; Ricke, Schmea, Fischer, Zwirner en Allemagne; Rowan Londres; Sperone enItaie; Soabed a Paris .) et es mmes personnes (des ges comme Richard Bellamy New York) qui sui-vent de prs toutes ces recherches. On est aors en drot de se demander s cette exposton nest pas la premrecoscraton dun vaste mouemet nternatonal qu resterat dfr

Un pllle scbeux donn:comme simple hypothse!

Au dbut du sce, sous es quobets de la crtque et du publc, deux mouvements pcturaux se succdent dansun court laps de temps Ie fauvsme bre la coueur, Ie cubsme Ibre la composton en a soustrayant l perspectve raste. Aprs ces deux tapes hstorques, e terran tat prt pour Iart abstrat, vaste domane dansequel es personalts et es styes es pus dffrents pouvaent se confronter.Vers la fn des annes cnquante, Ie « Pop Art» et Ie « ouveau Ralsme», par Iemplo de mage pubctare etde objet,permettaet Iart de sortr de umme pour se rapprocher de la ralt (c. Rauschenberg, «Ce qumtresse cest ce qu est etre Iart et a ve .»). Luvre se vouat mons vocaton u monde partculer deIartste que rsutat de Iacton e Iartste sur des ments e la rat. anecdote, le Iobjet ou \magepublctare, navat pas encore totaement dsparu.Ds Ie but des anes soxante, Ie «Mnmal Art», retenant certanes le<ons u «op» comme la volont

dune facture mpersonnee, mportance des dmensons mettat fn cette surve e \mage anecdotquesans pouvor sempcher e a remplacer par autre chose; par \e dune forme dfne, reprsentaton u«concept» de cette mme formeChacune de ces deux tapes tat gaemet ue nouvelle braton lbraton de la foncton «llusonnste» eIart en mettat Iaccent sur Ie fat que Image na de rat quen tant qumage sans plus; lbraton de touteanecote e ne conservant que la forme (ou oume) dans toute la smplct de son vdence physque.Seule cette de e forme ben dfe rattachat ecore Ie «Mnma Art» une noton tradtonnelle de IArt abanonner cette dernre chose, cest dboucher sur un terran nconnu qu a des chances, pourquo pas, dtreauss vaste que celu de Iabstracton

Un terrain exporer

Lmage est absente, la forme, a pror, ndffrente, par quo dfnr toutes ces recherches Entre presque toutesles uvres quo peut vor ans cette exposton, on peut dj noter un pot commun: la premre chose qufrappe, cest la parfate ntgraton de ces uvres avec eur entourage; aucun sgne vdent nnque qul fautles vor comme «uvre» plutt que comme «chose» Ce nest que par la sute que la sgnfcaton e ces «coses» apparat, avec dautant plus de force quon a pas eu fare au «trucage» de IartLe problme du re est depus ongtemps au centre des proccupatons de Iartste; j l tat au centre esentretens quavat eu Georges Charbonner avec les prcpaux petres de a gnraton abstrate et surralsteAu moment u« Pop»et u«ouveau Rasme»,la pupart des textes crtques mettaent Iaccent sur Ie fat queIartste ne vouat plus voquer ou tradure Ie rel, as fare de Iart avec Ie rel. Par l sute, Ie terme mme de«Specfc Object» que Robert Morrs employat pour quafer ses structures prmares nque clarement cetteproccupaton de fare des choses qu soent auss «reles» que nmporte quo, tout en restant «spcfques}

Ce nest que matenant que Ie pas est tout fat franch es artstes de cette gnraton ne prsentent que des«choses» . s nous pacent devant telle matre, devant tel fat ou devant telle stuaton et nous lassent ragra frontre entre cette nouvele forme dart et celes quon connassat dj est souvent ffcle tablr, dautant plus que les sources et es rfrences sont nombreuses On a pu vor que ce mouvement coue asse logquement du «Mnmal Art», do venent dalleurs de nombreux artstes de cette exposton, comme obertMorrs dont Iuvre a suv avec rgueur toute cette voluton, Car Andr, Sol Lett ou Artscwager. Le surralsme nest souvent pas trs lon,n ledadasme,avec ce qul peut avorde surprenant et e provocateur dansles «choses» proposes par des artstes comme Katenbach, auman, enhol ou mme De Mara Alleurs, oncrot vor es rsurgences de la scupture abstrate expressonnste avec certanes uvres de Zoro ou dAnselmo Parm les artstes dont les uvres annon<aent ce nouveau ouvement, faut encore cter Oldenburg etYves KlenCh f t t t f t h l f l l t



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Ng uii du nni ono ull n nnzion unz di un oo io h h go i o og i nv d dnzon . izion d qu' non h g uio gol d tadizi ne del nuv. Eo o indnzili di linguggio, i o nno iuoon dn «nov dzo» N i e n o un' «h nuno v 0 oo d dgi» gllii voll uo nzn gl ii pp; doo di loo i minimals hnno on voo un'd ih. O b h nuovi ii ino u: nin ih Ci non og h bbino gn o o Con I'nd dl'vngu e ini nh di un n ninoio

In i,e h « ov» (Cn), on un no o uo ono d'in dlI'oggo l oggo, dl o ll'uoo h i n uvo non bgu. In Ai , lov d i un o in di «w » oo «io» ndn h «d» d v fo - «o » 'o u oo h u iuo l'nn nul di o vn un «onu » A dinizo on dGdi u vion d'i e « oov» h iv l'idubbi «ovi» hu in uo lo nnz i ogzon Sio o vd d on d un' g b u unno nonlivo nondin Anh il nv in d uizon h v oo i no di«h wok ovn» (oino d Dwn Gy), b ndo: l'inlu od el n u, nll u idinzi i i - h ind nn l o (Clo iCo) qundo dv h «non i ono d non nl o».D ono Nw Yok d Ro Sn Fnio, gi i oi in hnn vi vi oo novoi

oondnz. Qu ino onz di iz h ondnn ili nd n ol «ondzo i» n non. Sono inz h ounno o 0 zo g lini Poo, Zoo, Pini, Ano Bo, Mz Kounl Pi li on gl ini Nun, S,D i Hiz And, gi olndi Boz Vn Elk,gi ngi Long, Flng Lonn i dh Ruhnbk, Lohu Hok, E i iolgno o il o, Joh Buy, h 40nn,o dll'ui gnzion d onoo qu d noi ino l' o Lo o oool di minimals in on I u u oi «nio» nl'u li u q nz non oiuono un ovno, ono un odo di n: i n, n odo i izzin quo novo noNon e un' ul vi, n un' ul', o igud l «ondizon un» Qundo Zoio Nn,Pin S, oono un onzl in n o lvoi iodoi ull ivi u nz io inunz on o Iun div dl'l, ionoono nin oinvoi n di ondzionn h i hnno o l di ozioni. In gn qi i hno un vuo I oz

vi h diggono didino nuov d ih ono onvoli di i di obolnz dl luioni ol, nno h il ubblio gl ili ndon d lo. L lo vuo un o l iuzion, un io oiv, nz di: non i iino i ovvv, oongon n onog. I o lvo hno bbndono I'uu no d'ndgin vid iizzno un i d v, d vi lb.

la condizione estetica

oino, n' 66, h vvino qu inz on l o « bibil» l Gli Son,n Piol on i uoi «oggi in no} din nl o ud nnunindo l uivlzion di i i uo udo i 'l odl oniio. Cononn Pi Kou

nli viuvo 0 o dioo in on ii Ro, vo Gli dlAi Qullizzzion e o: zion b i vi lddov bbio n u o oggvn v. Covi bn odin, l oi oun di oino h gvolo iouzond, l no «non ' lo d », di govni ivi di luion. oi h u i n«ngi» uo d : qui ii non ono n i h d ing, 0 nno C, n ndizion i. P in, l o di o d Ro h voi ngli i dioi lgn l io I'u vo 'igno oggvo. Vl l no I'nz di il nz ilno, dov il dno i oinvog ui, in n on «glo l v» h ondu i uoiii ll'ul oono AI ono 0 o dl inz oini on viv g n un viionoinduil onoogi. Vo «b l v» bindo di iv.P ol d qu l ddnz d oo I' l o odn o o. l onzin, i 0 o n, in gn ondiv d'no o vnzo dl'. D n , i nno

ui d ogn o: ono i ulii, I gzini, vizzzoni di nih di zi: e 'i dodin, ' noogi, ogni l o v onvo h ogni lu u on i udgi un d on (il du e qulh o i ggio») ll'l , i n oin l uo d i on n'inz in on. Mo di i ii nno n'oinz d oi n : 0 gno lo ini on l'id di voluzin og viluo, o iuno dlg gi uni. P lo il io no dl oni e 'uo l uzionoin d ggo.

treua linuistica

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In «Od 2001 » Snly Kubik o vo ui i i ivl gl zi n ioo

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s lr frc. Altr c fvorr l olborzion vro 0 piro comnro. E ! c con Pcli sttto comncto lmnr I'opr n qnto dcorso cornz nform lngic l l ro;ttt n g ssndo pobl l rl rtt r lngsc e qnz d i di oggi mpr dvri dportmnt proc con c qst rt crcno n'ct dl ompiv dll rcificzon;cn non prodono p oggi pcolo crzion fid n omo con ro A rco i oppon! n pblco prcp. M q rg ngc pr nc dir o pn� conro l crivi comptr n n ston. ocl c rform Irio dll forz crrc in rcizio d por l crzionn «stts symbo». L'r rov for q i il o p no nodl concilr I'gnz q biolog dl crtorh vo sprmr compn ndvdlmn opro l rlizzzon di n crvi gnrt con l trr d ogn ordnmno ocil. Anc q com nno di fr i novi ri l rpo vt n pr pron

fbeo pe la mateia

ro Mr Mrz Prni Zoro Bo Anlmo diponro ri Mnnot 0 Dow icnzmi chm logici riv compr dll I BM non mncrbbro d ri. M lo o olo r I rgnli clng c rirovno Cio com procl in c convolgr olncom strmnt di n'prn bror n'ffrmon d or bogni orgnr ! com rifi indno qt'r m l rch tcnologi non h bogno nppr d dirri nicnoogicttto s poion o dpnd dll nt rmnl L'orinmno nmn nropoloo d c movono q t rcrc gn l mri q n l'oggo i crtri di n bic/ag mnt coportmntstico.« t rrtfc» n m nologo. L'nropoog prfrc dr N r l r » Dopo Lvtrss q d noon non n pi ncrin oppot prnno nz rr idnic pro

ott d cltr non dtngono nzlmn d prodo nr l lngggo obbdc l t ch rgolno cl Pr n'r com q c f vblmn plmn convrgr nr ctr n n onz n 'dnfon roco corrn Mol lor inf ncono com rmopscofco Mri Mrz) nson dl mnli gblt Anlmo Mro Mrz Prini lolr) ron cmcofc Zorio) Inotr q t dnt n r c l r trdc I'lro po non mno portnd spro d q opr co Inzon d d rl nvoc fori dl'nrtnimno dll'mbgit.sc co n novo lfbo pr l mr S il lngggo vv com I l opr d'r c 0 mr h I'rco d v h g gn rt inf ol d drn n mor l mpo d n'lhm tr vpor dvnt n'opron n rpporo d d spr d d co ccv. Non ci ono novi mtr I com c'rno nov mmgn pr I'r pop m olo tr mn d fortn pr v ofrmr n n inconro d nct i propri bogni orignri E no d nt r ch I'tggmno rst vro ntr mr 'pron nonvolnz conro 'id di domn c l pniro ocdn

t h smpr rcio d loro com d d conq cnf.

lfbeo pe il opo

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po vr bbndono orlizzzon lngc I'r rnnc cono oggl mr d forn pr n'lror rrvrbl nnfczon dl o oprr dl o r nl mondo prsrri ono dl o corpo. E ro vo q dir Ar Lvng r Grotowky mI. Q omotr r vsiv ro mbr promr n novo bocco ll'mmgnzon por» n novo fbtopr l corpo ncrio d nrmb I pond. n orpo ch gi n cn niv nptor Rom Torno immn l or r h vo fnzon d ffo non di oggo nonc d rpporo tr cs dvr glmnt i crr nov froni d nci; nblzzri livllo di corpo vol rlor l rpo p rdicl ch f cncdr md m mggo rczon.on fbo pr l corpo l prnz dn fondr ffondr pr di n conzon comntr c rlzz q l c pndo dl ori pri ! qs ncrn i crtr dnrt d nornz d n mnornz rrdn. Arcor pr dffondr Iffrmvo cmbr vt»rst nrmn l o probm. Prh non h ncor rovo l o d nc n ntnon d



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B E M 99

Wrks on exhi bi t/ Ausgesel lte ee/ Cuves exposes

Carl Andre, New York

Steel Pece, 98 Steel/Stah l/ Acie r/" 0 0 / 0 8 30 0 30 0 cm36 Uits / Eineite / Unitseac 20"20 / je 5050 cm

Col. Korad Fiscer, Dsseldorf

Giovanni Anselmo, Torino

2 Torsone 98 Cemeto, pel le di mucca, l egnoConcrete, Cow-ide WoodZement, Kuaut, HolzCiment, peau de vace, bois40" 6 / 1 00 40 cm

Col . Gaerie Sonnabed, Paris

3 Unttled 198

Pietra, fi lo di rame, elettriciStone, Copper Wire, ElectricityStein, Kupferdrat, ElekrizittPierre, fi l de cuivre, lectricit24 6 / 60 40 cm

