Visual script for a fan made Music Video for Stockholm Syndrome

by Stephanie Ryan

How the boys are dressed and how they look for this Music Video (MV):

SIDE NOTE: I want Harry and Zayn with their current hairstyles.

Zayn’s hairs style:

Harry’s hairstyle:

There will be “twins” of the boys so when you’ll see the word “twin” you’ll know that’s the

wicked / innocent version of each of the boys.

The twins:

Zayn:

Harry from panel 40-49 + 107 , 141-142

Harry from panel 74 -78 , 107-113 +117 (when he was a kid)

Liam in panels 128-129

Louis in his room:

Niall in the room:

I am going to point some things to make it easy for you to follow *You can ignore this part,im

sure you know what I panel is,the note were for the potential artist that would work at the

drawings if he/she didn’t know what a panel was :D*

When I use “PANEL” i'm referring to the actual frame of a scene,the image that portraits the

action,with technical indications (SIDE NOTES)

For exemple I describe the image with what’s in the background (BG), the position of the

character/s, emotions etc.

A PANEL has a multitude of shapes and sizes:

When you see foe example “PANEL 18/19” it’s because you can use 2 images in a single

panel, the images being placed either vertically or horizontally or any other shape a panel

could have. A panel could have more than 2 images in it.

I will use images from the Internet to describe the actual action/emotion etc. but I’ll also try as

best as I can to explain with words if the images on the internet don’t match with what I want

a scene to state.

If you don’t see a picture after a PANEL,the indications how the scene looks like are after

“SIDE NOTES”.

PANEL 1:

PANEL 2:

SIDE NOTES:

There are too many trees with leaves. The trees are half nacked,being the end of November.

The car and the leaves from the road are perfect.

PANEL 3

PANEL 4

PANEL 5:

SIDE NOTE:

I don’t want the house in the image, instead, I’d like a big building (where the black border is

placed) to be seen in the background, blurred a bit.

PANEL 6:

PANEL 7 :

SIDE NOTES:

The same road (the image from PANEL 5) but a car is seen making its way to the building.

PANEL 8:

PANEL 9:

SIDE NOTES:

You can change the architecture of the building if you want, but I like the size the building is

in the image.

Also id like the door to be seen (adjust the door to the size of the building in this image above

– the door is at PANEL 22)

PANEL 10:

SIDE NOTES: I like the close up, but instead of the BG from the image (the trees and the

sun) I’d like a tire of a car to be added (like the car just arrived at the scene)

PANEL 11:

SIDE NOTES: The distance and position of the car in the image are ok. The BG, I’d like to

be with trees, you can add the sun - like in the photo above - peaking through the trees etc.

There are leaves on the ground. 5 persons are in the car looking up at the building (draw that

as clear as possible ). Zayn is driving, next to him is Liam and in the back is Louis, Harry and

Niall (Louis being behind Liam’s seat, Harry in the middle and Niall being behind Zayn’s

seat).

PANEL 12:

SIDE NOTES: The same car but instead we see it from the other angle: we see the building

in front of the car.

PANEL 13:

SIDE NOTES: I like the image but I’d like a shoe to be in the picture, a shoe stepping on the

leaves.

PANEL 14:

I can’t find pictures on the internet with how I want the scene to look like so I’ll try to explain

it as best as I can:

Close up with the car, the car fits all in the frame and we see the boys getting out of the car,

again, looking up at the building. Close up are Liam and Louis, the ones that get out from the

other side of the car (in the BG) are Zayn, Niall and Harry.

Far in the BG there are trees (blurred).

PANEL 15:

What we see in the scene are :

- the building full in the picture.

- the boys out of the car, looking up

- they are with their back at us.

- the car’s doors are not yet closed

PANEL 16:

We are again at the image from PANEL 14, but the boys now are all out of the car. Make

them look at each other: Louis at Liam and behind Niall looking at Harry, Zayn keeps looking

up at the building.

