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Paper : II
Subject : Folk lIterature
Subject Code : 21
Roll No.
OMR Sheet No. : ____________________
Name & Signature of Invigilator/s
Signature : _________________________________ Name : _________________________________
Time : 2 Hours Maximum Marks : 200
Number of Pages in this Booklet : 40 Number of Questions in this Booklet : 100
k – 2120 1 ±Üâ.£.®æãà./P.t.o.
Instructions for the Candidates 1. Write your roll number in the space provided on the top of this page. 2. This paper consists of Hundred multiple-choice type of questions. 3. At the commencement of examination, the question booklet will be
given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below :
(i) To have access to the Question Booklet, tear off the paper seal on the edge of the cover page. Do not accept a booklet without sticker seal or open booklet.
(ii) tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. afterwards, neither the Question Booklet will be replaced nor any extra time will be given.
4. Each item has four alternative responses marked (A), (B), (C) and (D). You have to darken the circle as indicated below on the correct response against each item.
example : A B C D
where (C) is the correct response.
5. Your responses to the questions are to be indicated in the oMr Sheet kept inside this Booklet. If you mark at any place other than in the circles in the OMR Sheet, it will not be evaluated.
6. Read the instructions given in OMR carefully. 7. Rough Work is to be done in the end of this booklet. 8. If you write your name or put any mark on any part of the OMR
Answer Sheet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification.
9. You have to return the OMR Answer Sheet to the invigilators at the end of the examination compulsorily and must NOT carry it with you outside the Examination Hall.
10. You can take away question booklet and carbon copy of OMR Answer Sheet after the examination.
11. use only Blue/Black Ball point pen. 12. use of any calculator, electronic gadgets or log table etc., is
prohibited. 13. there is no negative marks for incorrect answers. 14. In case of any discrepancy found in the kannada translation of a
question booklet the question in english version shall be taken as final.
A»Ü¦ìWÜÚWæ ÓÜãaÜ®æWÜÙÜá 1. D ±Üâo¨Ü ÊæáàÆᤩ¿áÈÉ J¨ÜXst ÓܧÙܨÜÈÉ ¯ÊÜá¾ ÃæãàÇ… ®ÜíŸÃÜ®Üá° ŸÃæÀáÄ.
2. D ±Ü£ÅPæ¿áá ŸÖÜá BÁáR Ë«Ü¨Ü ®ÜãÃÜá (100) ±ÜÅÍæ°WÜÙÜ®Üá° JÙÜWæãíw¨æ.
3. ±ÜÄàPæÒ¿á ±ÝÅÃÜí»Ü̈ ÜÈÉ, ±ÜÅÍæ° ±ÜâÔ¤Pæ¿á®Üá° ̄ ÊÜáWæ ̄ àvÜÇÝWÜáÊÜâ Ü̈á. Êæã Ü̈Æ 5 ̄ ËáÐÜWÜÙÜÈÉ
¯àÊÜâ ±ÜâÔ¤Pæ¿á®Üá° ñæÃæ¿áÆá ÊÜáñÜᤠPæÙÜX®Üíñæ PÜvÝx¿áÊÝX ±ÜÄàQÒÓÜÆá PæãàÃÜÇÝX¨æ.
(i) ±ÜÅÍæ°±ÜâÔ¤PæWæ ±ÜÅÊæàÍÝÊÜPÝÍÜ ±Üvæ¿áÆá, D Öæã©Pæ ±Üâo¨Ü Aíb®Ü ÊæáàÈÃÜáÊÜ
±æà±ÜÃ… ÔàÆ®Üá° ÖÜÄÀáÄ. ÔrPÜRÃ… ÔàÇ… CÆÉ¨Ü A¥ÜÊÝ ñæÃæ¨Ü ±ÜâÔ¤Pæ¿á®Üá°
ÔÌàPÜÄÓܸæàw. (ii) ±ÜâÔ¤Pæ¿áÈÉ®Ü ±ÜÅÍæ°WÜÙÜ ÓÜíTæ ÊÜáñÜᤠ±ÜâoWÜÙÜ ÓÜíTæ¿á®Üá° ÊÜááS±Üâo¨Ü ÊæáàÇæ
ÊÜáá©ÅÔ Ü̈ ÊÜÞ×£Áãí©Wæ ñÝÙæ ®æãàwÄ. ±ÜâoWÜÙÜá/±ÜÅÍæ°WÜÙÜá PÝOæ¿Þ Ü̈ A¥ÜÊÝ
©Ì±ÜÅ£ A¥ÜÊÝ A®ÜáPÜÅÊÜáÊÝXÆÉ¨Ü A¥ÜÊÝ CñÜÃÜ ¿ÞÊÜâ¨æà ÊÜÂñÝÂÓÜ¨Ü ̈ æãàÐܱÜäÄñÜ
±ÜâÔ¤Pæ¿á®Üá° PÜãvÜÇæ 5 ¯ËáÐÜ¨Ü AÊܘ JÙÜWæ, ÓÜíËàPÜÒPÜÄí¨Ü ÓÜÄ CÃÜáÊÜ ±ÜâÔ¤PæWæ
Ÿ¨ÜÇÝÀáÔPæãÙÜÛ¸æàPÜá. B ŸÚPÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° Ÿ¨ÜÇÝÀáÓÜÇÝWÜáÊÜâ©ÆÉ,
¿ÞÊÜâ¨æà ÖæaÜác ÓÜÊÜá¿áÊÜ®Üã° PæãvÜÇÝWÜáÊÜâ©ÆÉ.
4. ±ÜÅ£Áãí¨Üá ±ÜÅÍæ°WÜã (A), (B), (C) ÊÜáñÜᤠ(D) Gí¨Üá WÜáÃÜá£Ô¨Ü ®ÝÆáR ±Ü¿Þì¿á
EñܤÃÜWÜÚÊæ. ¯àÊÜâ ±ÜÅÍæ°¿á G¨ÜáÃÜá ÓÜÄ¿Þ¨Ü EñܤÃÜ¨Ü ÊæáàÇæ, PæÙÜWæ PÝ~Ô¨Üíñæ
AívÝPÜꣿá®Üá° PܱݳXÓܸæàPÜá.
E¨ÝÖÜÃÜOæ : A B C D (C) ÓÜÄ¿Þ¨Ü EñܤÃÜÊÝX¨ÝªWÜ.
5. D ±ÜÅÍæ° ±Ü£ÅPæ¿á hæãñæ¿áÈÉ PæãqrÃÜáÊÜ oMr EñܤÃÜ ÖÝÙæ¿áÈÉ ¯ÊÜá¾ EñܤÃÜWÜÙÜ®Üá°
ÓÜãbÓÜñÜPÜR Ü̈áª. OMR ÖÝÙæ¿áÈÉ AívÝPÜꣿáÆÉ æ̈ ̧ æàÃæ ¿ÞÊÜâ æ̈à ÓܧÙÜ̈ ÜÈÉ EñܤÃÜÊÜ®Üá°
WÜáÃÜá£Ô¨ÜÃæ, A¨ÜÃÜ ÊÜåèÆÂÊÜÞ±Ü®Ü ÊÜÞvÜÇÝWÜáÊÜâ©ÆÉ.
6. OMR EñܤÃÜ ÖÝÙæ¿áÈÉ Pæãor ÓÜãaÜ®æWÜÙÜ®Üá° hÝWÜÃÜãPÜñæÀáí¨Ü K©Ä.
7. GÇÝÉ PÜÃÜvÜá PæÆÓÜÊÜ®Üá° ±ÜâÔ¤Pæ¿á Pæã®æ¿áÈÉ ÊÜÞvÜñÜPÜR¨Üáª.
8. ¯ÊÜá¾ WÜáÃÜáñÜ®Üá° Ÿ×ÃÜíWܱÜwÓÜŸÖÜá¨Ý¨Ü ¯ÊÜá¾ ÖæÓÜÃÜá A¥ÜÊÝ ¿ÞÊÜâ¨æà bÖæ°¿á®Üá°,
ÓÜíWÜñÜÊÝ¨Ü ÓܧÙÜ ÖæãÃÜñÜá ±ÜwÔ, OMR EñܤÃÜ ÖÝÙæ¿á ¿ÞÊÜâ¨æà »ÝWܨÜÈÉ ŸÃæ¨ÜÃæ,
¯àÊÜâ A®ÜÖÜìñæWæ ¸Ý«ÜÂÃÝWÜᣤàÄ.
9. ±ÜÄàPæÒ¿áá ÊÜááX¨Ü®ÜíñÜÃÜ, PÜvÝx¿áÊÝX OMR EñܤÃÜ ÖÝÙæ¿á®Üá° ÓÜíËàPÜÒPÜÄWæ
¯àÊÜâ ×í£ÃÜáXÓܸæàPÜá ÊÜáñÜᤠ±ÜÄàPÝÒ PæãsÜw¿á ÖæãÃÜWæ OMR®Üá° ¯Êæã¾í©Wæ
Pæãívæã¿áÂPÜãvܨÜá. 10. ±ÜÄàPæÒ¿á ®ÜíñÜÃÜ, ±ÜÄàPÝÒ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ÊÜáñÜᤠ®ÜPÜÆá OMR EñܤÃÜ ÖÝÙæ¿á®Üá°
¯Êæã¾í©Wæ ñæWæ¨ÜáPæãívÜá ÖæãàWÜŸÖÜá¨Üá.
11. ¯àÈ/PܱÜâ³ ¸ÝÇ…±ÝÀáíp… ±æ®… ÊÜÞñÜÅÊæà E±ÜÁãàXÔÄ. 12. PÝÂÆáRÇæàoÃ…, ˨Üá®ݾ®Ü E±ÜPÜÃÜ| A¥ÜÊÝ ÇÝW… pæàŸÇ… CñÝ©¿á
E±ÜÁãàWÜÊÜ®Üá° ¯Ðæà˜ÓÜÇÝX¨æ. 13. ÓÜÄ AÆÉ¨Ü EñܤÃÜWÜÚWæ Má| AíPÜ CÃÜáÊÜâ©ÆÉ . 14. PܮܰvÜ ÊÜáñÜᤠCíXÉàÐ… BÊÜ꣤WÜÙÜ ±ÜÅÍ氱ܣÅPæWÜÙÜÈÉ ¿ÞÊÜâ¨æà Äࣿá ÊÜÂñÝÂÓÜWÜÙÜá
PÜívÜáŸí¨ÜÈÉ, CíXÉàÐ… BÊÜ꣤WÜÙÜÈÉÃÜáÊÜâ¨æà Aí£ÊÜáÊæí¨Üá ±ÜÄWÜ~ÓܸæàPÜá.
Bo
ok
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l N
o.
(Figures as per admission card)
total Number of Pages : 40
Paper II 2 k – 2120
hÝ®Ü±Ü¨Ü ÓÝ×ñÜÂ
±æà±ÜÃ… – II
WÜÊÜá¯Ô : D ±Ü£ÅPæ¿áá ®ÜãÃÜá (100) ÊÜÓÜ᤯ÐÜu ÊÜÞ¨ÜÄ¿á ±ÜÅÍæ°WÜÙÜ®æã°ÙÜWæãíw¨Üáª, ±ÜÅ£Áãí¨Üá ±ÜÅÍæ°¿áã
GÃÜvÜá (2) AíPÜWÜÙÜ®Üá° Öæãí©¨æ. GÇÝÉ ±ÜÅÍæ°WÜÙÜ®Üã° PÜvÝx¿áÊÝX EñܤÄÓܸæàPÜá.
1. ‘g®Ü±Ü¨ÜÊæíŸáÊÜâ¨Üá ÓÝ¿áÆá ¯ÃÝPÜÄÓÜáÊÜ
Jí¨Üá iàÊÜíñÜ ±ÜÙæ¿ááÚPæ¿ÞX¨æ.’ C¨Üá
CÊÜÃÜ ÖæàÚPæ¿ÞXÃÜáñܤ¨æ
(A) PÝÂ¥ÜÄà®…
(B) Ô. G¶…. ±ÝoÃ…
(C) Gí. ÖÜÊÜáì®…
(D) ÊæáàÄ¿áÓ… ¸Ý¸æì
2. hæ. i. ÊÝ®… ÖÜvÜìÃ… D ¨æàÍÜPæR ÓæàĨÜÊÜÃÜá
(A) gÊÜáì¯
(B) µ®…ÇÝÂív…
(C) AÊæáàÄPÜ
(D) CíWæÉív…
3. ËPÝÓÜÊÝ¨Ü Ô¨ÝœíñÜÊÜ®Üá° ÊÜááí©ÄÔ¨ÜÊÜÃÜá
(A) ÇæËÓ… Öæ¯Å ÊæãàWÜì®…
(B) PÝÇ…ì ÊÜÞP…Õì
(C) PÝÇæãàìÓ… ȯ®…Õ
(D) vÝ®… ¸æ®… HÊæãàÓ…
4. ‘P Ü®ÝìoP Ü g® ܱ ܨ Ü P ÜÇ æW ÜÙ Üá’ ± Ü âÓ Ü ¤P ܨ Ü
ÓÜí±Ý¨ÜPÜÃÜá
(A) ¨æà. gÊÜÃæàWèvÜ
(B) ×. b. ¸æãàÃÜÈíWÜ¿áÂ
(C) q. G®…. ÍÜíPÜÃÜ®ÝÃÝ¿á|
(D) Wæã. ÃÜá. aæ®Ü°ŸÓܱܳ
5. ‘±ÜÇ…®ÝvÜá ËàÃÜaÜÄñÜí’ C¨Üá ¿ÞÊÜ »ÝÐæWæ ÓæàÄ¨Ü ÊÜáÖÝPÝÊÜÂÊÝX¨æ ?