Co Gaerie Sonabed, Paris

4 Unttled 198/9Vetro, segatura, cotone, secciel lo, acquaGass, Sawdust, Cotto, Bucket, WaterGlas, Sgespne, Bau mwolle, Eime r, WasserVerre, sciure, coto, sceau, eau84 4 8 / 210 20 cm

Col . Gaerie Sonnabend, Paris

5 Unttled 98/9Acciaio, acqua , cace, mattoniStee, Water, Calk, BricksSta, Wasser, Kalk, BackseieAcier, eau, caux, briques7 / X 80 50 / 8 200 1 25 cm

Co l . Gaer ie Sonnabend, Par is

Richar schwager New York

6 40 blps 98 Wood, Paint, HairHolz, Farbe, RossaarBois, peinture, crindecevalSize ideterminable / Unbestimmte Masse /Dimensios idterminables

Co l Leo Castel l i Ga ley, New YorkGalerie Ricke, Kn

Thomas Bang, Santa Barbara, Cal

7 Three Bag Hang One Bag Le 98 Wood Foam Rubber, Ropeolz, Scaumgummi, Sei Bois, caoutchouc mousse, cordeH 96" / H 240 cm

Col . Ester-Robles Gal ery, Los Ageles

Jared Bark, New York

8 Information

Rober Barry New York

9 Tite Uranyl Ntrate (UO- (NO3) 2)Date: Isotope created 30 August 966

Istal ed 22 Ma rc 969

Joseph Beuys, Dsseldorf

1 0 Te Work wil l be made i n Bere for the ExhibitioDas Werk wird i B er fr die Ausstel u g gemacLuvre est faite Berne pour 'exposition

Col Te Arist

lighero Boetti, Torino

1 1 Terreno gao 9Terra cotta / Terra cotta / Terrakotta / Terre cuie40 40 / 00 00 cm

Col Ga leria Speroe, Torino

1 2 Boett 199Ferro / ron / Eise / Fer2 p ieces, eac / 25 2/ / 2 00 72 cm

Col Gal ler ia Sperone, Torio

1 3 La Luna 199Lavaga / Slate / Sciefer / Ardoise3 48 / 90 20 cm

Col Ga leria Sperone, Torino

1 4 Alghero prende l sole a Torno I 242 99Cimeno / Concrete / Zemen / C imet e papi l o n 7 0 / L 1 75 c m

Col Gal leria Sperone, Torino

Mel Bochner, New York

1 5 Thrteen Sheets of 8 1/ Graph Paper (From an InfnteSeres)Paper / Papier / papier1 / 8/ / 28 2 ,2 cm

Col. Te Artis

Marinus Boezem, Gorincem

1 6 Wndows 198 Wood, Glass, BedseetHolz, Glas, BettzeugBois, verre, ierieeac 64 24 / je 1 80 60 cm

Col Te Artist

Bi l l Bol l iger, New York

1 7 Rope Pece 98 Rope, Black Tape, BoltsSei l , Scwarzes Isol ierband, ScraubenbolzenCorde, isolan noir, bouloso / / 0 1 ,2 cmVariable Legth / Variable Lnge / Logueur variabe

Co l Bykert Gal lery, New YorkGalerie Ricke, Kn

1 8 2 Ppe Pieces 198

Seel, Plasics / Sta l, K unststoff / Acier, matire pla siqueeac 80 80 , Plastic 48 / je 200 200 cm, 20 cm

Co l Gaer ie R icke, Kn

1 9 We Pece 198 Iro / Eisen / Fer 20" 80" / 300 200 cm

Co Gaerie Ricke, Kn

Michael Buthe, Kn

20 Ohne tel, 98 Holz Leiwand Farbe



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Pier Paoo Cazolari , Bgna

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Pau Coon, Oaan Ca

24 abe o Ar Pyw Cna Paper no MrrSperz Knapaper ken SpegeBs pape na as de mrr4 4 4 / 3 5 2 0 2 0

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Hanne Daroen, New Yr

25 B cer br Bs 9 vres sur anne 9 Xex

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Jan Dibes, mseam

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Ger an Elk, Vep

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Rafael Ferrer, P aepa

2 Can Lnk Fence Pece 8/Drager / Tres en e er503 / 45090 m

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Barry Flanagan, Lnn

29 wo sace roe scuture (gr 2 s 0 Rpe / Se / Cre Sesa0 g r / m 5 m Umang / rnrene

C Rwan Gaery Lnn

Ted Glass New Yr

30 nrman

Hans Haake, New Yr

3 nrman

Mihael Heizer, New Yr

32 Precaros Sace

33 Faut

34 Dresson

Ea Hesse, New Yr

35 Augment 8 Laex R ubbe / CanvasLaex Gum / LenwanCauu Laex / e20 es 7 40 / 20ma / 20 s 90 00 m

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Barbara Rose, Lookg at Amerca Scptre, : Afum ( New York), Febr. 965,pp. 9-36.

ed Berrga Reews ad reews: Car Adre, : A ews, Vo 6, No , S mmer 9 6 5 , p

Lcy R Lppard, N ew York Letter: Apr-J e 965, : A Inenanal, Vo 9, No 6, ept 5, pp 5859, s. p 67.

Jacob Grossberg, the Ga eres: Car Adre, : As, Vo. 39, No 0, Sept.-Oct, 965,p 7 .

Barbara Rose, ABC Art, : A n Amea, Vo. 53, No 5, OctoberN oember, 965,pp. 57-69 s . p . 67.

As Magazne, rmary Strctres, Vo 0, No 8, J e 966, pp. 3-35.Dad Bordo, he Raed Stes o Car Adre, : Afum, Vo 5, No. , October, 9 66 , p p - 7 s. p p 7

Robert Morrs, Notes O Scptre, art , : Afum, Vo. 5, No , October 966,pp 03, s. p. .

Lcy R . Lppard, Reecte Art, A Inenanal, Vo 0, No 8, October, 966,pp33-36 s .p .37.

A n Amea, New York Ga ery Notes, Vo 5, 966, p. 05.Aette Mcheso, 0 0: cocrete reasoabeess, : Afum, Vo 5, No. 5, Ja ary

967, pp. 303 , s p 30Afum, Vo 5, No. 7, M arch, 967, ad o back coer.Robert Morrs, Notes O Scptre, art 3, Notes ad No Seqtrs, : Afum, sm

mer 967, pp. 9, s . p . 7Car Adre, Letters, : Afum, Smmer, 967, Vo 5, No. 0, p .

Da Graham, Car Adre , : As Magazne Vo . 66, No. 9, Ja ary 968, pp. 3-35.h p Leder, Car Adre, : Afum (N ew York) , Febr 968, pp 6-7.Lcy R. Lppard ad Joh Cha der, he D ematera at o o Art, : A Inenanal,

Vo . X I , Febrary 968, pp 3 -36, s p . 33James R Meow, New York etter, A Inenanal, Vo. XI I, Febrary, 968,

pp.73-7ero G ard , : Flash A, Roma, 5 Jaary 5 Febrary 968, p . .Da s Kunswek, Asste ge New York, 67 (XX) , Apr-M ay, 968, pp. 3-78.C Bok, M ma Art at the H age, : A Inenanal, X I5 May, 968, pp. 8.Gregory Battcock, he Art o the Re a, : Arts Maga e, 8, J eS mmer 968,

pp -7.Afum, Vo . V I I , No , September 968, Coer hoto.ero Gard, rmary Eergy ad the Mcroemote Artsts, : As Magazne, Vo 3,

No , Sept Oct . 968 , pp .85 .James R. Meow, New York Letter, : A Inenanal, X I78, Oct 0, 968,

pp. 606, photo p 60.Mche Ca ra, Adre, : Lettres ra<ases ( ars), Oct 968. eter Htchso, Earth pheaa, Earthworks ad Ladscapes, : As Magazne,

Noember 968, pp . 9 .Joh Chader, he Last Word Graphc Art, : A Inenanal, VoI . X I9, Noember,

968, pp. 5-8.Marce eyet, etre et (Srctra sme), : A Inenanal, Vo. XI I9, Noember

9 68 , p 3 Sdey m, Earthworks ad the New ctresqe, : Afum, Vo. V I , December

968, pp. -5Grgore Mer, I the ars an Desert, : As Magazne, DecJa. , 969, p 5.Barbara Rose, robems o Crtcsm, V, he otcs o Art, art I , : Afum, Vo . V I ,

No 5 , pp .9, Ja , 969.H to Kramer, he Emperors New B k , : A n Amea, Vo . 57, No. , J a.-Feb 969, pp 9-55, photo p 50

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1 6 Chbers StreeNew York, New York 1Janury 1 1 6

Mr . H. S zeemnKunsthle Bern

Helvetiapltz 1 BernSWITZERND

Dea r Mr S ze mn ,

Thank you for your inqui ry bou t my wor Both Bob Morr i s andSol Lewitt hve spoken very highly o you nd of the sho you areplanning.

Snce it is possible tht you my no know my previous wor(exhibit ed in group shows at Dan Bykert , and Finch Col lege Museum) or my wrt ings (Art for, Art s Art nternat ional ) le t me s y tha t hve for s ome t ime been dee p ly invo lved i n moving away fr thetangb le ' Obje ct of rt ' into a more conceptua l notion of rt as aprocedure . My erl ier preccupt ion with nber and art i fic lmentl sys tems has led me o engag e c urrent ly in he not at ion o mesure ment . m enclo si ng one o f my piec es : "hir teen Shee s of 8� nchWde Graph Paper ( fr an infinit e serie s ) " This work is prt of

potent al ly endle ss piece , a l l unit s or groups o f which would be uniqueand s el f-c ontained . The procedure o pplying nuber ( sys tem) to theobj ec t absorbs it into my rt . Another face t of this ide a involves myac tua l ly marking the dimensi ons of a room dire c t ly onto the ro swall s . expect to exhibi t these ides setime thi s seas on at al erieHeiner Freidrich in Munich.

Plea se fee l free to contact me urther , ei ther personal ly duringyour nex isit to New York, or by mil as I would be very ineresedin your re sponse If "Thireen Shee ts " would suit your requirements

for use in the upcoming exhibiion would consider it a gret honorThe piece is displayed by stapling or pinnng the sheets side by sideo the wa ll (s ap les only in top corners )

In any cse , look forwrd to your reply bes t regrds .

Yours

�Mel Bochner



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F E R a f a el

Born 1 933 San Juan , Puerto R co Lves n Ph lade pha.

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1933 San Jua n, Pue rto R ico Vt a h ladelph e.

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Ph i la delph ia Col e ge of Art

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Casa de Arte, San Jua n, P erto RicoPan Amercan Un on, Washngton, D CAr t of Latin America, Peae Gal ery, Pennsylvani a Academy o ArtYoung Artists - Their Work, Ma rtha Jackson Ga lery, New York

Corcoran Ga ery o Art, Wash ngton, D CC.AA M Mayagez, Perto Rco

Eastern Connectct State Co lege, Wi imantic, Con n : Chain Link Piece

29 West 57th St., New York, D ec . 4 Elevator Piece ( eaves)4 East 77th St., New York, Dec . 4 (ront room Leo Castel l Gal ery) : Two Bags, 14 Bushels

(eaves)1 03 West 1 08th St., New York, Dec. 4: Staircase Piece, three landings 36 bushels (eaves)

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ass can be a vacuum ifit is pervaded by a universe

asse kann leerer Raum sein, wenn sie von einem Universum durchdrungen ist

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1 Neada (Ren o) Serra o ntan s desert. stage and cone Caforna ( oae Desert) EI rage Dry ake 3 works3 Cal forna ( oae Desert) EI rage Dry ake 5 works4 Neada (statel n e) dry lakes n ountans 9 works5 Neada and Caforna Dry lakes (Acta roect)

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1 9 6 51 9 6 61 9 6 61 9 6 6

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n 196 Hambg es n New Yok

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dcatonsbdngtdes

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Cooe Unon, New YokYale Unesty, New Haen, Conn , No lk el owshYae Un esty, A 1 9 5 9

1 9519571 9 5 7

1 9571 959

Schoo o Vsa At, Ne w Yok

Stdo Gah k, Kn steen de Rhe n ande nd Westalen, Dssedoschbach Gal ley, New Yok

Young Americans, oh n H el e Ga e y, New YokDrawings, Wadswth Athenem, Hatod, Conn ooklyn Msem ookyn, N YRecent Drawings, Alan Stone Gal e y, N ew YokPak Place Gale, New YokAmerican Abstract Artists 30th Anna hbto n, Resde Msem N YWorking Drawings, School o Vsal At Ga e es, New YokEccentric Abstraction, schbach Ga ley, New Yok (Ogan saton cy R ad)Abstract Inationism, tued Expressionism, Gaham G a ley, New Yok

ormal Art, The ann s M sem o Noma At, New YokArt on Paper, Weathesoon Galey, Geensboo, N CAr t in eries, nch Co ege M sem o At, New YokArt Today , New Yk State a , Syacse, N YDrawings thaca Co lege M sem o t, thaca, N Yade o Plastic, nt n sttte o At, l nt, M chAntiForm, ohn Gbson, New Yokot culpure, A A Tael n g Sh ow (O gansaton cy R ad)Programm Galee Rcke, KnOptions, M wakee At Cente, M wakee, WscMsem o Contemoay t, Ch cagoDrawings, Mooe Colege At Ph ade h a, Pa at eo Castel (Anselmo, ol nge, Hesse, Kaltenbach, Naman, Saet, Sea, Sonne,

oo), eo Caste l Ga ey, N ew Yokculpture Annual, Whtney M sem o Amecan At, New Yok

