SymphonicPops

Superb Original Music and Arrangem

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Revision 20080401

SYMPHONIC POPS

ADAM(1803-1856)Adolphe

AMP2'

arr./ed. by John GradySolo: SopranoSATB; 2222/4220/timp/hp/str

Christmas with Renata Scotto: 5. Christmas Song(Cantique de Noel)

ADAMS(b. 1947)John

AMP12'

Choreographed by Peter Martins for the New York City Ballet (1988).2(2pic)22(bcl)2/4.2Ctpt.21/timp.3perc/hp.pf/str

The Chairman Dances: Foxtrot for Orchestra(1985)

A joyously rhythmic and percussive showpiece for orchestra that delightsaudiences with extraordinarily expansive and uniquely colored uses ofminimalist techniques. A 'foxtrot' for Chairman Mao and his bride, Chiang Ch'ing(the fabled Madame Mao), Adams writes that in the surreal final scene of hisopera Nixon in China Madame Mao "interrupts the tired formalities of a statebanquet, disrupts the slow-moving protocol, and invites the Chairman, who ispresent only as a gigantic forty-foot portrait on the wall, to 'come down, old man,and dance.' " Themes, sometimes slinky and sentimental, at other timesbravura and bounding, ride above in bustling fabric of energized motives.

AMP25'

Choreographed by John McFall (1984) as “Components” for the National Balletof Canada.I. Shaking and TremblingII. Hymning SlewsIII. Loops and VersesIV. A Final Shaking

strShaker Loops (1978, rev. 1982)

Alternate: String Septet (3.0.1.2.1 players)

"Shaker Loops is a work that used what I found most appealing in the languageof Minimalism: a sure and fleet sense of pulsation, generously unfolding fieldsof harmony and timbre, and gradually evolving musical architectures," writesAdams. "The 'loops' are small melodic fragments whose 'tails,' so to speak, aretied to their 'heads,' creating loops of repeated melodies, a technique borrowedfrom tape music composition. 'Shaker' also hinted at the rituals of the earlyAmerican religious sect. As a boy...I would try to imagine what a Shakerceremony must have felt like--those normally stern souls suddenly sprung loosein a rapture of religious ecstasy as they shook in sympathetic vibration withtheir creator."

ADDINSELLRichard

NOV6'arr. by Philip Lane2+pic.2.2+bcl.2/2230/timp.2perc/hp.acn/str

The Admirable Crichton: Dances

NOV10'arr. by Philip Lane2+pic.2.2.2/4330/timp.2perc/hp.acn/str

The Black Rose: Suite

EMI10'2222/4231/timp.perc/2hp.pf[=cel]/strBlithe Spirit: Prelude & Waltz

NOV4'2121/2230/timp.perc/hp.pf[=cel]/strGaslight: Prelude

NOV10'reconstructed and orchestrated by Philip LaneSATB; 2222/4231/timp.perc/hp/str

Goodbye Mr. Chips: Suite

NOV4'reconstructed and orchestrated by Philip Lane2222/4231/timp.perc/hp/str

Goodbye Mr. Chips: Theme

EMI4'Solo: Piano2222/4230/timp.perc/hp/str

Invocation: “Journey to Romance” (1946)

NOV6'2222/4231/timp.perc/hp/strThe Isle of Apples

BER20'

2120/3110/perc/hp.gtr[=bjo]/str

Loss of Innocence (Suite: The GreengageSummer)

EMI4'2222/2330/timp.perc/strMarch of the United Nations

NOV3'2222/2230/timp.perc/hp/pf[=cel]/strMiniature Overture: Encore

NOV8'2222/4231/timp.perc/hp/strOverture: Tom Brown’s Schooldays

EMI3'2121/2230/timp.perc/hp.cel/strParisienne — 1885

EMI3'1121/2230/perc/hp/strPrologue: Sea Devils (1953)

NOV5'2222/4231/timp.perc/hp.pf/strSouthern Rhapsody (1958)

Heard by millions when played every morning at the start of England's SouthernTelevision Company broadcast day between 1958 and 1969, it evokes thewaves breaking ashore beneath a sky of gulls.

EMI3 '

Music from the Film "The Day Will Dawn"

Solo: Pianostr

Teatime Music (1942)

EMI9'Solo: Piano2132/4330/timp.perc/str

Warsaw Concerto

From the 1941 fiilm, "Dangerous Moonight."

EMI3 '2121/2330/timp.perc/strWRNS March (1942)

Dedicated to the Women’s Royal Navy Service

ADLER(b. 1928)Samuel

GS4'SATB; 1+pic.2.2.2/2221/timp.perc/hp/strThe Feast of Lights

AMP8'3333/4331/timp/pf/strJubilee: A Fanfare for Orchestra (1958)

GS5'SATB; 2222/0000/triangle/strJudah’s Song of Praise (1985)

GS4'SATB; 2(pic).2.2.2/2220/timp.perc/hp/strA Song of Hanukkah (1963)

AMP5'2222/2230/timp.perc/strSummer Stock: A Short Merry Overture (1955)

The prevailing mood of this joyous overture is indicated by the composer’smarking at the outset: “Lively and with good spirit.” Adler captures the ardententhusiasm of young actors pursuing their craft in summer stock with fanfares,solo brass passages, and vibrant rhythms throughout.

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SYMPHONIC POPS

ALFVÉN(1872-1960)Hugo

WH18'

3(2pic)2+ca.2(ssx ad lib)+bcl.2+cbn/4231/timp.perc/hp/str

Dalarapsodi — Swedish Rhapsody No. 3, Op. 47(1931)

WH12'

3(pic)3(ca)3(Ebcl:bcl)3/4231/timp.perc/2hp/str

Midsommarvaka — Swedish Rhapsody No. 1,Op. 19 (1903)

ALWYN(1905-1985)William

LEN16'2222/4330/timp.perc.xyl/cel.hp/strElizabethan Dances (1957)

ANDERSON(1908-1975)Leroy

EMI3'322.asx.2/4321/perc.bells/strBelle of the Ball (1951)

Anderson’s alluring waltz captures the charm and elegance of 3/4 time.

EMI3'322.asx+tsx.2/4331/timp.perc/strChicken Reel

Flutes, strings, and percussion have a “reel” good time in this Scottish inspireddance music that also manages to include a taste of Spanish tarantella and asurprise conribution from a phantom “rooster.”

EMI2 '3(pic)22.asx(ad lib)+tsx(ad lib)/4331/perc.4temple blocks.bells/strChina Doll

EMI4'2+pic.2+ca.22/4331/timp.perc/hp/[org]/strChristmas Festival

EMI2'222.asx+tsx.2/4330/bells/strForgotten Dreams

EMI3'322.2asx+tsx.2/4331/4perc/strHorse and Buggy

Four percussion players and three saxophonists help create a convincingdepiction of this early form of transportation. Fun for all ages.

EMI20'3222/4331/timp.4perc/hp.pf/strIrish Suite

EMI3'

3222/4331/timp.4perc/hp.pf/str

The Irish Washerwoman from “Irish Suite”(1938)

This catchy tune is always a hit and with Anderson at the helm it becomes anentertaining display piece for orchestra.

EMI3'322.3sx.2/4331/3perc/strSandpaper Ballet

Convincing proof for young audiences that even something as simple assandpaper can feature prominently in the musical structure of a piece.

EMI3'322.2asx+tsx.2/4331/3perc/strSarabande

EMI3'322.2asx+tsx.2/4331/6perc/strSerenata

EMI2'222.2asx(ad lib)+tsx(ad lib).2/4331/bells/strSummer Skies

ANDERSSONBenny and Ulvaes, Björn

CH13'arr. by Philip Lane2(pic).2.2(asx).2(2cbn)/4431/timp.perc.dms/pf.hp/str

ABBA Symfonica (1999)

ANTHEIL(1900-1959)George

GS5'1+pic.222/4331/timp.perc/acn[=hmn]/strAccordion Dance (1951)

GS10'

from Symphony No. 2. The complete symphony was withdrawn by thecomposer.

2(2pic).222/4321/4perc/hp.pf/strArchipelago “Rhumba” (1935)

GS5'2+pic.22+bcl.2/4231/timp.perc/hp.pf/strHot-Time Dance (1948)

GS2'orch. by Werner Herbers1(pic).110/0221/2 pf.bjo.hca/str (no va)

Jazz Sonata (for ensemble) (1923)

EWM12'

originally written for Paul Whiteman022.ssx+asx+tsx.0/0331/2perc/2bjo([gtr]).3pf(1st=solo)/strA Jazz Symphony (1925 version) (1925)

EWM6.5'1030/0330/perc/pf/strA Jazz Symphony (1955 version) (1955)

Quoting Joplin and Stravinsky and calling upon the trumpeter to employ “all thetricks of the trade,” Antheil creates a wholly original and inimitable musicalscore that once and for all marries jazz to the concert orchestra. Virtuosic pianosolos look ahead to the post-bebop “free” jazz of the 60s.

EWM12'arr. by Milton PhibbsSolo: Piano1(pic).1.1.ssx.1/1110/2perc/bjo/db

A Jazz Symphony (ensemble version) (arr. 1999)

GS4'strLithuanian Night (1919)

EWM7'3+pic.2+ca.2+bcl.2+cbn/4331/timp.perc/hp/strMcKonkey’s Ferry Overture (1948)

GS11'Solo: Narrator (opt)1(pic)111/1210/perc/pf/str

Music to a World’s Fair Film (1939)

GS7'

2+pic.2+ca.2+bcl.2+cbn/4331/timp.3perc/pf/str

Tom Sawyer Overture (California Overture)(1949)

An up-tempo romp through a few adventures with Tom—Antheil exploits theorchestra’s full forces to deliver a power-packed portrayal of a favorite childhoodcharacter.

GSstrWater Music for 4th of July Evening (1942-43)

ANTONINI(b. 1901)Alfredo

SHA3'acc.cel.gtr.hp.pf/strWhy Reach for the Moon?

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SYMPHONIC POPS

ARLEN(1905-1986)Harold

EMI8'

Text: E.Y. HarburgSolo: VoicesChorus; 1(pic).1(ca).3(fl,bcl,tsx,barsx).0/2210/4perc/pf(cel).hp/str

Munchkin Land, from “The Wizard of Oz” (RoyalShakespeare Company Version) (1939, arr.1987)

EMI5'

arr. by Mario LombardoText: E.Y. HarburgSolo: Piano2222/4230/timp.dmkit/str

Over the Rainbow, from “The Wizard of Oz,” forPiano and Orchestra (1939, arr. 1991)

EMI5'

B-flat major

Text: E.Y. HarburgSolo: Voice1.1.3(fl,bcl).0/2010/perc/pf(cel).hp/str

Over the Rainbow, from “The Wizard of Oz”(Royal Shakespeare Company Version) (1939,arr. 1987)

EMI5'

Text: E.Y. HarburgSolo: VoiceUnison chorus; 1(pic).1.3(fl,bcl).0/1210/3perc/pf.hp/str

Yellow Brick Road, from “The Wizard of Oz”(Royal Shakespeare Company Version) (1939,arr. 1987)

ARLENHarold; Harburg, E.Y.; Stothart, Herbert

EMI11'

arr. by Jeff Tyzik2+pic.22+bcl.2/4331/timp.3perc/hp.pf/str

Wizard of Oz Orchestral Suite (“Wizard of OzMedley”) (arr. 2001)

Over the Rainbow, If I Only Had a Brain, Ding-Dong the Witch is Dead, Jitterbug,Merry Old Land of Oz, We’re Off to See the Wizard, Miss Gulch

ARNAUD(1904-1991)Leo

SHA4'

0000/4431/timp.3[=4]perc

“Fanfare to the Olympic Games,” akaDivertissement for Brass and Percussion(Charge Suite)

The world-renowned anthem to the Olympic games that can’t help but inspireawe and admiration.

ARNOLD(b. 1921)Malcolm

NOV8'arr. by Christopher Palmer2(2pic).121/0211/4perc/pf(2players)/str(max8.6.4.4.2)

The Belles of St. Trinians: Comedy Suite (1991)

This is an excellent example of Malcolm Arnold's ability to present a veryBritish sense of humor in his music.

NOV24'arr. by Christopher Palmer3(3pic)34(2bcl)3/4331/timp.6perc/pf[+pf]hp[+hp]/str

The Bridge on the River Kwai (1991)

Malcolm Arnold won an Oscar for this, the third David Lean film that he scored.The Suite was commissioned by the BBC in honor of Arnold's 70th birthday, andwas first performed at Queen Elizabeth Hall in October 1991. The score iseasily one of Arnold's best, with soaring orchestral lines, dramatic climaxes,and the inclusion of the famous "Colonel Bogey" march, written by KennethAlford in 1914.

