Sum 41 - Chuck and Underclass Hero

8/12/2019 Sum 41 - Chuck and Underclass Hero

http://slidepdf.com/reader/full/sum-41-chuck-and-underclass-hero 1/189

Intro

Slowly q = 80

Introfrom Sum 41 - Chuck

By Deryck Whibley

© 2004 EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSICAll Rights in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission

Gtr. 3 (clean)

Gtr. 2: Drop D tuning, down 1/2 step:(low to high) Db-Ab-Db-Gb-Bb-Eb

Gtrs. 1, 3, 4 & 5: Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb

* Em

Cmaj7

mf

D

3

Gtr. 1 (slight dist.)

Rhy. Fig. 1

mf

End Rhy. Fig. 1

3 3

let ring let ring

Gtr. 2 (clean)

mf

* Chord symbols reflect overall harmony.

Gtr. 4 (clean)

Gtr. 1: w/ Rhy. Fig. 1 (2 times)

Riff A1

Em

mp

Cmaj7 DEnd Riff A1

3

3

let ring

Gtr. 3 Riff A

End Riff A

3

3

Gtr. 2 Rhy. Fig. 2

End Rhy. Fig. 2

7 9 7

07 7

9710

79

09

010

879

710

79

57

55

54

232

054

0 0 1 0 0 0 07 7 8 7

10 8 7

5 7 5 7 97 9 7

222000

222000

32

054

Digital Conversion ©2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

1



Segue to "No Reason"

Gtr. 5 (clean)

Gtr. 2: w/ Rhy. Fig. 2Gtr. 3: w/ Riff A (2 times)Gtr. 4: w/ Riff A1

Em

mf

Cmaj7

D

3

1/2

Gtr. 5

Em

Cmaj7

D

3

1/2

Gtr. 4

* f 3

3

let ring

Gtr. 1

* f

3 3

let ring let ring

Gtr. 2

* f

* Vol. swell

9 10 129 11 9 11 11

1412 16 12

1412 11 12 12 14

9 10 12 9 11 9 11 11 14 12 16 12 14 12 11 12 12 14

0 0 1 0 0 0 07 7 8 7

10 8 7

07 7

9710

79

09

010

879

710

79

57

55

54

222000

222000

30

54

Digital Conversion ©2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

2



Intro

Moderately slow Rock q = 98

No Reasonfrom Sum 41 - Chuck

Words and Music by Deryck Whibley and Greig Nori

© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BUNK ROCK MUSIC, INC.All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.

All Rights Reserved International Copyright Secured Used by Permission

Screamed:

Gtrs. 1, 2 & 4: Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb


** E5

All of

C5

us be

Gtr. 3 chords

G5

11 1

E5

lieve-

Gtr. 1 chords

E5

13 4

C5

11

E5

D5

that

13 4

B5

this

13 4

B5

B5

is

5fr

13 4

D5

not

5fr

13 4

D5 V

up

D5/A

13 4

C5

to

5fr

11 1

G5

13 4

G5

you.

E5

7fr

14321

Em VII

7fr

13 4

E5

The fact

C5

of the mat

G5

ter- is

E53

* Gtr. 1 (dist.)

f

* Doubled throughout** Chord symbols reflect implied harmony.

P.M. (cont. in slashes)

Gtr. 1

E5 B5 D5 E5Rhy. Fig. 1

E5 C5 G5

that it’s up to me!

Shouted: (Hey! Hey!

Hey!

*** Gtr. 2 (dist.)

f

Riff A

†

*** Doubled throughout † Gang vocals

E5 B5 D5End Rhy. Fig. 1

Hey! Hey! Hey!)

Screamed: Let's go!

End Riff A

022

355

355

022

022

244

00

0 0 022

022

355

355

022

15 0 010 10 9

10 0 010 10 9

10 0 010 10 9

10 3355

3355

3355

355

355

355

0 010 10 9

10 0 010 10 9

10 0 010 10 9

10 2244

2244

2244

2244

5577

5577

5577

5577


1



Verse

* Gtr. 3 (dist.)

Double-time feel

f

E5 C5 D5 E5 B5 D5 V

Gtr. 2 Riff B

(cont. in notation)

End Riff B

* Doubled throughout

Gtr. 2 tacet

E5

How1. can we fake this an

*

y- more?-

*

Gtr. 3

Riff C End Riff C

** w/ echo set for half-note regeneration w/ 1 repeat.

P.M.

And turn our backs a way- and

*** Voc. Fig. 1

choose to just ig nore?-

†

Shouted:

(Some

Riff D End Riff D

*** Applies to upstemmed part only.

† w/ echo, as before.

P.M.

say!)

Gtr: 3: w/ Riff C (2 times)

Some say it’s ig nor- ance.-

End Voc. Fig. 1

It makes

Bkgd. Voc.: w/ Voc. Fig. 1

me feel some in no- cence.- It

Gtr. 4(dist.) Riff E

mf

End Riff E

0 010 10 9

10 8 810 10 9

10 0 010 10 9

10 7 79 9

10 1012 12

0 2 2 23 3 2 2

0 2 2 2

5 45 5

0 2 2 23 3 2 2

0 2 2 2 2

5 45 5

0 2 2 23 3 2 2

0 2 2 2

5 45 5

0 2 2 23 3 2 2

0 2 2 2

5 45

50

50

50

50 0

707

07

07

08

08

08

08

010

010

010

010

012

012

012

012

010

010

010

010

08

08

08

08

010

010

010

010


2



takes

Gtr. 4: w/ Riff E

a way- a part of me but I won’t let

D5

go.

Tell me why

Gtr. 1

P.S.

Gtr. 3Riff F End Riff F

P.M. (cont. in slashes)

Gtr. 3

Chorus

Rhy. Fig. 2A

C5 G5 D5 C5 G5

can’t you see it’s

* Voc. Fig. 2

not the way?

(Not the

When

way!)

we all fall down, it

End Voc. Fig. 2

will

Gtr. 1Rhy. Fig. 2

* Applies to upstemmed part only.

D5 EmEnd Rhy. Fig. 2A

1st time, Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A2nd time, Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A (1st 3 meas.)

C5 G5 D5

be too late. Why is there no rea son-

** Voc. Fig. 3

we can’t change?

(No rea

When

son!)

we

-

End Rhy. Fig. 2

** Applies to upstemmed part only.

XX

XX

0 2 2 23 3 2 2

0 2 2 2 2

5 45 5

0 2 2 23 3 2 2

0577

0577

0577

0577

0577

0577

0577

0577

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

577

577

577

577

577

577

577

577

577

577

577

577

577

577

577

577

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

577

577

577

577

577

577

577

577

7998

7998

7998

7998

7998

7998

7998

7998


3



1To Coda

Verse

D.S. al Coda 1

Bridge

C5 G5 D5 Em

Gtrs.1 & 3

E5 10fr

G

all fall down

End Voc. Fig 3

who will take the blame? What will it take?

Gtr. 4

P.M. P.M. P.M. P.M.

Gtrs. 1 & 4 tacetGtr. 3: w/ Riff C (2 times)

E5

2. If noth ing- could ev er- be

* w/ echo, as before.

this real.

*

Gtr. 3: w/ Riff D

A life un sat- is- fied- that

I

*

** w/ echo, as before.

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

could nev er- feel.

*

Gtr. 3: w/ Riff C (2 times)Gtr. 4: w/ Riff E (2 times)

This fu ture’s- not so bright, but

some can't make the sac ri- fice.- It’s much

Gtr. 3: w/ Riff F

more than just black and white and I won’t fol

D5

low.

Tell

-

me why

1 Coda

Gtr. 3

D5 Em E5 VII

Rhy. Fig. 3A

D5 C5 G5 B5 D5 B5End Rhy. Fig. 3A

D5 V

take the blame? What will it take?

Times like these I’ve come to see how.

Gtr. 1 Rhy. Fig. 3 End Rhy. Fig. 3

10 0 07

0 09

0 010

0 0 2 35

2 3

577

577

577

577

577

577

577

577

7998

7998

7998

7998

7998

7998

799

799

799

799

799

799

577

577

577

577

355

355

355

355

355

355

355

355

2244

2244

2244

2244

5577

5577

5577

5577

2244

2244

2244

2244

5577

5577

5577

5577


4



Ev

Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A

E5

’ry

D5

- thing

C5

- but

G5

time

B5

is

End double-time feel

D5

run

B5

ning

D5

- out.

Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Riff A

E5

Voc. Fig. 4

(Hey!

End Voc. Fig. 4

Hey!

Voc. Fill. 1

Hey!

End Voc. Fill. 1

C5 G5 E5

Hey! Hey!

Hey!

B5

Right!)

D5

All

Bkgd. Voc.: w/ Voc. Fig. 4 (3 times)Gtr. 2: w/ Riff B (2 times)

E5

of us

C5

be

D5

lieve

E5

- in what

B5

we

D5

need.

E5

What

C5

we

D5

Gtr. 3

(cont. in slashes)

Gtr. 3

Bkgd. Voc.: w/ Voc. Fill 1

E5 B5 D5 D5 V

P.M.

Outro-ChorusDouble-time feelGtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A (4 times)Gtr. 2 tacet

C5 G5

have’s what we don't see. Tell me why can't you see it's

Gtr. 2

Riff G

Gtr. 4

not


D5

the way? When we all

Gtr. 4: w/ Riff G (7 times)

C5

fall down

G5

it will be

D5

too late.

Em

Why is

End Riff G

222

222

222

222

222

222

222

222

355

355

355

355

000

000

000

000

222

222

222

222

222

222

222

222

244

244

244

244

577

577

577

577

222

222

222

222

222

222

222

222

355

355

355

355

000

000

000

000

10 1012 12

10 1012 12

10 1012 12

10 1012 12

08

08

07

07

08

08

010

010

08

08 5

050 0

707 3

030

08

08

07

07

08

08

010

010

08

08

07

07

05

05 3

030


5



there

C5

no rea

G5

son- we


D5

can’t change? When we all

C5

fall down

G5

who will take

D5

the blame?

Em

What will it

Can’t

take?

C5

you see

G5

it’s not


D5

the way? When we all

C5

fall down

G5

it will be

D5

too late.

Em

Why is

So how long has this gone? I don't see this end ing.- It's too late, we can't change what has now be gun.-

there

C5

no rea

G5

son- we


D5

can’t change? When we all

C5

fall down

G5

who will

We act like it's not right. Why are we pre tend- ing?- We’ve been wrong for so long.

D5 Em

Gtr. 3

E5

take the blame? What will it take?

We knew this all a long.-

Gtrs. 1 & 4

022

022

022

022

022

022

022

022

022


6



Intro

Moderate Rock q = 160

from Sum 41 - Chuck

We’re All to BlameWords and Music by Deryck Whibley, Greig Nori, Steve Jocz and Ben Cook

© 2004 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC, BUNK ROCK MUSIC, INC.,BONER CITY MUSIC, INC. and BEN COOK PUBLISHING DESIGNEE

All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission


Gtrs. 1-5, 7 & 8: Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb

* Gtrs. 1 & 2 (elec.)

(Talking)

***

w/ dist.

E5

f

Gtrs. 4 & 7 chords

23 1

Am

23 1

Dm

Gtr. 6 chords

F5

11

A5

21 4

G

E5

11 1

F5

12

Em

13 4

C5

134211

F

5fr

11 1

G5

13331

C III

134211

G

F5

23 1

E

E5 F5 E5

** Gtr. 3 (elec.)

Fill 1 End Fill 1

f

* Composite arrangment** Doubled throughout

*** Chord symbols reflect implied harmony.

w/ dist.

TakeShouted:

C5

ev

B5

’ry

C53

- thing

D5

- left

C5

from

B53

me!

E5 µ

All

E5 µ

to

Gtrs. 1, 2 & 3 3 3

P.M.

Pitches:

Harm.

GD

P.M. Harm.

GD

E5 µ

blame!

C5

B5 C5 D5 C5 B5 C5

B5 C5 D5 C5 B5 E5

3 3 3 3

P.M.

Pitches:

Harm.

GD

P.M.

7X9

7X9

7X9

7X9

7X9

7X9

7X9

8X10

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

8X10

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

8X10

7X9

12

35

24

35

57

24

35

02

0 0 0 0 0 0 02

55

02

0 0 0 0 0 0 02

55

02

0 0 0 0 0 0 02

55

35

24

35

57

24

35

35

24

35

57

24

35

02

02

02

02


1



Verse

How1.

Gtr. 3 tacet

E5

can we still suc ceed- tak

Gtr. 3: w/ Fill 1

ing- what we don’t

Gtrs. 1 & 2

Riff A End Riff A

need?

(need?)

Gtrs. 1 & 2 tacet

G5 E5 F#5 E5 F5 E5 F5 E5 F5

Tell

Gtr. 3: tacet

E5

ing- lies, al i- bis,-

Gtr. 3 Rhy. Fig. 1 End Rhy. Fig. 1

Gtrs. 1 & 2

Riff B

P.M. P.M.

sell

Gtr. 3: w/ Fill 1

ing- all the hate that we breed.

Gtrs. 1 & 2 tacetGtr. 3: w/ Rhy. Fig. 1

G5 E5 F#5 E5 F5 E5 F5 E5 F5

End Riff B

7 7 7 7 7 7 7 7 7 7 7 7

7 7 7 7 10 10 10 10 10 10 10 10 8 8 8 8 7 7 7 7

02 0 35 02 02 0 24 02 02 0 13 02 02 13

3

02 13

3

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

8 8 8 8 8 8 8 8 10 10 10 10 8 8 8 8


2



rit.

rit.

Chorus

Slower q = 154

Half-time feel

Su

Gtr. 1: w/ Riff A

E5

per- size

Gtr. 3: w/ Fill 1

our trag e- dies.

Voc. Fig. 1

Gtr. 2 tacetGtr. 3: w/ Rhy. Fig. 1

-

(You can’t

G5

de

E5

fine- me,

F#5 E5

Gtr. 2 Riff C End Riff C

or just

F5

i

E5

- fy

End Voc. Fig. 1

-

F5

greed.)

E5 F5

Bought

Gtr. 1: w/ Riff B

E5

in the land

Gtr. 3: w/ Fill 1

of the

Gtr. 2

Riff DEnd Riff D

Gtr. 2 tacet

G5 E5 F#5 E5 C5 B5 C5 D5 C5 B5

* Gtr. 4 (elec.)

Rhy. Fig. 3

mp

Am Dm

free.(Land. Free.)

And we’re

all to

Gtr. 3Rhy. Fig. 2

3

End Rhy. Fig. 2

3 Gtr. 3

P.M.

* w/ slight dist. & tremolo.

109

109

109

109

109

109

109

109

109

109

109

109

97

97

97

97

97

97

97

97

97

97

97

97

97

97

97

97

97

97

97

97

109

109

109

109

109

109

109

109

109

109

109

109

97

97

97

97

1210

1210

1210

1210

1210

1210

1210

1210

97

97

97

97

97

97

97

97

02

0 35

02

02

0 24

02 3

524

35

57

24

35

022


3



C oT oda

End half-time feel Faster q = 160

Gtr. 3 tacet

G EmEnd Rhy. Fig. 3

Gtr. 4

Rhy. Fig. 4

Am

blame. We’ve gone too far, from

Riff E


mf let ring

Dm G Em End Rhy. Fig. 4

pride to shame. We’re try ing- so

End Riff E

let ring let ring let ring

hard,

Gtr. 4: w/ Rhy. Fig. 4 (2 times)Gtr. 5: w/ Riff E (2 times)

Am

we’re dy

Dm

ing- in vain.

G

We’re hope

Em

less- ly

3

- bliss ful- and

3

blind

Am

to all

Dm

we are.

G

We want

Em

it

all

Gtr. 3: w/ Fill 1

Em

Gtrs. 4 & 5 tacet

C5 B5

with

C5

3

no

D5

sac

B5

ri

C5

3

- fice!

E5

-

Gtrs. 4 & 5

Gtr. 33 3

5

55

5

23

13

03

33

00

00

022000

355

244

355

577

244

355

022

022

022

022


4



Verse

D.S. al Coda

CodaBridge

Re2.

Gtrs. 1 & 2: w/ Riff AGtr. 3 tacet

E5

al- ize- we spend our lives liv

Gtr. 3: w/ Fill 1

ing- in a cul ture- of fear.

(Fear.)

Gtr. 3: w/ Rhy. Fig. 1

G5 E5 F#5 E5 F5 E5 F5 E5 F5

Stand

Gtrs. 1 & 2: w/ Riff B

E5

to sa lute- and say thanks

Gtr. 3: w/ Fill 1

to the man of the year.


G5 E5 F#5 E5 F5 E5 F5 E5 F5

How

Gtr. 1: w/ Riff AGtr. 2: w/ Riff C

E5

did we

Gtr. 3: w/ Fill 1

all come to this?

Bkgd. Voc. : w/ Voc. Fig. 1Gtr. 3: w/ Rhy. Fig. 1

G5 E5 F#5 E5 F5 E5 F5 E5

It’s

F5

greed

Gtrs. 1 & 2: w/ Riffs B & D

E5

that we just

Gtr. 3: w/ Fill 1

can’t re - sist.

Gtrs. 1 & 2 tacetGtr. 3: w/ Rhy. Fig 2

(Re

G5 E5

sist.)

F#5

-

E5

And

C5 B5 C5

we’re

D5 C5 B5

Gtr. 4

Rhy. Fig. 5

Am F C G III

End Rhy. Fig. 5

all.

(all.)

Ev ’ry- -

Gtr. 5

Am F C G III

one wants it all with no

1312

1312

1312

1312

1313

1313

1313

1313

1315

1315

1315

1315

1210

1210

1210

1210

1312

1312

1312

1312

1313

1313

1313

1313

1315

1315

1315

1315

1210


5



End half-time feel

Interlude

Faster q = 160

Gtrs. 4 & 5 tacet

sac ri-

fice!

E5

-

G5 E5 F#5 E5 G5 F#5 E5

G5 E5 F#5

Gtr. 3divisi

Gtr. 5

Gtr. 3

P.M. P.M. P.M. P.M. P.M.

E5

G5 F#5

Tell

E5

me now

µ

what have we

E5

done. We don't

µ

know.I can't

E5

al low-

µ

what has

P.M. P.M. P.M. P.M.

be

E5

gun- to tear me

µ

down.

Be lieve

E5

me now,

we

C5

have no

E5

choice. Left with our

B5

-

P.M. P.M. P.M.

backs

E5

a gainst-

C5

the wall.

G5

And

P.M. P.M.

1210

02

0 0 0 0 35

02

0 0 0 0 24

02

0 0 0 0 35

2 3 5

3

02

0 0 0 0 35

02

0 0 0 0 24

12

02

0 0 0 0 35

2 3 5

3

02

0 0 0 0 0 0 02

02

0 0 0 0 0 0 02

02

0 0 0 0 0 0 02

02

0 0 0 0 0 0 02

12 02

0 0 0 0 0 0 02 3

X5

02

0 0 0 0 0 0 02 2

X4

02

0 0 0 0 0 0 02 3

X5

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35


6



Chorus

Half-time feel

now,

Gtrs. 4: w/ Rhy. Fig. 4 (2 times)Gtr. 5: w/ Riff E (2 times)Gtr. 3 tacet

Am

we’re all

Dm

to blame.

G

We’ve

*Gtr. 6(elec.)

Rhy. Fig. 6

f

* Doubled throughout

w/ dist.

gone

Em

too far,


Am

from pride

Dm

to

End Rhy. Fig. 6

shame.

G

We’re hope

Em

less- ly

3

- bliss ful- and

3

Gtr. 6

Gtr. 4: w/ Rhy. Fig 5 (4 times)

Rhy. Fig. 7A5 F5 C5 G5 End Rhy. Fig. 7

blind. And all we need is some thing-

Gtr. 5

mp

Riff F

let ring let ring let ring let ring

Gtr. 1

mf

022

022

022

022

022

000

000

000

000

000

555

555

555

555

555

222

222

222

222

222

55

55

75

55

85

55

33

03

12X14

12X14

7X9

7X9

7X9

7X9

7X9

7X9

10X12

10X12

10X12

8X10

8X10

8X10

7X9

7X9

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

5X7

5X7

5X7

8X10

8X10

8X10

7X9

7X9


7



true


Am

to

F

be lieve.

C

- Don’t

G

we

Gtr. 5 End Riff F


Gtr. 1

Riff G End Riff G

all?

Gtr. 1: w/ Riff G (1 3/4 times)Gtr. 5: w/ Riff F

Am

(It’s

Ev

ev

F

’ry

’ry

-

-

one,

one,

C

-

-

ev

ev

G

’ry

’ry

-

- -

-

one.

Am

- We

F

will fall

C

G

Gtr. 4

Outro

* Gtr. 7 (acous.): w/ Rhy. Fig. 3

Am

’cause we’re all to

Gtr. 1

Gtr. 6

* Played mf

5 55

5 7 55

5 8 55

5 3 30

3

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

10X12

10X12

10X12

8X10

8X10

8X10

8X10

8X10

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

5X7

5X7

5X7

8X10

8X10

8X10

8X10

7X9

10X12

10X12

10X12

8X10

8X10

8X10

7X9

7X9

X7

9

022


8



rit.

rit.

blame.

Gtrs. 1, 4 & 6 tacet

G

We’ve gone

Em

too

Gtr. 7: w/ Rhy. Fig. 4 (1 3/4 times)* Gtr. 8 (acous.): w/ Riff C (1 3/4 times)

far

* Played

Am

mf from

pride

Dm

to shame.

G

We’re try

Em

ing- so

hard,

Am

we’re dy

Dm

ing- in vain.

G

We

Gtr. 7

E Am Dm

want it all. Ev ’ry- -

Gtr. 8


G E Am

one,- don’t we all?

let ring let ring

00

10

55

55

23

13

03

33

00

10

02210


9



Intro

Moderately slow Rock q = 96

Angels with Dirty FacesWords and Music by Deryck Whibley and Greig Nori



from Sum 41 - Chuck

Double-time feel

Drop D tuning, down 1/2 step(low to high) Db-Ab-Db-Gb-Bb-Bb

* Dm

I need this

Bb

to get me through.

Dm

Can’t re sist,-

Am

don’t want to

Gtr. 1(slight dist.)

mf

Rhy. Fig. 1 End Rhy. Fig. 1

*Chord symbols reflect implied harmony.


Dm

be lieve- it.

Bb

I know it's true.

Dm

Can’t beat it,

Am

don’t want to

try.