1 96-

1 9 6 51 9 6

1 9 6 11 9 6 11 96 1

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R ou g l s

n 194

Gbn 1 94

94

UAS Bigp

Born : 192

Exh ib i t i o n s :

1953 19561957 19571962 1966 196619671967 19681968 1968 1981968

1969

1969

hill s Galery , etrot , M i ch.tler Mus eu Annual , Yunst own O .C o lmb i ( C us e " e a l "C o r c o r n l l e ry W as h n gt o , D " i n "us e of o de rn t CJeish Museu NC , "riy St ructrs "tney us eum NC " Scultre UA"b el isk Gl ery Bost on , M ss ( onen)ldric s eu , Con n . " Co l rt "P e n s yv n i S t t e Un i v . , P a , up t s Un i v i e r s i t y , a s s . , " u t d o o r S c lp t "Widham Col�eg , Putney , ( one-ma )

S t h Siegelu , C"Xero" bo ok , i th ndre , Bar Kuh , Le i t t

rrs nd in er .Sth Sau NC , "Janary 5 - 1 96 " , 4 sow wt arr , Kost nd eie r ersi ty o alioni os neos "le tri At"

GS :iblpy

"Piay Stu tur es" ca Jw us e NYC s tteme nt ad ph 6 t o ra p 16

rt ws M z e S t . 1 9 6 6 l t t t r

3 . t t e r n t o n l Feb 1967 the �fi tney S cul pturenu b y ih el ene d it) h ot oh Rd o Int ev e ( it rtur Hoe ner ) , s t o

1rh 1 9 6 7 5 T l e v i s i I n t e i e ! t ii Un

e r s t y O o rd O i o o i n he ET l aAn rbor icn 98

6 ts �zne S e tO t 6 p . 5 6 "e e-ia zaon o the Oj e t" or d on r o -

7 . York Free Pr s s 23 J�n 1969 , pg 7 , "ai n ting

is Obsolete" by Gregry Batcck ( poorh)



is Obsolete by Gregry Batcck ( poorh)

Site Sculpture Project

Duration Piece *Berkel , Calfornia - Hul, Massachusetts

January a clear plastic box measuring

" x /" was enclosed within a slightly larger caroar

coniner at was sent by registere mail to an aress in

Berkel , Calornia . Upon being returne as "uneliverable"

i was left altogether inct an enclose wihin another slightl

larger coniner an sent again as registere mail to Riverton

Utah an once more returne to e sener as uneliverable

Similarly another coniner enclosing all previous

containers was sent to E lorth, Nebraska; similrly o Alph,

Iowa ; similarly Tscola, Michigan; similarly an inal Hul, Massachusets which accomplishe e "mrig" o a

lne joning the o coasts of he nie Sates ring perio o

six eeks of tme

That inal coniner, all reistere l recei ps, an a

map j oin th hs seen o e ste o oumeon

th omplees s or nua

DocmentatonTypewtten sheetMaschnen beschebenes att 8% % % ce le dactylogaphefofpo Duraton Pece 69Co lecton The atst

ogl l ttt t tlg

eyetm xieting in th wrd dieintretd in th puree

f art may b "ugd int" in euch way e to ruc a wrk

that peeeee eparat xietnc d that ithr change nr

cnte n th eyet e e.

Dratn Pic #9 ued an aect f th Unitd State Peta

Svic for ei we t ecrib vr 10,000 ile f eac d

wae brut it it e cmt d xie tnc thr gh fe f

cumnttion hat n ct "cntin equntil tm lnr

eac in pre t tim d lc

invitab stiny ie et in mtin b th ecifc rces

s ct t fo euch a wrk fring it frm furthr dc ie ns

n y art



y

I C A R D Pao lo

Nao 1 936 Torno Vve e lavora a Ge nova

Born 936 urin Lves n Ge nova

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N 1 936 Tur n . Vt a Gnes

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939 e l y Fnce. Vt a ew Yok et Ps.

on 939 eu l ly Fnce es n N ew Yok nd Ps

eboen 939 Neu l ly Fnkech . ebt n New Yok nd Ps

EtdesEdctonAsbdng

Eostons tcu esOneMn Ehb t onsEnzelusstelngen

ostons colectes

o Ehbtonsuensste lngen

Unest de enoblecole Nton le des euAts Ps

lee ete Pslee ete Psee dAujoudh Pl s des e uAts ue leslee eteu PsRobet Fse ley ond onAlende lo ls ley ew Yoke e P see wence PsM se de Ate M ode Ro de neoee schobege Zchee M. E. Thelen Essenee 0 Asted le Ao l n e M l nolee de oog C ole e H ene ed ch M nchenM seu o Conteoy At Ch cgo I I I lee Yon bet PsWddell lley New Yok ee Yon bet Psee onn e eneMse odz (Poen)

Biennale Muse dAt Modene de l V l le de Ps

Salon des Rats Nouvees use dAt Modene de l V l le de Ps

Salon Inteational des Galeries Pilotes se Cnton des euAs usnneComaraisons M se dAt M odene de l Vl l e de P suggenheim Inteational ward The Soloon R uggenhe Museu New YokComaraisons M se dAt Modene de V l le de PsSalon des Rats Nouvees use dAt Modene de l V l le de PsSalon de Mai M se dAt Modene de l V l le de PsBiennale Sn M nort in the Mirror The M useu of Moden At New YokPremio Marzotto Vldg no/Sedelk M useu Asted/The Tte lle y ondon /

Muse l Psrtyo Stedel jk n Abbeseu E ndh oenSo Paulo BienalObsessive Image . C. . ondon

Documenta Ksselriennale M lno

9 6 9 6 9 6 9 63 9 63 9 64 9 6 5 9 6 5 9 6 5 96 5 9 66 9 66 9 67 9 6 7 9 6 7 9 6 8 9 68 9 6 8 9 69 9 6 9 9 6 9

9 6

9 6 9 63 9 649 64 9 6 5 9 6 5 9 6 5 9 6 5 9 66

966/67 9 6 7 9 6 79 68

9 68 9 6 8



poston G alere Yon abe rt, ars, frer 1 9 6 9



J Y e l

n 945 Tngn, Cnnecc Edcan sefagh 964 966 sn Mass Les n New Yk

eben 94 5 ngn Cnn ecc Addak 964-1 966 Afenhal n sn Leb n New Yk

1 945 ngn Cn necc Addace 1 9641 966 asn V New Yk

sculpture is theatrical. The activit among the phsical presences of the items and events the realie, provided the exist together,is theatrical.This goes beond the visual imageIdeall m sculpture xists unseenumer 8 - eil Jenne

eine Werke sind theatralisch ie Wksamkeit der phsischen Prsen der einelnen egenstnde und der Ereignisse, die diese vorausgesett dass sie usammen existieren - bewken, ist theatralischas fhrt ber das nur visuele Bild hinaus idealen Fall existieren meine kulpturen ungesehenomer 8 - eil Jenne

es sculptures sont thtrales L activit de la prsence phsique des objets et des vnements qu s suscitent - po urvu qu'isexstent ensemble - est thtraleela va bien au del de image visuelleans Ie cas idal mes sculptures existent non vuest 8 eilJenne

neMan Ehb nneassel lngsn acle

hb nsenasse lngensns cleces

PedcasZeschfenRees

a ee Rdf Zwne Kn

2nd Annual Arp t o Artschwager Rc had el amyNa h dwsky al e y New YkNah ldwsky a ley, New Ykarthar Whe M sem Cne n esy Ihaca N Y

Yng A ss n SA n N ewsweek Smme 1 9 6 Afm (New Yk) al 1 9 6

1 9 6

9 6 1 961 9 6 9



he Sgmund edemn Pece, Summe 968



g

A A te p en mes

on 940 attleceek Mc hgan es n New Yok.

Geboen 940 atteceek Mch ga n. Lebt n N ew Yok

N 940 atteceek Mch gan Vt New Yok

EducatonAusb dungEtudes

Ehbt onsAusstgenEpostons

Analy Hg h School Sebastopo Cal Santa Rosa un o Co legen es ty of Cal fona Das A ( 966) M .A ( 96)

FberClayeal, St Pau , M n nesotaNew Ceramc Forms, Museum of Contempoay Cafts New YokCeramc b y Sx, oston MassRaymond Col lege Polychome Scul ptueNew odes n Calforna Sculpure, La ola Museum of AtFour New rss, D e Ga l ey Los AngeesSan Fancsco Museum of AtEarhworks, Dwan G al ey New Yok

958- 963 963- 96

9 64 9 6 5 966 9 66 966 9 6 9 6 9 68

a L eo Casell (Ansemo o nge Ea Hesse Kaltenbach N auma n Saet Sea Sonn eoo) Leo Castel Gaey New Yok 9 68

ubl catosPubl katonenPubl catons

Motly ce n esty of Cal fona Das 964At Foum (N ew Yok) Dec 964Caft Ho zons an 965 p 6

Caft Hozons May 965 p4Los Angeles Tmes May 965Caft Hozons No 966At I ntenatonal (uch) Dec. 966 p ·oston Sunday G lobe an . 9 966Ch st an Scence Mon to an 4 966oston Hea ld an 6 966San Fancsco Choncle Mach 30 96At n Ameca Mach 968 p 6News Week uly 9 968 p 56

am compilin a book of presentations by" arti sts hich are

pririly intendd to stilate visalization in the mind of

the readr. ould lik to invite yo to participate T

contribtions shold be o dimnsional Othr than this

reqirent, th only basis for seec tion of terial wil l b

the jdgment a to whether or not th e PY action of the

contribtion shold be sent to:

Stphen Kaltenbach

/reen St

York, York



the jdgment a to whether or not th e PY action of the

S � SSTe aniulation of pertion is a valid oal of

art expressio

Te al terao of percepti on is a valid eans f orart e�presion.

Tere are th factors which deterine h atre any pee i e bjec cei , e eent in whic the prcptio ak lc, n d the person eperieig th perpn

I t s p o s s i bl n ' o? e c t o achiean l i in the of t o j c or teenviroent ojet ay also e plated to brabout a al teration i rceptio its elf

Te eniroent a be m iu l t ttain am o d i f i c a t i o n te perceptio of ojet o henviroen aipula ti on of pre ti o r: se yalso be acieve thoh a anip·1ation of environe

I t i s l t a1e th �rv t o c iv a l t e io · i " c i 6f an j e t , i senvirot , or to s iply initi at a chge i n' i sp e r c e p t i o n .

USS Is it iportant that an artist be abe to conider

these ai pl a ion s se prt el eve to it y b i l to iiiate on wiout effectin oter

Is it iotant fo n artist to e al to dstigish beten a-tin of pcei a Yeans forat eessio o its aniption a a re sl t ?

s a s i i f i t d i f e ap1at o te ectio o a oe or an eniroment n the efet o a cae in ct per s

· he o1n ies o e ot n t a la s es ess io at eato , art is rythe diss€iaio of art iforon and oiion artdea lin a patronae nd educatio n

Eathwoks, Dwan Gaey, No 9 epnt oject 96( ep n, 24 3 / 6 75 cm)



A P o n n

n 945 New Yk es n New Yk

eben 1 945 New Yk. eb n N ew Yk

N 945 New Yk Vt a New Yk.