LEN9'3222/4331/timp.perc/strComedy Overture: Beckus the Dandipratt (1943)

LEN8'3222/4331/timp.perc/hp/strEnglish Dances: Set I (1950)

LEN9'3222/4331/timp.perc/cel.hp/strEnglish Dances: Set II (1951)

PAT9'1+pic.222/4230/timp.1perc/hp/strFour Scottish Dances, Op. 59 (1957)

This suite consists of four different styles of Scottish dance orchestrated withArnold’s inimitable sense of color and sonic variety. The first dance is a slowstrathspey (a Scottish dance in common time), the second is a reel, the third isin the style of a Hebridean song, and the last is a lively fling.

PAT8'2(pic)222/4331/timp.2perc/hp.org/str+3 vacuum cleaners.1 floor polisher.4 riflesA Grand, Grand Overture, Op. 57 (1956)

NOV17'arr. by Christopher Palmer2(pic)222/4221/timp.3perc/pf[=cel]/hp/str

Hobson’s Choice (1992)

The Henry Hobson character (played by Charles Laughton in David Lean'sadaptation of the Harold Brighthouse play) was a boot-and-shoe manufacturer --as was Arnold's own father; but this was a less potent factor in attracting him tothe film than the many opportunities for low comedy and high romance.

NOV6'

arr. by Christopher Palmer3(pic)222/4331/timp.3perc/pf[cel]/2hp/str

The Holly and the Ivy: Fantasy on ChristmasCarols (1991)

This suite is derived from Malcolm Arnold's soundtrack for 'The Holly and theIvy' (the O'Ferrall feature film), 'Christmas Round-Up' (a BBC documentary), andvarious arrangements of carols which Arnold wrote for the Save the ChildrenFund in 1960. The suite is full of traditional favorites: 'The Holly and the Ivy,''Away in a Manger,' 'I Saw Three Ships,' and 'The First Noel.'

NOV14'arr. by Christopher Palmer3(1pic)23(1bcl)2/4331/timp.4perc/pf[cel].2hp/str

The Inn of the Sixth Happiness (1992)

Malcolm Arnold won the Ivor Novello award for this film. It is the real-life story ofan English servant-girl, Gladys Aylward (Ingrid Bergman), who on her owninitiative goes to China to become a missionary in a remote mountain town.

PAT8'2(pic)222/4331/timp.2perc/cel.hp/strSarabande and Polka from Solitaire (1956)

Alternate: 2121/2220/perc/cel.hp/str

PAT7'3222/4331/timp.2perc/cel.hp/strThe Sound Barrier Rhapsody, Op. 38 (1952)

This is Malcolm Arnold's first David Lean film, and his first important film score.It is the story of jet planes and their attempt to fly faster than sound. Here ismusic of the wide open spaces of the sky, of the ecstacy of flying (Lean calledthese sequences his 'Spitfire ballets').

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SYMPHONIC POPS

PAT8'2(pic)222/4331/timp.2perc/strTam O’Shanter: Overture, Op. 51 (1955)

With its skipping rhythms, irregular meters, and keen sense of revelry andmischief, Arnold’s incisive overture is perfect for talented young orchestras tostudy and perform. Perfect for Halloween programming and great for youngaudiences too.

NOV10'Solo: 12 toy instrumentspf/str

Toy Symphony, Op. 62 (1957)

NOV9'arr. by Christopher Palmer2(pic)120/2000/2perc/pf[=cel].hp.gtr/str(max8.6.4.4.2)

Whistle Down the Wind (1961)

This is chamber music, scored for an adroitly non-symphonic choice ofinstruments--a handful of woodwinds, string quartet, celesta, chimes, guitar, anda human whistle (performed on the soundtrack by the film's director, RichardAttenborough.

AUSTIN(1872-1952)Frederic

NOV3'2222/2230/timp.perc/strTwelve Days of Christmas

BACON(1898-1990)Ernst

GS20'

3333/4331/perc/str

From These States, Suite: Gathered AlongUnpaved Roads (1951)

A lively, colorful and charming suite describing a musical train ride acrossAmerica. The 11 short movements, beginning with "Laying the Rails" andending with "The Timberline Express," are mostly based on Americanfolksongs.

GS6'2222/4331/perc/strSmoky Mountain Scherzo (1937)

This charming and lively concert-opener is based on two Southernfolksongs:“On Top of Old Smoky” and “Sourwood Mountain.”

BAKER(b. 1931)David

AMP34'Solo: Soprano; Jazz Quartet - asx.tsx/dm/epf(pf)/edb(db)2+pic.2+ca.2+bcl.2+cbn/432+btbn.1/timp.perc/hp/str

Le Chat Qui Pêche (1974)

AMP13'3333/4331/timp.perc.xyl/pf/strKosbro (1973, rev. 1975)

AMP8'

1. Harlem Pipes2. Sangre Negro

Solo: Jazz combo: dm/pf/cb2+pic.2+ca.2+bcl.2+cbn/432+btbn.1/timp.snare dm/str

Two Improvisations (1974)

BALADA(b. 1933)Leonardo

GS8'2(pic).2.2(bcl).2/3[+].3[+].3.1/timp.3perc/hp.pf/strHomage to Sarasate (1975)

A setting of an energetic zapateado, a Spanish dance by the violinist andcomposer Pablo de Saradate.

BANTOCK(1868-1946)Granville

NOV20'2222/4200/timp/strOld English Suite

BARBER(1910-1981)Samuel

GS4'2+pic.2+ca.2+Ebcl+bcl.2+cbn/4331/timp.2perc/pf/strCommando March for Orchestra (1943)

GS16'

2+pic.2+ca.2+bcl.2/4331/timp.perc/hp/str

Dïe Natali — Chorale Preludes for Christmas,Op. 37 (1960)

GS8'

2+pic.2+ca.2+bcl.2/4331/timp.perc/cel.hp/str

Overture to “The School for Scandal” Op. 5(1931)

An engaging miniature tinged with Rossinian wit, masterful use of counterpoint,and vivid musical references to Sheridan’s 18th-century satire.

BARRYJohn

EMI3'

from the James Bond film 'From Russia with Love' [This film cue is not thepopular theme associated with James Bond.]

arr. by Nic Raine2222/4331/timp.3perc/hp/str

007 Theme (From Russia With Love)

EMI15'arr. by Jeff Tyzik

James Bond ThemeNobody Does It BetterLive and Let DieFor Your Eyes OnlyThe Look of Love007 ThemeThunderball

2(pic)2.2.2/4331/timp.2perc/syn.eb.dmkit.hp/str

Best of Bond (arr. 2005)

EMI3'

from the James Bond film 'From Russia with Love'

arr. by Nic Raine2222/4331/timp.2perc/hp.pf/str

Bond Takes the Lektor (1963)

EMI6'arr. by Nic Raine2222/4331/timp.perc/hp/str

Born Free / Lions at Play

EMI3'

from the James Bond film 'Diamonds Are Forever'

arr. by Nic Raine2222/4331/timp.3perc/cel.hp/str

Diamonds Are Forever (1971)

EMI6'

from the James Bond film 'On Her Majesty's Secret Service'

arr. by Nic Raine2(afl).2.2.2/4341/timp.2perc.xyl/gtr.bgtr.synth.pf/str

Escape from Piz Gloria / Ski Chase (1969)

EMI3'

from the James Bond film 'Goldfinger'

arr. by Nic Raine2222/4331/timp.3perc/str

Goldfinger (1964)

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SYMPHONIC POPS

EMI8'

from the James Bond film 'Goldfinger'

arr. by Nic Raine

Into Miami /Alpine Drive / Dawn Raid at Fort Knox

2(pic).2.2.asx.2/4341/timp.5perc/hp/str

Goldfinger: Suite (1964)

EMI5'

from the James Bond film 'The Living Daylights'

arr. by Nic Raine2222/4331/timp.3perc/hp.pf/str

The Living Daylights: Suite (1987)

EMI6'

from the James Bond films 'On Her Majesty's Secret Service' and 'A View to aKill'

arr. by Nic Raine2222/4331/timp.3perc/hp.pf/str

On Her Majesty’s Secret Service / A View to aKill (1985)

EMI2'arr. by Nic Raine2222/4331/hp.pf/str

The Persuaders: Theme

EMI3'

from the James Bond film 'Thunderball'

arr. by Nic Raine2222/4331/timp.3perc/hp/str

Thunderball (1965)

EMI4'

from the James Bond film 'On Her Majesty's Secret Service'

arr. by Nic Raine2222/4200/2perc/hp/str

We Have All the Time in the World (1969)

EMI3'

from the James Bond film 'You Only Live Twice'

arr. by Nic Raine2222/4331/timp.3perc/hp/str

You Only Live Twice (1967)

EMI10'

from the James Bond film 'You Only Live Twice'

arr. by Nic Raine2(afl,pic).2(ca).2.2/4341/timp.4perc.vib/hp.pf/koto[=syn]/str

You Only Live Twice: Suite (1967)

EMI6'arr. by Nic Raine2.2(ca).2(bcl).2/4341/timp.3perc/2hp.pf/str

Zulu: Suite

BEATLESThe

ATV20'3(pic)2+ca.2+bcl.3(cbn)/4331/timp.3perc/hp.pf(cel)/strAbbey Road Suite (1994)

ATV12'

arr. by Bruce Healey

Sgt. Pepper’s Lonely Hearts Club BandGood Day SunshineI Want to Hold Your HandGolden SlumberTicket to RideA Day in the LifeGet BackPenny LaneLet It BeGot to Get You Into My LifeA Hard Day’s NightAll My Lovin’Can’t Buy Me Love

3232/4331/timp.2perc/pf.cel.hp/e gtr.e bass/str

Beatles!!! A Medley of Lennon and McCartneyFavorites

ATV12'arr. by Jeff Tyzik

I Want to Hold Your HandShe Loves YouYesterdayEleanor RigbyHey, JudeGet BackYellow Submarine

2222/4331/timp.2perc/hp.pf/e bass/str

Beatles Hits Medley

ATV11'arr. by Peter Mansfield

The Long and Winding RoadHere, There and EverywhereAnd I Love HerWhen I'm 64I’ve Just Seen A FaceA Hard Day’s NightNorwegian WoodHey, Jude

3333/4331/timp.3perc/pf[cel]/str

Classic Beatles: A Medley

ATV18'

arr. by Andrew Jackman3(pic)2+ca.2+bcl.3(cbn)/4331/timp.3perc/hp.pf(cel)/str

The Great Beatles Singles Suite I — StrawberryFields Forever (1994)

ATV18'

arr. by Andrew Jackman3(pic)2+ca.2+bcl.3(cbn)/4331/timp.3perc/hp.pf(cel)/str

The Great Beatles Singles Suite II — All You NeedIs Love (1994)

ATV25'arr. by Eric Knight

Sgt. Pepper’s Lonely Hearts Club BandNorwegian WoodEleanor RigbyHere, There and EverywhereWhen I'm 64She’s Leaving HomeYellow SubmarineYesterdayCan’t Buy Me LoveThe Long and Winding Road

3333/4431/timp.4perc/pf/str

A Long and Winding Road

ATV18'

arr. by Francis Shaw3(pic)3(ca)3(bcl)3(cbn)/4331/timp.3perc/hp.pf/cel/str

Sergeant Pepper’s Lonely Hearts Club Band(1994)

ATV16'arr. by Andrew Jackman

Martha My DearOb-La-Di, Ob-La-DaYer BluesMother Nature’s SonBack in the USSR

3(pic)2+ca.3(bcl)2+cbn/4331/timp.3perc/hp.pf[cel]/str

Songs from the White Album (1994)

BENNETT(b. 1936)Richard Rodney

NOV5'2(pic)222/4331/timp.3perc/strCelebration (1991)

Perfect as a concert opener, this short work drives to its celebratory climaxabove a fleet rhythmic foundation. Another fine addition to the repertoire forstudent orchestras.

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SYMPHONIC POPS

NOV24'Solo: Tenor saxophonetimp/str(min 10.8.6.4.2)

Concerto for Stan Getz (1990)

NOV20'2(pic)222/2200/timp.2perc/pf/str(6.5.4.3.2)Diversions (1989)

EMI14'Solo: tenor2(pic)111/1110/perc[+]/hp/str(min 6.5.4.3.0)

London Pastoral

EMI0111/0100/perc/hp/dbMidnight Thief Overture

EMI12'1111/1000/hp/strNocturnes — for Chamber Orchestra

NOV17'2(pic)2(ca)22/2000/timp/hp/str(min 10.8.6.6.4)Partita (1995)

EMI7'2(pic).121/2110/timp.2perc.glock.xyl/hp/strSuite Française — for Small Orchestra (1961)

NOV5'2+pic.2+ca.2+Ebcl.2+cbn/4.3.2+btn.1/timp+3perc/hp.pf/strTroubadour Music (2006)

Commissioned by John Mauceri and the Hollywood Bowl Orchestra to celebrate16 seasons together.