Facial expressions/emotions:

Harry bits his lips and frowns

Louis has the mouths slightly open

Zayn looks up and his mouth is slightly open

Niall and Liam frown and have their mouths in a thin line.

PANEL 17:

PANEL 18:

The same as in PANEL 16, but now they look on their right, up at the crows.

PANEL 19 :

They close the car’s door’s. The image is the same as in PANEL 15, but some of them moved

to get in front of the door (of the building).

PANEL 20:

SIDE NOTES: This image shows the leaves in water. I don’t want them in water, but on the

ground. I like how the picture is taken from above because I want to add a broken, dirty toy

and a shoe (one of the boys’) almost stepping on the toy. Something like that (the angle from

where the foot it’s taken is perfect):

PANEL 21:

They are now in front of the door. We see a full scene with the car, them only from the chest

up, the rest of the body is hidden because of the car) and a bit of the building.

They are in this order from left to right: Zayn, Liam, Louis, Harry and Niall.

PANEL 22/23:

One of them puts his hand on the knob and turns it to get in.

22 –

SIDE NOTES: The boys are in front of the door. In the same order like in PANEL 21, with

their backs at us. We see them only from the chest up.

This is the door

23- Here is the action and angle of turning the door’s knob:

And here I found an old door’s knob, feel free to change it if you want:

PANEL 24:

They open the door and they carefully step inside.

SIDE NOTES: I like the distance the picture was taken from. The doors are open wide and

they step inside. They are facing us (like the guys in the picture)

Their position: from the left to the right: Niall, Harry, Louis, Liam and Zayn.

PANEL: 25

SIDE NOTES: I like the angle the picture is taken from but close up we see the boys feet (not

all of them, maybe the one of the boys right leg and one of the boys left leg – to be able to see

the middle of the hallway,the door in the distance.

From this image please use: the floor

And instead of windows we see doors like here:

From this image please use:

- the ceiling with the lights (a few forgotten lights are flashing)

- (add) the doors and some chairs (the chairs look dirty,broken or/and abandoned)

PANEL 26:

On their right is a desk,presumably a reception desk:

SIDE NOTES: Without the men in the picture. Adapt the initial characteristcs (the floor) to

this picture. You can keep the rest of the structure/windows etc. from this image.

PANEL 27:

There are a few chairs next to the walls, some of them are broken, written on, like someone

hated the white on the chairs and wanted to give them a bit of color, a bit of life. It’s messy.

SIDE NOTES: I like the angle. Add the design of the floors.

PANEL 28:

SIDE NOTES: I like this close up of the chairs but make them look used and abandoned etc.

Add the design of the floors.

PANEL 29:

SIDE NOTES: One of the boys (Louis) looks on his left and sees a door and a wall with

various frames on it. The frames are broken,the pictures are about to fall on the floor etc.

Please add :

- Louis’ blurred head close up.

- 3-4 frames on the wall, with their glass broken, the pictures about to fall on the

floor

- 2 frames on the floor. Please check the end of the document - I added the

pictures from the frames. They’re texts from Tumblr

PANEL 30:

Close up with Louis frowning, being confused.

PANEL 31/32:

Louis is curios and wants to see what the pictures in the frames say. Zayn stops him, gripping

Louis’s elbow .

31 -

Close up with Zayn looking at Louis

32 –

Couldn’t find an image with someone gripping someone else’s elbow, hope it’s ok if I let you

use your imagination.

PANEL 33:

The same scene from PANEL 24 but they changed their positions, they are moving.

I let you choose their positions (where they look, their facials emotions etc.)

PANEL 34:

They pass an elevator which it’s sound makes you think someone called it from a floor above.

SIDE NOTES: If you want to draw something that describe this scene, please do, if not it’s

ok. Maybe one of them looking up at the elevator( the scenes is taken from behind as they

walk,theit whole body are in the scene)

PANEL 35:

Louis takes out from his pocket a paper.

SIDE NOTES: we only see the parts from their chest to their waist and thides and Louis with

a paper in his hand, trying to open it.

