Street of Dreams Slate - Natural Stone Institute · Street of Dreams Showhouse Reflects Pacific Northwest.....20 All for the Love of Stone Cleveland Sculptor Lives His ... Likened

S h o w c a s i n g t h e b e a u t y o f n a t u r a l s t o n e.

Vol. 2 • No. 3 • Winter 2009 $3.95

The Stone Bath

The Safety of Natural Stone

Street of DreamsShowhouse Reflects Pacific Northwest

All for the Love of StoneCleveland Sculptor Lives His Dream

Small Space Planning

SlateAnother Great-Looking Choicefrom the Natural Stone Family

4 www.stonedimensionsmagazine.com StoneDimensions • Vol. 2 No. 3

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StoneDimensions Features

The Stone Bath...............................................................................6

The Safety of Natural Stone.........................................................14

Gallery of Ideas............................................................................16

Street of DreamsShowhouse Reflects Pacific Northwest ........................................20

All for the Love of StoneCleveland Sculptor Lives His Dream ..........................................22

Frequently Asked Questions .......................................................25

Small Space PlanningMaximizing Space, Functionality and Style While Thinking Small..................................................................26

SlateAnother Great-Looking Choice from the Natural Stone Family...28

Index of Photographs ..................................................................30

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From the PublisherStoneDimensionsVolume 2 • Number 3

Published by

Marble Institute of America28901 Clemens Road • Suite 100

Cleveland, OH 44145ph: 440.250.9222 • fax: 440.250.9223

www.marble-institute.com

PublisherGaren P. Distelhorst

Editor-in-ChiefWilliam V. Levy

Creative DirectorSusan D. Myers

Contributing WritersHeather Adams

Garen DistelhorstWilliam V. LevyMiranda LynnAnita Shaw

Web Site www.stonedimensionsmagazine.com


Copyright © 2008 StoneDimensions. All Rights Reserved. No portion of this publication may be reproduced without written

permission. StoneDimensions and logo are registered trade marks. The opinions expressed in this publication are not necessarily those of the publishers. Contributors and advertisers assume responsibility and liability for the accuracy of their statements

and claims. StoneDimensions is published quarterly.

Cover Photo

Private ResidenceCountertop:

Stone Fabricator and Installer:Southwest Tile & Marble

www.swtile.com

StoneDimensions Readers,

I am proud to report that a new national survey finds that by overwhelming majoritiesU.S. consumers prefer granite countertops to any other countertop surface for theirdream kitchen and believe that granite countertops increase the resale value of a home.

The survey of 2,021 U.S. adults aged 18+ was conducted by Harris Interactive on behalfof the Marble Institute of America. It asked respondents which countertop surface theywould most want in their dream kitchen. At 55 percent, “granite countertops” was byfar the most popular response, followed distantly by synthetic stone at 12 percent.The survey was conducted October 7 through 9.

When asked how much they agree with the statement “granite countertops increasethe resale value of a home,” 90 percent of the surveyed consumers either strongly orsomewhat agreed.

After months of inaccurate reporting and questionable research aimed at raising doubtsabout granite, it is tremendously gratifying to know that consumers continue to feelthat granite countertops are as safe as they are beautiful, practical and durable.

In fact, 84 percent of survey respondents either strongly or somewhat agreed with thestatement, “Granite countertops are among the most safe, beautiful and durablekitchen counter surfaces on the market today.”

The survey found remarkable consistency across the United States, with minimalvariance in responses from different regions of the country. It also showed the appealof granite was consistent among both age and socio-economic groups.

I hope that this, our 6th issue of StoneDimensions, finds you happy and healthy.

Best wishes for a prosperous New Year.

Garen P. DistelhorstPublisherMarble Institute of America

Genuine Stone® and the Genuine Stone® sealare trademarks of the Natural Stone Council.

®

www.stonedimensionsmagazine.com 5

By Heather E. AdamsAuthor, Designer

At the end of the day, there is a place to which you can escape,

to nurture your body as well as your soul; this place is the master bath.

Recently evolving into a spa-like retreat for the discriminating homeowner,

this bath is the epitome of elegance when created using natural stone.

StoneDimensions • Vol. 2 No. 3 www.stonedimensionsmagazine.com 7

esigns are now emerging thatwere once held only in homeowner’sdreams. Arches of ornate decorative tileinvite you to enter an oversized steamshower built for two. A deep whirlpool tubsits encased in stone while an enormoushand-carved fireplace casts a warm glowsthroughout the room. Today’s master suitebathroom is no longer the oversizedstandard bath of the past, it is now anarchitecturally stunning hideaway that is looked upon with near reverence.

The tubTruly one of the ultimate escapes intorelaxation is the long soaking bubble bath.What can add to that experience exceptto open your eyes and discover yourselfsurrounded by nature’s beauty. Oncepaired with the shower, the bathtub isno longer part of the space saving duoof the past. Earning a rightful place ofits own, it now finds itself in variouslocations throughout the master bath.Standing alone in the middle of the room,set in a corner, resting on the center of awall… sunken, elevated, or recessed intoits own nook, regardless, the tub is alwaysa tempting site at the end of a longstressful day.

Depending on its final destination, thereare many options available for dressingup this bathroom feature. When it standsalone in the center of the room, the tubnormally functions as the primary focalpoint. If it is housed in a wooden frame,you can choose to create a neo-classicallook by cladding it in stone and adorningeach of the four corners with Corinthiancolumns. If an austere appearance is moreyour style, simply encase the centrallylocated tub in monochrome slabs ofsilky smooth limestone or onyx.