Dm

Bb5 A5 Dm

Gtr. 2 (dist.)

mf

**Gtr. 3 (dist.)

f

**Doubled throughout

00

010

07

08

87

810

87

88

87

00

010

07

08

77 7

777 8

77

00

00 8

X10

8X10

8X10

8X10

00

00 8

X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

10X12

10X12

10X12

10X12

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

8X10

8

10

00

00

00

00 8

X10

8X10

00

00

00

00

00

00 8

X10

8X10

8X10

8X10

00

00 8

X10

8X10

8X10

8X10

88

88

88

88 10

X12

10X12

10X12

10X12

77

77

77

77 7

X9

7X9

7X9

7X9

8X10

8

10

00

00

00

00 8

X10

8X10

00

00

00

00


1



Verse


Bb5

A5

(A per fect- hell.)

D5

It’s1. more to me than you ev er- will know. Down here where the rest of us fell.

P.M.

Waste a way- noth ing- left to show

while I’m in this per

F5

fect- hell.

E5 D5

Ob ses

Bb5

-

A5

sion- has

F5

be

C5

gun,-

Rhy. Fig. 2

f

End Rhy. Fig. 2

P.M.

Gtrs. 2 & 3: w/ Rhy. Fig. 2 (3 times)

D5

pos sessed

Bb5

-

A5

by de

F5

struc-

C5

tion.-

D5

How did

Bb5 A5

I get

F5

so

C5

low?

D5

Be lieve

Bb5

-

A5

me, no

F5

one

C5

knows.

8X10

8X10

8X10

8X10

10X12

10X12

10X12

10X12

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8X10

8X10

8X10

7X9

7X9

8X10

8X10

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8X10

8X10

8X10

7X9

7X9

8X10

8X10

88

88

88

88 10

X12

10X12

10X12

10X12

77

77

77

77 7

X9

7X9

7X9

7X9

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8X10

8X10

8X10

7X9

7X9

8X10

8X10

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8X10

8X10

8X10

8X10

8X10

7X9

00

00

00

00

88

77

77

77

33

33

33

33

33

1010

1010

1010

00

00

00

00

00

00

00

00

00

00

00

00

33

33

33

33

33

22

00

00

00

00

88

77

77

77

33

33

33

33

33

1010

1010

1010


2



Pre-Chorus

1To Coda 2To Coda

Bbsus2

Some times- I can’t hold on

Csus2

and no one can help me.

Gtr. 4 (dist.)

P.S.

mf

* Gtrs. 2 & 3

* Composite arrangment

Now

Chorus

1st & 2nd time, Quadruple-time feel3rd time, Double-time feel

Gtr. 4 tacet

D5

it’s got a hold of me.

F5

I

Bb5

don't think I can make

C5

it through this.

F5

Voc. Fig. 1

(Hold of me!)

End Voc. Fig. 1

Gtr. 2Rhy. Fig. 3 End Rhy. Fig. 3

Gtr. 3 Rhy. Fig. 3A End Rhy. Fig. 3A

Now

Bkgd. Voc.: w/ Voc. Fig. 1Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A

D5

it's got a hold of me.

F5

The less

Bb5

I do, the more

C5

it makes

End quadruple-time feel

no

Spoken:

F5

I’m

XX

XX

88

10

88

10

8810

8810

8810

88

10

88

10

8810

8810

88

10

88

10

8810

101012

101012

101012

101012

101012

101012

101012

101012

101012

101012

101012

101012

12X14

12X14

12X14

12X14

8X10

8X10

8X10

8X10

10X12

10X12

10X12

10X12

3X5

3X5

3X5

3X5

5X7

5X7

5X7

5X7

7X9

7X9

7X9

7X9

8X10

8X10

8X10

7X9

7X9

7X9

7X9

00

00

00

00

00

00

00

00

33

33

33

33

33

33

33

33

88

88

88

88

88

88

88

88

1010

1010

5 7 7 33


3



Bridge

Double-time feel

Verse

D.S. al Coda 1

1 Coda

walk

sense.

D5

ing- pol lu- tion- who’s drained

C/E

by de lu- sions.-

F5

On the verge of de struc-

G5

tion- I cave in to ab

3 33

-

Gtrs. 2 & 3

duc

D5

tion.- Thin blood, I'm

C/E

bleed ing.- Pulse won’t

F5

stop rac ing- just as my

G5

heart ex plodes.-

3 3 3


2.

D5

No chance

Bb5 A5

that I

F5

could

C5

win,

D5

too hard

Bb5 A5

to not

F5

give

C5

in.

D5

I just

Bb5

don’t

A5

feel

F5

the

C5

same

D5

’cause I’m

Bb5 A5

the


one

F5

to

C5

blame.

less

Bb5

I do the more

C5

it makes no

F5

sense.

D5

I need

µ

this to be my self.-

Eb5 D5

It feels

µ

like I need some help.

Eb5

Gtrs. 2 & 3

P.M. P.M.

00

23

33

55

00

23

33

55

55

55

55

55

55

55

55

00

11

11

11

00

11

11

11


4



D.S.S. al Coda 2

2 Coda

D5

It’s too

µ

late to save my self -

Eb5 D5

or

µ

it’s just in my

head.

D5

P.M.P.M.

P.M.

3 3

less

Bb5

I do the more

C5

it makes


F5

no sense.

Quadruple-time feelBkgd. Voc.: w/ Voc. Fig. 1 (2 times)Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A (2 t imes)

D5 F5

Now it’s got a hold of me.

I

Bb5

don’t think I can make

C5

it through this.

F5

Now

D5

it’s got a hold of me.

F5

The less

Bb5

I do the more

C5

it makes

F5

no

sense.

Dm

Gtrs. 2 & 3

00

11

11

11

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

0

00

00

00

00

00

00

0 0 0 0 0 0 0 0 0 0 0 0 0 17

00

00 8

X10

8X10

8X10

8X10

00

00 8

X10

8X10

8X10

8X10

00

00 8

X10

8X10

8X10

8X10

00


5



Verse

Moderately slow q = 82

Some SayWords and Music by Deryck Whibley and Greig Nori



from Sum 41 - Chuck

Tune down 1/2 step:

(low to high) Eb-Ab-Db-Gb-Bb-Eb

Bm

Some1. say we’re nev

D/A

er

134211

G

- meant to

13421

Bm

grow up.

13 2

D/A

11

A5

Em

I’m sure

12

Em

they nev

G

er- knew e nough.-

Gtr. 1 (acous.)

let ring throughout

mp



Bm

I know the pres

D/A

sures- won’t go

Em

a way;-

G

it’s too late.

Bm

Find out we’re diff

D/A

’rent- some how.-

Em

It’s too late to e

G

ven- have faith.

Gtr. 2 (elec.)

mf w/ slight dist.

Riff A

let ring

End Riff A

let ring

Gtr. 2: w/ Riff A

Bm

Don’t think things

D/A

will ev er- change.

Em

You must be dream

G

ing.-

24432

24432

24432

24432

24432

24432

00232

00232

00232

00232

00232

00232

022000

022000

022000

022000

022000

022000

355433

355433

355433

355433

355433

355433

77

77

77

7

57

77

77

977

977

977

7

57

77

77


1



Gtr. 1

G

ChorusGtr. 2 tacet

Rhy. Fig. 2

Bm G D/A A5

Think be fore- you make up your mind. You don’t seem to re al- ize-

Gtr. 2

*Gtr. 3 (elec.)

w/ dist.

mf

Rhy. Fig. 2A

*Doubled throughout

Em G D/A A5

I can do this on my own.

(Not

And if

with

I

me,

fall,

not

I’ll take

with

it

you.)

all.

Gtr. 3

Em GEnd Rhy. Fig. 2

InterludeGtr. 1: w/ Rhy. Fig. 1

Bm D/A

Gtr. 3 tacet

Em G

It’s so eas y- af ter- all.

End Rhy. Fig. 2A

57

77

77

355

355

355

355

355

355

355

355

244

244

244

244

244

355

355

355

355

355

0023

0023

0023

0023

0023

022

022

02255

022

022

022

022

022

022

022

355

355

355

355

355

0023

0023

0023

0023

0023

022

022

0225

022

022

022

022

022

022

022

355

355

355

355

355

355

355

244

244


2



VerseGtr. 1: w/ Rhy. Fig. 1 (4 times)

Bm

Be2. lieve- me ’cause now’s

D/A

the time to try.

Em

Don’t wait, the chance

G

will pass you by.

Gtr. 4 (elec.)

mp w/ clean tone

let ring throughout



Bm

Time’s up to fig

D/A

ure- it out.

Em

You can’t say

G

it’s too late.

Gtr. 2: w/ Riff A (2 times)

Bm

Seems like ev

D/A

’ry- thing- we knew

Em

turned out were nev

G

er- e ven- true.

Bm

Don’t trust things

D/A

will ev er- change.

Em

You must be dream

G

ing.-

Gtr. 3

mf P.M. f

24432

24432

24432

24432

24432

24432

00232

00232

00232

00232

00232

00232

022000

022000

022000

022000

022000

022000

355433

355433

355433

355433

355433

355433

355

355

355

355

355

355

355

355


3



Gtrs.1 & 4

G

ChorusGtrs. 1 & 3: w/ Rhy. Figs. 2 & 2AGtrs. 2 & 4 tacet

Bm G D/A A5

(Dream ing.)-

Think be fore- you make up your mind. You don’t seem to re al- ize-

Gtr. 2 Riff B End Riff B

Gtr. 3

Em

I can do

G

this on my own.

D/A

(Not

And if

with

I

me,

fall,

A5

not

I’ll take

with

it

you.)

all.

Em G

Gtr. 1

Rhy. Fig. 4

Guitar SoloG D/A Em Bm

End Rhy. Fig. 4

It’s so eas y- af ter- all.

Gtr. 5 (elec.)

w/ dist.

f *w/ delay

*Delay set for whole note regeneration w/ 1 repeat.

X

Gtr. 3Rhy. Fig. 4A End Rhy. Fig. 4A

5

77

77

75

77

77

7

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

3 155X7

5

7

12

14

12

14

9

11

10

12X9

11

10

12X9

11

7X9

7X9

7X9

7X9

X9

11X9

11X9

11X9

11X10

12X10

12X10

12X10

12X9

11

10

12X9

11

7X9

355

355

355

355

355

355

355

0023

0023

0023

0023

0023

0023

0023

022

022

022

022

022

022

022

244

244

244

244

244

244

244


4



Gtr. 5

Gtrs. 1 & 3: w/ Rhy. Figs. 4 & 4A (3 times)

G D/A Em Bm

X

(delay off)

G D/A Em Bm

G D/A Em Bm

Gtr. 1

G

Verse

Gtr. 1: w/ Rhy. Fig. 1 (3 1/2 times)Gtr. 3 tacet

Bm D/A

Some3. say we’re bet ter- off with out-

Gtr. 5

pp

Gtr. 3

pp

5X7

5

7

12

14

12

14

9

11

10

12X9

11

10

12X9

11

7X9

7X9

7X9

7X9

X9

11X9

11X9

11X9

11X10

12X10

12X10

12X10

12X9

11

10

12X9

11

7X9

5X7

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

X9

11X9

11X9

11X9

11X10

12X10

12X9

11X9

11X9

11X10

12X9

11X9

11

7X9

7X9

7X9

7X9

7X9

5X7

5X7

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

X9

11

10

12X9

11

7

9

5X7

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

X9

11X9

11X9

11X9

11X10

12X10

12X9

11X9

11X9

11X10

12X9

11X9

11

7X9

7X9

7X9

7X9

7X9

5X7

5X7

5X7

5X7

5X7

7X9

7X9

7X9

7X9

7X9

X9

11

10

12X9

11

7

9

5X7

5X7

5X7

5X7

7

9

5X7

355

355

355

355

355

355


5



Gtr. 5 tacet

Em

know ing- what life

G

is all a bout.-

Bm

I’m sure they’ll nev

D/A

er- re al- ize-

Em

the way

G

it’s too late.


Bm

Some how- it’s diff

D/A

’rent- ev ’ry- day.

Em

In some ways, it nev

G

er- fades a way.-

Bm

Seems like it’s nev

D/A

er- gon na- change.

Gtr. 1

Em G

Gtr. 2: w/ Riff B

I must be dream in’.-

(Dream in’.)-

(Dream in’.)-

Gtr. 3

mf f

Think

Chorus

Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A (1st 3 meas.)

Bm

be fore- you make

G

up your mind.

D/A

You don’t seem

A5

to re al- ize-

Em

I can do

G

this on my own.

Think

Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A

Bm

be fore- you make

G

up your mind.

D/A

You don’t seem

A5

to re al- ize-

Em

I can do

G

this on my own.

D/A

(Not

And if

with

I

me,

fall,

A5

not

I’ll take

with

it

you.)

all.

Em

It’s so eas

G

y- af ter- all.

355

355

355

355

355

355

355

0


6



OutroGtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A (1st 2 meas., 2 times)

Bm

(Be lieve- me,

G

it’s all right.

D/A

It’s so eas

A5

y- af ter- all.

Bm

Be lieve- me,

G

it’s all right.)

D/A

It’s so eas

A5

y- af ter- all.

(Ah, ah.)

Gtr. 6 (elec.)

w/ clean tone

mf

let ring throughout

Gtr. 1

G

pp

Gtrs. 1 & 6 tacet

Gtr. 7 (elec.)

w/ clean tone & amp tremolo

let ring throughout

p pp

Gtr. 6

pp

Gtr. 3

pp

42

02

42

02

42

02 4

24

22

42

42

02

42

02 4

24

2

23

23

33

33

23

23

33

33

23

23

33

33

23

23

33

33

23

23

33

33

435

355


7



Intro

Fast Rock q = 202

The Bitter EndWords and Music by Deryck Whibley


from Sum 41 - Chuck

*Gtrs. 1 & 2 (dist.)

Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb

Rhy. Fig. 1

F#5

f

E5 D5 C#5/G# A5 E/G#End Rhy. Fig. 1

3 3

*Composite arrangement

Gtr. 1

Gtr. 2 tacet

F#5

P.M.

G5 F#5

P.M.

G5 F#5

P.M.

G5 F#5

P.M.

G5 F#5

P.M.

Shuh!

*

F#5 G5 F#5 G5 F#5

G5 F#5 G5 F#5

Gtrs. 1 & 2

Rhy. Fig. 2

P.M. P.M. P.M. P.M.

End Rhy. Fig. 2

P.M.

*Sung 1st time only.

*Gtr. 3 (dist.)

Gtrs. 1 & 2 tacet

Riff A

F#5

f

End Riff A

P.M.

*Doubled throughout

Gtr 3: w/ Riff A

24 7

979

79

79

57

57

57

57

446

57

57

47

47

0 24

35

24

0 24

35

24

0 25

3 0 24

2 0 24

35

24

0 24

35

24

0 25

3 0 24

2

0 24

35

24

0 24

35

24

0 25

3 0 24

2 0 24

35

24

0 24

35

24

0 25

3 0 24

2

X10

12

9

11X9

11X9

11X9

11X9

11X9

11X9

11X10

12

9

11X9

11X9

11X9

11X9

11X9

11X9

11X10

12

9

11X9

11X9

11X9

11X9

11X9

11X9

11

7 8 107


1



Double-time feel


There’s1. no doubt

look

Verse

F#5

in

at

my

your

mind

self - as

when

time

A5

it’s

keeps

o

rac

C5

ver,

ing.

B5

-

- Is

Gtrs. 1 & 2

f

Rhy. Fig. 3

P.M.

P.M.

P.M. P.M.

P.M.

what

all

F#5

is

you’ve

done

come

C5

will

to

B5

be.

be

F#5

A5

what

You

you

Gtrs. 1 & 2: w/ Rhy. Fig. 3

F#5

will

ex

find

pect-

when

ed? Are-

P.M. P.M. P.M. P.M.

End Rhy. Fig. 3

lifeyou

A5

getsstill

coldchas

C5

er,ing

B5

--

there’spos

F#5

nosi-

symbil-

pai

C5

--

B5

thy.ties?

--

F#5 A5

There’s’Cause

no

all

F#5

point

your

E5

try

prayers

D5

ing.

won’t

A5

- You can’t

save

C#5

es

you

cape

from

- the

the

bit

bit

F#5

ter

ter

E#5

-

-

Gtrs. 1 & 2

Rhy. Fig. 4

P.M. P.M. P.M. P.M.

End Rhy. Fig. 4

end.

end.

Gtrs. 1 & 2: w/ Riff A

F#5

Well,

35

35

24

24

24

24

24

24

24

24 0

202

02

35

35

35

24

24

24

24

24

24 3

524

24

24

24

24

24

24 0

202

02

911

9 9 9 9 79

7 7 7 7 57

5 5 5 557

57 4

646

46

46

911

8


2







End half-time feel Double-time feel

F#5 C#5 F#5

1/2 1/2

P.M.

C#5 E5

3


F#5

P.M. P.M.

3

Gtr. 3

C#5


F#5 A5 C5 B5

1

F#5 C5 B5 F#5 A5 F#58v a loco

A5 C5 B5

3 33 3 3

3 33 31

9 11 9 11 11 1112 12 16

12 14 12

119 10

24

24

24

24 4

646

46

24

119 10

11 99 10

9 119 10 12 10 9 10 9

119 10

119 10

11

24

24

24

24 4

6

02

02

02

9 9 916

13 14 16 14 1614 17 19 19 19 19 19 14 19 19 19 19 19 14 19 19 19 19 19 14 19 19 19 19 19 19 19 19

19 19 17 14 19 19 17 14 19 19 17 14 19 19 17 14 19 19 17 14 1919 17 14 19 14 17 1417

1417 14 17 14

1614

16 14 16 1416

1416 14 16 14

1614

16 14


5




Double-time feel

D.S. al Coda

F#5 C5 B5 F#5 A5

F#5

sim.

A5 C5 B5

3

3 3 3

3 3

33

33

33

33

8va

F#5 C5 B5 F#5 A5 F#5 A5 C5 B5

33

33

33

8v a

F#5 C5 B5 F#5 A5

Interlude


F#58v a

2

Gtr. 3 tacet

E5 D5

C#5/G#

A5 E/G#

Suy!

F#5 G5 B5 G5

F#5 G5 F#5

G5 B5 G5 F#5

Take3.

G5

a

Gtrs. 1 & 2

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

16 1417

1417 16 14 16 17

1417

14 16 14 1614

1614 16

1721 17

1918

1917 21 17

1918

1917 21 17

1918

1917 21 17

1918

1917

21 17

1918

1917 21 17

1918

1917 21 17

1918

1917 21 17 21 17 22 17 21 0 19 0 17 0 19 0 17 17 19 0 16 0

17 0 19 0 17 0 19 0 21 0 19 0 21 19 22 2219 22

0 0 24

0 35

024

0 35

0 24

0 35

0 24

0 0 24

0 35

024

0 35

0 24

0 35

35


6



Coda

Double-time feel

End double-time feel Half-time feel

End half-time feel Double-time feel

end?


F#5

G5 F#5 G5 F#5

G5 F#5 G5 F#5

The bit ter-

end.

G5 F#5 G5 F#5

G5 F#5 G5 F#5

The bit ter-

end. Suy!

Outro

F#5 G5 B5 G5

F#5 G5 F#5

G5 B5

Gtrs. 1 & 2

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

G5

P.M.

F#5

P.M.

G5

P.M.

F#5

P.M.

G5

P.M.

B5

P.M.

G5

P.M.

F#5

P.M.

G5

P.M.

F#5

P.M. P.M.

G5

P.M.

B5

P.M.

G5

P.M.

F#5

P.M.

G5 F#5 A5 E/G# G5

24

24

0 0 24

0 35

024

0 35

0 24

0 35

0 24

0 0 24

0 35

024

0

35

0 24

0 35

35

0 0 24

0 35

024

0 35

0 24

0 35

0 24

0 0 24

0 35

024

0 35

0 24

0 35

35

24

24

57

47

35


7



Intro

Fast Rock q = 196

Open Your EyesWords and Music by Deryck Whibley and Greig Nori



from Sum 41 - Chuck

Drop D tuning, down 1/2 step:

(low to high) Db-Ab-Db-Gb-Bb-Eb

*F#5

4fr

11 1

F#5 D5

11

A5

11 1

E5

Verse

(Late

Gtr. 1 tacet

F#5

ly...-

µ

I’m1.

Gtr. 1 (dist.)

w/ wah-wah

mf

Gtr. 2 (dist.)

Rhy. Fig. 1

f


not

quite my self.-

May

D5

be...)-

µ

I do need some help.

Asus4

Just

µ

my

con fu- sion,-

E5

trust my de lu-

D5

sions.

E5

-

End Rhy. Fig. 1

9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 44

46

44

46

44

46

44

46

00023

00023

00023

00023

0223

0223

0223

0223

222

222

0 222

222

222

222

000

000

222


1



(Don’t


F#5

you...

µ

re gret

- you met me?

Go

D5

through...)

µ

these steps to get me

Asus4

back

µ

to where we start

E5

’fore I fall a

D5

If I

part.

E5

-

could

black

**F#m

out,-

it’d be come

Gtr. 2 tacet

- so clear.

Stand

Dmaj7

in’- face to face with ev ’ry- thing- I fear.

*Gtrs. 3 & 4 (clean)

let ring throughout

Riff A

mf


Gtr. 2 Rhy. Fill 1 End Rhy. Fill 1

**Chord symbols reflect overall harmony.

Watch

(Ah.)

A

so close ly- but still

E

I don’t see. As

Gtrs. 3 & 4

End Riff A

42

2

4 42

2 3 2

4

44

44

22

2 2 21

0


2



bad

Gtr. 4 tacet

F#m

as it seems, a piece of mind I’d steal. In or

Dmaj7

di- nar- y- life the con se- quence- is real.

I’m

Gtr. 3

Rhy. Fig. 2

past

A

the point of re al

E

- i- ty.- This is n’t- me,

Gtr. 3End Rhy. Fig. 2

Gtr. 2

P.S.

Fill 1

(cont. in slashes)

End Fill 1

Gtr. 2

Chorus

Gtr. 3 tacet

Rhy. Fig. 3

F#5 D5

this is n’t- you, but it’s just ev ’ry- thing- we do ’til you

*Gtr. 5 (dist.)

Rhy. Fig. 3A

mp

*Organ arr. for gtr.

422

422

422

422

422

422

422

422 3

422

422

422

422

422

422

422

422 3

222

222

222

222

222

222

222

222

222

210

210

210

210

210

X X X X

109

109

109

109

109

109

109

109

109

1010

109

1010

109

1010

109

109

109

109

109

109

109

109

109

109

1010

109

1010

109

1010

109


3



A5 E5End Rhy. Fig. 3

o pen- up your eyes and un der- stand- this is n’t- real. This is n’t- me,

End Rhy. Fig. 3A

Gtrs. 2 & 5: w/ Rhy. Figs. 3 & 3A

F#m

this is n’t- you, this is ev

Dmaj7

’ry- thing- but true ’til we

come

A

to re al- ize- it’s what we put

E6sus4

each oth er- through.