NOV15'2(pic)2(ca)22/4231/timp.2perc/pf[=cel]hp/strVariations on a Nursery Tune (1992)

Based on the early 18th-century nursery rhyme “Over the Hills and Far Away,”Bennett captures the essence of the tune with a nod toward Ravel and,according to Andrew Porter, “the finest, deftest touches.”

BENNETT(1894-1981)Robert Russell

EMI20'2+pic.2(ca).3(bcl).2/4331/4perc/strThe Four Freedoms (1943)

a symphony after the four paintings by Norman Rockwell based on a speech byFranklin D. Roosevelt: "Freedom from Want," "Freedom from Fear," "Freedomto Worship," and "Freedom of Speech."

BEREZOVSKY(1900-1953)Nicolai

AMP8'

3332/4431/perc/pf/str

Christmas Festival Overture (Ukrainian Noel) forOrchestra (1943)

BERKELEY(1903-1989)Lennox

CH17'2222/2210/timp/strDivertimento in B-flat, Op. 18 (1943)

CH1'

8tpt

Fanfare for the Royal Academy of MusicBanquet (1972)

CH7'2(pic)222/4231/timp.perc/hp/strPalm Court Music, Op. 81, No. 2 (1971)

BERNERS(1883-1950)Lord

CH5'

str

Adagio, Variations and Hornpipe from “TheTriumph of Neptune”

BEVERIDGE(b. 1938)Thomas

SHASolo: Soprano & NarratorSATB; 0000/430+btbn.1/2perc/org/db

Once (Tribute to Martin Luther King)

BINDER(1895-1966)Abraham W.

EMI3222/4431/timp.perc/strMarch, from “Poem of Freedom”

EMI6'3222/4431/timp.perc/strPoem of Freedom

BINGE(1910-79)Ronald

NOV3'210.2asx+2tsx+barsx.0/0400/strCornet Carillon (orchestra version)

BIZET(1838-1875)Georges

GS11'

compiled by François Borneedited by James GalwaySolo: Flute2222/2230/timp.2perc/hp/str

Fantaisie Brilliante on Themes from Bizet’s“Carmen”

BLISS(1891-1975)Arthur

NOV8'Solo: Pianoopt Men's Chorus; 2(pic)122/2230/timp.perc/str

Baraza (version for piano and orchestra) (1945)

Concert piece from the film 'Men of two Worlds'

NOV20'2(pic)2(ca)22/4230/timp.2perc/hp/strCheckmate: Five Dances Suite (1937)

NOV5'

excerpts from film music

arr. by Marcus Dodds2222(cbn)/4330/timp.2perc/hp/str

Christopher Columbus (1949)

NOV11'arr. by Denis Wright2(pic)121/2230/timp.perc/hp/str

Things to Come

NOV4'2(2pic)2(ca)22/4331/timp.3perc/hp/strThings to Come: March (1935)

NOV17'2(2pic)2(ca)22/4331/timp.2perc/hp/strThings to Come: Suite (1935)

- 6 -

SYMPHONIC POPS

BLYTON(b. 1932)Carey

NOV15'2(pic)2(ca)22/4231/timp.perc/pf/strCinque Port, Op. 28

BOUBLILAlain and Schoenberg, Claude-Michel

BOU5'

Solo: Voice1110/2310/perc.dms/2kbd.gtr/str

The ABC Café (C minor), from “Les Misérables”(1993)

BOU5'

Solo: Voice1110/2310/perc.dms/2kbd.gtr/str

At the End of the Day (A-flat major), from “LesMisérables” (1993)

BOU5'

Solo: Voice1110/2310/perc.dms/2kbd.gtr/str

Bring Him Home (F major), from “LesMisérables” (1993)

BOU5'

Solo: Voice1110/2310/perc.dms/2kbd.gtr/str

Do You Hear the People Sing? (The People’sSong) (F major), from “Les Misérables” (1993)

BOU5'

Solo: Voice1110/2310/perc.dms/2kbd.gtr/str

Empty Chairs at Empty Tables, from “LesMisérables” (1993)

BOU6'Solo: VoicesChorus; 2121/2230/timp.3perc/pf(cel)hp.gtr/str

Finale, from “Miss Saigon” (1993)

BOU5'

Solo: Voice1110/2310/perc.dms/2kbd.gtr/str

I Dreamed A Dream (E-flat major), from “LesMisérables” (1993)

BOU5'Solo: Voiceorchestra

I Still Believe This, from “Miss Saigon” (1993)

BOU5'

Solo: Voice211.asx.1/20.2flg.30/3perc/kbd.cel.hp.gtr/str

Last Night of the World, from “Miss Saigon”(1993)

BOU5'

Solo: Voice1110/2310/2perc/gtr.2kbd/str

Little Cosette (Castle on a Cloud) (A minor), from“Les Misérables” (1993)

BOU5'

Solo: Voice11(ca)10/2310/perc.dms/2kbd.gtr/str

Master of the House (C major), from “LesMisérables” (1993)

BOU30'2(pic)2(ca)2(bcl)2(cbn)/4421/timp.perc/2hp.pf/strLes Misérables. Symphonic Suite

BOU15'orch. by W.D. BroanSolo: Piano2+pic.2+ca.2+bcl.asx.2/4231/timp/hp.kbd(cel)[gtr]bgtr/str

Miss Saigon Rhapsody (1993)

BOU5'

Solo: Voice11(ca)10/2310/perc.dms/2kbd.gtr/str

On My Own (D major), from “Les Misérables”(1993)

BOU5'

Solo: Voice1110/2310/perc.dms/2kbd.gtr/str

One Day More (A major), from “Les Misérables”(1993)

BOU5'Solo: Voice1110/2310/perc.dms/2kbd.gtr/str

Stars (C major), from “Les Misérables” (1993)

BOU5'Solo: Voice212(bcl)1/2230/3perc/pf(cel)hp.gtr/str

Sun and Moon, from “Miss Saigon” (1993)

BOU5'SATB chorus; 1+pic.1.2.1/2230/timp.perc/2kbd(pf).gtr.bgtr.strThis is the Hour, from “Miss Saigon” (1993)

BOU5'Solo: Voice2121/20.2flg.3(tba)0/timp.3perc/pf(cel)hp.gtr/str

Why God Why, from “Miss Saigon” (1993)

BROUGHTONBruce

EMI5'2(pic)22(Ebcl)2(cbn)/4331/perc/hp.pf.cel/2gtr/strThemes from “Silverado” (1985)

Bruce Broughton's "SIlverado" score is music from that rarest of film genres: thecontemporary Hollywood Western. The pulse of Lawrence Kasdan'sentertaining 1985 film is doubled by Broughton's memorable contribution withmotifs that take modern twists on classic swashbuckling themes.

BRUBECK(b. 1920)Dave

MAL12'arr. by Howard BrubeckJazz combo; hn/str

Brandenburg Gate: Revisited (1961)

MAL4'Solo: Jazz Combo22+ca.22/4331/timp.2perc/str

Cathy’s Waltz (1961)

MAL45'Solo: SATBunison children's chorus & SATB chorus;2+pic.2+ca.2+bcl.2+cbn/4331/timp.2perc/hp.hpd.gtr/str

La Fiesta de la Posada (1975)

Alternate: 2000/0200/timp.2mba/hp

MAL10'2+pic.2+ca.2+bcl.2+cbn/4331/timp.3perc/strFugal Fanfare (Happy Anniversary) (1970)

MAL60'Solo: Tenor & BaritoneSSAATTBB chorus; 0000/4331/timp.2perc/db

The Gates of Justice (1969)

MAL5'Solo: Jazz Combostr

In Your Own Sweet Way (1961)

- 7 -

SYMPHONIC POPS

MAL75'Solo: BaritoneSSAATTBB chorus; 3(pic)2+ca.2+bcl.2+cbn/4331/perc/hpd.org/jazz combo/str

The Light in the Wilderness (1968)

MAL5'

Solo: Jazz Combo0+pic.2+ca.2+bcl.1+cbn/4331/2perc/str

Out of the Way of the People, from “The Gates ofJustice” (1970)

MAL5'Solo: Jazz Combo22+ca.2+bcl.1/4331/2perc/str

Summersong (1961)

AMP20'Chorus; 2+pic.2+ca.2+bcl.2+cbn/43[+]31/perc.timp/hp.org/strThey All Sang Yankee Doodle (1976)

Dedicated to the memory of Charles Ives, Brubeck's They All Sang YankeeDoodle takes the well-known Revolutionary War tune and weaves it through aseries of clever variations. Brubeck comments that "the piece, in a sense, is anautobiography, made up of memories and snatches of tunes imprinted from myearly childhood. Yankee Doodle is interwoven with other folk and nationalmelodies to stitch a tapestry, or more precisely, a patchwork, designed to depictAmerican history through combining fragments of popular tunes."

MAL52'Solo: SopranoSSAATTBB chorus; 2+pic.2+ca.2+bcl.2+cbn/4331/2perc/hpd.org/str;Jazzcombo: tbn/ebass.2egtr.hmn.epf

Truth is Fallen (1971)

BRUBECK(b. 1920)Howard

SHA25'22+ca.22/4331/timp.2perc/strDialogues

SHA7'22+ca.22/4331/timp.2perc/strG-Flat Theme

SHA5'22+ca.1+Ebcl.2/4331/timp.2perc/strTheme for June (from Dialogues)

BURGON(b. 1941)Geoffrey

CH18'1(pic).1(ca).01/1100/hp/strBrideshead Variations (1981)

The distinctive themes from the renowned BBC television series showcaseelegant brass melodies that communicate the feeling and flavor of Britisharistocracy.

CH12'1(pic)101/1100/perc/strChronicles of Narnia Suite (1991)

CH3'4hn.3tpt.3tbn.tbaFanfare on One Note (1985)

British composer Geoffrey Burgon combines a clarity of expression with wit andcharacter in all of his work. This fanfare is the perfect example—brief yetendlessly inventive and entertaining.

CH12'fl.cl.bn/hn.cnt(tpt)/[hp]/strSuite from Bleak House (1991)

CH24'1(pic)1(ca)1(bcl)1/1000/timp.perc/strSuite from Martin Chuzzlewit (1994)

CH10'[timp]/strSuite from Testament of Youth (1991)

BUSH(b. 1920)Geoffrey

NOV15'2(pic)222/4230/timp.perc.xylo/strConcerto for Light Orchestra (1958)

NOV2'Wind ensemble (min 2121/2230/timp.3perc)Fanfare and March “The Prince of Morocco”

NOV8'Solo: Pianostr

A Little Concerto (on themes by Arne)

NOV10'strThree Little Pieces for Strings

NOV8'2(pic)222/4230/timp.perc/strYorick. Overture

CAMILLERI(b. 1931)Charles

NOV17'2222/4231/timp.perc.xylo.glock/hp/strMaltese Dances (1956)

CARPENTER(1876-1951)John Alden

GS13'1(pic)12(ssx).1/2210/timp.perc/hp.pf/strKrazy Kat (revised version) (1921, rev. 1948)

A jazz ballet on the title character of the Hearst Newspapers comic strip byGeorge Herriman: Krazy Kat.

CARTER(b. 1908)Elliott

AMP10'3333/4331/timp.perc/pf/strHoliday Overture (1944/61)

A bright and festive concert opener that clearly illustrates the use of syncopatedrhythms in its thematic development.

CATÁN(b. 1949)Daniel

AMP28'

1. On the Pier2. Arcadio3. The Storm4. Sunrise5. Paula6. Florencia's Farewell

2(pic).2.2+bcl.2/3221/timp.2perc.mba/hp.pf/str

Florencia en el Amazonas (Orchestral Suite)(2003)

CHAPPELL(b. 1934)Herbert

CH22'Solo: Guitar2222/2200/3perc/str

Caribbean Concerto

- 8 -

SYMPHONIC POPS

CH18'Text: Michael BondSolo: Narrator2(pic)2(2ca)2(asx)2/2200/2perc/hp/str

Paddington Bear’s First Concert (1984)

From grand cinematic gestures to the exotic sounds of the Peruvian jungles,Spanish tarantella, and Hungarian “cafe society,” Chappell chroniclesPaddington Bear’s interactions with a host of different cultures and musicaltastes...and his first concert at the Barbican (or your concert hall)!

CHÁVEZ(1899-1978)Carlos

EMI7'

1. Marcha Provincinana2. Vals Nostalgico3. Cancion de Adelita

4+2pic.3.4(Ebcl, bcl).ssx+2asx.tsx.3/4331/timp.3[+]perc/str

Chapultepec (Three Famous Mexican Pieces) —for Orchestra or Band

GS11'2+2pic.32+ebcl+bcl.3/4220/timp.4perc/hp/strSinfonia India (Symphony No. 2) (1935)

Alternate: 2131/2210/4perc/hp/strA compelling blend of modernism and austere primitivism, Chávez’s symphonyreflects his partial Indian ancestry and entertains and instructs through exoticsonic landscapes.