When the bathtub rests against a wall or issituated in a corner, a backsplash is requiredand offers the perfect space to play withcreative tile layouts. For instance, when

your stone arrives on the job site, taketime to cull through the crates to findvery unique pieces. Often times you willdiscover a group of tiles cut from the blocktogether that when placed side by side,showcase a continuous veining structure(most commonly found in cross-cuttravertine). Set these aside and ask theinstaller to run this veining pattern alongthe expanse of the splash for an incredibleeffect. In place of large scale stone tiles, youmay want to consider a splash composi-tion of smaller tumbled stones or a field

of mosaics. In the center of the field tile,why not add a handsome hand-paintedmural bordered by a heavy stone moldingor introduce a row of unique etchedtiles. Whatever design you choose toincorporate, be sure not to skimp on the height of the splash. Many buildingcontractors suggest a standard four orsix inch splash, but the beauty lies inthe grand scale, go eighteen inches ormore to add significant drama.

The piece de resistance when it comesto bathtub design is undoubtedly the

D


large whirlpool tub recessed into its ownprivate nook. Here you can allow for agenerous deck with more than enoughspace to house candles, scented oils,baskets of soft terry towels or even a glassof chilled Chablis. Glimmering mosaicscan be breathtaking as they climb thewalls and flow over the arch of the ceiling.Enhance their sparkle and the overallspace with the addition of a gildedchandelier. Do not avoid the addition ofthese “over the top” ideas, as they arewhat will set your bath above the rest.

Ideas for the tubWhen installing a whirlpool tub, attemptto situate it where the access panel canbe placed on an exterior wall or in anabutting closet or vanity. This will allowfor an uninterrupted tile design on theface of the tub. In the case that the panelmust be located on the tub apron, thereare several unique products currently onthe market that allow for easy accesswithout disturbing your tile design. Inaddition, a seasoned installer will have a trick or two up his sleeve.

If steps are necessary to access your tub,be sure to choose a slip resistant stonefinish for added traction and safety.

Treat these features as a focal point andgive them a unique shape or curve.Dress the front edge with a decorativebullnose or ogee trim.

When design and budget allows, place alarge roof window over your tub to enjoythe moon and stars at night.

Consider the addition of a floating fire-place at the far end of the tub. Carry thestone used for the splash up and aroundthe firebox. Be careful, submerging yourselfin the warmth of the water and gazing atthe flames may put you in a hypnotic state.

The stone showerJust as the warm bath serves as closureafter a hard day at work, the shower sig-nifies a new beginning. Considered anabsolute must in our hurried society, theshower now rivals the tub as the perfecttool for escapism.

Taking the ritualistic daily showershould be invigorating not only to thebody, but to the mind and spirit as well.Imagine wandering into a shower cladentirely in the masculinity of ruggedslate. Likened to bathing in the out-doors or a tropical rainforest, you willsurely linger in the gentle sprays of

water a little longer than normal. Whenthe look of soft femininity is the goal, acreamy limestone tile in a caramel or ivorytone is ideal. Because shower walls offera large expanse in which to be creative, donot overlook the opportunity to featurea dramatic design. Choose to dress eachwall, or the most prominent wall, with a long rectangular frame. Inside the dec-orative borders of the frame, introduce afield of contrasting mosaic. Within thisfield of mosaic inset a vertical row ofthree unique tiles. If budget is a concern,clad the expanse of your walls in a largedark travertine tile and splurge on sixdecorative accents featuring an aged reliefdesign to intersperse around the walls ateye level. Either look is simply stunning.

When designing your shower, there aremore than just appearances to keep inmind, you must also consider a few necessary amenities. These include thesmall seat or bench and the recessedniche or exposed shelf.

The shower seat, as opposed to a bench,is most appropriate for the small walk inshower. Even the most miniscule ofspaces can accept a triangular shapedseat where two walls meet. Creating thisdiminutive seat takes a little ingenuity


on the part of the tile setter. Normally,they will laminate two pieces of stonetogether, bullnose the front edge forcomfort, and insert the finished piece intothe area where the two walls converge.When installed correctly, this seat canhold significant weight, appearancesmay be deceptive, although it may notlook it, it is strong.

In an oversized shower, the bench seat isappropriate, and quite wonderful. Dressup this feature by bowing out the centeror enveloping its surface in micro-mosaics.Consider designing a recessed arch withinthe space for the bench to rest in. Add aroof window or a low-voltage halogenlight to illuminate to area. For thoseinstalling a steam shower, the additionof an incline to the full length benchwill encourage a long relaxing stay.

When in the shower, you are faced with the inevitable question of where toplace all of the required soaps, gels andshampoos, therefore, a recessed niche orexposed shelf will commonly providethe answer. Placing a large niche with in

the center of the most predominate wallis quite an eye catcher, especially whenbordered with a contrasting tile orornate trim.

The shelf is configured and installedsimilar to the seat, but on a smaller scale.Your installer may inset a laminated pieceof stone where the walls converge andround the edge for a soft effect. Otheroptions include a pre-cast stone shelfwith a dressy edge, a jagged piece of stoneslab for the rustic effect, or a thick pieceof carved stone molding on which toplace an item or two.

Ideas for the showerUse a clear or lightly frosted glass as theshower door to show off any designsfeatured within.

Consider designing a shower space thatrequires no door at all.

Specify a small tile or mosaic on thefloor for added traction.

Place borders above or below eye levelfor a updated look.

Consider laminating pieces of stonetogether for a dramatic crown molding,chair rail and baseboard effect.

Add a large stone bench just outside theshower area for drying.

Choose the same tile size and pattern onthe ceiling as on the shower floor. Thiswill marry the two nicely.

When installing a steam shower, slant thepitch of the ceiling so that condensationruns down the side walls, in place ofannoyingly dripping on your head.

Avoid polished marble in the showerarea if possible. The acidity of mostshampoos, as well as the onslaught ofsteam, will eventually take their toll onits pristine shine.

When choosing a polished granite forthe shower walls, just keep in mind thatwater spots are magnified on a polishedsurface. This problem can be resolvedby using a squeegee as needed.

When choosing unfilled travertine forthe shower walls, be sure to spray a pen-etrating sealer with a mold and mildewrepellent into all of the open pores.