EdcatnAsbdngEtdes

EhbnsAsstellngenEpsns

H nte C ege New Yk .A 1 967M.A. n pgess

H ne Cl ege New YkCm ba Un esty New YkWhtney Anne New Yk

19 6619 68 19 69



I O dwa rd

n 1 92 afeld Washngtn. es n s Angees

Geen 1 92 afeld Wash ngtn. et n s Angeles

N 1 92 afeld Wahn gtn Vt s Angeles

EdcatnAs ldngEtdes

neMan Eh t nsEnelausstellungenEstns atcues

Gu EhtnsGenausstel lngenEstns cllectes

Washngtn State Cl ege P lma n Wash ngtnWhtwth C lege Skane WashngtnE. W C E C heney Washngtn

Cafe Ga e a s AngelesCnet e s AngelesSyndel Stds s AngeesEds Galley San Pedes Galey s Angeleseus Gaey s AngeesPasadena At Mseum PasadenaRoxys eus G al ey s AngelesRoxys llas G al ley N ew YkDan Gaey s AngeesThr Tblx Dwan Gal ey s AngeesBrnys Bnry Dwan G alle y New YkIn sttte f C ntemay At stns Angeles Cnty M seum f At s Angelesnesty f Saskatchewan CanadaDwan G alley New YkWashngtn G al ley f M den t Washngtn DC . se At Musem Id ahThe At Mu sem f Atenem Hesn k

N nth San Gael Val ey Ehbtneus Ga l ey s Angeles n eus Gal ey s AngelesNeaska At AsscatnVincnt Pric Colction Pasadena At Muse m PasadenaObjctmkrs eus Gal ey s Angeleseus Gal ley s Angeles

Art ofAssmblg The M seum f Mden At New YkFifty Cliforni Artists Whtney M sem f Amecan At New Yky Contry 'Tis of Th Dwan Ga ley s AngeesDls Choic Dwan Ga ey s AngelesL Ashr Colction n esty f New MecContmporry Cliforni Sclptr klands Angeles State Cl lege s AngelesSan ancsc At I nsttte San ancscWhtney M sem f Amecan At New YkBox Show Dwan Gaey s AngeesVirgini Dwn Coction UCA At Gal lees s AngelesGry Grop Dwan G a ley New Yk8th Amricn Exhibition The At In sttte f Chcag Rcnt Acqisitions Whtney Mseum f Amecan At Ne Yk

19 5 519 5 519 5 61 9 5 8 1 9 5 919 61 9 6 11 9 6 3 19 63 19 63 1 9 6 41 9 6 519 6619 66

19 6619 61 9 6 19 68 19 69

19 5 1 9 519 5 8 19 5 8 1 9 5 8 1 9 5 91 9 6 1

1 9 6 11 9 6 21 9 6 2 9 6 3 1 9 6 3 1 9 6 3 1 9 6 41 9 6 41 9 6 41 9 6 41 9 6 51 9 6 61 9 6 61 9 6 6



Rcnt Acqisitions Whtney Mseum f Amecan At New Yk 1 9 6 6CRAC PURC F A P U

I N R HE PR OF A N TABLAU ttl

19_ EDWAD KO l A" ncald ' Buy:

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eodcasZetscteneves

BooksBceves

anguage wan Galey ew Yok 9 67The 0s Panng and Sculpure from he useum Coecon e Msem o Moden

At ew Yok 9 6 7Dada Surrealsm and Ther Herage e M seum o M oden At ew Yok 19 68 os ngeles Vancove At Ga ley Cana da 9 68 Documena Kasse 1 968 The WengonIes Coecon Mseum o F ne Ats Boston 9 68 ssemlage n Calforna n vesty o Ca on a I v ne 9 68 ae Ffes a h e Ferus os Angeles C o nty Ms em o At os Angeles 19 68 Unled San Fancsco At Msem 1 9 6 8 The achne e M seum o Moden At ew Yok 19 68

ona d Facto Assemage n : FM and Fne Ats Bevely s vol 3 no 9 Septeme1 962 pp. 6-9 s. pp 69

At Secnda on Benadt C aes Fae Edwad Keno n Atom vo no 5 oveme 962 pp 334 s . pp . 3 33.

onald Facto A otoo o Calon a Sc ptos: Edwad Ken o n : Atom vo 2no 2 Agst 1 963 pp. 24-25 l s p 25

p ede At : K eno n : Font e os Angees vol 6 no. oveme 964 p . 25on Copans Assemlage: e Savage Eye o Edwad Keno n : Stdo ntenatonal

vo 7 no . 869 Septeme 965 pp . 2-1 5 s . pp 2- 5 .S G al k Cossng e Ba n : At ews vo 64 no 6 ctoe 965 pp 22-25

ls. pp. 22-25en y Hopk ns Edwad Ken o n At n Ameca vo 53 no. 5 ctoe oveme

965 p 73 s . p . 73Fedeck S Wgt Edwad e nol n : At n Ameca vo . 53 no. 5 ctoe oveme

1 965 pp 7-72 s pp. 772At : a nt ng n : me M agane vo . 86 no 25 eceme 7 965 pp .68-73

s pp 69-72At: e Beaney n ewsweek vo . 66 n o 25 eceme 2 965 pp 1 3- 3 A

s . p . 3At: Beaney B t Fo At n : e Maga ne vol 6 no 2 anay 1 4 966 pp. 788 83

l s. pp 7881 83Sdn ey m e ndegond e apae t sm o Edwad Keno n : Atom Ap

1 966 pp. 38-4 l s 38-4Mc ael Ban kot Ed. Ken ol : A Vey vate epot n : os Angees Magane Ap l

1 966 pp. 48-5 us pp 48-49.Av Beate Sydo Edwad Keno en Vastksteast n: Konstevy Sweden anay

967 pp . 1 68 l s pp . 7 1 8 . p ede 68 g At and ow At n : ook Magane anay 9 968 p 7

l s p 1 6

ucy . ppad op At Fedck A aege In c. l ses 1 Fot Avene ewYok Y 1 3. Edwad Keno : pp 72 4 43 58 6 75 77 I s pp 7 127 28 .

Ha et ans and ud Bles Col age esonal t es Concepts ecnes C ton Company Book v s on ses adep a ennsyvana Edwad Keno p 232I l statons on p . 233

Ha ppenngs . S op At ovea a sme etc. Kaende 65 velag kalende ansoac m detc caottenstasse 4 4 dsseldo gema ny ea 965.



Yves

1 928 ce. Mot 1 962 as

Bon 1 928 ce ed 1 962 as

Geoen 1 928 a Gestoen 1 962 as

Yves Ken est epsent dans cette exposton avec une «uve mmatel e » «d cte» pa Edwad K en ol.

Yves Klen s epesented n t s ext on wt a n « Immatea » wtten o ts cataogue y Edwad Ken ol.Yves Ke n st n dese Ausstel un g mt enem « m matee en We» veteten « et » von dwad Ke no

B ogapeB ogapyB ogap e

Catalogue Yves Ken Stedel Mu seum Amstedam 1 965Cataogue Yves Klen e ews M useum ew Yo 967Yves Klen n neg nsttut Modene Kun st Kunsta le neg 2.Ap s 2 Ma

19 68

En ppaatono e pulsedIn Voeetungau Weme Yves K e n Kn u Mont Scaueg Kn Fa 1 969



Yves Klen Sat dans e vde as 96

I first met Yves Klin i whn he oam t hiso nry (Amerioa) fr an xhibiin a Dwan Gallry iWstwd, Califria. Knwing him nly by rp�ai adng smewht in awe f the tharical prdui asps f h s wrk , I mde smll s� i oas onainig y lls ,prs s rlase s ad a J ar f Ieratinal Kli Bl ( srf wrkig-ravllin kit ) , whioh I prs en him ( rahrtng� i oheek ) his rrival . warm fridship ns�e and day he gav me a Imm at er ial

Immatrial is vry iffio�l wrk. In is finaldi st illd aspo , i i s prbbly pre art beo aus hing

phy s i o a l e xi s s . I wrk s th s way : The buyr -o ll eo rf an Immterial wul give Yves mey ; faot , q�it ab t f mney fr he rship f he Immater l . Yveswl the issue a reoip fr he my whioh was prie ery spil paper, he st f whioh I believe wasfil ed s mewhere by s men fr reo rd prps e s Yvs wldthen ives t hims elf f th mny by " thrwig the gld " ,whioh meat aoally soaterig h mny the muntansfrm a plane r drpping it i th o a frm a bat , o h buyer-olleotr then ompld h gesure by brinth roeipt s that artist an w aoh had nhi bthe art xprioe

In m pr o ar oa s e , Yves ' unt imely deah preventdhis thrwing th gOld . Hwv , a a lar a , hiswif , Rra , and man a st gl d laf frm a bat hewtrs f h Mdi rraa i hi s nam , symbli o allymple g my Imm atri al



K O S U T H J osep h

JOSE KOSUTH Boraphy

Born: Jnuary 31 , b etween 1938 and 1948 n idwesternnited States

Positons :

and Drector of:The Museum of Noral Artts Rroses CorporatonThe Foundaton for Non-sensoal

eber of the faculty: The Scho ol of Vsual Arts IC

Exhibitions:

196619671967

196719681968

1969

Staord ?use Conn . "New TalentLanns Gallery NC on-nthropoorphic tnns Gallery NC fteen people preentthe favorite book (1st o nean sho)e seu of Noral rt YC Noral rt"Goucher Colle ge rland "Creactochester NS "New Yor rt org by vanKrpAercan ederat n o f ts travelng show"The Square in Painting"wan Gallery YC nuage I "Gallery 669 Lo s ngelos Calif Nothing(Onean show)Seth Segelaub NYC Janury 531 1969 (a4 an sow wt Barry ueble r Wein r)

JSPH KST Bblogray

1. t nternational Feb 1968 Demateralizaton oArt" by Luy Lippard (photoraph)

2 nmal A Crtcal ntholo by GregoryBattoc a tton paperbac (photogap)

3 S S Portfolio #3 1968 published by the Letterdged n Blac nc

Te agazine July 29 196 8 63 "rt . Newswee gazne July 2 9 pgs . 663 he

Ne Art : t ' s ay ay t by oard Juner ( col or

reproducton)6. Atforu Nov 1968 , Revies" by J Livingston

1 l�oif�iional Nov 1968 "The Last word n Art"

by Jon Chadler8 Ne or ree Press 23 Jan 1969 pg 7 Pantng

s Obsolete by Gregory Battcoc9 The Village Vice YC 23 Jan 1969 pgs 14 18

t : Dsturbances by John Perreault



4an sow wt Barry ueble r Wein r)

otogap o ewspapes coa g te omato fo « Spae (At as Idea as Idea> 1 968

My current work, which consiss of categories from he hesaurus,

deals wih he mulipe aspecs of an iea of somehing. An, like

e oher work, i ' s an aemp o ea wih absracion. The

rges change has een in s form of pres enaion - going from

e moune phoosa, o he purchasing of space s in newspaper snd perioicas (wih one work" someimes aking up as many as

ive or six spac e s in ha many publicaions epening on how

any isions exis in he caegory. ) Ths way he immaeriaiy

f he work is sresse n any possbe connecins o paining

e seere. The new work is no connece wih a pecious objec

i 's acc es sible o as many people as are inerese ; i s non

dec oraive having noing o o wih archiecure ; i can be

rough ino he home or museum bu wasn' mae wih eher

in in; i can be eal wih J eing orn ou f is publicaion

n insere ino a noebook or saple o he wall or no orn



O I a n n s

Nato 1 936 Peo Geca al 1 956 vve e lavoa a Roma

Bo 1 936 Paes Geece Lves sce 1 956 R ome

Geboe 1 936 Ps Gecelad Lebt set 1 956 R om

N 1936 P e Ge Vt deps 1 956 Rome

Moste peso al OeMa Exbt osEelasste geExpostos patc es

Moste c olettveGop ExbtosGppeasste geExpostos colectves

Gal lea La Tataga RomaGal ea La Tataga Ro maGal le a Aco dAbet RomaGallea LAttco Roma (mao e dcembe)Gal e a lo las M laoGa le a Eo Speoe TooGaea LAttco Roma

Pemo LssoeKounes, Scifano, Twombly, Gal ea La Tataga RomaScrt en Beeld/Scrt und Bid, Stedek Msem AmstedamStaatce Kstale

BadeBadeBiennale, Sa Ma oGal ea Note Tooostra ercato, Palao Sto Fee

Realt deImmagine, Fet e RomaArt actuel en Ita e, CaesAspetti dellArte contemporanea, RomaTel AvvKB egeStockomoderne Kunst aus Ita lien, Mse m am Ostwal otmdTerra, Acqua, Fuoco, Immagine, Gal e a LAttco Rom a artisti italiani degli anni sessanta, Paao Acaa SpoetoVI Biennale, M se dAt Modee de la V e de PasArte Povera, Gaea La Betesca GeovaYoung Italians, I sttte o Cotempoay At BostoArte Povera, Ga ea e Foscea Boog aLbea Fet e TesteQui Arte contemporanea/Paolini, Fabro, Kounels, I I eposto TooRecent Italian Painting Sculpture, Te ews M sem New YokFnf rmisce Knstler (Bgad Koe s Lombado Mattacc Pascal ) Stdtsces

19 619 641 966

1 967

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1 969

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1 9 6 51 9 6 51 966

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al Futurism ale Tendenze attuali, WascaBel Roma 1 96869Op osse Scroeven (Cryptostructuren)/Square Tags in Rou nd Holes, Stede k MsemAmstedam 1 9 6 9



2



G ry .

Bon 1 939 a nfed, New esey Lves n Somev l e, N ewesey

Geoen 1 939 la nfed, New esey Let n Somev e, N ewesey

N 1 939 la nfeld, New esey Vt Somevl e, New esey

EdcatonAs dngEtdes

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neMan Ex t onsEnzelasstel ngenExpostons patces

Gop Ext o nsGppenasste lngenExpostons colectves

ew nvesty B. A At stoytges nvesty M. F A

oglass Col legeFaleg cnson nvestyew nvesty

One an-One Piece ogass Col egeBanc n Ga ley , New YoBanc n Gal ey , New Yo

Kunstmart Gaee ce, Knsce Knstveen, KnGaee ce KasselM lwaee At Cente, M waee, Wscons nGal e a Von Sten, To noGalee ce, Kassel

Ten from Rutgers Banc n Ga ley, New YoArp to Artschwager cad Be amyNoa Go dowsy Gal ey N ew YoEccentric Abstraction Fscac Ga l ley, New Yo gansat on : Lcy Lppad)

John G. Powers Collection Lay Aldc M sem, dgefed, ConnectctPainting and Sculpture Today on eon Msem, Ind anapol s , Ind anaKent State Inv tat ona , Kent, I nosAmerican Sculpture of the Sixties Los Angees Conty Msem, L os Angees adelp a

Mse m of At, ladelp a2n d Annual Arp t o Artschwager c ad Bel lamyNoa Godowsy Gal ey, New YoGeometric Show New esey State Ms em, Tenton, N ew eseyCool Art Today Lay Adc M sem, dgefed, ConnectctNew Art USA. Baroque inimal Moden At Msem, M ncenProgramm I Gae e ce, KnSculpture Annual Wtney M sem of Amecan At, N ew Yo Knstler Atscwage, Bol nge , Bte, Ken , Sea, Sonne) , Galee ce, Kn

1 9 6 219 64

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19 6619 6619 66

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2



E W T T l

Born 1 98 Hrfor Con necicu Lies in Ne w York.