EMI36'mixed chorus; 4(pic)34(Ebl,bcl)3/4431/timp.3[+]perc/strEl Sol (The Sun) — A Mexican Ballad

COLE(b. 1917)Hugo

NOV12'2(pic)121/2210/timp.2perc/strBlack Lion Dances

COLERIDGE-TAYLOR(1875-1912)Samuel

GS6'

Solo: Tenor2222/4000/hp/str

Hiawatha’s Wedding Feast: On Away! AwakeBeloved

CONSTANTINESCU(1909-1963)Paul

SHA2+pic.222/4331/timp.perc/pf/strBraul (The Sash Dance)

SHA2+pic.222/40+2cnt.00/timp.perc.xyl.glock/dulcimer/strCiobanasul (The Shepherd Boy)

COOPER(1926-1996)Paul

GS8'Solo: Flute, Trumpet, Viola22+ca.2+bcl.2/4231/timp.3perc/hp.pf(cel)/str

A Shenandoah for Charles Ives’s Birthday (1974)

CORIGLIANO(b. 1938)John

GS3'

3+pic.3+ca.3+bcl.3+cbn/4431/timp.6perc/hp.pf/str

Campane di Ravello (A Celebration Piece for SirGeorg Solti) (1987)

GS16'2(pic)222/4331/timp.3perc/pf/strGazebo Dances for Orchestra (1974)

A collection of four miniatures that displays with wit and charm the use of dancerhythms as a unifying thread in the creation of a musical score.

GS5'2+pic.3.3.3/4.3(opt in D).3.1/timp.3perc/pf.hp/strMidsummer Fanfare (2004)

GS4'

2(pic)222/4331/timp.3perc/pf/str

Overture to the Imaginary Invalid (from “GazeboDances”) (1974)

GS8'2+pic.222/4[+2]431/timp.4perc/hp/strPromenade Overture (1981)

An homage to Haydn’s “Farewell” Symphony in which players walk on stage (asopposed to off) during the piece, enabling audiences to see as well as hear soloinstruments. The work’s theme is the end of the “Farewell” Symphony, playedbackwards.

GS15'

Solo: Violin3(2pic).2.2.2/4.2Ctpt[=Dtpt].2+btbn.1/timp.3perc/pf([cel]).hp/str

The Red Violin: Chaconne for Violin and Orchestra(1997)

John Corigliano's stunning new score for François Girard's 1999 film "The RedViolin" is a darkly romantic vision of a violin's journey through three continentsover three centuries. The Chaconne, based on the original musical materialsdeveloped for the film, contains some of Corigliano's most plaintive and lyricalwriting for the violin. Joshua Bell has recorded the work for Sony with thePhilharmonia Orchestra conducted by Esa-Pekka Salonen. Also available is aSuite from the film for solo violin, timpani, harp, percussion and strings.

GS1.25'24 kazoos minimum (SATB: 3 Female, 2 Male); 0000/4331/2percSalute (2006)

GS13'

Choreographed by Gail Kachadurian (1988) for the Joffrey Ballet.3(pic)33(Ebcl,bcl)3(cbn)/4331/2timp.5perc/hp.2pf.eorg/str(min 12.10.8.8.6)

Three Hallucinations (based on the film score to“Altered States”) (1981)

Corigliano's score to Ken Russell's science fiction thriller presents anunequivocally unique sound world with a variety of percussive effects, detunedkeyboards, the eerie timbre of the electric organ, and wildly inventive uses ofdouble reeds and brass. Melodies and themes cross each other in mid-streamcreating a kind of mosaic effect that intensifies the "hallucinatory" effect of themusic.

GS12'2+pic.2+ca.2+bcl.2+cbn/4231/timp.3perc/hp.pf/strTournaments (1965)

Conceived as a kind of rivalry “in which first-desk players and entire sectionsvie with each other in displaying their virtuosity,” Corigliano’s extended overtureis in three vibrant sections that colorfully illustrate canonic form, augmentationand diminution, and metric variation.

COWELL(1897-1965)Henry

AMP2'

violin and orchestra or string quartet

Solo: Violinstr

Flirtatious Jig (Fiddler’s Jig)

AMP12'2222/2211/perc/bjo/strOld American Country Set (1939)

AMP4'1121/2200/perc/strSaturday Night at the Firehouse (1948)

A festive concert-opener that evokes a social at the local firehouse. Winds andstrings play tag in amusing fashion, sending themes bounding throughout theorchestra.

- 9 -

SYMPHONIC POPS

COXMichael

SHA

orchestrated by Brant Adams11-instrument version adapted by J.R. KawarskyText: English; Pamela MartinChorus; 2(2pic).222/232+btbn.1/timp.3perc/hp.pf/str

Who Will Speak? — from “Sing for the Cure”(2000)

Alternate: 1111/0000/2perc/pf.hp/str(10011); 11-instrument version for sale

CRESTON(1906-1985)Paul

GS15'

VigorousCalmLively

Solo: Marimba2110/2000/timp/str

Concertino for Marimba, Op. 21 (1940)

Influenced by the virtuoso pyrotechnics of 1920s ragtime xylophone soloists,Creston’s Concertino makes ingenious use of hemiola and jazz harmonicprogressions to create both a high-spirited and impressionistic solo turn formarimba. Cast in three movements marked Vigorous (5'), Calm (5'), and Lively(5').

GS16'

also piano reduction

Solo: Saxophone322.asx.2/4231/timp/str

Concerto for Saxophone and Orchestra, Op. 26(1941)

Alternate: concert band (1944)

SHA12'32+ca.2+bcl.2+cbn/4331/timp.perc/strDance Overture

SHA3'3(pic).3(ca).3(bcl).2+cbn/4331/timp.2perc/strEvening in Texas

GS10'Solo: Trombone2222/4231/timp/str

Fantasy, Op. 42 (1947)

SHA4'211.2asx+tsx.1/2231/timp.perc/pf/strKangaroo Kaper

EMI4'3222/4331/timp.3perc.mrc/strRumba — Tarantella

GS5'1121/2210/strA Rumor, Op. 27 (1941)

SHA4'3(pic).3(ca).3(bcl).2+cbn/4331/timp.2perc/strSunrise in Puerto Rico

GS10'4343/4331/timp.perc/strToccata, Op. 68 (1957)

GS12'

Ballet. Choreographed as “Time Out of Mind.”1111/1000/timp.perc/pf/strTwo Choric Dances, Op. 17A (1938)

GS12'3222/4231/timp.perc/pf/strTwo Choric Dances, Op. 17B (1938)

DANIELPOUR(b. 1956)Richard

AMP9'3(pic).2+ca.3(bcl).3(cbn)/4331/timp.4perc/hp.pf(cel)/strToward the Splendid City (1992)

Danielpour’s piece engages with its brilliant scoring, ceaseless activity, andvibrant rhythmic undercurrent. Composed as a sonic postcard of New York City,Danielpour writes: "one passage, a sound-painting with string harmonics,celesta, harp, vibes, and bells, was inspired by my memory of floating aboveNew York at night on a plane and seeing the lights of the city in the mist."

AMP7'Text: En; George WashingtonSolo: Narrator2.2.2.2+cbn/4230/timp.2perc/str

Washington Speaks (2005)

During his public life, George Washington wrote letters of tolerance andreligious freedom to the Catholic community, the non-Catholic Christiancommunity, the Quakers and the Jewish communities of the young America.

DANKWORTH(b. 1927)John

CH33'Text: Benny Green, after Sir Arthur Conan DoyleSolo: Soprano, Alto, Tenor, BassSATB Chorus; 2(pic)222/4331/timp.perc/hp/str

The Diamond and the Goose (1981)

The first whodunnit oratorio in musical history! Dankworth’s piece is based on aConan Doyle story and features jazz, barbershop, hints of Ravel, and more.Light-hearted but serious in intent.

NOV17'Solo: Piano1(pic)202/2000/str

Piano Concerto

CH13'Solo: Mezzo-sopranoSATB Chorus; 101+bcl.0/1200/perc/str

Thy Kingdom Gone

DAWSON(1899-1990)William

SHA35'2+pic.2+ca.2+bcl.2+cbn/4231/timp.3perc/hp/strNegro Folk Symphony

DELLO JOIO(b. 1913)Norman

AMP26'

3333/4331/timp.perc/hp/str

Colonial Variants: Thirteen Profiles of the OriginalColonies (1976)

AMP16'22+ca.2+bcl.0/4331/2perc/strSouthern Echoes (1976)

DICKINSON(b. 1934)Peter

NOV11'3(2pic).3(ca).3.3.(cbn)/4431/4perc/strMerseyside Echoes (1988)

- 10 -

SYMPHONIC POPS

DIXWilliam

AMP2'

arr./ed. by John GradySolo: Sopranohp/str

Christmas with Renata Scotto: 8. What Child isThis?

DODGSON(b. 1924)Stephen

NOV6'2121/2210/timp.perc/strVillanelle

DRENNANPatti

SHA

orchestrated by Brant Adams11-instrument version adapted by J.R. KawarskyText: English; Pamela MartinChorus; 2(pic).222/232+btbn.1/timp.perc.dmkit/hp.jazz pf/str

Valse Caprice (Tumor Humor) — from “Sing forthe Cure” (2000)

Alternate: 1111/0000/2perc/pf.hp/str(10011); 11-instrument version for sale

DYSON(1883-1964)George

NOV20'strConcerto da Camera

NOV20'strConcerto Leggiero

NOV45'2222/4230/timp/strSymphony in G

EFFINGER(b. 1914)Cecil

GS5'

Chorus; 4hn.3tpt.tba.euph

An American Hymn (A Setting of “America theBeautiful”) (1967)

The combination of mixed chorus with brass choir makes this adaptation of theregal patriotic tune one of the most stirring and exciting versions available forchildren to sing.

GS14'3(pic)2+ca.2+bcl.2+cbn/4331/4timp.3perc/cel.hp/strCapriccio, Op. 91 (1975)

GS8'Chorus; 2+pic.03+bcl.2asx+tsx+barsx.2/4331+bar/timp.perc/strLet Your Mind Wander Over America (1968)

GS35'Text: Freely adapted from St. LukeSolo: Soprano, Tenor, BaritoneChorus; 0200/0200/timp/str

The St. Luke Christmas Story (1953)

ELFMAN(b. 1953)Danny

AMP42'

1. Pianos2. Blue Strings3. A Brass Thing4. Quadruped Patrol5. I Forget6. Bells and Whistles

small female chorus in mvt. 5;3(2pic,afl).3(2ca).3(Ebcl,2bcl,asx).3(2cbn)/6.3.3(btbn)+btbn(cbtbn).1(Cimbasso)/timp(perc).5perc/hp.2pf(syn).syn/str (14.10.8.8.6)

Serenada Schizophrana (2005)

ELGAR(1857-1934)Edward

NOV3'2222/2000/hp/strChanson de Matin, Op. 15

NOV4'2222/2000/hp/strChanson de Nuit, Op. 15

NOV12'2223/4230/timp.perc/hp/strFroissart Overture, Op. 19

NOV20'3(pic)333/4331/timp.2perc.glock/2hp/strIn the South: Concert Overture, Op. 50

NOV14'Solo: String Quartetstr

Introduction and Allegro, Op. 47

NOV5'2223/4331/timp/strNimrod from “Enigma Variations”

NOV24'2(pic)222/4231/timp.perc/hp/strNursery Suite

NOV44'arr. by Percy Youngstr2121/2100/1perc/hp[=pf]/str

The Spanish Lady (concert version)

NOV16'arr. by Percy Youngstr

Spanish Lady Suite

In five movements marked Country Dance (5'), Burlesco (2'), Adagio (3'),Sarabande (3'), and Bourrée (2'), Elgar’s suite of dance music to the unfinishedopera “The Spanish Lady” was inspired by the Jacobean play “The Devil is anAss” by Ben Johnson. The play, with its rich diversity of character, affordedElgar the opportunity to create this warm-hearted and evocative dramaticcomposition for strings.