The vanityTogether with the tub and shower, thevanity makes up yet another essentialcomponent of the master bath. Availablein a variety of shapes and sizes, the vanitycan help define the overall style of theroom. Clean, reflective metal stands withcool slabs of pale colored marble arereminiscent of the classic bath. Ornateamaretto or cherry colored cabinetstopped with dark marble or graniteappear elegant. A sleek blonde cabinetcapped with a thick slice of slate willbeget a Contemporary or Asian feel. Aretro-fitted antique dresser crownedwith a curvatious slab of limestone willimpart a feeling of romance.

When considering which stone to usefor the vanity, remember the qualitieseach type possesses. The toll of dailycontact with toothpaste, soaps and otheracidic substances will cause the surfaceof a polished marble to etch and dullover time. Granite is the ideal choice if areflective surface is desired, as chemicalsare no threat to its shine. Travertine andlimestone are suitable choices, but beaware of possible surface etching. Mosaicsand tumbled stone are perfect for thevanity countertop as they will acquire alovely patina overtime.

Sink options for the vanity range fromvessels of stone, glass and metal to


porcelain and stainless under-mounts tothe standard drop in. Be practical, somedecorative sinks are best left to the pow-der bath where they don‘t meet the dailyrituals of grooming.

After selecting a vanity base and coun-tertop, you will need to consider thebacksplash area. If a decorative trim ormosaic has been chosen for the showerwalls and around the tub, it may beintroduced here as well. The splash areacan be as small as four inches or mayspan the entire area from the countertopto the ceiling, depending on the desiredeffect. If you are adhering to a limitedbudget, consider running the countertopmaterial as your standard 4-inch heightsplash and then border your mirror insomething special, such as an accent trim.The least expensive way to achieve dramawith your splash and mirror area is to cutdown pieces of field tile (your floor orcountertop tile) and border the mirror withit. To liven things up, add a decorativeaccent in each corner and outline thespace between the mirror and field tilewith a strip of colorful mosaic.

On the floorThe most important factor to considerwhen using natural stone for the bathroomfloor is surface texture. An antiquatedfinish, a honed marble or granite, a natural-faced slate, are all great choicesfor flooring in the bathroom, offering asecure foot hold. On the other hand, ahighly polished stone of any kind is not

always wise due to the “slippery whenwet“ dilemma.

When your heart is set on a sleek polishedstone for the bath, consider the additionof an inlaid rug design outside each wetarea in the selected stone’s honed, tumbledor mosaic counterpart. This not onlykeeps you from slipping, but will add adistinctive touch to your space as well.If this solution does not appeal to you,placing a tasteful throw rug outside eachwet area will suffice.

The powder bathComprised of only a sink and commode,the powder bath is a small bathroomcapable of making a big statement. Usedprimarily by visiting friends and family,this modest sized bath offers the idealsetting for expressing your individuality.Somewhat isolated, it lends itself well tobold and daring statements. Its generallyprivate location eliminates conventionalconcerns regarding tile selections that mayclash with surrounding elements. Combineall this with its guest-oriented missionand it becomes possible to create unsur-passed elegance without worry. So becreative, artistic and begin to envisionunique ways to impress your guests.

Take a good look at the space you haveallotted to function as your powderbath. Ideally it is located in an area thatoffers a degree of privacy for your visi-tors and is large enough to move aboutin comfortably. Because this petite spaceis generally reserved for guests, it does

not suffer from the blatant mistreatmentnormally associated with the standardbathroom, like wet floors and harshchemical substances. Because of this,materials typically avoided may be considered, like those wonderfullydelectable polished marbles and mosaics.

Let your imagination take flight. Whatappeals to you as far as design is con-cerned? Do you prefer the understatedsimplicity of Contemporary or the classiclook of Traditional? Either way, colorand lighting will play a major role in themood and ambiance conveyed withinthe room. Tucked away in some obscurecorner, there is little chance that youwill be basking in the warmth of naturallight, so choose mood-enhancing fixturesto complement and balance the room.Forget the old adage that small roomsshould be light in color; select a palettethat appeals to your sense of style. A richwarm shade may be just the backdrop toconvey that feeling of sophisticationyou’ve been striving for. There are nohard-set rules for this bath, so here arejust a few ideas you may want to consider.

MosaicsMosaics add instant glamour to any room.Their color and texture variations aretruly mesmerizing. When confronted witha wall clad in these tiny works of art, onecannot help but glide their fingertipsacross it. When laid upon the floor, yourguests will have to resist the urge tokick off their shoes.

By enveloping an entire room in a single-toned mosaic you can recreate the serenesimplicity of a windswept beach. Thesparkle of highly polished stone mosaicsstrewn across a backsplash and spillingover a countertop will result in theappearance of a gem-encrusted jewelbox. Because of the expense involved inusing large quantities of mosaic, yourbudget restrictions may over ride yourdesires. Before dismissing your dreamsentirely, explore clever ways to incorporatea smaller adaptation of your originaldesign. Remember, a little goes a longway in a room of this size and becausevolume is scaled down …so are costs.

Before settling on your final plans, don’tforget about the floor. A handful of darkshiny mosaics scattered across a floor ofcreamy travertine can be impressive.Consider a border of inexpensive fieldtile filled with a mosaic herringbone orbasket weave pattern. Normally preseton netted sheets, mosaics are fairly easyto install. Try getting fancy by cutting


the sheets into strips to be used as bordersor smaller squares to be used as inserts.Small custom medallions can also add anelegant touch for a modest investment.

Stone bowl sinksDue to the lack of components presentin this cozy little space, the sink andmirror suddenly find themselves centerstage, and while we generally think ofmirrors as a decorative accessory, dazzlingvisitors in a relatively new undertakingis the traditionally non-descript sink.Presently struggling to carve out its roleas a focal point, this once uninspiringfixture is being thought of in a totallynew perspective. Gone is the lacklustersink of the past and in it's place hasemerged an incredible work of art.