Geboren 1 98 Hrfor Conn ecicu Leb n New York

N 1 98 Hrfor Connecicu Vi a New York

uconAusbi lungues

echingUnerr ichnseignemen

OneMn xhib i onsnzelussel lungenxposiions priculires

Group xhibi ionsGruppenussel lungenxposiions col leies

B he risigene Publ ik ionencris e Irise

Srcuse Unersi Srcuse N Y B. FAM useum of Moern Ar Schoo New York

Cooper Union New York

Joh n niels Gl er New Yorkwn G ller New Yorkwn G ler Los Angeesonr Fischer sselorfGler ie Heiner Fr ier ich MnchenGler e B schofberger Zr ichwn G lle r New York

Ace Glle r Los Angelesonr Fischer sselorf

mer Gller New YorkMusum of Conemporr Crfs New YorkS M rks Chu rch N ew York Sw, Brn G ller New YrkScle fm a Decins Wrl House G ller New YorkYng Mases, Grhm Gller New YorkMlliciy, I nsiue f Conemporr Ar B oson Mssimay Sces, he Jewish Museum New York in cess, Finch Co lege Museum ew Yorkew Dimensins, Schs G ller New Yorkaey , wn Gler New Yorkbsac iss Inviainal, Riersie Muse um ew York

1 0 wn Glle r New York Man Sw, Prk Plce Gl ler New YorkScle nnal, Whine M useum of Amercn Ar ew YorkScle f e Siies, Los Angeles Coun Museum CliforniPhilelphiMuseum of Ar Philelphi PSeial , Finch Col lege M useum New YorkCl, Lrr Alr ich Museum Rigef el ConnecicuMinimal Hgs Gemeenemuseum en gecen cisiins, Whine M useum of Amer icn Ar New Yorkigligs, Lrr Alr ich M useum R igefiel Con necicu Dcmena, ssesec 8, unshle sselorfew S, Moern Ar Museum M nchene f e eal, The M useu m of Moern Ar New YorkThe Te Gl ler Lono n d el, Cenre Nionl Ar Conemporin Grn Plis Pris

Eawks, wn Gller New Yorkeace Sw, Pul Cooper New YorkScle nnal, Whine M useum of Americn Ar New York

1 9451 949

1 964 967

1967

1 965

1 966

1 967

1 968

1 968

1 968

1 968

1 968 1 9 6 9

1 964

1 964

1 96419651 9 6 519651 96 61 9 6 61 9 6 619661 9 6 61 9 66

19661 96 61 967

1 9 6 71 9 6 71968 1968 1968 1 968

1 96

1 968

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1 96

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De am in de ameaniscen Kns 8- 8/e f e eal S 8-8,unshus r ich 1 9 6 9

So LeWi Zggurs n Ars Mgzine (New York o 41 n 1 N o 1 966 p 4Sol LeWi Prgrphs on cncepul r in Arforum (N ew York ol 5 no 1 0 Ju ne 1 967 p 79Americn Sculpure Speci l ssue in Arforum (N ew York Summer 1 967 (exs b Ph Leer

M Frie R Morris R Smihson Brbr Rose Jne H rrison Cone Sol LeWi



Periocals Zeitschrften

Reves

Jacqel ine Barnitz In the Ga l er ies: The Box Show in Arts Magazine (New York) April 1 965p. 57-58

Lc R L ppar Sol LeWtt: non visal strctres n Artform vo 5 no. 8 April 1 967 p 42Uo Ktermann Nee mensionen er Pastik Tbingen 1 967 p 1 31 fig 234-235Goron Brown Month n Revew (m in mal sm an or igin a it) i n Arts Magazne ( New York)

vo 42 no .3 ec. 1 967/Jan 1 968 Gene Baro Amercan Sclptre A New Scene in Sto I nternatona (Lonon) vo 1 75 no 896

Ja n 1 968 p. 91 9

Lc R Lppar + John Chaner The emateraization of Art n Art Internation a (Zrich ) XI /2Fer 1 968 31 -36

Rosalin Kras New York: Sol LeWitt James Brooks Soages i n Artform (N ew York) vol 6no 8 Apri l 1 968 p 57-58

C B o Mi nima Art at the Hage n Art Internatonal (Zr ich) XI I/5 Ma 1 968 p 1 8-24John . Chaner Ton Smth an Sol LeWtt in Art nternational (Zr ch) XI I/7 p1 61 9

Marcel Plenet Pentre et Strctralisme in Art I nternatonal (Zrch) XI I/9 N ov 1 968

T � 't./w /' i#C� 2)Jj( 3) rJ� Ltf /fK ." & en. �/n A

.@ r-i 1 Y; I) W1c t ,a � � ® - IH I Z- 3 , 4 i 1 + l 1 ' t!.@ 0 p�trnJ



L O H A U S B er n d

Geboren 1 940 Dssedorf Lebt in Antwerpen

Bo rn 1 940 Dusseldorf Lives in Antwerpen

N 1 940 Du sseldorf Vi t Anvers

Ausbi dungEducationEtudes

Kunstakademie Dssedorf bei Josep Beuys 1 963-1967

Einzelausstel lungOneMan ShowExposition particulire

New Smit Galery, Bruxeles 1967

Guppenausstel lungen

G roup Exibit ionsExpositions collectives

Papier, Ma nifestation mit Stephan Wildt D sseldorf

EI Nacimiento del Huevo Madrid

1 9 63

1 9 6 519661 9 671 9 68 1 9 6 91 9 6 9

Wide Wite Space Gale ry, Antwerpen ( mit H H eyrman, Pa namarenko)Galer ie les Contemporains, Bruxel esProspect '68 Kunstale DssedorfZeeuws Museum, M iddelburg, Ho lan dGaler ie Ren Block, Ber l in

Une corde, un poutre de bois Caq ue forme, caque matriaua son caractre, sa vie B ernd Loh aus ai me la pu issance, la forcemassive Entre ses mains, Ie bois devient prison, la corde soutient, attace, soulve Les uvres sont des scuptures qu i ressemb ent des objets trouvsLes scuptures sont terre ou suspe ndues prs de la terre Le sofait partie de la sculpture. Loaus pse sur la terre, i l en prendpossession Les pices de bois sy assemblent natureleme nt.I I nest question, l, que de quotidien. I I est seuement mis ensituation, rendu visibe. La vie sarrte de couer, un instant, Ie

temps de se aisser voir Mai s ! i nstant se proonge, ptrifi dansune sorte de somnolence Les scu lptures portent leur n ergie I intrieur delesmmes Une espce de tension est enfermedans Ie rappo rt des pices avec 'espace qui es entoureRien nest simpe. Cest pltt une tentative pour retrouvermentaire, non comme Ie Minima Art qui e recherce dansla froideur gomtr ique, mais d'un e faon pus Iyr ique, plus proce de a nature. Non pas cee des forts, mais cee de a routequ i va de la fort usine ou a u port

Otto Han



(epe 1 967 ( olz Sei e 400 80



O G R c h r

Squres on he Grss 967



Q6 g l K /0 jW £ f L ND,F � E V R ' "2 M I E) O U T R S A C . 4 2 S H O T .



L O U W R oe lof

Born 936. ives in ondon

Geboren 936. ebt in ondon.

Ne 936. Vt a ondres

EducatonAusb du ngEtudes

OneMan Exhib it onEneausstel lungExposton partcure

Group Exhibt onsGruppenausstel ungenExpostions colectves

Bib ographyBibl iographie

Capetown UnverstySt Ma rtin s Scho ol of Art

The Orange Pyramid Show, Arts aboratory ondo n

Young Contemporaries, ondonYoung Contemporaries, ondonasmn Galery ondonStockwel Depot ShowAbstract Sculpture Survey Camde n Arts Cente"rReyntiens' Outdoor Exh bt onCity of ondon xhb t on

8 ou ng Scul ptors in Stockwell Depot, in Studi o Internationa l JulyAug 968 Char es Harr son, Some recent sculpture in Br tain in : Studo I nternational Jan 969

9 6

9 64 9 6 5 9 6 7 9 68 9 68 968 9 6



wed ged shaped cas t-ir on blocks , eighing b s . e a c ,were distributed around three blocks f buildn in the ParkLane rea of London Th uits , r elating to each ther asparts rom who were placed at 8 t intervals so thatrom the posi t on o ne nit the folown it was j ustperceptibl

In tese projects the obect is made integra with itssrroundings This establises a ' state of affairs tatmakes aspects of experience relevant to bth expicit This may also be considered as a a f takng pssessinof an enirnment



M e E A N B rc

Born 1 944 Glsgow Les snce 1 963 n Lonon

Geboren 1 944 Glsgow. Lebt set 1 963 n Lonon

1 944 Gsgow. Vit epus 1 963 Lones.

uctonAusb lung

tues

St. Mrtns School o Art 1 963-1 966



D E M A R I A Wlt

Bor 1 935 Alba al iforia L is si 1 960 i N w York

Gbor 1 935 Alba Kalifori Lb si 1 960 Nw York

N 1 935 Alba al ifori Vi dpuis 1 960 a Nw York

duaioAusbi lduguds

O Ma xhib i iosilaussl lugxposiios pariulirs

Group xhibi iosGruppaussl lugxposiios ollis

Works i h srWrk i dr Wsurs das dsr

i lm

PriodialsZishrifRus

Uirsi of alifora Brkl BA Hisor MAAr

N i G ra Jo s S Nw York (wih R Whima Paula Johso Gal lr Nw Yorkordir ksrom Gallr Nw York

Niholas Wildr Gallr Los Agls M ( Cubic Ft) L vl Dirt/Th Lan d Show Pur Dt/Pur Earth/Pur Land

Galr i Hir r idr ih Mhwa allr Nw York

For E and ar ordr ksrom Gallr Nw Yorkard Cntr ishbah Gallr Nw YorkTh o Show Bro Gallr Nw YorkFoundation for th Prforming rt Lo asll i Gallr Nw Yorkam ithout Rul ishbah Gallr Nw YorkPrimar Structur h Jwish Musum Nw YorkFor Erimnt in rt Tchnolog Lo asll i Gallr Nw YorkFt nnual r to rtchwagr Rihard BllamNoah Goldowsk Gallr Nw Yorknnual Ehibition of Contmorar mrican Scultur Whi Musm of Amria

N York

Monumnt wa Gallr Nw YorkProjct for MacroStructur Rihard ig Gallr Nw YorkScultur of th Siti Los Agls ou Musum Los AglsPhiladlphia

Musum of Ar Phi ladlphiaScond nnual r t o rtchwagr Rihard Bl lam Noah Goldwsk Gallr Nw

Yorknjamin Coction Yal Uirsi Nw Ha oM usum of Normal Ar La is N YProct Kushall ssldorfKuntmarkt Kl Do cumnta KasslEarthwork wa Gal lr Nw YorkEarth rt Whi M usum orl l U irsi haa N YO o Schrovn (Crtotructurn)/Suar Tag in Round ol Sdlijk

Musum AmsrdamNada USA wo paa l l l is 1 f apar i ha lk ruig for a l fu l l mi lSud for proj a in th Drt (proj das bak o 1 96

Sahara Hor ioal l iPar of h Thr Continnt ProjctSquar i U S srHor ioal L i i h SaharaVr ial L i i Id ia «Wh al l of h l i s ar phoographd from h air h phoos

ar plad o o op of h ohr h imag will ral a ross a squar hrois ar dd for his imag whih a b phoographd i o da b a

1 963 19651966

1968

1968 1 9 6 9

1963 19641 9 6 51 9 6 51 9 6 6196619661966

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Landrt Thr Continnt Projct Par 1 Sahara

rshgalri Grr Shum Ha bi ssldorf fr Sedr ris Brli Aussrahlugd MrAfag April 1 9 6 9

Ar i Amria Vol 56 No 5 SpO 1 968 p 1 1 0M alsi opologi a oologia og golo omporamo sruura r i l i i proisori

i Cartabianca sa 1 968 pp 5Robr Smihso A Sdimaio of h mid arh projs i rtforum Spmbr

1 968 VI I 1 4450Howard Jukr h Nw Sulpur Gig ow o h Ni Gri i Th Saturda

vning Pot N o 68 447Gra Glu k Moig Mohr arh i Ar Nos Nw York Tim O 6 1 968Sid il l im arhworks ad h Nw Piursqu i rtforum VII 4 1 968 445



BookBuchLire

Sommer Buhus & Documen in Art nternationa XI I 7 Sep . 0 1 968 p 30Peer uchinson rh in Uphel rhworks & Lnscpes in Arts Magazine

o 1 968 p 1 9Di Bouron Wler e ri he Singulr xper ience in Art Inteationa X l l 1 0

1 968 pp 3943

An Anholog L o ne Young & Jckson c Low ew York 1 963

Ne USA wo prl le l l i nes 1 ee pr in ch lk ru nning or u l l mi le 1 968



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M E D A L.LA David

Born 1 942 ani la, Ph l ippines Live n Paris , s ince 1 960 inLonon, s acual y in na

Georen 1 942 an a, Phi l ppinen Lee in Paris , sei 1 960 nLonon, s gegenrg i n I nen

N 1 942 an a, Phi l ippines A hai Pars , s 1 960 a Lonres, vi acuelleen au nes

Mmmmmmm Mmmaa ! ha o yo am o ?