NOV18'2(pic)222/4231/timp.2perc/hp/strWand of Youth Suite No. 1, Op. 1a

NOV15'2(pic)222/4231/timp.2perc/hp/strWand of Youth Suite No. 2, Op. 1b

- 11 -

SYMPHONIC POPS

ELLINGTON(1899-1974)Edward K. (Duke)

GS-TP110'

1. In the Beginning God2. Will You Be There?3. Ain’t But the One4. Tell Me It’s the Truth5. Heaven6. Something ’Bout Believing7. Praise God8. Father Forgive9. The Lord’s Prayer10. The Shepherd11. David Danced12. Almighty God13. Come Sunday14. My Love15. Freedom16. Meditation17. Praise God and Dance18. Praise God and Dance (encore)

Solo: Soprano, Alto, Mezzo-soprano, Baritone, Bass; Narrator; tap dancer anddancersSATB Choir; 000.2sax(2cl)+2tsx(cl)+barsx.0/0430/perc/pf/db

The Best of the Sacred Concerts

GS18'orch. by Maurice Peress2+pic(afl).2+ca.2+bcl.asx.barsx.2+cbn/4431/timp.2perc.dmkit/hp/str

Black, Brown and Beige (1943)

GS35'adapted by Jeff Tyzik2(pic).1+ca.2+bcl.asx.2/4331/timp.perc.dmkit/hp.pf/jazz bass/str

Black, Brown and Beige (1943)

GS3.5'arr. by Morton Gould1.1.1.1.reed1(fl,cl)+reed2(cl,bcl)+reed3(fl,cl)+reed4(ca)/2330/timp.vib.mba.2conga/pf.hp.gtr/str

Caravan

GS4'

Solo: Alto or Bass002+bcl.0/0030/dms/pf/db

Come Sunday, from “The Best of the SacredConcerts”

EMI16'arr. and orch. by Jeff Tyzik

CaravanSophisticated LadyRockin' in RhythmMood IndigoThe "C" Jam BluesPrelude to a KissIt Don't Mean a Thing (If It Ain't Got That Swing)

2+pic.1+ca.2+bcl.asx.2/4331/timp.2perc.dmkit/hp.pf/jazz bass/str

Ellington Portrait (1998)

GS15'

IntroductionStanza IStanza IIStanza IIICoda

3(pic)3(ca)3(bcl)3(cbn)/4441/timp.perc.dms/hp/strThe Golden Broom and the Green Apple

GS8'arr. by Luther Hendersoned. by Maurice PeressSolo: Piano, Clarinet, Trumpet22(ca)2(bcl).2asx+2tsx[+bar].2/4431/timp.2perc.vib.dms/hp/str

Grand Slam Jam

GS18'arr. by Maurice Peress2(pic)22(bcl).2asx+2tsx[+barsx].2/4331/timp.2perc/hp/str

Harlem (1950)

GS18'arr. by Luther Hendersoned. by John Mauceri3(pic)2+ca.2+bcl.2asx(cl)+2tsx(cl)+barsx(bcl).2/4531/timp.2[+]perc/hp.kbd(db)/str

Harlem (1950)

GS22'arr. by Dave BergerSolo: Bass00.2asx.2tsx.barsx.0/0530/timp.vib.drum/gtr.pf/vn.db

Liberian Suite (1954)

EMI5'arr. by Morton Gould1.ca.1.asx(fl)+asx+2tsx(2fl).1/0320/dmkit/pf.gtr.hp/str

Mood Indigo (five-brass setting)

EMI5'arr. by Morton Gould11(ca).1.asx(cl)+asx(bcl)+tsx(cl)+barsx(ob,cl).1/0330/dmkit/pf.gtr.hp/str

Mood Indigo (six-brass setting)

GS10'arr. by Maurice PeressSolo: Piano2(pic)22+bcl.2/4431/timp.perc/hp/str [+ dance band]

New World A-Comin’ (1945)

Ellington’s landmark jazz score, in which the great composer and pianistvisualized a world without war, greed, and categorization, swings with a virtuososolo piano part and lush orchestral scoring.

GS10'arranged by Luther Hendersonedited by Jeff Tyzik; Ellington piano transcription by John Nyerges22+ca.3+bcl.2/4431/timp.2perc.pf.jazz bass/str (vn div a 3)

New World A-Comin’ (1945)

GS17'arr. by David Berger222(bcl).2asx.2tsx[+barsx].2/4431/timp.2perc/hp/str

Night Creature (1956)

GS17'

arr. by Gunther SchullerSolo: 2asx.2tsx.barsx/4tpt.3tbn/pf/drums/db323+bcl.2/4431/timp.2perc/hp/str

Night Creature for Jazz Band and Orchestra(1956)

Among one of the Duke’s most ambitious “tone parallels” (a series of large-scaleworks written to portray the history of African-Americans through their music),Night Creature makes use of jazz band, solo piano, and orchestra to effectivelydemonstrate the musical ingenuity of marrying symphonic structures with jazzidioms.

TPO6'

Available outside USA only

orch. by Calvin JacksonSolo: Jazz band: 2asx.tsx(cl).barsx/4tpt.3tbn/pf3+pic.2+ca.3+bcl.3+cbn/6441/str

Non-Violent Integration, for Jazz Band andOrchestra

TPO30'

Ballet. Choreographed by Alvin Ailey.

orch. by Ron Collier2(pic)2(ca)2(bcl)2/4331/timp.2perc/hp.pf/str

The River (1970)

TPO3'

Available outside USA only

arr. by Calvin Jackson2222/4430/vib/pf/str

Satin Doll (instrumental version) (1953)

Duke Ellington’s classic tune is a swinging addition to any young people’sprogram. In addition to this instrumental version, a vocal version is available aswell.

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SYMPHONIC POPS

TPO3'arr. by Chuck IsraelsText: English; Billy Strayhorn and Johnny MercerSolo: Voice2222/4331/timp.2perc/hp/str

Satin Doll (vocal version) (1953)

EMI3'arr. by Morton Gouldhp.cel/str

Solitude

GS15'arr, by Luther Henderson2+pic.2+ca.2+bcl.2+cbn/4441/timp.perc/gtr.hp.pf/str

Three Black Kings, Ballet for Orchestra (1943)

GS19'

arr. by Luther HendersonSolo: Jazz Band: 5 reeds.4tpt.4tbn.2perc.egtr.pf.bass2+pic.2+ca.2+bcl.3(cbn)/443+btbn.1/timp.perc/hp.pf/str

Three Black Kings, Concerto Grosso version(1943)

Propulsive dance rhythms accompany this musical depiction of Balthazaar,King of the Magi, King Solomon, and Martin Luther King—a rousing Gospelstyle treatment wraps up the work.

GS19'

ed. by Maurice PeressSolo: Eb, Bb or C instrument3(pic)2+ca.2+bcl.2+cbn/4431/timp.perc.trap set/hp.pf/str+jazz bass

Three Black Kings for Soloist and Orchestra(1943)

ELLINGTONEdward K. (Duke) and Strayhorn, Billy

GS12'

arr. by Jeff Tyzik

Come Sunday (Introduction)Take the A TrainLush LifeSatin DollPerdidoCome SundayThings Ain’t What They Used to Be

2222/4331/timp.3perc.eb/pf.hp/str

The Essential Ellington: Music of Ellington andStrayhorn (1995)

A beautifully orchestrated and seamless compilation of sevenEllington/Strayhorn masterpieces including “Come Sunday,” “Take the A Train,”“Lush Life,” “Satin Doll,” “Perdido,” and “Things Ain’t What They Used To Be.”

TPO4'arr. by Chuck Israels2222/4331/timp.2perc/str

Happy Go Lucky Local, from “Deep South Suite”

Another exciting orchestral jazz chart from Ellington, this time with Strayhorncontributing his formidable talent to the mix.

ELLINGTON(1919-1996)Mercer

TPO10'arr. by Calvin Jackson1+pic.2.3+bcl.2+cbn/5431/vib.dmkit/[pf]/str

Things Ain’t What They Used To Be (1942-43)

ESPLÁ(1886-1976)Oscar

UME3+pic.3(ca)3(bcl)3(cbn)/4331/timp.perc/hp/strFiesta: Suite De Danzas (1931)

FALLA(1876-1946)Manuel de

CH23'Solo: Medium Voice2(pic)121/2200/timp.bells/pf/str

El Amor brujo (1924)

Falla’s complete ballet, written for a famous Flamenco dancer, is a star vehiclefor the orchestra giving each section ample opportunity to delight in the telling ofthis tale of love, bewitchment, and loss. (The story: Candelass, a beautifulyoung woman, is prevented from returning the passionate love of Carmelo, ahandsome, gallant man, by the ghost of a faithless wicked gypsy whom sheonce loved. Carmelo persuades Lucia, a friend of Candelas, to act as decoy anddistract the ghost while he convinces Candelas of his true love and theyexchange the kiss that breaks the evil spell.)

CH3'Text: Martinez SierraSolo: Medium Voice1020/2000/pf/str

El Amor brujo: Chanson du feu follet

CH34'Solo: Medium Voice1(pic)100/1100/bells/pf/str(2.2.2.2.1)

El Amor brujo (first version) (1915)

CH43'1(pic)111/1100/pf/str/MzEl Corregidor y la Molinera (1916-17)

CH45'arr. by Antoni Ros Marba2(pic)1(ca)22/2230/timp.perc/pf 4hnd.hp/str

Fuego fatuo (1918-19)

CH18'3(pic)3(ca)3(bcl)2+cbn/4330/timp.perc/cel.hp/strHomenajes (1939)

CH23'Solo: Piano2+pic.2+ca.22/4231/timp.perc/cel.hp/str

Nights in the Gardens of Spain (1909-15)

Alternate: 2(pic)2+ca.22/2200/timp.perc/hp/str

CH8'Solo: Mezzo-soprano1+pic.121/2200/timp/pf/str

Récit du pécheur and Pantomime

CH5'1+pic.121/2200/timp/pf/strRitual Fire Dance, from “El Amor brujo”

Buzzing strings and a solo oboe create an enticing atmosphere of ritual andexpectation—a vivid example of the power of orchestration to alter mood andfeeling.

CH12'orch. by HalffterText: TraditionalSolo: Medium Voice (Soprano or Mezzo-soprano)22(ca)2(bcl)2/2000/timp.perc/hp/str

Seven Popular Spanish Songs

- 13 -

SYMPHONIC POPS

CH35'

Ballet in two parts, three scenes. Story taken from Alarcon.

Solo: [Mz]2+pic.2+ca.22/4331/timp.perc/pf.cel.hp/str

El Sombrero de Tres Picos (The Three-CorneredHat) (1917-19)

Another fanciful musical creation from Falla that is more overtly playful in style,employing high winds and strings to capture the feeling of music for apantomime—Falla’s original intention for this score. Spanish dances includingthe fandango, seguidillas, and jota figure prominently. (The story: An honestmiller is happily married to a good wife. The elderly local governor, who wears athree-cornered hat, uses his power falsely to arrest the miller and keep him awayfrom home, so that he himself can pursue the miller's wife. The governor fallsinto the stream and the wife recognizes him, realizing why her husband has notreturned. She goes to fetch him, unaware that he has escaped and is alreadymaking his way back. Finding the governor in bed, the miller contemplatesmurder, but decides on a neater revenge. He dons the rival's clothes and visitsthe governor's wife. The governor, now in the miller's clothes, is re-arrested. Acrowd gathers, the miller reappears and is reconciled with his wife, and thegovernor is mocked.)

CH14'

1(pic)2(ca)22/2200/timp.perc/pf.hp/str

The Three-Cornered Hat: Scenes and Dancesfrom Part I (Suite 1)

CH13'

2(pic)2+ca.22/4331/timp.5perc/cel(pf).hp/str

The Three-Cornered Hat: Three Dances fromPart II (Suite 2)

CH6'2+pic.2+ca.2+bcl.2/4231/timp.perc/cel.2hp/strLa Vida Breve: Interlude and Spanish Dance

Castanets, trilling winds and strings, and triple meter—all distinctively evokingthe flavor of a Spanish dance.