PANEL 36:

On the paper there are 5 numbers and besides them there’s the name of each boy.

8- Harry

12- Zayn

9- Louis

11-Niall

15- Liam

SIDE NOTES: The paper is crumbled. The angle of the camera is up,we see the paper from

above.

PANEL 37:

SIDE NOTES: They all fit in the scene, we see them from the waist up. They look at one and

other.

PANEL 38:

SIDE NOTES: I like the angle.

Please draw the hallway and the doors, the floor and ceiling like they were drawn initially.

They are moving each to their pointed room.

The size of the font shows the distance of each boy from the camera.

They are all with their backs to us,but we see their profiles as they look at the numbers on the

doors (searching for theirs)

PANEL 39

There is a scene that shows their position in front of said doors.

SIDE NOTES: I couldn’t find a picture with a hallway from the angle I was picturing the

scene but I found this one.

With the same positions, distance from the camera, same hallway like in the picture from

PANEL 38, I want the boys facing they respective rooms. Only that we see them from above.

Please can you make the numbers from the door visible?

If it’s not possible for all of them at least Harry’s,Niall’s and Louis’ room. For the rest of the

rooms we count.

On the left side:

Harry’s room is the first one (8), a room between (10), then Zayn’s (12).

On the right side:

Louis’s room (9) first, then Niall’s (11). The last room on the right side is Liam’s (there’s a

room between Niall and Liam).

THIS IS THE PART WHERE THE SONG BEGINS.

Harry and Zayn sing:

Harry:

PANEL 40:

He opens the door and everything is black

SIDE NOTES: We have Harry with the back to the camera (chest up), close up, on the right

side of the image, we see only half of his hair. The door is in front of him slightly open and

we see the number on it (8).

PANEL 41:

The scene changes and you can see from inside of the room.

PANEL 42/43:

SIDE NOTE :

42- His eyes are lightened by the opened door, they look frightened.

-> ignore the “shhh” paper.

I just wanted to point the meaning of the sentence above, I found these pictures but you got

the idea I guess: a close up with only the eyes, a bit from his nose and most important thing is

the emotion in the eyes (he has green eyes)

43 - Then they look down on the floor.

You know how to make emotions be seen through the eyes.

PANEL 44:

Harry’s arm move to touch the floor, the part of it that is lightened, it seems like he wants to

taste/feel the light that invades his room. His wrist has the marks of handcuffs/being held

against his will on.

SIDE NOTES: Again, I couldn’t find an image with a hand touching the light particle that

comes from opening the door. I found this:

BUT the position of the hand for this scene is flat on the floor, the angle is from above, the

light touches his palm and wrist (where we can see the marks on his wrists). So if its ok,

please draw the flat hand..

PANEL 45:

SIDE NOTES: I liked this image, but the character is Harry so lets see those curls )

PANEL 46:

A shadow appears at the door.

Exemples:

SIDE NOTES: Just the idea of a shadow in the door frame, but you can use your imagination

at this scene, the door not too much ajar.

PANEL 47:

He looks up again

SIDE NOTES: The same type of scene from PANEL 42-43, the face mostly in the shadow

and draw emotion in his eyes. Fear + pleading. His lips in a thin line.

PANEL 48:

There’s a close up with the person who is at the door (only from the nose down till the neck);

he moves his hand and brings his index finger on his mouth telling Harry to not make a sound.

SIDE NOTES: something like that, but more in the shadow; it’s a guy, not a woman. And his

lips are slightly twitching,he’s smirking in an evil way.

PANEL 49:

Harry bites his lips,his eyes sparkle.

SIDE NOTE: The same position/emotions from PANEL 47, but now he bites his lips.

Zayn:

PANEL 50:

Zayn is in front of his room.

SIDE NOTES: I couldn’t find a picture with the exact position I want Zayn, but i want him

close up, the angle of the camera is a bit up (you can see the top of his head but also his

face,body and feet).

PANEL 51:

He seen movement on his left.