(A) ñæÆáWÜá (B) ñÜËáÙÜá (C) ÊÜáÇæ¿ÞÙÜí (D) ñÜáÙÜá
6. Ur ®ÜÊÜáã®æ Gí¨ÜÃæ
(A) ±Ýsܼ®Ü°ñæ¿á B«ÝÃÜ̈ Ü ÊæáàÇæ WÜáÃÜá£ÓÜƳor ÊÜáãÆÊÜÞ¨ÜÄ
(B) ±Ýsܼ®Ü °Ó Ü Ìà Üã±ÜW ÜÙ Ü® Üá ° ±ÜÄWÜ~Óܨæ WÜáÃÜá£ÓÜƳor ÊÜáãÆÊÜÞ¨ÜÄ
(C) ±Ýs ܼ® Ü ° ñ æ W Ü Ù Ü B«Ýà ܨ Ü Ê æ á àÇ æ WÜáÃÜá£ÓÜƳvÜ¨Ü ÊÜáãÆÊÜÞ¨ÜÄ
(D) ±Ýsܼ®Ü°ñæWÜÙÜ B¨Ü ®ÜÊÜáã®æ ÊÜÞ¨ÜÄ
7. © ‘ÓÝréívÜv…ì wPÜÒ®ÜÄ B¶… ¶æäàP…ÇæãàÃ…, Ëá¥ÝÆi BÂív… Ç æh æív… ’ ± Ü âÓ Ü ¤ P ܨ Ü ÓÜí±Ý¨ÜPÜÃÜá
(A) ÊæáàÄ¿á Èàa… (B) ÊÜÞWÜìÃæp… Ëáàv… (C) ÊæáàÄ¿á ÊÜÞÃæp… (D) ËÈ¿áí ¸ÝÓÜRí
8. D ±ÜâÓܤPÜ̈ Ü E±æäà¨Ý^ñÜ̈ ÜÈÉ ¦ÁãvÜÃ… ̧ æ®…¶æÄ ‘»ÝÃÜñÜÊÜâ g®Ü±Ü¨Ü PÜñæWÜÙÜ ÊÜáãÆ’ Gí¨Üá ËÊÜÄԨݪÃæ
(A) WæãàÆx®… ¸è
(B) ±ÜíaÜñÜíñÜÅ
(C) ÊÜvÝxÃÝ«Ü®æ
(D) © A¥æ௿áí
total Number of Pages : 40
k – 2120 3 Paper II
1. ‘Folklore is a lively FOSSIL which refuses to Die’. This statement is by
(A) Catherine
(B) C. F. Potter
(C) M. Herman
(D) Marius Barbe
2. J. G. Van Herder belongs to the country
(A) Germany
(B) Finland
(C) America
(D) England
3. The Evolution Theory is putforwarded by
(A) Levis Henry Morgan
(B) Karl Marx
(C) Carlos Linins
(D) Don Ben Amos
4. The editor of the book ‘Karnataka Janapada Kalegalu’
(A) De. Javare Gowda
(B) Hi. Chi. Boralingaiah
(C) T. N. Shankaranarayana
(D) Go. Ru. Channabasappa
Folk lIterature
Paper – II
Note : This paper contains hundred (100) objective type questions. each question carries two (2) marks. all questions are compulsory.
5. ‘Palnadu Veera Charitham’ is an epic belonged to which language ?
(A) Telugu (B) Tamil (C) Malayalam (D) Tulu
6. Ur type means (A) Prototype identified on the basis of
text variants (B) Prototype identified by not
considering the text variations (C) Prototype not identified on the basis
of text variants (D) Arch type model of text variants
7. The editor of ‘Standard Dictionary of Folklore, Mythology and Legend’ is
(A) Maria Leach (B) Margaret Mead (C) Maria Marret (D) William Boscom
8. In the introduction of this book Theoder Benfery explained ‘India is the Origin of Folktales’
(A) Golden Bough (B) Panchatantra (C) Vaddaradhane (D) The Athenium
total Number of Pages : 40
Paper II 4 k – 2120
9. ‘Das Volk’ (The Folk) ±ÜÄPÜƳ®æ¿áá
CÊÜÄí¨Ü ÓÜíÁãàiÓÜƳor¨ÝªXÃÜáñܤ¨æ
(A) hæ. ¹. ÖÜvÜìÃ…
(B) XÅÊÜå… ŸÅ¨ÜÓ…ì
(C) aÝÇ…Õì vÝËì®…
(D) ÇæãàÄ ÖÝíPæã
10. ‘ÊÝ[æ ÊÜááÃÜÚàÓ…’ D ÓÜí±ÜŨݿáPæR ÓæàĨÜáª
(A) gáíg±Ü³ ÓÜí±ÜŨݿá
(B) ÊÜáípæàÓÝÌËá ÓÜí±ÜŨݿá
(C) SívæãàŸ ÓÜí±ÜŨݿá
(D) ÊÜÞ¨æàÍÜÌÃÜ ÓÜí±ÜŨݿá
11. ‘Æ¿á ±ÜâÃÝ|’ C¨Ü®Üá° ËÊÜÄÓÜáñܤ¨æ
(A) gWÜ£¤®Ü AíñÜÂ
(B) gWÜ£¤®Ü g®Ü®Ü (EWÜÊÜá)
(C) ÊÜá®ÜáPÜáÆ¨Ü »ÜËÐÜÂ
(D) ÊÜÞ®ÜÊÜÃÜ WÜñÜaÜÄñæÅ
12. ‘ÓÜÊÜáÑr ÓÜá±Ü¤±ÜÅhæn’ GíŸáÊÜâ¨Üá CÊÜÄí¨Ü
±ÜÅ£±Ý©ÓÜƳqr¨æ
(A) ÔWܾív… ¶ÝÅ¿å…x
(B) GÄP… ¶ÝÅÊÜå…
(C) PÝÇ…ì ¿áãíW…
(D) ±ÝÊ…Çæã
13. ÊÝÓܤËPÜ (ÓÜá#o)ÓÜíÓÜ¢£ GíŸáÊÜâ¨Üá
(A) ÓݾÃÜPÜ, ¨æàÊÝÆ¿á, ÊÜÓÜá¤
(B) ÊÝwPæ, ®Üí¹Pæ, ÍÝÓÜŒPÜÊÜáì
(C) g®ÝíWÜ&LÐܘ, g®ÝíWÜ&Ó ÜíXàñ Ü,
ÓݾÃÜPÜ
(D) ÊÜáÖÝPÝÊÜÂ, ÇÝÊÜ~, ¨æàÊÝÆ¿á
14. ‘g®Ü±Ü¨Ü ÓÝ×ñÜ嬆 ËÊÜáÍæì’ GíŸá¨Üá C¨ÜPæR
ÓÜíŸí˜Ô¨Ü bíñÜ®æ¿ÞX¨æ
(A) B®ÜÌÀáPÜ hݮܱܨÜ
(B) ÊÜÞ±ÝìvÜá(Êæáo) hݮܱܨÜ
(C) hݮܱܨÜñæ
(D) ±ÝÃÜí±ÜÄPÜ ±ÜÅÊÝÓæãà¨ÜÂÊÜá
15. ‘JWÜoá’ C¨ÜÃÜÈÉ®Ü ±ÜÅŸÆ AíÍÜ
(A) ±ÜÅÓݤÊÜ®æ
(B) ñܹºŸáº
(C) ÓÜÊÜìÓÜÊÜá¾ñÜ ñÜñܤ$Ì
(D) A®Üá±ÝÆ®æ
16. ‘© ²ÅËáqÊ… PÜÆcÃ…’ ŸÃÜÖÜWÝÃÜ
(A) GÇ…. Ga…. ÊæãàWÜì®…
(B) C. ¹. pæàÆÃ…
(C) hæ. i. ¶æÅàÃÜkáÃ…
(D) ÍÜíPÜÃ… Óæ®… WÜá±Ü¤
17. ‘ñæÃæPÜãoár’ GíŸáÊÜâ¨Üá D ÃÝg嬆 ±ÜŨÜÍÜì®Ü
PÜÇæ¿ÞX¨æ
(A) Bí«ÜÅ ±ÜŨæàÍÜ
(B) PÜ®ÝìoPÜ
(C) ñÜËáÙÜá®ÝvÜá
(D) PæàÃÜÙÜ
18. ‘gáíg±Ü³’ PæÙÜWæ ÖæÓÜÄst ¨æàÊÜÃÜ AÊÜñÝÃÜ
Gí¨Üá ®ÜíŸÇÝX¨æ
(A) WÜ|±Ü£
(B) Bíg®æà¿á
(C) ËàÃܻܨÜÅ
(D) B©ÍæàÐÜ
total Number of Pages : 40
k – 2120 5 Paper II
9. The concept of ‘Das Volk’ (The Folk) is constructed by
(A) J. B. Herder
(B) Grimm Brothers
(C) Charles Darwin
(D) Lauri Honko
10. ‘Vaghe Muralis’ belonged to
(A) Junjappa Tradition
(B) Manteswamy Tradition
(C) Khandoba Tradition
(D) Madeshwara Tradition
11. ‘Laya Purana’ describes
(A) The end of this world
(B) The birth of this world
(C) The future of the mankind
(D) The past of the humans
12. ‘Collective Unconscious’ was advocated by
(A) Sigmund Freud
(B) Eric Fromm
(C) Carl Jung
(D) Pavlov
13. Tangible culture is
(A) Monument, Temple, Material
(B) Custom, Belief, Ritual
(C) Ethno-medicine, Ethno-music, Monument
(D) Epic, Ballad, Temple
14. ‘Folk literary criticism’ is an idea related to
(A) Applied Folklore
(B) Meta Folklore
(C) Folklorism
(D) Heritage Tourism
15. The dominant element in Riddle is
(A) Proposition
(B) Puzzle
(C) Axiom
(D) Compliance
16. ‘The Primitive Culture’ is authored by
(A) L. H. Morgan
(B) E. B. Taylor
(C) J. G. Frazer
(D) Shankar Sen Gupta
17. ‘Terekoottu is performing art of
(A) Andhra Pradesh
(B) Karnataka
(C) Tamil Nadu
(D) Kerala
18. ‘Junjappa’ is believed to be an incarnation of
(A) Lord Ganapathi
(B) Lord Anjaneya
(C) Lord Veerabhadra
(D) Lord Àdishesha
total Number of Pages : 40
Paper II 6 k – 2120
19. PæÙÜX®ÜÊÜâWÜÙÜÈÉ ¿ÞÊÜâ¨Üá ±ÜËñÜÅ PܥܮÜÊÝX¨æ ?
(A) ¨ÜíñÜPÜ¥æ
(B) ±ÜâÃÝ|PÜ¥æ
(C) hÝ®Ü±Ü¨Ü PÜ¥æ
(D) ÖÝÓÜÂ
20. ‘hÝ®Ü±Ü¨Ü ÓÝ×ñÜ ¨ÜÍÜì®Ü’ «ÝÃÝÊÝ׿á®Üá° ±ÜÅPÜqÓÜáÊÜ ËÍÜÌ˨ݯƿá
(A) ÊæáçÓÜãÃÜá ËÍÜÌ˨ݯƿá
(B) PܮܰvÜ ËÍÜÌ˨ݯƿá
(C) PÜ®ÝìoPÜ ËÍÜÌ˨ݯƿá
(D) PÜ®ÝìoPÜ hÝ®Ü±Ü¨Ü ËÍÜÌ˨ݯƿá
21. ÓÜñÜÂÊæäà, ÓÜáÙæãÛà ?
I. ±ÝÅbà®Ü ËÐÜ¿áÊæäí Ü̈á ‘»è£PÜ ÓÜíÓÜ¢£’Wæ Jí¨Üá E¨ÝÖÜÃÜOæ¿ÞXÃÜáñܤ¨æ
II. oíW… qÌÓÜ rÃ…WÜÙ Üá (EaÝfÃÜOæ¿áÈÉ ñÜvÜÊÜÄPæ Eíoá ÊÜÞvÜáÊÜ ±ÜÅÁãàWÜWÜÙÜá) ÊÜåèUPÜ g®Ü±Ü¨Ü A«Ü¿á®Ü
III. EÚ¿ááËP æW ÜÙ Ü á A»ÝÂÓ ÜŸÆ©í¨Ü Ê Ü á áí¨ Ü áÊ ÜÄÓ ÜÆ ³o rÊ Ü âW Ü Ù ÜÆ É , ¯g ÖæàÙܸæàPæí¨ÜÃæ AÊÜâWÜÙÜá ¿ÞÃÜ ®ÜvÜáÊæ PÜívÜá ŸÃÜƳvÜáñܤÊæäà AÊÜÃÜÈÉ CÊÜâWÜÚWæ E¨æªàÍÜWÜÚÊæ
IV. g®ÜÃÜá C®æã°Êæá¾ PÝÆPÜÅÊæáà| WÜÊÜá®ÝÖÜì ± Ü â® ÜÃÝÊ Üñ Üì® æ¿áÈ É Ó Ü íÊ Ü×Ó ÜÆá Ÿ¿áÔ Ü̈ÈÉ Ë®ÝÍÜ̈ Ü Aíb®ÜÈÉÃÜáÊÜ g®Ü±Ü̈ Ü A«Ü¿á®ÜÊÜ®Üá° ±Üâ®ÜÍæcàñÜ®ÜWæãÚÓÜŸÖÜá¨Üá
ÓÜíPæàñÜWÜÙÜá :
(A) I ÓÜáÙÜáÛ, II, III ÊÜáñÜᤠIV ÓÜñÜÂ
(B) II ÓÜáÙÜáÛ, I, III ÊÜáñÜᤠIV ÓÜñÜÂ
(C) III ÓÜáÙÜáÛ, I, II ÊÜáñÜᤠIV ÓÜñÜÂ
(D) IV ÓÜáÙÜáÛ, I, II ÊÜáñÜᤠIII ÓÜñÜÂ
22. ÊÜá®ÜáPÜáÆ¨Ü ËPÝÓܨÜÈÉ C. ¹. pæàÆÃ… ±ÜÅÓݤ²Ô¨Ü ZorWÜÙÜ PÜÅÊÜáÊÜ®Üá° WÜáÃÜá£ÔÄ.
I. A®ÝWÜÄPÜ Ô§£ II. ŸŸìÃÜñæ III. ®ÝWÜÄPÜñæ
ÓÜíPæàñÜWÜÙÜá : (A) I, II, III (B) II, III, I (C) III, II, I (D) I, III, II
23. ±ÜÅÊÜááS ÆPÜÒ|ÊÜâ I. PÜñæÁãí¨ÜÃÜ AƳñÜÊÜá ZoPÜ II. PÜñæÁãí¨ÜÃÜ WÜÄÐÜuñÜÊÜá ZoPÜ III. ŸÖÜáPÝÆ EÚ¿ááÊÜ ÍÜQ¤ IV. PÜñæÁãí¨ÜÃÜ ñÝñÝRÈPÜ ÆPÜÒ|
ÓÜíPæàñÜWÜÙÜá :
(A) I ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(B) I ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
(C) II ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
(D) II ÊÜáñÜᤠI ÓÜÄ¿ÞXÊæ
24. ËÊÝÖÜ¨Ü ËË«Ü ®ÜÊÜáã®æWÜÙÜá I. HPÜËÊÝÖÜ, ŸÖÜáËÊÝÖÜ, ŸÖÜá±Ü£ñÜÌ II. ŸÖÜá±Ü£°ñÜÌ, ®Ý©¯Áãí©Wæ ËÊÝÖÜ,
Êæáç¨Üá®Ü®æãí©Wæ ËÊÝÖÜ III. HPܱܣ°, ÊÜÞñÜê Óݧ¯à¿á , ±Ü£ñÜÌ¨Ü ÊÜÞñÜê
±ÝÅ«Ý®Ü嬆 IV. ²ñÜêÊÜíÎà¿áñæ, ²ñÜêÓݧ¯à¿á,
²ñÜê±ÝūݮܨÜ
ÓÜíPæàñÜWÜÙÜá : (A) I ÊÜáñÜᤠII ÓÜÄ¿ÞXÊæ
(B) I I Ó ÜÄ¿ÞX¨ æ Ê Ü áñ Ü á ¤ IV P Üãv Ü ÓÜÄ¿ÞX¨æ
(C) III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÆÉ
(D) III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
total Number of Pages : 40
k – 2120 7 Paper II
19. Which among the following is a sacred
narrative ?