CH4'arr. by S. Chapelier1+pic.121/2220/timp.perc/str

La Vida Breve: Spanish Dance No. 1

FELLERSherm

SHAarr. by SimeoneSATB Chorus; 2+pic.222/4331/timp.perc/hp/str

Snow, Snow, Beautiful Snow

FLETCHER(b. 1913)H. Grant

EMI6'3222/4231/timp/strAn American Overture

FRACKENPOHL(b. 1924)Arthur

GS8'Solo: Hornstr

Largo and Allegro (1962)

SHA5'2+pic.22+bcl.2+cbn/4331/timp.perc/strRondo Marziale

GS9'Solo: Trumpetstr

Suite Concertino (1970)

FRANK(b. 1972)Gabriela Lena

GS20'

1. Jungle Jaunt2. Highland Harawi3. Mestizo Waltz

3(pic).2+ca.2+bcl.3/4330/timp.4perc/pf.hp/str

Three Latin-American Dances for Orchestra(2003)

FREYHAN(b. 1940)Michael

NOV7'2020/0200/perc.toys/strToy Symphony

FRIEDMANDavid

SHA

orchestrated by Brant Adams11-instrument version adapted by J.R. KawarskyText: English; Pamela MartinChorus; 2(pic).222/232+btbn.1/timp.2perc/hp/str

Who Will Curl My Daughter's Hair? — from “Singfor the Cure” (2000)

Alternate: 1111/0000/2perc/pf.hp/str(10011); 11-instrument version for sale

FRIML(1879-1972)Rudolf

GS7'

Allah’s HolidayThe BubbleGiannina MiaIn Sapphire SeasRackety CooSomething Seems Tingle-inglingSympathyWhen a Maid Comes Knocking at Your Heart

2(pic)2(ca)2.2asx+2tsx.2/4331/perc/hp/strMedley from “The Firefly” (1956)

FUCIK(1872-1916)Julius

GS5'

ed., arr., and adapted by Jerome Cohen2+pic.22+bcl.2/4331/timp.3perc/str

Under the Admiral’s Flag, Op. 82 (Unter derAdmiralsflagge)

GALLINAJill

SHA

orchestrated by Brant Adams11-instrument version adapted by J.R. KawarskyText: English; Pamela MartinWomen's chorus; 22(ca).22/232+btbn.1/2perc/hp/str

Come to Me Mother — from “Sing for the Cure”(2000)

Alternate: 1111/0000/2perc/pf.hp/str(10011); 11-instrument version for sale

GARDNER(b. 1917)John

NOV4'2131/2210/timp.perc/strOverture Half-Holiday

- 14 -

SYMPHONIC POPS

GEEHL(1881-1961)Henry

ASH2(pic)222/4310/timp.perc/hp/strA Comedy Overture

ASH7'2122/2230/timp.perc/strFolk Dance Suite

ASH2222/4230/timp.perc/hp.cel/strOverture Française

NOV18'2(2pic)222/2230/timp.perc/strSuite Espagnole

GERMAN(1862-1936)Edward

NOV5'2222/4431/timp.perc/org.hp/strCoronation March and Hymn

NOV15'2222/4230/timp.perc/hp/strGypsy Suite

NOV8'2(pic)222/2230/timp.perc/strHenry VIII: Three Dances

NOV9'2222/2230/timp.perc/strRichard III Overture

NOV9'3222/4231/timp.perc/hp/strValse Gracieuse

GLASS(b. 1937)Philip

DVG7'2ssx[=2fl]/str (min 1.1.1.1.1)Façades (1981)

DVG40'

1. Opening2. Floe3. Islands4. Rubric5. Façades6. Closing

2fl, 2ssx(cl), 2tsx(bcl), 2hn, pf(syn,org), va, vcGlassworks (1981)

GLIERE(1875-1956)Reinhold

GSR23'

3(pic)333/4331/timp.perc/glock.xyl.cel.2hp/str

The Red Poppy, Suite No. 1 from the ballet,Op. 70a (1926-27)

GSR4'

3(pic)333/4331/timp.perc/str

Russian Sailor’s Dance (“Yablochko”) from theballet, “The Red Poppy” (1926-27)

This rousing Russian dance from Gliere's landmark ballet is a guaranteed crowdpleaser—sure to impress young audiences with its driving rhythms and richorchestration.

GOLDMartyarr.

EMI2222/2221/3perc/pf/str“Jeopardy” Theme

GOLDSTEINWilliam

EMI3'SATB (opt); 3(opt pic)123/2230/timp.3perc/pf.gtr.eb.hp/strA.M. America Overture

GOMEZAlice

SHA

orchestrated by Brant Adams11-instrument version adapted by J.R. KawarskyText: English; Pamela MartinChorus; 222(bcl).ssx.2/232+btbn.1/timp.2perc/str

Borrowed Time — from “Sing for the Cure”(2000)

Alternate: 1111/0000/2perc/pf.hp/str(10011); 11-instrument version for sale

GOOSSENS(1893-1962)Eugene

CH4'4tpt.4tbn/timp.percFanfare for the Artists

CH8'3(pic)3(ca)3(bcl)2+cbn/4331/timp.perc/2hp/strFlamenco: Ballet

CH3'2121/10+2cnt.10/perc/[hp]/strThe Hurdy-Gurdy Man

CH17'2(pic)111/2100/timp.perc/cel(pf).hp/strIncidental Music from “East of Suez”

CH5'3(pic)2+ca.2+bcl.2+cbn/4331/timp.perc/cel.2hp/strIntermezzo from “Don Juan de Manara”

CH14'2(pic)2(ca)22/2210/timp.perc/cel.hp/strKaleidoscope

CH9'1111/2100/timp.perc/hp/strPrelude to “Philip II”

CH5'3(pic)2+ca.2+bcl.2+cbn/4331/timp.perc/hp/strScherzo and Folk Tune

CH4'3(pic)2+ca.32+cbn/4331/timp.perc/pf.hp/strTam O’Shanter: Scherzo

CH7'

1. By the Tarn 2. Jack O’Lantern

[cl]/strTwo Sketches

GOTTSCHALK(1829-1869)Louis Moreau

MG19'

in the original instrumentation for orchestra, band, and drum ensemble

ed. by Gunther Schuller

1. La Nuit des Tropiques2. Une Fête sous les Tropiques

223+Ebcl.2/3.4Ebtpt+pictpt+4cnt.4+4bar.1+ophicleide/timp.4[=5]perc/str; banddoubles winds and brass at conductor's discretion

Symphonie Romantique (Night in the Tropics)(1860)

GS8'

arr. by Samuel AdlerSolo: Piano2222/2221/timp.perc/str

L' Union: Paraphrase de Concert sur les AirsNationaux (orchestra version)

- 15 -

SYMPHONIC POPS

GOULD(1913-1996)Morton

GS4'2222/4231/perc/strAdeste fidelis

GS7'

3(pic)2(ca)3(Ebcl,bcl)2(cbn)/4331/timp.2-3perc/hp/str

Amber Waves — on “America the Beautiful”from “American Ballads” (1976)

GS33'

3(pic).2(ca).3(Ebcl,bcl).2(cbn)/4331/timp.2[+]perc/hp/str

American Ballads, Settings of American Tunesfor Orchestra (1976)

Few composers can match Morton Gould's talent at dressing familiar patriotictunes in the orchestral finery such as that heard here. A BicentennialCommission, American Ballads reconsiders such tunes as the NationalAnthem, America the Beautiful, We Shall Overcome, and Taps among othersand places them within lushly orchestrated, lyrical settings that sound freshwhile never losing track of the original.

EMI5 '222.4sax.2/2320/timp.3perc/cel.pf.gtr.hp/strAmerican Caprice

EMI5'3333/4331/timp.2perc/strAmerican Salute (1943)

GS16'Solo: Soprano, Mezzo-soprano, Tenor, Bass3(pic)333(cbn)/4331/timp.perc/hp/str

American Sing: Settings of Folk Songs (1984)

GS4'2222/4231/timp.3perc/hp/strBattle Hymn of the Republic

G&C5'1(pic)1(ca)21/4321/timp.perc/hp.pf/strBig City Blues (1950)

Gould’s bluesy orchestral essay demonstrates how comfortable the standardorchestra can be in a jazz-inspired setting. Muted instruments help developyoung people’s understanding of instrumental timbre.

EMI2'Solo: Piano314(bcl)2/4331/timp.perc/str

Boogie Woogie Etude (1943)

G&C2'John Cacavasreeds:cl+asx.fl+pic+asx.tsx.barsx/0210/2perc/gtr.hp.pf/str (44021)

Café Rio (1957)

G&C3'3(3pic)02+bcl.1/0300/2perc/hp/strCalypso Souvenir (1964)

GS3'3(pic)232/43[+]3[+]1/timp.3[+]perc/hp/strCelebration Strut for Orchestra (1981)

Gould’s orchestral miniature is a classic combination of dance rhythms andAmericana, making it an ideal entertainment for young audiences.

GS5'3(pic)3(ca)33(cbn)/4431/timp.3perc/[org]/strCheers! — A Celebration March (1979)

What better way to open a young people’s concert than with this bright andfestive march from one of the true masters of 20th-century American music.

G&C3'2(pic)121/222[1]/2perc/cel.hp/strCinerama Holiday: Skier’s Waltz (1955)

GS15'2(pic)1(ca)21/222[1]/timp.2perc/cel(pf).hp/strCinerama Holiday: Suite (1955)

GS14'

2(2pic)222/4220/timp.2[+]perc/hp/str

Classical Variations on Colonial Themes(1984-85)

G&C13'3(pic)2+ca.4(Ebcl,bcl)3/4331/timp.3perc/hp/strColumbia: Broadsides for Orchestra (1967)

EMI3(pic).3[(ca)].3[(bcl)].3([cbn])/4[+2].331/timp.4[+]perc/[gtr].hp/strCowboy Rhapsody

G&C30'Text: The Declaration of IndependenceSolo: 1-2 SpeakersSpeaking Male Chorus (13+); 3(pic)2(ca)22(cbn)/4331/timp.2-3perc/hp.pf/str

Declaration (1956)

G&C19'3(pic)2(ca)22(cbn)/4331/timp.2perc/hp/strDeclaration: Suite (1956)

G&C17'

Solo: Clarinet2asx+tsx+sx[=ww]/0330/2perc/pf/db

Derivations for Solo Clarinet and Dance Band(1955)

G&C3'

2(pic)121/2221/timp.perc/hp.pf(cel)/str

Dramatic Fanfares from CBS-TV documentary“World War I” (1964-65)

G&C15'2(pic)2(ca)22/4331/timp.2perc/pf/strFamily Album: Suite (1951)

A popular suite of nostalgic reflections—the family photo album comes to lifewith the help of a dizzying array of percussion instruments.

G&C1'

parts on rental only3332/4321/timp.4percFanfare for Freedom for Wind Ensemble (1943)

Gould’s striking fanfare, premiered by the Cincinnati Symphony in 1943,remains an ideal concert opener for young bands and wind ensembles. Itstriumphant spirit and shimmering timbres are sure to inspire young players andaudiences.

GS2'2tpt.2tbn.tba/timp.percFestive Fanfare (1991)

G&C11'Solo: Offstage Trumpet3(pic)232/4331/timp.3perc/hp/str

Festive Music (1964)

GS4'2222/4231/perc/hp/strFirst Noel

GS3'2(2pic)222/42[+]2[+][1]/timp.2[+]perc/strFlares and Declamations (1987)

GS4'2+pic.333/4331/timp.2perc/hp/strFlourishes and Galop (1983)

A delightful evocation of horses and a good old American horserace à la theKentucky Derby. Expert use of crescendo and ascending thematic linescreates sense of movement and expectation.

EMI11'

OvertureBluesJig

222.asx+tsx.2/4220/timp.perc.sandpaper.bells.xyl.vib/[pf].[hp]/strFolk Suite (1941)

Alternate: 1121/2210/timp.perc/str

GS30'3(pic).3(ca).3(bcl).2[+]+cbn/4[++].3[+].31/timp.3perc/bjo.hp/strFoster Gallery (1939)

GS18'3(pic)3(ca)3(bcl)2+cbn/4331/timp.perc/[bjo].hp/strFoster Gallery: Suite (1939)

EMIarr. by Morton Gouldhp.cel/str (min 5.0.2.2.1)

Go Down Moses

- 16 -

SYMPHONIC POPS

GS3'2(2pic)1+ca.1+bcl.1/2220/2perc/hp/strGood King Wenceslas

EMI4'

2(pic).22.3sx.2/4220/perc.opt gtr/str

Guaracha (3rd Movement of “Latin AmericanSymphonette”) (1941)

GS2'2tpt.2[+]tbn.tba/timp.percHail to a First Lady (1991)

G&C12'vib/hp/strHarvest (1945)

G&C16'

HalloweenFirst ThanksgivingHome for ChristmasEaster MorningFourth of July

2(pic)2(ca)22/4331/timp.3perc/hp.pf(cel)/strHoliday Music (1947)

G&C6'3(pic)23(bcl)2/4331/timp.2perc/bjo.hp/strA Homespun Overture (1939)

G&C13'Solo: Hoofer (Tap Dancer)1(pic)121/222[1]/perc/str

Hoofer Suite (1956)

GS18'Text: English; Morton GouldSolo: Narrator3(pic)232/4331/timp.3perc/str; opt hoses, fire tools, cutouts, projections

Hosedown: A Firefighter Fable (1995)

In seven movements, this musical fable brings to life the excitement and dangerof the firefighter’s job, evoking vividly the sound of alarms, the heat and crackleof fire, and the joy of a good old-fashioned “Hosedown.”

GS7'

3(pic)2(ca)3(Ebcl,bcl)2(cbn)/4331/timp.2-3perc/hp/str

Hymnal — on “We Shall Overcome” from“American Ballads” (1976)

GS35'

Ballet. Choreographed by Jerome Robbins.3(pic)33(bcl)3/4331/timp.2perc/hp.pf/strI’m Old Fashioned, Astaire Variations (1983)

GS3'strIt Came Upon a Midnight Clear

GS4'2222/4331/3perc/hp/strJingle Bells

GS22'

Please note that this work is sometimes performed in a context which is fullystaged and other times in concert form. Please contact G. Schirmer about thenature of your performances of this work to determine proper licensing.

Text: English; the composerSolo: Narrator(rapper)2(pic)121/2221/2perc/str/opt dancers, mimes, puppeteers

The Jogger and the Dinosaur (1992)

An unlikely meeting between a jogger and a dinosaur prompts dancing and otherantics all to the strains of a contemporary rap narration and Gould’s masterfulorchestration.