SIDE NOTES: I liked the angle and the close up. Of course, he’s frowning in this scene. You

choose which one of these poses to draw.

PANEL 52:

He turns around and sees an other man turned, like in the mirror.

SIDE NOTES: Ok so the picture is great, the angle ( you can see the hallway and Zayn too)

BUT the woman in this picture is turned with her face to the camera, I want Zayn with his

face turned the other way. The body stays in the same position like in this picture, only his

head is turned. Also I want an other Zayn(“twin”) further in the picture, just the siluete,

blurred, standing like in the mirror with Zayn.

PANEL 53/54:He starts to walk to his self, confused.

SIDE NOTES:

53 - I want the angle of the camera to be something like in PANEL 39, to capture the hallway

and the two of the characters. They are moving towards each other.

54 – close up with Zayn, looking in the camera, only his eyes (or face) being confused,

frowing, his mouth slightly open. (see picture 1 from PANEL 51)

PANEL 55:

The “twin” is walking towards him as well.

SIDE NOTES: I like the angle - adapt the walls, floors etc to the situation.

PANEL 56:

The “twin” is smiling and singing his part of the song.

SIDE NOTES: Close up with the “twin”. He looks a bit crazy, evil, smirking, his eyes say

“you are so stupid…I pity you” (or something like that), his mouth a bit open, like he’s

singing. His head is held in one side.

! “but I feel im getting used to…” -> I made this note for you to see how the scenes fit the

song so far, so no need to add the lyrics (the music will do its job in the music video :D )

PANEL 57/58:

Zayn is still confused

SIDE NOTES:

57 - an other close up with Zayn frowning

58 – Zayn tries to reach out and touch him

PANEL 59/60: The “twin” grabs his hand and scares Zayn.

59 - The “twin” grabs his hand

SIDE NOTES: You get the idea, the twin grabs Zayn’s forearm or wrist (the image shows

only their arms)

! “being held by you”

60 – Zayn is scared

SIDE NOTES: I could find a picture to express the emotion, but I guess you know how

Zayn looks in this scene.

PANEL 61: As much as Zayn is struggling to get free, he cant. He’s dragged by the twin

through the hallway.

SIDE NOTES: Again, I couldn’t find a picture but the idea is to use the angle from PANEL

55 or something close to it and draw the “twin” dragging Zayn through the hallway. Zayn is

trying to get free. I let you choose the positions of the body, arms etc.

The first chorus :

Liam:

PANEL 62/63: Liam is not sure what’s going on but he looks at the door’s knob, hesitant to

open it.

62 –

SIDE NOTES: I liked the angle – of course the knob is bloken, dirty; it’s ok to have the

reflection of a hand reaching the knob on it?

63 - A close up with his face – he’s frowing.

SIDE NOTES: the same angle from the picture 1 from PANEL 54, but Liam looks down (at

the knob, like he’s thinking to open it or not)

PANEL 64: He looks behind and doesn’t see anyone.

SIDE NOTES: can you make a few little panels to show him looking in his left (some close

upshes frowining and his mouth is slightly open as he call the others), in his right and behind?

We see him from the chest up. In the background are other doors.

PANEL 65: He calls the boys but no one is answering and no one is coming out from any

room

SIDE NOTES: The same angle from the picture from PANEL 39, we see the hallway and

him in the middle of it, his legs apart, his shoulders are tense.

Please add the text “ Guys?!” and “Where are you?”(it will be added in the music video as

a subtitle I think so no need to add it now)

PANEL 66/67: He starts to look in every room but everytime he opens one, he finds nothing.

SIDE NOTES: The same angle from PANEL 39 but now he is opening doors to look inside.

Please draw 2 or 3 little panels where he opens various doors.

Niall:

PANEL 68/69: the “twin” drops some objects on his bed and puts them apart from one and

other.

68 - drops some objects on his bed

SIDE NOTES: We see the bed and him next to it, with a box in his hands, he drops the

contents of the box on the bed – the objects are in air.