E

It’s2. like a

bad

Verse

Gtr. 2: w/ Rhy. Fill 1Gtrs. 3 & 4: w/ Riff A

F#m

(They

dream

take

com

with

ing- all

out-

too

a trace

true,

and

leav

Dmaj7

ing- me

I’m

with noth

lost

in’- else

in

left

side-

to

the

do.

place,

now.

Now

Ah.)

A

so help less,- I’m not

E

so self ish.- Tell me,

109

109

109

109

1012

1012

1012

1012

1010

1010

109

109

1010

1010

109

109

109

1010

109

1010

109

1010

109

1010

1012

1012

109

109

97


4



how


F#m

does it feel to have a face like that? How

Dmaj7

does it feel to be re placed- like that?

Gtr. 4

Now

A

so face less,- do you

E

still feel?

Gtr. 2: w/ Fill 1

This is n’t- me,

Chorus

Gtrs. 2 & 5: w/ Rhy. Figs. 3 & 3A (2 times)Gtr. 4 tacet

F#m

this is n’t- you, but it’s just ev

Dmaj7

’ry- thing- we do ’til you

o

A

pen- up your eyes and un der- stand

E6sus4

- this is n’t- real. This is

E

n’t- me,

(O

F#mVoc. Fig. 1

this is n’t- you,

pen-

this is ev

your

Dmaj7

’ry- thing- but true.

eyes.

’til we

161414

161414

161414

161414

161414

161414

161414

161414 15

161414

161414

161414

161414

161414

161414

161414

161414 15

141414

141414

141414

141414

141414

141414

141414

141414

141414

141312

141312

141312

141312

141312


5



come

Come

A

to re al- ize-

to

it’s what we put

re

E6sus4

each oth er-

al-

through.

ize.)-

E

End Voc. Fig. 1

Bridge

F#m It’s hard

D5

to

(Ah,

be lieve- right

Gtr. 2


Gtr. 6 (dist.) Rhy. Fig. 4A

mp

End Rhy. Fig. 4A

P.M.

now.

Gtr. 2: w/ Rhy. Fig. 4 (3 times)Gtr. 6: w/ Rhy. Fig. 4A (2 times)

F#m

This

D5

seems

ah,

to be real.

F#m

It’s un faz

D5

- ing

ah.)

- by this time.

F#m

So why

D5

can’t I wake up?

44

44767

44767

00

00

00

00

00

00

00

00

00


6



1.

2.

Gtr. 7 (dist.)

Gtr. 2: w/ Fill 1

Guitar Solo

*w/ DigiTech Whammy pedal & octaver


F#5

f

D5

-2 1/2

*Whammy pedal set in octave down whammy position. Octaver set for one octave above.

-2 1/2 -3 1/2 -3 1/2 -4 -4 -4 1/2

Gtr. 7 A5

-4 1/2 -3 1/2 -5 1/2

Gtr. 8 (dist.)

*w/ auto-wah, amp tremolo & octaver

f

*Tremolo set for eighth-note regeneration w/ heavy intensity. Octaver set for one octave above.

E5

This is n’t- me,

4 4 6 6 7 7 9 9 11 11 12 12

11 11 12 12 14 14

6 47 6 7 6

14 14

7 6 47

47

47

47


7



Chorus

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)Gtr. 2: w/ Rhy. Fig. 3 (1 7/8 times)Gtr. 5: w/ Rhy. Fig. 3A (2 times)Gtr. 7 tacet

F#m

this is n’t- you, but it’s just ev

Dmaj7

’ry- thing- we do ’til you

Gtr. 8

pp

o

Gtr. 8 tacet

A

pen- up your eyes and un der- stand

E6sus4

- this is n’t- real. This is

E

n’t- me,

F#m

this is n’t- you, this is ev

Dmaj7

’ry- thing- but true

Gtr. 7

-2 1/2 -3 -3 1/2 -4 1/2

A E6sus4

Gtr. 2

E5 F#5

’til we come to re al- ize- it’s what we put each oth er- through.

1/2

4

4 6 6 7 7 9 9 11 11

11 11 11


8



Intro


Slipping AwayWords and Music by Deryck Whibley and Greig Nori



from Sum 41 - Chuck

Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb

*Gtr. 1

let ring throughout

fade in

D5

pp

Em

*Two gtrs. (elec. w/ slight dist. & acous.) arr. for one.

G Em G

D Em

mf

G

Em G

I’m1.

02

02

02

02

02

02

00

02

02

02

022000

022000

02

022000

000

000

35543

35543

35543

35543

355433

355

35543

35

02

02

02

022000

022000

022000

35543

35

35543

35

0

0232

02

0232

02

0232

0232

0232

02

000

02

02

022000

02

022000

02

022000

02

00

35543

35543

35543

35543

355433

35

355433

502

02

02

022000

22

00

35

05

355433

35 0

0


1



slip

Verse

D

ping-

A/C#

a way-

G Em G

in

Gtr. 3 (clean) Riff A1

let ring throughout

mf Harm.

End Riff A1

Gtr. 2 (clean)

Riff A

mf

End Riff A

Gtr. 1Rhy. Fig. 1 End Rhy. Fig. 1

ev

Gtr. 1: w/ Rhy. Fig. 1Gtrs. 2 & 3: w/ Riffs A & A1 (3 times)

D A/C#

’ry- way.

G Em G

I

can’t

D

(And I don’t

stay

A/C#

know why.)

a wake.-

G

Gtr. 4 (clean)

mf

Riff B

Gtr. 1

Rhy. Fig. 2

77

7

78

78

78

77

0232

0232

0232

0232

0232

0232

0232

02

02

422

422

422

422

422

422

422

422

000

35

35

35

35

355433

35

355433

502

02

02

022000

02

02

35

05

3554

000

000

23

03

23

03

25

25

25

25

43

5

43

53

4

0232

0232

0232

0232

0232

0232

0232

02

02

422

422

422

422

422

422

422

422

000

35

35

35

35

355433

35

355433

502


2



Em Gm

I’m slip

D

Gtr. 1: w/ Rhy. Fig. 2Gtr. 4: w/ Riff B

(And I don’t

ping-

A/C#

know why.)

a way.-

End Riff B

End Rhy. Fig. 2

G Em Gm

I’m

Chorus

try

Em

ing- to make

it

*Gtrs. 1 & 5 (dist.)

let ring throughout

Rhy. Fig. 3

mf


through

G5

each day. I’m fall

D/A

ing- a part- now in ev

A

er- y- way. I’m

End Rhy. Fig. 3

43

33

33

23

02

02

022000

02

02

31

31

31

31

022000

022000

022000

022000

022000

022000

022000

0 0

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

0000

0000

00232

00232

00232

00232

00232

00232

00232

00232

00232

0222

0222

0222

0222

0222

0222

0222

0222

0000


3



find


Em

ing- it hard er

- to

G5

get by. There’s a hole

D/A

in my heart and

I

don’t

A

know why. Now I’ve come

Em

to re al- ize.-

G5

I’m

Gtrs. 1 & 5

mp

slip

Gtr. 5 tacet

D5

ping-

A/C#

a way.-

G5

Gtr. 1

P.M. pp

Gtr. 1 tacet

*Gtr. 6

Outro

w/ fingers

Em

mf sim.

G6 G5

*Strings arr. for gtr.

D A Em

let ring

G

02

02

022000

02

02

02

02

022000

0 0 3X00

3 3X0033

57

57

57

57

57

57

57

57

47

47

47

47

47

47

47

47

35

0

003

0

003

0

003

0

003

0

003

0

003

0

003

0

003

3

053

3

053

3

053

3

033

3

033

3

033

3

033

3

033

0232

0232

0232

0232

0232

0232

0232

0232

0

220

0

220

0

220

0

220

0

220

0

220

0

220

0

220

0

5 4 5 4

0

5 4 7 4

35543


4



Intro

Half-time feel q = 197

I’m Not the OneWords and Music by Deryck Whibley and Greig Nori



from Sum 41 - Chuck

(Hi-hat)

mp


*

Rhy. Fig. 1

D5

Drop D tuning, down 1/2 step:(low to high) Db-Ab-Db-Gb-Bb-Eb

Bbadd9 C Gsus4

End Rhy. Fig. 1

mp

Gtr. 3 (clean)Riff A End Riff A

mp

Gtr. 2 (dist.)Rhy. Fig. 1A End Rhy. Fig. 1A

P.M.

*Chord symbols reflect overall harmony.

Gtr. 4 (dist.)

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (2 times)Gtr. 3: w/ Riff A (2 times)

D5

Bbadd9

C Gsus4

let ring throughout

mf

D5 Bbadd9 C Gsus4

00

00

00

00

8810

8810

88

1010

1010

101010

555

55

555

555

555

05

23

00

00

00

00

00

00

00

00

88

88

88

88

88

88

88

88

1010

1010

1010

1010

1010

1010

1010

1010

55

55

55

55

55

55

55

55

7

56

76

7

56

76

7


1



1., 2., 3.

Gtr. 4

D5 Bbadd9 C Gsus4

Gtr. 1

Gtr. 3

Gtr. 2

P.M.

Gtr. 4

Gtr. 3 tacet

D5 Bbsus2 C G5

*Gtrs. 1 & 2

w/ dist.

f let ring let ring


56

7

56

76

7

56

76

76

00

00

00

00

8810

88

10

88

1010

1010

101010

555

55

05

23

00

00

00

00

00

00

00

00

88

88

88

88

88

88

88

88

1010

1010

1010

1010

1010

1010

1010

1010

55

55

55

55

56

7

56

76

7 98

9

108 8

9

00

00

00

00

00

00

00

881010

88

10

8810

8810

88

10

8810

88

10

101014

1010

1010

1010

1010

1010

1010

555

555

555

555

555

555

555


2



4.

End half-time feel

C

G5

WelSpoken: 1. come- to ob

F5

Verse

ses

lu

Gtr. 4 tacet

2.

-

D5

sion,

tion?

F5

-

-

D5 F5 G5 F5

it

We

D5

Gtr. 4

Gtr. 3

Gtrs. 1 & 2

let ring

Rhy. Fig. 2

P.M.

makes

don’t

F5

the

al

D5

world

read-

go

y-

’round.

know.

F5

We’re

There’s

D5

made

no

F5 D5

up

tell

F5 G5

by

ing

F5

-

the

how

D5

peo

far

F5

ple

this

D5

- we

could

sur round.

go.

- (So!)

(No!)

F5

Gtr. 3

Gtrs. 1 & 2

P.M.

98

9

108 8

9

765

101014

1010

1010

1010

1010

1010

1010

555

555

555

555

555

555

555

33

00

33

00

33

55

33

00

765

765

33

00

00

00

00

33

00

33

00

33

55

33

00

33

00

00

00

00

33


3



We

You

D5

live

do

F5

and

your

D5

die

time,

F5 G5

for

punch

F5

shit

in,

D5 F5

we

it’s

D5

don’t

the

need.

same

F5

Well,

’cause

D5

may

you’re

F5 D5

be

just

F5

-

G5

that’s

F5

the

D5

End Rhy. Fig. 2

P.M.

price

part

A5

of

of

en

this

C5

vy.

game.

-

F5Gtrs. 1 & 2: w/ Rhy. Fig. 2

Through

There’s

D5

these

noth

F5

ing

D5

-

eyes

you

F5

could

G5

I

do

F5

look

to

D5

out

save

F5 D5

for

your

me,

self.-

but

You

F5

P.M. P.M. P.M.

ev

leave

’ry

D5

- one

your

F5

-

life

D5

fades

F5

in

G5

in

the

F5

ways

hands

D5 F5

we

of

D5

don’t

some one-

see.

else.

They’ll

F5

nev

Noth

er

ing’s

D5

-

-

let

gon

F5

it

na

D5

-

go.

change,

F5 G5

(Right!)

(Why?)

F5

It’s

we’re

the

D5

Gtr. 3

7

65

7

65

33

00

33

00

33

55

33

00

33

00

00

00

00

33

00

33

00

33

55

33

00

765

765

765

02

02

02

0 35

35

33

765

765


4



go

on

F5

ing

ly

D5

-

-

down

way

in

you

flames.

know.

(So!)

(No!)

F5

I’m not

D5 F5

the

D5

one.

F5 G5

(Don’t

F5 D5

wait

Gtr. 3 tacet

A5

for

C5

Gtr. 3

Gtrs. 1 & 2

P.M.

me...

Chorus

D5

’cause I won’t just sit by...

Bb5

while

you

just

Gtr. 4

Riff B

Gtrs. 1 & 2

Rhy. Fig. 3

765

765

33

00

33

00

33

55

33

00 0

20 0 0 3

535

35

X8

10 X8

10 X8

10 X8

10

7X9

7X9

7X9

7X9 X

8

10 X8

10 X8

10 X8

10 X10

12 X10

12 X10

12 X10

12 X8

10 X8

10 X8

10 X8

10

7X9

7X9

7X9

7X9 X

8

10 X8

10 X8

10 X8

10 X10

12 X10

12 X10

12 X10

12

00

00

00

00

00

00

00

00

00

00

00

00

00

00

88

88

88

88

88

88

88

88

88

88

88

88

88

88

88

88


5



1.

Half-time feel

2.

bleed...

F5

my self - and oth ers- dry.

C/E

Don’t wait

for

End Riff B

End Rhy. Fig. 3

me...

Gtrs. 1 & 2: w/ Rhy. Fig. 3Gtr. 4: w/ Riff B

D5

to be there in the end.

Bb5

When

you

don’t

see...)

F5

the truth, you just pre tend.

C/E

- Don’t wait for

me.

D5

WhatSpoken: 2. is the so -

F5

Bridge

me.

D5

Gtr. 3

Gtrs. 1 & 2

P.M.

Rhy. Fig. 4

Gtrs. 1 & 2

X12

14X12

14X12

14X12

14X10

12X10

12X10

12X10

12X8

10X8

10X8

10X8

10

7X9

7X9

7X9

7X9

X8

10X8

10X8

10X8

10

7X9

7X9

7X9

7X9

5X7

5X7

5X7

5X7

3X5

3X5

3X5

3X5

33

33

33

33

33

33

33

33

33

33

33

33

33

33

33

33

23

23

23

23

23

23

23

23

23

23

23

23

23

23

23

23

765

00

00

00

00

00

00

00

00

33

00

00

00 5

X7

5X7


6



C oT oda

When

Bbsus2

did we

Csus2

be gin-

Gtrs. 1 & 2

End Rhy. Fig. 4

Gtr. 1: w/ Rhy. Fig. 4 (3 times)Gtr. 2: w/ Rhy. Fig. 4

D5

to let

Bbsus2

our selves-

Csus2

give in.

D5 Dm D5 Dm

How’d

Bbsus2

it come

Csus2

to this

Gtr. 2



D5 Dm D5 Dm

mis

Bbsus2

er- a-

Csus2

ble-

bliss?

D5

Eb5 D5 Eb5 D5

Eb5 D5 Eb5

Gtrs. 1 & 2


P.M.

00

00

00 5

X7

5X7

8810

88

10

8810

88

10

8810

8810

101012

101012

101012

101012

101012

101012

00

00

00

X8

10X8

10

00

00

00

X8

10X8

10

8810

8810

8810

8810

88

10

88

10

101012

101012

101012

101012

101012

101012

00

00

00

00

00

00

11

11

11

00

00

11

11

00

00

00

00

00

00

11

11

11

00

00

11

11


7



Gtr. 4


D5

Eb5 D5 Eb5

D5 Eb5 D5 Eb5

D5 Eb5 D5

P.M. Eb5 D5

P.M. Eb5 D5 Eb5

D5

Just take the rest of,

Eb5 D5 Eb5 D5

just take the best of

Eb5

me.

D5 Eb5

P.M.

D5

P.M.

YouShouted:

D5

take the rest of me!

Eb5

Just

D5

take the best of me!

Eb5

Gtr. 4

Gtrs. 1 & 2


12

0 0 7 0 7 5 0 0 8 0 0 7 0 0 5 7 0 0 7 0 7 5 0 0 8 7 5 7 58

5

0 0 7 0 7 5 0 0 10 0 0 8 0 0 5 7 0 0 7 0 7 5 0 0 10 8 7 8 710

7

0 0 7 0 0 5 7 0 8 0 7 7 0 10 10 10 0 0 7 0 0 5 7 0 8 0 7 7 0 10 10 10

00

00

00

00

00

00

00

00

00

00

00

00

11

11

00

00

00

00

00

00

00

00

00

00

00

00

11

11


8



End half-time feel

D.S. al Coda

(take 2nd ending)

Coda

You


D5

take the rest of me!

Eb5

Just

D5

take the

Gtr. 4

best!

Eb5

Gtr. 4 tacet

µ

(Don’t wait for

Gtrs. 1 & 2

P.S.

Gtr. 2

D5 Dm D5 Eb5

P.M.

3

Gtr. 1

P.M.

3

0 0 7 0 0 5 7 0 8 0 7 7 0 10 10 10 0 0 7 0 0 5 7 0

10 8 7 8 710

7

X X X X

00

00

00

X8

10X8

10

00

11

11

11

00

00

00 5

X7

5X7

00

11

11

11


9





young?

Interlude

E5 D5

E5 D5 G5

D5 E5

D5 E5 D5 G5

D5

Gtrs. 1 & 2

Verse


E5

Don’tA

2.3.

ask hyp

meo

D5

-quescrite,

E5

-tions- ’cause

you’re

D5

I just

E5

don’ta

gotcon

thetra

D5

-andic

E5

-swers.tion

--

D5 G5

If wrapped

youup

onin

D5

lyyour

- knewlies.

whatWho

time

knows

G5

will

what’s

tell.

real?

E5 D5 E5

It’s

Well,

all

this

a

is

D5

test

it,

E5

and

your

D5

les

lone

E5

sons

ly

-

-

that

life

you

of

D5

can’t

fic

E5

learn.

tion.

-

D5

G5

You’ll

Do

know

you

when

e

D5

you

ven-

spent

know

your time

how

G5

in

to

hell.

feel?

E5

So as your

D5

blood’s

Chorus3rd time, Gtr. 3 tacet

C5

run ning- thin,

G5

your time’s

D5

run ning- out.

Em

No

C5

one will be lis

G5

’ning,- not

Gtrs. 1 & 2

79

79

79

79

57

79

79

57

57

57

35

35

35

35

35 5

757

57

57

57

79

79

79

79

57

79

79

79

79

57

35

35

35

35

35 5

757

57

57

57

355

35

35

35

35 5 5

757

79

7998

7998

79

355

355

355

35

35

35


2



C oT oda 1.

2.

e

D5

ven- when you shout.

Em

Your an

C5

gels- turn to dev

G5

ils.- You’ll fi

D5

n’ly- fig ure- out

E5

that

no

(Oh.)

one will

B5

be with

G5

you in

D5

the end.

E5

µ

end.

Interlude

E5

Gtr. 3 (dist.)

mf

Gtrs. 1 & 2

*

*Gtrs. 1 & 2: w/ misc.trills, harmonics, fdbk.,etc. (next 15 meas.)

57

57

57

7998

7998

79

355

35

35

35

35

35 5

757

57

799

799

799

02 2

44

35 5

757

57

57

799

799

17

17

X7

9

7

9


3



D.S. al Coda

Coda

Gtr. 3

8v a

* mf mf

8v a

*Vol. swell

So as your

mf

8v a

end,

E5

C5 D5

the

C5

end,

E5 C5 D5

the

C5

end,

E5

C5 D5

the

E5

end.

µ

P.M.

17 1719

19 19 19

15

79

79

79

35

57

35

79

79

79

35

57

35

79

79

79

35

57

02

02


4



Intro

Moderately q = 100

PiecesWords and Music by Deryck Whibley and Greig Nori



from Sum 41 - Chuck

Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 1 (elec.)

mp w/ slight dist.

let ring throughout

Rhy. Fig. 1

Dm

23 1

Dm

13411

Bbsus2

T 3 211

F

T32 1

C/E

1342

Dm

13331

C

1333

Bb

11

A5

V

Bbsus2

F5 C/E

End Rhy. Fig. 1

VerseGtr. 1: w/ Rhy. Fig. 1 (2 times)

Dm

I1. tried to be per

Bbsus2

fect,- but noth ing- was worth

F5

it. I don’t be lieve-

C/E

it makes me real.

Dm

I thought it’d be eas

Bbsus2

y,- but no one be lieves-

F5

me. I meant all

C/E

the things I

00023

0231

231

31

00

0231

000

000

8810

88

10

8810

88

10

8810

8810

8810

00

333

333

33

33

33

333

33

2 232

232

232

232

232

232

2 00


1



said.

Chorus

Bbsus2

If you be lieve- it’s in my soul,

F5

I’d say all

Gtr. 2 (elec.)

mp w/ clean tone

Riff A

let ring throughout

Gtr. 1 Rhy. Fig. 2

C/E

the words that I know

Gtr. 1: w/ Rhy. Fig. 2Gtr. 2: w/ Riff A

Bbsus2

just to see if it would show

F5

that I’m try -

End Riff A

End Rhy. Fig. 2

76

7

56

76

7

56

76

7

56

76

7

56

56

5

56

56

5

56

88

10

8810

8810

8810

8810

8810

88

10

8810

8810

88

10

88

10

88

10

8810

8810

8810

8810

88

10

88

10

8810

88

10

333

333

333

333

333

333

333

333

333

333

5

5

5

35

5

5

5

35

232

232

232

232

232

232

232

232

232

232


2



C/E Bbsus2

Gtr. 3(acous.)

InterludeGtr. 1: w/ Rhy. Fig. 1Gtr. 2 tacet

let ring throughout

mf

Rhy. Fig. 3

Dm

ing- to let you know that I’m bet ter- off on my own.

Gtr. 2 *Gtr. 4 (elec.)

let ring throughout

w/ slight dist.

Rhy. Fig. 3A

f

*Doubled throughout

Gtr. 1

Bbsus2 F C/EEnd Rhy. Fig. 3

End Rhy. Fig. 3A

Gtr. 5 (elec.)

Fill 1

w/ clean tone

mf

33

765

765

765

765

765

765

765

765

765

765

765

8810

566

566

566

566

566

566

566

566

566

566

566

565

565

565

565

565

565

565

565

565

565

565

565

553

553

553

553

553

553

553

553

553

553

553

553

3 53

5 3


3



VerseGtr. 1: w/ Rhy. Fig. 1 (2 times)Gtrs. 3 & 4: w/ Rhy. Figs. 3 & 3A (2 times)

Dm

This2. place is so emp

Gtr. 5 tacet

Bbsus2

ty,- my thoughts are so tempt -

Gtr. 5 End Fill 1

F

ing.- I don’t know how

Gtr. 5: w/ Fill 1

C/E

it got so bad.