(A) Anecdote
(B) Myth
(C) Folktale
(D) Joke
20. The university publishing the serial
‘Janapada Sahithya Darshana’
(A) University of Mysore
(B) Kannada University
(C) Karnataka University
(D) Karnataka Janapada University
21. Whether true or false ?
I. A thing of the past is an example
for ‘Material culture’
II. Tongue twisters are verbal folklore
III. Survivals are not vestiges carried on
out of habit rather they have purposes
among whom they are found
IV. Folklore on the verge of ‘dying
out’ may be revived if people again
wish to communicate with notable
frequency over time
Codes :
(A) I is false, II, III and IV are true
(B) II is false, I, III and IV are true
(C) III is false, I, II and IV are true
(D) IV is false, I, II and III are true
22. Identify the order of stages proposed by E. B. Tylor in the evolution of mankind.
I. Savagery II. Barbarism III. Civilization
Codes : (A) I, II, III (B) II, III, I (C) III, II, I (D) I, III, II
23. Motif is the I. Minimal unit of a tale II. Maximal unit of a tale III. Having power to persist IV. Temporary feature of a tale
Codes : (A) I and IV are correct (B) I and III are correct (C) II and III are correct (D) II and I are correct
24. The different types of marriage
I. Monogamy, Polygamy, Polyandry
II. Polygyny, Sororate, Levirate
III. Monogamous, Matriarchal, Avunculocal
IV. Patrilineal, Patrilocal, Patriarchal
Codes :
(A) I and II are correct
(B) II is correct and IV is also correct
(C) III and IV are not correct
(D) III and IV are correct
total Number of Pages : 40
Paper II 8 k – 2120
25. hݮܱ ܨ Ü A«Ü¿ᮠÜÊ Ü â D PÝà Ü|©í¨Ü ÍÜQ¤¿ááñÜÊÝX¨æ.
I. PܥܮÜWÜÙÜá ÊÜáñÜᤠ±ÝsÝíñÜÃÜWÜÙÜá II. ±ÜÅÓÜÃÜ| ÓÜÌ»ÝÊÜ III. BËÐÝRÃÜ IV. ±ÜÃÜí±ÜÃæ
ÓÜíPæàñÜWÜÙÜá : (A) I ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ (B) I ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ (C) I ÊÜáñÜᤠII ÓÜÄ¿ÞXÊæ (D) II ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
26. »ÝÃÜ£à¿á ÊÜÞ×£¿á®Üá° B«ÜÄÔPæãívÜ Ô¨ÝœíñÜWÜÙÜá ¿ÞÊÜâÊÜâ ?
I. ¦ÁãàvÜÃ… ¸æ¯Õ¿áÊÜÃÜá ±ÜÄaÜÀást ÓܧÙÝíñÜÄPæ¿á ԨݜíñÜ
II. PÝÇ…ì gíW… ±ÜÄaÜÀást ËÍæÉàÐÜOÝñܾPÜ ÊÜá®æãàËhÝn®Ü
III. ÊÜÞÂP…Õ ÊÜááÆÉÃ… ±ÜÄaÜÀást ÓèÃÜ ±ÜâÃÝ|
IV. ÇæË ÓÝóÓ… ±ÜÄaÜÀást ÃÜaÜ®ÝñܾPÜñæ¿á ԨݜíñÜ
ÓÜíPæàñÜWÜÙÜá : (A) I ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ (B) III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ (C) II ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ (D) I ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
27. ´æäàPæãÉàÄÓÜÊÜå…Õ ÊÜáñÜᤠB®ÜÌÀáPÜ hÝ®Ü±Ü¨Ü ±ÜÄPÜƳ®æWÜÙÜá CÊÜÃæãí©Wæ WÜáÃÜá£ÔPæãíw¨æ
I. ÃæãàgÃ… w A¸ÝÅÖÜÊÜå…Õ ÊÜáñÜᤠÖÝ®…Õ ÊæãàÓÜÃ…
II. ¸æígËá®… ¸Ýp…Q®… ÊÜáñÜᤠBÂÆ®… ÇæãÊÜÞP…Õ
III. Ãæi®Ü ŸãÂwP…Õ ÊÜáñÜᤠBÂÆ®… vÜív…Õ IV. ÖÝ®…Õ ÊæãàÓÜÜÃ… ÊÜáñÜᤠÃæi®Ü ŸãÂwP…Õ
ÓÜíPæàñÜWÜÙÜá : (A) I ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ (B) I ÊÜáñÜᤠII ÓÜÄ¿ÞXÊæ (C) II ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ (D) III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
28. G. Pæ. ÃÝÊÜÞ®Üág®… BX¨ÜªÃÜá
I. ‘A®Ü¨ÜÃ… ÖÝÊæãì௒¿á ÓÜí±Ý¨ÜPÜ
II. ‘CíoÃ…±æÅpæàÍÜ®… B¶… wÅàÊÜå… Õ’®Ü ÇæàSPÜ
III. ‘hæívÜÃ… BÂív… hæ®æÅ’¨Ü ÓÜí±Ý¨ÜPÜ
IV. ‘¶æäàP…pæàÇ…Õ ¶ÜÅí Cíw¿á’¨Ü ÇæàSPÜ
ÓÜíPæàñÜWÜÙÜá :
(A) I ÊÜáñÜᤠII ÓÜÄ¿ÞXÊæ
(B) II ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
(C) I ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(D) I, II, III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
29. Êæáo hÝ®Ü±Ü¨Ü A«Ü¿á®Ü C¨ÝX¨æ
I. AíñÜÃ…ÍæçÈ
II. g®ÜÍÜáÅ£ ŸWæY hÝn®Ü
III. ÊÜåèUPÜ ÓÝ×ñÜ嬆 ËÊÜáÍæì
IV. PÜáÆÓÜíŸí˜ ËÊÜáÍæì
ÓÜíPæàñÜWÜÙÜá : (A) I ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ (B) II ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ (C) I, III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ (D) I, II ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
30. ±èÃÝ~PÜ, ÊÜÞ®ÜÊÜÍÝÔŒà¿á ÊÜáñÜᤠC£ÖÝÔà¿á »èWæãàÚPÜ Ô¨ÝœíñÜWÜÙÜá
I. I£ÖÝÔPÜ ¿Þ PÝÇÝ®ÜáPÜÅÊÜá Ü̈ ̧ æÙÜÊÜ~WæWæ ÓÜíŸí˜Ô¨Ü
II. ¯¨ÜÍÜì®ÝñܾPÜ
III. ñÜáÆ®ÝñܾPÜ
IV. ±ÜtÂà¿á
ÓÜíPæàñÜWÜÙÜá :
(A) I ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
(B) II ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
(C) III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(D) I ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
total Number of Pages : 40
k – 2120 9 Paper II
25. The folklore is dynamic because of I. Versions and variations II. Disseminating nature III. Invention IV. Tradition
Codes : (A) I and IV are correct (B) I and III are correct (C) I and II are correct (D) II and IV are correct
26. The Theories based on Indian data are I. Migration Theory introduced by
Theoder Benfcy II. Analytical Psychology introduced
by Carl Jung III. Solar Mythology introduced by
Max Muller IV. Structuralism introduced by
Levi Strauss
Codes : (A) I and III are correct (B) III and IV are correct (C) II and III are correct (D) I and IV are correct
27. The concept of Folklorisms and Applied Folklore is associated with
I. Roger D. Abrahams and Hans Moser
II. Benjamin Botkin and Alain Lomax III. Regina Beudix and Alan Dundes IV. Hans Moser and Regina Beudix
Codes : (A) I and III are correct (B) I and II are correct (C) II and IV are correct (D) III and IV are correct
28. A. K. Ramanujan is I. Editor of ‘Another Harmony’ II. Author of ‘Interpretation of Dreams’ III. Editor of Gender and Genre IV. Author of Folktales from India
Codes : (A) I and II are correct (B) II and III are correct (C) I and IV are correct (D) I, II, III and IV are correct
29. Meta folklore is I. Intragenre II. Knowledge of folklore III. Oral literary criticism IV. Ethnic criticism
Codes : (A) I and III are correct (B) II and IV are correct (C) I, III and IV are correct (D) I, II and III are correct
30. Mythological, Anthropological and Historico-Geographical theories are
I. Dia chronic II. Para digmatic III. Comparative IV. Textual
Codes : (A) I and III are correct (B) II and III are correct (C) III and IV are correct (D) I and IV are correct
total Number of Pages : 40
Paper II 10 k – 2120
31. ‘PÜñæ ®ÜÊÜáã®æ’¿á®Üá° ZoPÜÊæäí Ü̈®Ý°X ®æãàvÜáÊÜ
ÓÝ«ÜÂ ÊÜÞWÜìWÜÙÜá
I. ÖÜÆÊÝÃÜá ËÎÐÜr ÆPÜÒ|WÜÙÜ®Üá°
Jí¨ÜáWÜãwÓÜáÊÜíñæ
II. Jí¨Üá HPÜ AÔ¤ñŲ̈Üíñæ
III. Jí¨Üá A®è±ÜaÝÄPÜ ZoPÜÊÝX
IV. ŸÖÜáÃÜã±ÜWÜÙÜÈÉ ÊÜÂP Ü ¤W æãívÜ Jí¨Üá
£ÃÜáÙÝX
ÓÜíPæàñÜWÜÙÜá :
(A) I, II, III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(B) II, III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(C) I, II ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(D) I, III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
32. ÊÜåèUPÜ ÓÜã£Åà¿á ԨݜíñܨÜÈÉ ËÊÜÄÓÜƳoríñæ
‘PÜË ñÜÃܸæ࣒¿á ÊÜáãÃÜá ZorWÜÙÜá
I. ¯Ñð¿á BÈÓÜáËPæ¿á AÊܘ
II. QÅ¿ÞñܾPÜ BÈÓÜáÊÜ AÊܘ
III. A»ÝÂÓÜ¨Ü AÊܘ
IV. ÖÝvÜáWÝÃÜ®ÝX ÃÜã²ÓÜáÊÜ AÊܘ
ÓÜíPæàñÜWÜÙÜá :
(A) I, II ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
(B) II, III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(C) I, III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(D) I, II ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
33. ÊÜÞÂiP…® Ü Ê æ áàÈ® Ü Ó ÜíÍ æãà« Ü® æ¿áÈÉ
PæÙÜX®Ü ¸æÙÜÊÜ~WæWÜÙÜá hÝ®Ü±Ü¨Ü A«Ü¿á®Ü
ÓÜíÍæãà«Ü®æ¿áá ÖæaÜác ±ÝÅÓÜíXPÜÊÝWÜáÊÜâ¨ÜPæR
PÝÃÜ|ÊݨÜÊÜâ
I. ÊÜÞÈ®æãàÊ…ÔR E©ÌWÜ°ñæ&ÍÝÓÜŒ
PÜÊÜáìԨݜíñÜÊÜ®Üá° ÃÜã²Ô¨ÜÃÜá
II. ÊÜÞÂiP… ÊÜáñÜᤠÍÝÓÜŒPÜÊÜáì A«Ü¿á®ÜWÜÚWæ
QÅ¿ÞñܾPÜ Ô¨ÝœíñÜÊÜ®Üá° A®ÜÌÀáÓÜÇÝX¨æ
III. ÊæàÆív… w ÖÝÂív… Jí¨Üá ®Üí¹PæWÜÙÜ
ÊÜXàìPÜÃÜ|ÊÜ®Üá° ÓÜã£ÅàPÜÄÔ¨ÜÃÜá
IV. ®æçËᣤP Ü ÓÜíÓÝRÃÜWÜÙÜ ÊæáàÇæ B«ÜÄñÜ
iàÊÜ®ÜaÜPÜÅ¨Ü ÊÜXìàPÜÃÜ|
ÓÜíPæàñÜWÜÙÜá :
(A) I ÊÜáñÜᤠII ÓÜÄ¿ÞXÊæ
(B) I ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(C) I, II ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
(D) III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
34. 13®æ¿á ÍÜñÜÊÜÞ®Ü̈ ÜÊÜÃæWæ ±ÜÎcÊÜá ¿ááÃæãಮÜÈÉ
±æàíqíW…, g®ÜÍÜáÅ£ ÊÜáñÜᤠCñÜÃÜ Ü̈êÍÜÂ
ÊÜÞ«ÜÂÊÜáWÜÙÜÈÉ ÊÜáPÜRÙÜá ×àWæ ÊÜ~ìÓÜƳvÜᣤ̈ ܪÃÜá
I. ÊÜ¿áÓÜRÃÜ bPÜ~ bñÜÅ
II. ¿áPÜÒ¿áQÒ~¿áÃÜá
III. PÜáŸjÃÜá
IV. ¨ÜáÐÜrÍÜQ¤WÜÙÜá
ÓÜíPæàñÜWÜÙÜá :
(A) II, III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(B) I ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(C) III ÓÜÄ¿ÞX¨æ
(D) I ÓÜÄ¿ÞX¨æ
total Number of Pages : 40
k – 2120 11 Paper II
31. Possible ways of looking at the ‘tale type’ as a unit are
I. as binding of a number of motifs
II. as an individual entity
III. as an informal unit
IV. a substance manifested in multiple appearances
Codes :
(A) I, II, III and IV are correct
(B) II, III and IV are correct
(C) I, II and IV are correct
(D) I, III and IV are correct
32. The three stages of ‘Bard Training’ as
described in ‘oral formulaic theory’
I. Period of passive listening
II. Period of active listening
III. Period of practice
IV. Period of making of the singer
Codes :
(A) I, II and III are correct
(B) II, III and IV are correct
(C) I, III and IV are correct
(D) I, II and IV are correct
33. Following developments in the research on Magic caused Folklore research more contextual
I. Malinowski formulated anxiety-ritual theory.
II. Functional theory is applied to magic and ritual studies
III. Wayland D. Hand formulated a classification of beliefs
IV. Cycle of life classification is based on rites of passage
Codes :
(A) I and II are correct
(B) I and IV are correct
(C) I, II and III are correct
(D) III and IV are correct
34. Until 13th Century in Western Europe, children were depicted in paintings, folklore and other visual media as
I. Miniature Adults
II. Fairies
III. Dwarfs
IV. Evil forces
Codes :
(A) II, III and IV are correct
(B) I and IV are correct
(C) III is correct
(D) I is correct
total Number of Pages : 40
Paper II 12 k – 2120
35. ¶ÜíPÜÒ®ÜÇ… ԨݜíñÜ¨Ü ±ÜÅ£±Ý¨ÜPÜ
I. vÝ®… ¸æ®… HÊæãàÓ…
II. ¶ÝÅ®…Õ ¸æãàÓ…
III. ÇæãàÄ ÖÝíPæãà
IV. ÃÜáñ… ¸æ®æwP…r
ÓÜíPæàñÜWÜÙÜá :
(A) II, III ÓÜÄ¿ÞXÊæ
(B) I, II ÓÜÄ¿ÞXÊæ
(C) I ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(D) II ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
36. hÝ®Ü±Ü¨Ü ÊÜÞ£®Ü A«Ü¿á®ÜPæR BPÜÃÜ
I. hÝ| ®ÜáwWÜÙÜá/WݨæWÜÙÜá
II. ±ÝÄÊÝ٠ܨ Ü Ê ÜáãÆP Ü P ÜÙ Ü á×Ó ÜÆ ³o r ÓÜíÊÜÖÜ®Ü
III. ÖÜĨÝÓÜÃÜ QàñÜì®æWÜÙÜá
IV. JWÜoáWÜÙÜá
ÓÜíPæàñÜWÜÙÜá :
(A) I ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(B) I ÊÜáñÜᤠII ÓÜÄ¿ÞXÊæ
(C) I ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
(D) I, II ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
37. P Ü®ÝìoP Ü hÝ® ܱ ܨ Ü Ê Ü áÖÝPÝÊ Ü ÂÊ Ü® Ü á ° WÜáÃÜá£ÔÄ.
I. Wæãà訆 ÖÝvÜá II. ²Ä¿Þ±Üor|¨Ü PÝÙÜWÜ III. gáíg±Ü³®Ü ±Ü¨Ü IV. «ÜÃæWæ ¨æãvÜxÊÜÃÜ PÜ¥æ
ÓÜíPæàñÜWÜÙÜá :
(A) I, II, III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(B) II ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
(C) II, III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(D) III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
38. g®Ü±Ü¨Ü ±Ý¯à¿áWÜÙÜ®Üá° WÜáÃÜá£ÔÄ.