I am of he ay whn I ha ca clp ha beah pepe cogh lagh yawn mik wnk pan anc walk cawl. an mo v among popl a haow mo v along pople Sclpu ha wi ain a haow ce imenion wiho ahaow obeuio behavio Sclpue wiho hope wih waking an leeping ho Sculpu ha on ceain eaonwl mga n mae o h Noh Pol Sclpu wih a mio anlcency minu h mmoy of a mio!

Aus anfeso (a fragen, Lonon 1 965, in SI GNA LS, 8, Jun eJuly 1 965

BiographyBiographie

Onea n Eh ii ionsEinelaussel lungenEposiio ns pariculires

Group Ehi ionsGruppenaussel lungenposiions col lecives

By he arisEigene SchrifenEcris e 'arise

PerocalsZeischrifenRevues

Coluia n iversiy, Ne Yorkae he firsransaion s ino Tagalog of Shakespeare, han an i lonD anhropoogical ork aong he prii ve r es of he P hi l ippine sSelfaugh as a n Aris

1 9 5 61 9521 954

1 9 5 4

Eie SIG NALS

Cofou ner of « Eploing G alay»

1 964-1 966

196

ayfloer Barn, Jorans, Buckinghashireercury Gal lery, Lono nnica Gallery, Lonon

Souning One Asholean useu, Ofori Po Show of Kineic A SG NALS, LononNocunal Exhibiion o f Mobe Sculpue Vl la La a lconena, VeneiaSecon Po Show o f Kineic A SIG NALS, LononA an Movemn Royal Scosh Acaey, EingurghKelvngrove Ar Gallery an

useu, G lasgoei au ei Kunshal le BernIn Moion The Bear Lane Gal lery, OforThe Ars Coun cl G al lery, CarigeThe Ciy Ar

19621 9 6 5196

19641 9 6 41 9 6 41 9 6 4

1 9 6 51966

Gallery, LeesLeiceser niversiy, Leceser 1 9666

Ai A Ars Counc il YYHA, P hila elpha , Pa Coneporary Ars Cener, Cinci nnai,Ohi oLakevie Cener for he Ars an S ciences, Peoria, I l l nois

D eal la, Sele o Takis , in S IG NALS 1 Lonon, Aug1 964, p 1D eal la, arine Valenine for Yves Klein , in SI GN ALS 1 Lonon, Aug 1 964, p 2D eal la, Ne Projecs, in SG NALS 1 Lonon, Aug. 1 964, p. 4D eal la, Lygia Clark An Appreciaon, in S GN ALS 6 Lonon, Fearch 1 965, p 1 1D eal la, in Suio Inernaional, vol . 1 3, o 886, Lonon, Fer. 1 96, pp 62-63

(G uy Bre, D raingsih Vialiy, in The Ties ( Lonon , ay 5, 1 965Paul Overy, Ar Fun an a closing, in I nernaiona Tes 2, Lonon, Oc3 1 Nov.1 3,

1 96 6Ivan Iskra, A Noe on D eal la, in Ini ca (caalogue, Lonon, 1 96This Page is Par of your nvironen No Rea On, n Inernaional Ties 1 0, Lonon,

arch 1 326, 1 96, pp an 1 0Davi Roins & Li Bar, nergroun Voices, in Ci rcui 5, Lonon, iner 1 968,

pp1 8-22

1 9 6 8





M E R Z M r i o

Nao a Mlano. Vve e lavoa a Toino

Bon n M lan. L ives n Tu n

Geoen in Ma lan Le n Tu in

N Mi lan Vi Tu in

Mose pesonaI iOne Man Ehii ionsEinzeaussel lngenEposons paiules

Mose olleiveGoup Ehi ionsGppenasse lngenEposons collecves

Bil ogaf iaBil ogaphyBi iogaphie

Gal e ia Enzo Speone, o noGalleia L'Aco RomaGa le a Enzo Speone, o ino

Contempazione Gal le ie Speone, Sein, I I Puno, To noContempazione Gal le a lavana Lgano/ ercorso Gal leia Ao 'Ale RomaArte overa Gal le a De'oschea , BolognaArte overa Gal lea Ae Vva Tiese

rospect 8, Kunshale DsseofRA 3 AmafiOp L osse Schroeven (Cryptostructuren}/Square Tags in Round Hoes See jk M sem

1

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Gemano Cean, Gppo i senso, in : Caalogo Ga e a Speone, To ino 1 Gemano Celan Ae povea, n : lash A Roma 1 La pove e 'ae in : Caalogo De' oschea Boogna 1 Aleo B oao, pe un peoso, Caaiana, Roma 1 ommaso Tni , Nu ovo afaeo pe copo e mae a, n Doms 40, M lano Jan. 1



2

St I n, 1 969 ( Cera, neon, ferro, 50 30 50 ), Co l . G al er ie Sonnaben, Par is

2 Appoggiat i , 1 969 (Vetr i , astie, 60 300 ), Co l . Galer ie Sonna ben, Par is



M 0 R R I Robrt

Born 1 931 Kansas Cy ssour . 1 9631 965 Choeographeran an cer. Lves n Ne York.

Georen 1 931 Kansas Cy ssour 1 963-1 965 Choreographu n nzer Le n N e York.

N 1 931 Kansas Cy ssou . 1 963-1 965 Chorographe ea nseu V a Ne York

object type work i not baed a ha been uppoed on a particuar iiting geoetrc orphoogy or a particuar desrabe et of ateria. Lup are potentiay a viabe a cube rag a acceptabe a taine tee rod Bo or s

EucaonAus lungEues

eachngehraufagEnsegneen

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Unvesy of Kansas Cy Kansas Cy Ar InsueCalforna Schoo of Fne Ars San FrancscoRee College OegonHuner Col lege N York (A

1 948-1 9501951

1953-19551961- 1962

Hune College Ne York (Asssan Professo 1 96-

De Galley San FancscDle Galley San FrancscGreen Galey Ne YorkGalere Schea Dsseorf

Gren Galey Ne YorkGeen Galley Ne YorkDan Gallery os Angeleseo Casell Galley Ne YorkSeejk van Aeuseu EnhovenGaler e Sonnaen Par sLe Casell Galey Ne YorkGaler Sonnaen Par s

Geen Galery Ne YorkSight Sound Corer & Eksro Ne YkBack White Grey asorh Aheneu Harfr Connavi udd Morri Wia Geen Galley Ne YokShape and Structure o e Nagy Gallery Ne YorkYoung erica hney useu of Aercan Ar Ne York

he other radition Insue of Coneporary A Unvesy of Pennsyvana Phlaepha

riary Structure he Jesh useu Ne YokConteporary erican Scupture Seection hney useu f Aecan Ar Ne

Yokrt in rogre Fnch Colege Ne Yorkth erican Ehibition A nsue f Chcag ChcagEight Scuptor he biguou age alk A Cene nneapol Scupture nnua hney useu of Aecan Ar Ne Yk1 0 Dan Galey Ne Yoken Year o Case Galery Ne YokCoor age and or he Deo nsu f A e c ga nerican Scupture of the Sitie Angele Cuny useu Ar Anes/

Ph laepha useu of A Ph laepha

e Scupture an d Shaped Canva Cafona Sa Cleg Angehe ' ainting and Scupture fro the Mueu Coection ueu en A Ne York

nteationa ntitute orcuato di ea B ueno Aeopa Seeljk van eu E noven/Ku nvren Fankfu/th Guggenhi nteationa Ehibition he Son R Gugenhe usu N

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elt Piece, 1 9668. Cl l G aler ie Sonnaen, Par is

Feb 24 99

Prop s al :

Co ct as many dif rnt kids o c ustib l atr ls as ar avai la lin Br - c a , o , fplac ogs , grss , at , cok , twgs , agnsu,tc . Asi a curator t thnking of or th I hav i st

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Bgn ith matril nd plac it in th atd sac ( nid or out s id

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matril mut acd r ly i th spac - tht is , not n co ntanrs If ncssary, roct th lor ind ith pltc fr th ginning.

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M R R I Rort nt

By he arisEigene SchrienEcris e I'arise

BooksBherLivres

Per ioicalsZeischrienRevues

Art du Rel ene N aona 'Ar oneporan , Gran Pala is, Par is 1 68 Mnmal Ar Geeeneuseu, Den Haag 168

Bennale Venea 168 Documenta Kassel 68

The Pure and Clear Am ercan Innoations Phi laelphia useu o Ar, Phi laelphia 1 68 Earthworks Dwan Gaery New York 168 Prospect 8, Kunshal le Dsseor 168 Mnmal etc Galer e Ren Block, Ber l in 1 68 Sclpture Annual Whiney useu o Aerican Ar, New York 168 Plastcs and ew r In sue o oeporary As, P hi laelp hia 6

ew York 3 Vancouver A Galery Vancouver, anaa 6Mnmal Ar Kunsha e Dsselo 1 6 Der Raum n der amerkanschen Kunst 1 481 68 Art of the Real US

8-8 Kunshaus Zr ich 1 6

Roer or is Noes on Sculpure I I I I I in Aroru ( New York), Fe 66p 4244 Oc. 66 p .20-23; June 1 6, p .24-2

Roer orris u a Aerican Scu lpure Specia l Issue, i n Aroru (N ew Yok) Su e 6 p p. 24

Roe orr s A eho or Sor ing ows, in : Ar an Lieraure, 1 Winer 1 6p p. 1 8 0

Roe or is, Pespeca, in : The Yae Archiecural Journal 1 6Roer or is Ani For in : Aroru, Apr l 1 68

Gregoy Bacock, The New Ar: A riica l Anho ogy, New York, E. P Duon & o . 66 p . 1 8 8

Baaa Rose, Aerican Ar Since 1 00: A ri ical H isory vo . 1 N ew York Freer icA Praeger 6

do Kueann Neue D iensionen er P las i , Tngen 1 6, p . p 1 31

Dona J u ack, Whie an G ey, in : Ars againe, New Yok 1 64Dav Anin A & Inoaon 1 , G rey Pain, Roe orr is, in : Ar Nws, 652, Api

1 66 p. p. 2324, 56-58 Barara Rose, A A in : A in Aerica ( New Yok), Oc.! Nov 65, p. 56Barara Rose, Looking a Aerican Scupure in : Aroru ( New Yo), Fe. 1 65

p 236Lucy R. Lppar, Rejecive A in Ar Inernaional (Z rich ), O 66 p. 33-3a n F iean Roer orr s Poleics an ues, in: A Inena ional (Zr ich), 10

De. 1 66, pp. 23

Annee ichelson, 1 0 1 0 oncree Reasonaen ess i n : Aou ( New Yor) Jan . 6, p. 30-31Lauen Sauerwein , Two scupures y R oer orr is in Suio Inernaional (Lonon ),

vo 1 5no. 00 ay 1 68 p p. 26

ax Koo New York, n Aou (N ew Yok), 6 0, Suer 68, p. p. 48 WA Beeen Roer or s i n useuounaal (Asera), se ie 13 no. 3

1 68, p. p. 1 35

J Lee ing, Roer orr is 2 Lshapes 1 65 in useuournaa, 133 1 68, pp. 3

Louweien Wes Ineview e Roer oris in : useuourna al, serie 1 3no. 4,1 68, p . p 4

Lucy R Lppar & John hanler The Deaer ia ia ion o A in: Ar Inena iona(Zr ch) X I 2 Fe 1 68

Oo Hah n I nges an Pr ary Srucues in Arou (New Yo), Fe. 1 68 Aen Kaprow, The Shape o he Ar Envionen, i n: Aou Suer 1 68 p. 32-38

ax Kolo , Roer orr is a ase i , i n Aroru, Suer 1 68, p. 48 arcel Pleyne Pei nure e Srucura ise, i n: Ar I nena onal XI , Nov 68



et Piece 1 9668 Col G alerie Soa e Paris

3 arhork 1 968 (arth pea seel alu in iu copper rass zic fel grease rick Aus Ausselug arhors DaGa lery Ne York Oc 1 968



N A U M A N B ru c

Born 1 941 or ayne, In ana L ives in Souhapon, N Y

Georen 1 941 or ayne, In ian a Le in Sou hapon, N Y

N 1 941 or ayne, n ia na Vi a Souhapon, N Y

EuaionAusi lungEues

Onea n Ehii ionsEinelausse lungenEposiions pariulires

Group Ehii ionsGruppenaussel ungenEposiions olleives

Un iversiy of isonsin , B SUniversiy of Caiforna, Davis, Caifornia

Niholas iler Galery, Los AngelesLeo Casel Gaery, Ne Yorkonra isher, Dsselorf

Niholas iler Gallery, Los AngelesSan ranso Ar Insiue, San raniso (Toan ShoEccenric Absracion ishah Gallery, Ne York (Organsaion Luy R LipparNew Direcions San raniso useu, San ranisoAmerican Sculpure of e Sixies Los Angeles Couny useuPhi laelpha useu of

Ar, Phi laelphia Documena assel Young Americans Allen Ar useu, Oer in , OhioSof Sculpure Aerian eeraion of Ar, Cru aing Ehi on ( Organsiaion Luy

R Lippar a L eo Case (Anselo, Bol i nger, Eva Hesse, alenah, Na ua n, Sare, Serra, Sonn ier,

Zorio, Leo Casell i Gallery, Ne Yorkere Now Seinerg Ha ll, ash ingon Un iversy Gall ery of Ar, S Louis31 s B ienn ia l Ehi ion, Cororan Gal lery of Ar, ashngon, D C

Op Losse Scroeven Crypsrucuren)/Suare Tags in Round oles Seelijk useuAsea

ie l Danie l i , The Ar of Brue Nauan , in Arforu (N e York , De 1 96, p 1 51 9

19661968 1968

1969

196619661966

1961968 1968

1968

1968 1 9 6 91 9 6 9

1 9 6 9

Bl iographyBil iographie Brue Nau an, Caaogue o One an Sho, Leo Case l i Ga l lery, Ne Yok, Jane 1 968

E l len Johnson Ahena S pear, Three Young Aerans Krueger, Nau an, Sare, in Al leneoria l Ar useu Bu l e in, Oerl in Col lege, Oerl in, Oho, spr ng 1 968, p 9-1 01

Roer Pin usien, (R evie, in Arforu, April 1 968, p 63-65



1 Se-Portra t As A Fontan, 1 966

2 Tempates of the Let Hal o My Boy Taken at Ten Inch ntervals, 1 966 (N eon Ting, 70 X 9 x 6 " / 1 7 5 x 2 2 5 x 1 5 m Col . Davi Whitney, New Yok



O D E N B U R G C l s

Born 1 929 ockholm. L ves n Os lo (1 9331937) h go

(1 937-1 955) an s nce 1 955 n Ne York .