GS3'

3(pic)2(ca)3(Ebcl,bcl)2(cbn)/4331/timp.2-3perc/hp/str

Jubilo — on “Year of the Jubilo” from“American Ballads” (1976)

GS18'2(pic)2(ca)32/4331/timp.2perc/hp/strLincoln Legend (1942)

GS6'

3(pic)2(ca)3(Ebcl,bcl)2(cbn)/4331/timp.2-3perc/hp/str

Memorials — on “Taps” from “AmericanBallads” (1976)

G&C8'2(pic)222+cbn/4331/timp.3perc/hp/strMinstrel Show (1946)

EMI3'3222/4331/timp.perc.vib.xyl/pf.hp/strNew China March

G&C9'2(pic)22(bcl)2(cbn)/4331/timp.3perc/hp.pf/strPhilharmonic Waltzes (1948)

EMI5'111.4sax.1/2331/timp.3[+]perc/pf.hp.gtr/strPop’s Serenade

GS3'

3(pic)2(ca)3(Ebcl,bcl)2(cbn)/4331/timp.2-3perc/hp/str

Saratoga Quickstep — on “The Girl I LeftBehind” from “American Ballads” (1976)

EMI10'Solo: NarratorSATB Chorus; 3232/4331/timp.5perc/gtr.hp/str

A Song of Freedom (1941)

GS5'

3(pic).2(ca).3(Ebcl,bcl).2(cbn)/4331/timp.2[+]perc/hp/str

Star-Spangled Overture on “The Star-SpangledBanner” from “American Ballads” (1976)

GS4'1121/2210/perc/strSwanee River in the Style of Bach (1978)

Gould adopts the Stephen Foster classic “Old Folks at Home” (aka “SwaneeRiver”) to the styles of a handful of the world’s greatest composers.

GS4'1121/2200/perc/pf/strSwanee River in the Style of Beethoven (1978)

GS4'1131/2210/perc/pf/strSwanee River in the Style of Brahms (1978)

GS4'1130/2210/perc/pf/strSwanee River in the Style of Debussy (1978)

GS4'cl.asx.bn/2hn.2tpt.tbn/perc/hp.pf/dbSwanee River in the Style of Ellington (1978)

GS4'111.3asx.0/2210/perc/gtr.pf/strSwanee River in the Style of Gershwin (1978)

GS4'2121/2331/perc/pf/strSwanee River in the Style of Liszt (1978)

GS4'1121/2200/strSwanee River in the Style of Mozart (1978)

GS4'

2121/2331/perc/pf/str

Swanee River in the Style of Rimsky-Korsakov(1978)

GS4'

2221/2211/perc/pf/str

Swanee River in the Style of Strauss (Johann)(1978)

GS4'111.3asx.1/2321/perc/pf/strSwanee River in the Style of Tchaikovsky (1978)

GS4'113+bcl.asx.1/2321/perc/pf/strSwanee River in the Style of Wagner (1978)

EMI9'

2222/4330/perc/hp/str

Symphonette No. 2 (Second AmericanSymphonette) (1938)

EMI

222.2asx+tsx+barsx.2/2330/perc/hp.pf.gtr/str

Symphonette No. 3 (Third AmericanSymphonette)

- 17 -

SYMPHONIC POPS

EMI18'

324.2asx+tsx+barsx.2/4331/timp.4perc/hp/str

Symphonette No. 4 (Latin AmericanSymphonette) (1941)

G&C16'

Created by Danny Daniels (1952).

Solo: Tap dancer2(pic)222/4220/timp/str

Tap Dance Concerto (1952)

G&C24'Solo: Four Guitars2(pic)2(ca)22/2220/2perc/str

Troubadour Music (1969)

G&C3'2222/4331/timp.2perc/cel.hp/strWindjammer: Main Theme, The Ship (1958)

G&C3'21(ca)21/2000/perc/hp/strWindjammer: Night Watch (1958)

EMI3'3(pic)22.2asx+tsx+barsx.2/4321/timp.2[+]perc/pf.gtr.hp/strYankee Doodle

Here’s the favorite anthem done up in full orchestral regalia with saxophones,guitar, and harp adding to the mix. Youngsters will revel in Gould’s richtreatment of the theme.

GRADYJohnarr.

AMP2'

arr./ed. by John GradySolo: SopranoSATB; 3hn, 2tpt, 2tbn

Christmas with Renata Scotto: 2. Angels We HaveHeard on High

AMP2'

arr./ed. by John GradySolo: SopranoMixed Chorus; 3hn, 2tpt, 2tbn

Christmas with Renata Scotto: 3. Adeste Fidelis(trad.)

GRAINGER(1882-1961)Percy

GS3'

Available in USA and Canada only222.[asx.tsx].2/4231/timp.perc/hp/strCountry Gardens

GS4'

Available in USA and Canada only

Solo: Pipe Organ[213]+bcl.[2]+cbn/4[1]31/str

County Derry Air for Pipe Organ and SymphonyOrchestra

GS9'

Available in USA and Canada only1[+pic].12[(ssx)][2asx]2[(barsx)]/21[+]00/timp.perc/hmn[(org)].pf/strGreen Bushes (1921)

GS14'

Available in USA and Canada only2+pic.222/4330/timp/hp.pf/strIn a Nutshell, Suite (1916)

GS5'

Available in USA and Canada only

122.asx+tsx.1/2210/timp/strIrish Tune from County Derry (ca. 1913)

Alternate: [hn]/str

An old Irish tune collected by Miss J. Ross and given to Percy Grainger in1902, this memorable setting is virtually required listening for all youngaudiences.

GS5'

Available in USA and Canada only

arr. by Adolf SchmidSolo: Violin112.2asx.1/2210/timp/str

Irish Tune from County Derry: Londonderry Air

GS

Available in USA and Canada onlyChorus; 222+bcl.2+cbn/4331.euph/timp.perc/2hp.org/str

Marching Song of Democracy for Chorus andOrchestra (1917)

GS3'

Available in USA and Canada only

Solo: Violin2121/20+2cnt.10/perc/hmn.pf/str

Mock Morris (1914)

GS2'

Available in USA and Canada only2+pic.222/4331/timp.perc.xyl/2hp.pf/strShepherd’s Hey (1913)

GS10'

Available in USA and Canada only

Solo: 5 Soloists; PianoSATB Chorus; 3222/4231/timp.perc/hmn/str/musical glasses

Tribute to Foster (1931)

GRANADOS(1867-1916)Enrique

UME20'orch. by Rafael FerrerText: SpanishSolo: Soprano11+ca.1+bcl.1+cbn/timp.hp/str

Tonadillas (10) (1914)

UME14'arr. by J. Lamote de Grignon1+pic.1+ca.1+bcl.1/2021/timp.3perc/hp/str

Tres Danzas españolas (1892-1900)

GREER, IIIW. T.

SHA

orchestrated by Brant Adams11-instrument version adapted by J.R. KawarskyText: English; Pamela MartinSolo: 1 Female, 1 MaleChorus; 22(ca).2.asx+tsx.2/232+btbn.1/timp.2perc.dmkit/jazz pf/str

Groundless Ground — from “Sing for the Cure”(2000)

Alternate: 1111/0000/2perc/pf.hp/str(10011); 11-instrument version for sale

GRIEG(1843-1907)Edvard

GS3'arr. by Morton Gould2222/4331/timp/hp/str

Ich Liebe Dich

GS4'arr. by Morton Gould2222/4331/timp.perc/cel.hp/str

To Spring

GS5'arr. by Morton Gould2222/4331/timp.perc/cel.hp/str

Wedding Day at Troldhaugen

- 18 -

SYMPHONIC POPS

GRIFFES(1884-1920)Charles T.

GS9'Solo: Flute2hn/perc/hp/str

Poem (1918)

Alternate: 003+acl+bcl+[cbcl]0/20+3cor.00/4perc/hp/db

GS5'1111/1000/pf/strThree Tone Pictures (1915)

GS6'2222/2220/timp.perc/cel.2hp/strThe White Peacock (1919)

Inspired by William Sharp’s poem of the same title, Griffes wrote that this piece“pictures a wonderful garden filled with gorgeous color, where a white peacockmoves about slowly as the soul and breadth of all this beauty.” The music isintensely chromatic and marked by an impassioned Debussyan Impressionism.

GROFÉ(1892-1972)Ferde

EMI18'

Funeral Mountains1849 Emigrant TrainDesert Water HoleSand Storm

3(pic)3(ca)3(bcl)3(cbn)/4331/timp.3perc/cel/hp/strDeath Valley Suite (1957)

EMI36'

SunrisePainted DesertOn the TrailSunsetCloudburst

3(pic)3(ca)3(bcl)3/4331/timp.3perc/cel.hp/strGrand Canyon Suite (1931)

With dramatic depictions of sunrise, sunset, the painted desert, and the trail tothe canyon floor, Grofé spurs the imagination and brings a land of wonder to lifethrough music.

EMI25'

On the Set — SweepersThe Stand-inCarpenters and ElectriciansPreviewProduction NumberDirector — Star — Ensemble

3(2pic)3(ca)2+bcl.2asx(cl)+2tsx.2+cbn/4331/timp.2perc/2hp.cel/ strHollywood Suite (1938)

EMI19'

"New York!" movement has jazz trio -- cl, tpt, tbn -- cued into orchestra partsThe RiverHendrik HudsonRip Van WinkleAlbany Night BoatNew York!

3(pic)3(ca)3(bcl)3(cbn)/4331/timp.3perc/pf/cel/hp/strHudson River Suite (1955)

EMI13'

Father of WatersHuckleberry FinnOld Creole DaysMardi Gras

3(pic)3(ca)3(bcl)3(cbn)/4331/timp.2perc/cel/hp/strMississippi (A Tone Journey) (1926)

EMI20'

Thunder of the WatersDevil’s Hole MassacreHoneymoonersPower of the Niagara

3(pic)2+ca.2+bcl.2+cbn/4331/timp.3perc/pf(cel).hp/strNiagara Falls Suite (1961)

EMI15'3(pic)2(ca)2+bcl.2asx+tsx+barsx.2/4331/timp.perc/hp.2pf/strSymphony in Steel (1935)

EMI20'

Run of the NewsSob SisterComic StripsGoing to Press

3(2pic)2(ca)3(bcl).asx(bcl,barsx)+asx(cl,barsx)+tsx(fl[=pic],cl).2/4331/timp.2perc/bjo.2pf(cel)/str

Tabloid (1933)

EMI34'orch. by Albert Glasser

UnisphereInternationalFun at the FairPavilion of IndustryNational

2+pic.2+ca.2+bcl.2+cbn/4331/timp.3perc/hp.pf/ str

World’s Fair Suite (1964)

GRUBERF. X.

AMP2'arr./ed. by John GradySolo: SopranoMixed Chorus; bells/str

Christmas with Renata Scotto: 1. Silent Night

AMP4'arr. by Jeff TyzikSolo: solo horn21+ca.22/4301/timp.drumset.perc/hp.pf/str+jazz bass

Silent Night (1993)

GRUENBERG(1884-1964)Louis

GM18'

1. Foxtrot tempo (allegretto ben ritmico)2. Boston waltz tempo (valse lente e languido)3. Blues temp, slow drag (moderato ma non troppo, sempre molto ritmico)4. One-step tempo (allegro assai)

2+pic.2+ca.2+bcl.2+cbn/4331/timp.4perc/cel.hp/strJazz Suite, Op. 28 (1927)

A joyful and jazzy romp. Gruenberg shows off various orchestral sections andsoloists throughout this four movement suite by making classic use of call andresponse jazz structures. A delightful addition to pops programming and idealfor youth concerts as well.

GUARNIERI(1907-1993)Camargo (Mozart)

AMP3'3222/4231/timp.perc/strDansa Brasileira (1941)

GUION(1892-1981)David

GS7'arr. by A. Schmid2(pic)22.asx+tsx.2/4231/timp.perc/hp/str

Arkansas Traveller

GSSolo: Voice1111/1110/timp.pf/str

Cowboy’s Meditation for Voice and Orchestra

- 19 -

SYMPHONIC POPS

GS4'arr. by Adolf Schmidopt voice; 1121/2210/timp.vib[=bells]/hp.pf/str

Home on the Range, for Orchestra (1930)

Nearly every child will recognize this classic American folk song and be able toclearly follow the tune as it travels through the different instrumental families ofthe orchestra.