69 – a close up with a hand above the bed, the contents from the bed are a bit blurred (a

velvet box, a ring, a book, a framed photo), the hand shakes (put some lines or something that

suggests his hand is shaking)

PANEL 70/71: He also drops down on the floor and brings his knuckles on his mouth,

looking focused at one spot.

70 – examples:

SIDE NOTES: in the second picture, he doesn’t have his head down. Add the scenery (bed,

floor etc.)

71-

SIDE NOTES: Not the expression I’m looking for, but the gesture. Close up,

he looks lost, terrified maybe, his eyes sparkle with tears, he’s looking focused at one spot.

Louis:

PANEL 72/73: we see only his feet how he’s pacing in his room. We also see his hands on

his chest being intertwined and kneading them.

72- hes pacing in his room

SIDE NOTES: Just that, we see only his legs from knee down

Add lines that show he’s moving or what you think that could show that (image bellow)

73–

SIDE NOTES: something like that but we don’t see his whole body,just from his waits up,

his hands are intertwined at his chest, like he doesn’t know what to do, he’s thinking, he is

frowning and his eyes are like in the picture above (PANEL 72), they’re focused on a spot.

Harry :

PANEL 74: he is a kid hiding in the dark

SIDE NOTES: the image darker, him in the shadows. Also draw the hands grabbing a bed

fame like in this image

PANEL 75/76: his knuckles are white from holding the bed sheets, his mouth is held in a line

75 –

SIDE NOTES: Something like that? You choose the angle etc.

76 - his mouth is held in a line

SIDE NOTES: Oh hey there B! Anyway, the idea is of the mouth being in a line, like

forcing it to shut up etc.

PANEL 77: his eyes are tighty closed, a tear rushing down his face

SIDE NOTES: the distance from the camera is great, but he has one side of the face turned to

the camera and his mouth is down, like he is expecting to be slapped, a tear rushing down his

face. The image to be a lot darker.

PANEL 78: when a hand slaps him

SIDE NOTES: Put some text to suggest the sound of the impact and lines to suggest the

motion.

Louis and Niall sing:

Louis:

PANEL 79: Louis sees that his room is slightly open, dares to push it more

SIDE NOTES: See PANEL 52, but Louis is with his back at the camera. We see his back,

from chest up, the door in front of him and the number on it.

PANEL 80:

SIDE NOTES: I like the angle, but the door is already ajar, he just has the hand on the knob

to open it wide.

PANEL 81: sees himself (“twin”) tormented and pacing, his hands jointed at his chest and

looking troubled.

SIDE NOTES: see PANEL 73– we see his whole body now, making the same pacing, in the

right next to the wall is a bed and a table somewhere on the far right.

PANEL 82: He suddenly stops and it appears to look at someone in the room, asking for

explanations: he looks up (like he’s looking at that person) and brings his arms up, in

desperation.

SIDE NOTES: The guy in the picture, I like how he helds his arms, but the emotion should

be desperation, agony, sadness etc. We also see his whole body like in PANEL 73 and 81

PANEL 83/84: He starts to gesticulate and yell at some invisible person in front of him

SIDE NOTES: Use both the man’s and woman’s emotion/pose etc. (the man in a PANEL

and the woman in an other). You also choose the angles the viewer sees him from. (I like

those too so if its easier for you you can use these angles)

Naill:

PANEL 85: (“ I now they’ll be coming to find me soon…”)

Niall opens the room and sees himself (“twin”) on the floor, next to his bed, face turned from

the door and his head is supported by the bed (mattress). His arms are in his lap, his left leg

lying on the floor and the other is brought up, bent.

SIDE NOTES: The bed is on the right side of the door. I hope you have the image. He’s

showered in the light that comes from the door.

PANEL 86: His right hand holds his left wrist in a strong grip, his knuckles are white form

the grip.

SIDE NOTES: The grip is more aggressive than in these images. The angle I’d like to be

either like the camera is “twin” Niall, like he’s looking at his hands, so from above, either we

see only his lap (from neck down to the floor - because he is on the floor) and the grip from

the front.