I. AíŸÈ
II. ÊÜáijWæ
III. iàÃÜ ÓæãàvÜ
IV. ±Ý®ÜPÜ
ÓÜíPæàñÜWÜÙÜá :
(A) I, II ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(B) I ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
(C) III ÊÜáñÜᤠIV ÓÜÄ¿ÞXÊæ
(D) II ÊÜáñÜᤠIII ÓÜÄ¿ÞXÊæ
39. ±ÜÅ£±Ý¨Ü®æ (a) : gáíg±Ü³ KÊÜì ÓÝíÓÜ¢£PÜ ®Ý¿áPÜ ÊÜáñÜᤠKÊÜì ¨æàÊÜñæ.
ñÜPÜì (r) : BñÜ PÝvÜáWæãÆÉÄí Ü̈ ̈ æçËàPÜÄÓÜƳoár ±ÜähæWæãÙÜáÛÊÜ KÊÜì ¨æàÊÜñæ.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜÄ
(B) (A) ÓÜÄ¿ÞX¨æ ÊÜáñÜᤠ(R) ñܱݳXÃÜáñܤ¨æ
(C) (A) ñܱݳXÃÜáñܤ¨æ ÊÜáñÜᤠ(R) ÓÜÄ¿ÞX¨æ
(D) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ñܱݳX¨æ
40. ±ÜÅ£±Ý Ü̈®æ (a) : hݮܱÜ̈ Ü ÊÜáÖÝPÝÊÜ PܥܮÜWÜÙÜá B ÓÜÊÜáá¨Ý¿á¨Ü ÓÝíÓÜ¢£PÜ ±Ü¨Üœ£WÜÙÜ ÊÜáñÜᤠBaÜÃÜOæWÜÙÜ ±ÝÆPÜÃæí¨Üá ±ÜÄWÜ~ÓÜƳqr¨æ.
ñÜPÜì (r) : hݮܱÜ̈ Ü ÊÜáÖÝPÝÊÜÂWÜÙÜá ÓÝíÓÜ¢£PÜ ®Ý¿áPÜ®æãàÊÜì®Ü iàÊÜ®ÜÊÜ®Üá° Ÿ~¡ÓÜáñܤÊæ.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ÓÜÄ¿ÞX¨æ ÊÜáñÜᤠ(R) ñܱݳX¨æ
(B) (A) ñܱݳX¨æ ÊÜáñÜᤠ(R) ÓÜÄ¿ÞX¨æ
(C) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜÄ¿ÞX¨æ
(D) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ñܱݳX¨æ
total Number of Pages : 40
k – 2120 13 Paper II
35. The profounders of Functional theory
I. Don Ben Amos
II. Franz Boas
III. Louri Honko
IV. Ruth Benedict
Codes : (A) II, III are correct
(B) I, II are correct
(C) I and IV are correct
(D) II and IV are correct
36. The source for studying folk speech are
I. Wise words | Proverbs
II. Communication sent through pigeon
III. Keerthanas of Haridasas
IV. Riddles
Codes : (A) I and IV are correct
(B) I and II are correct
(C) I and III are correct
(D) I, II and IV are correct
37. Identify Karnataka folk epics.
I. Govina Haadu
II. Piriyapattanada Kalaga
III. Junjappana Pada
IV. Dharage Doddavara Kathe
Codes : (A) I, II, III and IV are correct
(B) II and III are correct
(C) II, III and IV are correct
(D) III and IV are correct
38. Identify folk beverages.
I. Ambali
II. Majjige
III. Jeera Soda
IV. Panaka
Codes :
(A) I, II and IV are correct
(B) I and III are correct
(C) III and IV are correct
(D) II and III are correct
39. assertion (a) : Junjappa is a cultural hero and a deity.
reason (r) : He is a deity deified and worshipped by Kadugollas.
Codes :
(A) Both (A) and (R) are true
(B) (A) is true and (R) is wrong
(C) (A) is wrong and (R) is true
(D) Both (A) and (R) are wrong
40. assertion (a) : The folk epic narratives are regarded as custodians of cultural customs and practices of that community.
reason (r) : The folk epics describe the life of a cultural hero.
Codes :
(A) (A) is true and (R) is wrong
(B) (A) is wrong and (R) is true
(C) Both (A) and (R) are true
(D) Both (A) and (R) are wrong
total Number of Pages : 40
Paper II 14 k – 2120
41. ±ÜÅ£±Ý¨Ü®æ (a) : PæÒàñÜÅPÝ¿áìÊÜâ hÝ®Ü±Ü¨Ü Ó Ü íÍ æã à« Ü® æ¿á Jí¨ Ü á Ó Ü íÁãàiñ Ü »ÝWÜÊÝX¨æ.
ñÜPÜì (r) : hݮܱÜ̈ Ü ÓÜíÍæãà«Ü®æ¿áá ±ÝÅ¥ÜËáPÜ ÊÜáãÆWÜÚí¨Ü ÓÜíWÜÅ×ÓÜƳor ¨ÜñݤíÍÜWÜÙÜ ÊæáàÇæ AÊÜÆí¹Ô¨æ.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ©oÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜáÙÝÛXÃÜáñܤ¨æ
(B) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ©oÊÝXÊæ
(C) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜáÙÝÛXÊæ
(D) (A) ÓÜáÙÝÛXÃÜáñܤ¨æ ÊÜáñÜᤠ(R) ©oÊÝXÃÜáñܤ¨æ
42. ±ÜÅ£±Ý¨Ü®æ (a) : ÓÜí¨Ü»ÜìÊÜâ ±ÜŨÜÍÜì®Ü¨ÜÈÉ ŸÙÜÓÜƳor ±ÝsÜ¨Ü A¥ÜìÊÜ®Üá° ËÊÜÄÓÜáñܤ¨æ.
ñÜPÜì (r) : ±ÜÅ£Áãí¨Üá ± Ü Å¨ ÜÍ Üì® ÜÊ Ü â A®Ü®ÜÂÊÝX Ü̈áª, A Ü̈ÃÜ ×í©®Ü ±ÜÅ Ü̈ÍÜì®ÜÊæäí Ü̈Äí Ü̈ ¼®Ü°ÊÝXÃÜáñܤ¨æ.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜñÜÂÊÝXÊæ
(B) (A) ÓÜáÙÝÛX¨æ ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝX¨æ
(C) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜáÙÝÛXÊæ
(D) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜáÙÝÛX¨æ
43. ±ÜÅ£±Ý¨Ü® æ (a) : P Ü® ÜÓ Ü áW ÜÙ Ü á ¨ Ü êÍ Ü Â hݮܱܨܨÜw¿áÈÉ ÊÜXìàPÜÄÓÜƳqrÊæ.
ñÜPÜì (r) : ‘PÜ®ÜÓÜáWÜÙÜ ÊÝÂTÝ®ܒ¨Ü PÜñÜêì ÔWܾív… ¶ÝÅ¿å…x BXÃÜáñݤÃæ.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ÓÜñÜ ÊÜáñÜᤠ(R) ÓÜáÙÝÛX¨æ
(B) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜñÜÂÊÝXÊæ
(C) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜáÙÝÛXÊæ
(D) (A) ÓÜáÙÝÛX¨æ ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝX¨æ
44. ±ÜÅ£±Ý¨Ü®æ (a) : hÝ®Ü±Ü¨Ü ÊÜÞÂiP…®ÜÈÉ
ÍÝÓÜŒPÜÊÜáìWÜÚWæ ÖæaÜác ±ÝÅÊÜááS ¯àvÜÇÝX¨æ.
ñÜPÜì (r) : ÍÝÓÜŒPÜÊÜáìWÜÙÜá ÊæçhÝn¯PÜÊÝX
ÓݹàñÝ¨Ü ÓÜñÜÂWÜÙÝXÊæ.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ÓÜÄ¿ÞX¨æ ÊÜáñÜᤠ(R) ñܱݳX¨æ
(B) (A) ñܱݳX¨æ ÊÜáñÜᤠ(R) ÓÜÄ¿ÞX¨æ
(C) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜÄ¿ÞX¨æ
(D) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ñܱݳX¨æ
45. ±ÜÅ£±Ý¨Ü®æ (a) : hÝ®Ü±Ü¨Ü PÜñæWÜÙÜá g®ÜÃÜ ®Ýw
ËáwñÜÊÝXÊæ.
ñÜPÜì (r) : hݮܱܨÜÊÜâ ÊÜÂQ¤WÜñÜ
A¼±ÝÅ¿áÊÝXÃÜáñܤ¨æ.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜñÜÂ
(B) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜáÙÝÛX¨æ
(C) (A) ÓÜáÙÝÛX¨æ ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝX¨æ
(D) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜáÙÝÛXÊæ
46. ±ÜÅ£±Ý Ü̈®æ (a) : BÖÝÃÜ ÊÜáñÜᤠBÃæãàWÜ ®ÜvÜáÊæ
®æàÃÜ ÓÜíŸí«Ü˨æ.
ñÜPÜì (r) : hÝ®Ü±Ü¨Ü LÐܘ¿áá ±Ü¥ÜÂÊÜ®Üá°
˘ÓÜáñܤ¨æ.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) AÓÜñÜÂÊÝX¨æ
(B) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜñÜÂÊÝXÊæ
(C) (A) ÊÜáñÜᤠ(R) GÃÜvÜã AÓÜñÜÂÊÝXÊæ
(D) (A) AÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝX¨æ
total Number of Pages : 40
k – 2120 15 Paper II
41. assertion (a) : Field work is an integrated part of folklore research.
reason (r) : Folklore research depends upon data collected from primary sources.
Codes :
(A) (A) is true and (R) is false
(B) Both (A) and (R) are true
(C) Both (A) and (R) are false
(D) (A) is false and (R) is true
42. assertion (a) : Context describes the meaning the text used in performance.
reason (r) : Every performance is unique and different from the previous one.
Codes :
(A) Both (A) and (R) are true
(B) (A) is false and (R) is true
(C) Both (A) and (R) are false
(D) (A) is true and (R) is false
43. assertion (a) : Dreams are classified under visual folklore.
reason (r) : Sigmund Freud is the author of interpretation of dreams.
Codes :
(A) (A) is true and (R) is false
(B) Both (A) and (R) are true
(C) Both (A) and (R) are false
(D) (A) is false and (R) is true
44. assertion (a) : In folk magic more importance is given to the rituals.
reason (r) : Rituals are scientifically proven truths.
Codes :
(A) (A) is true and (R) is false
(B) (A) is false and (R) is true
(C) Both (A) and (R) are true
(D) Both (A) and (R) are false
45. assertion (a) : Folktales are pulses of the people.
reason (r) : Folklore is individual’s opinion.
Codes :
(A) Both (A) and (R) are true
(B) (A) is true and (R) is false
(C) (A) is false and (R) is true
(D) Both (A) and (R) are false
46. assertion (a) : There is a direct relationship between food and health.
reason (r) : Folk medicine prescribes diet.
Codes :
(A) (A) is true and (R) is false
(B) Both (A) and (R) are true
(C) Both (A) and (R) are false
(D) (A) is false and (R) is true
total Number of Pages : 40
Paper II 16 k – 2120
47. ±ÜÅ£±Ý Ü̈®æ (a) : PÜÃÝÊÜÚ ±ÜÅ æ̈àÍÜ̈ ÜÈÉ E Ü̈ª®æ¿á ÊÜáÖÝPÝÊÜÂWÜÙÜá PÜívÜáŸÃÜᣤÆÉ.
ñÜPÜì (r) : PÜÃÝÊÜÚ g®ÜÃÜá hݮܱÜ̈ Ü ̈ æàÊÜñæWÜÙÜ®Üá° ±ÜäiÓÜáÊÜâ©ÆÉ.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) AÓÜñÜÂÊÝX¨æ
(B) (A) AÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝX¨æ
(C) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜñÜÂÊÝXÊæ
(D) (A) ÊÜáñÜᤠ(R) GÃÜvÜã AÓÜñÜÂÊÝXÊæ
48. ±ÜÅ£±Ý¨Ü®æ (a) : ÇæË&ÓÝóÓ… Ë᥅® Ü E¨ÝÖÜÃÜOÝñܾPÜ Ë®ÝÂÓÜÊÜ®Üá°ÊÝÂTݯԨÜÃÜá.
ñÜPÜì (r) : Ë᥅ GíŸáÊÜâ¨Üá Jí¨Üá ÊÜåèUPÜ PܥܮÜÊÝX¨æ.
ÓÜíPæàñÜWÜÙÜá : (A) (A) AÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝX¨æ (B) (A) ÊÜáñÜᤠ(R) GÃÜvÜã AÓÜñÜÂWÜÙÝXÊæ (C) (A) ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝXÊææ; B¨ÜÃæ (R)
ÓÜÄ¿Þ¨Ü ËÊÜÃÜOæ BXÃÜáÊÜâ©ÆÉ (D) (A) ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝXÊææ; B¨ÜÃæ (R)
ÓÜÄ¿Þ¨Ü ËÊÜÃÜOæ¿ÞX¨æ
49. ±ÜÅ£±Ý¨Ü®æ (a) : ÊÜÞÂP…Õ ÊÜááÆÉÃ…ÃÜÊÜÃÜ ‘ÓæãàÇÝÃ… Ëá¥ÝÆi’ ÊÜáãÆñÜ@ »ÝÐÝ Ë᥅®Ü ÊæáàÇæ AÊÜÆí¹Ô¨æ.