Geboren 1 929 ockholm. Leb n Oslo (1 933-1 937), hcago(1 937-1 955) un se 1 955 n Ne York

N en 1929 a ockholm V a Oso ( 1 933-1 937), h cago(1 937-1 955) e epu s 1 955 a Ne York

Eveytng do s completely ognal - made t up wen was a lttle kd

Claes Oldenbug ( n ockholm caaogue)

Eucaon

AusblungEues

Onean Eh b onsE nzeausselu nge nEposons parcures

Group Ehb onsGruppenausselungenEposons colecves

Yale U nversy, Ne Haven, o nnecu B. A

Ar Insue of hca goLbrary, ooper Uno n useum, Ne York

uson Gallery, Ne York (h m Dne)Reuben Galery, Ne YorkGreen Gallery, Ne YorkDan Ga llery, Los Angeesace Ga ery, Bosonney ans Ga l ery, Ne YorkGaler e onnaen, ar sney ans Ga lery, N e Yorkn ey an s Galery, Ne YorkRober Fraser Ga ery, Lononoerna usee, ockhomn ey ans Ga llery, Ne York

The useum of oen Ar, N e York (Traven g Ehb on)

Below Zeo, Reuben Galery, Ne YorkNew Foms- New eda a rha ackson Ga ery, Ne York New Vocabulay, Ars ounc l , h aelphaNe w Realsts, n ey a ns Ga llery, Ne Yorkt nnualmecan Eb The Ar Insue of hcagoe opula mage, . C, Lononmecans 3, The useum of oern Ar Ne Yorkopula mage Ebton, The Washn gon Ga llery of oern Ar

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N B U R G Caes (cnt)

EvrometsUmgebugsgestaltugeEvro emets

Happe gs

Bb ogaphyBb ogaphe

Schr en Beeld Schrif und Bild Stedek useum AmsterdamStaatlhe Kustalle,BadeBade 93

Popular Ar Nelso G alle ry, Atks useum, asas Cty 93 Mixed Media and Pop Ar Albgt Kox Art Gal lery, Buffao 93 Pop Ar . S A he Oakl ad Art useu m, Ca . 93 Painings and Sculpures of a Decade 544 Gubeka Foudato, e ate Ga ery,

odo 94Ameransk PopKons odera useet Stokhom Lousaa useum Humebaek

Stede k useum Amsterdam

XXXI I Biennale VeeaNieuwe Rease Gemeetemuseum, De HaagPop Ec. useum des 0. Jahrh uderts, WeNeue Realisen und Pop Ar Akademe de Kste, BerlBoxes Da Galery, Los AgelesThree Generaions Sdey Ja s Galle ry, N e YorkPop ArNouveau Ralisme ec. Paas des BeauxArts, BruxelesThe Ne w American Realism Woester Art useum laukee Art CeterWeiss auf Weiss Kusta le BeSoun igh Silence Ar ha performs Ne lso Gal lery, Atks useum, Kasas Cty8 Sculpors The Ambiguous Image Waker Art Ceter, eaposConemporary American Sculpure Selecion Whtey usem of Amera Art,

Ne YokSa Fra so useum of ArtNuove Tecniche dlmmagine VI. Beale, Sa aro

Expo , otreal (Amera Pavlo)Campo Viale Palao G rass, VeeaAmerican Sculpure of he Sixies Los Ageles Cou ty useum of Art, Los Ageles Ph la

dep ha useum of ArtKompass Stedek va Abbemuseum, Edh ove ustvere rakfurtHeads ofSae Sdey Ja s Gale ry, Ne YorkArs Muliplicaa usthalle KlThree Blind Mice/De Coecies Visser, Peeers, Bech Stedelk va Abbemuseum, Ed

hoveSammlung Hahn Zeigenssische Kuns WallrafRh art useum, Kl Documena KasselSculpure Annual Whtey useum of Amera Art, Ne YorkSammlung Sroeher Neue P a kothek, he ustvere, Ha mburg Natoal gaere,

94

9494949494949595999

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9797

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98 98 98 98

Ber usthalle D sseldorf Ku sthalle Ber 989

Ray Gun Sree Judso G a ery, Ne YorkThe Sore I s studo m egee Ate erDas so Ate erThe Ray Gun aufaturg & Co, Ne Yok, 07 E d Stret, oopeato t te

Gree Ga leryEnvironmens Siuaions Spaces atha Jakso Ga ley, Ne YorkBedroom Ensemble Sd ey Ja s Gal ery, Ne York Environmens by New Realiss Sdey Jas Ga lery, Ne York

Snapshos from he Ciy Judso Churh, Ne YorkBlackous Reue G lery, Ne YorkIron Works/Foodea Reube Gal ey, Ne YorkRay Gun Theare Sore Days (Neopos, Iu, Voyages, Wod's ar, I s studom

egee Ate erDas so atel erInjun he u seum of Cotemporary Art, Da as

Sars e Was gto Ga ley of oder AtGayey U versty of Ch agoAuobodys Los AgeesWashes At Roo's Heath Cub, Ne YokMovie House Ne York F m akes' Cematheque

Claes O de bugSupturer oh tek gar, 7 sept30. okt 1 966 Modea seet,Stokhom (B b ographe bs 9)

Jrge BekerWof Vostell, Happegs (Fuxus, Pop Art, Nouveau asme, RootHamburg 95

I pepaatoI VobeetugE prpaatoClaes Ode burg, he useum of oder At, Ne York 99

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As far a m conceed, there are n o suchthings as forms that are more or less up todate All forms materials ideas, and meansare available and to be used. Walking by meansof stepping to one sde takes us out of thesystem that goes straight ahead. There is nogoal before us with laurels for the rst to ar-rive and ashes for the last. The wild race forthis abstract point structures itself into asystem of battles between both individuals and

sSidhe ;cem�:e

bn�becomes a series of parallels, since every indi-vidual proceeds individually without projecting himself out of hiself onto abstract pointsor onto other individuals When we move inthis way there are no such things as the bett erand the worse since everybody is what he isand does what he does Nobody has any needto pretend in order to prove that he is the bet-ter and communication becomes very easwithout the structures of language since it'seasy to understand who everybody is andwhat he's like. For communication and understanding we will naly b able to develop allof the posibilities of the mechanism of per-ception

Mihg istttt H Mti

i Pisoeo Le uime paroe

amose Tor o 6

P S

dal 22 dicembre 197

ala Galeria Sperone

T O R I N O

Con questa mostra ho iberato i lmio studi'o, che si apre p er ccogliervi

che vog iono presentare i lavoro, fre dele cose, rovarsi.

g ovanoro

L ro ymond,

oro 855

GLLER PERE - V ERE TTT 5 TEL 54.76.



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Goup exbit osGuppenausstel lungenExpostios collectives

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Bor h rsmas 1 944 Ne York Lies i N e York.

Gebore Weh ache 1 944 Ne York Leb Ne York

N No 1 944 Ne York V Ne York

Oe Ma Exhb ioEieausse lugExposio pariculire

Group Exhb iosGruppeussel ugeExposios coleces

Byker Galery Ne York

Three Young Amercans Ala Sare Bruce Nauma ack Krueger Ober ol legeOber Oho

Byker Ga lery Ne York (h Bo l i ger Gordo H ar Brce Marde Ric hard ueIa Wso)

Sculpure Annual Whey M useum of America Ar Ne York a eo Casel (Asemo Bol ger Hesse Kaebach N aum a Sa re Serra So er

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S A R K I S

N e 1938 Turqui. Vit dpuis 1 964 Paris

Born 1 9 3 8 urky ivs sinc 1 9 6 4 in Paris

Gborn 1938 TrkL bt sit 1964 in Paris

Expositions particuli rsOn-Man Exhib it ons

Einzlausstllungn

Expositions collctivsGroup ExhibitionsGruppnausstllungn

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IstanbulGalr i Bumnthal- Mommaton, Par isGtborg

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5 E R R A R c h r

Born 939 San Francisco ies n Ne York.

Geboren 939 San Franc sco ebt in Ne York

N 939 San Franc isco Vit Ne York.

EducatonAusb dungEtudes

OneMan Exhib i t onsEinzelausste lungenExpositions particures

Group Exhibit onsGruppenausste ungenExpostions colecties

Bib iographBib l ographie

Un ersit o Calorn ia B erkele Santa B arbara B . Yae U n erst B M

Gal er a a Sal ta RomaGaler e Ricke Kn

rawings Yale Unierst Ne Haen Conn.Arp t o Artschwager Richard BelamNoah Godosk Gaer Ne Yorkirections Purdue Unierst Purdue nd.rawings thaca Co lege M useum Ne YorkPh adelpha Arts Counc Phi adephiaThree Sculptors Richard Bel amNoah Godosk Ga er Ne York (th De M aria

Di Suero)Arp to Artschwager Rchard BelamNoah Godosk Gaer Ne YorkProgramm Gaer e Ricke KnAntirm Joh n Gi bson Ne Yorkunstmark Kn at e o Castel (Ansemo Bol inger Ea Hesse Katenbach Na um an Saret Serra

Sonn ier Zorio ) eo Castel i Ga ler Ne YorkSculpture Annual Whtne M useum o Amercan Art Ne YorkSoft Sculpture A F. Trae ng Exhibt on (Organsat ion uc R ippard)New Media New Methods Traeli ng E xh biton The M useum o Modern Art Ne YorkHere and No w Stenberg al Washington Unersit St ouis

Soft Sculpture Ne Jerse State Mseum Trenton (Organsation Raph Pomeroeah Slosh berg)Ant i orm Mus eum o Contemporar Art ChicagoWalter andJean ipman Acquisitions Whtne M useum o American Art Ne YorkTheodoron Young Artists The Soomon R Gu ggenhem Museum Ne YorkOp osse Schroeen (CryptostructurenSquare Tags in Roun d Holes Stede i k M useum

Amsterdam nstler (Artschager Bo l nger Buthe Kue hn Serra Sonnier) G aler ie Ricke Kn

Max Kozo 9 n a Warehouse in Artorum (N e York) Feb 969 p 384

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S M I T H S N R ob

Born 938 assac, N ew Jerse Les n N ew York

Geboren 938 assac, N J Lebt n N ew York

N 938 assac, N J Vt New York

ne Man Exhb t onsEnzelausstellungenExpostons partculres

Artsts Galler, New YorkGallera George Lester, RomaDwan Ga ller, New YorkDwan Gal ler, New YorkDwan Galler, New YorkKonra Fscher, DsselorfDwan G aller, New York

Group Exhbt onsGruppenausstellungen

Expostons collectes

B the artstEgene SchrftenEcr ts e I art ste

9 5 9 9 6 9 6 6 9 6 7 9 6 8

968/69 9 6 9

meican Expess Pavilin New York Worls Fa rPlastics John Danel s G al ler, New YorkLarr Alr ch M useum, R dgef el, ConnPimay Stuctues The Jewsh Museum, New YorkNew Dimensins A M Sachs Galler, New YorkMultiplicity Inttute of Cntemporar Art, Bostont in Pcess Fnch Col lege Museum, N ew Yorkbstact tists Invitatinal Rerse M useum, New York0, ark lace Galler, New York 0, Dwan Gal ler, New York MenShw ark lace Galler, New York (wth Sol Le Wtt, Leo Valleor)Patten t Bett arsons Ga ller, N ew YorkSculptue Pints nnual Whtne M useum o Amercan Art, New YorkNew Yk Gup Dwan Gal ler, New YorkFm Cl Imae Detrot I nsttute of ArtsFcus n Liht New Jerse State Mus eum, Trentonmeican Sculptues the Sixties Los Angeles C ount M useum o Art, Los Angeles/Ph la

elph a Mu seum o Art, h laelpha 0, Dwan Gal ler, Los AngelesScale Mdels a nd Dawins Dwan Ga ller, New Yorkt n Pape Weatherspoon Art Galler, U nerst o N orth Carolna, GreensboroLanuae t be L ked at and/ Thins t be ead Dwan G aller, New Yorktin Seies Fnch Col lege Museum, New YorkCl t Larr Alr ch Museum, Rgeel, Conn.Mnuments Tmbstnes Tphies M useu m o Contempora Crats, New YorkMinimal t Haags Gemeentemuseum, Den HaagPlus by Minus Tday's ha Centuy Albrght Knox Art Galler, Bualot f the eal The M useum o M oern Art, New York/The ate Gal ler, LononPspect 8 Kunsthalle DsselorfOptins M lwaukee Art Center/Museu m of Contemporar Art, ChcagoL't du el Centre Natnal Art Contemporan , Gran alas, ars