PANEL 87: He seems lifeless. On the bed he can see some books, an open letter, some

pictures of two people, a boy and a girl. There’s also a pen and a ripped paper and what looks

like a ring.

SIDE NOTES: The angle is from up above, we see, close up in the left side of the

screen,“twin” Niall with his head on one side (left), on the bed and in the right side of the

screen we see the objects on the bed, a bit blurred. Add the emotions on his face.

PANEL 88: he turns around, his eyes are swollen from crying apparently, his hair is a mess,

and the look on his face is a combination between fear and anger.

SIDE NOTES: The angle is from the door frame where Niall is standing.

! “But my Stockholm Syndrome is the the room”

PANEL 89: “twin”” Niall gets up and runs to the door desperately.

SIDE NOTES: The angle is from the inside of the room, when we look at the scene, we see

almost the whole room: on the right the door, on the left a window, in front of us the bed and

“twin” Niall getting up, angry.

! “yeah I felt for you”.

PANEL 90/91: Niall panics and shuts the door.

90 -

SIDE NOTES: Ignore the hand on the mouth in this picture. I like the angle and the close up,

the emotions in the eyes.

91 – Niall shuts the door.

SIDE NOTES: I don’t know to make this one, maybe the door and some drawings to show

the motion that the door being slammed.

PANEL92: Niall lets go of the knob and brings his hands to his temple, bending (leaning)

down.

SIDE NOTES: The scene is more open, not a close up, we see him bend down, his whole

body, the hallway.

93/98PANEL 93/98 – There are images.

93 - ∙ niall and a girl kissing, being happy ( im sure there are a lot of pictures on the

internet with couples kissing, but I’d like the girl not to be very visible, maybe drawing

her only with her back to the camera when they kiss)

94 - ∙ a velvet box

95 - ∙ niall is putting a bow tie on

96 - ∙ the girl crying

97 - ∙ a wedding dress on a bed

SIDE NOTES: If you want to change the image you can do it, but it has to be on a bed.

98 - ∙ she throws the ring and in slow motion the ring falls on the ground and she is running

SIDE NOTES: I love the angle,but I’d like her in the BG, blurred, running.

These mini panels could be unequally sized or placed. To have more impact on the

viewer.

This moment in the video will be like this: the music stops and you can hear only Niall’s

breathing, him still bending down.

2nd chorus:

Zayn:

PANEL 99: “twin” now laughs still holding Zayn’s arm and still dragging him

SIDE NOTES: Ok I love this close up, BUT I’d like to have just half of the “twin’s” face on

the left and on the right blurred we can see Zayn struggling to get free, because he is being

dragged.

PANEL 100: Zayn tries to hold on to a door frame

SIDE NOTES: a close up only with Zayn’s hand grabbing a door frame.

PANEL 101-102: the “twin” drops Zayn’s wrist and turns around; now he’s yelling at Zayn,

frowning, not liking that Zayn tried to escape.

101– the “twin”

SIDE NOTES: I guess is safe to say that the picture is good to be used for this scene.

102 – the “twin” pushes Zayn against the wall, grabbing him by the collar

SIDE NOTES: well, something like that…the angle and distance are ok.

Niall:

PANEL 103: he takes the mattress and drops it down with everything that’s on it..

SIDE NOTES: the same angle like in PANEL 89, we are inside “twin’s ” room, the door is

now closed, the “twin” takes the mattress and drops it on the floor, the objects that were on it

are in air now.

PANEL 104: He gets down on his knees

SIDE NOTES: it’s the same angle like in PANEL 89 and 103 but now, the “twin” is on the

floor. Use the position from this image.

PANEL 105/106: the “twin” is picking up the framed photo from the floor, he cries.

105–

SIDE NOTES: instead of …whatever that is, put the frames photo (the glass is bloken), add

some of the objects on the floor, they are blurred and the whole image a bit darker.