ñÜPÜì (r) : ÊÜÞÂP…Õ ÊÜááÆÉÃ… KÊÜì CívæãàÆiÓ…r BX¨ÜªÃÜá.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ÊÜáñÜᤠ(R) ÓÜñÜÂ; B Ü̈Ãæ (R) ÓÜÄ¿Þ Ü̈ ËÊÜÃÜOæ BXÃÜáÊÜâ©ÆÉ
(B) (A) ÓÜñÜÂÊÝX¨æ B¨ÜÃæ (R) AÓÜñÜÂÊÝX¨æ
(C) (A) ÊÜáñÜᤠ(R) GÃÜvÜã AÓÜñÜÂWÜÙÝXÊæ
(D) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜñÜÂWÜÙÝXÊæ; B Ü̈Ãæ (R) ÓÜÄ¿Þ¨Ü ËÊÜÃÜOæ¿ÞXÃÜáñܤ¨æ
50. ±ÜÅ£±Ý Ü̈®æ (a) : hݮܱÜ̈ Ü Xàñæ¿á ÊÜXàìPÜÃÜ| PÜÐÜr¨Ü PæÆÓÜÊÝXÃÜáñܤ¨æ.
ñÜPÜì (r) : ÊÜXàìPÜà Ü|ÊÜâ P ܥܮ Ü ÊÜÓ Üá ¤, ÓÜí¨Ü»Üì, QÅÁá, ±ÜŨÜÍÜì®Ü CñÝ©WÜÙÜ ÊæáàÇæ B«ÜÄÓÜŸÖÜá¨ÝX Ü̈áª, BWÜ A£PÜÅÊÜá|ÊÜâ SíwñÜ ÓÜí»ÜËÓÜáñܤ¨æ.
ÓÜíPæàñÜWÜÙÜá : (A) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) AÓÜñÜÂÊÝX¨æ (B) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜñÜÂÊÝXÊæ (C) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜÄ¿Þ¨Ü
ËÊÜÃÜOæ¿ÞX¨æ (D) (A) AÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝX¨æ
51. ±ÜÅ£±Ý Ü̈®æ (a) : ÄaÝv…ì Gí. vÝÓÜì®…ÃÜÊÜÃÜá hÝ®Ü±Ü¨Ü PÜƳ®æ¿á®Üá° ±ÜÄaÜÀáÔ¨ÜÃÜá.
ñÜPÜì (r) : ÄaÝv…ì Gí. vÝÓÜì®…ÃÜÊÜÃÜá hݮܱܨÜÊÜ®Üá° ÓÝí±ÜŨÝÀáPÜ ÓÜí¨Ü»Üì¨ÜÈÉ A¥æçìÓÜáÊÜÈÉ ŸÖÜÙÜ ËÍæàÐܱÜä|ìÃÝX¨ÜªÃÜá.
ÓÜíPæàñÜWÜÙÜá : (A) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) AÓÜñÜÂÊÝX¨æ (B) (A) ÊÜáñÜᤠ(R) GÃÜvÜã AÓÜñÜÂÊÝXÊæ (C) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜÄ¿Þ¨Ü
ËÊÜÃÜOæ¿ÞX¨æ (D) (A) ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝXÊæ; B¨ÜÃæ (R)
ÓÜÄ¿Þ¨Ü ËÊÜÃÜOæ BXÃÜáÊÜâ©ÆÉ
52. ±ÜÅ£±Ý¨Ü®æ (a) : WݨæWæ ¯àvÜÇÝ¨Ü A¥Üì ËÊÜÃÜOæWÜÙÜÈÉ Jí¨Üá “ÖÜÆÊÜÃÜ Ÿá©œÊÜí£Pæ, KÊÜìÃÜ hÝOæ¾”.
ñ ÜP Üì (r) : Wݨ æ¿áá Ó Ü Ì Ã Ü㱠ܨ ÜÈ É ÓÜÊÜáÑr¿ÞX¨ÜªÃÜã, C¨Üá ÊÜÂQ¤WÜñÜ ÓÜêÑr¿á®Üá° ¸æàvÜáñܤ¨æ.
ÓÜíPæàñÜWÜÙÜá :
(A) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) AÓÜñÜÂÊÝX¨æ
(B) (A) AÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝX¨æ
(C) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜñÜÂÊÝXÊæ
(D) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜÄ¿Þ¨Ü ËÊÜÃÜOæ¿ÞXÃÜáñܤ¨æ
total Number of Pages : 40
k – 2120 17 Paper II
47. assertion (a) : Long epics are not seen in coastal region.
reason (r) : Coastal people do not worship folk deities.
Codes :
(A) (A) is true and (R) is false
(B) (A) is false and (R) is true
(C) Both (A) and (R) are true
(D) Both (A) and (R) are false
48. assertion (a) : Levi-Strauss interpreted the paradigmatic structure of Myth.
reason (r) : Myth is an oral narrative.
Codes :
(A) (A) is false and (R) is true
(B) (A) and (R) are false
(C) (A) and (R) are true but (R) is not the correct explanation
(D) (A) and (R) are true and (R) is the correct explanation
49. assertion (a) : Max Müller’s ‘Solar Mythology’ is basically based on language of Myth.
reason (r) : Max Müller was an Indologist.
Codes :
(A) (A) and (R) are true but (R) is not the correct explanation
(B) (A) is true and (R) is false
(C) Both (A) and (R) are false
(D) Both (A) and (R) are true and (R) is the correct explanation
50. assertion (a) : Classification of folk song is a difficult task.
reason (r) : Classification can be based on theme, context, function, performance etc. then definitely overlapping will occur.
Codes : (A) (A) is true and (R) is false (B) Both (A) and (R) are true (C) (A) is true and (R) is the correct
explanation (D) (A) is false and (R) is true
51. assertion (a) : Richard M. Dorson introduced the concept of ‘Folklore’.
reason (r) : Richard M. Dorson was so particular in understanding ‘Folklore’ in its traditional context.
Codes : (A) (A) is true and (R) is false (B) Both (A) and (R) are false (C) (A) is true and (R) is the correct
explanation (D) (A) and (R) is true but, (R) is not
the correct explanation
52. assertion (a) : One of the definitions given to proverb is ‘Wisdom of many, wit of one’.
reason (r) : Even though proverb also is collective in nature, it demands individual creativity.
Codes : (A) (A) is true and (R) is false (B) (A) is false and (R) is true (C) Both (A) and (R) are true (D) (A) is true and (R) is the correct
explanation
total Number of Pages : 40
Paper II 18 k – 2120
53. ±ÜÅ£±Ý¨Ü®æ (a) : PÜÊÜáìPÝívÜ Ô¨ÝœíñÜÊÜâ ÍÝÓÜŒ PÜÊÜáìÊÜâ Ë᥅¯í¨Ü E¨Ü½ÊÜÊÝX¨æ GíŸá¨Ü®Üá° ËÊÜÄÓÜáñܤ¨æ.
ñÜPÜì (r) : ÓÝPÜÒÃÜñæWæ ÊÜåèUPÜñæ¿á ԨݜíñÜ.
ÓÜíPæàñÜWÜÙÜá : (A) (A) ÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) AÓÜñÜÂÊÝX¨æ (B) (A) AÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜÄ¿Þ¨Ü
ËÊÜÃÜOæ¿ÞXÃÜáÊÜâ©ÆÉ (C) (A) AÓÜñÜÂÊÝXÃÜáñܤ¨æ ÊÜáñÜᤠ(R)
ÓÜñÜÂÊÝX¨æ (D) (A) ÊÜáñÜᤠ(R) GÃÜvÜã AÓÜñÜÂWÜÙÝXÊæ
54. ±ÜÅ£±Ý¨Ü®æ (a) : hÝ®Ü±Ü¨Ü Êæãàq¶…WÜÙÜá GÇæÉÆãÉ PÜívÜáŸÃÜáñܤÊæ.
ñÜPÜì (r) : Êæãàq¶… GíŸáÊÜâ¨Üá GqP…®Ü Jí¨Üá ZoPÜ.
ÓÜíPæàñÜWÜÙÜá : (A) (A) ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝXÊæ, ÊÜáñÜᤠ(R)
ÓÜÄ¿Þ¨Ü ËÊÜÃÜOæ¿ÞX¨æ (B) (A) ÓÜñÜÂÊÝX¨æ B¨ÜÃæ (R) AÓÜñÜÂÊÝX¨æ (C) (A) AÓÜñÜÂÊÝX¨æ ÊÜáñÜᤠ(R) ÓÜñÜÂÊÝX¨æ (D) (A) ÊÜáñÜᤠ(R) GÃÜvÜã ÓÜñÜÂÊÝXÊææ B¨ÜÃæ
(R) ÓÜÄ¿Þ¨Ü ËÊÜÃÜOæ BXÃÜáÊÜâ©ÆÉ
55. ±ÜÅPÜoOæ ÊÜÐÜì¨Ü PÜÅÊÜá¨ÜÈÉ ±ÜâÓÜ ¤P ÜWÜÙÜ®Üá° ÊÜÂÊÜÓæ§WæãÚÔÄ.
I. WÜÄWæ¨ÜÄ¨Ü ®ÜËÆá II. PÝvÜáWæãÆÉÃÜ ÓÜí±ÜŨݿáWÜÙÜá ÊÜáñÜá¤
®Üí¹PæWÜÙÜá III. ¨ÜQ Ò| P Ü®ÝìoP ܨ Ü hÝ® ܱ ܨ Ü Ê Ü ê£ ¤
WÝ¿áPÜÃÜá IV. hÝ®Ü±Ü¨Ü ÊÜáÖÝ»ÝÃÜñÜ
ÓÜíPæàñÜWÜÙÜá : (A) IV, II, I, III (B) III, I, II, IV (C) III, II, I, IV (D) IV, II, III, I
56. ¦ÁãÃæqPÜÇ… GÓÝr¹ÉÐ…Êæáíp…®Ü ÓÜÄ¿Þ¨Ü
A®ÜáPÜÅËáPæ :
I. ¨ÜñݤíÍÜ ÓÜíWÜÅÖÜOæ
II. ¯|ì¿á
III. ÓÜÊÜáÔÂàPÜÃÜ|
IV. ÓÝ×ñÜ ËÊÜáÍæì
ÓÜíPæàñÜWÜÙÜá :
(A) II, III, IV, I
(B) III, IV, I, II
(C) IV, III, I, II
(D) I, III, II, IV
57. PÜOÝìoPÜ hݮܱÜ̈ ÜPæR AÊÜÃÜ PæãvÜáWæ¿á ÊæáàÃæWæ
˨ÝÌíÓÜÃÜ ÖæÓÜÃÜáWÜÙÜ®Üá° PÝÇÝ®ÜáPÜÅÊÜá¨ÜÈÉ
ŸÃæÀáÄ.
I. hæ.GÓ…. ±ÜÃÜÊÜáÎÊÜ¿áÂ
II. GÓ….Ô. ÃÜÊæáàÍÜ
III. hæ.G¶…. µÉàp…
IV. q.G®…. ÍÜíPÜÃÜ®ÝÃÝ¿á|
ÓÜíPæàñÜWÜÙÜá :
(A) I, IV, II, III
(B) IV, I, II, III
(C) III, I, II, IV
(D) III, I, IV, II
total Number of Pages : 40
k – 2120 19 Paper II
53. assertion (a) : Ritualistic theory explain that ritual originates from myth.
reason (r) : The principle of orality to literacy.
Codes : (A) (A) is true and (R) is false (B) (A) is false and (R) is not the correct
explanation (C) (A) is false and (R) is true (D) Both (A) and (R) are false
54. assertion (a) : Folktale motifs are seen in all cultures.
reason (r) : Motif is an etic unit.
Codes : (A) (A) and (R) are true and (R) is the
correct explanation (B) (A) is true but (R) is false (C) (A) is false and (R) is true (D) Both (A) and (R) are true but, (R)
is not the correct explanation
55. Arrange the books in the order of year of publishing.
I. Garigedarida Navilu
II. Kadu gollara Sampradayagalu Mathu Nambikegalu
III. Dakshina Karnatakada Janapada Vruthigayakaru
IV. Janapada Mahabharatha
Codes : (A) IV, II, I, III
(B) III, I, II, IV
(C) III, II, I, IV
(D) IV, II, III, I
56. Correct sequence of Theoretical
establishment :
I. Collection of Data
II. Conclusion
III. Problematisation
IV. Review of Literature
Codes :
(A) II, III, IV, I
(B) III, IV, I, II
(C) IV, III, I, II
(D) I, III, II, IV
57. Arrange the names of the scholars as per
their contribution to Karnataka Folklore
in Chronological order.
I. J. S. Paramashivaiah
II. S. C. Ramesha
III. J. F. Fleet
IV. T. N. Shankaranarayana
Codes :
(A) I, IV, II, III
(B) IV, I, II, III
(C) III, I, II, IV
(D) III, I, IV, II
total Number of Pages : 40
Paper II 20 k – 2120
58. D PæÙÜX®Ü ԨݜíñÜWÜÙÜ®Üá° AÊÜâWÜÙÜ Óݧ±Ü®æ¿á
PÝÇÝ®ÜáPÜÅÊÜá¨ÜÈÉ ÊÜÂÊÜÓæ§WæãÚÔÄ.
I. ÓÝí¨Ü¼ìPÜ Ô¨ÝœíñÜ
II. ÊÜåèUPÜ ¶ÝÊÜááÂìÇæàÀáP… ԨݜíñÜ
III. Cíw¿á¯ÔrP… ԨݜíñÜ
IV. ÓèÃÜ ±ÜâÃÝ|
ÓÜíPæàñÜWÜÙÜá :
(A) I, II, IV, III
(B) III, IV, II, I
(C) IV, III, II, I
(D) II, I, IV, III
59. ×í¨Üã ±ÜíaÝíWÜ ÊÜÐÜì¨ÜÈÉ BaÜÄÓÜÇÝWÜáÊÜ
PæÙÜX®Ü ÖÜŸºWÜÙÜ®Üá° AÊÜâWÜÙÜá ZqÓÜáÊÜ PÜÅÊÜá¨ÜÈÉ
ŸÃæÀáÄ.
I. ÓÜíPÝÅí£
II. WÜOæàÍÜ aÜñÜá¦ì
III. Ëg¿á¨ÜÍÜËá
IV. »ÜÃÜñÜ ÖÜá~¡Êæá
ÓÜíPæàñÜWÜÙÜá :
(A) I, II, III, IV
(B) I, IV, II, III
(C) II, III, I, IV
(D) IV, II, III, I
60. ±ÜŨÜÍ Üì®ÜÊæäí¨ÜÃÜÈÉ Zo®æWÜÙÜ®Üá° ÓÜÄ¿Þ¨Ü
A®ÜáPÜÅËáPæ¿áÈÉ ŸÃæÀáÄ.
I. ®Ý¿áPÜ ÊÜáñÜᤠÃÝPÜÒÓÜ®Ü ®ÜvÜáÊæ ÍݹªPÜ
˯ÊÜá¿á
II. WÜOæàÍÜ ÓÜᤣ
III. ®Ý¿áPÜ®Ü ±ÜÅÊæàÍÜ
IV. Êæà©Pæ A~WæãÚÓÜáÊÜâ¨Üá
ÓÜíPæàñÜWÜÙÜá :
(A) II, III, IV, I
(B) IV, II, III, I
(C) I, II, III, IV
(D) IV, III, I, II
61. D PæÙÜX®Ü ˨ÝÌíÓÜÃÜ ÖæÓÜÃÜáWÜÙÜ®Üá° AÊÜÃÜá
»ÝÃÜñÜP æ R »æàq ¯àw¨Ü PÝÇÝ®ÜáPÜÅÊÜá¨ÜÈÉ
ÊÜÂÊÜÓæ§WæãÚÔÄ.