Eathwks Dwan Gal ler, New YorkSculptue nnual Whtne M useum of Amercan Art, New YorkKunstmak KnEatht Whte Art Museum, Cornel l Un erst, Ithaca N Y.De aum in de aeanischen Kunst 8-8/The t f the eal US 8 8

Kunsthaus Zr ch

R Smthson, The Crstal Lan, n H arpers Bazar, Ma 966R Smthson, Entrop an the New M onu ments, n Artforum (New York), Ju ne 966,

pp6-3R Smthson, The Doman of the Great Bear, n Art Voces, ol 5, N o 4, Fal l 96R Smthson, Quas nf nt es an the Wantn of Space, n Arts Magazne (N ew York),

o 96, pp 83R Smthson, Some o thoughts on Museums, n Arts Magazne (ew York), ol 4 ,

o 4 , Feb 967 , p 4

R Smthson , Towars the Deelopment of an Ar Termnal Ste, n Artforum ( New York),v o Ju ne 967, p 37mercan Sculpture Speca Issue, n Artforum (N ew York), Su mmer 967 (Art cles b

h l p eer, M chael Fr e, Robert Mo rr s, R . Smthson, Barbara Rose, Jane Harr sonCone, Sol LeWtt)

R Smthson, U ltramoerne, n Arts M agazne ( New York), ol 4, No , Sept/ct 967,p

R Smthson, The M onuents of assac, n Artforum (N ew York), ol . 6, No 4, Dec 967R Smthsn, A M useum of Language n the Vcnt, n Art I nternat onal XI I/3, March 68 R Smthson, A sementaton o the m n earth projects, n Artforum (N ew York), ol 7,

No , Sept 968 , p 44

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Br 1 91 Marm usaa es New Yrk

Gebre 1 91 Marm usaa ebt New Yrk.

N 1 91 Marm usaa Vt New Yrk

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T U T T E R ch ard

Born 1 941 Rahway New Jersey ves n New York.

Geboren 1 941 Rahway N J Lebt in New York

N 1 941 Rahway N J Vit New York.

EducationAusb ldungEtudes

OneMa n Exhib t ions

Einzeausste ungenExposit ons ndivduel les

Group ExhbtonsGruppenausste lungenExpositons collectves

Trnity Colege Hartord Connectcut B A 1 963 Cooper Unon New York

The Betty Parsons Galery New York

The Betty Parsons Galery New YorkGaere Schmela DsseldorfThe Betty Parsons G a lery New York

Ne York Colecor Selecs Mrs Buron Tremaine, San Francisco MuseumThe Box Sho w, Byron Ga lery New YorkConemporary merican Paining, Lehgh Un versty ehigh Pa.Vrgnia Museum o Fine Arts Rchmond Va. Crculat ng Exhbton)2h nnual Conemporary merican Paining, Lehigh Unversty ehigh Pa.The M useum of Modern Art Penthouse Ga lery New YorkPisburgh Plan for r Pittsburgh Pa .Preiew 8 Trnty Colege Hartford Conn.State U niversty Colege Potsdam N Y.Bey Parsons Priae Coecion, Fn ch Co ee N ew YorkPaining: Ou from he Wa, Des Mo ines Art Center Iowa

196

1967196196

1 9 6 1961 9 6 5

1 965-1967196619661 9 6 196196196196

Bykert Ga lery New York wth B il l Bo li nger Gordon H art Brice Marden Alan Saret anWilson) 1961969

PerodicalsZetschriftenRevues

Here Now Steinberg Ha ll Washngton Un versity St. Louis Mssouri

Scott Bu rton i n: Art News New York) Jan 1 96Joh n Perreault in Vi l lage Voce New York) Jan 1 96Robert Pincus n : Artforum New York) March 1 96



Canvas 1967 (54 " x 54" / 1 35 x 1 35 m) . The Betty Parsons Gall ery, N ew York



V I N E r n k i n c o n

Bon 93 Woceste Ma ssacsetts. Les i n N ew Yok

Geboen 1 93 Wocester Mass ebt n New Yo

N 93 Worcester Mass. Vt New Yo .

EdcationAsb ldngEtdes

Grop Exibt ionsGppenasste lngenExpostons colectes

eiodicaZeitscriRevu

Scool o Worcester Art Mse 9561 958 Yale nesty Gadate Scoo o At B F A 9 6 M F A 9 6 3

Fscbac Gaey New YoVan Bovenap Gaery New YoDanie s Gal ey N ew YoFsc bac Gal ery New YorSculpture in All Directions, Word ose Ga le y New YorAbstract Inationism/Stue Epressionism, Gaa Gal ey New Yo

American A bstract Artists, erside Mse N ew YoEccentric Ab straction, Fiscbac Galey New Yo Ogansation: cy . ppad)Drawings , taca Coll ege Mse New Yor

1964 9 6 41 9 6 51 9 6 5 9 6 5 9 6 6

9 6 61 9 6 61 9 6

he useum of erchanise, Arts Conci o te YM YWA P lade pa n co aborat onwt Adrey Sobel Joan Kon)

Eperience, Ren seier nsttte o Tecnoogy N ew Yo n co laboatonwit e rbert Gesner)

Arts Caival, Facty and Stdents o te Sc ool o Visal Arts Westport Con nth International Artists Seminar Ehibition, Faeg Dicnson nesty New JerseyEnvonments/Permutations, Riveside Mse New YokOptions, Mi wauee Art CenerDirections, M se o Conteporary Art Ccag oBoy Covering, M se o Conteporary Crats New YokSculpture Annual, Wtn ey Ms e o Aerc an At N ew YorPlastic as Plastic, M se o Conteporary Crats New York

On s Bet Stern New YorSoft Sculpture, A F. A Taeing Sow Oganisaton: Lcy . ippard)Op osse Schroeven (Cyptostructuren)Square ags in Rou n Holes,

196

196 9 6 1 9 6 1968 9 68 9 68 1 9 6 8 9 68

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Stedel Mse Asteda 969Ne w eia New etho s, Tavel ng Exbit ion orte Mse o Modern At New Yor 9690Soft Har an Plastic, Swatore Colege Swartore Pennsyania 9690

New Taen t . S. A in Art n Aeica 1 964



Frank L incoln Vne , Numbe Ten, 1 1 968

( Plastc pe, gommets, a lpha bet stenci ls, tape, 40" x 54 " / 1 00 x 1 35 cm )



W A L T H E R F r nz Er h rd

Gebore 1 939 Fulda (Deuschlad) Leb New York se 1 967

or 939 Fulda Germay L ves New York sce 1 967

N 1 939 Fu lda l emage New York depus 1 967

De Objekte snd Instrumente und bedeuten n der Anschauung nur weng- Ncht de Objekte snd wchtg so nde das was durch se/ mt hnen entsteht und mgch st

- hese ojects are nstruments they have ony ttle sgnfcaton n percepton Not the objects are mportant, only what s possble and orgnatng n usng them

- Les objets sont des nstruments qu ne sgnfent que peu quant leur aspect extreur- Ce ne sont pas les objets qu sont mportants mas ce qu nat et les possblts nhrentes leur usage

Fra Erha Waher Februa 1 969

SudumEducaoEude

WerkeWorkuvre

uchookLvre

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Se 1 963 beubare Objeke Dee ware 1 966 ache 1 967 M c he 1 967 D ssedorf1 96 Kl 196 New York 1 969 M che 1 969 K u sehe I ache ud M che ( 1 967) koe das Publ kum de Objeke gege ger ge Gebhr um eue fr Sudeoder Tage ausehe Das Pu b kum wurde gebee ufechuge ber de e uug ud Erfahru ge m de O bjeke dem Kler u berlase S ce 1 963 objecs as srumes o how dffere places: ache 1 966 Mu c h 1 967 1 969Duseldorf 1 967 Cologe 1 96 1 969 New York 1 96 I ache ad M u ch ( 1 967) he pub chad he possbly o borrow he objec for proper use dur g hours or days The p ubl c wa aked omake oes afer use of h e objec

Depus 1 963 objesrumes ms la dspos o du pub l c xIaCh apel e (1 966) M uc h(1 967 e 1 969) Duseldorf ( 1 967) Cologe ( 1 96 e 1 969) New York ( 1 96) x aChapel lee Mu c h ( 1 967) le vseurs pouvae empru er es objes core ue pee rmurao I' he ure ou la jou re. l s ae galeme pr de la sser I' arse es oes qu' ls avae fapeda 'u age des obje.

Fra Erhard Walher OBEKE, beuze. erlag Gebr. Kg Kl New York 1 96



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W E G M A N W m G

Born 1 944. ves n lwakee Wsconsn.

Geboren 1 944 eb n lwakee Wsconsn.

N 1 944 V wakee Wsconsn.

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Brooklne brary Brooklne assGeorge Waer Vncen Smh se Sprngfeld ass

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Urbana I I I .Bodoh 1 6 m Color/1 2 m n./Son d : Salvaore arano a Weson)avy a 1 6 mm blackwhe 10 mn./Son d chae yle l ve oponal camera

Ronald Naeh)amous Powder Dance Inflaabe Sclpre Vsa Decon) lecc Crcs of New

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maons) Wakesha Wsconsnheboygan Ompics/Car Concert arge akng o me ann aced Devces non ch

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Jan 1 969

1 9 6 6

1 9 6 6

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1967

1 9 6 8 1968

1 9 68

1 9 6 8

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W E I N E R Lawrence

Born 1 940 Bonx, N Y C Lves in New York.

Geboren 1 940 Bonx, N Y. Lebt in N ew York

N 1 940 Bronx, N. Y Vit a New York

1 The artist may construct the piece2 The piece may be fabricated

3. The piece need not be but

Each being equal and consistent with the intent of the artist

the decision as to condition rests with the receiver upon the

occason of receivership

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of At, Ph i ldelphiFunk Shw n ivesiy of Clifoni, B ekeleyFunk Fm Shw n ivesiy of Cifoni , Be keeyeynd Lierasm Colege of A, Ph i adlp hieinure amricaine le ie Pu l Fcchet i , P isWengnes Clecin u seum of Fine Ats, BosonBekeey ley, Bekeley, Cl

he Grea lndin mde with Robe Neson, San Fncisco Fi l mmkePesented Fesivl n okkeeZoute Dec. 1 967; unsth le Ben, Jn 1 968

Oer Eiden Fas Eectonic mu sic by Seve Reich, N ew Yok, Compose,nd visual eects by W Wiey H nsen ley, San Fancisco, Se ptembe1 96Scamento tte Col ege A ley, Sept 1 96Pojeced t The Whiney useu m of Amei cn At nd The Sch oo of Visua l Ats, ew Yok

heer EenSpace Opera Un ivesity of Colodo, Boulde, Cl , Su mme 1 968

1 6 71 96 71 6 71 9 6 168

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Z 0 R I O G i lb r t

Nato 944 Andorno Mcca (B iel la) Ha reuentato i ceo art stco e Accademia di Be le Art di or no n segna Stor a d elI'arte ad Aessandria Vive a orno

Born 944 Andorno Mcca, Ita ly, Educaton : Art Hi gh Schooland ine Arts Academy, ur n eaches Art h istory n Aessandr ia ves n ur in

Geboren 944 Andorno M icca Ita en. Besuch der unstschueund unstaademie urn Un terrichtet n Alessandria un stgeschchte. ebt in urin

N 944 Andorno Micca, ta l e . Etudes l Ecoe et ,Acadmie

des Beaux Arts urin . En segn e h store de art AlessandreVt urn

Mostre personaiOneMan Exhbit ionsEnzeausste lungenExpositions partculires

Mostre colettiveGroup Exhibit ionsGruppenausstel lungenExpositions col ectves

Ga ler ia Sperone, or inoCentro Studi Colautt, SalernoGaer e Sonnabend, Par isGal ler ia Sperone, or ino

Contemlazione, Gal er e Sperone, Stein, Punto, or noContemlazione, Gaer ia avana, uganoArte Povera, Galera a Bertesca, GenovaArte Povera, Unversit d Genova

Percorso, Galeria Arco dAbert, RomaArte Povera, Gal er ia De'oscherar , BoognaArte Povera, Centro Arte Viva, riesteProsect '8 unsthale DsseldorfRA , Amafi at Le o Castel (Anselmo, Bol nger, Eva Hesse, atenbach, Nauma n, Saret, Serra, Sonn er,

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Bibl iograf iaBbl iographyBib iographie

O Losse Schroeven (Crytostructuren / Square Tags i Round Holes, StedelMuseum Amsterdam 9 69

ommaso rin i , n : Cataogo Ga er ia Sperone, or no 967Germano Celant, Arte Povera, in : lash Art, Roma 967Alberto Boatto, n : Catalogo Centro Stud Cola utti, Saerno 96a povert del ' arte, i n Quadern i De' Foscherar, Boogn a 96ommaso rin, Nuovo alabeto per corpo et matera, n: Domus 470 Milano, gennaio

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