106 – he cries

SIDE NOTES: the angle is a close up with the “twin’s” face, like he’s looking down on what

he has in hands.

Harry:

PANEL 107 : the “twin” is in a corner, frowning he remembers when he was little, how

people treated him

SIDE NOTES: The angle and the distrance are great. Instead of the floor, he is on the

bed and is a little more darker in the room.

PANEL 108: he is dragged by the hallways of his house

SIDE NOTES: The angle is ok. In the scene we only see Harry being dragged and the legs of

the person that drags Harry. So a bit more close up than the image above. I let you decide

Harry’s position and draw his emotions.

PANEL 109/110 : he is put in a corner and he’s being told to stay still, not to move from his

place till they say so.

109 –

SIDE NOTES: I like the angle and how he sits, of course he looks up, he looks scared.

110 –

SIDE NOTES: the guy behind is blurred, but you can see how he’s frowning, angrily.

PANEL 111 : We see feet leaving the place Harry is crawled up.

SIDE NOTES: well, you get the idea, add a carpet and other things you think of that you can

find in a house and we could see from this angle.

PANEL 112/113: He takes from his back pocket a ring on a necklace and holds it to his heart,

looking with sad eyes where the guy who put him there walked away.

112 -

SIDE NOTE: Ok, so as Harry is in a corner, we have the image of him not from the front like

in PANEL 109 but on a side, his right side. He takes something from his pocket. A necklace

with a ring on it. He looks at the necklace.

113 – he holds it to his heart, looking sad after the man who walked away.

SIDE NOTES: the same position like in PANEL 112, but how he looks in front of him after

the guy who walked away and holds the necklace at his chest. He’s sad. (A2)

Louis:

PANEL 114: “the twin” brings, just like Harry (the two scenes intertwined) from his back

pocket, a letter.

SIDE NOTES: We see him from the door frame, his whole body, he takes something from

his back pocket.

PANEL 115: he starts reading it, again, pacing in the room, gesturing angrily.

SIDE NOTES: The same position and distance like in PANEL 114, but now he holds the

paper in one hand and the other is up in the air.

PANEL 116/117: He hits the paper angrily. (this scenes is after harry closes his eyes in his

scene above

116 - He hits the paper angrily

SIDE NOTES: The angle is a bit difficult, I was thinking to be from down up, in foreground

to have his hand holding the letter and the other hand in air ready to hit the paper. Blurred

we can see a bit of his face too.

Add something to shows that the paper is going to be hit.

117 -

SIDE NOTES: So as you see, there was an other scene with Harry. Here we have a close up

with “twin” Harry closing his eyes, he is frowning.

Liam:

PANEL 118: He is running through the hallways

SIDE NOTES: Add Liam somewhere in the picture.

PANEL 116/120: He discovers some toys on a bed and approaches the bed to look better at

the them.

119 - He discovers some toys on a bed

SIDE NOTES: Some broken toys are on a bed.

120 - He picks up one, frowning. We see his whole body, from a side (right) and he holds a

toy in his hand, the angle is like in PANEL 118.

PANEL 121/122: The toy starts to play, he drops it, scared and runs to get out of there

121 – the toy in his hand starts to play.

SIDE NOTES: A close up with the dirty,broken toy in his hand. Add some motings or some

musical notes to suggest it started singing.

122- he drops it,scared and runs to get out of there

SIDE NOTES:

The same angle as in PANEL 120 but now the toy is in the air, because he dropped it and he

is in motion, running

PANEL 123/125: He gets lost, and start to run desperately to find the others but all he can

find are empty hallways, rooms and abandoned beds. He gets to the other floors too but sees

the same depressed images.

123 –

124 – He looks desperate

SIDE NOTE: a close up like in the image from PANEL 99 but he is sweating, his mouth is

slightly open and his eyes are big and he is looking on his right side.

125 -

Liam sings

Liam

PANEL 126/127: The viewer gets to see it. He is desperate, hes terrified,scared,hunted. He is

afraid of abandon. Suddenly he steps on some glass and looks down

126 - Suddenly he steps on some glass

SIDE NOTES: We see what he sees. The view is from up down, his leg stepping on broken

glass.