When shopping for a sink, materialchoices and styles abound at every turn.Your search will unearth bowls carvedfrom blocks of granite, travertine, lime-stone and marble; reflecting earth tonesof ocher, sienna and bone. From roundand oval to rectangle and square, shapeswill vary from the traditional to the exoticand from the primitive to the ornate.Rising to take its place as one of the mostbeautiful design elements within thebathroom is the vessel sink. These func-tional pieces of sculpture are captivatingwhen set on pedestals or floated abovejagged slabs of stone. Reminiscent of yourgrandmother’s washbasin, they are capableof successfully achieving numerous anddiverse images. Placed atop a reflectivesheet of glass, they appear to hover inspace; the juxtaposition of new and oldblending to create a unique dimension.Resting upon a ledge of weathered stone,they capture the primordial feeling ofancient Rome. An isolated sink of hand-carved granite positioned upon a floatingvanity of slate will envelop your guestswith a Zen-like serenity.

Cladding the wallBecause you may be able to afford a fewlittle extras in this bath, you may want toconsider treating all of the surfaces withstone tile. Walls can receive a chest-highwainscoting topped with an intricatelycarved rope trim or be completely encasedfrom baseboard to crown molding. Whencladding the entire wall surface in stone,visual interest can be added by breaking upthe pattern through the use of dimensionaltrims or strips of contrasting stone. Ifyou are setting the lower portion of yourwall tile on a 90-degree angle, switch toa brick pattern or 45-degree angle abovethe break point for added diversity.

Final thoughtsDue to its small nature, the powder bathgives you the opportunity to stretch yourimagination without stretching yourbudget. This may be your only opportu-nity to incorporate those high-end specialtytiles you’ve been drooling over withoutbreaking the bank. If there was somethingthat you were forced to eliminate from themaster bath due to budget constraints,reexamine using it on a smaller scale inthe powder room. Remember, through

the simple addition of upgraded or wallmounted faucets, decorative inserts,mosaics or clever pattern arrangements,a rich and lavish feeling can be instilledwithin the room. l

To learn more, look for the author’s books“STONE” and “TILE STYLE” (Harry N.Abrams Inc. publishers - New York). Thesebooks are available through the MarbleInstitute of America bookstore. Visitwww.marble-institute.com for information.

Are there radioactive materials in yourgranite countertops? Of course there are,but is Radon gas emitting from them inharmful levels? No, not as far as scientificstudies have determined.

For the past few months, I have been read-ing articles and listening to news storiesabout the possibility that granite countertopsmay contribute to the amount of radon gasand/or radiation in your home. The mediahas taken the story step further to imply thatany detection of radiation in granite indi-cates an increased risk of cancer to youand your family. As a geologist, homeowner,and mother, I can tell you the safety ofgranite has never been a concern of mine.

The truth is natural stone is safe, beautifuland durable. It adds an amazing texture and architectural statement to your home.A recent poll by Harris interactive foundthat 55 percent of American homeownersprefer granite countertops in their dreamkitchen, followed distantly by syntheticstone at 12 percent. The poll also foundthat 90 percent of respondents agree withthe statement that granite countertopsincrease the resale value of your home.If natural stone was found to emit radongas in harmful levels, it would not be themost popular building material or thefoundation of the construction industry.While Radon gas can exist in your home

from other sources, natural stone buildingmaterials do not contribute a significantenough amount to cause concern.

Those who have studied radioactivematerials know there is a flawed correlationbetween the radiation found in naturalstones and the levels of cancer-causingradon gas detected in homes. This far-reaching conclusion is akin to assumingthat, because it is raining outside, yourhouse is going to get hit by a tornado.

Discussing this issue solely in relation togranite is misleading. All natural materials,including man-made materials composedof natural materials (e.g., concrete), con-tain tiny minerals that are potentiallyradioactive. These minerals are calledtrace minerals because they are tiny(about the size of a grain of salt) andcompose an extremely small percentageof the rock, hence the term trace. Theyare made of common elements, such assilica, oxygen, phosphate, and aluminum,as well as radioactive elements likeuranium, thorium, and potassium.Geologists study these trace mineralsbecause they hold invaluable knowledgeabout the timing of various natural events.What trace elements do not do is causeconcern when choosing to have thesedurable products in our homes. If anything,geologists are more comfortable withthem because they respect what the traceelements can tell them and understand thecomposition of granite on a microscopicscale. To geologists, that makes a naturalstone countertop even more beautiful.

During my graduate studies at VanderbiltUniversity, I had the opportunity to studyradioactive trace minerals that certainindustries are touting as the unsafe com-ponent of natural stone. My researchconsisted of collecting rock specimens inthe California and Nevada deserts whichwere brought back to the Vanderbilt labfor study. I crushed the specimens andseparated the trace minerals in order tomeasure the radiological data usingsophisticated microscopes.

During the testing process, I was neverendangered by the trace minerals foundin the rock specimens. I did not wear a


The Safety of Natural Stone By Miranda Lynn


lead suit to protect myself from radiationor a respirator to protect my lungs frombreathing in radon gas. This danger wasnot a concern for my professors or thehundreds of other researchers across theworld that purposefully separated theseradioactive minerals out of rocks andhandled them with bare hands in order toobtain valuable information. The presenceof these radioactive trace minerals is justnot a safety issue. As students, we werewell informed of all safety hazards in thelab. If there was a radiation hazard, wewould have been instructed to protectourselves. It just was not necessary sincethe amount of radioactive material inthese rocks was not dangerous.

To give you an idea of the amount ofradioactive material that is present in atypical piece of granite, I would take afist-sized piece of granite and process itdown to obtain a quarter teaspoon of traceelements. Think about that in relation toyour granite countertops. A few teaspoonsof trace minerals sprinkled throughoutthe stone which are not present on thesurface per se, but intermixed throughoutthe thickness of the slab. In order to beexposed to radiation, you would have tobe in direct contact with the mineralsfor an extended period of time. And ifthose teaspoons of trace minerals aresprinkled throughout your countertop orshower stall, how many do you think youwill actually touch? Moreover, will youtouch them 24/7, for 72 years in a sealedroom as Dr. John McCarthy, President ofEnvironmental Health & Engineeringexplains? It is just not possible to be significantly exposed in this manner.