I. ²àoÃ… hæ. PÝÉÓ…
II. ÊÜÞ®ÜÃ…
III. ÇÝÄ ÖÝíPæãà
IV. ÖÜãÂÁá®…&ñÝÕíW…
ÓÜíPæàñÜWÜÙÜá :
(A) IV, II, I, III
(B) II, I, III, IV
(C) I, IV, III, II
(D) IV, I, III, II
total Number of Pages : 40
k – 2120 21 Paper II
58. Write the theories in their chronological
order of their establishment.
I. Contextual Theory
II. Oral Formulaic Theory
III. Indianistic Theory
IV. Solar Mythology
Codes :
(A) I, II, IV, III
(B) III, IV, II, I
(C) IV, III, II, I
(D) II, I, IV, III
59. Write the Festivals in the order of event
to be held in a Hindu calendar year
I. Sankranthi
II. Ganesha Chathurthi
III. Vijaya Dashami
IV. Bharatha Hunnime
Codes :
(A) I, II, III, IV
(B) I, IV, II, III
(C) II, III, I, IV
(D) IV, II, III, I
60. Write the correct sequence of the events in a performance
I. Verbal exchange between Hero and Demon
II. Ganesha Sthuthi
III. Entry of Hero
IV. Setting of Stage
Codes :
(A) II, III, IV, I
(B) IV, II, III, I
(C) I, II, III, IV
(D) IV, III, I, II
61. Arrange the names of the scholars in the chronological order of their visit to India
I. Peter J. Claus
II. Manner
III. Lauri Honko
IV. Hiuen-Tsang
Codes :
(A) IV, II, I, III
(B) II, I, III, IV
(C) I, IV, III, II
(D) IV, I, III, II
total Number of Pages : 40
Paper II 22 k – 2120
62. hÝ®Ü±Ü¨Ü¨Ü D PæÙÜX®Ü A¥ÜìËÊÜÃÜOæWÜÙÜ®Üá°
AÊÜâWÜÙÜá ÖæàÙÜƳor PÝÇÝ®ÜáPÜÅÊÜá Ü̈ÈÉ ŸÃæÀáÄ.
I. hݮܱܨÜÊÜâ g®ÜÃÜ ÓÜ|¡ WÜáí±ÜâWÜÙÜ ®ÜvÜáË®Ü
Jí¨Üá ±ÜÄOÝÊÜáPÝÄ ÓÜíÊÜÖÜ®Ü
II. hݮܱÜ̈ ÜÊÜâ ÊÜáÃÜ| Öæãí Ü̈Æá ̄ ÃÝPÜÄÓÜáÊÜ
Jí¨Üá iàÊÜíñÜ ±ÜÙæ¿ááÚPæ
III. ¶æäàP… GíŸáÊÜâ¨Üá Jí¨Üá ÓÝÊÜÞ®ÜÂ
WÜá|ÆPÜÒ|ÊÜâÙÜÛ Pæã®æ¿á ±ÜPÜÒ CŸºÃÜáÙÜÛ
g®ÜÃÜ Jí¨Üá WÜáí±ÝX¨æ ÊÜáñÜᤠÇæãàÃ…
GíŸáÊÜâ¨Üá AÊÜÃÜ £ÙÜáÊÜÚPæ¿ÞX¨æ
IV. g®Ü²Å¿á ±ÝÅbà®Ü ÓÜíWÜ£WÜÙÜ®Üá° ¶æäàP…
ÇæãàÃ… G®Ü°ŸÖÜá¨Üá
ÓÜíPæàñÜWÜÙÜá :
(A) III, IV, II, I
(B) IV, III, I, II
(C) IV, II, III, I
(D) I, II, III, IV
63. ¨ÜQ Ò|©í¨Ü EñÜ ¤Ã ÜP æ R P æ àí¨ Ü ÅÓÝ §® ÜÊ Ü® Üá °
Öæãí©ÃÜáÊÜ PÜÅÊÜá¨ÜÈÉ hÝ®Ü±Ü¨Ü ÓÜí±ÜŨݿáPæR
ÓÜíŸí˜Ô¨Ü PæÙÜX®Ü ÓÜíXàñÜ E±ÜPÜÃÜ|WÜÙÜ®Üá°
ÊÜÂÊÜÓæ§WæãÚÔÄ.
I. WÜOæ
II. aÜíwPæ
III. PÜíÓÝÇæ
IV. vÜÊÜáÃÜáWÜ
ÓÜíPæàñÜWÜÙÜá :
(A) II, I, III, IV
(B) III, II, I, IV
(C) III, I, IV, II
(D) I, II, IV, III
64. PæÙÜX®Ü E±ÜPÜÃÜ|WÜÙÜ ÖæÓÜÃÜáWÜÙÜ®Üá° AÊÜâWÜÙÜ
Êæã¨ÜÆ ŸÙÜPæ¿á £ÃÜáWÜáÊÜááÃÜáWÜá (ÄÊÜÓ…ì)
PÝÇÝ®ÜáPÜÅÊÜá¨ÜÈÉ ŸÃæÀáÄ.
I. ËàwÁãà ÄPÝvÜìÃ…
II. væãÅà®… PÝÂÊæáÃÝ
III. ±æ®…
IV. pæà±… ÃæPÝvÜìÃ…
ÓÜíPæàñÜWÜÙÜá :
(A) I, II, IV, III
(B) IV, II, III, I
(C) II, I, IV, III
(D) II, I, III, IV
65. D PæÙÜX®Ü ±ÜâÓܤPÜWÜÙÜ®Üá° AÊÜâWÜÙÜ ±ÜÅPÜoOæ¿á
PÜÅÊÜá¨ÜÈÉ ŸÃæÀáÄ.
I. ÓÜrw B¶… ¶æäàP…ÇæãàÃ…
II. ¶æäàP…ÇæãàÃ… BÂív… ¶æäàP…Çæç´…
III. WæãàÆx®… ¸è
IV. ¶æa… Ôð±…r B¶… BÂÆ®… vÜív…Õ
ÓÜíPæàñÜWÜÙÜá :
(A) I, II, III, IV
(B) III, II, I, IV
(C) II, III, I, IV
(D) IV, III, II, I
total Number of Pages : 40
k – 2120 23 Paper II
62. Write the definitions of Folklore in the chronological order of their year of stating.
I. Folklore is an effective communication among small groups of people
II. Folklore is a lively Fossil which refuses to die
III. Folk means a group of people comprising at least two with one common characteristic and Lore means their knowledge
IV. Popular antiquities can be termed as Folklore
Codes :
(A) III, IV, II, I
(B) IV, III, I, II
(C) IV, II, III, I
(D) I, II, III, IV
63. Arrange these musical instruments connected to Folk traditions whose centres are located in an order from South to North.
I. Gane
II. Chondike
III. Kamsale
IV. Damaruga
Codes :
(A) II, I, III, IV
(B) III, II, I, IV
(C) III, I, IV, II
(D) I, II, IV, III
64. Write the names of these tools in the
reverse chronological order of their first
usage in fieldwork.
I. Video Recorder
II. Drone Camera
III. Pen
IV. Tape Recorder
Codes :
(A) I, II, IV, III
(B) IV, II, III, I
(C) II, I, IV, III
(D) II, I, III, IV
65. Write these books in the chronological
order of their publication.
I. Study of Folklore
II. Folklore and Folklife
III. Golden Bough
IV. Fetch Script of Alan Dundes
Codes :
(A) I, II, III, IV
(B) III, II, I, IV
(C) II, III, I, IV
(D) IV, III, II, I
total Number of Pages : 40
Paper II 24 k – 2120
66. PæÙÜX®Ü hݮܱÜ̈ Ü ±ÜÅ Ü̈ÍÜì®Ü PÜÇæWÜÙÜ®Üá° EñܤÃÜ©í Ü̈
¨ÜQÒ|¨ÜÈÉ AÊÜâWÜÙÜ Óݧ±Ü®æ¿á ±ÜŨæàÍÝ®ÜáÓÝÃÜ
PÜÅÊÜá¨ÜÈÉ ŸÃæÀáÄ.
I. ÓæãàÊÜá®Ü PÜá~ñÜ
II. gWÜYÚPæ
III. ¨ÜÊÜáËá PÜá~ñÜ
IV. EÊÜá¾ñÜp…
ÓÜíPæàñÜWÜÙÜá :
(A) I, III, IV, II
(B) III, I, II, IV
(C) II, III, I, IV
(D) III, II, I, IV
67. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° AÊÜâWÜÙÜ ±ÜŨÜÍÜì®ÜÊæäí¨ÜÃÜÈÉ
ZqÓÜáÊÜ PÜÅÊÜá¨ÜÈÉ ÊÜÂÊÜÓæ§WæãÚÔÄ.
I. ÊÜáíWÜÙÜ
II. ®Ýí©
III. ±ÜÃܨæ ÊæáàÆPæRñÜá¤ÊÜâ¨Üá
IV. ˨ÜãÐÜPÜ®Ü ±ÜÅÊæàÍÜ
ÓÜíPæàñÜWÜÙÜá :
(A) II, III, IV, I
(B) III, II, IV, I
(C) I, III, II, IV
(D) IV, III, II, I
68. P æ Ù Ü X® ÜÊ Ü â W Ü Ù Ü á Ë.h æ .±Ý ű…à ÜÊ ÜÄí¨ Ü ±ÜÅÓݤÊÜ®æWæç¿áÂƳor ¿áPÜÒPÜñæ¿á PÝ¿áìWÜÙÝXÊæ. AÊÜâWÜÙÜ®Üá° PÝÇÝ®ÜáPÜÅÊÜá Ü̈ÈÉ ñæãàÄÔÄ.
I. WæçÃÜáÖÝgÄ
II. ËaÜPÜÒ|
III. ¯Ðæà«Ü
IV. EÆÉíZ®æ
ÓÜíPæàñÜWÜÙÜá : (A) I, IV, III, II (B) III, II, IV, I (C) I, III, IV, II (D) II, I, IV, III
69. ¶æäàPæãÉàÄÔrP…Õ®ÜÈÉ ËPÝÓÜWæãÙÜáÛÊÜ Ô¨ÝœíñÜWÜÙÜ®Üá° A®ÜáPÜÅÊÜáÊÝX ŸÃæÀáÄ.
I. ÊÜÞñÜ®ÝvÜáÊÜ Ô¨ÝœíñÜ¨Ü g®ÝíWÜÍÝÓÜŒ
II. ÊÜá®æãà&ËÍæÉàÐÜOÝñܾPÜ Ô¨ÝœíñÜ
III. ÓèÃÜ ±ÜâÃÝ|
IV. ÊÜåèUPÜ ÓÜãñÜÅŸ¨Üœ ԨݜíñÜ
ÓÜíPæàñÜWÜÙÜá : (A) I, III, II, IV (B) I, IV, III, II (C) III, II, IV, I (D) III, II, I, IV
70. PæÙÜWæ ÖæÓÜÄst ÍæçÈ¿á ˨ÝÌíÓÜÃÜ PÝÇÝ®ÜáPÜÅÊÜá ¿ÞÊÜâ¨Üá?
I. ¸æ®…&BÊæãÓ… II. GÈ¿áp…&BÄíW… III. ËÈ¿áí ¸ÝÓæãRí IV. ÃæãàgÃ… A¸ÝÅÖÜí
ÓÜíPæàñÜWÜÙÜá : (A) III, I, IV, II (B) III, IV, I, II (C) I, II, IV, III (D) IV, II, III, I
total Number of Pages : 40
k – 2120 25 Paper II
66. Arrange the Folk Performing Arts
according to their establishing region
located in the order from North to South.
I. Somana Kunitha
II. Jaggalige
III. Damami Kunitha
IV. Ummathat
Codes :
(A) I, III, IV, II
(B) III, I, II, IV
(C) II, III, I, IV
(D) III, II, I, IV
67. Arrange the events in the order in a
performance.
I. Mangala
II. Nandi
III. Curtain Raising
IV. Entry of Vidhushaka
Codes :
(A) II, III, IV, I
(B) III, II, IV, I
(C) I, III, II, IV
(D) IV, III, II, I
68. Following are the functions in fairy tale proposed by V. J. Propp sequence them in the chronological order.
I. Absentation II. Reconnaissance III. Interdiction IV. Violation
Codes : (A) I, IV, III, II (B) III, II, IV, I (C) I, III, IV, II (D) II, I, IV, III
69. Write the sequence of theories evolved in Folkloristics
I. Ethnography of speaking theory II. Psycho-analytical theory III. Solar mythology IV. Oral formulaic theory
Codes : (A) I, III, II, IV (B) I, IV, III, II (C) III, II, IV, I (D) III, II, I, IV
70. What is the chronological sequence of the following genre scholars ?
I. Ben – Amos II. Elliot – Oring III. William Bascom IV. Roger Abraham
Codes : (A) III, I, IV, II (B) III, IV, I, II (C) I, II, IV, III (D) IV, II, III, I
total Number of Pages : 40
Paper II 26 k – 2120
71. PæÙÜX®Ü ±ÜâÓÜ ¤P ÜWÜÙÜ®Üá° AÊÜâWÜÙÜ ±ÜÅPÜoOæ¿á
PÜÅÊÜá¨ÜÈÉ ÊÜÂÊÜÓæ§WæãÚÔÄ.
I. ¶æa… Ôð±…r B¶… BÆ®… vÜív…Õ
II. væç®ÝËáP…Õ B¶… ¶æäàP…ÇæãàÃ… (¸ÝÃæ
pæãàÇ…Pæ®…)
III. pæç±…Õ B¶… ¶æäàP…pæàÇ…Õ (A®æì BÂív…
¥ÝÊÜáÕ®…)
IV. © ¶æäàP…pæàÇ… (Ôr¥… ¥ÝÊÜáÕ®…)
ÓÜíPæàñÜWÜÙÜá :
(A) III, IV, I, II
(B) III, II, IV, I
(C) III, IV, II, I
(D) I, III, IV, II
72. PæÙÜX®Ü ԨݜíñÜWÜÙÜ®Üá° AÊÜâWÜÙÜ ÊÜáãÆ Ü̈ ÊæáàÃæWæ
A®ÜáPÜÅÊÜáWæãÚÔÄ.