GSarr. by Crawford2+pic.2(ca).22/4231/timp.perc/hp/str

De Laud’s Baptizin’

GSSolo: Voice212.asx,tsx.1/0000/str

Mam’selle Marie

GS9'1121/1110/strMinuet

GSarr. by Agnolucci112.4asx.1/2320/perc/gtr[=bjo]/str

My Cowboy Love Song

GS7'1121/2110/perc/hp.pf/strPastorale (Three Little Brown Bulls)

GSarr. by Adolf Schmid112.asx+tsx.1/2210/timp.perc/hmn.hp/str

Pickaninny Dance

GS14'2(pic)222/2230/timp.perc/hp.pf/strPrairie Suite

GSSolo: Cornet114+Ebcl+bcl.ssx+asx+tsx+barsx.1/4331+bar/timp.3perc

Sail Away for the Rio Grande

GS3'112.asx+tsx.1/2210/timp.perc/hmn.hp/strSheep and Goat

GS4'arr. by M. Baron1(pic)121/2210/timp.perc/hmn/str

Turkey in the Straw (1922)

This familiar little piece of classic Americana comes alive in composer DavidGuion’s spirited arrangement. The catchy tune is one children will learn quicklyand probably never forget!

HAGEMAN(1882-1966)Richard

GS2221/2000/timp.perc/hp/strAt the Well

HALVORSEN(1864-1935)Johan

WH5'Solo: Violin2(pic)222/2hn/timp.perc/str

Norwegian Air

WH11'2(pic)222/4210/timp.perc/hp/strNorwegian Fairy Pictures

WH9'2222/4230/timp.perc/strNorwegian Festival Overture, Op. 16

WH10'2(2pic)222/4231/timp.perc/strNorwegian Rhapsody No. 1 in A

WH11'2+pic.222/4231/timp.perc/strNorwegian Rhapsody No. 2 in G

WH3'Solo: Violinstr

Norwegian Song, Op. 31

HÄNDEL(1685-1759)Georg Friedrich

AMP2'

arr./ed. by John GradySolo: SopranoMixed Chorus; 3hn.2tpt.2tbn

Christmas with Renata Scotto: 4. Joy to the World

CH19'arr. by Elgar HowarthBrass: 33Ctpt(Bbptpt[=Aptpt])+Bbfgl(Bbcnt).31+Ceuph[=Bbeuph]/timp

Music for the Royal Fireworks

CH9'arr. by Elgar Howarth4hn.Bbptpt+Ebtpt+2Ctpt(Bbflg).Ebcnt(Bbcnt)+Bbcnt.3tbn.tba.euph/timp

Water Music

HARBISON(b. 1938)John

AMP2'4hn.4tpt.3tbn.tba/timp.percFanfare for Foley’s (1986)

AMP7'

reduced orchestration by John Moody3(pic)3(ca)3(bcl,ssx)2+cbn/432+btbn.1/timp.perc.trap set/pf/str

Remembering Gatsby (Foxtrot for Orchestra)(1985, 1990)

Alternate: 2(pic)2(ca)2(ssx)2/2221/timp.perc/pf/strAn entertaining concert opener that channels the beloved Fitzgeraldnovel—effectively pitting Gatsby’s inner pathos against the carefree “flapper”atmosphere that permeates his world. A vivid example of the power of music toamplify character and narrative.

HARRIS(1898-1979)Roy

AMP18'4343/6442/timp.4perc/strAmerican Creed

AMP4'334(ebcl:bcl)3/4331/timp.perc/strConcert Overture — March in Time of War

AMP14'Solo: Piano215(sx)1/1331/timp.3perc/str

Concerto in One Movement (Jamboree) (1944)

AMP10'2+pic.2+ca.2+bcl.3/4[+2]331/timp.3perc/strEpilogue to Profiles in Courage: JFK (1964)

Commissioned by BMI for the International Festival of Los Angeles County in1964 and conducted at its premiere by Franz Waxman, Harris's Epilogue is abrief tone poem in honor of the life and legacy of the 35th President of the UnitedStates. Pastoral, open intervals in strings contrasted with the punctuatedmarch-like contributions from brass and percussion evoke a classic "American"sound. The piece traces an inexorable path to its climax before gentlyretreating and fading into a distant, seemingly endless landscape.

AMP38'3343/4331/timp.perc/pf/strFolksong Symphony: Two Interludes (1940)

AMP3'Mixed Chorus; 1221/2210/timp.perc/pf.hp/strFreedom’s Land

- 20 -

SYMPHONIC POPS

AMP10'Solo: Trumpet2+pic.2+ca.2+bcl.3/4331+bar/timp.perc/str

Horn of Plenty (1964)

AMP8'

4333/4331.euph/timp.perc/str

When Johnny Comes Marching Home, Overture(1935)

The familiar Civil War tune is here transformed and expanded in an endlesslyinventive symphonic essay that tosses the famous melody around the orchestrawith joyful aplomb. Harris's Overture was first performed by Eugene Ormandyconducting the Minneapolis Symphony in 1935. From the giddy, strangelyforeboding highs of its opening to the more melancholy interpretations by hornsand double reeds, Harris incorporates the familiar melody into music thatexplores a variety of moods and orchestral textures.

HAYMANRichard

EMI6'33[+ca]3[+bcl]3[+cbn]/4431/perc(xyl)/hp[+].pf.hca[+]/str“Pops” Hoe-Down

HEATH(b. 1956)Dave

CH30'

Solo: Violin2(pic+2afl).2.2(bcl).2/4.3(flugel).3.1/timp.2perc/str/opt elec gtr

Alone at the Frontier: Concerto for ImprovisedInstrument and Orchestra (1993)

CH15'strThe Frontier (1992)

CH6'Solo: Saxophone2(2pic)22(2bcl)2/4000/str

Out of the Cool (1989)

HEIDRICH(b. 1935)Peter

SIK7'3222/4230/timp.perc/gtr.hp/strVariations on “Happy Birthday” (1994)

HELY-HUTCHINSON(1901-1947)Victor

NOV24'3(pic)2(ca)3(bcl)3(cbn)/4331/timp.perc/hp/strCarol Symphony

Alternate: 2(pic)1(ca)21/2200/timp.perc/pf/str

HERBERT(1859-1924)Victor

GS3'

arr. by CohenText: EnglishSolo: Voice1+pic.222/4220/perc.hp/str

Art Is Calling for Me (I Want to Be a PrimaDonna) from “The Enchantress”

GS14'3222/4231/timp.perc/hp/strIrish Rhapsody (1892)

GS3(2pic)2+ca.2+bcl.2+cbn/4331/timp.perc/hp/strNatoma: Grand Fantasia (1911)

GS4'2+pic.2+ca.2+bcl.2+cbn/4331/timp.perc/hp/strNatoma: Prelude to Act III

HERRMANN(1911-1975)Bernard

NOV8'3232/4000/timp.2hp/strA Portrait of Hitch (1968)

“Everyone must be aware that Alfred Hitchcock appears in all his films, if onlymomentarily, and his caricature of himself is well known. With this in mind, Iwas inspired to compose a musical portrait of Hitchcock. The music I wrote for‘The Trouble with Harry’ furnished the ideal motifs and tunes for this piece. Thefilm is in many ways the most personal and the most humorous of Hitchcock’sentire output. It is gay, funny, macabre, tender and with an abundance of hissardonic wit. I hope that my interpretation of these moods will in turn betransformed into a portrait of ‘Hitch’.”— Bernard Hermann

HEUBERGER(1850-1914)Richard

SIK15'arr. by Fritz Schlenkermann2222/4330/timp.perc/hp.cel/str

Melodies of Richard Heuberger (1957)

HEWITT(1770-1827)James

MG14'arr. by Gunther SchullerSolo: opt. Narrator2(pic).222/2220/perc/hpd/str

The Battle of Trenton (1792)

This descriptive piece about the Revolutionary War serves well as an Americanalternative to Beethoven's "Wellington's Victory." A narrator (or the conductor)announces the titles of each section to help the audience better appreciatewhat's being depicted musically: "the fight renewed," "general confusion," and"the Hessians surrender," for example.

HØFFDING(b. 1899)Finn

WH11'2+pic.222/4231/timp/pf(cel)/strCelebrations of May-Day (1945)

HOFFMANJoel

SHA0000/4231Music from Chartres

HOLMBOE(1909-1996)Vagn

WH5'2+pic.32+bcl.0/4431/timp.perc/strFanfare (1977)

HOLST(1874-1934)Gustav

NOV6'revision by Imogen Holststr

Fantasia on Hampshire Folk Songs

NOV6'3333/4331/timp.perc.glock/strA Fugal Overture, Op. 40 No. 1

- 21 -

SYMPHONIC POPS

NOV11'

2+pic.2+ca.2+bcl.2+cbn/4431/timp.2perc/xyl.cel.hp/str

The Perfect Fool Ballet Music, Op. 39(1920-1922)

CUR55'6-part Women's Chorus (last movement only);4444/6432/2timp.3perc/cel.2hp.org/str (movements available separately)

The Planets, Op. 32 (1916)

Alternate: 3332/4331/2timp.3perc/cel.2hp/str (movements available separately)The majesty and sheer drama of this timeless creation never fails to enthrallaudiences of all ages. The powerful “Mars” (7'), “Jupiter” (8'), “Mercury” (4'), and“Uranus” (6') movements have become 20th-century classics. Perfect for aclassroom exercise in which children write about what they hear in the music.

HOROVITZ(b. 1926)Joseph

NOV14'Solo: Harpsichordperc/str

Jazz Harpsichord Concerto (1965)

NOV11'2121/2230/timp.perc/strSinfonietta for Light Orchestra (1971)

NOV14'Solo: Trumpet2(pic)222/4230/timp.perc.xylo/str

Trumpet Concerto (1963)

HOVEYSerge

SHA2+pic.222/422+btbn.1/timp.perc.cga/hp.pf/strAfrican Ballet

HOVHANESS(1911-2000)Alan

AMP17'

Andante con motoDouble Fugue (Moderato maestoso, allegro vivo)Andante espressivo

3333/5331/timp/cel.hp/str

Mysterious Mountain (Symphony No. 2), Op. 132(1955)

Hovhaness sets out to climb the highest peaks and arrives, in the elegiac lastmovement, at a musical apex that reveals all the splendor and exhilaration ofsuch an experience. A fantastic example of tone painting as well as the strongstrain of mysticism that runs through the music of this American composer. Inthree movements, each about 51/2 minutes in length.

AMP5'

Solo: Soprano2ob[=tpt=cl]/2hn[=tbn]/cel.hp[=pf]/str

Triptych: 1b. As on the Night, Op. 100, No. 1b(Christmas Ode) (1952)

HOWARDJames Newton

EMIarr. by Brad Dechter3(pic).2(ca).22/4331/timp.3perc/pf.hp/str

Prince of Tides

HUDEC(b. 1923)Jiri

SIK10'2121/2210/timp.perc/pf/strDrei Stilisierte Polkas im Volkston (1969)

SIK3'0010/0000/perc/cel.gtr/strRicochet-Polka. Lustige Polka (1969)

SIK3'Solo: Timpani0+pic.00.sx.0/0001/perc.glock.xyl/hpd.gtr/str

Ein Verliebter Timpanist. Polka-Groteske

IVES(1874-1954)Charles

AMP7'

ed. by Wayne D. Shirley2+pic[=2pic].2.2[=3].2+cbn/4.3+cnt.3.1/timp.perc.bells.xyl/pf/str [2 or 3 optionalfifes]

Fourth of July, 3rd Movement from theSymphony Holidays (1913)

A parade of Americana with thematic nods to such popular tunes as “Columbiathe Gem of the Ocean,” “Battle Hymn of the Republic,” “Battle Cry of Freedom,”and “Yankee Doodle.” Probably the most complex and fascinating of the fourmovements of the "Holidays" Symphony, Ives's Fourth of July takes metricaland motivic play to its outer limits. Commenting in his Memos, Ives wrote, "Idid what I wanted to, quite sure that the thing would never be played, althoughthe uneven measures that look so complicated in the score are mostly causedby missing a beat, which was often done in parades. In the parts taking offexplosions, I worked out combinations of tones and rhythms very carefully bykind of prescriptions, in the way a chemical compound which makes explosionswould be made." When programming for patriotic themes, also consider Ives'sWashington's Birthday (from the "Holidays" Symphony), Duration: 8';2fl/2hn/perc/Jew's hp/str; and Symphony No. 3, "The Camp Meeting," Duration:23'; 1111/2010/bells/str.

AMP5'realized by Gunther Schuller3+pic.3+ca.3.barsx.4/4431/timp.perc/pf/str

The Gen’l Slocum (1904)

AMP3'ed. by Gunther Schullercl/hn[=tbn=bar=tsax]cnt/perc/pf (5 players)

The See’r from Set No. 2 (1908)

AMP8'

ed. by James B. Sinclair1(pic).000/1000/bells/Jew's hp[=2cl]/str

Washington’s Birthday, 1st Movement from theSymphony Holidays (1909)

A winter holiday complete with the festivities of a village barndance and thecontrasting grey bleakness of a February night. Musical quotes from familiartunes once again trigger vivid images.

AMP5'

Choreographed by Lar Lubovitch in “American Gestures” (29 Jan 1992) forPacific Northwest Ballet in Kennedy Center, Washington, DC.

ed. by Gunther Schuller4(pic)4(ca)3[=3(barsx)].barsx.4/4431/timp.perc/pf/str

Yale-Princeto