Now that the presence of radioactiveminerals in granite has been explained,let us turn our attention to radon gas. Letme be clear: the amount of radioactivitythat is measured in your granite does notdirectly correlate to the amount of radongas that is in the air of your home1. Theamount of radiation that the trace mineralsemit is insignificant, and what does comeout readily diffuses into the air. In aproperly-ventilated home, it quickly disperses and does not hover around the countertop or even linger in higherconcentrations in your kitchen.

The tests seen on the news where a tickingGeiger counter is run across the surfaceof a countertop is a measure of theradioactivity in those trace elements andnot the radon gas in the air. This is a bigdifference since the radioactivity in yourgranite is not directly correlated to theamount of radon gas it will emit over the

years. As a scientist, I do not appreciatescare tactics that use science to influenceconsumer choices. Please do not be persuaded by the dramatic findings of theticking Geiger counter on the surface ofyour countertop.

It is important to mention that radon gascan enter the home though other sources,seeping in through foundation cracksfrom surrounding soil and bedrock inareas with poor ventilation. Please followEPA guidelines http://www.epa.gov/radon/pubs/citguide.html and get the factsneeded to decide whether you should testyour home for radon gas. Proper ventila-tion and a sealed, solid foundation willtake care of most radon issues in homes.

If this were a credible issue, we wouldhave learned of it long ago in relation toconcrete slabs under homes, brickfacades on fireplaces, and ceramic tileflooring2. All of these materials have bitsof trace minerals in them, and in somecases, they are purposefully added toincrease the strength and hardness of

the material. In fact, the United StatesEnvironmental Protection Agency hasradiological exposure limits on buildingmaterials to prevent such exposures fromoccurring. This is why it is so illogical tosuddenly be concerned with radon beingemitted from your granite countertops.

Granite is just one of many naturalmaterials that are beautiful, durable, andyes, contain tiny amounts of trace mineralsthat may be radioactive. And remember –the concern is with radon gas, which mayor may not have the chance to escape fromthose tiny minerals in your countertopsand bathroom floor. There is more radio-active material in the soil and bedrockbeneath your home than there could everbe in a few slabs of natural stone in yourhouse. Your countertops are safe, and asbeautiful as they have always been. l

1M Ngachin et al 2008 J. Radiological Protection.28 369-378 2Selby, J H. Health Physics. 94(6):539-547,June 2008.

The warm, traditional look of this kitchen reflects the Craftsman style of the home and the earthy location of the Pacific Northwest.

By Anita Shaw, Snohomish, WA

Green design is currently a central trend in kitchen and home renovation,but it has long been a key design element in the Pacific Northwest, where passions

run high when discussing environmental issues. Natural products, renewableresources and energy saving items are all part of the area’s design story.

This design philosophy was evident in this year’s Seattle Street of Dreams showhousepresentation, which focused on a single street of homes located here. The homes, which

ranged in size from 4,200 to 4,750 square feet, focused on green building and green products.

The homes on the street were judged on eight different categories by the general public,realtors and a professional committee, and Copper Falls, a home designed and built by LockieHomes, Inc. and its president, Todd Lockie, was awarded “Best Kitchen” and “Best of Show.”


opper Falls features classic elementsof the Craftsman style – “architecture witha warm, traditional touch,” commentsSherry Erickson, office manager, LockieHomes, Inc. in Snohomish. “Such designis an excellent fit for the Pacific Northwest,as the heavily textured exteriors ofnative wood products and stone allowfor a look and feel indigenous to thisearthy area.”

Several lifestyles came into play whencreating the overall design of the house.The home worked for the empty nester,who could live on the main floor andentertain guests there in the surroundingsof the kitchen and dining area, whilesaving the upstairs for visiting childrenand grandchildren.

The house also functions well for anactive family with children, according to

Erickson. “The family kitchen is easy touse and enjoy, and the upstairs livingspace features three full baths, allowingplenty of space for everyone, withoutthe inconveniences.

Flexible style“Flexibility is the key to the Copper Fallsdesign,” Erickson stresses. “Whether anolder couple is entertaining friends witha formal meal or the school-age kids needa quick bite to eat before heading out thedoor, the kitchen offers versatility. Thesimple floor plan allows for easy maneu-verability, wide countertops feature plentyof space and state-of-the-art Vikingappliances provide stylish appeal.” Thehome’s overall warmth and natural feelextends into the kitchen through the useof cabinetry and countertops in robustform and tone, Erickson continues.

Cabinetry from Canyon Creek is featuredthroughout Copper Falls, and makes astrong design statement in the kitchen.The company’s Cornerstone beaded insetcabinetry in the Mount Vernon door stylein maple is used on the majority of theroom’s perimeter. These cabinets featureCanyon Creek’s Crème Brule finish –where dark highlighting paint is appliedover a Crème base in detailed areas.

The creamy tones of the perimeter cabinetry contrast the deep, rich tonesof the black Viking range and rangehood, which is finished in Espressostain on cherry.

In keeping with the comfortably upscale,organic character of the kitchen, dualdishwashers and a refrigerator were alsohidden behind Espresso-stained cabinetfronts, as were oven-side spice storagecolumns. All of the appliances in the roomwere provided by Viking Range Corp.and Ariston Appliances. The MountVernon door style and Espresso tones ofthe range hood and appliance fronts arereflected in the kitchen island as well.

The cabinets and range hood wereembellished with carved moldings andcarved legs, provided by Enkeboll Designsand Brown Wood Products. All of thecabinets were topped with granite coun-tertops in Madagascar, a vibrant andearthy combination of brown, creamand rust tones.

Rich tones were also featured in the room’ssurfaces, provided by Integrity Floors inSnohomish. “The firm created the match-ing ceiling and inlay floor patterns,countertop textures and special tiles usedwithin Copper Falls,” comments Erickson.Above the range, a distinctive tile patterndrawing colors from the countertopsmakes a bold statement.