Dm

Some times- it’s so cra -

Bbsus2

zy- that noth ing- can save

F

me, but it’s the on

C/E

ly- thing that I have.

Gtr. 3

Chorus

Gtr. 1: w/ Rhy. Fig. 2 (2 times)Gtr. 2: w/ Riff A (2 times)

Rhy. Fig. 4

Bbsus2 F

(Ah.)

Voc. Fig. 1

If you be lieve- it’s in my soul, I’d say all

Gtr. 4

Rhy. Fig. 4A

0

766

766

766

766

766

766

766

766

766

766

766

766

766

766

766

766

766

766

766

766

565

565

565

565

565

565

565

565

565

565


4





Gtr. 3

DmV C Bb F DmV C

Gtr. 4

Gtr. 1

Bb F A5

Verse

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtrs. 3 & 4: w/ Rhy Figs. 3 & 3A (2 times)

Dm

3. I tried to be per

Bbsus2

fect,- it just was n’t- worth

F

it. Noth ing- could ev

Gtr. 5 w/ Fill 1

C/E

er- be so

(Ah,

Voc. Fig. 2

ah.)

End Voc. Fig. 2

1010

8

108

9

8

9 1012

1010

12 1010

1010

1010

8

108

9

8

9

0577

577

0577

577

577

35

35

35

35

35

13

13

13

13

13

33

33

33

33

33

0577

577

0577

577

577

35

35

35

35

35

1012

1010

12 1010

1010 9

898

98

910

98

98

98

98

910

98

98

910

98

98

98

98

98

98

98

13

13

13

13

13

33

33

33

33

33 0

202

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02


6



wrong.


Dm

It’s hard to be lieve-

Bbsus2

me, it nev er- gets eas

F

y.- I guess I

knew

C/E

that all a

Chorus

long.


Gtr. 1: w/ Rhy. Fig. 2 (2 times)Gtr. 2: w/ Riff A (2 times)Gtrs. 3 & 4: w/ Rhy. Figs. 4 & 4A (2 times)

Bbsus2

- If you be lieve- it’s in my soul,

F

I’d say all

C/E

the words that I know

Bbsus2

just to see

if it would show

F

that I’m try

C/E

ing- to let you know

Bb5

that I’m bet ter- off on my own.

Gtr. 3 tacet

F5

Gtr. 4

mp

Gtrs. 1 & 3 Gtr. 1

mp

6

6

33

88810

3335


7



Intro

Moderately q = 107

There’s No SolutionWords and Music by Deryck Whibley and Greig Nori



from Sum 41 - Chuck

Tune down 1/2 step:



*

let ring throughout

Riff A

E5

mf

C5 D5End Riff A


mf


Gtr. 2

Gtr. 1: w/ Riff A

E5 C5/G G5 D/F#

Verse


E5

Well,

The

1.

2.

may

con

be

stant

-

-

noth

pres

ing

sure

-

-

else

that

will

keeps

ev

hang

C5/G

er

ing

-

-

be

o

so

ver-

clear,

me,

G5

or

it

may

makes

be

me

- that’s on

feel

D/F#

ly

so

- my

emp

fear.

ty.-


75

75

75

7 7 8 75

75

75

7 7 8 75

75

75

7 7 8 75

75

75

7 7 8

XX

0

02

02

02

3355

33

33

35

05

05

25

25

0

022

022

022

022

022

0 0 3355

3355

3355

3355

3355

3355

3355

35

35

35

35

35

35

35

25

25

25

25

25

25

0


1




E5

If

It’s

just

more

for

than

one

an

day,

y-

I

thing-

wish

that

I

I

C5/G

could

could

dis

ev

ap

er be.

-

-

pear.-

G5

Just

What

take

else

me

could you

far

take

D/F#

from

from

here.

me?

C5

May

It’s

be

get

- I’d

ting-

find

hard

D5

out

er-

noth

to

ing

re

- new.

late.

E5

-

Gtr. 3 (dist.)

mf

Gtr. 4 (dist.)

mf

C5

May

Don’t

be

want

- I’d

to

end

make

D5

up

the

just

same

like

mis

you.

takes.

E5

- There’s no so lu- -

129 9

129 9

12 13 129 9

129 9

12 13

9X12

9X12

9X12

7X10

7X10

7X10

5X8

5X8

5X8

5X8

5X8

4X7

4X7

4X7

2X5

2X5

5X8

5X8

5X8

7

10

4X7

4X7

4X7

5

8

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

129 9

129 9

12 13 129 9

129 9

12 13912

912

912

912

912

912

912

912

912

912

912

912

912

5X8

5X8

5X8

7

10

4X7

4X7

4X7

5

8

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5

2X5


2



1.

ChorusGtrs. 3 & 4 tacet

E5

tion,-

(No so lu-

G

tion.-

give me

2nd time, Bkgd. Voc.: w/ Voc. Fill 1

truth

D5/A

to my con vic-

C5

tion.- Is my own con fu- -

*Gtr. 5 (dist.)

Rhy. Fig. 2

f

*Doubled throughout

E5

sion-My con fu-

G

sion.)-re al- i- ty

D5/A

- or fic tion?-

B5

Am I out

D5/A

of my mind?

End Rhy. Fig. 2

Interlude

Gtr. 1: w/ Riff A

E5 C5Gtr. 5 tacet

G5 D5

pp

Gtr. 2

Voc. Fill 1

(Ah.

Ah.)

022

022

022

022

022

022

022

355433

355

355

355

355

355

355

5577

5577

5577

5577

5577

5577

55

355

355

355

355

355

355

355

355

355

355

355

022

022

022

022

022

022

022

355433

355

355

355

355

355

00

00

5577

5577

5577

5577

5577

5577

00

00

244

244

XXX

XXX

5577

5577

022

XX

XX


3



2.

Bridge

C5

It took me so long

D5

to find out it’s right

there

E5

in front

D/F#

of me,

G5

too close

A5

to

Gtr. 5

Gtr. 6 (dist.)

f

see

C5

what I thought was true.

D5

I see right

through

B5

what’s kill ing- you.

D5/A

There’s no so lu- -

*Gtrs. 5 & 6


Chorus

Gtr. 5: w/ Rhy. Fig. 2Gtr. 6 tacet

E5

tion,-

(I can’t see.

G

give me truth

D5/A

to my

Ah.

con vic-

C5

tion.- Is my own con fu- -

E5

sion-

That I feel.

G

re al- i- ty

D5/A

- or fic

Ah.)

tion?-

B5

Am I out

D5/A

of my mind?

355

355

355

355

355

355

XXX

XXX

577

577

577

577

577

577

577

577

02

02

02

02

2X02

2X0

2X0

2X0

35

35

XX

XX

57

57 0

000

12 02

02

0 2 2 2 35

35

35

57

57

57

57 0

0

355

355

355

355

355

355

355

355

577

577

577

577

577

577

577

04

2 244

244

244

244

244

244

244

244

244

244

5577

5577

5577

5577


4



Verse


E5

So3. may be- noth ing- else will ev

C5

er- be so clear,

G5

or may be- that’s on

D/F#

(Am I

ly-

out

my

of

fear.

my mind?

(Ah,

Voc. Fig. 1

ah, ah.)

End Voc. Fig. 1

Gtr. 5


E5

If just for one day, I wish I

G5

could dis ap- pear.-

D5/A

Just take me far

B5

Am I out

from

D5

of

here.

my mind?)

Outro

Gtr. 1: w/ Riff A

E5

022

022

022

022

022

022

022

355

355

355

355

355

355

355

35

35

35

35

35

35

35

25

25

25

25

25

25

25

022

022

022

022

022

022

022

355

355

355

355

355

355

355

5577

5577

5577

5577

5577

5577

5577

244

244

577

577

577

022

022

022


5



Intro

Fast Rock q = 176

88Words and Music by Deryck Whibley and Greig Nori



from Sum 41 - Chuck

Tune down 1/2 step:


*Gtr. 1 (elec.)

**

w/ slight dist.

Riff A

Em

f

C A5 B5End Riff A

*Doubled throughout

**Chord symbols reflect implied harmony.

Gtr. 2 (elec.)

w/ slight dist.

Em

mf

C A5

let ring

B5

Gtr. 1

Gtr. 2


Rhy. Fig. 1

Em C A5 B5End Rhy. Fig. 1

0 010

09

07 7

8 810

89

87 7

5 59

510

59 9

7 79

710

712 12

987 5

55

77

77

77

77

77

77

77

0 010

09

07 7

8 810

89

87 7

5 59

510

59 9

7 79

710

712

987

987

987

987

987

987

987

987

988

988

988

988

988

988

988

988

55

55

55

55

55

55

55

55

77

77

77

77

77

77

77

77


1



Half-time feel

Wait.

Verse

Gtr. 2 tacet

1.

Em

How

C

long would

G

you wait

Gtr. 3 (acous.)

let ring throughout

Rhy. Fig. 2

mp

Em

just

C7

for me

D

to call?

End Rhy. Fig. 2


Em

I know

C

you make

G

mis takes,-

Em

yeah, but

C7

I hope some day

D

- you have it all.

022000

2000

000

000

02

2000

000

000

32010

32010

32010

00

3X0033

3X0033

3X0033

000

02200

0

200

0

00

0

00

0

02

200

0

200

0

200

0

3231

0

3231

0

31

0

31

0

023

2

023

2

023

2

023

2


2



End half-time feel

C oT oda

G

’Cause

Gtr. 3

I

Chorus

Gtr. 3 tacet

E5

feel like a pris

D5

’ner- trapped in side

C5

- this bro ken- world

G5

while

Gtr. 1

w/ dist.

Rhy. Fig. 3

f

End Rhy. Fig. 3

I’m


E5

play ing- the vic

D5

tim- a gain,- rid

C5

ing- in cir cles.

G5

- To

me

C5

it’s all the same

G5

and though noth

D5

ings- gon na- change,

Em

still,

Gtr. 1

3X003

3X003

003

003

3

0033

0033

0033

32

3

0033

033

033

033

32

003

799

799

799

799

799

57

577

577

577

577

577

577

355

355

355

355

355

355

355

355

355

355

355

0

355

355

355

355

355

355

355

355

355

355

355

355

577

577

577

577

577

79

799

7998

7998

7998

7998

7998

00


3



C5

I hope some day

D5

- you have it all.

G5

Gtr. 4 (elec.)

Guitar Solo

w/ slight dist. & RotoVibe

E5

mf

B5 G5 B5 E5 D5 G5 A5 B5

Gtr. 1

mf P.M.

E5 B5 G5 B5 E5 D5 G5 A5 B5

P.M.

355

355

355

355

355

355

355

355

577

577

577

577

577

577

577

00

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

7 5 7 7 5 7 5 7 7 7 5 58 8 7 7

7 74 4 5 5 7 7 4 4

02

02

02

02 2

424

24

24

35

35

35

35 2

424

24

24

02

02

02

02 5

757

57

57

35

35

35

57

79

79

79

79

4 5 7 4 4 5 7 5 4 45 5 4 4 2 2

5 5 2 2 3 5 2 2 2 2

02

02

02

02 2

424

24

24

35

35

35

35 2

424

24

24

02

02

02

02 5

757

57

57

35

35

35

57

79

79

79

79


4



D.S. al Coda

Coda

Take

Verse

Gtr. 4 tacet

2.

E5

this ag gra- va- tion- that I’ve thrown

C5

my self - in to.

G5

-

Gtr. 1

f

Change

E5

this sit u- a- tion- just ’cause I

C5

need some thing- new.

D5

And still

A5

I hope some day

B5

- you have it all.

Gtr. 1: w/ Riff A (2 times)Gtr. 2: w/ Rhy. Fig. 1 (2 times)

Em C

A5

B5

Em

C

02

02

02

02

02

02

02

02

02

02 3

55

355

355

355

355

355

355

355

355

355

355

355

355

02

02

02

02

02

02

02

02

02

02 3

55

355

355

355

355

577

577

577

577

577

577

577

577

022

022

022

022

022

022

022

022

244

244

244

244

244

244

244

244


5



Half-time feel

A5

I hope some day

B5

- you have it

Interlude

all.

E5

Gtr. 1

P.M.

Rhy. Fig. 4

P.M.

End Rhy. Fig. 4

P.M.

Guitar Solo

Gtr. 5 (elec.)


w/ dist.

E5

f

33

33

33

33

Gtr. 5

33

33

3 3 3 3

Gtr. 1

Rhy. Fig. 5

P.M.

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

7 35

45

3 7 35

45

3 7 35

45

3 7 35

45

5

8 5 65

6 5 8 5 65

6 5 8 7 5 7 5 8 5 8 7 5 7 8 5 5

02

02

02

02

02

02

02

02

02

02


6



End half-time feel

Double-time feel

Play 3 times

Gtr. 1

Gtr. 5 tacet

End Rhy. Fig. 5

P.M.

Rhy. Fig. 6

P.M.

G5 E5

P.M.

F#5 E5

P.M.

End Rhy. Fig. 6

G5

Gtr. 5E5


w/ wah-wah

G5 E5

grad. bend

Gtr. 1

P.M.

Gtr. 5

F#5 E5 G5 E5 G5 E5

grad. bend

F#5 E5 G5 E5 G5 E58v a

1/2 1 1/2

2

2

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

12

02 02 02 02 02 02 02 02 35 02 02 02 02 02 02 02 02 24 02 02 02 02 35

12

1212

1212

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

12

1212

1212

1212

1212

15 12 12 17 12 12 15 12 12 17 12 12 15 12 17 12


7



Slower q = 68

F#5 E5 G5

8v a

loco


E5

3 33 3 3

3

1

Gtr. 5 tacet

Gtr. 1

Em

*

*2 gtrs. (elec., w/ dist.) w/ misc. fdbk & toggle switch effects, till end.

Gtr. 3

Interlude

Riff B

Em

mp

End Riff B

Gtr. 6 (elec.)

w/ clean tone & amp tremolo

Riff B1

mp

End Riff B1

Gtr. 1

pp

15 12 12 17 12 12 15 12 12 17 12 12 15 12 17 12 15 12 15 12 15 12 15 12 14 12 14 14 12 14 1214 14

02200

0

6 54

6 5 64

5 7 6 54

6 5 64

5 7

6 5 7 6 5 7

02


8



Gtr. 1 tacetGtrs. 3 & 6: w/ Riffs B & B1

If we

Outro

Gtrs. 3 & 6: w/ Riffs B & B1 (3 times)

Em

could all de pend...-

(On what we

If

know.

you could un der- stand...-

I’m los ing- con trol,-

that I’m

I’m

los

los

ing

ing

-

-

con

con

trol,

trol,

-

-

that I’m

I’m

los

los

ing

ing

-

-

con

con

trol,

trol,

-

-

that I’m

I’m

los

los

ing

ing

-

-

con

con

trol.)

trol.)

-

-

Gtr. 6

Gtr. 3

6

0


9



Intro

Moderately q = 95

Underclass HeroWords and Music by Deryck Whibley and Steve Jocz

© 2007 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC and BONER CITY MUSIC, INC.All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.


from Sum 41 - Underclass Hero

Gtr. 1 (dist.) (Drums)

µ *E

mf

B5

11

E5

7fr

13 4

B5

5fr

13 4

A5

A5 B5

Gtr. 2 (dist.)

mf

*Chord symbols reflect basic harmony.

E BOne,

Gtr. 4(dist.)

Spoken: two, three, four.

f

Rhy. Fig. 2A

E5 B5

Gtr. 3 (dist.)

**

***

f Harm.

Riff B1

**Vol. swell***Pick sixteenth-notes and slide in direction indicated in tab staff.

Gtr. 1

Riff A End Riff A Riff B

Harm. Harm.

Gtr. 2

Rhy. Fig. 1

Harm. Harm. Harm.

End Rhy. Fig. 1 Rhy. Fig. 2

Harm. Harm.

0 07

6 7 6

7 77

6 7 6

5 57

6 7 6

5 57

7 79

XXX

XXX

0 0 0 0 0 0 0 0 2 7 07

6 7 6

77

6 7 6

0 07

6 7 6

7 77

6 7 6

5 57

6 7 6

5 57

7 79 7

X9

7X9

7 7 7 7 7X9

7X9

7 7 7 7

07999

07999

7XX

7XX

7XX

7XX

7998

7998

7XX

7XX

7XX

7XX

5776

5776

7XX

7XX

7XX

7XX

5776

5776

5776

5776

7998

00

07999

07999

7XX

7XX

7XX

7XX

7998

7998

7XX

7XX

7XX

7XX

Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o

1



A5 B5 E5 B5 A5End Rhy. Fig. 2A

B5

Well,1. I

End Riff B1

Harm. Harm. Harm. Harm.

End Riff B

Harm. Harm. Harm. Harm.

End Rhy. Fig. 2

Verse

Gtr. 3 tacet

E5

Gtr. 4 tacet

C#m7 Asus2

won’t

Call2.

be

in’-

caught

out

liv

loud

in’- in

with

a dead

no

end

re

- job

spect.-

(Job.)

(’Spect.)

while pray

I’m

ing

not

- to my

the

gov

one,

ern

I’m

- ment,

just

-

an

guns

oth- er-

and

re

god.

ject.-

And now

I’m

it’s

the

Gtr. 2

Riff C1

w/ phaser

End Riff C1

Gtr. 1

Riff C End Riff C

57

6 7 6

5 57 7

7 79 9

07

6 7 6

77

6 7 6

57

6 7 6

5 57 7

7 79 9

7X9

7X9

7 7 7 7 7X9

7X9

7X9

7X9

X9

11

7X9

7X9

7 7 7 7 7X9

7X9

7 7 7 77X9

7X9

7 7 7 7 7X9

7X9

7X9

7X9

X9

11

5776

5776

7XX

7XX

7XX

7XX

5776

5776

5776

5776

7998

07999

07999

7XX

7XX

7XX

7XX

7998

7998

7XX

7XX

7XX

7XX

5776

5776

7XX

7XX

7XX

7XX

5776

5776

5776

5776

7998

0 0 0 0

00

0 7 7 7 7

00

7 9 9 9 9

00

9 5 5 5 5

00

5

07

67

77

67 4 7

67

57

77

Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

2



Double-time feel

us

voice

Gtrs. 1 & 2: w/ Riffs C & C1

E

a

to

gainst

of

- them.

fend-

We’re

all

here

those

Bsus4

to

who

rep

pre

re- sent

tend.-

- and

Un

spit

sung

C#m7

-

right

a

in

gainst-

the

the

face

grain,

of

I’m

the

here

es

to

tab

rise

Asus2

- lish

a

- ment.

gainst.

-

-

And

Now

now

I’m

Gtr. 3

*

*Vol. swell

I

de

E5

don’t

sen-

be

si-

lieve...

tized.

-

-

...in

I

B5

hav

state

in’

my

- faith

place

in

in

noth

no

in’.

where.

-

-

Stand

Burn

C#m7

on

ing-

my

the

own...

flag...

...and

...of

A5

got

the

no

de

sym

gen- er-

pa

a

-

-

thy.

tion.

B5

-

-

Gtr. 1

Gtr. 3

Rhy. Fig. 3A End Rhy. Fig. 3A

Gtr. 2

phaser off


577

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

7

9

09

0

7

9

09

0

7

9

09

0

7

9

09

0

7 7

6 7 6

7 7 7 9 4

6

06

0

4

6

06

0

4

6

06

0

4

6

06

0

5 5 7 5 5 7 7 7 9

79

09

0

79

09

0

79

09

0

79

09

0

7 77 9 7

7 7 79 4

6

06

0

46

06

0

46

06

0

46

06

0

5 57

5 57

7 79


3




1To Coda 2To Coda

D.S. al Coda 1

Wast

Ev

Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A

E5

ing

’ry

-

-

the

one-

youth...

sing...

...while

...the

B5

be

an

in’

them

-

-

young

of

and

no

use

fu

less.

ture.

-

-

Speak

Down

C#m7

for

with

your

the

self,...

mass...

-

...and

...’cause

A5

don’t

we’re not

pray

lis

for

ten-

me.

ing.

Well,

Well,

B5

-

be

be

cause

cause

-

-

Gtr. 1

P.S.

we’re

Chorus

Gtr. 1 tacet

A5

do in’- fine.

E5

And we don’t

B5

need to be told that we’re

Gtrs. 2 & 3



A5

do in’- fine.

E5

’Cause we won’t

B5

give you con trol.-

And we don’t

A5

need

E5

an y- -

thing

B5

from you.

’Cause we’ll be

A5

just fine

E5

and we won’t

B5

be bought and sold just like

you.

Gtrs. 1 & 3: w/ Riffs B & B1Gtrs. 2 & 4: w/ Rhy. Figs. 2 & 2A

Interlude

E B A

B E

B A

(A call a cross- the un der

B

- class.)-

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

400

XX

022

022

022

022

022

022

022

022

022

022

022

022

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

044


4





Gtr. 5


A5 E5 B5

let ring


A5

let ring

E5

let ring

B5

let ring P.M. P.M.


A5 E5 B5End half-time feel

Gtr. 3

Interlude

Gtr. 1: w/ Riff A (2 times)Gtr. 2: w/ Rhy. Fig. 1 (2 times)

E5

Gtrs. 3 & 5 tacet

Spoken:

A B

Gtr. 5

One,

two, three, four.

Verse

Gtr. 1: w/ Riff AGtr. 2: w/ Rhy. Fig. 1

E

We’re3. the saints of

B

de gen- er- a- tion.-

A

We don’t owe an y- one- an ex pla- na-

B

tion.-

7X9

7X9

7X9

9

11

7

9

7X9

7

9

2X4

2X4

2X4

7X9

7X9

X9

11X9

11X11

13X9

11X9

11

7X9

X9

119

89

9 9 11 11

9 910

9 910

910

910

9 99

9 9 9 99

99

9 98

9 99

9 911

9 99

9 98 9

7X9

7X9

7X9

9

11

7

9

7X9

7

9

2X4

2X4

2X4

7X9

7X9

X9

11X9

11X11

13X9

11X9

11

7X9

X9

11X9

11X9

11X9

11

11X13

12

14X11

13

9

11

7X9


6



D.S.S. al Coda 2

2 Coda

E

Fuck e lit- ists,-

B

we don’t need this. We’re

A

the e lite- of just al right.-

µ

And, well, be cause-

Gtr. 1

Gtr. 2

Harm. Harm. Harm.

you.