I. ÓæãàÇÝÃ… Ëá¥æãàÆi
II. ¶ÜíPÜÒ®ÜÈÓÜí
III. ÓÜóPÜcÃÜÈÓÜí
IV. ®ÝÂÃæãàpæãàÆi
ÓÜíPæàñÜWÜÙÜá :
(A) I, II, III, IV
(B) I, III, II, IV
(C) III, I, IV, II
(D) II, IV, I, III
73. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° Öæãí©ÔÄ : ±Üqr – I ±Üqr – II (±ÜâÓܤPÜ) (PÜñÜêì)
I. hÝ®Ü±Ü¨Ü ÊæçhÝn¯PÜ 1. PÝÂñÜ®ÜÖÜÚÛ PæÒàñÜÅPÝ¿áì ÃÝÊÜá|¡
II. PæÒàñÜÅPÝ¿áì¨Ü 2. WæãàÇ…xÓær®…, ÖÝ©¿áÈÉ Pæ®æ°¥…
III. hÝ®Ü±Ü¨Ü 3. ±æç Ô.Ô.G. PæÒàñÜÅPÝ¿áì B«ÜáËPÜ Ë«Ý®ÜWÜÙÜá
IV. G Wæçv… ¶ÝÃ… 4. ±ÜâÃÜáÐæãàñܤÊÜá µàÇ…xÊÜPÜìÃ…Õ C®… ¹ÚÊÜáÇæ ¶æäàP…ÇæãàÃ…
ÓÜíPæàñÜWÜÙÜá :
I II III IV (A) 4 3 1 2 (B) 3 1 4 2 (C) 1 2 3 4 (D) 2 3 1 4
74. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
I. ¿áPÜÒWÝ®Ü 1. ñÜËáÙÜá®ÝvÜá
II. ÃÝÊÜå…ÈàÇÝ 2. PæàÃÜÙÜ
III. ñæÃÜáPÜáñÜᤠ3. PÜ®ÝìoPÜ
IV. PÜ¥ÜPÜÚ 4. EñܤÃÜ ±ÜŨæàÍÜ
ÓÜíPæàñÜWÜÙÜá :
I II III IV (A) 3 4 1 2 (B) 1 2 3 4 (C) 2 3 4 1 (D) 4 3 1 2
total Number of Pages : 40
k – 2120 27 Paper II
71. Arrange the books in order of publication.
I. Fetch Script of Alan Dundes
II. Dynamics of Folklore (Barre
Toelken)
III. Types of folktales (Arne and
Thompson)
IV. The Folktale (Stith Thompson)
Codes :
(A) III, IV, I, II
(B) III, II, IV, I
(C) III, IV, II, I
(D) I, III, IV, II
72. Sequence the following theories as per
their origin.
I. Solar Mythology
II. Functionalism
III. Structuralism
IV. Narratology
Codes :
(A) I, II, III, IV
(B) I, III, II, IV
(C) III, I, IV, II
(D) II, IV, I, III
73. Match the following : list – I list – II (Book) (author)
I. Janapada 1. Kyathanahalli Vaignanika Ramanna Kshetrakaarya
II. Kshetrakaaryada 2. Goldstein, Haadiyalli Kenneth
III. Janapada 3. Pai C.C.A. Kshetrakaarya Aduvika Vidhanagalu
IV. A Guide for Field 4. Purushothama Workers in Folklore Bilimale
Codes : I II III IV (A) 4 3 1 2 (B) 3 1 4 2 (C) 1 2 3 4 (D) 2 3 1 4
74. Match the following :
list – I list – II
I. Yakshagana 1. Tamil Nadu
II. Ram Leela 2. Kerala
III. Therukkuthu 3. Karnataka
IV. Kathakali 4. Uttar Pradesh
Codes : I II III IV (A) 3 4 1 2 (B) 1 2 3 4 (C) 2 3 4 1 (D) 4 3 1 2
total Number of Pages : 40
Paper II 28 k – 2120
75. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
(ÓܧÙÜ) (Pæàí¨ÜÅ)
I. »æãà±ÝÇ… 1. ÓÜíXàñÜ ®ÝoPÜ APÝvæËá
II. ®ÜÊܨæÖÜÈ 2. hÝ®Ü±Ü¨Ü ±ÜŨÜÍÜì®Ü PÜÇæWÜÚWæ ±ÝŨæàÎPÜ ÓÜí±Ü®Üã¾Æ Pæàí¨ÜÅ
III. EvÜá² 3. hÝ®Ü±Ü¨Ü ÓÜí±Ü®Üã¾ÆWÜÙÜá ÊÜáñÜᤠÓÜíÍæãà«Ü®æ Pæàí¨ÜÅ
IV. ±ÝÆ¿áí Pæãpær„ 4. Cí©ÃÝ WÝí˜ ÃÝÑóà¿á ÊÜÞ®ÜÊÜ ÓÜíWÜÅÖÝÆ¿á
ÓÜíPæàñÜWÜÙÜá : I II III IV (A) 2 3 1 4 (B) 3 2 4 1 (C) 4 1 2 3 (D) 1 3 2 4
76. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
(»ÝÐæ) (®ÜÊÜáã®æWÜÙÜá)
I. PܮܰvÜ 1. ñæãorí ±Ýoár
II. ñÜËáÙÜá 2. ŸáÃÝÅPÜ¥Ý
III. ñæÆáWÜá 3. ËÆáÉ ±Ýoár
IV. ÊÜáÆ¿ÞÙÜí 4. ±Ývܪ®Ü
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 3 2 4 1
(B) 1 3 2 4
(C) 2 3 4 1
(D) 4 3 2 1
77. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
I. ×í© 1. hݮܱܨÜ
II. WÜágÃÝ£ 2. ÇæãàPÜ¿Þ®Ü
III. PܮܰvÜ 3. ÇæãàP…«ÝÃÝ
IV. ±Üíhݹ 4. ÇæãàP…˨ÝÂ
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 2 4 1 3
(B) 3 4 1 2
(C) 1 3 4 2
(D) 3 2 1 4
78. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
(ÃÝgÂ) (PÜÇÝ ±ÜÅPÝÃÜ)
I. ±ÜÎcÊÜá ŸíWÝÙÜ 1. ±ÜähÝ vÝ®…Õ
II. PÜ®ÝìoPÜ 2. A¯PÝíñ…
III. ÊÜá~±ÜâÃÜ 3. aè
IV. AÓÝÕí 4. ¥ÜíW…&o
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 2 3 4 1
(B) 3 1 4 2
(C) 1 4 2 3
(D) 4 2 1 3
total Number of Pages : 40
k – 2120 29 Paper II
75. Match the following :
list – I list – II (Place) (Centre) I. Bhopal 1. Sangeet
Nataka Academy
II. New Delhi 2. Regional Resource Centre for Folk
Performing Arts
III. Udupi 3. Folk Resources and Research Centre
IV. Palayam Kottai 4. Indira Gandhi Rashtriya Manav Sangrahalaya
Codes : I II III IV (A) 2 3 1 4
(B) 3 2 4 1
(C) 4 1 2 3
(D) 1 3 2 4
76. Match the following : list – I list – II (language) (Forms) I. Kannada 1. Toottam Paattu II. Tamil 2. Burra Katha III. Telugu 3. Villupaattu IV. Malayalam 4. Paddana
Codes : I II III IV (A) 3 2 4 1 (B) 1 3 2 4 (C) 2 3 4 1 (D) 4 3 2 1
77. Match the following :
list – I list – II
I. Hindi 1. Janapada
II. Gujarati 2. Lokayana
III. Kannada 3. Lok Dhara
IV. Panjabi 4. Lok Vidya
Codes :
I II III IV
(A) 2 4 1 3
(B) 3 4 1 2
(C) 1 3 4 2
(D) 3 2 1 4
78. Match the following :
list – I list – II
(State) (art form)
I. West Bengal 1. Pooja Dance
II. Karnataka 2. Anikant
III. Manipur 3. Chau
IV. Assam 4. Thang-ta
Codes :
I II III IV
(A) 2 3 4 1
(B) 3 1 4 2
(C) 1 4 2 3
(D) 4 2 1 3
total Number of Pages : 40
Paper II 30 k – 2120
79. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
I. PÜñæ 1. ¯WÜ©ñÜ ®ÜáwWÜoár ÍæçÈ
II. ®ÜêñÜ 2. ¯ÃÜã±ÜOæ
III. ÇÝÊÜ~ 3. ±ÜŨÜÍÜì®Ü
IV. JWÜoá 4. ÊÜåèUPÜ PÜÊÜ®Ü
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 1 4 2 3
(B) 3 2 1 4
(C) 2 3 4 1
(D) 4 1 3 2
80. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
(PÜê£WÜÙÜá) (PÜê£PÝÃÜÃÜá)
I. ÖÝÂív…ŸáP… B¶… 1. ÇæË&ÓÝóÓ… AÊæáàÄPÜ®… ¶æäàP…ÇæãàÃ…
II. Ëá¥ÝÆi 2. ÄaÜv…ì Gí. vÝÓÜì®…
III. G®ÝÈqPÜÇ… GÓæÕàÓ… 3. ÊÜáÃÜívÜ C®… ¶æäàP…ÇæãàÃ…
IV. ÓÜóPÜcÃÜÇ… 4. BÂÆ®…&vÜív…Õ BÂí¥æãűÝÆi
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 2 4 1 3
(B) 3 2 1 4
(C) 4 3 2 1
(D) 2 3 4 1
81. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
(±ÜÅ£±Ý¨ÜPÜ) (±ÜÄPÜƳ®æ)
I. ÊÝÉwËáÃ… ±Ýű… 1. Ãæçp…Õ B¶… ±ÝÂÓæh…
II. ÊÜÞÈ®æãàÊ…ÔR 2. KÄÁáíoÈÓÜí
III. ÊÝ®… Wæ®æ±… 3. ÊÜÞ´ÝìÆi B¶…
¶æäàP…pæàÇ…
IV. GvÜÌv…ì Óæàv… 4. Ë᥅&ÄaÜáÊÜÇ…
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 2 3 4 1
(B) 3 4 1 2
(C) 1 3 4 2
(D) 2 3 1 4
82. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
(±ÜíWÜvÜ) (ÓܧÙÜWÜÙÜá)
I. PÝvÜá PÜáÃÜ០1. hÝSìív…
II. AvÜË aæíaÜá 2. ñÜËáÙÜá®ÝvÜá
III. ñæãàvÜ 3. Bí«ÜÅ ±ÜŨæàÍÜ
IV. ÊÜááívÜ 4. PÜ®ÝìoPÜ
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 4 3 2 1
(B) 3 1 4 2
(C) 2 3 1 4
(D) 1 2 3 4
total Number of Pages : 40
k – 2120 31 Paper II
79. Match the following :
list – I list – II
I. Tale 1. Fixed phrase genre
II. Dance 2. Narrative
III. Ballad 3. Performance
IV. Riddle 4. Oral Poetry
Codes :
I II III IV
(A) 1 4 2 3
(B) 3 2 1 4
(C) 2 3 4 1
(D) 4 1 3 2
80. Match the following :
list – I list – II
(Works) (authors)
I. Hand Book of 1. Levi-Strauss American Folklore
II. Mythology 2. Richard M. Dorson
III. Analytical Essays 3. Maranda in Folklore
IV. Structural 4. Alan Dundes Anthropology
Codes :
I II III IV
(A) 2 4 1 3
(B) 3 2 1 4
(C) 4 3 2 1
(D) 2 3 4 1
81. Match the following :
list – I list – II
(Profounder) (Concept)
I. Vladimir Propp 1. Rites of Passage
II. Malinowski 2. Orientalism
III. Van Gennep 3. Morphology of Folktale
IV. Edward Said 4. Myth-Ritual
Codes :
I II III IV
(A) 2 3 4 1
(B) 3 4 1 2
(C) 1 3 4 2
(D) 2 3 1 4
82. Match the following :
list – I list – II
(tribe) (Places)
I. Kaadu Kuruba 1. Jharkhand
II. Adavi Chenchu 2. Tamil Nadu
III. Toda 3. Andhra Pradesh
IV. Munda 4. Karnataka
Codes :
I II III IV
(A) 4 3 2 1
(B) 3 1 4 2
(C) 2 3 1 4
(D) 1 2 3 4
total Number of Pages : 40
Paper II 32 k – 2120
83. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
(ÊÜá×Ùæ¿áÃÜá) (ÓÝ«Ü®æWÜÙÜá)
I. ÓÝÆáÊÜáÃÜ¨Ü 1. hÝ®Ü±Ü¨Ü PÜê£WÝX
£ÊÜá¾PÜR ±Ü¨Ü¾ÎÅà ±ÜÅÍÜÔ¤
II. ÓÜãQÅ ¸æãÊæá¾àWèvÜ 2. hݮܱܨÜ
APÝvæËá¿á
A«ÜÂPÜÒ
III. ÊÜáígÊÜá¾ 3. ÓÝí±ÜŨÝÀáPÜ hæãàWÜ£ ‘±ÜÅÓÜ㣠ñÜhæn’
IV. ±ÝÊÜWÜvÜ ®ÜÃÜÓÜÊÜá¾ 4. ÊÜáÃÜWÜÙÜ ÓÜíÃÜPÜÒOæ
ÓÜíPæàñÜWÜÙÜá :
I II III IV (A) 4 1 2 3 (B) 1 2 4 3 (C) 3 1 2 4 (D) 2 4 1 3
84. PæÙÜX®ÜÊÜâWÜÙÜ®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
I. PÜÃܱÝÆ 1. ÊÜáÖݨæàÊÜ¿áÂ
II. ñÜíŸãÄ 2. ÊÜáá¯ÊæíPÜo±Ü³
III. ñÜÊÜápæ 3. ÃÝaÜ¿áÂ
IV. PÜíÓÝÙæ 4. Ԩܪ¿áÂ
ÓÜíPæàñÜWÜÙÜá :
I II III IV (A) 2 1 3 4 (B) 4 3 1 2 (C) 4 3 2 1 (D) 1 4 2 3
85. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
I. ¨æàÊÜÃÜWÜávÜxÃÜá 1. ÊæãípæàÓÝÌËá
II. ¯àÆWÜÃÜ 2. ¹ÚXÄ ÃÜíWÜ
III. WÜÃÜávÜWÜíŸ 3. ÊÜÞ¨æàÍÜÌÃÜ
IV. WÜOæ¿áÊÜÃÜá 4. gáíg±Ü³
ÓÜíPæàñÜWÜÙÜá : I II III IV (A) 2 4 3 1 (B) 3 1 2 4 (C) 4 3 1 2 (D) 1 2 3 4
86. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
I. hæ.GÓ…. ±ÜÃÜÊÜáÎÊÜ¿á 1. PܮܰvÜ hݮܱܨÜ
XàñæWÜÙÜá
II. q.G®…. ÍÜíPÜÃÜ 2. EñܤÃÜ PÜ®ÝìoPÜ¨Ü ®ÝÃÝ¿á| hݮܱܨÜ
ÃÜíWÜ»ÜãËá
III. aÜí¨ÜÅÍæàSÃÜ 3. ¨ÜQÒ| PÜ®ÝìoPܨÜÜ
PÜí¸ÝÃÜ hÝ®Ü±Ü¨Ü PÝÊÜÂ
±ÜÅPÝÃÜWÜÙÜá
IV. ¹.GÓ…. WÜvÜxXÊÜás… 4. PÝvÜáWæãÆÉÃÜ
ÓÜí±ÜŨݿáWÜÙÜá
ÊÜáñÜᤠ®Üí¹PæWÜÙÜá
ÓÜíPæàñÜWÜÙÜá : I II III IV (A) 2 3 1 4 (B) 4 2 3 1 (C) 3 1 4 2 (D) 3 4 2 1
total Number of Pages : 40
k – 2120 33 Paper II
83. Match the following :
list – I list – II
(Women) (achievements)
I. Saalumarada 1. Padmashree Thimmakka awardee for folk art
II. Sukkri Bomme 2. Chairperson of Gowda Janapada Academy
III. Manjamma 3. Traditional Jogathi ‘Prasoothi
Tagne’
IV. Pavagada 4. Preserving trees Narasamma
Codes :
I II III IV
(A) 4 1 2 3
(B) 1 2 4 3
(C) 3 1 2 4
(D) 2 4 1 3
84. Match the following :
list – I list – II
I. Karapala 1. Mahadevaiah
II. Tamboori 2. Munivenkatappa
III. Tamate 3. Rachaiah
IV. Kamsale 4. Siddaiah
Codes :
I II III IV
(A) 2 1 3 4
(B) 4 3 1 2
(C) 4 3 2 1
(D) 1 4 2 3
85. Match the following :
list – I list – II I. Devaraguddaru 1. Manteswamy
II. Neelagara 2. Biligiri Ranga
III. Garudagamba 3. Madeswara
IV. Ganeyavaru 4. Junjappa
Codes : I II III IV (A) 2 4 3 1 (B) 3 1 2 4 (C) 4 3 1 2 (D) 1 2 3 4
86. Match the following :
list – I list – II I. J. S. Paramashivaiah 1. Kannada
Janapada Geetegalu