Bath styleThe large living space upstairs and down in Copper Falls features multiplebathrooms.

“The uniquely equipped, space-filledbathrooms entice the senses with state-of-the-art function found in beautifulform,” emphasizes Erickson. “This isaccomplished through items such as thestimulating hydrotherapy/massage mastersuite showering system with a digitalinterface and the powder room’s exquisitecast bronze basin sporting an ancientlook using patterned elevated ridges andscrolls that help direct water flow.”

The upstairs bathroom cabinetry is out-fitted with Limoge and Monticello doorstyles from Canyon Creek, using mapleand alder woods with stain selections ofCrème Brule and Honey.

“For all intent and purpose, the finecraftsmanship and loving attention todetail offer completion to the warm,natural, earthy feeling within thishome,” concludes Erickson. l

This article was originally published in the December 2007 issue of Kitchen & Bath Design News.(www.KitchenBathDesign.com)Reprinted with permission.

The black range from Viking Range Corp. isflanked by carved legs and topped with a rangehood finished in Espresso, a dramatic contrastto the Crème Brule cabinets from Canyon CreekCabinet Co.

C

The small industrial building on the east side of

Cleveland, Ohio is about as non-descript as it gets,

but inside is another story. There, a visitor will find

one man’s fervent passion for natural stone and

wood in the form of unfinished and finished wood

and stone sculptures from the hands of a craftsman

who is doing the one thing he has always wanted to do –

Create with his hands.

© Photos by Mike Levy

The man is Giancarlo Calicchia, 62-year-oldnative of Veroli, Italy who has seen thenatural stone business from virtuallyevery angle.

In his life before he became a full-timesculptor, part-time farmer and vineyardoperator, Calichhia owned and managedone of America’s most successful com-mercial stone companies, Calicchia StoneIndustries, headquartered in Cleveland.

“I had about 20 people in the office andabout 60 in the field,”Calicchia said inhis dusty studio. Most of the work wascommercial.

“We did have residential and maintenancedivisions and we did a lot of restorativework all over the country, including somevery prestigious projects,” he continued.

From his first project for the world-renowned Cleveland Museum of Art in

1980, Calicchia Stone Industries wasultimately commissioned to do projectsacross the globe.

Then, beginning in 1992, Calicchia tiredof the chaos of running a large business,and began shutting it all down. Withintwo years, Calicchia Stone Industrieshad completed all of its contracts andclosed the doors for good. “I went tofull-time sculpting,” he said acknowl-edging that it was something he alwayswanted to do.

The road from Italy to Cleveland hadmany stops along the way. Uprooted atthe age of 11, his family moved to Rome,New York, where he was raised. Heattended the University of Syracuse andthen returned to Rome. He studiedstone carving throughout Italy, Mexicoand America and then went to Haiti tolearn wood carving.

Calicchia says each of these countries andcultures has influenced his work in uniqueand powerful ways. Of course, hisbackground is steeped in his native Italy.

“America has instilled in me a desire toseek and accomplish the impossible,” hesaid. “But it was Haiti and Mexico thatbrought me into confrontation with thetrue nature of man and art. These twocultures contain the new world in theirsoul. When I traveled to Haiti, I washoping to learn how to carve wood.Instead, Haiti carved me and I am betterfor it.”

When he moved from Haiti to Cleveland,Calicchia became a local resource forlarge stone projects.

“I am actually doing exactly what I wantto do with my life,” he said. “So, ifsomebody would ask me what are you


Giancarlo at work sculpting granite.


going to do when you retire, I’d say ‘I’mnot retiring because I am doing, I’msculpting, I’m carving.’

“I’m able to afford it. I’m not conditionedby client or legal, or whatever ramification.I do exactly what I want to do. I enjoydoing it. I love doing it.”

Mostly, Calicchia sculpts or carves for hisown pleasure and sells the works to thosewho admire his style. Most of the sales

come from word of mouth, but also fromcatalogs, the internet and his own show-room near downtown Cleveland. He willalso accept commissions, but the stakesare high.

“I will accept the commission only if thecommission is totally dictated by me,”he says.

Spoken like a man who is doing exactlywhat he wants to do.

“My work celebrates living on our magical Earth,” he said. “Carving andshaping for me is as important as theresults. I was trained by hardened survivors of the ancient traditions ofwood, stone and bronze. I am unable to compromise or forget. I live for whatI do. I look for projects that challengemy passion for touching all the elementsof our Earth.” l

John Clarry, Giancarlo’s apprentice, wets the Eye of Woman sculpture to reveal the stone’s true colors. Orange Mexican Onyx: Untitled (foreground)

White Colorado Alabaster: Untitled Granite: Eye of Woman Imperial Red Travertine: Emerging


Cooking On GraniteQ: I was just wondering about cooking ongranite? What material is safe to cook on?I had a customer who was in Aruba andpurchased a small granite square forcooking. What they do is heat it up to 500°Ffor a couple hours and then set an aluminumplate on top with a wood plate on top ofthe aluminum. Then you can set yourmeat, fish, etc. on it and slice it up andcook it. What granites are safe to cook on?

A: As far as toxins within the stone areconcerned, any of the granites would besafe. Most granite, however, would notsurvive repeated thermal cycling to 500°Fwithout cracking.

We Need a (Thermal) BreakQ: Can 3cm Honey Onyx be used on acommercial serving counter that willserve both hot and cold prepared foods?Would a thermal joint/ break be needed toseparate each hot and cold serving areaor could the entire 3 cm slab be used?

A: Absolutely I would recommend athermal break. Without it, you will havea very strong thermal gradient withinthe stone which could initiate fracture.