Outro

Gtrs. 1 & 3: w/ Riffs B & B1Gtr. 2: w/ Rhy. Fig. 2 (1st 2 meas.)

E B A

B

Gtr. 4

Gtr. 2

E

Harm.

B

Harm.

A

Harm.

B E5 µ

Gtr. 4

0 07

6 7 6

7 77

6 7 6

5 57

6 7 6

5

07999

07999

7XX

7XX

7XX

7XX

7998

7998

7XX

7XX

7XX

7XX

5776

5776

7XX

7XX

7XX

7XX

577

022

022

799

799

577

577

577

577

577

XXX

799

07999

07999

7XX

7XX

7XX

7XX

7998

7998

7XX

7XX

7XX

7XX

5776

5776

7XX

7XX

7XX

7XX

5776

5776

5776

5776

7998

022

022

022

022

799

799

577

577

577

577

577

XXX

799

022

022


7



Intro


Walking DisasterWords and Music by Deryck Whibley



Gtr. 2 (elec.)

*B

***w/ clean tone & octaver

let ring throughout

mf

***Octaver set for one octave above w/ effect signal only audible.

Gtr. 1 (elec.)

**w/ slight dist. & delay

Riff A

mf

11

E5

1333

B4fr

13 4

G#5

13 4

F#54fr

13411

G#m

End Riff A

**Delay set for sixteenth-note regeneration w/ 1 repeat. Delay signal panned hard right.


Verse


B

I1. hav en’t- been home for a while,

F#add4

I’m sure ev ’ry- thing’s- the same.

Gtr. 2

Riff B

†Gtr. 3 (acous.)

let ring throughout

Riff B1

mp

†Doubled throughout

11

1112

11

1112

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

11

1112

11

1112

11

1112

11

1112

11

24

2

44

24

2

44

2

4

2

44

2

4

2

3 4


1



G#m7

Mom and dad both in de ni’l,-

Emaj7

an on ly- child to take the blame.

End Riff B

End Riff B1

Gtrs. 2 & 3: w/ Riffs B & B1

B

Sor ry,- mom, but I don’t miss

F#add4

you. Fa ther’s- no name you de serve.-

G#m7

I’m just a kid with no am bi-

Emaj7

tions.- Would n’t- come home for the world.

G#m

Nev er- know what I’ve be come,-

E

the king of all that’s said and

(Oo.

(Do, do, do.

Ah.

Do, do, do, do,

(Oo.

(Oo.

Do, do, do, do, do.

Gtr. 3

11

1112

11 11

1112

11 1112

11 1112

11

4

4

4

44

4

4

4

44

0

42

44

24

2

44

68

6

98

68

6

98

24

2

54

24

2

54


2



done,

B

the for got- ten- son?

F#

da.

Oo.

Ah.

G#m

This cit y’s- bur ied- in de feat.-

E

I walk a long- these no name streets.

B

Wave good bye- to

Oh.)

Oh.)

Ah.)

24

2

4

42

42

4

4

2

4

2

34

2

4

2

34

68

6 6

98

68

68

6 6

98

68

24

2 2

54

24

24

2 2

54

24

2

44

2

44

44

2

44

2

44

44


3



Faster q = 112

Double-time feel

F#

Gtr. 3 tacet

G#m F#*Gtr. 4 (elec.)

**

E5

f

all as I fall.

w/ dist.

Gtr. 5 (elec.)

w/ dist.

fdbk.

*** f

***Vol. swell

Gtr. 3

†

Gtr. 6 (elec.)

w/ dist.

f

*Doubled throughout**Vol. swell

†Vol. swell

Interlude

Rhy. Fig. 1

B G#5

Gtrs. 5 & 6

Riff C

Gtr. 7 (elec.)

w/ fuzz

Riff D

p

End Riff D

Gtr. 7: w/ Riff D

F#5 E5End Rhy. Fig. 1

Gtrs. 5 & 6 End Riff C

7 7

2

44

2

34

44

2

44

2

3 40

2X4

2X4

2X4

2X4

X9

11

6X8

6

8

2X4

2X4

X9

11

6X8

2X4

2X4

2X4

2X4

X9

11

6X8

6

8

2X4

2X4

X9

11

6X8

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X11

13X11

13X11

13X11

13X11

13X11

13X11

13X11

13X13

15X13

15X13

15X13

15X13

15X13

15X13

15X13

15X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16


4





so

B

long

F#5

I can’t

E5

re mem- ber- who

B

was wrong.

F#5

All

in

E5

no- cence- is long

B

gone.

F#5

I pledge

E5

al le- giance- to a

world

B

of dis be- lief

F#5

- where

µ

I be long.

Chorus

B

-

A walk ing-

F#5

dis as- ter,-

G#5

the son of

E5

all bas tards.-

(Oo.) (Ah.)

Voc. Fig. 1 End Voc. Fig. 1

2444

2444

2444

2444

2444

2444

2444

244

244

244

244

244

244

244

02245

02245

02245

02245

02245

02245

02245

02245

02245

02245

2444

2444

2444

2444

2444

2444

2444

244

244

244

244

244

244

244

02X4

02X4

01X3

01X3

02X4

02X4

04X6

04X6

02X4

01X3

2444

2444

2444

2444

2444

2444

2444

244

244

244

244

244

244

244 2

45

245

245

245

245

245

245

245

245

245

2444

2444

2444

2444

2444

2444

2444

244

2444

2444

2444

2444

2444

2444

2444

244

244

244

244

244

244

244

466

466

466

466

466

466

466

022

022

022

022

022

022

022


6



1To Coda 2To Coda


B

You re gret-

F#5

you made me,

F#5

it’s too late

E5

to

µ

save me.

Gtr. 4 tacet

B5

(You re gret- you made me,

(3rd time, cont. in slashes)

Gtr. 7

Gtrs.5 & 6

InterludeGtr. 4: w/ Rhy. Fig. 1Gtrs. 5 & 6: w/ Riff CGtr. 7: w/ Riff D (2 times)

B G#m F#sus4 E5

it’s too late to save me.)

(And you say,... )

“As3.

far

Verse

B5

as I can tell it’s just voic

Gtrs. 5 & 6 tacet

F#5

es- in my head. Am I

Gtrs. 5 & 6

Gtr. 4divisi

P.M.

Gtr. 4

P.M. *

*Gtrs. 5 & 6 to left of slash in tab.

talk

G#5

ing- to my self,- ’cause I don’t know

E5

what I just said?”

(And she said,...)

P.M.

P.M. P.M.

2444

2444

2444

2444

2444

2444

2444

244

244

244

244

244

244

244

466

466

466

466

466

466

466

022

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

14X16

244

24

24

24

24

24

24

24

24

24

24

244

24

24

24

24

24

24

24

24

24

24

24

24

24

242

424

24

24

466

46

46

46

46

46

46

46

46

46

46

46

46

46

46

022

02

02

02

02

02

02

022

02

02

02

02

022


7



D.S. al Coda 1

1 Coda

“Far

B5

is where I fell, may be- I’m

F#5

bet ter- off dead. Am I

P.M. P.M.

at

G#5

the end of no where,- is this as

E5

good as it gets?”

µ

And now

P.M. P.M.

(Ah.

Bridge

Gtr. 4 tacet

Voc. Fig. 2

Voc. Fig. 3

G#m

(To save me,

F#

to save me,

E

to save me, to

End Voc. Fig. 2

save me.Ah.)


B F# EEnd Voc. Fig. 3

*Gtr. 8

w/ fingers


let ring

*Piano arr. for gtr.

(La,

Bkgd. Voc.: w/ Voc. Fig. 3 (3 times)Gtr. 8: w/ Rhy. Fig. 2 (3 times)

Voc. Fig. 4

G#m

la, la,

F#

la, la,

E

la, la, la. La,

B

la, la,

F#

la, la,

E

la, la,

End Voc. Fig. 4

la.)

244

24

24

24

24

24

24

24

24

24

24

24

24

24

24

244

24

24

24

24

24

24

24

24

24

24

24

24

24

24

466

46

46

46

46

46

46

46

46

46

46

46

46

46

46

022

02

02

02

02

02

02

022

4

644

2

432

0

210

2444

2

432

0

210

21

2


8





A tempo

E5

Gtr. 4: w/ Rhy. Fig. 1Gtrs. 5 & 6: w/ Riff C

B G#m F#sus4 E5

Outro-Verse

Gtr. 3: w/ Riff B (2 times)

B5

I will be home in a while,

Gtrs. 5 & 6 tacet

F#add4

you don’t have to say a word.

Gtrs. 5 & 6

Gtr. 7

Rhy. Fig. 3

G#m7

I can’t wait to see you smile,

Emaj7

would n’t- miss it for the world.

Gtr. 7 End Rhy. Fig. 3


B5

I will be home in a while,

F#add4

you don’t have to say a word.

G#m7

I can’t wait to see you smile,

Emaj7

would n’t- miss it for the world.

µ

2X4

2X4

2X4

2X4

4X6

6X8

6

8

2X4

2X4

4X6

6X8

X14

16

79

79

79

79

79

79

79

79

79

79

24

24

24

24

24

24

24

24

24

24

46

46

46

46

46

46

46

46

46

46

02

02

02

02

02

02

02

02

02

02


10





Double-time feel

Gtr. 2 (elec.)

Interlude

w/ clean tone

Gtr. 1: w/ Riff A (4 1/2 times)

F#5

mf

C#/E#

let ring let ring

F#5 C#/E#

let ring let ring w/ dist.

Gtr. 2 tacet

*Gtr. 3 (elec.)

F#5

f

C#/E#

3

*Doubled throughout

Gtr. 2divisi

Gtr. 3

**

F#5 C#/E#

let ring

let ring

D#5 C#5

let ring

let ring

Gtr. 3

Gtr. 2 tacet

F#5 C#/E#

3

**Gtr. 3 to left of slash in tab.

F#5

C#[addb2] D#7[no3rd]

C#7[no3rd]

Gtr. 4 tacet

F#

F#5 C#/E#

I’ve1.

Gtr. 1: w/ Riff A (8 times)Gtr. 5 tacet

Verse

F#5

seen man y- a face

Gtr. 4 (elec.)

w/ dist.

mf

Gtr. 2

Riff B

let ring

Gtr. 5 (elec.)divisi

Gtr. 3

w/ dist.

mf

Gtr. 33

***

***Gtr. 3 to left of slash in tab.

1

911

911

811

811

911

911

811

811

911

911

911

911

2 2811

811

811

911

911

911

68

68

46

46

911

911

911

911

2 2811

811

811

811

811

911

811

811

68

68

46

9

67

6

9

67

6

29

115 4 2 9

11911

911

911

2 2811

811

811 X

9

11


2




Gtr. 3 tacet

D#m

from young and to old.

Bmaj7

I’ve stol en- their faith

F#/C#

and I have bro ken- their souls.

Gtr. 2

let ring let ring

End Riff B

let ring

*Gtrs. 2 & 6: w/ Riff B

*Gtr. 6 (acous.) played mp .

F#5

Was here be fore- Christ

D#m

had for gave- you your sins,

Bmaj7

and paid your price

F#/C#

and sealed your fate with in.-

Days

D#m7

have come to

Bsus2

an end. To day’s

F#5

- the day that we meet

C#sus4

a gain.- This

Gtr. 7 (elec.)

w/ dist.

mp

Gtrs. 2 & 6

Riff C


End Riff C

let ring

self

Gtrs. 2 & 6: w/ Riff C

D#m7

in- flict- ed- in e

Bsus2

- bri- a- tion,- guilt

F#5

nev er- lies,

C#sus4

oh.

Gtr. 7

Riff D

8v a

End Riff D

68

7

86

8

7

8

7

8

7

8

7

8

7

8

9

8

7

8

9

8

7

8

14 14 14 14

6

67

6

6

67

6

7

67

6

7

67

6

9

67

6

9

67

6

8

67

6

8

67

6

21 21 21 21


3





C oT oda


Double-time feel

friend

saint

B

and

of

en

mis

e

er

-

-

my

y

-

-

and

and

ho

ho

ly

ly

-

-

sav

sav

F#

ior

ior

-

-

of

of

mas

mas

o

o

-

-

chist.

chist.

A#

-

-

(Sub mis

-

Well, it’s

sion.)-

the

dead

Chorus

B5

end- slave

F#

from the al

B5

tar- to the grave.

F#

It’s the last

B5

days

F#

of our

(Lives.)

lives.

C#5

In faith, a men.

Gtr. 3 tacet

F#5

-

C#/E# F#5

C#/E#

Gtr. 2


Time,

Verse

2.

*

Gtr. 1: w/ Riff A (8 times)Gtr. 2 tacet

F#5

it’s been so long,

D#m

and now there’s noth in’- to say.

Gtr. 7: w/ Riff F (7 times)

B5

I’m try in’- so hard

Gtr. 7

Riff F End Riff F


2444

2444

2444

2444

2444

2444

2444

2444

2444

2444

2444

2444

XXXX

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

XXXX

1333

1333

1333

1333

1333

1333

1333

1333

1333

1333

1333

1333

1333

1333

244

244

244

244

XXX

2443

2443

2443

2443

2443

2443

000

244

244

244

244

XXX

2443

2443

2443

2443

2443

2443

000

244

244

244

244

XXX

2443

2443

2443

2443

2443

2443

2443

466

466

466

466

466

466

466

466

466

466

466

466

466

911

911

811

811

911

911

811

811

11 11


5




D.S. al Coda

Coda

C#sus4

to find the words to say.

F#5

I’m ti red- of be

D#m

ing- now I’m some thing- I’m not.

B5

I can’t be lieve-

C#sus4

and I nev er- thought days

D#m

would come

to

B5

an end. Well, may

F#5

be- some day we’ll meet

C#sus4

a gain.- If

ev

D#m

er- that day nev

B5

er- comes it would

F#5

be too

soon,

C#sus4

oh.

Interlude

Bsus2

Gtr. 1: w/ Riff A (2 times)Gtr. 7: w/ Riff F (2 times)Gtr. 8: w/ Riff E

C#

Gtr. 6: w/ Rhy. Fill 1

B5

C#5

last

B5

days

F#

of our

(Lives.)

lives.

C#5

Well, it’s the

Harm.

dead

B5

end- slave

F#

from the al

B5

tar- to the grave.

F#

It’s the

244

244

244

244

XXX

2443

2443

2443

2443

2443

2443

2443

466

466

466

466

466

466

466

466

466

466

44

44

44

44

244

244

244

244

XXX

2443

2443

2443

2443

2443

2443

000

244

244

244

244

XXX

2443

2443

2443

2443

2443

2443

000


6




last

B5

days

F#

of our

(Lives.)

lives.

C#5

In faith, a men.

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)Gtr. 3 tacet

Outro

µ

-

Try in’- to find a way, get ting-

bet ter- ev ’ry- day, and I got you, now I’m not a lone.- All I

need in this life is one, one thing to be lieve- in.

Try

F#5

in’- to find a way, get ting- bet ter- ev ’ry- day, and I got you, now I’m not a lone.- All I

Gtr. 7

Riff G End Riff G

need

Gtr. 7: w/ Riff G

in this life is one, one thing to be lieve- in.

(Organ & sound effects)

8 sec.

244

244

244

244

XXX

2443

2443

2443

2443

2443

2443

2443

466

466

466

466

466

466

466

466

466

466

466

466

466

466

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414

1414


7



Intro

Fast q = 131

Dear FatherWords and Music by Deryck Whibley



Gtrs.1 & 2(acous.)

mp

Rhy. Fig. 1

B5 F#5 G#5

13 4

B5

13 4

F#54fr

13 4

G#5

11

E5

F#5 E5End Rhy. Fig. 1

Gtr. 3 (elec.)

w/ slight dist.

Riff A

mf

let ring

End Riff A

let ring

Gtr. 4 (elec.)

w/ slight dist.

Riff A1

mf

let ring let ring let ring let ring let ring

End Riff A1

let ring

Gtr. 5 (elec.)

w/ clean tone

Riff A2

mp


End Riff A2

let ring

Gtr. 6 (elec.)

w/ slight dist.

mp

P.M.

Gtr. 6

*

Gtrs. 1 & 2: w/ Rhy. Fig. 1Gtrs. 3, 4 & 5: w/ Riffs A, A1 & A2

Rhy. Fig. 2

Bsus2 F#sus4 G#m11 F#sus4 Emaj9End Rhy. Fig. 2

P.M.


44

4

24

4 44

4

24

4 44

4

24

4

44

4

44

4

4

2

4

2

6

4

6

4

8

6

8

6

8

6

8

6

6

4

6

4

8

6

8

6

4

2

4

2

4

2

4

2

2 2

44

1 1

44

4 4

44

4 4

44

2 2

44

2 2

44

0 0

44

0 0

3 4

24

24

24

24

24

24

24

24

46

46

46

46

46

46

46

46

24

24

24

24

24

24

24

24

02

02

02

02

02

02

02

02

24

24

24

24

14

14

14

14

46

46

46

46

46

46

46

46

24

24

24

24

24

24

24

24

02

02

02

02

02

02

02

02


1



VerseGtr. 6 tacet

B5

Ad1. dress- this let

F#add4

ter- to dear fa

G#m7

ther.- I know you

Esus2

as com plete- un known.-

Gtr. 1

Riff B

let ring

let ring

let ring

End Riff B

let ring

Gtr. 2

Riff B1


End Riff B1

let ring


B5

I guess it’s bet

F#add4

ter- you don’t both

G#m7

er.- All our truths

Esus2

should be left a lone.-

Gtrs.1 & 2

Rhy. Fig. 3

Gtrs. 3 & 4: w/ Riffs A & A1 (2 times)

B5 F#5 G#5 E5End Rhy. Fig. 3

Be left a lone.-

(Ah,

Voc. Fig. 1

ah, ah.

Gtr. 5

Riff C


End Riff C

let ring

Gtr. 6 Rhy. Fig. 3A End Rhy. Fig. 3A

P.M.

9 9

7

9 9 9

7

8 8

7

8 8 8

7

6 6

7

6 6 6

7

7 7

7

7 7 7

7

7

2 2

44

2 2

4

2 2

44

2 2

3

4 4

44

4 4

4

0 0

44

0 0

3 4

2 2

44

2 2

44

2 2

44

2 2

3

4 4

44

4 4

44

0 0

44

0 0

44

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

46

46

46

46

46

46

46

46

02

02

02

02

02

02

02

02


2



Half-time feel

End half-time feel

Gtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 5: w/ Riff A2Gtr. 6: w/ Rhy. Fig. 2

Bsus2 F#sus4 G#m11

F#sus4

Emaj9

Be left a lone.-

Ah, ah, ah.)

End Voc. Fig. 1

Verse

Gtrs. 1 & 2: w/ Riffs B & B1 (2 times)Gtr. 6: w/ Rhy. Fig. 3A (2 times)

B5

I2. learned the things

F#add4

you nev er- showed

G#m7

me, took the chanc

Esus2

es- you’d have blown.

B5

And to this day,

F#add4

the one and on

G#m7

ly- you re main-

Esus2

a com plete- un known.-

Bkgd. Voc.: w/ Voc. Fig. 1Gtrs. 1 & 2: w/ Rhy. Fig. 3Gtrs. 3 & 4: w/ Riffs A & A1 (2 times)Gtr. 5: w/ Riff CGtr. 6: w/ Rhy. Fig. 3A

Bsus2 F#sus4

G#m11

Emaj9

Com

With

plete

out

-

-

un

a

known.

face.

-

Gtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 5: w/ Riff A2Gtr. 6: w/ Rhy. Fig. 2

Bsus2 F#sus4 G#m11

F#sus4

Emaj9

Com

With

plete

out

-

-

un

a

known.

face.

-


3



C oT oda

Chorus

Gtrs.1 & 2

Gtr. 6: w/ Rhy. Fig. 3A (1 1/2 times)

Rhy. Fig. 4

B5 F#5 G#5

You’re out there some where.- I don’t know if you care at all,

Gtrs. 3 & 4

Riff D

let ring

E5End Rhy. Fig. 4

B5 F#5

it seems that you don’t. It’s as if the day will nev er- come.

(It

Voc. Fig. 2

seems that you don’t.)

Gtr. 7 (elec.)

w/ dist.

Riff E

mf

Gtrs. 3 & 4

End Riff D

let ring

4 44

4 44

44

4 44

4 4 44

4 4 44

4 44

44

2X

4

2

4

4

6

X 4

6

6

8

X 6

8

13

15

X 13

15

4 44

4 4 44

4 4 44

4 44

44

4 44

4 4 44

4


4



G#5 E5

InterludeGtrs. 1 & 2: w/ Rhy. Fig. 3Gtrs. 3, 4, 6 & 7 tacet

B5

So you re main- a com plete- un known.-

End Voc. Fig. 2

(Un known,-

(Un known,-

Gtr. 7 End Riff E

Gtrs. 3 & 4

let ring

Gtr. 6

P.M.

Gtr. 5

let ring

F#sus4

un known,- un known,-

G#m7

un known,- un known,-

Esus2

un known.)- un known.)-

Gtr. 5


X11

13

11

13

7X9

4 44

4 44

44

46

46

46

46

46

46

46

46

022

2 2

44

2 2

44

2 2

44

2 2

3

4 4

44

4 4

44

0 0

44

0 0

3 4


5



D.S. al Coda

Coda

Verse

Gtrs. 1 & 2: w/ Riffs B & B1 (2 times)

B5

So3. man y- years

Gtr. 5 tacet

F#add4

have been ig nored.-

G#m7

You’ve been gone

Esus2

with out- a trace.

B5

I’m get ting- used

F#add4

to know ing- you’re

G#m7

just a name

Esus2

with out- a face.

Gtrs. 1 & 2: w/ Rhy. Fig. 4 (last 2 meas.)Gtrs. 3 & 4: w/ Riff D (last 2 meas.)Gtr. 6: w/ Rhy. Fig. 3A (last 2 meas.)Gtr. 7: w/ Riff E (last 2 meas.)

G#m7

So you re main-

Esus2


Gtrs. 1 & 2: w/ Rhy. Fig. 4 (2 times)Gtrs. 3 & 4: w/ Riff D (2 times)Gtr. 5: w/ Rhy. Fig. 3A (2 times)

B5

You’re out there some where.-

F#sus4

I don’t know if you care

G#m7

at all, it


Esus2

seems that you don’t.

Gtr. 6: w/ Riff E

B5

It’s as if the day

F#sus4

will nev er- come.

G#m7

So you re main-

4


6



Esus2


InterludeGtrs. 1 & 2: w/ Rhy. Fig. 4 (2 times)Gtrs. 3 & 4: w/ Riff D (2 times)Gtr. 6: w/ Rhy. Fig. 3A (2 times)

B5

(Un known,-

(Un known,-

F#sus4

un known,-

un known,-

Gtr. 8 (elec.)

w/ dist.

mf

G#m7

un known,-

un known,-

Esus2

un known.)-

un known.)-

B5

F#sus4 G#m7 Esus2


B5 F#add4 G#m7

Gtr. 8 tacet

Esus2

42X4

2X4

2X4

2X4

2X4

4X6

4X6

4X6

4X6

4X6

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

4X6

4X6

4X6

4X6

4X6

6X8

6X8

6X8

6X8

6X8

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

4X6

4X6

4X6

4X6

4X6

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

4X6

4X6

4X6

4X6

4X6

6X8

6X8

6X8

6X8

6X8

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4


7



Half-time feel

VerseGtrs. 1 & 2: w/ Riffs B & B1 (1 1/2 times)

B5

Ad4. dress- this let

F#add4

ter- to dear fa

G#m7

ther.- I know you

Esus2

as com plete- un known.-

B5

I guess it’s bet

F#add4

ter- you don’t both -

G#m7

- er. All our truths

Esus2

should be left a lone.-

Gtrs. 1 & 2 tacet

Chorus

B5

You’re out there some where.-

Gtr. 1

let ring w/ dist.

*Gtr. 9 (elec.)

Rhy. Fig. 5

f

*Doubled throughout

Gtr. 2

let ring

F#5

I don’t know if you care

G#5

at all, it


E5

seems that you don’t.

Gtr. 7: w/ Riff E

B5

It’s as if the day

Gtr. 9

6 6

7

6 6 6

7

67 2

44

244

244

244

244

244

244

244

4 4

44

4 4

44

0

244

244

244

244

244

244

244

244

466

466

466

466

466

466

466

466

022

022

022

022

022

022

022

022

244

244

244

244

244

244

244

244


8





Intro

Fast q = 197

Count Your Last BlessingsWords and Music by Deryck Whibley



Gtr. 6: Tune down 2 1/2 steps:(low to high) B-E-A-D-F#-B

*Gtr. 1

**

w/ fingers

let ring throughout

Riff A

Bm

f

13 4

G5

13 4

B5

1431

D/F#

13 4

F#57fr

13 4

B5

A

VII

*Elec. piano arr. for gtr.


Em

***

Gtrs.2 & 3(dist.)

G5

f

End Riff A

***Vol. swell

Last

hands

Verse

Gtr. 1: w/ Riff A (2 times)1st time, Gtrs. 2 & 3 tacet2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1 3/4 times)

1.

B5

call

are

for

tied

re

and

grets

nailed

- and

to

de

the

feat,

cross,

- to

I’m

fin

look

A5

ish

ing

-

-

the

for

bot

all

tle- full

the

of

com -

Gtr. 4 (dist.)

Riff B

mp P.M.

2

2 3 5 2

0

2 3 5 2

0

2 3 5 2

3

0 2 3 2

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5


1



emp

po

ty

sure

-

- I

dreams.

lost. I’m

Punch

pet

E5

u-

drunk,

lant

-

-

head

with

ed

a

- straight

bad

out

at

ta

ti

-

-

line,

tude,-

an

a

-

P.M.

oth

pos

G5

er

ter

-

-

ex

child-

cuse

vi

-

- sion

with

of

no al

wast

i

ed

-

-

bi.

youth.

-

I

Hitch

dodged

Gtr. 4: w/ Riff B

B5

in’

the

- on

book

the

and

End Riff B

P.M.

road

found

of

the

de cline,

key.

- with

I

no

can’t

A5

name-

say the

streets

same

and

for

no vi

dig

tal

ni

-

-

signs.

ty.- I

pissed

E5

a way- the best of me and

2nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1

G5

no one can help me.

Gtrs. 2 & 3

Rhy. Fill 1

P.M.

5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

35

35

35

35

35

35

35

35

35

35

35

35

35

35 2

4


2



C oT oda

B5

Mis

Gtr. 4 tacet

Chorus

B5

er- y’s- best friend

(Help me.)

(Help

me.)

(Oh.)

Voc. Fig. 1

(Hey,

Gtr. 4

Riff C

P.M.

End Riff C Riff D

Gtrs. 2 & 3

can’t

D5

be a dead end.

G5

A bag full of re grets

F#5

- and I’m com ing-

hey.)

End Voc. Fig. 1

End Riff D

clean.

Bkgd. Voc.: w/ Voc. Fig. 1Gtrs. 2 & 3: w/ Riff D

B5

The self e- lect- res

D5

i- dent- re ject.-

G5

A bad hab it,- don’t for get

F#5

- that you bet ter-

Gtrs.2 & 3

Rhy. Fig. 1

B5 D/F# G5 F#5

(cont. in notation)

End Rhy. Fig. 1

count your last bless ings.- I fell off the wag on.- I’m chas ing- six feet and now I’m run nin’- out of

Gtr. 5 (dist.)

Riff E

f

End Riff E

3 3

7 7

9 97 7 9 9 10 10 9 9 7 7 9 9 2

X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

355

355

355

355

355

355

355

355 4

X7

4X7

4X7

4X7

4X7

4X7

4X7

4X7

77

97

9

77

7 8 8 79

7 79 7 6


3





Oo.)

D

F#5

E5End Voc. Fig. 2

Now

End Voc. Fig. 2A

Gtr. 5

End Riff F3

8v a

Gtr. 4

End Riff F2

Gtr. 2

End Riff F

Gtr. 3

End Riff F1

I’m

Bridge

Bkgd. Voc.: w/ Voc. Figs. 2 & 2A (2 times)Gtrs. 2, 4 & 5: w/ Riffs F, F2 & F3 (2 times)Gtr. 3: w/ Riff F1

B5

my own en e- my.-

G5

I don’t hear you

17 17 17 14 14 14 14 12 12 12 1215 15 15 15

14 14 14 12 12 12 1215 15 15 15 14 14 14 14

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

7X10

X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11X9

11

7X9

7X9

7X9

7X9

7X9

7X9

7X9

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

X9

11X9

11X9

11X9

11X9

11X9

11X9

11

7X9

7X9

7X9

7X9

7X9

7X9

7X9


5



now,

D

per fect- trag e- dy.

F#5

- God

E5

bless us de -

ni

*

B5[E5]

al.- My own en e- my.-

G5[C5]

I don’t hear you

Gtr. 3

Gtr. 6 (dist.)

f P.M.

*Symbols in parentheses represent chord names respective to de-tuned guitar. Symbols above represent actual sounding chords.

now,

D[G]

per fect- trag e- dy.

F#5[B5]

- God

F#7[B7]

bless us de -

(cont. in slashes)

P.M.

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02 3

535

35

35

35

35

35

35

35

35

35

35

35

35

35

35

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

X9

11X9

11X9

11X9

11X9

11X9

11X9

11X13

15X13

15X13

15X13

15X13

15X13

15X13

15X13

15

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35

35 2

424

24

24

24

24

24

24

24

24

24

24

24

24

24

24


6



Gtrs.2 & 3

Gtr. 6 tacet

Rhy. Fig. 3

VIIB5Gtrs. 4 & 5 tacet

End Rhy. Fig. 3


µ

ni’l.

Gtr. 5

Gtr. 4divisi

Gtr. 7 (dist.)

Riff G

f

End Riff G

Mis

Chorus

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)Gtrs. 2 & 3: w/ Riff D (2 times)

B5

er- y’s- best friend can’t

D5

be a dead end.

G5


F#5


clean.

B5


D5

i- dent- re ject.-

G5


F#5

- that you bet ter-

count

Gtr. 5: w/ Riff E

B5

your last bless ings.- I fell

D/F#

off the wag on.- I’m chas

G5

ing- six feet and now I’m

F#5

run nin’- out of

Gtrs. 2 & 3

4X7

4X7

14 14

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

244

244

244

244

244

244

244

244

2542

2542

2542

2542

2542

2542

2542

2542

355

355

355

355

355

355

355

355

244

244

244

244

XXX

XXX

XXX

XXX


7



Play 3 times and fade

time.

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)Gtrs. 2 & 3: w/ Riff D (2 times)

B5

Mis er- y’s- best friend can’t

D5

be a dead end.

G5


F#5


clean.

B5


D5

i- dent- re ject.-

G5


F#5

- that you bet ter-

count


B5

your last bless ings.- I fell

D/F#

off the wag on.- I’m chas

G5

ing- six feet and now I’m

F#5

run nin’- out of

Gtr. 5

3 3

time.

Gtrs. 2 & 3: w/ Rhy. Fig. 3Gtr. 5 tacetGtr. 7: w/ Riff G

B5

Outro

Gtr. 1: w/ Riff A

Bm A

Em

G5

77

97

77

77 8 8 7

97 7

9 7 6


8



Chorus

Moderately fast q = 131

Ma PoubelleWords and Music by Deryck Whibley, Steve Jocz, Thomas Lauderdale and China Forbes

© 2007 EMI APRIL MUSIC (CANADA) LTD., RECTUM RENOVATOR MUSIC, BONER CITY MUSIC, INC.,THOMAS M. LAUDERDALE MUSIC and WOW AND DAZZLE MUSIC

All Rights for EMI APRIL MUSIC (CANADA) LTD. and RECTUM RENOVATOR MUSIC in the U.S. Controlled and Administered by EMI APRIL MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission


(Vinyl record static)

4 sec. =

3

____

G

Tu

13 4

G5

7fr

13 4

B5

7fr

1 3 4 2 1

Em

8fr

1 3 4 2 1 1

C

es ma

Em

ma de

Am

- moi- selle.-

D

*Gtr. 1

w/ fingers

f

Rhy. Fig. 1

3


Tu

G

es ma

Em

pe tite

Am

- pou belle.-

D

Je cher

G

che- rai- des

B

or -

End Rhy. Fig. 1

dures

Em

pour toi.

C

Je com men

G

- ce- rai- de dans

D

- mes pan ta- lons.

G

-

3

107

87

107

87

107

87

107

87

107

87

107

87

3

4

33

3

4

33

0

0

00

0

0

00

02

10

02

10

02

32

02

32

3

433

3

433

0

000

0

000

0

210

0

210

0232

0232

3

433

3

433

2

442

2

442

2000

2000

3

010

3

010

3

433

3

433

0232

0232

3

433

3

433

3

433

3

433


1



Half-time feel

Verse

Cm

Dans vo tre-

3

œil se trou ve

G

- une pe tite-

3

pleur.

Cm

Je ne suis pas un

3

au

G

tre- Cœur.

D

3

Cm

Tu sais tu es ma pe

G

tite- fleur. A vec- une

plotte

A

qui comme du beurre.

D

Tu


Chorus

G

es ma

Em

ma -

*Gtrs. 2 (dist.) & 3 (slight dist.)

mf


de

Am

moi- selle.-

D

Tu

G

es ma

Em

pe tite

Am

- pou belle.-

D

Je

(Gtr. 3, cont. in slashes)

3

543

3

543

3

543

3

543

3

433

3

433

3

433

3

433

3

543

3

543

3

543

3

543

3

433

3

433

0232

0232

3

543

3

543

3

543

3

543

3

433

3

433

3

433

3

433

0

220

0

220

0

220

0

220

0232

0232

0232

0775

355

355

XXX

022

022

XXX

577

577

XXX

577

577

XXX

355

355

XXX

022

022

XXX

577

577

XXX

577

577

XXX


2



poco rit.

A tempo

Gtr. 3

G5 B5

poco rit.

Em C

(cont. in notation)

cher che- rai- des or dures- pour toi. Com -

Gtr. 1

poco rit.

Gtr. 2

poco rit.

men

Gtr. 1 tacet

G5

ce- rai- de dans

D5

- mes pan ta- lons.

G5

-

µ

Gtr. 3

*fdbk.

*Microphonic fdbk., not caused by string vibration.

Pitch: D

Gtr. 2

3

3

433

3

433

2

442

2

442

2000

3

010

355

355

799

799

79987

81010988

14

355 X

355

355

XXX

577

577

XXX

355

355

355

355

355


3



Intro

Fast q = 189

March of the DogsWords and Music by Deryck Whibley



*Gtrs. 1 & 2 (slight dist.)

**

Riff A

B5

mp

type2

7fr

1342

B

13 4

F#54fr

13 4

G#5

11

E5

1134

E5

134211

G

134211

F#6fr

13 4

A#55fr

1342

A

End Riff A

Gtrs. 1 & 2: w/ Riff A (11 times)



Gtr. 3 (dist.)

*** B5

F#5 G#5

E5 B5

C#5 G#5 E5

stringnoise

f

***Chord symbols implied by bass, next 4 meas.

Gtr. 3

Rhy. Fig. 1

B5 F#/A# G#m C#m/E B5 F#/A# G#m C#m/EEnd Rhy. Fig. 1

Gtr. 4 (dist.)

Rhy. Fig. 1A

f

End Rhy. Fig. 1A

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

XX

00000

79

79

79

79

69

69

69

69

7 7 7 7 9 9 9 9 79

79

79

79

69

69

69

69

7 7 7 7 9 9 9 9

79

79

79

79

69

69

69

6 4 4 4 49

0 0 0 0 79

79

79

79

69

69

69

6 4 4 4 4 0 0 0 09


1



Gtrs. 3 & 4

Rhy. Fig. 2

B A BEnd Rhy. Fig. 2

A

B


Spoken: Ladies and gentlemen of the underclass,

A B

the president of the United States of A -

A

B

merica is dead.

A B

A

Gtrs.3 & 4

Verse

B F#5 G#5

I1. don’t be lieve- in the pol i- tics- of cho sen-

Gtr. 1

Riff B

Gtr. 2

Riff B1

7998

7998

5776

7998

7998

5776

2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 14 4 4 4 4 4 4 4 4 4

2 2 2 2 2 2 2 2 2 22 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4


2



E5 F#5

fools and hyp o- crites- who walk a line that’s tread so fine.

Gtrs. 1 & 2

G#5

(Gtr. 3, cont. in notation)

Gtr. 4

(cont. in notation)

11 fr

D#Gtrs. 1 & 2 tacet

E5

Is it death or glo ry- you have in mind?

all.

Here

Here

we

we

go

go

a

a

-

-

Gtr. 3 Gtrs. 3 & 4

Gtrs. 1 & 2 End Riffs B & B1

gain,

gain

F#5

it’s

in

mass

des

de

per-

lu

a

-

-

sion.

tion.

-

-

G#5

And no

All

one

we

knows

know is

who

con

leads

fu

F#5

-

this

sion-

rev

and

o

frus

- lu

tra

-

-

tion

tion

-

-

Gtrs. 3 & 4

2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2

00000

022

022

022

022

022

022

022

022

4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2

244

244

244

244

244

244

244

244

466

466

466

466

466

466

466

466

244

244

244

244

244

244

244

244


3



Half-time feel

End half-time feel

now.

now.

E5

As

As

ten

ten

sion

sion

-

-

grows,

grows,

the

no

way

vi

F#5

to

sion-

a

of

con

sal

clu

va

-

-

sion...

tion. -

-(Ah.

Gtrs. 3 & 4 tacet

B

It’s too

Bmaj7/A#

late,

G#m

there’s no

B

time.

*Gtr. 5

w/ fingers

p


Gtr. 5 tacet

E5

Gtr. 4

2nd time, Gtrs. 3 & 4: w/ Rhy. Fill 1

F#5 15 fr

G

It’s too late,

there’s no time.)

All for none, none for one, two, three, four.

Gtrs. 3 & 4

(Gtr. 4, cont. in slashes)

Gtr. 3

Rhy. Fill 1

Gtr. 4

F#5 1 4fr

F#

Gtr. 3

022

022

022

022

022

022

022

022

244

244

244

244

244

244

244

244

2

44

1

44

4

44

2

44

02245

02245

02245

02245

02245

02245

02245

02245

02245

02245

02245

244

244

244

244

244

244

244

244

244

244

000000

244

000000


4







D.S. al Coda

Coda

G#5

but I’d say we

F#5

need an ex or- cist.-

E5

The root of all

F#5

e vil- stand ing- tall

G#5

un der- God

F#5

and a bove- us

Gtr. 3

Gtr. 4

gin.

Interlude

Gtrs. 3 & 4 tacet

B5

(Hey.

Hey.

Hey.

A,

Gtr. 1

Gtr. 2

000000

18

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2


7



Gtrs.3 & 4

18fr

D#

Gtrs. 1 & 2 tacet

Rhy. Fig. 3

Guitar Solo

G#5 type 2E5

(cont. in notation)

one,

two,

Hey.)three,

four.

*grad. bend

***Gtr. 7 (dist.)

f

*Trem. pick while bending.

1/2

***Doubled throughout

**grad. bend

**Trem. pick while bending.

1/2

End Rhy. Fig. 3

Gtrs. 3 & 4

B5 F#sus4 F# F#sus4 F# D#7

Gtr. 7

411 9 9 6 7 7 4 2

2

02245

02245

02245

02245

02245

02245

02245

02245

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

2 2 2 2 3 3

24 2

2 2 4 2 1 2 1 2 4


8





InterludeGtrs. 1 & 2: w/ Riff A (2 times)Gtrs. 3 & 4: w/ Rhy. Fig. 2

B

Gtr. 7 tacet

A B

And3. now the

A

Gtrs.3 & 4

Verse

B F#5Rhy. Fig. 4

G#5

Pres i- dent’s- dead be cause- they blew off his head. No more neck to be red, guess to

Gtr. 2

Riff C

A BEnd Rhy. Fig. 4

F#5

heav en- he fled. Was it some thing- he said, be cause- of who’s in his bed? And by whom

End Riff C

Gtrs. 1 & 2: w/ Riff C (1 1/2 times)Gtrs. 3 & 4: w/ Rhy. Fig. 4

G#5

will we be led? From whose hand

E5

will we be fed all the

A B

lies by the ly ing-

2X4

2 2 2 2 2 2 2 2 2 22 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4

0 0 0 0 0 0 0 0 0 02 2 2 2 2 2 2 2 2 2

2 2 2 2 2 2 2 2 2 2


10



li

F#5

ars- who said, “We’ll be fine,

G#5

it’s o kay.-

E5

Hey look, mom, no

A5

Gtrs. 3 & 4

head”?

Outro

*

B5

(Wah,

wah,

G#5

wah,

w/ Lead Voc. ad lib. (next 15 meas.)

C#5

wah,

F#5

wah, wah.)

G#5

Play 4 times

*Lead voc. sung 1st time only.

(Wah.)

Free time

Bkgd. Voc.: w/ shouting

B5

It’s okay.Shouted: That’s enough. It’s okay already.

244

466

466

5X7

7X

9

7

9

2X

4

4

6

4

6

4

6X

4

6

2X

4

2X

4

4X

6

7X9


11



Intro

Fast q = 193

The JesterWords and Music by Deryck Whibley



(Elec. piano)

**

*Gtr. 1 (acous.)Bm

13421

Bm

13 4

B5

11

E5

mp

*Three gtrs. arr. for one.

** Fade in.

A1. jest

Verse

Bm

er- of sorts, you stand hold

F#

ing- your courts o ver-

min

G

ions- of Cap i- tol- Hill.

D D/C#

In a bath

G

full of

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

24432

244

32

244

32

244

32

244

32

244

32

244

32

244

32

244

32

244

32

244

32

244

32

244

32

244

32

244

32

0000

2443

22

2443

22

2443

22

2443

22

2443

22

2443

22

2443

22

2443

22

2443

22

2443

22

355433

355433

355433

355433

355433

355433

355433

355433

355433

000

5777

5777

5777

5777

5777

4777

4777

4777

4777

0000

355433

355433

355433

355433

355433


1



= 3

____

blood,

(Like a

I’m a

chil

lone

Em

-

i- up

stand

his

ing-

ass.)

still.

Un der- God,

Bm

you can fi

F#

re- at will.

Bm

(cont. in slashes)

Gtr. 1

Bm

Chorus

Gtr. 1 tacet

B5

(One, two, three,

And

four!

when

When!)

the dev il’s- an gels-

Gtr. 2 (elec.)

w/ dist.

*

f (cont. on lower staff)

Harm.

3 3 3 3

Pitch: E*Harm. located approx. three-tenths the distance between the 2nd & 3rd frets.

2.3 2.3 2.3 2.3 2.3 2.3 2.3 2.3 2.3 2.3 2.3 2.3

Gtr. 3 (elec.)

w/ dist.

P.S.

f

**Gtrs. 2 & 3Rhy. Fig. 1

**Composite arrangement

G5

come, take your life and lead

D5

you to the flames be -

Gtrs. 2 & 3

End Rhy. Fig. 1

355433

355433

355433

355433

0000

022000

022000

022000

022000

022000

022000

022000

022000

022000

0000

24432

24432

24432

24432

0000

244322

244322

244322

244322

244322

24432

XX

XX

XX

XX

244

244

244

244

244

244

244

244

244

244

244

244

244

XXX

355

355

355

355

355

355

355

355

355

355

355

355

355

XXX

577

577

577

577

577

577

577

577

577

577

577

577

577

000


2



1To Coda 2To Coda

( iq = iq )

neath.

F#

Your head stone- reads, “Here


B5

(Hey.)

lies the dead who

G5

was hung by his head be neath-

D5

us.” Lay ing- in their

graves,

F#

dam na-

µ

tion- free for all.

Interlude

Gtrs. 2 & 3 tacet

Bm

Gtrs. 2 & 3 Gtr. 1

A2. prod

Gtr. 1 tacet

Verse

B5

i- gal- son can’t un do

F#5

- what he’s

(Oo.

Gtrs. 2 & 3

P.M. P.M.

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

000

2443

2443

2443

2443

2443

2443

044

2443

24432

24432

24432

24432

24432

24432

24432

24432

24432

044

24432

24432

24432

24432

24432

24432

24432

24432

24432

044

24

24

24

24

24

244

24

24

24


3



D.S. al Coda 1

done, a fig

G5

ure- head- of cap i- tal- crime.

D5 A/C#

With a

Oo.

P.M. P.M. P.M.

light

G5

shin ing- down as you fall

E5

to your knees, to re -

Oo.

P.M. P.M.

pent

B5

would be noth

F#5

ing- but lies.

Bm

(One,

µ

two, three, four!

And

Oo.)

Gtr. 2

P.M. Harm. 3 3 3 3

Pitch: E2.3 2.3 2.3 2.3 2.3 2.3 2.3 2.3 2.3 2.3 2.3 2.3

Gtr. 3

P.M. P.S.

24

24

244

35

35

35

35

35

355

57

57

57

47

47

476

35

35

35

35

35

355

02

02

02

02

02

022

24

24

24

24

24

24 2

443

24

24

24

24

24

24 2

443

XX

XX

XX

XX


4



1 Coda

(iq = iq)

graves,

F#

dam na- tion- free for all.

Interlude

B5

La, la, la, la,

Gtrs. 2 & 3Rhy. Fig. 2

G5

(Hey,

la,

la, la,

hey!)

la,

D5

la, la, la, la,

F#5

la, la, la, la.

End Rhy. Fig. 2


B5

La, la, la, la,

G5

(Hey,

la,

la, la,

hey!)

la,

D5

la, la, la, la,

F#5

la, la, la, la.

Gtrs.2 & 3

B5Gtrs. 2 & 3 tacet

µ

*Gtr. 4 (elec.)

w/ dist.

f

*Doubled throughout

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

000

244

244

244

244

244

244

244

XXX

355

355

355

355

355

355

355

XXX

577

577

577

577

577

577

577

000

244

244

244

244

244

244

244

000

2 2 5 52 2

27 7 5 5 4

5 57 7 5 5 4

5 54 4 5 4 5 4

5 4 2


5



= 3

____

D.S. al Coda 2

*B5 G5 D5 F#5

*Chord symbols implied by bass, next 4 meas.

Bridge

Gtr. 4 tacet

B5

Dead

µ

beat,- six feet dead un der- - ground.

(Ah.)

G5 F#5

An

Gtrs. 2 & 3

eye

B5

for an

µ

eye on ly- leaves

B5

us all

µ

blind. Go in’- once,

G5

twice,

and there

F#5

goes your life.

And

2 2 5 52 2

27 7 5 5 4

5 57 7 5 5 4

5 54 4 5 4 5 4

5 4 2

244

244

244

355

355

355

355

355

355

355

244

244

244

244

244

244

000

244

244

244

244

244

244

355

355

355

355

355

355

355

244

244

244

244

244

244

244

000


6



2 Coda

Free time

graves,

F#

dam na- tion- free for all.

Outro

B5 G5 D5

Gtrs. 2 & 3

3

B5 G5 D5 B5 G5 D5/A E5

(cont. in slashes)

3 3

Gtrs.2 & 3

E5

Gtr. 6 (elec.)

w/ dist.w/ Leslie

** mf

(Misc. noise)

23 sec.

**Vol. swell

*Gtr. 5 (elec.)

mf w/ dist.

*Multiple gtrs. arr. for one.

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

2443

000

244

244

244

244

XXX

355

577

244

244

244

244

XXX

355

577

244

244

244

244

XXX

355

5577

022

02

2

0 0 0 0 0 0


7



Intro

Moderately q. = 59

With MeWords and Music by Deryck Whibley



Gtr. 2 (12-str. acous.)

let ring throughout

Riff AE5

mf

type2

Bsus4

type3

*Gtr. 1 (acous.)

let ring throughout mf

4fr

2 34

C#m7

13 4

Asus2

1134

E5

1 34

Bsus4

13 4

E5

11

A5/E

11

E5

1134

B5/F#6fr

13 4

C#5

13 4

B5

*Doubled throughout

C#m7 sus2A add#4 Asus2

End Riff A

Gtr. 2: w/ Riff A

E5

Rhy. Fig. 1

Gtr. 1

Bsus4 C#m7 A add#4sus2 Asus2

End Rhy. Fig. 1

2 2

0

2

0

2 2

0

2

00

2450

2450

2450

2450

2450

450

450

00450

2X450

2X450

2X450

2X450

2X450

450

450

450

00450

4 4

0

4

0

0 0

0

0

40

0

4X450

4X450

4X450

4X450

4X450

450

450

450

00450

02440

02440

02440

02440

02440

450

450

450

450

0X2450

0X2450

0X2450

0X2450

0X2450

450

450

450

450

2X450

2X450

2X450

2X450

2X450

2X450

2X450

2X450

00450

4X450

4X450

4X450

4X450

4X450

450

450

450

00450

02440

02440

02440

02440

02440

02450

02450

02450

002450


1



VerseGtr. 1: w/ Rhy. Fig. 1 (4 times)Gtr. 2: w/ Riff A (4 times)

E5

I1. don’t want this mo

Bsus4

ment-

C#m7

to ev er- end,

A add#4sus2 Asus2

E5

where ev ’ry- thing’s- noth

Bsus4

in’- with out

C#m7

- you.

A add#4sus2 Asus2

E5

I wait here for ev-

Bsus4

er- just to,

C#m7

to see you smile,

A add#4sus2

’cause

Asus2

it’s

Gtr. 3 (elec.)

Riff B

w/ dist.

mf

End Riff B

true.

Gtr. 3: w/ Riff B

E5

I am noth

Bsus4

ing- with out

C#m7

- you.

A add#4sus2

Through

Asus2

it

Gtr. 1

Rhy. Fig. 2

Pre-Chorus

C#m7 Asus2 E5 Bsus4End Rhy. Fig. 2

all, I’ve made my mis takes,- I stum ble- and fall. But I mean these words.

I want you to

Gtr. 3

Gtr. 2 Riff C End Riff C

12 1114 12

1212

12 11

4 4

0

4

0

0 0

0

0

00

0

0 0

0

0

0

2 2

0

2

0


2



2To Coda

1To Coda

know

ChorusGtrs. 1, 2 & 3 tacet

C#5

with ev

A5

’ry- thing- I won’t let this go.

E5

*Gtr. 4 (elec.)

w/ dist.

Rhy. Fig. 3

f

*Two gtrs. arr. for one.

These

B5

words are my

G#/B#

heart and soul.

(So

C#5

I

I’ll hold on

hold

A5

to this mo

on.)

ment- you

know.

E5

As I’ll

B5

bleed my heart

G#/B#

out

End Rhy. Fig. 3

to show.

C#5

And I

A5Gtr. 4 tacet

Rhy. Fig. 4

Gtr. 1

type2E5End Rhy. Fig. 4

won’t let go.

Gtr. 2

Riff D End Riff D

466

466

466

466

466

466

466

466

466

577

577

577

577

577

577

577

577

577

022

022

022

022

022

022

022

022

022

244

244

244

244

244

365

365

365

365

365

466

466

466

466

466

466

466

466

466

577

577

577

577

577

577

577

577

577

022

022

022

022

022

022

022

022

022

244

244

244

244

244

365

365

365

365

365

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

0

022

022

022

022

022

022

022

2 2

0

2

0

2 2

0

2

00


3



E5

Interlude

Gtr. 1: w/ Rhy. Fig. 1Gtrs. 2 & 3: w/ Riff A

Bsus4

C#m7

A sus2

add#4

Asus2

Verse

Gtr. 1: w/ Rhy. Fig. 1 (4 times)Gtrs. 2 & 3: w/ Riff A (4 times)

E5

Thoughts2. read un spo

Bsus4

- ken-

C#m7

for ev- er- in vow,

A add#4sus2 Asus2

Gtr. 5 (elec.)

Riff E

w/ dist.

mf

End Riff E

Gtr. 5: w/ Riff E (3 times)

E5

and piec es- of mem

Bsus4

’ries- fall to

C#m7

the ground.

A add#4sus2 Asus2 E5

I know what I

did

Bsus4

n’t- have, so

C#m7

I won’t let this go.

A sus2add#4

’Cause

Asus2

it’s true,

E5

I am

noth

Bsus4

ing- with out

C#m7

- you.

A add#4sus2

All

Asus2

the streets

Gtr. 1: w/ Rhy. Fig. 2Gtrs. 2 & 3: w/ Riff C

Pre-Chorus

C#m7

where I walked a lone-

Gtr. 4

P.M.

0 0

446

446

446

446

446

446

446

446

446

446

446

446


4



D.S. al Coda 1

1 Coda

Asus2

with no where- to go

E5

have come to an end.

Bsus4

I want you

µ

to

P.M.

Gtr. 1: w/ Rhy. Fig. 4Gtr. 2: w/ Riff D

E5

Gtr. 4

Rhy. Fig. 5

Bridge

A5/E

go.

In front of your

Gtr. 4

(cont. in slashes)

w/ dist.

*Gtr. 6 (elec.)

f

*Doubled throughout

type3E5 B5/F# C#5 B5

eyes, it falls from the skies when you don’t know what you’re look ing- to

57

57

57

57

57

57

57

57

57

57

57

57

022

022

022

022

022

022

022

022

022

022

022

022

224

224

224

224

224

224

224

XXX

XXX

XXX

XXX

7X9

7X9

7X9

7X9

6X8

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

6X8

7X9

7X9

7X9

7X9

X9

11X9

11

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

7X9

7X9

X11

13X11

13X11

13X11

13X11

13X11

13X9

11X9

11X11

13X11

13X9

11X9

11


5



A5/E type3E5 B5/F#

find. In front of your eyes it falls from the skies when you just

C#5 B5

End Rhy. Fig. 5

Interlude


A5 E5

nev er- know what you will find.

(What you will find,

what you will

find.

B5

What you will find,

C#5

what

B5

you will find.)

A5

E5 B5 C#5 B5

7X9

7X9

7X9

7X9

6X8

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

6X8

7X9

7X9

7X9

7X9

X9

11X9

11

6X8

6X8

6X8

6X8

6X8

6X8

6X8

7X9

7X9

X9

11X9

11

X11

13X11

13X11

13X11

13X11

13X11

13X9

11X9

11X11

13X11

13X9

11X9

11

7X9

7X9

7X9

7X9

7X9

6X8

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

6X8

7X9

7X9

7X9

7X9

X9

11X9

11

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

7X9

7X9

X11

13X11

13X11

13X11

13X11

13X11

13X9

11X9

11X11

13X11

13X9

11X9

11

7X9

7X9

7X9

7X9

7X9

6X8

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

7X9

6X8

7X9

7X9

7X9

7X9

X9

11X9

11

6X8

6X8

6X8

6X8

6X8

6X8

6X8

6X8

7X9

7X9

X9

11X9

11X11

13X11

13X11

13X11

13X11

13X11

13X9

11X9

11X11

13X11

13X9

11X9

11


6





Segue to “Pull the Curtain”

go.


C#5 A5

E5

B5

G#/B#

know with ev ’ry- thing- I won’t let this go. These words are my heart and

soul.

(So

C#5

I

I’ll hold on

hold

A5

to this mo

on.)

ment- you know.

E5

As I’ll

B5

bleed my heart

G#/B#

out to

show.

C#5

And I won’t

A5

let go.

Outro

E5

Gtr. 4

(cont. in slashes)

Gtr. 4

Freely

E5 type 3 †

Gtr. 4 tacet

G#m7 E5 B

*Gtr. 7

***w/ delayw/ fingers

let ring throughout

p **


***Set for dotted eighth-note regeneration w/ 1 repeat.

**Fade in†Chord symbols reflect implied harmony.

F#5 G#m7 E5 B

mf

F#5 E5

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

XXX

022

022

022

022

022

022

022

022

022

022

2

24

2

2

4

24

0

0

2

24

2

2

4

24

0

0

2

24

2

2

0

0


8



Intro


Pull the CurtainWords and Music by Deryck Whibley



Double-time feel

Gtr. 8: Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb

*Gtr. 1 (dist.)

G#5

f

E5 **

Gtr. 1 tacet

B5

3


Riff A

mf

4fr

13 4

G#5

11

E5

13 4

B5

14 3

F#/A#

13 4

F#53fr

14 3

Eb/G

11342

Em4fr

13411

G#m

*Doubled throughout **Chord symbols reflect implied harmony.

End Riff A

Gtr. 1

Gtr. 2: w/ Riff A

G#m E5 B5

P.S.

3

2nd time, Gtr. 4 tacet

F#/A# B5 C#5 B5 F#/A# G#5 E5 F#/A# B5 B/D# C#5

G#5 E5 F#/A# B5 C#5 B5 F#/A# G#5 E5

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2

X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

466

466

466

466

022

022

022

022

022

022

022

022

XXX

XXX

XXX

XXX

143

XXX

2X4

2X4

2X4

4X6

4X6

2X4

2X4

1X3

466

466

466

022

022

022

022

022

022

022

143

XXX

2X4

2X4

X9

11

9

11

6X8

4X6

4X6

4X6

4X6

466

466

466

466

466

466

466

799

799

799

799

799

XXX

XXX

143

XXX

2X4

2X4

4X6

4X6

2X4

2X4

1X3

466

466

466

022

022

022

022

022

022

022


1





day

Chorus

G#m7

has come.

E5

I pay for all the bad

B

things I’ve done.

F#5

*Gtr. 4

let ring throughout

w/ fingers

mf


(Oo.

Bridge

**Voc. Fig. 1

Gtr. 4 tacet

E5

It’s gon na- take me,

F#5

you don’t know trag

Eb/G

e- dy.- Oo.)

G#5

I’ve been to hell and back

Gtr. 1

**Refers to upstemmed voc. only.

F#5

a gain- to tell and...

End Voc. Fig. 1


E5

Close my eyes and

F#5

lay me down

Eb/G

to sleep.

G#5

I fear the worst, my beat

F#5

ing- heart ticks to ex plode.-

E5

And my time

4

24

0

0

2

24

2

2

022

022

022

022

022

022

244

244

244

244

365

365

365

365

365

365

466

466

466

466

466

466

466

466

466

244

244

244

244

244

244

244

244

244

022

022

022

022

022

022

022

022

022

022

022

022

244

244

244

244

244

365

365

365

365

365

466

466

466

466

466

466

466

466

466

244

244

244

244

244

244

244

244

0 022

022

022

022

022

022

022

022

022


3



Em

is up, so why

Gtr. 1 tacet

µ

can’t I just

Guitar Solo

Gtr. 1

B5 F#/A# G#5 E5

sleep?

Gtrs. 5 & 6 (dist.)

f

F#5 Eb/G

Gtr. 7 tacet

G#5 F#5

Gtr. 7 (dist.)

f

Gtr. 5

Gtrs. 5 & 6

(Gtr. 5, cont. on higher staff)

Gtr. 6

022453

022453

022453

022453

022453

022453

022453

022453

7 12 1213

1214

1312

14

13

1112

13

1112

1312

13

11 12 11

11

14 11

X9

12

X9

12

X9

12

X9

12

X9

12

X9

12

X9

12

X9

12

X11

14

X11

14

X11

14

X11

14

X11

14

X11

14

X11

14

X11

14

11 12 1111

14 11 11

X11

13X11

13X11

13X11

13X11

13X11

13X11

13X11

13X13

15X13

15X13

15X13

15X13

15X13

15X13

15X13

15


4



Double-time feel

E5 Em

Pre-Chorus


B5 F#/A#

Liv ing- dead a -

Gtrs. 5 & 6

Gtr. 2

P.M.1/2

wake,

G#5

the hor

F#5

ror- show be gins,

E5

- so pull the cur tains- o ver- me.

P.M.

Bring

Gtr. 2 tacet

B5

on the pan

F#/A#

ic,- the un

G#5

controlled

It’s

- and

a

man

free

F#5

ic.

for

-

- all,- kill them

E5

all, ev ’ry- last one

Em

of them. I don’t care at

(Ah. And, hey,

hey,

hey,

hey.

Gtr. 1


Bring

all.


B5

on the pan

F#/A#

ic,- the un

G#5

controlled

It’s

- and

a

man

free

F#5

ic.

for

-

- all,- kill them

E5

all, ev ’ry- last one

Em

of them. I

Suf

don’t

fo-

care

cate-

at

the

Ah. And, hey,

hey,

hey,

hey.)

12 12 11 11 12 12 11 11

1312

14

131414

1214

14

24

24

24

24

14

14

14

14

46

46

46

46

24

24

24

24

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

244

244

244

244

143

143

143

143

466

466

466

466

244

244

244

244

022

022

022

022

022

022

022

022

022453

022453

022453

022453

022453

022453

022453

022453


5



dreams

all.

Chorus

G#5

in my mind.

E5

Drown the thoughts that

(I

Voc. Fig. 2

can’t stop be liev- ing.-

(Ah.

Gtr. 1

Rhy. Fig. 3

have

B5

me con fined.-

F#5

Gut ter-

*

dreams

F#5/G

as

Stop this heart from bleed ing.-

Ah.

End Rhy. Fig. 3

*Bass plays G.

black


G#5

as the night.

E5

No one told me em

B5

pa- thy’s- a lie.

My in ten- tions- were good.

Ah.

Voc. Fig. 3

Ah.)

466

466

466

466

466

466

466

466

466

466

466

799

799

799

799

799

799

799

799

799

XXX

XXX

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244


6



Free time

F#5

Suf fo- cate

F#5/G

- the dreams


G#5

in my mind.


E5

Drown the thoughts that

Lost in par a-

End Voc. Fig. 2

noi- a.)-

Voc. Fig. 4

(My last words, I’m chok ing.- Are all my dreams bro ken?-

End Voc. Fig. 3

have

B5

me con fined.-

F#5

Gut ter- dreams

F#5/G

as black


G#5

as the night.

The si lence- is dead en- ing.- My ears won’t stop ring

End Voc. Fig. 4

ing.)-

E5

No one told me em

B5

pa- thy’s- a lie.

F#5

Gtr. 1

Outro

G#m

Gtr. 1 tacet

*

G#5[A5]

E#[F#]

Gtr. 8 (dist.)

w/ step flanger

ff

*Symbols in parentheses represent chord names respective to detuned guitar. Symbols above represent actual sounding chords.

20

40

40

50

20


7



Slower q = 74

Now

Gtr. 8 tacet

G#m

we’re

C#m

gone.

F#

Do you

B

still

F#/A#

feel

G#m

the same

C#m

when

Gtr. 4

now,

F#

can’t

B

you

F#/A#

see

G#m

I need help

C#m F#

to stop

B F#/A#

G#m

me from

C#m

my self?

F#

- But can’t

B

you

F#/A#

help

G#m

me

F#

now?

E

*w/ thumb & finger

*Alternate as rapidly as possible.

4

44

4

65

2

32

2

44

1

32

4

44

4

65

6

2

32

42

44

1

32

4

44

64

65

665

6

2

32

432

42

44

41

32

4

4

44

644

64

65

665

6

2

32

432

42

44

1

32

4

64

2

43

0

100

2

0

2


8



Intro Free time

King of ContradictionWords and Music by Deryck Whibley



Fast q = 166

Double-time feel

µ

13 4

G5

I’ve1.

Gtr. 1 (dist.)

string noise

f

steady gliss.

*

*Pick sixteenth-notes while sliding.

Gtr. 2 (dist.)

f **

steady gliss.

**Pick sixteenth-notes while sliding.

de

burn

Verse

G5

throned

like

- the

a

king

cig

Eb5/Bb

of

a-

con

rette-

tra

in

- dic

ash

D5/A

- tion.

es.

-

-

Or

Your

were

head

you

comes

just

down

a

and

jest

crash

G5

er

es,

-

-

all

your

a

throat

Eb5/Bb

pours

long,

blood

- a

from

***Gtrs. 1 & 2

***Composite arrangement

sim

slash

D5/A

ple- pawn?

es.-

Don’t

And

you

I

know

hope

you

you

can’t

nev

G5

count

er-

your

for

tears

get

Eb5/Bb

-

like

like

your

a

mon

tat

Bb5

ey

too

-

-

run

of

ning

re

- down

gret

F/A

-

like

this

XX

XX

XX

1212

00000

13 5 000

000 0

0

15 6 000

355

355

355

355

355

XXX

6688

6688

6688

6688

6688

6688

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

355

355

355

355

355

XXX

6688

6688

6688

6688

6688

6688

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

355

355

355

355

355

XXX

6688

6688

6688

6688

6688

6688

688

688

688

688

688

688

587

587

587

587

587

587


1



C oT oda

rain.

time.

G5

(It’s in

(This

Eb5/Bb

the drain.)

time.)

D5/A

Now, you

You

don’t

don’t

need

need

to

to

pray

Chorus

Eb5/Bb

for me,

Bb

’cause I’m not

F

the one to blame.

Gm

Can’t wait

Eb5

to see

Bb

you

go

F

in’- down in flames.

Gm

Could

Eb5/Bb

it be,

Bb

know not

F

what we be came.

Gm

- You

lost

Eb5/Bb

the hu

Bb

man- race,

D5/A

(Race.)

355

355

355

355

355

XXX

6688

6688

6688

6688

6688

6688

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

6688

6688

6688

6688

6688

6887

6887

6887

6887

XXXX

XXXX

8101010

8101010

8101010

8101010

XXXX

XXXX

10121211

10121211

10121211

10121211

XXXX

XXXX

6688

6688

6688

6688

6688

6887

6887

6887

6887

XXXX

XXXX

8101010

8101010

8101010

8101010

XXXX

XXXX

10121211

10121211

10121211

10121211

XXXX

XXXX

6688

6688

6688

6688

6688

6887

6887

6887

6887

XXXX

XXXX

8101010

8101010

8101010

8101010

XXXX

XXXX

10121211

10121211

10121211

10121211

XXXX

XXXX

6688

6688

6688

6688

6688

6887

6887

6887

6887

XXXX

XXXX

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

5577

XXXX

XXXX


2







G5

P.M.

C5 Eb5

3 3 3

End Rhy. Fig. 1

3 3 3 3 3 3

Gtrs. 1 & 2


G5

P.M.

C5 Eb5

3 3 3 3 3 3

G5

P.M.

C5 Eb5

3 3 3 3 3 3

...just

G5

drop

dead.

µ(Misc. noise & drums)

10 sec.

35

35

35

35

0 35

35

35

35

0 35

35

35

35

0355

688

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0355

688

35

35

35

35

35

0 35

35

35

35

35

0 35

35

35

35

35

0355

688

35

35

0 35

35

0 35

35

0 35

35

0 35

35

0 35

35

0355

688

355

355

355


5



Intro

Moderately q = 89

Best of MeWords and Music by Deryck Whibley



(Oo.

Gtrs. 1 & 4-9: Tune down 1 step:(low to high) D-G-C-F-A-D

Gtr. 2: Drop D tuning, down 1 step:(low to high) C-G-C-F-A-D

*G5

[A5]Voc. Fig. 1

Dsus4[Esus4]

Oo.)

1342

G

12

Em

32 1

C

32 1

D

14 3

D/F#

Em7[F#m7]

Dsus4[Esus4]

C5[D5]

D[E]

End Voc. Fig. 1

Gtr. 1 (acous.)

Rhy. Fig. 1

mp

End Rhy. Fig. 1

Gtr. 2 (acous.)

Rhy. Fig. 1A End Rhy. Fig. 1A

P.M.

*Symbols in parentheses represent chord names respective to detuned guitar. Symbols above represent actual sound chords. Chord symbols reflect overall harmony.

mp

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (4 times)

Verse

G5[A5]

It’s1. so hard to say that

Dsus4[Esus4]

I’m sor ry,- I’ll make ev

Em7[F#m7]

’ry- thing-

Dsus4[Esus4]

al right.-

C5[D5]

D[E]

G5

[A5]

All these things that I’ve done,

Dsus4[Esus4]

now what have I be come,-

Em7[F#m7]

and where’d

Dsus4[Esus4]

I go wrong?

C5[D5]

D[E]

7

0

910

7

0

910

79

09

7

0

910

7

0

910

7

0

910

79

09

7

0

910

7X

0

910

7X

0

910

7X9

09

7X

0

910

7X

0

910

7X

0

910

7X9

09

7X

0

910

X9

9

010

X9

9

010

X9

0

99

X9

9

010

7X

0

910

7X

0

910

7X9

09

7X

0

910

57

57

57

57 6

969

69

69

77

77

77

77

77

77

77

77

22

22

22

22

22

22

22

22

44

44

44

44

22

22

22

22

00

00

00

00

67

67

67

67


1




G5[A5]

I don’t mean to hurt

Dsus4[Esus4]

just to put you first.

Em7[F#m7]

I won’t tell

Dsus4[Esus4]

you lies.

C5[D5]

(I’m sor

D[E]

ry.)-

G5

[A5]

I will stand ac cused-

Dsus4[Esus4]

with my hand on my heart.

Em7[F#m7]

I’m just try

Dsus4[Esus4]

in’- to say

C5[D5]

I’m sor

D[E]

ry.-

Chorus

G

It’s all that I can say.

Em

You

*Gtr. 3 (acous.)

Rhy. Fig. 2

mf

*Doubled throughout

mean so much, and I’d fix all

C

that I’ve done if I

D

could start a gain.-

End Rhy. Fig. 2


G

I’d throw it all a way-

Em

to the shad ows- of re gret,-

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

3201

3201

3201

3201

3201

3201

3201

3201

3201

3201

54X3

54X3

54X3

54X3

54X3

54X3

54X3

54X3

54X3

54X3


2



C

and you would have

D

the best of me.

G5[A5]

Gtr. 4 (elec.)

w/ dist. mf

Interlude

Rhy. Fig. 3

Bkgd. Voc.: w/ Voc. Fig. 1Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

G5[A5]

Dsus4[Esus4]

Em7[F#m7]

Dsus4[Esus4]

Csus2[Dsus2]

Dadd4[Eadd4]

End Rhy. Fig. 3

Verse

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (4 times)Gtr. 4: w/ Rhy. Fig. 3 (4 times)

G5[A5]

I2. know that I can’t take

Dsus4[Esus4]

back all of the mis takes,-

Em7[F#m7]

but I

Dsus4[Esus4]

will try.

Csus2[Dsus2]

Dadd4[Eadd4]

G5

[A5]

Al though- it’s not eas y-

Dsus4[Esus4]

I know you be lieve- me,

Em7[F#m7]

’cause I would

Dsus4[Esus4]

not lie.

Csus2[Dsus2]

Dadd4[Eadd4]

G5

[A5]

Don’t be lieve- their lies

Dsus4[Esus4]

told through jeal ous- eyes,

Em7[F#m7]

they don’t un

Dsus4[Esus4]

der- stand.-

Csus2[Dsus2]

(I’m sor

Dadd4[Eadd4]

ry.)-

7

0

910

7

0

910

79

09

7

0

910

7

0

910

7

0

910

7

0

910

79

09

7

0

910

7

0

910

7

0

910

79

09

7

0

910

7

0

910

7

0

910

7

0

910

79

09

7

0

910

7

0

910

7

0

910

7

0

910

7

0

910

7

0

910

7

0

910

7

0

910

7

0

910

7X

0

910

7X

0

910

7X

0

910

7X

0

910

7X

0

910

7X

0

910

7X

0

910

7X

0

910

X9

9

010

X9

9

010

X9

9

010

X9

9

010

7X

0

910

7X

0

910

7X

0

910

7X

0

910

0

0

910

0

0

910

0

0

910

0

0

910

6

0

910

6

0

910

6

0

910

6

0

910


3



G5

[A5]

I won’t break your heart,

Dsus4[Esus4]

I won’t bring you down,

Em7[F#m7]

but I will

Dsus4[Esus4]

have to say

Csus2[Dsus2]

I’m sor

Dadd4[Eadd4]

ry.-

*Gtr. 5 (elec.)

w/ dist.

f

*Doubled throughout

Chorus


G[A]


Em[F#m]

You

Rhy. Fig. 4


C[D]


D[E]


End Rhy. Fig. 4


G[A]


Em[F#m]

to the

XXX

XXX

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

244222

244222

244222

244222

244222

244222

244222

244222

244222

244222

244

222

244

222

244

222

244

222

244

222

244

222

244

222

244

222

244

222

244

222

57

77

57

77

57

77

57

77

57

77

57

77

57

77

57

77

57

77

57

77

079

9

079

9

079

9

079

9

079

9

079

9

079

9

079

9

079

9

079

9


4



shad ows- of re gret-

C[D]

and you would have

D[E]

the best of me.

Gtr. 3

GGtr. 6 tacet

Guitar Solo

Em

(Oo.)

Gtr. 6 (elec.)

w/ clean tone

mf

let ring

*Gtrs. 7 & 8 (elec.)

w/ dist.

f


Gtr. 5

C G D

100

90

100

90

100

90

100

100 0

10010

09

010

010

012

012

910

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

577655

XXX

XXX

244

244

244

244

244

244

244

244

0

10

0

10

0

9

0

10

0

10

0

12

0

12 9 9 9

9

9 10 9

9

9 9 10

12

9 10

12

9 10

577

577

577

577

577

577

577

577

577

577

577

577

577

577

577

577

0799

0799

0799

0799

0799

0799

0799

0799


5



Em C G D/F#

Em C D

I’m sor ry.-

Gtr. 7

let ring

Gtr. 8

let ring

Gtr. 5

Chorus

Gtrs. 3, 5, 7 & 8 tacet

G


Em

You

010

010

09

010

010

012

012

910

010

010

09

010

010

012

012

9 9 9

9

99

9

99

244

244

244

244

244

244

244

244

577

577

577

577

577

577

577

577

577

577

577

577

476

476

476

476

11 11

9

1110

11

9

1110 9

129 10

1210 9 12 10

1212 10

1210 12

012

11 11

9

1110

11

9

1110 9

129 10

129 10 12 10

1212 10

1210

012

012

012

244

244

244

244

244

244

244

244

577

577

577

577

577

577

577

577

0799

0799

0799

0799

0799

0799

0799

0799

0799

799


6



Play 5 times and fade


C


D


G


Em

to the

Gtr. 3

shad ows- of re gret-

C

and you would have

D

the best of me.

Outro

G(A)

(Oo.)

Gtr. 3 tacet

Gtr. 3

*Gtr. 9 (dist.)

*Bkwds. gtr. arr. for gtr.

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

3554

XXXX

XXXX

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

02200

XXXXX

XXXXX

3201

3201

3201

3201

3201

3201

3201

3201

3201

54X3

54X3

54X3

54X3

54X3

54X3

54X3

XXXX

XXXX

3554

10 9 1012

10 9 1012

10 9 1012

10 9 1012

10 9 1012

10 9 1012

10 9 1012

10 9 10


7



Intro


Confusion and Frustrationin Modern Times

Words and Music by Deryck Whibley



Slightly faster q = 118

Double-time feel

Gtr. 1 (dist.)

w/ flanger

µ

mp

G#5 E5

B5 F#5 G#5

E5 B5 F#5

E*Gtr. 2 (dist.)

Gtr. 1 tacet

f

µ B5 E5

*Two gtrs. arr. for one.

XXX

XXX

466

466

466

466

466

466

466

466

466

466

466

466

466

466

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

244

244

244

244

244

244

244

244

244

244

244

244

244

244

466

466

466

466

466

466

466

466

466

466

466

466

466

466

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

799

244

244

244

244

244

244

244

244

244

244

244

244

244

0

022100

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

244

244

244

244

022

022

022

022

022

022

022


1



G#5 E5 B5 E5 F#5 µ

Up

Verse

1.

B

in smoke, pop goes the cul ture.-

G#5

The ten sion- blew

E5

it up. While

chok

B

ing- from our bleed ing- ul cer,-

G#5

we e ven- tu- al- ly- threw

E5

it up. So

what

G#5

went wrong?

(What

E5

went wrong?

Where’s

B5

the voice of rea

F#

son?- It’s

G#5

long

It’s

gone,

E5

long

we

(What went wrong? Ah. It’s long gone.

Rhy. Fig. 1

466

466

466

466

022

022

022

022

022

022

022

244

XXXX

XXXX

XXXX

XXXX

022

022

022

022

022

022

022

244

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

2444

2444

2444

2444

2444

2444

2444

2444

2444

2444

2444

2444

4

66

4

66

4

66

4

66

4

66

4

66

0

22

0

22

0

22

0

22

0

22

0

22

2444

2444

2444

2444

2444

2444

2444

2444

2444

2444

2444

2444

466

466

466

466

466

466

022

022

022

022

022

022

466

466

799

799

799

799

799

244

244

244

244

244

244

2443

2443

2443

2443

2443

2443

466

466

799

799

799

799

799


2



gone.)

lost

B5

it long a go.

F#

- Ap

Pre-Chorus

G#5

a- thy- plus sized

E5

- filled the void

B5

of mo ti- va

F#5

- tion.-

Ah.)

End Rhy. Fig. 1 Rhy. Fig. 2

P.M. P.M. P.M. P.M.

I

G#5

can hard ly- breathe

E5 µ

at all.

Chorus

B5

Con fu- sion’s-

F#5

all I see,

G#5

frus tra- tion-

E5

sur rounds- me.

P.M.

End Rhy. Fig. 2 Rhy. Fig. 3 End Rhy. Fig. 3

B5

So lu- tion’s-

F#5

bid fare well,-

G#5

se da- tion,-

E5

what

µ

the hell.

Interlude

µ


B5 E5 G#5 E5 B5 E5

244

244

244

244

244

244

2443

2443

2443

2443

2443

2443

466

46

46

46

46

46

46

022

02

02

02

02

02

02 2

44

24

24

24

24

24

24

244

24

24

24

24

24

24

466

46

46

46

46

46

46

022

244

244

244

244

244

244

244

244

244

244

244

244

244

244

466

466

466

466

466

466

466

022

022

022

022

022

022

022

2

44

2

44

2

44

2

44

2

44

2

44

2

44

24

4

24

4

24

4

24

4

24

4

24

4

24

4

46

6

46

6

46

6

46

6

46

6

46

6

46

6

02

2

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

244

244

244

244

022

022

022

022

022

022

022

466

466

466

466

022

022

022

022

022

022

022

022

244

XXXX

XXXX

XXXX

XXXX

022

022

022

022

022

022

022


3



F#5

µ

Verse

B5

I2. broke the mir

E5

ror- to the past

G#5

to find what I

E5

was look ing- for.

B

The bleed ing- heart

E5

of bro ken- glass

G#5

is all I found

E5

and noth ing- more.


G#5

Re

(...more.

grets

E5

-

Re -

(...more. Re grets.-

grets.

short

B5

of no cor rec

F#

- tion.- Paid

G#5

my

Paid

debts

E5

my debts.)

to

B5

anx i- e- ty.

F#

- The

Ah. Paid my debts. Ah.)

i


Pre-Chorus

G#5

ron- lung col lapsed

E5

- from the pres

B5

sure- and the swell

F#5

ing.- I

G#5

can hard ly- breathe

E5 µ

at

244

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

244

244

244

244

244

244

022

022

022

022

022

022

466

466

466

466

466

466

799

799

799

799

799

799

2444

2444

244

244

244

244

022

022

022

022

022

022

466

466

466

466

466

466

799

799

799

799

799

799


4



all.

B5Chorus

Con fu- sion’s-

F#5

all I see,

G#5

frus tra- tion-

E5

sur rounds- me.

B5

So lu- tion’s-

F#5

bid fare well,-

Gtr. 2

G#5

se da- tion,-

E5

what the hell.


B5

Con fu- sion’s-

F#5

all I see,

*Harm.

8v a

Pitch: D#*Harm. located approx. two-tenths the distance between the 1st & 2nd frets.

1 .2 1.2 1 .2 1.2

G#5

frus tra- tion-

E5

sur rounds- me.


B5

So lu- tion’s-

F#5

bid fare well,-

G#5

se da- tion,-

E5

what

µ

the hell.

Bridge

µ

Dead

G#5

end- roads

E5

and warn

G#5

ing- signs.

E5

Gtr. 2

244

244

244

244

244

244

244

244

244

244

244

244

244

244

466

466

466

466

466

466

466

022

022

022

022

022

022

022

244

244

244

244

244

244

244

244

244

244

244

244

244

244

466

466

466

466

466

466

466

022

022

022

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

466

XXX

466

XXX

022

466

XXX

466

XXX

799


5




Half-time feel

Des

G#5

ti- na

E5

- tion- no - where

F#

in sight

B5

So...

Interlude

B5 Esus2 E/G# F#sus4 F#add4

B5

Esus2

G#5

*F# **E5

Di vid- ed- we stand,

*Bass plays F#.

**Bass plays E.

Bridge

B5

to geth- er- we fall.

F#5

There is n’t- a god

G#5

that can save us all.

(No

*** Male &

Female:

Voc. Fig. 1

be lief - for all, for all.)

Rhy. Fig. 5

***Voices sound one octave lower than written.

466

XXX

466

XXX

022

2443

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

244

244

244

14 00000

0

2440

2440

2440

2440

2440

2440

2440

2440

02440

02440

02440

02440

02440

02440

02440

02440

476X0

476X0

476X0

476X0

476X0

476X0

476X0

476X0

24440

24440

24440

24440

24430

24430

24430

24430

2440

2440

2440

2440

2440

2440

2440

2440

02440

02440

02440

02440

02440

02440

02440

02440

02440

4 4 6 6 7 7 0 0 0 0

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

244

466

466

466

466

466

466

466

466


6



E5

So don’t pray on your knees,

Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)Gtr. 2: w/ Rhy. Fig. 5 (3 times)

B5

just beg on your hands.

F#5

There is no be lief -

End Voc. Fig. 1

End Rhy. Fig. 5

G#5

in this prom ised- land.

E5

Di vid- ed- we stand,

B5

to geth- er- we fall.

F#5

There’s no god

G#5

that can save us all.

E5

So don’t pray on your knees,

B5

just beg on your hands.

F#5

There is no be lief -

G#5

in this prom ised- land.

E5

There is no be lief.-

Interlude

B5

(Oo.)

Gtr. 2

022

022

022

022

022

022

022

022

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

0 0


7



End half-time feel

Double-time feel

P.M.


Chorus

B5

Con fu- sion’s-

F#5

all I see,

G#5

frus tra- tion-

E5

sur rounds- me.

B5

So lu- tion’s-

F#5

bid fare well,-

G#5

se da- tion,-

E5

what the hell.

B5

Con fu- sion’s-

F#5

all I see,

G#5

frus tra- tion-

E5

sur rounds- me.

B5

So lu- tion’s-

F#5

bid fare well,-

G#5

se da- tion,-

E5

what

µ

the hell.

Outro

B5

Gtr. 3 (dist.)

Riff A1

f

Gtr. 2

Riff A

244

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

244

244

244

244

244

244

244

244

244

244

244

244

244

244

XXX

XXX

XXX

XXX

1612

1612

1612

1612

1612

1612

1612

1612

1612

1612

1612

1612

1612

1612

244

244

244

244

244

244

244

244

244

244

244

244

244

244

466

466

466

466

466

466

466

022

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4


8



End Riff A1

Gtrs. 2 & 3: w/ Riffs A & A1 (3 times)

* B5

F#sus4 G#m

E5

End Riff A

*Chord symbols implied by bass, next 2 meas.


B

mf

F#7sus4

let ring let ring

G#m7 E5

let ring let ring

B F#7sus4

let ring let ring

Gtr. 1

flanger off

G#m7 E5

let ring let ring

Gtr. 2

Gtr. 4 tacet

G#5 E5 B5 µ

1612

1612

1612

1612

1612

1612

1612

1612

1612

1612

1612

1612

1612

1612

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

44

44

54

54

74

74

54

54

44

44

54

54

2X4

2X4

2X4

2X4

2X4

2X4

4X6

4X6

4X6

4X6

4X6

4X6

74

74

54

54

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

XXX

7998

6X8

6X8

6X8

6X8

6X8

6X8

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4


9





C oT oda

quite

Chorus

Cadd9

al

D Dsus4

right.

G

- And good bye

Cadd9

-

Gtr. 1

for

D

now.

Em

Just look up

C

to the stars and be lieve-

D

who you are. ’Cause

Dsus4

it’s

D

quite

Em

al

Dsus4

right.

Cadd9

-

And so long, good

D Dsus4

bye.

Interlude

G

-

32033

32033

32033

32033

32033

00232

00232

00232

00233

00233

320033

320033

320033

320033

320033

320033

320033

320033

320033

320033

32033

32033

32033

32033

32033

00232

00232

00232

00232

00232

022000

022000

022000

022000

022000

022000

022000

022000

022000

022000

32010

32010

32010

32010

32010

32010

32010

32010

32010

32010

00232

00232

00232

00232

00232

00232

00233

00233

00232

00232

022000

022000

022000

022000

022000

00232

00232

00232

00232

00233

32033

32033

32033

32033

32033

32033

32033

32033

32033

32033

32033

32033

32033

32033

32033

00232

00232

00232

00233

00233

320033

320033

320033

320033

320033

320033

320033

320033

320033

320033


2



D.S. al Coda

Coda

Cadd9 D Dsus4 G Cadd9 D Dsus4 G

bye.

G

Interlude

Em

C

G D

Em C G

Dadd11/F# Em C

32033

32033

32033

32033

32033

00232

00232

00232

00233

00233

320033

320033

320033

320033

320033

32033

32033

32033

32033

32033

00232

00232

00232

00232

00233

00233

320033

320033

320033

320033

320033

320033

320033

320033

320033

320033

320033

320033

320033

320033

320033

320033

022000

022000

022000

022000

022000

022000

022000

022000

022000

022000

32010

32010

32010

32010

32010

32010

32010

32010

32010

32010

320033

320033

320033

320033

320033

320033

320033

320033

320033

320033

00232

00232

00232

00232

00232

00232

00232

00232

00232

00232

022000

022000

022000

022000

022000

022000

022000

022000

022000

022000

32010

32010

32010

32010

32010

32010

32010

32010

32010

32010

320033

320033

320033

320033

320033

2X0233

2X0233

2X0233

2X0233

2X0233

022000

022000

022000

022000

022000

022000

022000

022000

022000

022000

32010

32010

32010

32010

32010

32010

32010

32010

32010

32010


3



D

Well,3. time

Verse

G

pass es- by,

Cadd9

di rec

D

- tion- un

Dsus4

-

mf

known.

G

You’ve left us now,

Cadd9

but we’re

D

not

Dsus4

a lone.

G

-

Be


fore- you know

Cadd9

it your cup’s

D

o

Dsus4

ver- - flown.

G

Well,

you meas ure- no

Cadd9

one that I’ve

D

ev

Dsus4

er- known.

G

And it’s

quite

Outro-Chorus

Cadd9

al

D Dsus4

right.

G

- And good -

Gtr. 1


00232

00232

00232

00232

00232

00232

00232

00232

00232

00232

320033

320033

320033

320033

320033

32033

32033

32033

32033

00232

00232

00232

00232

00233

320033

320033

320033

320033

320033

320033

320033

320033

320033

32033

32033

32033

32033

32033

00232

00232

00232

00233

00233

320033

320033

320033

320033

320033

3 32

33

32

03

0

32

0

33

3X0 0

033

3

033

32

32

033

32

03


4



poco rit.

bye

Cadd9

for

D

now.

Em

Just look


up

C

to the stars and be lieve-

D

who you are. ’Cause it’s

let ring let ring

quite

Em

al

D5

right.

Cadd9

- And so


long, good

D

bye.

G

-

let ring poco rit.

let ring

3 32

33

32

03

00 0

232

02

00

02

0 000

200

02

02

000

22

000

32

10

0

3

010

200

00 0

23

232

02

3

000

02 2

200

200

200

00

23

023

03

2033

03

32

33

203

32

033

02 2

32 3

320033


5



Intro

Fast q = 179

Look at MeWords and Music by Deryck Whibley



Gtr. 1 (acous.)

w/ thumb

let ring throughout

Rhy. Fig. 1

A5

mf

= 3

____

Eadd4/G# F#m

Bm Bm/F# A E

End Rhy. Fig. 1

Look

Verse

1.


A5

at

Eadd4/G#

me.

F#m

Bm

Who am I s’posed

Bm/F#

to be and what

A

do I be lieve?-

E

Can

you

A5

tell

Eadd4/G#

me

F#m

Bm

since you’ve made up

Bm/F#

your mind? Who knows

A

what you be lieve?-

E

And I

022

2255

2255

2255

2255

4

2255

2255

2255

XXXX

244222

44222

44222

44222

24 4

4222

44222

44222

XXXXX

244

443

4432

4432

4432

22

4432

4432

4432

XXXX

02

0222

0222

0222

XXXX

0221

022100

2100

2100

XXXX


1



just

Chorus

* Bm7

don’t

A6

know.

Eadd9

No, I

Gtr. 2 (elec.)

w/ clean tone

w/ fingers

Riff A1

mp

let ring let ring

End Riff A1

let ring

Gtr. 1

w/ fingers

Riff A

let ring let ring

End Riff A

let ring


just

Gtrs. 1 & 2 : w/ Riffs A & A1

Bm7

don’t

A6

know

Eadd9

who I’m s’posed to be.

Interlude


A5 Eadd4/G# F#m

Bm

Bm/F#

A

E

Look

Verse

2.


A5

at

Eadd4/G#

me.

F#m

Bm

Am I the im

Bm/F#

age- of your hopes

A

and trag e- dies?-

E

Just

11

1010

1010

11

9

1110

910

9

77

77

9

77

77

2

3

24

2

3

40

2

02

0

2

2

0

0

0

1

0

0

1

0

0

0

1

0

0

1


2



look

A5

at

Eadd4/G#

me.

F#m

Bm

Will I ev

Bm/F#

er- be more

A

than just a mem

E

o- ry?- ’Cause you

just

ChorusGtr. 1: w/ Riff A (4 times)Gtr. 2: w/ Riff A1 (2 times)

Bm7

don’t

A6

know.

Eadd9

No, you

j

Bm7

d ’

A6

k

Eadd9

All I i

Documents

Sum 41 - Chuck and Underclass Hero