II. T. N. Sankara 2. Uttara Narayana Karnatakada Janapada Rangabhumi III. Chandrasekhara 3. Dakshina Kambara Karnatakada Janapada Kavya Prakaragalu IV. B. S. Gaddagimath 4. Kadugollara Sampradayagalu Mattu
Nambikegalu
Codes : I II III IV (A) 2 3 1 4 (B) 4 2 3 1 (C) 3 1 4 2 (D) 3 4 2 1
total Number of Pages : 40
Paper II 34 k – 2120
87. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II
I. ÇÝÊÜ~ 1. ¯à£ PÜñæWÜÙÜá
II. PÜoár PÜñæWÜÙÜá 2. ÇÝÊÜ~WÝÃÜÃÜá
III. Wݨæ 3. WÜá±Ü¤ EñܤÃÜWÜÙÜá
IV. JWÜoá 4. g®Ü²Å¿á hÝn®Ü¨Ü PÜ|g
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 2 1 4 3
(B) 1 2 3 4
(C) 4 2 3 1
(D) 3 1 2 4
88. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II (ÓÜíÓæ§) (ÊÜÐÜì)
I. ¹ÅqÐ… ¶æäàP…ÇæãàÃ… ÓæãÓæçq 1. 1888
II. AÊæáàÄPÜ®… ¶æäàP…ÇæãàÃ… 2. 1874 ÓæãÓæçq
III. ®ÝwìP… C®…ÔroãÂp… 3. 1878 B¶… ¶æäàP…ÇæãàÃ…
IV. g®ÜìÇ… B¶… © 4. 1959 Ãæãà¿áÇ… HοÞqP… ÓæãÓæçq B¶… ¸æíWÝÇ…
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 1 2 3 4
(B) 4 2 3 1
(C) 3 1 4 2
(D) 2 3 1 4
89. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II (WÜÅí¥Ü) (»ÝÐæ)
I. ÃÝÊÜÞ¿á| 1. ×àŸãÅ
II. «ÜÜÊÜá¾±Ý¨Ü 2. ÓÜíÓÜ¢ñÜ
III. ¸æçŸÇ… 3. ±ÝÈ
IV. £ÃÜáPÜáRÃÜÙ… 4. ñÜËáÙÜá
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 1 3 4 2
(B) 4 3 2 1
(C) 2 3 1 4
(D) 3 4 1 2
90. PæÙÜX®Ü¨Ü®Üá° Öæãí©ÔÄ :
±Üqr – I ±Üqr – II (±ÜâÃÝ| PÝÊÜÂ) (E±Ü®Ý¿áQ¿áÃÜá)
I. ÊæãípæàÓÝÌËá 1. b®Ü°ÊÜá¾
II. ÊÜÞ¨æàÍÜÌÃÜ 2. ÊÜÞñÜíX
III. GÆÉÊÜá¾ 3. PÝÙÜÊÜá¾
IV. gáíg±Ü³ 4. ¨æãvÜxÊÜá¾ ñÝÀá
ÓÜíPæàñÜWÜÙÜá :
I II III IV
(A) 2 3 4 1
(B) 4 3 2 1
(C) 3 2 1 4
(D) 4 1 3 2
total Number of Pages : 40
k – 2120 35 Paper II
87. Match the following :
list – I list – II
I. Ballad 1. Moral Tales
II. Fables 2. Ministrels
III. Proverb 3. Hidden Answer
IV. Riddle 4. Store of Popular Knowledge
Codes :
I II III IV
(A) 2 1 4 3
(B) 1 2 3 4
(C) 4 2 3 1
(D) 3 1 2 4
88. Match the following :
list – I list – II
(Institution) (Year)
I. British Folklore Society 1. 1888
II. American Folklore Society 2. 1874
III. Nordic Institute of Folklore 3. 1878
IV. Journal of the Royal 4. 1959 Asiatic Society of Bengal
Codes :
I II III IV
(A) 1 2 3 4
(B) 4 2 3 1
(C) 3 1 4 2
(D) 2 3 1 4
89. Match the following :
list – I list – II
(Book) (language)
I. Ramayana 1. Hebrew
II. Dhammapada 2. Sanskrit
III. Bible 3. Pali
IV. Thirukkural 4. Tamil
Codes :
I II III IV
(A) 1 3 4 2
(B) 4 3 2 1
(C) 2 3 1 4
(D) 3 4 1 2
90. Match the following :
list – I list – II
(epics) (Sub-heroines)
I. Manteswamy 1. Chinnamma
II. Madeswara 2. Mathangi
III. Ellamma 3. Kaalamma
IV. Junjappa 4. Doddamma Taayi
Codes :
I II III IV
(A) 2 3 4 1
(B) 4 3 2 1
(C) 3 2 1 4
(D) 4 1 3 2
total Number of Pages : 40
Paper II 36 k – 2120
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total Number of Pages : 40
k – 2120 37 Paper II
Read the passage below and answer the questions from 91 to 100 :
Most structuralists, too have realized the need to explain the presence of particular morphological forms in the context of culture. Propp’s work, for example, was viciously attacked in Russia for being anti-Marxist and anti-Soviet. He was accused of not showing the relevance of folklore to the people’s struggle against capitalist oppression. In response to this critique of his ‘Morphology of the Folktale’, Propp wrote a sequel entitled ‘Historical Roots of the Wonder tale’. In it he took up the job of researching the relationship of form to the larger social and historical context. In a later response of Levi-Strauss, Propp writes that he finds the cause for the unity of the composition of different tales in “... the stage of human society studied by ethnology and ethnography..... I did not abandon morphological analysis, but set myself the task of searching for the historical foundations and historical roots of the system revealed by a comparative study of wonder tale plots.... What really matters is that plots are engineered by the life of the people and the forms of thought at the early stages of social development and that the appearance of these plots is historically determined.” Most contemporary western ethnologists and folklorists would certainly not be satisfied with this sort of Marxist evolutionism as a means of placing form in context. It is precisely the sort of thing Edmund Leach so eloquently
criticizes in a comment on the work of another Russian Scholar : “... it illustrates yet once again the deadening conservatism that Karl Marx’s approval of the social evolutionist theories of L. H. Morgan imposes on any Soviet Scholar who ventures into the domain of cultural/social Anthropology. Soviet ethnologists who fail to pay at least token respect to Morgan’s fantasies in the form in which they came to be embodied in Engels’ the origin of the family put themselves in peril.... He presents myth as the product of a particular ‘stage of consciousness’ which was characteristic of the thinking of primitive peoples at an early stage in their history.”
Levi-Strauss, too tries to tie in the structures of myth with the ethnography of a people. Unfortunately he is forced to rely almost exclusively on the report of others. Modern social anthropologists, intellectual descendants of B. Malinowski in terms of field methodology if not functionalist theory, are very sceptical about the possibility of reconstructing ethnographic settings once folklore has been divorced from its context and after the fact of analysis.
91. V. J. Propp’s work was viciously attacked in Russia
(A) for giving emphasis on form
(B) for neglecting people’s struggles against capitalism
(C) for dealing with unscientific aspects of culture
(D) for giving importance to history
total Number of Pages : 40
Paper II 38 k – 2120
92. ¿ÞÃæãí©Wæ Ë.hæ. ±Ýű… ËÊÜáÍÝìñܾPÜÊÝX ±ÜÅÊÜêñܤ®Ý¨Ü ?
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93. ±Ýű… “×ÓÝrÄPÜÇ… ÃÜãp…Õ B¶… © ÊÜívÜÃ… pæàÇ…” ±ÜâÓܤPÜÊÜ®Üá° ¿ÞÊÝWÜ ŸÃæ¨ÜÃÜá ?
(A) BñÜ ¯¨ÜÍÜì®ÝñܾPÜ ÓÜíÃÜaÜ®ÝÍÝÓÜŒÊÜ®Üá° G¨ÜáÄÔ¨ÝWÜ
(B) BñÜ ÃÜã±ÜÃÜaÜ®ÝÍÝÓÜŒ ËÍæÉàÐÜOæ¿á®Üá° ñÜÂiÔ¨ÝWÜ
(C) BñÜ ÓæãàËÁáñ… ÊÜÞQÕìÓÜrÄí¨Ü qàPæWæãÙÜWݨÝWÜ
(D) BñÜ ËÍæÉàÐÜOæ¿á ñÜáÆ®ÝñܾPÜ Ë«Ý®ÜÊÜ®Üá° ñÜÂiÔ¨ÝWÜ
94. ±Ýű… ñܮܰ “×ÓÝrÄPÜÇ… ÃÜãp…Õ B¶… ÊÜívÜÃ… pæàÇ…Õ” ®ÜÈÉ D Aí£ÊÜá ¯|ì¿áPæR ŸÃÜáñݤÃæ
(A) ÊÜívÜÃ… pæàÇ… Õ® Ü (A¨Üá ½ñ Ü P Üñ æW ÜÙ Ü) PÜ¥ÝÊÜÓÜá¤WÜÙÜ ñÜáÆ®ÝñܾPÜ A«Ü¿á®ÜÊÜâ ¿ÞÊ Ü â¨ æ à ¯Ð Ü u ¶ ÜÈñÝíÍ ÜW ÜÙ Ü® Ü á ° ¯àvÜáÊÜâ©ÆÉ
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(A) BPÜꣿá®Üá° ÓÜí Ü̈¼àìPÜÃÜ|WæãÚÓÜáÊÜâ Ü̈á
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(D) aÜÄñæÅ¿á A&ÃæàUà¿á ±ÜÅWÜ£
96. “ÓÝÊ ÜÞiP Ü ËPÝÓ Ü Ô¨Ý œíñ Ü” CÊ ÜÄW æ ÓæàĨݪX¨æ
(A) PÝÇ…ì ÊÜÞP…Õì (B) ÇæË&ÓÝóÓ… (C) GÇ….Ga…. ÊæãàWÜì®… (D) Gv…ÊÜáív… Èàa…
97. ÊÜÞWÜì®…ÃÜÊÜÃÜ Ô¨ÝœíñÜ©í Ü̈ ±ÜÅ»ÝËÓÜƳorÊÜÃÜá ¿ÞÃÜá ?
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98. ÊÜívÜÃ… pæàÇ…Õ (A¨Üá½ñÜ PÜñæWÜÙÜá) ÊÜáñÜᤠË᥅WÜÙÜá (±ÜâÃÝ| PÜñæWÜÙÜá)
(A) ÓÜíÃÜaܯà¿áÊÝX ÓÜÊÜÞ®Ü (B) QÅ¿ÞñܾPÜÊÝX ÓÜÊÜÞ®Ü (C) ÓÜÊÜÞg ±ÜÅWÜ£¿á BÃÜí»Ü¨Ü Ô§£Wæ
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99. ¿ÞÃÜá BÃÝÊÜá PÜábì ÊÜÞ®ÜÊÜÍÝÓÜŒgn Gí¨Üá qàPæWæãÙÜWݨÜÊÜÃÜá ?
(A) ÊÜÞÂÈ®èÔR (B) ÇæË&ÓÝóÓ… (C) Gv…ÊÜáív… Èàa… (D) HíhæÇ…Õ
100. ÊÜÞ®ÜÊÜPÜáÆÍÝÔŒà¿á ËÊÜÃÜOæ ®ÜÊÜáWæ C¨ÜPæR ®æÃÜÊÝWÜáñܤ¨æ
(A) g®ÜÃÜ ±ÜÅhæn¿á Zor¨æãí©Wæ
PܥܮÜÊæäí¨ÜÃÜ ÓÜíÃÜaÜ®æ¿á ÓÜÖÜÓÜíŸí«Ü
H±ÜìwÓÜÆá
(B) PܥܮÜWÜÙÜ®Üá° ÊÜXìàPÜÄÓÜÆá
(C) PܥܮÜÊæäí¨ÜÃÜ PÜÇÝËáàÊÜÞíÓæ¿á
B¿ÞÊÜáWÜÙÜ®Üá° b£ÅÓÜÆá
(D) PܥܮÜÊæäí¨ÜÃÜ ÊÜáãÆÊÜ®Üá° ËÊÜÄÓÜÆá
total Number of Pages : 40
k – 2120 39 Paper II
92. Whom did V. J. Propp critically engage ? (A) Karl Marx (B) Frederik Engels (C) Edmund Leach (D) Levi-Strauss
93. When did Propp wrote the book “Historical Roots of the Wonder Tale” ?
(A) When he encountered with paradigmatic structuralism
(B) When he abandoned morphological analysis
(C) When he was criticized by Soviet Marxists
(D) When he abandoned comparative mode of analysis
94. In ‘Historical Roots of Wonder Tales’ Propp concludes that
(A) Comparative study of Wonder Tale plots does not yield any faithful results
(B) Ethnographic data is useful in structural analysis
(C) Historical analysis excludes structural analysis
(D) Plots of Wonder Tale are designed by the people who belong to the early stage of development
95. Marxist evolutionism means (A) Contextualising the form (B) Placing the form outside history (C) Textualise the context (D) Non-linear development of history
96. Theory of Social Evolution belongs to (A) Karl Marx (B) Levi-Strauss (C) L. H. Morgan (D) Edmund Leach
97. Who was influenced by Morgan’s theories ?
(A) V. J. Propp (B) Edmund Leach (C) Levi-Strauss (D) Engels
98. Wonder tales and Myths are (A) Structurally similar (B) Functionally similar (C) Belonging to the early stage of
social development (D) Originated unconsciously
99. Who was criticized as an arm chair anthropologist ?
(A) Malinowski (B) Levi-Strauss (C) Edmund Leach (D) Engels
100. Ethnography helps us (A) to correlate the structure of a
narrative with people’s stage of consciousness
(B) to classify narratives (C) to delineate the aesthetic
dimensions of a narrative (D) to explain the origin of a narrative