Hot Cracked GraniteQ: I had Absolute Black installed in mykitchen but the island has cracked twotimes. First time they changed it sayingthe crack was due to someone standingon it. The second time it cracked at thesame place and on the opposite side, nowthey say I put hot pots on it. When I waspurchasing the granite, I was told it isthe hardest granite and it is often usedfor fireplaces, the hearth, and sometimesinside it because it is the hardest and mostresilient granite on the market. I would liketo know if granite can crack by putting a lukewarm pot on it. What are otherelements that may cause cracking? A: Absolutely granite can be cracked bythe application of a hot pot. You can the-oretically induce enough stress into astone via a thermal gradient with only100°F change in temperature. Theabsolute temperature is not a problem, asmost granite will exhibit permanent strainor hysteretic behavior until reaching tempsin excess of 250°C. It is the thermal gradient, where part of the stone is coldand part of the stone is hot, causing thehot portion to expand and creating atensile stress in the cold, non-expandingregions. MIA literature recommends theuse of a trivet under hot pans and pots. l

Frequently Asked Questions


One of the major challenges facing kitchenand bath dealers, interior designers anddo-it-yourself consumers is how makesomething really special out of a small space,especially when it comes to appliance-heavy kitchens. It can be successfullydone but takes a lot of creative disciplinesand compromises.

To get the inside story on how to mastersmall space, we recently paid a visit toStudio 76 Kitchens & Baths, a highlysuccessful design firm and showroom inTwinsburg, Ohio, near Cleveland. Studio76 Kitchens & Baths serves an area thatmainly comprises Northeast Ohio, butfrequently takes its talented designers outof state. We sat down with co-ownersDeborah Shababy and Chip Tiber, anddesigner Sue Patterson, to discuss thesubject. Studio 76 Kitchens & Baths takesa unique approach to its design projects.While each new job is managed by a leadperson, the end result comes from inputfrom as many as four or five of the firm’ssix-member design staff. Compositethinking by a team helps to maximizecreativity when it comes to the wholeprocess – from space planning, to appli-ance and material selection and lighting.

“Most homeowners don’t think they cando anything with small space – just getme new cabinets and new tops ,” said DebShababy, who recently remodeled herown small-space condominium, picturesof which are included in this article.

“Sometimes they get caught up in theactual space they have, not realizingthat they may be able to take space fromsomewhere else – like moving a wall ora doorway,” explained Sue Patterson. ChipTiber, who is also an electrician andspecializes in lighting, says creating theright space can be a time-consuming taskbecause at the outset homeowners are notaware of the concepts that are available.

“The whole process can take months,”he said.

By William V. Levy

Maximizing Space, Functionality and StyleW H I L E T H I N K I N G S M A L L

• Effective space planning, which means concept. Select the appliances first, which will determine how much space you actually have. Free-standingappliances can take over the space because of their size. Look for inte-grated appliances that don’t take over the small space or break up the space. This will help avoid a “chopped up” look and help everything blend together.

• Second, select the cabinets, both in finish and style.

• Picking the countertop surface comes next, and the folks at Studio 76 are partial to granite. Stone can be the unifying agent in the entire project – the factor that brings it all together with multiple colors. While there are many styles and colors of cabinets, there are many more varieties of stone.You will have a lot of choices in select-ing a surface that can unify the look.

• Reflective surfaces can actually make the space look larger, but not every small space is conducive to reflective surfaces. You might want to also consider a non-reflective surface, like honed or brushed, which take off some of the shine. If you decide on a non-reflective surface, it is imperative to light the room differently differently.

• Lighting is also a critical element and will help a lot, especially lighting on the surfaces. You wouldn’t use the same lighting on dark granite as you would on light granite because it will reflect differently.

• Expand the use of stone. Use it for a backsplash or for an expanded wall covering that can be carried into

another area. In her own new kitchen Deborah Shababy used a slate wall covering to “float” into another area.

The same goes for stone flooring. Expanding the flooring into another area can make the space look larger and more fluid.

• Be careful about changing textures. Every time you change a texture or material, you start to break up the space.The more you break it up, the smaller,more confined the space looks.

• Be judicious about selecting paint colors, wall coverings, fabrics and accessories. Accessorizing it at the veryend becomes pretty important and the wrong gallon of paint can spoil the entire job.

Whether you have professional help ortry to do it yourself, the bottom line increating a beautiful, functional small-spacekitchen comes down to this: Do the spaceplanning first and that means selectingthe appliances, then select the cabinetstyle and color and, finally, pick theright countertop surface, which will tieeverything together. l

All agreed that these were the keys to successfully making somethingout of a small space in a home, apartment or condominium:


Kitchen design and renovation by Studio 76 Kitchens and Baths, Twinsburg, Ohio

S L A T EAnother great-looking choicefrom the natural stone family.

The 2 x 2 Tumbled Earth slate and 12 x 12 Autumn slate wall treatments coordinate perfectly with the island countertop of Indian Premium Black granite and perimeter countertops of Carmel Brown granite.


When most people think about slate theyconjure up visual images of grey rooftops.Don’t be fooled, because there’s a wholeother side of StoneDimension’s stone of themonth – slate – and it can do wonders foryour kitchen and other areas of the home.

In addition to providing a handsome roofor patio for your dwelling, slate has aplethora of indoor applications; includingflooring, countertops, fire place surroundsand tread risers. The best part is theydon’t all have to be in shades of grey.

There are also reddish maroon, greenish,purple, rust, pink and other colors that canenhance your home wherever this versatilenatural stone material is used. Many ofthese colors can be complimentary withother natural stones, like granite, travertine,marble and limestone.

Slate is primarily composed of quartzand illite, with mica, calcite and othermaterials. The grey and black colors aredue to carbon and/or graphite. Red shaleis caused by the presence of Hematite,while greens colors are due to Chlorite.Shades of red, purple and tan result fromthe amount of iron oxides contained inthe stone.

Slate was originally another kind of flatrock, called shale. Shale is made up tinygrains and clay and other minerals cementedinto rock. When shale is buried deeplyand exposed to great heat and pressure,the clay changes into new minerals andthe shale becomes slate.

“Slate has been used widely as a versatilebuilding material for 100-plus years, saysCraig Markcrow, president of VermontStructural Slate Company of Fair Have,Vermont, which has been in businesssince 1859.

Markcrow says there has been a markedincrease in the use of slate for kitchencountertops over the past decade and ahalf. The honed finish is especiallyappealing to architects and designersbecause it has a very subtle appearance.

“Slate has very good stain resistance,”Markcrow said. “Vermont slate does notneed to be sealed.”

Vermont Structural Slate Company special-izes in custom projects and is committedto meeting the demands of architects.The company ships its material acrossthe U.S. and into many overseas markets.

While visiting New York City, you cansee a dynamic example of slate at thenew Museum of Modern Art (MoMa),designed by Taniguchi and Associates.A large quantity of honed finish Vermontunfading green slate is used throughoutthe building. l

This staircase appeared on the cover of our Fall/Winter 2007 issue. It is an excellent example of the use of Gold Green Cleft Slate on stair risers.

Heathermoor Mottled Green/Purple Summit Honed Unfading Green Unfading Purple Unfading Red Winchester Black


Cover

Project Name: Private ResidenceCity: Austin, TXArchitect: A. J. Tamborello, AIA, Tony TamborelloGeneral Contractor: Audino Construction CompanyStone Supplier, Fabricator, and Installer: Southwest Marble & Granite WorksCountertop: 2cm Carmen Red granite

Page 6

Photo courtesy of Palatial Stone.www.palatialstone.com

Page 7

From the book “STONE” by Heather E. Adams.Courtesy Harry N. Abrams Inc.Stewart, Tabori & Chang publishers.

Page 8


Page 9

From the book “TILE STYLE” by Heather E. Adams.Courtesy Harry N. Abrams Inc.Stewart, Tabori & Chang publishers.

Page 10

Project Name: Private residenceLocation: North CarolinaStone Supplier: Casale Marble; Delray Beach, FLStone Fabricator and Installer: NSC Granite & Marble Inc.Countertop: Peacock Supreme granite slab

Page 11

Project Name: Private residenceCity: Mustang, OKGeneral Contractor: Jason Powers Homes Inc.Stone Supplier, Fabricator, and Installer: Southwest Tile & MarblePhoto Credit: Jayme BuckSplit-level vanity: 3cm Durango Ancient travertineEdge: Chiseled with 4" splash

Page 12

Photo courtesy of Heather E. Adams.

Page 13


Page 14

Project Name: Private residenceCity: South Oklahoma City, OKDesigner: Richardson HomesGeneral Contractor: Richardson HomesStone Fabricator and Installer: Southwest Tile & MarblePhoto Credit: Amy McCollomCountertop and Island: 3cm Venetian gold granite slab

Page 15

Project Name: Minnesota CabinetsCity: Urbandale, IACountertop: Persa Brown granite

Page 16

Photo courtesy Walker Zanger.Countertop: Calacatta White marble.

Page 17

Project Name: Soapstone heater with panoramic door on one side, flat door on other side.City: Thetford Mines, QuébecDesigner: Jean-François Vachon &Le Pierres Stéatites Inc.General Contractor: Le Pierres Stéatites Inc.Stone Supplier and Fabricator:Le Pierres Stéatites Inc.Stone Installer: Jean-François Vachon

Firebox and shell: Soapstone from quarry in Quebec, Canada

Page 18

Project Name: Private residenceCity: Salt Lake City, UTStone Supplier: Arizona Tile

Countertop: Lava granite slab

Page 19

Project Name: Country ClassicCity: Washington Depot, CTGeneral Contractor: Big Sky ManagementStone Supplier: Dente Trading/AKDOStone Fabricator: Valley Marble and Slate, Corp.Stone Installer: Tile East, LLC

Walls and tub top: Honed Carrara White marble

Pages 22-24

Photo Credit: Mike Levy

Page 25

Project Name: Private residenceCity: Nashua, NHDesign/Build Company: David R. Crupi, LLCDesigner: Susan R. CrupiGeneral Contractor: David R. CrupiStone Installer: David R. CrupiStone Fabricator: Ripano Stoneworks, Ltd.Photo Credit: Mike Rixon, Rixon Photography

Countertop (island): Golden Typhoon graniteCountertop (perimeter): Black Pearl granite

Pages 26 & 27

Project Name: Private residence renovationDesigner: Studio 76 Kitchens & BathsStone Supplier and Fabricator:Universal Marble & GraniteStone Installer: Studio 76 Kitchens & Baths

Countertops: Antique Brown graniteWalls: Slate

Page 28

Project Name: Spec homeCity: Littleton, CODesigner: Saddleback DesignStone Supplier: Arizona TileStone Fabricator and Installer: Majestic Stone

Countertop (island): Indian Premium Black granite slabCountertop (perimeter): Carmel Brown graniteWall covering: 2 x 2 Tumbled Earth slate, 12 x 12 Autumn slate

Page 29

Project Name: Private residenceCity: Shaker Heights, OHDesign Consultant: Susanna Goldstein,Somrak Kitchens, Inc.Stone Supplier: Mont GranitePhoto Credit: William H. Webb, Infinity Studio Photography

Stair risers: Gold green cleft slateStone beneath planter: Gray-blue river rock

Below

Project Name: Private residenceCity: Minneapolis, MNArchitect: Otagawa-Anschel Design-BuildDesigner: Michael AnschelGeneral Contractor: Otagawa-Anschel Design-BuildStone Supplier, Fabricator and Installer: Paramount Granite Company, St. Michael, MN

Remnant granite including (all honed): Mahogany Blue, Café Brown, Antique Brown and Blue PearlRange backsplash: Soapstone

Index of Photographs

Genuine Stone® and the Genuine Stone® sealare trademarks of the Natural Stone Council.

®


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Street of Dreams Slate - Natural Stone Institute · Street of Dreams Showhouse Reflects Pacific Northwest.....20 All for the Love of Stone Cleveland Sculptor Lives His ... Likened