127 - he looks down

SIDE NOTES: we have him looking down in the camera, frowning, still sweating, scared,

heavily breathing, mouth slightly open.

PANEL 128/129: He sees his leg but instead of wearing his jeans he wears scrubs. He starts

to hit his leg with his hand and his feet on the broken glass like he wants to get the jeans back

on, the way he was dressed initially.

128 – He sees his leg but instead of wearing his jeans he wears scrubs

SIDE NOTES: the same image like in PANEL 126, but he wears scrubs.

129 – He starts to hit his leg with his hand and his feet on the broken glass

SIDE NOTES: We see his whole body and he is hitting the floor with his feet and also he

grabs the scrubs like he wants to get out of it.

Add the motions.

PANEL 130: He bends down.

SIDE NOTES: the same angle like in PANEL 118, but he is bent down.

PANEL 131:

SIDE NOTES: make her look like Liam ha!

Last chorus

Naill:

PANEL 132 the camera is him; he gets up, it shows what he sees: the matters on the floor

with all the items scattered all over the floor. The pictures is at his feet and a drop of blood is

on it now.

SIDE NOTES:

The same angle from PANEL 126 and we see the objects on the floor, the picture next to his

foot and a drop of blood is on it.

133/134: he brings his hand up and it looks like he cut himself a little in the glass. He frowns.

133 – his hand is cut, bleeding.

134 – he frowns

SIDE NOTES: The same like in PANEL 127.

Louis:

PANEL 135: he is yelling “stop lying to me and admit it!! You lied, you said you loved me!”

(he’s beating his chest, his eyes are full of tears).

SIDE NOTES: the same angle like in PANEL 114, his fists is on his chest like he’s hitting

hiself, with the other arm he’s pointing in front of him, like he is accusing someone of

something, his mouth open wide, he is yelling. (A2)

PANEL 136: He bends and brings his hands on his face and whispers“why,why,why?”

SIDE NOTES: his face is on his hands, see PANEL 104.

Zayn:

PANEL 137: his twin is hiding with him. The twin says “now we hide here, he wont find us”.

Zayn looks terrified at his “twin”.

SIDE NOTES: close up with the “twin” – he is looking in his right, like he is hiding from

someone and he wants to make sure they don’t see him, his mouth is slightly open. Zayn

behind him looking terrified.

PANEL 138/140:

The “twin” starts talking again but his voice is changed now, it sounds very authoritatively

“stop scaring your brother”. He then starts to chuckle.

138 -

SIDE NOTES: Is the same angle from PANEL 137 but the “twin” is turned, so we only see

the back of his head. We see Zayn clear, in the same position, he is frowning.

“stop scaring your brother!” part

139 –

SIDE NOTES: close up like in PANEL 99, the “twin” is angry, gritting his teeth.

140 - He then starts to chuckle.

Harry :

141: He brings his finger up to his lips and pucks his lips as saying “shhh”

SIDE NOTES: we see his eyes too, they are big, full of emotions.

PANEL 142 : he says “I know,I’m sorry” and buries his face in his hands and starts sobbing.

SIDE NOTES: the same angle from PANEL 107 but he has his face in his hands and cries.

Please add some lines next to the shoulders to show that he is crying

PANEL 143 : The images bend with the ones when he was a kid.

SIDE NOTES: The angle from PANEL 109, but he is a kid, he has his face in his hands.

Liam:

PANEL 144: He takes deep breathes

The last “bam” from the song brings us back at the front door.

PANEL 145:

We see them from behind. The camera winning distance from them.

SIDE NOTES: the same angle like in PANEL 21.

PANEL 146:

The last scenes is one of them puts his hand on the knob and turns it to get in.

SIDE NOTES: the same angle like in PANEL 23.

PANEL 147:

– black screen.

NOTES: these are the text from the frames Louis saw when they enter the bulding: