Stephan Welz & Co

Stephan Welz & Co

Cape Town | Fine & Decorative Art, Books & Maps,Carpets, Furniture, Silverware, Jewellery, Watches &Vintage Fashion | February 2021

Started 23 Feb 2021 10:00 SAST (08:00 GMT)

14 Dreyer Street

Claremont

Cape Town

7708

South Africa

Lot Description

1 62 by 42cm

2 condition: good96 by 62cm



5 Hand woven in wool314 by 240cm

6 207 by 130cm

7 295 by 194cm

8 390 by 315cm


10 silk base108 by 74cm


12 207 by 126cm


14 condition: fading throughout269 by 188cm

15 condition: fading throughout301 by 259cm


17 condition: damage to fringe311 by 182cm

18 330 by 220cm

19 330 by 230cm

20 334 by 249cm

21 340 by 250cm

22 condition: damage to fringe, some repair, worn400 by 264cm


24 441 by 322cm

25 443 by 330cm

26 473 by 140cm

27 488 by 302cm

28 493 by 335cm

29 507 by 322cm

30 508 by 308cm

31 condition: slight fading to centre590 by 360cm

41 Oval, with pierced and shaped wooden handle44,5cm high

42 With brass swing handle31cm high excluding handle

43 Boot-shaped, rolled rim with D-shaped handle 12cm high

44 Helmet-shaped, with copper swing handle and riveted copper carrying handle25,5cm high excluding handle

45 Flared rim, bulbous body, on a stepped circular foot 31,5cm high

46 The tapering cylindrical body with opposing carrying handles, shaped brass cover, turned finial, raised on three turned feet42cm high

47 Of typical form, surmounted by a pierced scrolling cresting, on scroll feet48,5cm high

48 Rolled rim with iron swing handle32,5cm diameter

49 The sides applied with opposing brass handles, fold over rim30cm wide over handles

50 Circular, with rolled rim and iron swing handle21cm diameter

51 Each with rolled rim and scroll-shaped handle, distress, the tallest 11cm high; And A Copper Mug, rolled rim, riveted handle11,5cm high

52 Circular, applied with opposing steel loop handles, raised on three scroll feet48,5cm wide over handles

53 Rolled rim with fixed carrying handle32,5cm diameter

54 Turned wooden handle and hinged cover 21,5cm high

55 Rolled rim, the sides applied with opposing iron handles31,5cm diameter

56 The moulded rim with iron swing handle31cm diameter

57 Turned wooden handle and hinged cover21cm high

58 Raised on three applied feet, rim chipped, later cover; And Another, similar, cover lackingthe larger 12cm high

59 Raised on three applied feet, rim and feet chipped, possibly later cover; And Another, Similarthe larger 13cm high

60 Raised on three applied feet, rim chipped, later cover; And Another, Similarthe larger 14,5cm high

61The hinged rectangular top enclosing a cylinder movement playing six airs, stop/play and repeat/change lever, nine teeth lacking17cm

high, 60cm wide, 25cm deep

62 A mercury thermometer above a silvered circular dial inscribed with the maker's name, moulded S-scrolls below 103,5cm high

63 Ring handle beneath a shell motif8,5cm long

64 Parts strung to original backing board, with instructions, in the original box

65

Oval base, pierced triangular-shaped supports with geometric decoration, the neck rest with diamond-shaped decoration, age related

wear15cm highShona headrests consist of three parts â€“ a base, usually lobed and raised, a support with deeply incised design

features, and a top panel with small geome ...[more]

66 And another small pot, similar

67 Cast copper 22cm wide

68Each inscribed 'WFC POW BERMUDA'; And Another Pair, one inscribed 'Boer Kamp Ceylon 1901', the other inscribed 'Ceylon 1901;

And A Pair Of Bone and Wood Fob Watch Chains, one inscribed '99-02' the longest 43cm long

69

Comprising: a cedarwood circular table, seven Cape Regency side chairs, a table with a central short frieze drawer, a Cape Regency

bench, and a rosewood puzzle box; And A Money Box, the rectangular top carved with a lion, the front and back carved with images of

Paul Kruger and Queen Victoria respec ...[more]

71A SERVICE IS RECOMMENDED FOR ALL CLOCKS PURCHASEDThe rectangular white dial with Roman numeral hour markers,

calibrated outer ring, five bevelled glass case, shaped handle, on bracket feet7cm high excluding handle

72

A SERVICE IS RECOMMENDED FOR ALL CLOCKS PURCHASEDThe rectangular white dial with Roman numeral hour markers,

calibrated outer ring, subsidiary dial, five bevelled glass case, shaped handle, the dial inscribed Gve Badollet Geneve, on bracket

feet13,5cm high excluding handle

73A SERVICE IS RECOMMENDED FOR ALL CLOCKS PURCHASEDThe rectangular white dial with Roman numeral hour markers,

calibrated outer ring, five bevelled glass case, on turned feet, accompanied by the original carrying case11cm high excluding handle

74A SERVICE IS RECOMMENDED FOR ALL CLOCKS PURCHASEDThe rectangular white dial with Roman numeral hour markers, five

bevelled glass case, shaped handle, on bracket feet11cm high excluding handle

75

A SERVICE IS RECOMMENDED FOR ALL CLOCKS PURCHASEDThe case marked T.C, London, 1981, the dial inscribed Charles

Frodsham, numbered 137/1000 on the base, the white dial with Roman numeral hour markers, the single train movement within a

bevelled glass case, fluted columns and swing handle8,5cm high ex ...[more]

76A SERVICE IS RECOMMENDED FOR ALL CLOCKS PURCHASEDThe rectangular silver dial with baton hour markers, gilt surround,

mounted in a green leather case11cm high

81Comprising: one 1895 Kruger shilling, one 1897 21/2 shilling, one 1896 2 shilling, one 1894 shilling, one 1896 shilling, one 1897 6 pence

and one 1896 3 pence

82 AN 1894 ZAR HALF POND

91

Bernard Picart after KolbeCopperplate engravings, two upper corners taped to backing, in protective mounts, foxing; verso: blank, pencil

notesL'Inititiation des Jeunes Gens recens au rang des Hommes foxing, upper right corner: 16415 by 20,9cm (leaf: 19,5 by 24,3cm)Les

Funeraïlles des Cafres et Ho ...[more]

92

Gustav de Lode after KolbeCopperplate engravings, light tanning, pencil notes in margins, upper corners taped to mount

boardsapproximately 17,5 by 12,5cm (leaf: 21,5 by 16,5cm)No.2 Namaquas HottentotterNo.6 Hottentotternes Maend og Qvinder te

Gaede after levendesNo.7 Hottentotternes Byer og HyttrrNo ...[more]

93Thomas William BowlerCape Town: J.C. Juta, 1866Lithograph, one vertical fold as issued, professionally restored, lower left corner: TW

Bowler, delt W L Walton, lith; lower right: M & N Hanhart, lith. Imptfrom Pictorial Album of Cape Town19 by 56,7cm

94After W J Huggins & T SutherlandPrint on textured paper, tears and folds in margins with the longest being 6cm, light foxing, framed37,5

by 65cm (frame: 100 by 120cm)

95After W J HugginsLondon: W J Huggins, 1833Aquatint, framed, lower left corner: Painted by WJ Huggins, Marine Painter to his Majesty;

lower right: Engraved by E. Duncan28,5 by 44cm

96

John SpeedLondon: Bassett & Chiswell, (1610) [1676], state 4Copperplate engraving, centerfold, hand coloured, light tanning along

edge of map, 6mm tear in top margin; verso: English text; recto-verso framefrom The Theatre of Great Britaine38 by 50,5cmJohn Speed

dominated the English map market durin ...[more]

97

John SpeedLondon: Bassett & Chiswell, (1626) [1676]Copperplate engraving, cartes-à-figures map, centerfold, outline colour, one

brown spot, lower right corner: Bassett & Chiswell imprint; verso: English text, paint show through, some brown soiling spots; framed in

special recto-verso framefrom Prosp ...[more]

98

VariousSarah Sophie Cornell, AFRICA, New York: D. Appleton, [1876]Steelplate engraving, full colour, few foxing spots, pencil note;

verso: English text with illustration; from First Steps in Geography; 14,5 by 11,7cmCharles Perigot, CARTE GENERALE DE L'AFRIQUE,

Paris: Delagrave, c1870Steelplate eng ...[more]

99

Augustus Petermann & Hermann HabernichtGotha: Justus Perthes, (1866) [c1880]Copperplate engraving, centerfold, outline and relief

colour; sides, top and small section of bottom taped to window mount; soiling line along inner edge of window mount, some foxing, lower

left corner: Gezeichet v, H, Haber ...[more]

100

John Tallis JuniorLondon & New York: John Tallis & Co, (1850) [c1851]Steelplate engraving, outline colour, centerfold as issued, light

tanning along centerfold, bottom left: The Illustrations by H. Warren & engraved by H. Bond; bottom right: The Map Drawn & Engraved

by J. Rapkin; verso: pencil notef ...[more]

101

Adrien Hubert BruéParis: C Delagrave, (1822) [1875]Copperplate engraving, centerfold, coloured by colonies, foxing along top section

of centerfold, tanning from tape on verso at bottom of centerfold, top left corner: Atlas Universel en 67 feuilles_No52; top right corner:

No.35; bottom left corner: N ...[more]

102

Thomas KellyLondon: Thomas Kelly, (1815) [c1818]Copperplate engraving, uncoloured, paper watermarked: 1818, two vertical folds as

issued, a few foxing spots; bottom right: Engraved by A. Findlay; verso: blank, pencil numberfrom A New and Complete System of

Universal Geography24,4 by 29cm

103

James StratfordLondon: J Stratford, (1806-08) [c1809]Copperplate engraving, uncoloured, light tanning along sides and top edges,

bottom right: J Russell del et sculp; verso: blankfrom The World, or, The Present State of the Universe by Cavendish Pelham18 by

22cm

104

Samuel BoultonLondon: Robert Sayer, (1787) 1787Copperplate engraving, outline colour, paper watermarked Southern Africa: three

vertical folds, offsetting, short tears at edge along folds, some frittering along bottom edge, 4cm narrow strip of loss in upper left corner

margin; verso: foxing on one sh ...[more]

105

Joseph HuddartLondon: Laurie & Whittle, (1780) [1794]Copperplate engraving, uncoloured, very few foxing spots, tanning along outer

edges with original binding strip along left edge, inked 37 in upper right corner; verso: light offsettingfrom The Oriental Pilot42 by

27cmLITERATURECartwright, Maps of ...[more]

106

Louis Brion de la TourParis: J Barbou, (1774) [c1780]Copperplate engraving, uncoloured, two vertical folds as issued, ink fading in small

section; verso: blank, pencil numbers, ink show throughfrom Atlas et tables élémentaires de géographie, ancienne et modern15 by

17,5cm

107

Antoine PlucheParis: Fréres Estienne, (1765) [c1770] Copperplate engraving, full colour, two vertical folds as issued, pencil note in

margin, small paint mark in Indian Ocean, tanning along top edge, upper right corner: Page I; bottom right corner: Lattre Sculp; verso:

blank, light foxingfrom Concor ...[more]

108

Robert de VaugondyParis: Robert de Vaugondy, (1762) [1762-78]Copperplate engraving, outline colour, centerfold as issued, outer

edges tanned, a few foxing spots, pencil note, bottom right inside neatline: ArriveL inv, Sculp; bottom right outside neatline: Grave par E.

Dussy; verso: 42 in ink, pencil ...[more]

109

Guillaume De L'isleAugsburg: T C Lotter, (1700) [c1760]Copperplate engraving, centerfold, full colour, 14cm L-shaped closed tear,

some flattened wrinkles, soiling in margins, pencil notes, some foxing, light tanning in Atlantic and Brazil; verso: soiling, pencil notesfrom

Atlas Geographique de Cent ...[more]

110

Giles & Didier Robert de VaugondyParis: Giles & Didier Robert de Vaugondy, (1756) 1756Copperplate engraving, outline colour,

centerfold, paper watermarked, 5cm open tear with paper loss in upper margin along centerfold, bottom 2cm of centerfold opening, four

small holes in bottom corners, light tann ...[more]

111

Thomas JefferysLondon: The Gentleman's Magazine, February 1748Map in situ, copperplate engraving, uncoloured, three vertical and

one horizontal folds, light tanning; magazine: disbound, 2 contents pages + page 51 - 9523,8 by 25cmJefferys was a prolific

cartographer, engraver and map publisher in Lon ...[more]

112

Jacques Nicolas BellinParis: J N BellinCopperplate engravings, uncolouredCARTE DE LA BAYE DE LA TABLE, (1748) [c1760]: pencil

number in corner, bottom right corner: Tome V.No.6; verso: blank;21 by 17cmBAYE DE SALDANE, (1748) [c1764]: pencil number in

corner, top right corner: Tome III No.114; verso: ...[more]

113

Jacques Nicolas BellinParis: Chez Didot, (1739 & 1740) [c1748]Copperplate engraving, uncoloured, pencil numbers in margin, bottom

right corner: T.II.No.4.; verso: blank, pencil notefrom L'Histoire Generale des Voyages by Antoine Francois Prévost19,3 by 14,2cmThe

plate includes a plan of the VOC fort ...[more]

114

George Mathaus SeutterAugsburg: M Seutter, (1728) [c1740]Copperplate engraving, full colour, centerfold, two repaired closed tears of

5 and 4cm, some soiling in margins, a few foxing spots; verso: paint show through, some soiling along edges, pencil notes51 by

57,5cmfrom Atlas NovusNorwich states th ...[more]

115

Herman MollLondon: Thos, Bowles and John Bowles, (1727) [c1736]Copperplate engraving, outline colour, left edge of page untrimmed

with stitch holes, one wormhole in margin, penciled note in margin, tanning along outer edges, upper right corner: 40, upper left corner:

faded "Vol 3 P I"; verso: paint ...[more]

116

Francois ValentynAmsterdam: J van Braam & G onder de Linden, [1724-26]Copperplate engraving, uncoloured, 3 vertical and 1

horizontal folds as issued, evenly tanned, white foxing patch next to Saldanha, 'No 43' in upper right corner, very narrow 20cm strip of

paper loss in margin along right edge; ve ...[more]

117

Claude BuffierParis: Pierre-Francois Giffart, (1722) [c1740]Copperplate engraving, uncoloured, three vertical folds, offsetting, pencil

notes in margins, small damp mark on right edge, few foxing spots, top left corner: pag.31513,6 by 17,5cmfrom Geographie Universelle,

Volume VIIBuffier, a French Je ...[more]

118

Johann Baptist HomannNuremburg: J B Homann, (1715) [1715]Copperplate, centerfold, full colour, paper watermarked, soiling

especially along margins, small tears along edges in margins, pencil notes in margin, small damp marks along right edge; verso: blank,

paint show through, pencil notes48,2 by 57, ...[more]

119

Edward WellsOxford: Sheldonian Theatre or London: A & J Churchill or Knapton etc., [1704 - 1738]Copperplate engravings,

uncolouredANTIQUAE AFRICAE TABULA (with inset of Nile River): two small foxing spots, light tanning to bottom edge, bottom left

corner: Pag.18; verso: blank; 20,8 by 17cmHODIERNAE ...[more]

120

Jacob von SandrartNuremburg: Jacob von Sandrart, (c.1697) [ c.1697]Copperplate engraving, centerfold, full colour, backing added,

loss of corner in margin, soiling in bottom margin, tanning along top edge, wear along centerfold, additional fold parallel to centerfold,

pencil notes in margin, '4'in ...[more]

121

Giovanni de RossiRome: Giovanni Giacomo de Rossi, (1677) 1677Copperplate engraving, centerfold, full colour, soiling in margins

especially bottom right corner, paperloss at lower left corner, pencil notes, tanning along centerfold, 6cm repaired closed tear and a few

short tears, one small repaired h ...[more]

122

Pierre Du ValParis: P du Val, (1664) 1664Copperplate engraving, centerfold, paper watermarked, damp mark along top margin, ink

number '84' at top center, tanning along outer bottom edge with frittering, some foxing spots; bottom off center: Somer sculp; verso:

blank, paint show through, name and num ...[more]

123

Nicholas Lenglet DufresnoyParis: Charles Estienne Hochereau, (1656) [c1716]Copperplate engraving, full colour, two vertical fold lines,

top right corner: Tom I Pag: 454; pencil number on recto and versofrom Methode Pour Etudier La Geographie14,5 by 16,5cmThe

original version of this map first appear ...[more]

124

Petrus BertiusAmsterdam: Jodocus Hondius Jr, (1616 or 1618) [1616 or 1618]Copperplate engraving, outline colour, tanning along

edges, upper left corner: 616; verso: Latin title page, pencil note, two upper corners taped to mount board; framed from Tabularum

Geographicarum Contractarum 9,5 by 13,2cm ...[more]

125

Sebastian Münster Basel: S H Petrie, (1588) [1614]Woodblock engraving, centerfold, outline colour, tanned evenly with lighter strip

along centerfold, pencil note, 5mm of bottom edge of margin folded with some paperloss, tanning along outer edge, repairs to

wormholes of which largest 15mm which affec ...[more]

126

Giovanni Lorenzo D'AnaniaVenice: Melchior Sessa, (1582) 1598Copperplate engraving, centerfold, full colour, lightly tanned, pencilled

note in margin, two small holes in centerfold, paper watermarked, title at top with triangular period, top left corner: Descrittione dell'

Africa; top right corner: L ...[more]

127

Sebastian MünsterBasel: S H Petri, (1572) [1572]Woodblock engraving, full colour, foxing spots, pencil notes, bottom left corner with

some loss, top center: De Africae Regionibus, upper left corner: 1328; verso: Latin text, two upper corners taped to mount board,

tanning, some foxing, top center: Li ...[more]

128

Sebastian Münster Basel: S Münster, (1540) 1552Woodblock engraving, centerfold, outline and decorative colour, tanning in margins,

foxing; verso: Latin title on right hand sheet, tanning, foxing, paint show through, pencil notesfrom Cosmographia25,5 by 34,5cmMünster

was the first map maker to publis ...[more]

129

J French (ed) Tring, UK: Map Collector Publications, 1999 & Riverside, US: Early World Press, 2001,2003, 2004, Revised Edition8vo,

xiv + 408 pp, vi + 462 pp, vi + 472 pp, vi + 436 pp, cloth with dust jackets, few short notes next to some entries; Vol I: two re-adherable

paper notes on ep

130

AN EXTRACT: THE VOYAGE OF WILLIAM TEN RHYNE TO THE CAPE OF GOOD HOPE & A DRAUGHT OF THE STRAIGHTS OF

GIBRALTAR BY CAPTAIN RICHARD BOLLANDAwnsham ChurchillTall 4to, full red leather, pages 763 - 784, 1 double page map + 1

double page plate, corners lightly bumped with light wear to boards, foxing and ...[more]

131

Various Johannesburg: Hans Strydom, 1985-1989LIMITED EDITION of 1000, review copies, 4to, one de luxe, six full leather and three

full faux leather, one slipcase absent#2. Carter's Account of the [First] Boer War: its causes and results.#3. Official Account of the War in

South Africa by Colonels Wat ...[more]

132

Adam Smith London: A Strahan and T Cadell, MDCCLXXXIX [1789], 5th edition8vo, x + 499pp, vi + 518 + [v] appendix pp, v + 465 +

[49] index + [i] ad pp, recased with original leather boards and later faux leather spines, boards worn along edges with bumped corners,

margins of eps tanned, book plate; V ...[more]

141 signed, dated 1985 and editioned 20/150linocutsheet size: 39,5 by 58cm

142 signed and dated 16 Marchmonotypesheet size: 38 by 34,5cmPROVENANCEDavid Krut Arts Resource, Johannesburg, 2010

143 signed and editioned 9/10etchingsheet size: 43 by 43cm; plate size: 30 by 30cmPROVENANCEWarren Editions, Cape Town, 2012

144signed, dated 2011, editioned 1/1 in pencil in the margin with chop markmonotypesheet size: 22,5 by 24,5cm; plate size 7,5 by

9,5cmPROVENANCEWarren Editions, Cape Town, 2011

145signed, dated 2009, titled, editioned 1/5, inscribed with 'Cape Town South Africa' in pencil in the marginscreenprint printed in

colourssheet size: 83 by 65cm

146 signed, dated 2009 and editioned 11/14 in pencil in the marginscreenprintsheet size: 37 by 93cm; plate size: 21 by 82cm

147 signed, dated 2008 and editioned 1/1monotypesheet size: 59 by 49cm

148signed, dated 2012, editioned 1/8 with artists chop markdigital printfive prints, largest 11 by 19,5cmPROVENANCEAcquired directly

from the artist

149signed, dated 1975, titled and editioned 2/50 in pencil in the margin with artist's initials in the platelinocutsheet size: 28,5 by 22,5cm;

plate size: 25,5 by 19,5cm

150 signed, titled and editioned 3/22 in pencil in the marginscreenprint printed in colours32,5 by 42,5cm

151 signed, dated 75 and editioned 64/75 in pencil in the marginetchingsheet size: 50 by 31,5cm

152 signed in the marginetchingsheet size: 30 by 10,5cm; plate size: 28,5 by 9cmPROVENANCEBy descent

153 signed, titled and editioned 'A/P'etchingsheet size: 24 by 17cm; plate size: 20,5 by 14cmPROVENANCEAcquired directly from the artist

154signed, dated 2002, titled and editioned in pencil in the marginlithograph printed in colourssheet size: 67,5 by

46,5cmPROVENANCEAcquired directly from the artist

155 signedcharcoal on paper66 by 50,5cm, unframed

156 signed ink on paper27,5 by 20cmPROVENANCEBy descent

157 signed indistinctlyetchingsheet size: 52,5 by 39,5cm; plate size: 36,5 by 25cm

158 signed; signed and inscribed indistinctly on the reverseoil on board34,5 by 18cmPROVENANCEBy descent

159 signed and dated '88pastel and acrylic on paper40 by 56cm

160 signed, titled and editioned 100/120 in pencillithograph, unframed65,5 by 50,5cm

161 signed; titled on the reverseoil on board73.5 by 57.5cm

162 signed and dated '09oil on canvas70 by 50 cm

163 signedoil on canvas70 by 55cm

164 signed and dated 2009spray paint on canvas100 by 40cmPROVENANCESt Lukes Hospice online auction, 2010

165 signed, dated 2018; signed, dated 2018, and the title inscribed on reverseacrylic and canvas collage on canvas100 by 60cm

166

signed; signed, artist's fingerprint, dated 2020 and titled on reverseoil on canvas90 by 70cmPROVENANCEAcquired directly from the

artistKim Mobey is a South African artist based in Cape Town. Working mostly in portraiture, one of her paintings was selected for the

Top 40 Shortlist for the 2019 Sanl ...[more]

167 signed and dated 2015oil on canvas50,5 by 50,5cmPROVENANCE99 Loop Gallery, Cape Town

168 signed, dated 2016 with title on reverseoil on canvas with silver leaf50cmPROVENANCEArt in the Yard Art Gallery, Franschhoek

169 signed and dated 65charcoal on paper42 by 29,5cm, unframedPROVENANCEGalerie Frank Hänel; Private Collection, Cape Town



172 signedoil on wood panel18.5cm by 18.5cmPROVENANCEStephan Welz & Co, 2005

173 signedoil on board24cm by 19cm

174 signed with the initials and dated 1869watercolour and gouache on paper28 by 23,5cm

175 signedoil on paper22 by 17cm

176 hand-coloured engravingsheet size: 18 by 14cm; plate size: 17 by 12cm

177 oil on canvas111 by 87cmPROVENANCEFausner Collection, Munich; thence by descent

178 sealing wax stamp on reverseoil on wood panel21 by 15cmPROVENANCEBy descent

179 oil on wood panelPROVENANCEBy descent

180 signedoil on board65 by 54cm

181 signedgouache on paper24 by 28cm

182 signedoil on wood panel29 by 39cm

183 signedgouache and watercolour on paper26 by 36cm

184 signed and dated 1971oil on board61 by 90,5cm

185 signed and dated 2018mixed media on board61 by 81cm

186signed; signed, dated 2005 and inscribed with the title on the stretcher, Joao Ferreira Gallery label adhered to the reverseoil on

canvas59 by 78cmPROVENANCEJoao Ferreira Gallery, Cape Town, 2011

187 signed and dated 2018oil on board40 by 56,5cm

188 black and white photographsheet size: 60 by 42cm; plate size: 24,5 by 29,5cmPROVENANCEGoodman Gallery, 2009

189 signed, dated '2015 and editioned 69 of 99oil on archival digital print on canvas160 by 100cm

190 signedoil and pencil on canvas board29 by 39,5 cm

191 signedoil and pencil on board39 by 49,5cm

192 signed and dated indistinctlygouache on paper15,5 by 21,5cm

193 signedoil on canvas laid down on board24 by 16,5cm


195 signedoil on canvas32 by 47cmPROVENANCEBy descent

196 signedoil on board9,5 by 29,5cm

197 signedpastel on paper24 by 37cm


199 signed; inscribed indistinctly on the reverseoil on canvas39,5 by 49,5cm

200 signedacrylic on board38 by 53cmPROVENANCEAcquired directly from the artist


202 signed; signedetchings printed in colourssheet size: 17,5 by 22cm respectively; plate size: 15 by 20cm respectively (2)

203 signed and dated '85; inscribed with the title on reverseoil on board14 by 10cm and 19 by 20,5cm, respectively (2)

204 signed and dated '85oil on board19,5 by 25cm respectively (2)

205signed and titled in pencil in the margin with chopmark; signed, editioned 57/150 in pencil in the marginetchingssheet size: 22,5 by

27,5cm; plate size: 21 by 26cmsheet size: 22,5 by 27,5cm;plate size: 20 by 25cm, respectively (2)




209 signed and dated '97oil on board38 by 49,5cmPROVENANCEAcquired directly from the artist

210 signed and dated 77; signed and dated 76watercolour on paper25 by 40cm; 40 by 63cmPROVENANCEBy descent

211 signed and dated 73watercolour on paper40,5 by 70,5cmPROVENANCEBy descent


213 signed; signed on the reverseoil on canvas87 by 114cm

214 signed and dated 58oil on canvasPROVENANCEBy descent

215signed and dated 35; signed and inscribed with the title, date and information about the artist on the reverseoil on canvas73,5 by

94cmPROVENANCEFausner Collection, Munich; Thence by descent

216 signedoil on canvas62 by 78cmPROVENANCEFausner Collection, Munich; Thence by descent

217 signed and dated 30; signed, dated 4. Juli 1930 and titled on the reverseoil on canvas76 by 56cm

218 oil on canvas58 by 80cm

219 signedwatercolour24 by 52cm

220 signedgouache on paper46 by 61cmPROVENANCEBy descent

221 sealing wax with the initials A.C, label attributing artist adhered to the reverseoil on wood panel17,5 by 25,5cm

222 signedoil on canvas38,5 by 56,5cm

223 oil on board32 by 27cmPROVENANCEBy descent

224 signed indistinctlyoil on canvas40,5 by 60cmPROVENANCEBy descent

225 oil on canvas76 by 92cmPROVENANCEFausner Collection, Munich; Thence by descent

226 oil on canvas28,5 by 36,5cmPROVENANCEBy descent

227 signed; signed and titled on the reverseoil on canvas71,5 by 98,5cm

228 iron woodheight: 50cm

229signed and dated 79; accompanied by a certificate of authenticity compiled by the artistcement fondue and cast composite baseheight:

22cm (including the base)PROVENANCEAcquired directly from the artist

230signed and dated '90; accompanied by certificate of authenticity compiled by the artistcement fondue with marble baseheight: 21cm

(including base)PROVENANCEAcquired directly from the artist

231signed '58; accompanied by a certificate of authenticity compiled by the artistcement fondue with marble baseheight: 27,5cm (including

the base)PROVENANCEAcquired directly from the artist

232 mixed media on board120 by 120cm

233signed, dated 57, titled and editioned 2/50 in pencil in the marginetchingsheet size: 27 by 51cm; plate size: 24,5 by

49cmPROVENANCEBy descent

234 signed, dated 58 an deditioned 14/50 in pencil in the marginoil on canvas28,5 by 36,5cmPROVENANCEBy descent

235signed in marker on lower left hand edge wood, paint and marble dust78 by 250cm; 62 by 250cm respectivelyPROVENANCEAcquired

directly from the artist

236plaque attached to the base bears the artists name and is dated 1993bronze with metal and wood baseheight: 108,5cm including

basePROVENANCECommissioned as gifts for the top three achievers on the stock exchange by SANCORP in 1993

237 signed and dated '66ink on paper28,5 by 42cmPROVENANCEWarren Siebrits Modern and Contemporary Art

238 signed in pencilfelt tip pens and ink on paper14 by 10,5cmPROVENANCEGalerie Frank Hänel; Private Collection, Cape Town

239signed with artist's monogram; signed on the reverse in pencilink and acrylic on paper14 by 10cmPROVENANCEGalerie Frank Hänel;

Private Collection, Cape Town

240signed and dated 71 in pencil in the margin; '18' inscribed in pencil on the reverseoil pastel on paper20 by

28,5cmPROVENANCEGalerie Frank Hänel; Private Collection, Cape Town

241 signed and dated '66oil on board44 by 59cmPROVENANCEBy descent

242signed and dated 2006; signed, dated 2004 with the title and medium on the reverseoil on canvas122 by 91cmPROVENANCEAcquired


243 pastel on paper54 by 73cm

244 signed and dated '82pastel on paper53,5 by 73cm

245 signed; titled on canvas overlapping stretcheracrylic on canvas100 by 100cm

246 signed; signed on the reverseoil on canvas79 by 98cm

247 signedoil on canvas laid down on board20,5 by 20,5cm each (2)PROVENANCEAcquired directly from the artist

248 signedoil on board76 by 39,5cm

249 oil on board60 by 82cmPROVENANCEFausner Collection, Munich; Thence by Descent

250 oil on canvas64 by 75cmPROVENANCEFausner Collection, Munich; Thence by descent

251 signed and titled indistinctlyoil on canvas 51 by 69cmPROVENANCEFausner Collection, Munich; Thence by Decent


253 signed, dated1962oil on canvas90 by 60cmPROVENANCEAcquired directly from the artist

261A LADIES VINTAGE PLAID DEVERNOIS SUITRed, grey and cream, wool and acrylique jersey-jacket, pencil skirt, scarf, trousersJacket

size: UK 14Skirt size: UK 14Trouser size: UK 16(4)

262 A PAIR OF LADIES VINTAGE MODENSI TORINO PUMPSCandy red, leather, ribbed bow with gold-tone detailSize: EU 36

263A LADIES VINTAGE PENCIL SKIRT AND JERSEYBlack, The Worx by Saks Fifth Avenue Jersey size:No shown size, would fit sizes 10

- 14Skirt size: 11(2)

264 AN EMANUEL UNGARO SATIN AND LEATHER CLUTCHLimited edition, black, lace trim, draw-string closing, silver-tone chain handle,

265 A PAIR OF LADIES VINTAGE MODENESI TORINO PUMPSLiquorice black, leather, appliqued velvet bow detailSize: EU 36

266 A LADIES VINTAGE DEVERNOIS SUITBlack, wool, brass buttons, pencil skirtSuit size: UK 12(2)

267A PAIR OF BLACK VINTAGE SALVATORE FERRAGAMO VARA BOW PUMPSCalf leather, gently worn, slip-on style, low heel, logo

plaque embellished ribbed bowInner-sole stamped: DG 05621 6 C 338Best fits an EU 37

268 A VINTAGE PATENT LEATHER CLUTCHBlack, top handle, gold-tone hardware

269A PAIR OF BLACK VINTAGE SALVATORE FERRAGAMO ZIGZAG PUMPSSuede, gently wornInner-sole stamped: DF 62097 A20 6

CBest fits an EU 37

270

A PAIR OF BLACK VINTAGE SALVATORE FERRAGAMO VARA BOW PUMPSCalf leather, well worn, slip-on style, low heel, logo

plaque embellished ribbed bowInner-sole stamped: DR 30319 338 6 CBest fits an EU 37Please be mindful this piece has led a previous

life and shows age appropriate wear

271A LADIES VINTAGE LUISA SPAGNOLI SUITNavy blue, white polka dots, gold-tone buttons and navy blue wrapSuit size: EU 46 (UK

14)(3)

272A CHLOE BLUE NUIT METALIC MINI CLUTCHBrand new, tags still attached, accompanied by original dust coverSize: 21cm high,

14cm wide, 1,5cm deep

273A PAIR OF NAVY BLUE VINTAGE SALVATORE FERRAGAMO BON SLING-BACKS HEELSLeather, gently worn, leather and lizard

skin bow detailInner-sole stamped: GG 6502 263 6½ BBest fits an EU 36½ - 37

274A LADIES VINTAGE NAVY BLUE AND EMERALD GREEN SUITNavy blue double breasted blazer, brass buttons, emerald green

blouse and pencil skirtBlazer size: UK 16Skirt size: UK 18Blouse Size: States '38'(3)

275A CHLOE BLUE NUIT METALIC MINI CLUTCHBrand new, tags still attached, accompanied by original dust cover Size: 21cm high,


276A LADIES VINTAGE EMERALD GREEN OUTFITKnit jacket, polyester blouse, pleated skirt, accompanied by two styles of beltsBrand:

ST. JohnSize: 8(5)

277 A PAIR OF LADIES VINTAGE BALLY WEDGESIvory pearlescent in colour, gold star and stud detailSize: EU 36

278A LADIES VINTAGE OAT-COLOURED OUTFITKnit jacket, polyester blouse, pleated skirt, accompanied by two styles of beltsBrand:

ST. JohnSize: 8(8)

279

A PETIT-POINT PURSEMother of pearl trim, figural needlepoint scene, bought in AustriaDuring the Victorian, Edwardian eras and the

early 20th century, hand worked petit point was a specialty in France, Austria, and Hungary. The finer petit points held at least 900

stitches per square inch and some mi ...[more]

280A PAIR OF TAUPE VINTAGE SALVATORE FERRAGAMO VARA BOW PUMPSSalamander leather, gently worn, low heel, logo plaque

embellished ribbed bowInner-sole stamped: 2 DR 49155 338 6 CBest fits an EU 37

281A PAIR OF TAWNY VINTAGE SALVATORE FERRAGAMO ESPADRILLE WEDGESSuede, gently wornInner-sole stamped: DP 44696

C46 6 CBest fits an EU 37

282 A LADIES VINTAGE HANRO SHIFT DRESSMulti-tone browns, 3/4 sleeveSize: UK 14

283TWO VINTAGE FRANCHETTI BOND CROSSBODY BAGSBlack pebbled leather with braided leather shoulder strap, fine-straw with

brown leather top trim and shoulder strap14cm high, 23cm wide, 3cm deep(2)

284 A PAIR OF LADIES VINTAGE J. RENEE SQUARE-TOE HEELSIvory with flashes of gold, leather upperSize: 6W

285A 1950s HANRO OF SWITZERLAND SHIFT DRESS AND JACKETTones of quince, sage and cream, a round neck sleeveless dress,

button up front, a jacket with 3/4 sleeve length, both garments in woolSize: EU 36(2)

286A PAIR OF MOSS GREEN VINTAGE SALATORE FERRAGAMO MARY-JANE HEELSCalf leather, gently worn, gold-tone buckle Inner-

sole written: Ae3224G DK6055 259 5½ BBest fits an EU 36 - 36Â½

287 A LADIES VINTAGE OLIVE GREEN SUEDE JACKETCustom created in Spain in 1956Size: 38 (UK 14)

288A PAIR OF OLIVE GREEN VINTAGE SALVATORE FERRAGAMO ESPADRILLE WEDGESLeather, well wornInner-sole stamped: DV

07944 6½ M CIV 3Best fits an EU 37Age appropriate wear.

289A LADIES VINTAGE OUTFITComprising: A twin-set, 100% silk in pink, blue, orange and green, a pair of pink trousers, a pistachio

green cable knit wool jersey.Jersey size: UK 16Trouser size: UK 14Twin-set size: UK 14(4)

290 A LADIES VINTAGE LIOLA SUITYellow with floral detail, brass buttonsSize: EU 44(2)

291 A DOROTHY FRES LONG LENGTH DRESSPink, yellow, cheetah pattern detailSize: said to be one size fits all

292 A LADIES VINTAGE LA PASSION DE MAGGIE OUTFITPurple, orange and yellow knit top with a floral-pleated-circle skirtSize: 12(2)

293A PAIR OF DAISY WHITE VINTAGE SALVATORE FERRAGAMO VARA BOW PUMPSCalf leather, gently worn, slip-on style, low heel,

logo plaque embellished ribbed bowInner-sole stamped: DR 36561 338 6 CBest fits an EU 37

294A LADIES VINTAGE 'KELLY STYLE' HANDBAGWhite leather, custom made in Italy, gold-tone hardwareLike new condition20,5cm

high, 29,5cm wide, 11cm deep

295

A LADIES VINTAGE MAIN LINE CHERRY OUTFITComprising: A pair of 100% cotton trousers with cherry pattern detail, a pink t-shirt

with sailor collar and a short sleeve 100% cotton jersey with cherries and flower embroidered detail to the bottomT-shirt size:

MediumJersey size: MediumTrouser size: UK 12(3 ...[more]

296

A PAIR OF FUCHSIA VINTAGE SALVATORE FERRAGAMO AUDREY BALLERINASSuede, gently wornInner-sole stamped: DL 01637

C19 6 CBest fits a EU 37This model was made for Audrey Hepburn in 1954. Ferragamo and the young actress met during the filming of

Roman Holiday and became fast friends. This Ballerina Pump i ...[more]

297 A VINTAGE SILK SCARFPink ombre with tassels

298A LADIES FLORAL TWO LAYERED SILK CHIFFON DRESSOverall pattern of scrolls, chains and flowers, in shades of blues, pinks,

yellows and greensDress size: EU 44 (UK 12)(2)

299

A LOUIS VUITTON CANNES BAGTuscany yellow, crafted from precious, brilliant crocodilian leather, top handles, gold-tone hardware

approximately16cm high, 15cm wideOriginally designed as a vanity case but reinterpreted by Nicolas Ghesquiere as an ultra-

fashionable way to carry essentials.

300A PAIR OF FLORAL VINTAGE SALVATORE FERRAGAMO AUDREY BALLERINASCanvas, like new, gently wornInner-sole stamped:

DL 06523 C19 6 CBest fits a EU 37

301A LADIES 1970S SAKS FIFTH AVENUE DAY DRESSCustom made, silk, stripes of yellow, cream, silver and blue, petal sleeveSize: UK

14/16

302 A PAIR OF VINTAGE LOEWE ESPADRILLESFloral print on canvas, very gently wornSize: EU 37

303A LADIES VINTAGE OUTFITA boiled wool wrap in beige, pink and orange ombre, bordered by a suede trim, plumb colour wool pencil

skirt and 100% silk pale pink short sleeve t-shirtT-shit size: 14Skirt size: 14(3)

304 A PAIR OF DIOR LEATHER WEAVE WEDGESBaby Pink, espadrille wedgeSize: UK 5½

305A LADIES VINTAGE BLAZER AND SHIRTSSage colour, boiled wool blazer, 100% silk lilac t-shirt, pale pink cashmere cardiganBlazer

size: UK 14T-shirt size: 14Cardigan size: Medium(3)

306 A SILK DIOR LOVE SCARFFrom the "l Love Dior" series, with original box and wrapping ribbonScarf size: 53 by 53cm

307A CHLOE BLUE NUIT METALIC MINI CLUTCHBrand new, with tags still attached, accompanied by original dust coverSize: 21cm high,


308 A LADIES 1960s DONALD DAVIES DAY DRESSDenim blue, 50% cotton, 50% linenSize: 10

309A LADIES 'KELLY STYLE' EPI LEATHER HANDBAGLapis blue, custom made by Aleda Borse - Italy, gold-tone hardwarePeeling to the

inside top flap20cm high, 27cm wide, 10cm deep

310A CHLOE BLUE NUIT METALIC MINI CLUTCHBrand new, with tags still attached, accompanied by original dust coverSize: 21cm high,


311 A LADIES VINTAGE SIMON SHIFT DRESSCotton jersey knit fabric, with beltSize: UK 14

312A CHLOE BLUE NUIT METALIC MINI CLUTCHBrand new, with tags still attached, accompanied by original dust coverSize: 21cm

high14cm wide, 1,5cm deep

313 A LADIES VINTAGE ODETTE BARSA PEIGNOIR SETBaby blue, nylon lace detail, bed jacketSize: UK 14(2)

314 A PAIR OF BLUE DIOR WRAP-AROUND HEELSBaby blue, silk cord fastening, pom-pom detailSize: UK 5½

315A GROUP OF LADIES UNDER GARMENTSThree petticoats, lace and nylon, two pairs of unopened Christian Dior satine tights in

neutral, size medium, two pairs of Walford tights in neutral, size 34-38(7)

316A LADIES VINTAGE CHRISTIAN DIOR ROBEIvory with floral detail, pale rose pink petticoat with lace detailRobe size: SmallPetticoat

size: 34(2)

317A PAIR OF VINTAGE DIOR WEDDING HEELSIvory satin, winkle-picker toe, satin bow and pinched detailingSize: UK 6½ - best fits a

UK 6Condition: As new

318A LADIES VINTAGE EVE STILLMAN ROBE AND A NIGHTDRESSIvory colour, floral silk screen print, pale pink feather bower trim to

the collar and cuffs, ivory nightdress, sheer, lace detailRobe size: SmallNightdress size: Small(2)

321A GEORGE III MAHOGANY LINEN PRESSThe outswept moulded cornice above a pair of panelled doors enclosing two shelves, a

brush slide above two long cockbeaded graduated drawers below, on bracket feet205cm high, 123,5cm wide, 51,5cm deep

322A VICTORIAN MAHOGANY WARDROBEThe moulded outswept cornice above a plain frieze, a pair of panelled doors below flanked by

fluted columns with corbels enclosing three shelves and a pair of short drawers, on spool feet181cm high, 124,5cm wide, 49,5cm deep

323

A VICTORIAN MAHOGANY SECRETAIRE BOOKCASEIn two parts, the outswept cornice above a plain frieze, a pair of arched glazed

doors flanked by corbels enclosing three shelves below, the lower section comprising a fall-front drawer enclosing an inset leather

writing surface, compartments and drawers, in s ...[more]

324

A PAIR OF CAPE STINKWOOD NEOCLASSICAL ARMCHAIRS, 19TH CENTURYEach curved shaped top and bottom rail joined by a

pierced splat, curved outswept arms on curved supports, caned seat, on notched inlaid square-section tapering legs, joined by an H-

stretcher

325A CAPE YELLOWWOOD KIST, 19TH CENTURYThe hinged rectangular top enclosing a compartment, tapering front panel, on a plinth

base45cm high, 111,5cm wide, 50,5cm deep

326A CAPE YELLOWWOOD AND STINKWOOD TABLE, 19TH CENTURYThe rectangular two plank top above a short frieze drawer, on

notched tapering square-section legs, distress71cm high, 93cm wide, 55,5cm deep

327A PAIR OF CAPE STINKWOOD NEOCLASSICAL ARMCHAIRSEach curved top and mid rail joined by four square-section splats,

outswept arms on shaped supports, caned seat, on square-section tapering legs, joined by an H-stretcher

328A CAPE STINKWOOD TABLE, 19TH CENTURYThe moulded rectangular top above a short frieze drawer, on cabriole legs, on pad

feet69cm high, 94cm wide, 59cm deep

329A GEORGE III GILTWOOD MIRRORThe rectangular plate within an openwork frame carved with C-scrolls and acanthus leaves

surmounted by an openwork foliate-carved and scroll cresting, distress91,5cm high, 136cm wide

330A GEORGE III GILTWOOD MIRRORThe rectangular plate within a frame carved with openwork foliage surmounted by a scroll and

foliate cresting below a ho-ho bird, distress154cm high, 65cm wide

331A GILTWOOD MIRROR, 19TH CENTURYThe shaped rectangular plate within a conforming beaded inner and egg and dart outer

frame, surmounted by flowers, doves and trailing ribbons flanked by a pair of putti 226cm high, 101cm wide

332

A BIBENDUM CHAIR, DESIGNED IN 1926 BY EILEEN GRAYThe back comprising two semi-circular tubes above a padded seat, on a

chromed tubular steel frame The name Bibendum originates from the character created to sell Michelin tyres and the chair was

designed for French hat designer Madame Mathieu Levy. It ...[more]

333AN EGG CHAIR, DESIGNED IN 1959 BY ARNE JACOBSEN FOR FRITZ HANSENThe foam-padded moulded fibreglass shell

upholstered in fabric, on an aluminium swivel base, manufacturer's paper label, the base marked Fritz Hansen

334

A LAMINATE AND STEEL HOME DESK, DESIGNED IN 1958 BY GEORGE NELSON FOR VITRAThe rectangular top surmounted by

a gallery comprising a shelf and compartments, in sizes, a pair of stationery slides below, on tubular chrome legs, joined by a stretcher;

And A Chair, the detachable steel legs below a hinge ...[more]

335AN EGG CHAIR, DESIGNED IN 1959 BY ARNE JACOBSEN FOR FRITZ HANSENThe foam-padded moulded fibreglass shell

upholstered in fabric, on an aluminium swivel base, the base marked FH, Made in Denmark

336

FIVE POLYURETHANE CLASSIC CHAIRS, DESIGNED IN 1967 BY VERNER PANTON FOR VITRAEach of organic form, with Vitra

mark â€œVerner Panton was one of the most influential figures in the development of design during the 1960s and 1970s. Along with

his experimental approach to forms and colours, he was capti ...[more]

337A SET OF SIX ALUMINIUM NAVY CHAIRS, MANUFACTURED BY EMECOEach curved top and bottom rail joined by three square-

section splats, saddle seat, on rounded square-section legs joined by a double H-stretcher

338AN OAK AND STEEL CROQUET BOOKSHELF, DESIGNED BY MICHAEL MARRIOTThe ten adjustable steel shelves between oak

supports 198cm high155,5cm wide, 33cm deep

339 AN ASTON CHAIR, DESIGNED AND MANUFACTURED BY LINLEYPadded back, arms and seat, on square-section tapering legs

340AN OAK DINING TABLE, RETAILED BY THE CONRAN SHOP, LONDONThe rectangular top above a plain frieze, on square-section

tapering legs73,5cm high, 183cm wide, 86,5cm deep

341A SIDEBOARD MANUFACTURED BY GIULIO CAPPELLINI, ITALYThe rectangular melamine top above a pair of steel sliding doors

enclosing shelves and compartments, in sizes, on castors63cm high, 222cm wide, 40cm deep

342A CASED BABY GRAND PIANO, GORS AND KALLMAN, BERLINSerial number 6185, on square-section tapering legs, on

castors97cm high, 144cm wide, 159cm deep

351Mr. Brainwash (French 1966 - ) TORN SPRAY CAN 2020six-colour silkscreen signed and editioned 27/150 in pencil in pencil; artist's

thumbprint on the reversesheet size: 75 by 55cmPROVENANCEAcquired directly from the artist

352John Ndevasia Muafangejo (1943-1987) ANGLICAN SEMINARY BLOWN UPsigned, dated 1981 and editioned 7/200 in pencil in the

marginlinocutsheet size: 63 by 45cm; plate size: 59 by 41,5cm

353

William Joseph Kentridge (South African 1955 - ) FOUR INSTRUMENTSsigned and numbered 37/40 in pencil in the

marginetchingsheet size: 39 by 52,5cm; plate size: 21 by 27,5cmPerhaps one of the most common subjects in William Kentridge’s

oeuvre is that of the procession. Often with undertones of besieg ...[more]

354

Marlene Dumas (South African 1953 - ) THE SUPERMODELsigned, dated 1995, inscribed with the title and numbered 87/100 in pencil

in the marginlithographsheet size: 66 by 51cmIn the 1990’s, a small group of highly paid models who had reached celebrity status were

referred to as ‘supermodels’, many of ...[more]

355 Bru'ster (South African 1961 - ) FRIDA KAHLOsignedenamel on canvas73 by 130cm

356 Bru'ster (South African 1961 - ) STORM TROOPERSsignedenamel on canvas106 by 83cm

357Trevor Coleman (South African 1936 - ) THE POTTERsigned and dated 2005; signed and dated 2009 with the title and medium on the

reverseoil on canvas122 by 121cmPROVENANCEAcquired directly from the artist

358Wayne Cahill Barker (South African 1963 - ) ROCK & ROLL CHURCH LADYsigned and dated 2010 187 by 194cmdigital print with oil

and enamel paint on canvasPROVENANCEAcquired directly from the artist

359Hentie van der Merwe (South African 1972 - ) PARADE UNIFORM (1967 - 1990)lazerchromeprint on aluminium180 by

110cmPROVENANCEAcquired directly from the artist

360Mongezi Ncaphayi (South African 1983 - ) ABSTRACT WITH PINK DIAGONAL LINES AND DARK GREENsigned and dated

2020indian ink and watercolour on cotton paper75 by 57cmPROVENANCEAcquired directly from the artist

361Esther Mahlangu (South African 1935 - ) HEXAGONAL NDEBELE PATTERNsigned and dated 2012 in paint along the bottom edgeoil

on canvas82 by 93cmPROVENANCE34 Fine Art, Cape Town; Stephan Welz & Co, August 2020, lot 474

362Nigel Mullins (South African 1969 - ) GOOD FORTUNE, NO 3signed and dated 2010 on canvas overlapping the stretcherdigital print

with acrylic paint156 by 226cmPROVENANCEAcquired directly from the artist

363Clement Serneels (South African 1912 - 1991) STILL LIFE WITH ROSES IN A VASEsigned and datedoil on canvas laid down on

board67 44,5 by 54,5cmPROVENANCEStrauss & Co, Online, 2018, lot 165

364 Bettie Cilliers-Barnard (South African 1914 - 2010) YELLOW POMPOMSsigned, dated 1949oil on canvas63 by 52,5 cm

365François Krige (South African 1913 - 1994) MAGNOLIAS IN A VASEsignedoil on board56,5 by 46,5cmPROVENANCEAcquired from

the Shell Art Collection, 2006

366Cecil Edwin Frans Skotnes (South African 1926 - 2009) SMALL CARVED WOOD PANELcarved, incised and painted wood panel7 by

22cm

367

A.R. Penck and Lucke TPT (German 1939 - 2017) LUCKE NR 1 ENERGETIKlabel bearing artist's name, artist's collective, date, title,

medium and dimensions on the reverseoil on canvas151 by 130cmPROVENANCEGalerie Fränk HanelIn 1971 A.R Penck put together

the artist’s collective Die Lücke TPT along with ...[more]

368George Hallett (South African 1942 - 2020) BO . KAAP WELCOMEsigned, dated 1994, titled, editioned a/p.1. in black marker in

marginphotographic printsheet size: 35 by 48,5cm; plate size: 31 by 46,5cm

369

George Hallett (South African 1942 - 2020) CARDIFF ROAD, 1968 SIMON'S TOWNlabel bearing artist's name, title, medium, edition

1/10, inscribed with a message and signed by the artist, adhered to the reversephotographic printsheet size: 46 by 31cm; plate size: 46

by 31cm

370John Kramer (South African 1946 - ) ROOI OAK WINKEL, HEILDELBERGsigned and dated '09; title inscribed on the frame and on the

reverseoil on canvas24,5 by 35cm

371 Pieter van der Westhuizen (South African 1931 - 2008) TWO KITE FLIERSsigned and dated '96pastel on paper49 by 38cm

372 William Ashton (British 1904 - ) THE NILE LOOKING LOOKING TOWARD HELWAN FROM MAADIsignedwatercolour32,5 by 46cm

373Simon Rhys Jones (South African 1951 - ) SEA POINT PROMENADE CAPE TOWNsigned and dated 2003tempera and sand on

canvas90 by 120,5cm

374

Sidney Goldblatt (South African 1919 - 1979) BEACH AT SWAKOPMUNDsigned and titled on the reverseoil on canvas55,5 by 76,5

cmPROVENANCEStephan Welz & Co, May 1988, lot 275; Stephan Welz & Co, Cape Town, October 2011, lot 355 Stephan Welz and

Co, 18 October 2011

375 Gregoire Johannes Boonzaier (South African 1909 - 2005) AT THE SEA, KOMMETJIEsigned and dated 1929oil on canvas37 by 42cm

376 Enslin Hercules du Plessis (South African 1894 - 1978) VIEW OF BACK GARDEN signed oil on canvas board 57 by 64cm

377Jacob Hendrik Pierneef (South African 1886 - 1957) LANDSCAPEsignedoil on board27 by 37 cmPROVENANCEAcquired directly from

the artist

378Walter Meyer (South African 1965 - 2017) KALAHARI SCENEsigned with artist's initialsoil on canvas49 by

64,5cmPROVENANCEAcquired directly from the artist

379Conrad Nagel Doman Theys (South African 1940 - ) LANDSCAPE WITH QUIVER TREEsigned and dated 1985oil on canvas37 by


380Nita (Pauline Augusta Wilhelmina) Spilhaus (South African 1878 - 1967) LANDSCAPE WITH TREESsigned with artist's monogramoil on

board17 by 24,5cm

381

Erik Frederick Bester Howard Laubscher (South African 1927 - 2013) NABY CALEDON signed and dated 75; signed, dated 1973 and

titled on the reverse oil on canvas 72,5 by 91,5cm PROVENANCE Acquired directly from the artist, thence by descent In 1961, Erik

Laubscher began working for the ...[more]

382Jan Ernst Abraham Volschenk (South African 1853 - 1936) LANDSCAPE NEAR GEORGE, CAPE PROVINCEsigned and dated 1915;

signed, dated and titled on the reverseoil on canvas24,5 by 42cm

383 Tinus de Jongh (South African 1885 - 1942) THE TWELVE APOSTLESsignedoil on canvas32 by 47cm

384

Jacob Hendrik Pierneef (South African 1886 - 1957) BY NABOOMSPRUIToil on board signed; inscribed with the title on the board, and

inscribed 'Aandstemming Potgietersrust, Tvl' on the frame of the reverse22,5 by 30cmPROVENANCEBy descentIncluded in our

February 2021 offering is a lovely landscape by J ...[more]

385Simon Rhys Jones (South African 1951 - ) EVENTIDEtempera on canvas signed and dated 2005: title inscribed on the reverse121 by


386Irma Stern (South African 1894 - 1966) PORTRAITsigned and dated 1945charcoal on paper39,5 by 30cmPROVENANCEBy descent;

Stephan Welz & Co, August 2019, Cape Town, lot 468

387

Irma Stern (South African 1894 - 1966) MELON SELLER AT A ZANZIBAR MARKETsigned, dated 1952gouache on card50,5 by

61cmPROVENANCEStephan Welz & Co, Cape Town, February 2015, lot 603In viewing this work one is immediately struck by its

rythmic , upbeat mood . It feels possible that music can be heard ...[more]

388Irma Stern (South African 1894 - 1966) FIVE FIGURESsigned and dated 1945charcoal on paper25 by 37,5cmPROVENANCEBy

descent; Stephan Welz & Co, August 2020, Cape Town, lot 477

389Jean Welz (South African 1900 - 1975) PORTRAIT OF EDNA RETIEFsigned and dated 62 and inscribed with the name of the

sittergouache on paper59 by 39cmPROVENANCEBy descent

390Alexander Rose-Innes (South African 1915 - 1996) PORTRAIT OF A WOMANsignedoil on canvas50,5 by 40,4cmPROVENANCEBy

descent

391Johannes Petrus Meintjes (South African 1923 - 1980) PORTRAIT IN BLUEsigned and dated 1948oil on paper21 by

21cmPROVENANCEPrivate collection, Cape Town; Collection of Jan Du Toit

392Jan Vermeiren (South African 1949 - ) WOMAN IN ORANGEsigned; signed on reverseoil on canvas70 by 60cmPROVENANCEAquired


393Fringe (South African 1976 - ) SIMPLE PHYSICSspraypaint, acrylic, glitter varnish and morphos menelaus butterflysigned and dated

02.2099 by 99cmPROVENANCEDaville Bailie Gallery, Johannesburg

394Fringe (South African 1976 - ) THEY REALLY LOVE MEspraypaint, acrylic and glitter varnish signed, signed with artist's monogram and

dated 0220109 by 109cmPROVENANCEDaville Bailie Gallery, Johannesburg

395 Gavin Rain (South African 1971 - ) MARLON BRANDOacrylic on canvas101 by 101cmPROVENANCEAcquired directly from the artist

396 Paul du Toit (South African 1965 - 2014) ABSTRACT FACEsignedbronzeheight: 54cm

397

A.R. Penck (German 1939 - 2017) STANDART SCULPTUREmarblediameter: 27cmPROVENANCEGalerie Frank Hänel; Private

Collection, Cape TownWhile mostly known for his prints, paintings and drawings, German expressionist A.R. Penck produced a number

of sculptures, usually using bronze or stainless steel, and ...[more]

398

A.R. Penck (German 1939 - 2017) DER LETZE NVA PILOTsigned in pencil in the middle of the canvas and the number 1 in the bottom

left hand corner; Gallerie Frank Hanel label adhered to the reverseacrylic over silkscreen on canvas160 by

130cmPROVENANCEGalerie Frank Hänel; Private Collection, Cape Town ...[more]

399A.R. Penck (German 1939 - 2017) RED AND BLUE DOGS FIGHTINGsilkscreen on paper signed and editioned 'e.a' in pencil122 by

85cm, unframed PROVENANCEGalerie Frank Hänel; Private Collection, Cape Town

400

Robert Griffiths Hodgins(SA 1920-2010)THE THIRD HOUR: KING OF THE JEWS; THE BAD THIEF;THE GOOD THIEFsigned, dated

'05, editioned 10/20 in pencil in the marginetchingsheet size: 74 by 47cm; plate size: 57 by 34cm, each (3)PROVENANCEArt on Paper,

Braamfontein, 2010

402 Speelman Makwe Mahlangu (South African 1958 - 2004) SEATED FIGUREsigned and editioned 7/9bronzeheight: 51cm

403

David James Brown (South African 1951 - ) MAQUETTE FOR A PORTRAIT OF THE REVEREND KALINGAsigned with the artist's

initials, dated 2007 and editioned 1/5 on the inside of the basebronzeheight: 51cmThe sculptor David Brown, who began producing work

in South Africa in the 1980’s was known for his bron ...[more]

405

Anton Smit (South African 1954 - ) RUN FROM YOURSELF lllsigned, dated 2014, editioned 6/12, and inscribed indistinctly; signed,

dated 2015 and editioned 12/24 respectivelycast composite and metal base63 by 76 by 22cmPROVENANCEJan Royce Art Gallery,

Cape Town, 2012

406

Esther Mahlangu (South African 1935 - ) UNTITLED INSTALLATION, 2012signed with artist's initials on the frame of the glasses and

the back of the skullacrylic on model skull with sunglassesheight: 16cmPROVENANCEAcquired directly from the artist; 34 Fine Art,

Cape Town

408

Deborah Margaret Bell (South African 1957 - ) GRACE.mixed media on papersigned and dated 2001159,5 by

120cmPROVENANCEEverard Read GalleryDeborah Bell’s work draws on a number of ancient sources such as classical history,

mysticism, and feminine spirituality as well as contemporary South African cul ...[more]

411

The circular white dial with black Roman numerals, calibrated outer ring with Arabic five-minute markers, subsidiary seconds dial at 6

o'clock, the case decorated in relief with a mountainous landscape scene and a mythological mask, the reverse with a monogram, dial

and movement signed LONGINES, cas ...[more]

412

The circular gilt dial with black Roman numerals and engine-turned and chased decoration, the reverse centred with an open cartouche

and enamelled with a garland of flowers and foliage, the case chased with scrolling foliage, numbered 445089, acid tested as 18ct gold,

diameter of case 33,7mm

413

The champagne-coloured circular dial with engine-turned pinstripe decoration and applied gilt Arabic numerals, outer ring calibrated for

24 hours with Arabic numerals, subsidiary seconds dial at 6 o'clock, the cover with pinstripe decoration and oval cartouche with initials

'J.T.', diameter of case ...[more]

414

Reference number YG6708 98421, the oval gold dial with textured mesh pattern and black Roman numerals, the bezel claw set with

twenty-two round brilliant-cut diamonds weighing approximately 1.80cts in total, on an integral mesh bracelet strap with textured finish

and fold-over clasp, the bracelet ap ...[more]

415

Reference number 6917/5092517, the circular gilt dial with black enamelled baton hour markers, outer calibrated ring for seconds,

centred constant seconds hand, magnified date aperture at 3 o'clock, fluted bezel, on an 18ct gold 'President' bracelet with deployant

clasp, diameter of bezel 25mm, acco ...[more]

416The circular silvered dial with gilt hour markers, on an integral mesh strap with fold-over clasp, diameter of case 17,5mm, accompanied

by case and documents

417

Reference number 4183/1, movement number 1 261 988, the rectangular deep blue dial with oval inner surround, on an 18ct gold

openwork strap, impressed Patek Philippe, Geneve, 750, width of dial 25mm, accompanied by a pouch and certificate of identity and

guarantee of origin

418The octagonal gilt dial with black baton quarter-hour markers, on a later brown leather strap with buckle, width of case 32mm,

accompanied by case and documents

419

Reference number 3520/D, movement number 1 171 206, the circular white dial with Roman numerals, hobnail bezel, on a Patek

Philippe leather strap with 18ct gold buckle marked PPCo and impressed 750, the bezel 32mm diameter, accompanied by the original

box and certificate of guarantee

420Reference number 111536, the circular white dial with black Roman numerals, on an integral mesh strap with fold-over clasp, diameter

of case approximately 28mm, recently serviced and sealed by Patek Philippe in their Geneva workshop, accompanied by original case

421

Reference no A13370, the circular charcoal dial with baton hour markers, sweeping seconds hand, calibrated outer ring, date aperture

at 4 o'clock, three subsidiary dials, outer bezel with Roman numerals, on a stainless steel bracelet strap with a fold-over clasp, diameter

of bezel approximately 45mm ...[more]

422

The circular silvered dial with satin finish and applied with gilt Arabic and teardrop hour markers, calibrated outer ring for calendar, two

apertures at 12 o'clock for day and month respectively, centred constant seconds, on a later brown leather strap, diameter of bezel

31mm

423The hexagonal silver dial with baton hour markers, calibrated outer ring, sweeping seconds hand, date aperture at 3 o'clock, on a

stainless steel bracelet, width of case 34mm

424

Reference number 125860, the circular white dial with black Roman numerals, calibrated outer ring, centred seconds hand, date

aperture at 3 o'clock, double bezel, exhibition case back, on a black leather strap with tang buckle clasp, diameter of case approximately

40mm, accompanied by case, booklet ...[more]

425

Reference number CAV511B, the circular white dial with engine-turned decoration and silvered baton hour markers, outer calibrated

ring, date aperture at 6 o'clock, two fan-shaped apertures for rotating constant seconds and rotating chronograph minutes, centred

chronograph seconds hand, the bezel wit ...[more]

426The circular white dial with Roman numerals, calibrated outer ring, subsidiary seconds dial at 6 o'clock, on a later Fixoflex stainless steel

bracelet strap, diameter of case approximately 30mm

427The circular silvered dial with gilt baton numerals, date aperture at 3 o'clock, centred seconds, on a gilt Omega bracelet with deployment

clasp, diameter of case approximately 34mm

431 Weighing 3.01ctsAccompanied by a GIA certificate, no. 2156869222, stating it to be colour H and VS1 clarity.

432 Weighing 2.11ctsAccompanied by a GIA certificate, no. 6222916224, stating it to be colour F and VVS1 clarity.

433 Weighing 1.57ctsAccompanied by a GIA certificate, no. 1189313628, stating it to be colour G and SI2 clarity.

434 Weighing 1.30ctsAccompanied by a GIA certificate, no. 1149330341, stating it to be colour D and IF clarity.

435 Weighing 1.01ctsAccompanied by a GIA certificate, no. 2157488685, stating it to be colour I and VVS1 clarity.

436 Weighing 0.90ctsAccompanied by a GIA certificate, no. 112537676, stating it to be colour D and VVS2 clarity.

437 Of various cuts, colours and clarities, weighing approximately 4.59cts in total(Qty)

438 Weighing 1.33ctsAccompanied by an EGL certificate, no. 2010106556/130832.

439 Weighing 1.40ctsAccompanied by an EGL certificate, no. 201010649/13830.

440 Weighing 2.22ctsAccompanied by an EGL certificate, no. 201010659/130833, stating it to be vivid+/AAA+ saturation.

441 Weighing approximately 2.51cts


443 Weighing approximately 26.0cts in total(2)

444 Various shapes, shades and sizes, weighing approximately 259.0cts in total(Qty)

445 Of various sizes, weighing approximately 0.46cts in total(Qty)

446 Of various sizes, weighing approximately 25.0cts in total(10)


448 Weighing approximately 15.4cts and 15.5cts respectively(2)







455 Weighing approximately 3.419cts; and Another, weighing approximately 11.003cts(2)

461

Designed as a series of tapered half-round links, centred with an 1898 1 Pond gold coin, highlighted with round brilliant-cut diamonds

weighing approximately 0.33cts in total, approximate colour G/H, approximate clarity VS/SI, acid tested as 18ct gold, approximately

39cm in length

462The hollow curb-link chain designed as a series of yellow gold plain links alternating with larger rose gold reeded links, approximately

45cm in length

463

Of quatrefoil design, the central panel enamelled in shades of red, white and black and depicting the Madonna and Child with the

inscription 'MAZER DEI ORA PRO NOBIS', embellished with old-cut diamonds and scrolling decoration, distress, acid tested as 14ct

gold, approximately 4,8cm in length; and A ...[more]

464

Of various designs, including a cameo carved with the portrait of a lady within a twisted-wire and scalloped surround, in 9ct gold,

distress, approximately 4,3cm in length, and a seed-pearl bar brooch, centred with a flowerhead, acid tested as 14ct gold, distress,

approximately 4,4cm in length; and ...[more]

465 1798 George III guinea with scrolling decoration, approximately 3,1cm in length

466

Bezel set to the centre with a rectangular cushion-cut sapphire, the openwork surround embellished with old-cut diamonds, in silver and

18ct gold, distress, approximately 5,6cm in lengthAccompanied by a Coloured Gemstone Report from The Gem Lab, no. VL20103369,

stating that the sapphire has an estim ...[more]

467Claw set to the centre with a row of five old-cut diamonds, graduated in size, weighing approximately 0.90cts in total, acid tested as 18ct

gold, distress, repairs, ring size I1/2

468Centred with a line of five round brilliant-cut diamonds weighing approximately 0.19cts in total, colour range G/H, clarity range VS/SI,

and a line of five round mixed-cut sapphires weighing approximately 0.3cts in total, in 18ct gold, ring size T

469

Each designed as a 1894 1/2 Pond gold coin attached by a chain link to a convex oval plaque engraved with a monogram, the plaques

acid tested as 14ct gold; and A Miscellaneous Group of Four Dress Studs, comprising: a pair of mother-of-pearl and plated metal, one of

rolled gold and one of 18ct gold, ...[more]

470Each surmount designed as a ribbon bow and embellished with single- and senaille-cut diamonds, suspending a pear-shaped pearl,

with post-and-latch fittings, in 18ct gold, approximately 3cm in length(2)

471Of crescent design, pavé set with a row of round mixed-cut blue gems, probably sapphires, and old- and senaille-cut diamonds, in 9ct

gold (acid tested) and silver, approximately 3,5cm in length

472Of various designs, including an emerald-cut citrine and 14ct gold ring, distress, ring size N, and a fancy-cut citrine and 14ct gold ring,

distress, ring size Q(4)

473Centred with a square plaque with rounded corners embellished with millegrain-set old-cut diamonds weighing approximately 0.80cts in

total, and bead-set senaille-cut diamonds, acid tested as 18ct gold, ring size N1/2

474

In the Egyptian-revival style, centred with a carved scarab, probably turquoise, enclosed within a surround of entwined snakes and lotus

flowers and embellished with a round brilliant-cut diamond weighing approximately 0.037cts, acid tested as 14ct gold, approximately

3,4cm in width

475Designed as an openwork flowerhead, claw set to the centre with a round brilliant-cut diamond weighing approximately 0.18cts,

approximate colour H/I, approximate clarity VS/SI, in 9ct gold, ring size M

476

Of teardrop design, centred with a domed motif pavé set with round brilliant-cut diamonds weighing approximately 0.53cts in total,

approximate colour F-H, approximate clarity VS/SI, impressed UK, in 18ct gold, approximately 2,5cm in length; and An 18ct Gold Chain

Choker Necklace, approximately 38cm ...[more]

477

The broad tapered band bezel set to the centre with an oval mixed-cut ruby weighing approximately 0.88cts, the shoulders pavé set with

round brilliant-cut diamonds weighing approximately 0.76cts in total, approximate colour F-H, approximate clarity VS/SI, impressed UK,

in 18ct gold, ring size H

478

The tapered, domed band bezel set to the centre with a round mixed-cut pink tourmaline weighing approximately 1.65cts, the shoulders

pavé set with round brilliant-cut diamonds weighing approximately 0.85cts in total, approximate colour H/I, approximate clarity VS/SI,

partially impressed UK, in 18ct ...[more]

479Designed as a two-tone band, channel set to the centre with a row of princess-cut diamonds weighing approximately 0.49cts in total,

approximate colour G-I, approximately clarity VS/SI, impressed UK, in 18ct gold, ring size L

480 One designed as a broad band with impressed diagonal pattern, the other a half-round band, each ring size M(2)

481Composed of two crossed bones, embellished with an oval mixed-cut tanzanite weighing approximately 3.34cts and a line of four round

brilliant-cut diamonds, graduated in size, weighing approximately 0.21cts in total, acid tested as 18ct gold, approximately 9,8cm in length

482

Composed of a single strand of forty-six pearls, each slightly off-round and approximately 8,5cm in diameter, four interchangeable

clasps/pendants variously embellished with diamonds and semi-precious gems, in 18ct gold, approximately 44,5 to 46,5cm in length

(depending on the clasp)

483

Centred with a rectangular motif with asymmetric 'molten' design, embellished with bezel and pavé set round brilliant-cut yellow, brown

and near-colourless diamonds weighing approximately 1.28cts in total, impressed UK, in 18ct, 14ct and 9ct gold, approximately 40cm in

length

484Centred with a row of five round mixed-cut pink tourmalines alternating with pairs of round brilliant-cut diamonds weighing approximately

0.40cts in total, impressed UK, in 18ct gold, ring size L1/2

485Designed as a continuous series of elongated, tapered links, numbered 175, impressed GEORG JENSEN, 925 S, DENMARK,

approximately 92cm in length

486Of oval form, designed as a tapered bar with enlarged terminals, numbered 215, impressed GEORG JENSEN, DENMARK AND 925 S,

inner width approximately 6,1cm

487Of oval form, designed as a tapered bar with enlarged terminals, numbered 150, impressed GEORG JENSEN, DENMARK AND 925 S,

inner width approximately 6cm

488 Of asymmetric abstract design, numbered 1325, impressed GEORG JENSEN, 18K and 750, approximately 5,7cm in length

489 Of sculptural design with concave oval motif to the top, numbered 149, impressed GEORG JENSEN, 925 S, DENMARK, ring size I

490 Of asymmetric design, numbered 175, impressed designer's mark, GEORG JENSEN, 925 S, DENMARK, ring size K1/2

491 Of asymmetric design, numbered 140, impressed GEORG JENSEN, 925 S, DENMARK, ring size K3/4

492Of circular form with tapering profile, numbered 168, impressed GEORG JENSEN, DENMARK AND 925 S, inner diameter

approximately 6,3cm

493Of circular form with asymmetrical concave profile, numbered 142A, impressed GEORG JENSEN, DENMARK and 925 S, inner

diameter approximately 6,2cm

494Of oval form, the tapered undulating band with tension closure, numbered 927, impressed GEORG JENSEN, TORUN, 18K and 750,

inner width approximately 6cm

495 'Möbius' design, numbered 900, impressed GEORG JENSEN, TORUN, 18K and 750, ring size H

496Of circular form, rope-twist design, numbered 17B, impressed GEORG JENSEN, DENMARK and 925 S, inner diameter approximately

6,3cm

497The tapered concave band bezel set to the centre with a round cabochon blue gem, numbered 1124, impressed GEORG JENSEN,

DENMARK, 18K and 750, ring size L

498

'Dewdrop' design, one terminal bezel set with a cabochon gem, probably moonstone, numbered 152, impressed GEORG JENSEN,

TORUN, DENMARK and 925 S, ring size G; A Gem-set Ring, impressed 925 and 9ct, ring size I; and A Silver Ring, Possibly Arne

Johansen, impressed AJ and 925S, ring size L(3)

499Bezel to the centre with a large oval cabochon gem, possibly moss agate, numbered 19, impressed BENT K, DENMARK, STERLING,

ring size I

500

In the form of a four-petaled flower, signed Rougie, impressed maker's mark, STERLING and DENMARK, approximately 7,4cm in

length; Another, of floral design, impressed maker's mark, STERLING and DENMARK, approximately 8,2cm in length; and A Silver

Brooch, of circular form, impressed LMR and 900, appr ...[more]

501 Centred with a round fancy-cut white gem, possibly topaz, impressed maker's mark HaH and 585, in 14ct gold, ring size K

502

Comprising: a pendant numbered 8, a ring numbered 14 and a pair of cufflinks numbered 7, each impressed P. Bis., STERLING,

DENMARK and HANDMADE, the pendant approximately 7cm in length; and A Silver Snake-link Chain Necklace, approximately 41cm in

length(5)

503Designed as a series of forged bar links joined by oval links, with toggle clasp, impressed P. BIS and STERLING, approximately 65cm in

length; and A Silver Fancy-link Chain Necklace by Sheasby Quinton Silver, approximately 65,5cm in length(2)

504

Each designed as a rectangular panel centred with navette-shaped orange glass cabochons, the ear clips with screw-on fittings, the

earrings numbered 230, the pendant numbered 230A, each impressed Jorgen Jensen, DENMARK and PEWTER, the pendant

approximately 6cm in length; and A Silver Wire Torc Neckl ...[more]

505 Bezel set with a trilliant-cut tanzanite weighing approximately 0.52cts, in white metal, approximately 6,4cm in length

506Each of abstract design, with clip fittings, in 9ct gold, approximately 2,4cm in length; and A Pair of 14ct Rolled Gold and Gilt Pendant Ear

Clips, approximately 3,6cm in length(4)

507 Each of organic design, screw-on fittings, with Israeli hallmarks, approximately 5,7cm(2)

508 Each claw set with a round brilliant-cut diamonds weighing approximately 0.44cts in total, in 9ct gold, with clear rubber butterflies(2)

509Claw set to the centre with a round brilliant-cut diamond weighing approximately 0.49cts, colour range G/H, clarity range SI, the

shoulders embellished with round brilliant-cut diamonds weighing approximately 0.25cts in total, in 18ct gold, ring size K

510Composed of a single strand of fifty-six pearls, approximately 6.0 to 6.5mm in diameter, with a 14ct gold ball clasp; and A Pair of Pearl

Ear Studs, approximately 8,8mm diameter, in 14ct gold, with yellow metal and clear plastic butterflies(3)

511

Channel set to the centre with seven round brilliant-cut diamonds weighing approximately 0.30cts in total, approximate colour G/H,

approximate clarity VS/SI, enclosed between borders of micro-claw set round-cut black diamonds weighing approximately 0.21cts in

total, in 18ct gold, ring size K1/2

512Approximately 7,0mm in width, distress, inner width approximately 6,5cm; and Another, approximately 3,3mm in width, repairs, distress,

acid tested as 9ct gold, inner width approximately 6,3cm(2)

513 In the form of a buckled belt, distress, acid tested as 18ct gold, ring size K

514Designed as a series of nine oval plaques, graduated in size, each bezel set with gemstone slabs, probably moss opal, and enclosed

within twisted-wire surrounds, acid tested as 14ct gold, approximately 20cm in length

515Designed as three strands of pearls, each approximately 7.5mm diameter, interspersed at regular intervals with ribbed spacers, acid

tested as 14ct gold, approximately 39cm in length

516The broad tapered band bezel set to the centre with a round mixed-cut sapphire weighing approximately 0.89cts, the shoulders with

pierced lattice design embellished with round brilliant-cut diamonds weighing approximately 0.24cts in total, in 18ct gold, ring size O1/2

517 The nine-bar gate-link chain suspending a frame enclosing a 1914 half sovereign, approximately 20cm in length

518Of swirling asymmetrical design, bezel and pavé set with oval mixed-cut sapphires and rubies, embellished with old-cut and round

brilliant-cut diamonds, in 18ct gold, ring size J1/2

519Of looping ribbon design, pavé set with oval and round mixed-cut rubies and embellished with round brilliant-cut and single-cut

diamonds, in 18ct gold, ring size approximately O/P

520 Of bombé design, claw set to the centre with round mixed-cut garnets, acid tested as 9ct gold, ring size N

521Oval, the broad band chased to the centre with scrolling foliage, impressed 9CT GOLD METAL CORED, inner width approximately

6,2cm

522Centred with an 1892 ZAR 2 Shilling coin, with two-tone bale, impressed UK, in 18ct gold, approximately 4,1cm in length; and A Gold

Rope-twist Chain Necklace, acid tested as 18ct gold, clasp impressed 375, approximately 39,5cm in length(2)

523The tapered, domed band centred with a panel of pavé set round brilliant-cut diamonds weighing approximately 0.46cts in total and

round mixed-cut rubies, impressed UK, in 18ct gold, ring size L

524 One 1898 ZAR 1 Pond, the other 1894 ZAR 1/2 Pond, each with jump ring attached(2)

525Comprising: a 9ct gold ring in the form of a belt, a 9ct gold chain bracelet and a tiger's eye brooch, acid tested as 9ct gold, the brooch

approximately 4cm in length(3)

526Centred with a ZAR 1898 1 Pond coin, highlighted with three round brilliant-cut diamonds weighing approximately 0.15cts in total,

impressed UK, in 18ct gold, approximately 3,6cm in length

527

Designed as a stylised floral spray with three domed spiral motifs composed of coiled wire and embellished with ninety round brilliant-cut

diamonds, in sizes, weighing approximately 8.00cts in total, approximate colour E-G, approximate clarity VS/SI, numbered 85589,

signed VAN CLEEF & ARPELS and eng ...[more]

528Claw set to the centre with a round brilliant-cut diamond weighing approximately 6.68cts, flanked on each side by three marquise-cut

diamonds weighing approximately 0.25cts in total, in 18ct gold, ring size K

529Claw set to the centre with a round brilliant-cut diamond weighing approximately 0.35cts, surrounded by eight marquise-cut and ten

baguette-cut diamonds weighing approximately 1.80cts in total, staggered in height across the finger, in 18ct gold, ring size J

530Composed of flattened curb-link chain, impressed 750/18k, gross weight approximately 42.6g, approximately 8mm wide and 43cm in

length

532Of 'trilogy' design, set with two hundred and thirteen round brilliant-cut diamonds, graduated in size, weighing approximately 24.35cts in

total, approximate colour E-G, approximate clarity VVS, in 18ct gold, the necklace approximately 45cm in length(3)

533Of symmetrical scrolling design, claw and pavé set with two hundred and ninety-five round brilliant-cut diamonds weighing

approximately 12.07cts in total, approximate colour E-G, approximate clarity VS/SI, in platinum, approximately 5cm in length

534

Claw set to the centre with a round brilliant-cut natural fancy-yellow diamond weighing 1.36cts, the surround and shoulders embellished

with round brilliant-cut diamonds weighing approximately 0.44cts in total, approximate colour G-H, approximate clarity VS/SI, in 18ct

gold, ring size L/MThe central ...[more]

535Each claw set with a round brilliant-cut diamond weighing 0.301cts and 0.33cts respectively, in 18ct goldThe diamonds accompanied by

GIA certificates, numbered 611971165 and 21561201050, stating that both are colour E and VS1 clarity.(2)

536Claw set to the centre with a princess-cut diamond weighing 1.06cts, in platinum, ring size LThe diamond accompanied by a GIA

certificate, no. 6167525460C, stating it to be colour F and VVS1 clarity.

537Claw set with one hundred and thirty-one round brilliant-cut diamonds weighing approximately 11.25cts in total, approximate colour E-G,

approximate clarity VS/SI, in 18ct gold, approximately 45cm in length

538Each of crossover design, pavé set with five hundred and twenty round brilliant-cut diamonds weighing approximately 5.05cts in total,

approximate colour F-H, approximate clarity VS/SI, with post-and-clip fittings, in 18ct gold(2)

539Designed as a series of thirty-nine circular links each bezel set with a round brilliant-cut diamond, graduated in size, weighing

approximately 6.50cts in total, approximate colour E-G, approximate clarity VS/SI, in platinum, approximately 18cm in length

540Claw set with fifty-seven round brilliant-cut diamonds weighing approximately 5.90cts in total, approximate colour E-G, approximate

clarity VS/SI, in 18ct gold, approximately 18cm in length

541Claw set to the centre with a round brilliant-cut diamond weighing approximately 1.50cts, approximate colour K/L, approximate clarity

SI2/3, in 18ct gold, ring size M

542

Of stylised bow design, centred with a round mixed-cut ruby weighing approximately 1.23cts, embellished with bezel and pavé-set round

brilliant-cut diamonds weighing approximately 4.03cts in total, approximate colour E-G, approximate clarity VS/SI, in platinum,


543Designed as a spray of ribbons, embellished with round brilliant and baguette-cut diamonds weighing approximately 2.02cts in total,

approximate colour E-G, approximate clarity VS/SI, in platinum, approximately 4cm in length

544Bezel set with forty-eight round brilliant-cut diamonds, graduated in size, weighing approximately 4.80cts in total, approximate colour E-

G, approximate clarity VS/SI, in 18ct gold, approximately 18cm in length

545The openwork panel of geometric design, claw set with three round mixed-cut garnets, embellished with diamonds, in platinum,


546Pavé set to the centre with three hundred and nine round brilliant-cut diamonds weighing approximately 7.50cts in total, approximate

colour G-I, approximate clarity VS/SI, in 18ct gold

547Claw set with one hundred and nine princess-cut diamonds weighing approximately 9.01cts in total, approximate colour F/G,


548

Claw set to the centre with a heart-shaped mixed-cut tanzanite weighing 5.88cts, embellished by thirty-nine round brilliant-cut diamonds

weighing approximately 0.50cts in total, approximate colour F-H, approximate colour VS/SI, in 18ct gold, on a chain necklace,

approximately 45cm in lengthThe tanza ...[more]

549Each of waterfall design, set with forty-four princess-cut diamonds weighing approximately 2.70cts in total, approximate colour G/H,

approximate clarity VS/SI, in 18ct gold, approximately 6,5cm in length(2)

550

Claw set to the centre with a radiant-cut diamond weighing 2.33cts, the conforming surround and shoulders embellished with forty-four

round brilliant-cut diamonds weighing approximately 0.68cts in total, approximate colour F-H, approximate clarity VS/SI, in 18ct gold,

ring size L/MThe central diamon ...[more]

551Pavé set to the centre with a row of round brilliant-cut diamonds weighing approximately 2.02cts in total, approximate colour H-J,

approximate clarity VS/SI, in 18ct gold, approximately 17,5cm in length

552Claw set with forty-three princess-cut diamonds weighing approximately 3.00cts in total, approximate colour F/G, approximate clarity

VS/SI, in 18ct gold, approximately 18cm in length

553

Bezel set to the centre with a pear-shaped diamond weighing approximately 0.70cts, the conforming surround embellished with eleven

round brilliant-cut diamonds weighing approximately 0.50cts in total, approximate colour G/H, approximate clarity VS/SI, in 18ct gold,

with a chain necklace, approximate ...[more]

554Each designed as an articulated line of four flowerhead clusters, claw set throughout with round brilliant-cut diamonds weighing

approximately 6.22cts in total, approximate colour G/H, approximate clarity VS/SI, in 18ct rose gold, approximately 5cm in length(2)

555

Claw set to the centre with an oval mixed-cut tanzanite weighing 7.95cts, the conforming surround and bale embellished with round

brilliant-cut diamonds weighing approximately 0.50cts in total, approximate colour G-I, approximate clarity VS/SI, in 18ct gold, on a chain

necklace, approximately 45cm i ...[more]

556

Each surmount claw set to the centre with a round mixed-cut ruby enclosed within a conforming surround of round brilliant-cut

diamonds, suspending a pear-shaped mixed-cut ruby enclosed within a similar surround, total weight of the four rubies approximately

7.38cts, total diamond weight approximatel ...[more]

557

Claw set to the centre with a lozenge-cut sapphire weighing approximately 1.20cts, the teardrop-shaped surround embellished with

round brilliant-cut diamonds weighing approximately 2.50cts in total, approximate colour F-H, approximate clarity VS/SI, in 18ct gold, on

a chain necklace, approximately 4 ...[more]

558

Claw set with a pear-shaped mixed-cut emerald weighing approximately 3.22cts, the conforming surround claw set with round brilliant-

cut diamonds, the bale with a trilliant-cut diamond, total diamond weight approximately 1.40cts, approximate colour G/H, approximate

clarity VS/SI, in 18K gold, suspend ...[more]

559

Claw set to the centre with a round brilliant-cut violet-greenish-blue sapphire weighing 2.02cts, the conforming surround, bezel and

shoulders embellished with round brilliant-cut diamonds weighing approximately 1.25cts in total, approximate colour F/G, approximate

clarity VS/SI, in 18ct gold, ring ...[more]

560Designed as a series of geometric motifs, pavé set with round brilliant-cut diamonds weighing approximately 1.25cts in total,

approximate colour E-G, approximate clarity VS/SI, in 18ct gold, approximately 18cm in length

561

Centred with a marquise-cut diamond weighing approximately 0.34cts, approximate colour L, approximate clarity VVS2, the conforming

surround embellished with round brilliant-cut diamonds weighing approximately 0.46cts in total, approximate colour G/H, approximate

clarity VS/SI, in 18ct gold, on a cha ...[more]

562Designed as a flowerhead cluster, claw set to the centre with a round mixed-cut ruby surrounded by twelve natural fancy-yellow

diamonds weighing approximately 1.01cts in total, in 18ct gold, on a 9ct gold chain, approximately 45cm in length

563Each claw set with a round brilliant-cut diamonds weighing approximately 0.60cts in total, approximate colour H-J, approximate clarity

VS/SI, in 9ct gold(2)

564Claw set to the centre with a marquise-cut diamond weighing 0.48cts, in platinum, ring size L/MThe diamond accompanied by an IDL

certificate, no. 12021028, stating it to be colour I and VS2 clarity.

565Claw set to the centre with a row of seven kite-shaped diamonds weighing approximately 1.01cts in total, approximate colour F/G,


566 Claw set to the centre with three round mixed-cut amethysts weighing approximately 1.80cts in total, in platinum, ring size L/M

567 Composed of semi-baroque pearls, graduated in size from approximately 10 to 15mm in diameter, with an 18ct gold clasp

568Designed as a half-moon motif pavé set with eight round brilliant-cut diamonds and three baguette-cut emeralds, centred with a bezel-

set, heart-shaped emerald, in 18ct gold, ring size L/M

569 Centred with the initial P, in 9ct gold, approximately 6cm in length

570 Bezel set to the centre with a natural gemstone, in 9ct gold, with safety chain, approximately 4cm in length

571 With heart-shaped clasp and safety chain, approximately 18cm in length

572Designed as a geometric panel claw set with three round mixed-cut rhodolites and embellished with diamonds, in platinum,


581 The tapering form with stopper under a pale green glaze30cm high

582 Under a pale green glaze, painted mark34,3cm diameter

583 One under a yellow glaze, the other three with typical mottled green glaze(4)

584 Under a deep mottled green glaze, impressed transitional mark21cm high

585 And a side plate, all under a deep mottled green glaze(3)larger bowl: 18cm diameter

586 Under a pale green glaze, painted mark42cm diameter

587 Under a mushroom-coloured glazeplate 26,5cm diameter

588 In various shades of green largest: 11cm diameter

589 In various shades of blue largest: 15cm diameter

590Comprising: 3 dinner plates with line-drawn animal motifs, a decorative plate with impressed leaf motif and 3 small shaped dishes with

painted abstract leaf motifs, painted factory marks(6)largest plate: 26,5cm diameter

591 Earthenware with a white glaze, painted markthe taller: 15cm high

592 And A Small Kalahari Dish, both with rock art motifs, painted mark(2)Plaque: 35cm long

593 The ovoid form under a sage green glaze and applied with three handles, impressed mark24cm high

594 Under a sage green glaze with moss-coloured striations, impressed mark 21cm high

595The square body applied to opposing sides and neck with splashes of pale glaze against a dark brown ground, signed with the artist's

initials21,5cm high

596 The body with a single flowing incised line under an reduction oil-spot glaze, impressed maker's mark to the foot15cm high

597 With abstract motif, unsigned24,5cm high

598 With opposing lug handles at the neck, glazed in the Anglo-Oriental tradition 23,5cm high

599With eight faceted sides rising from a circular base, all under a mottled brown glaze, each alternating facet with raised abstract motif,

unsigned 21,5cm high

600 Hexagonal, raised on a circular foot 11,5cm high

601 With abstract sgraffito pattern, cobalt glaze, sgraffito signature and GT16010cm high

602 Impressed mark25cm diameter

603 With cobalt and iron oxide leaf and cross-hatch decoration 15cm diameter

604 16cm diameter

605Painted with stylised flowers, leaves and guineafowl, the rim applied with four stylised guineafowl head, signed P.T.D BY PROMISE,

ARDMORE STUDIO '947,5cm high

606

The raised oval form centrally painted with a stylised lily on a yellow ground, the foliate rim painted with stylised floral motif and applied

with four chameleon, their tails forming the opposing handles, painted MADE BY SBUSISO P.T.D BY THEMBI ARDMORE STUDIO 'a'

THE 31 APRIL 201738cm over the han ...[more]

607 Hand-coiled, pit-fired and embellished with a single row of amasumpa above a band of incised half-moons12,5cm high

608 With two-tone diamond pattern 33cm high, diameter approximately 40cm

609 3

610 Diameter approximately 40cm

611 The taller: 16,5cm high

612 largest: 21cm diameter

613 41,5 cm high; and Another, similar, 34,7cm high(2)

614 Of various shape and size, some discolouration Tallest: 14,5cm

615 Of various shape and size, some discolourationtallest: 14cm high

616 Of various shape and size tallest: 15cm high

617Raised on tri claw feet, the bulbous body hand painted to opposing sides with floral sprays, gilt highlights, with inner and reticulated

covers, green factory mark, circa 190919cm high including cover

618 With silver-metal mount and cover, swing handle, impressed mark18cm high

619 Fritting, chips to the corners 15cm square

620 With green dragons amidst scrolling clouds, all on a pale green ground, printed factory mark and artist's signature24,6cm diameter

621 And A Crown Devon Vase with opposing asymmetrical handles, printed markPitcher: 23,5cm high

622 In the form of a nautilus, printed factory mark 30cm long

623 Impressed mark15,5cm high

624 Together with three beer mugs, printed factory marksDish: 24cm diameter

625

Comprising: 12 dinner plates, 10 fish plates, 12 soup coupes and 12 saucers, 24 side plates, 11 breakfast bowls, 7 dessert bowls, 13

salad crescents, 6 platters, in sizes, 3 square serving dishes and covers, 1 extra cover, 2 sauce boats and saucers, a teapot, a coffee

pot, 15 tea cups, 21 saucers, 7 ...[more]

626

Comprising: 12 dinner plates, 12 soup plates, 12 side plates, 12 dessert bowls, 2 shaped oval platters, in sizes, a large oval serving dish

and cover, a circular serving dish and cover, 2 serving bowls, in sizes, a sauce boat with integral saucer, excellent overall condition

(57)larger platter: 43cm ...[more]

627Comprising: a teapot, 12 cups, 12 saucers, 12 cake plates, a milk jug and a sugar bowl and cover, excellent overall condition (39)teapot:

17,5cm high

628Comprising: 8 dinner plates, 8 fish plates, 8 soup cups and 8 saucers, 8 dessert bowls, a butter dish and cover, and 2 salts, excellent

condition overall(44)

629Oval, in sizes, decorated to the edge with pale yellow and pink flowers, the rim with tiny roses, gilt highlights, green Haviland factory

stamp and red Whiteley retailers markthe larger: 42cm long

631 Painted over six tiles, hairline cracks, In later wood frame22,5 by 36cm excluding frame

632Centrally painted with flowers issuing from rockwork, the foliate rim with alternating floral motifs, painted Delft Blauw Holland

5110/4040,7cm wide

633 Hand-painted with a pheasant amongst foliage, set in wooden frame, perfect working order28cm square inclusive

634 Stoneware, marked UE SWEDEN 1018 ALT26cm high

635 22,8cm high; And Two Lindshammar Hooped Vases

636 Designed by Tamara Aladin and Aimo OkkelinThe tallest: 25cm high

637 12,5cm high; and A Turquoise Bottle Vase with stopper, 19,5cm high; and A Yellow Vase with blue inclusions, 20cm high

638 1

639 The square-form clear glass base rising to a shaped rim31,2cm high

640 With small hole near base to one side for electrical flex, not fitted for electricity23,5cm high

641 16cm high; And A Holmegaard 'Ghost' Figure designed by Ole Winther, 1961figure: 19,3cm high

642 And another, similar, without a stoppertaller: 30,5cm high

643 Tallest: 25cm

644 Signed 33cm high

645 And A Kings Lynn Wedgwood Candleholder by Ronald Stemmet-Willson, and another glass vaseTallest: 24cm high

646 And another amber glass vaseTallest: 18cm high

647 18cm high

648 In shades of brown, indecipherable signature and dated 94 39cm high

649 With ribbed body and everted rim17,5cm high

650 Of elegant tapering form with elongated neck, label31cm high

651 Faceted body, original paper label 'Made in Sweden'14,5cm high

652 largest: 15cm diameter

653 Signed, in original box9,5cm high

654One of square-form in clear glass, the other of blue glass, both signed, the taller 18,5cm high; and Another Clear Glass Vase, of

triangular form, indecipherable mark, 20,5cm high

655 16,5cm high

656 Comprising: 8 red wine, 8 white wine and 7 sherry; and 12 assorted liqueur glasses

657 With elongated twist stems issuing from a circular base, the candle cups in white glass the taller: 46cm high

658 With blue striations, indecipherable maker's mark23,5cm high

659Marcilhac Number 904, clear, frosted, opalescent and blue stained, of tapering cylindrical form with everted rim, moulded in relief with

pairs of budgerigars amid stylised foliage, wheel cut R.LALIQUE FRANCE mark24cm high

660 Scratches to the base20cm diameter

661The tapering cylindrical clear glass body with engraved floral motif, with floral repousse spout and cast handle with grape and vine motif,

impressed maker's mark 28,5cm high

662By Wolfgang Gawantka, raised on circular wood base, limited edition number 2363 of 7500, with certificate and original box23,5cm

including stand

663 Depicting a semi-nude maiden with a white dove in her hands, a garland of flowers in her hair45cm high

664 Depicting an almost-nude maiden crouching with arms outstretched, setting a white dove to flight56cm high

665 Her serene face turned slightly to the right, her long plaited hair caught to the back with a floral tie, losses, cracks, restoration 60cm high

666 The scantily clad figure with long flowing hair standing with each hand tied to a tree behind her, a ram's horn at her feet73cm high

667

Oil on wood, the Virginâ€™s demure face with a gentle smile and downcast eyes above a lace collar, her hair covered with two veils

surmounted by an elaborate crown, a bejewelled crimson robe of conical shape concealing her arms, the swaddled Christ child similarly

depicted, wear commensurate with ag ...[more]

668

Standing, dressed in a blue brocade robe beneath a tasselled pink stole decorated with pectoral crosses, his left hand clasping a crosier

surmounted by two confronting serpents, his right-hand holding a cross, his pensive face framed by locks of grey hair beneath a domed

brocade mitre, the top left ...[more]

669 Suspended on a link chain 16,5cm long, excluding chain

670Bronze with gilt, raised on a marble plinth base, signed J.L. GEROME, numbered E65 and stamped SIOT.DECAUVILLE FONDEUR

PARIS35,4cm high

671The finely modelled figure of a young man standing sowing seeds, indecipherable signature, raised on a shallow marble base58cm high

excluding the base

672

Raised on three splayed feet, the melon-shaped body applied with birds amongst magnolia, azalea and tree peony blooms within a

rocky landscape, the wide neck cast with swirling clouds divided by foliate cartouches, all surmounted by Reishi-shaped lappets, the

shoulder applied with a pair of shaped h ...[more]

673

Perched with large talons gripping a shaped rock above foaming waves, the wings spread wide, the feathers realistically cast and

incised, signed in seal form to the underside ''Seiya Sakuâ", the bronze with a dark brown patina, amber eyes, the eagle and rockwork

separately cast, age wear 59cm high

674

The rectangular box applied with two hinged lids each enclosing a compartment above three drawers, the blackr-iroground decorated

with various lacquering techniques to include hiramaki-e and takamaki-e in lustrous gold, the lid decorated with four figures within a

moonlit landscape amongst large ...[more]

675Stoutly potted of upright ovoid form, applied with a translucent ivory glaze over white slip and painted in brown with abstract foliage and

calligraphy, the shoulder with numerous spur marks, age wear, rim chip 63,5cm high

676The elongated cylindrical body rising to a rounded shoulder with a flaring mouth, covered throughout in a deep ivory-glaze with a

network of fine crackles, later metal stands, minor age wear, discolouration, drilled(2)20cm high excluding stand

677Standing above waves issuing lotus blooms, the slender figure clad in billowing robes with pendant jewels suspended around her neck,

her demure face with the eyes downcast, all beneath a high chignon, her left hand clasping a lotus flower and large leaf51,8cm high

678

Each seated on a rectangular base, the eyes picked out in black beneath a heavy mane, the snarling mouth exposing the teeth, the

neck fitted with a collar suspending a bell and tassels, the male playing with a ball, the female tending her cub the taller 30cm high

PROVENANCE Basil Brady Collection

679

Each seated on a shaped rectangular plinth, the bulbous eyes under a curling brow and mane, the mouth open exposing the tongue and

teeth, the body fitted with bells and trappings, the male with his left paw resting on a brocade ball, the female with her cub under her

right paw the taller 35,6 cm hig ...[more]

680

NOT SUITABLE FOR EXPORTStanding with his right foot raised on a rock behind foaming waves, an intricately carved fishing net flung

across his left arm while clasping it with the right hand, his informal robes incised with rondels and diaper patterns, his mature face with

contemplative expression gaz ...[more]

681NOT SUITABLE FOR EXPORTLying on his stomach supporting his chin with the left hand above a rectangular pillow, clad in a long

robe incised with geometric patterns, minor age wear 8,6cm longPROVENANCE Basil Brady Collection

682 NOT SUITABLE FOR EXPORTNaturalistically carved as an apple on a gnarled branch, minor age wear, minor discolouration4,3cm high

683

Dressed in official attire, his hands concealed within the sleeves of his voluminous robe, the white robe falling to numerous pleats under

a pink and grey coat, the detachable head with a pensive face beneath a shaped hat decorated with yin-yang emblems, pigment loss,

wear commensurate with age, ret ...[more]

684

Standing with his left hand placed on the hip, dressed in a short formal tunic tied around the waist with a long belt, the detachable head

with an expressive face beneath a tall iron-red hat, raised on a shaped rectangular plinth, pigment loss, wear commensurate with age,

soiling, calcification33,2c ...[more]

685 Each rectangular panel painted with a multitude of colourful butterflies swirling in flight, laid down on cardframed 94 by 33cm

686

NOT SUITABLE FOR EXPORTThe well-hollowed rounded pebble of purplish-brown tone attractively marked with swirling bands of

greyish-white, fitted with a shaped jadeite stopper, ivory spoon5,5cm high including stopperPROVENANCE Acquired Amsterdam 1968,

thence by descent

687

NOT SUITABLE FOR EXPORTThe compressed ovoid body rising to a slender neck, the brownish-grey stone with black swirls, the

domed stopper with a white-metal collar, ivory spoon6,7cm high including stopperPROVENANCEAcquired Johannesburg 1970, thence

by descent

688

NOT SUITABLE FOR EXPORTThe flattened body carved with a bird perched on a blossoming prunus branch, the reverse with a

Lingzhi growing from a rock, the ivory-white stone with good play of colour, white opal stopper, ivory spoon5,8cm high including

stopperPROVENANCE Acquired Edinburgh 1972, thence by ...[more]

689

NOT SUITABLE FOR EXPORTThe compressed globular body rising from an oval foot to a slight flaring neck, the stone of an even

greenish-blue tone with a fine network of black veins, fitted with a bell-shaped stopper, ivory spoon4,4cm highPROVENANCE Acquired

London 1970, thence by descent

690

NOT SUITABLE FOR EXPORTThe flattened baluster body raised on a prominent foot, the front engraved with two songbirds perched

on a blossoming branch, inscribed: wealth, honour and longevity, signed Baifang, ivory stopper, the collar stained green, ivory

spoon6cm high including stopperPROVENANCE Acqui ...[more]

691The flattened body carved with three vertical grooves, associated vinyl stopper5,4cm high including stopperPROVENANCE Acquired

Johannesburg 1971, thence by descent

692

NOT SUITABLE FOR EXPORTOf archaistic form, the carapace and folded wings incised, the underside with legs tucked under the

thorax and the abdomen carved with notched ridges, the mouth open below bulging eyes, green hardstone stopper, ivory spoon6,3cm

high including stopperPROVENANCE Acquired Mauriti ...[more]

693

NOT SUITABLE FOR EXPORTThe compressed globular body carved with Shou-Lao and a recumbent deer under a fruiting peach tree,

the reverse carved with a large tree peony, the stone of deep caramel tone, emerald green glass stopper, ivory spoon5,9cm high

including stopper

694The flattened body raised on a low oval foot, the deep purple stone with natural inclusions and fissures, green hardstone stopper, black

vinyl collar, bamboo spoon5,9cm high including stopperPROVENANCE Acquired London 1970, thence by descent

695NOT SUITABLE FOR EXPORTThe compressed globular body rising to a short flaring neck, the celadon stone with minor inclusions,

ivory stopper, wooden spoon5,7cm high including stopper

696NOT SUITABLE FOR EXPORTThe compressed globular body carved with a X-pattern band, the deep blue stone with a white inclusion

at the foot, carved coral stopper with green glass collar, ivory spoon5,6cm high including stopper

697NOT SUITABLE FOR EXPORTThe rectangular body raised on a conforming foot, the stone of deep toffee tone with minor inclusions,

chalcedony stopper, ivory spoon, old BADA label5,7cm high including stopper

698NOT SUITABLE FOR EXPORTThe globular body mounted with gilt-metal filigree, each shoulder with two turquoise cabochons, the

stone of even celadon-grey tone, the domed coral stopper suspending a stained ivory spoon5,6cm high including stopper

699NOT SUITABLE FOR EXPORTThe ovoid body carved to the front with a bat hovering above a Lingzhi growing from a rock, fitted with a

green hardstone stopper, spoon lacking5,1cm high including stopper

700

NOT SUITABLE FOR EXPORTCarved to the front with large rocks before a sailboat amongst crashing waves under a band of

calligraphy reading: "safe voyage with a tail wind", the ivory coloured stone with russet inclusions, the coral stopper carved as a flower

bud, spoon lacking6,6cm high including stopp ...[more]

701Each bulbous body painted in a traditional iron-red and cobalt-blue palette with gilt highlights, fitted with metal mounts, minor age wear,

tarnishing19,7cm high

702

The standing figure gazing to her right with her left arm raised, her demure face under a high chignon decorated with a rectangular

hairpin, Kanzashi, her cobalt-blue kimono decorated with fan-shaped cartouches interspersed with prunus blossoms and bamboo, the

red and green brocade obi tied into an ...[more]

703Each cylindrical vase decorated with two cartouches applied with two maidens dressed in flowing kimonos before a baluster fence

beneath a blossoming prunus tree, all reserved on a floral ground, minor age wear, 32cm highPROVENANCE Basil Brady Collection

704

Each ovoid body with a raised fillet around the shoulder terminating into a flared neck, decorated with two large cartouches painted with

a pair of birds perched atop a gnarled pine tree, two smaller cartouches painted with phoenix in flight, all reserved on a dense brocade

and chrysanthemum ground, ...[more]

705Painted and gilded with floral cartouches in a traditional iron-red, blue and gold palette, the shaped ivory-coloured shade terminating

with a decorative finial, minor age wear70cm high including shadePROVENANCE Basil Brady Collection

706

The ribbed pear-shaped body rising to shaped foliate rim painted to the top with iron-red blossoms, the body painted with two

cartouches containing a low table with a basket of flowers amongst large chrysanthemums, all reserved on a dense brocade and floral

ground, minor age wear, minor gilt loss23, ...[more]

707The cylindrical body tapering to a rounded shoulder and high neck, boldly painted with large blossoms amongst bamboo, the base with

underglaze-blue triangular lappets, age wear29,5cm highPROVENANCE Basil Brady Collection

708The baluster body rising to a wide mouth, painted with underglaze-blue dragon cartouches each containing a dove perched atop a

prunus tree, all reserved on a scrolling floral ground, minor age wear, minor gilt loss31,8cm highPROVENANCEBasil Brady Collection

709

Each compressed body painted with a pair of four-claw dragons contesting a flaming pearl contained within a prunus blossom ground,

the tubular neck applied with a pair of shaped handles, age wear, iron inclusions, fritting, minor glaze chips the taller27,4cm

highPROVENANCE Basil Brady Collection

710

The bulbous body painted with sweet-pea flowers amongst feathery tendrils interspersed with four double-happiness symbols,

Shuangxi, the cover similarly decorated, age wear, glaze scratches, soiling, iron inclusions23,7cm highPROVENANCEBasil Brady

CollectionGlobal Heritage, Cape Town, 2004

711

Ovoid, painted with sweet-pea flowers amongst scrolling vines interspersed with four double-happiness symbols, Shuangxi, the cover

similarly painted, age wear, glaze scratches, soiling, iron inclusions23,5cm highPROVENANCEBasil Brady CollectionGlobal Heritage,

Cape Town, 2004

712The ovoid body painted with four double-happiness characters, Shuangxi, amongst curling tendrils, the cover similarly painted, age

wear, firing flaws, iron inclusions, soiling25,2cm highPROVENANCEBasil Brady CollectionGlobal Heritage, Cape Town, 2004

713The ovoid body painted with the three star Gods,Fú, Lù and Shóu surrounded by a group of boys before a baluster fence, all beneath a

large parasol tree, the cover painted with a foliate spray, age wear, soiling20cm highPROVENANCE Basil Brady Collection

714

Painted with a village hamlet amongst rocky outcrops on the shores of a lake, two figures each astride a water-buffalo approaching a

terraced house with further figures at various pursuits within the landscape, the bow-string moulded neck rising to an upright rim, minor

age wear20,2cm highPROVENANCE ...[more]

715

Rectangular with canted corners, painted with a sampan on a vast riverscape surrounded by trees and houses within rocky landscapes,

the sky painted with a large V-formation of birds in flight, the rim with various diaper patterns interspersed with large Ruyi heads and

butterflies, wear commensurate ...[more]

716

The shaped rectangular dish fitted with two opposing handles, the sides painted with extensive landscapes of large pagodas amongst

drooping willows and rocks, the lakes dotted with sampans, the cover similarly decorated with a lotus-bud finial, minor wear, hairline

crack to dish27cm over the handles

717Square with a shaped rim, painted to the centre with pagodas dotted around the shores of a lake amongst rocks and large trees, age

wear, fritting22cm widePROVENANCE Basil Brady Collection

718The bulbous body rising to a shaped mouth, painted with a village hamlet on the shores of a large lake, the mouth-rim glazed brown,

minor age wear, minor firing irregularities21cm high

719Circular rising to shallow sides, the centre painted with a Shou character within a band of stylised Ruyi lappets all contained within a

field of short radial lines, age wear26,7cm diameter

720

Painted to the centre with foliate scrolls contained within a prunus and diamond diaper band, the angular sides painted with eight

alternating panels of floral designs, the exterior with scrolling foliage, the underside with an underglaze-blue four-character mark, minor

wear15cm wide

721

The central rondel painted with a vase issuing flowers, the shaped rim painted with large chrysanthemum blooms on brocade grounds,

the reverse painted with sprays of iron-red flowers; and Another, similarly decorated painted with a central phoenix, age wear22cm

diameter(2)

722

Circular with a scalloped edge, the centre painted with a flower-filled basket, enclosed by six panels alternating with Shi-Shi lions playing

with brocade balls amongst flowers and a maiden seated within a garden beside a lantern, the exterior painted with cobalt-blue floral

sprays, age wear40cm dia ...[more]

723

Gilded to the centre with a pair of phoenixes in flight, the wide rim enamelled with figurative scroll paintings on an iron-red and gilded

ground, alternated by shaped cartouches enamelled with white and lavender chrysanthemums on a cobalt and gold field, the reverse

painted with underglaze-blue fol ...[more]

724

Centrally decorated with a roundel enamelled with Fukurokuju astride a large crane amongst billowing clouds, the rim painted with

alternating phoenix and dragon cartouches, the exterior similarly decorated, minor wear, minor gilt loss24cm diameterPROVENANCE

Basil Brady Collection

725

The interior with a wide spiralling band enamelled with a minogame and cranes amongst prunus blossoms, gnarled pine branches and

bamboo shoots, enclosed by further bands with diaper and brocade patterns, the exterior similarly decorated, minor age wear, gilt

loss27cm diameterPROVENANCE Basil Brady C ...[more]

726The fish-shaped plate painted with a fan-shaped cartouche containing a phoenix and decorative rondels, all reserved on an iron-red

floral ground, minor age wear, extensive gilt loss31,4cm widePROVENANCE Basil Brady Collection

727The bulbous body enamelled with iron-red lotus blooms on a foliate ground between bands of geometric lappets, cover lacking, age

wear12cm high

728

The ovoid body rising to a wide rounded shoulder, the body enamelled with iron-red carp swimming amongst wispy aquatic plants, the

shoulder painted with prunus blossoms on a cracked-ice ground, the neck applied with a later gilt-metal mount, age wear, extensive

enamel wear, neck reduced21cm high

729The compressed ovoid body rising to a flaring neck, painted with the eight Immortals amongst billowing Lingzhi-shaped clouds, the neck

with a later copper rim, two filled rim chips, one extending a hairline crack25,3cm high

730

Painted to the centre with a shaped octagonal cartouche containing flowers issuing from rocks, contained within a wan- and fish-scale

diaper ground, the rim divided into segments painted with flowers and auspicious symbols, minor rim chips, minor fritting(4)21,6cm

diameterPROVENANCE Basil Brady Coll ...[more]

731The well painted with five asters amongst curling tendrils, the wide rim divided into segments each painted with an aster issuing a single

flower, age wear, fritting21,8cm diameterPROVENANCE Basil Brady Collection

732

Painted to the centre with Qiqiannu descending on a multitude of clouds to present her mortal husband Dong Yong with their son which

she holds in her arms, the petal-moulded rim painted with alternating panels depicting a maiden leaning on a gnarled branch beneath

two birds in flight and flowers iss ...[more]

733

Painted to the centre with a single bloom encircled by vines and further flowers, the cavetto interspersed with floral cartouches on a

diaper ground, the rim painted with floral sprays contained within a diamond-diaper border, the edge glazed dark brown, minor age

wear(5)22,5cm diameterPROVENANCE Ba ...[more]

734The circular plate painted to the centre with a single flower within a blue double-ring, enclosed by further floral sprays, the rim with

scrolling foliage issuing blossoms, the edge glazed brown28cm diameterPROVENANCE Basil Brady Collection

735

The deep rounded sides rising from a high foot to an everted rim, the exterior painted with various deities and figures within architectural

landscapes, the lids similarly decorated, each with an iron-red four-character Tongzhi mark, age wear, minor rim chip, minor hairline, gilt

loss(8)10,7cm diame ...[more]

736

Enamelled in rich translucent green with two five-clawed dragons meandering amongst clouds in pursuit of a gilded pearl above a band

of crashing waves, their teeth and claws picked out in raised white enamel, the neck with a Ruyi lappet border, the base with a pseudo

iron-red six-character Jiaqing m ...[more]

737

The cylindrical vase rising to a rounded shoulder and wide flaring neck, painted with a group of men in colourful robes conversing

amongst horses beneath a large tree, the foot, shoulder and mouth-rim painted et Grisaille with iron-red detail, signed and inscribed,

minor age wear33,7cm highPROVENANC ...[more]

738Each painted with various birds perched on rocky outcrops amongst dense foliage and flowering plants, each panel inscribed with script

and signed with iron-red seals, framed, minor weareach panel 79 by 25,5cm including the frame

739 Each emerald-green candlestick enamelled with a coiling iron-red dragon above a band of blue and white waves, age wear15cm high

740The compressed globular body enamelled with prunus branches issuing multitudes of pink, red and blue blossoms, all reserved on a

white ground, the neck decorated with a band of cobalt-blue Ruyi lappets9,5cm high

741The detachable lid decorated to the centre with a stylised Shou rondel on a turquoise fish-scale diaper ground, the box similarly

decorated, gilt loss4cm diameter

742The hinged rectangular top enclosing a compartment, the front and sides applied with Fu-lions playing with coin-patterned balls amongst

foliate scrolls, fitted with decorative hardware, heavy patina, minor damage and wear30 by 21 by 12,3cm

751 18,5cm long, 39g; And Another, Possibly Thomas Wallis II18,5cm long, 51g

752 The terminal inscribed SM; And A Silver Fiddle Pattern Spoon, marks rubbed22cm long, 66g

753Baluster-shaped, hinged cover with flame finial, leaf-capped ebonised handle, leaf-capped spout, on a circular spreading foot27cm high,

900g

754 Beaded handle, the blade chased and pierced with flowers and a fish motif, tip damaged29,5cm long, 165g

755 The terminal engraved with initials17,5cm long, 99g

756 Oval, reeded rim, the edge chased with thistles and leaves, the centre engraved with a goat, raised on four paw feet18,5cm wide, 156g

757 The terminal engraved with initials22cm long, 71g

758 18cm long, 40g

759 And a silver fiddle-pattern mustard spoon, London, 1825the larger 15cm long, 46g all in

760 23cm long, 27g

761 22,5cm long, 64g; And A George III Silver Fiddle Pattern Serving Spoon, Edward Farrell, London, 181922,5cm long, 58g

762 The terminal engraved with a lion34cm long, 207g

763 Beaded rim, the body chased with scrolls and centred with a vacant cartouche, on a beaded spreading circular foot7,5cm high, 134g

764 Beaded rim, reeded handle, the bulbous body raised on a beaded circular pedestal foot11cm high, 102g

765

Baluster-shaped, the hinged cover embossed with scrolls and flowers, floral finial, leaf-capped handle, the body embossed with C-

scrolls and flowers, opposing cartouches each engraved with a griffon and inscribed 'GRIP FAST', raised on a circular pedestal foot

embossed with flowers and scrolls, on a ...[more]

766 Circular, each with shell and scrolling rim, gilt interior, gadrooned body, raised on four foliate feet10cm diameter,210g all in

767The rim and body embossed with leaf motifs raised on a shell and leaf-embossed pedestal, C-scroll base, raised on four shell feet16cm

high, 1187g

768 24,5cm long, 62g

769 Each terminal chased with fruiting vines and C-scrolls22cm long, 127g all in

770 Gadrooned rim, the bowl set with an 1838 four pence coin, ebonised handle33cm long

771 The terminal engraved GL 22,5cm long, 73g

772 22cm long, 186g all in

773Moulded rim, leaf capped handle, the body chased with leaves and scrolls and engraved S.G on a moulded circular foot8.5cm high,

109g

774

Comprising: a treffid pattern spoon, Eldona and Co, Birmingham, 1929, a fiddle and thread pattern spoon, Chawner and Co, London,

1843, a shell pattern spoon, Levi and Salaman, Birmingham, 1924, a caddy spoon, Cocks and Betteridge, Birmingham, 1814 and a

pointed Old English pattern spoon, Charles Boy ...[more]

775 Comprising a spoon and a fork17,5cm long, 96g all in

776 Each terminal engraved ME22,5cm long, 309g all in

777

Circular, fold over rim, applied opposing scroll handles, tapering body engraved with flowers, a bird and a butterfly, inscribed Phillopolis

Turf Club won by Van Zyl's Hantam Belle, knopped support on a beaded circular foliate-engraved foot, on a wooden base24cm high,

511g

778Comprising: three Victorian silver pointed Old English pattern teaspoons, maker's mark JR and S, Edinburgh, 1881, a pair of sugar nips,

marks rubbed and a Victorian silver creamer, Thomas Hayes, Birmingham, 1897154g all in

779 FREDERICK BRADFORD MACREA, ARMY AND NAVY COOPERATIVE SOCIETY, LONDON, 1886Distress12,5cm long, 137g

780 Circular, each with plain rim and gadrooned base5,2cm diameter, 58g all in

781 Comprising: a ewer, chalice and paten, each engraved IHS the chalice9,7cm high, 141g all in

782Rectangular, beaded and pierced gallery, each cut glass well with a beaded hinged cover and knob finial, beaded gallery receivers for

the inkwells, on flat bun feet17cm wide, 249g excluding inkwells

783

Hinged cover above a dimpled bottle, 12cm high; And A George V Silver Mounted Bottle And Stopper, Maker's Mark Rubbed,

Birmingham 1923, the hinged cover above a reeded ovoid body, star-cut base, 12.5cm high; And A George V Silver Mounted Cut Glass

Jar, Samuel M Levi, Birmingham, 1912, detachable cov ...[more]

784Oval, the rim embossed with C-scrolls and flowers, opposing handles embossed with acanthus, scrolls and shells, the surface chased

with flowers and scrolls, centred with an armorial and inscribed 'PRO BELLO VEL PACE'77cm wide over handles, 5180g

785

Shaped rectangular, scrolling leaf-capped handle flanked by two glass ink bottles, each with beaded hinged circular covers, inscribed

'Presented to Lieutenant C.V. Hale Ist Batt. The Welch Regiment on his marriage by his brother Officers 12th February 1898', on flat

bun feet29cm wide, 541g excluding ...[more]

786 Circular, scrolling embossed rim, the base embossed with scrolls and a flower motif, raised on three ball feet11,5cm diameter, 85g all in

787 Octagonal, the hinged cover with ebonised finial, tapering sides, ebonised handle, on a plinth base21cm high, 573g

788 Wavy rim, leaf-capped handle, raised on shell and hoof feet8,5cm high, 153g

789The circular bevelled plate within a pierced conforming easel-backed frame embossed with flowers, scrolls and acanthus, surmounted

by a cartouche engraved 'Lilian'29cm high

790 20cm long, 80g

791 And one Victorian silver coffee spoon, Levi and Salaman, Birmingham, 1900, 38g all in; And A Pair of Sugar Nips, Birmingham, 19129g

792Comprising: a pair of sugar nips, marks rubbed, a silver seal, marks rubbed, a heart-shaped pin tray, Lee and Wigfull, Sheffield, 1902

and a sugar spoon, Levi and Salaman, Birmingham, 190288g all in

793 Oval, gadrooned edge, pierced rim, pierced opposing handles, the surface chased with scrolls and flowers46cm wide, 1148g

794

Shaped-square, the rim embossed with C-scrolls, flowers and acanthus leaves, opposing heart-shaped open handles, the surface

chased with flowers and geometric pattern, the centre engraved 'PRESENTED ALONG WITH A PURSE OF SOVEREIGNS TO MR

AND MRS ALEX W. DONALD ON THE OCCASION OF THEIR SILVER WEDDING ...[more]

795 Octagonal, beaded rim and pierced body. 4,5cm high, 215g

796

The rim pierced and embossed with flowers; And An Edward VII Silver Butter Dish, Boots Pure Drug Co, Birmingham,1904, heart

shaped; And A Victorian Silver Butter Dish, Henry Atkin, Sheffield, 1895, circular, the rim pierced and embossed with flowersthe largest

13cm diameter, 111g all in

797 Comprising: a gadrooned teapot, milk jug, sugar bowl and an oval gallery tray the tray 10cm wide over handles22g

798 Rectangular, the hinged cover engraved CG, velvet-lined interior10,5cm long, 168g

799 Baluster-shaped, pierced cover with beehive finial, raised on a circular spreading foot19,5cm high, 161g

800 Oval, with loose cover, the body embossed with swags and bell flowers9,5cm high, 69g

801 Oval, the hinged and pierced cover below a pierced bail handle, raised on a circular pedestal foot, loaded4,5cm high excluding handle

802 Each octagonal, the mustard and salt pot with spoons and blue glass liners the pepperette6cm high, 116g all in

803 Boat-shaped, scalloped rim, raised on a knopped pedestal, on an oval foot, the body engraved F.J.R.C.15,5cm high, 256g

804 Comprising; a spoon and fork11,5cm long, 31g

805Oval, the mustard pot and salt with spoons, the pepperette with gadrooned circular spreading foot, each with gadrooned rim and

bodythe pepperette 11cm high, 117g all in

806 Of tapering cylindrical form, flared rim, planished body, on a circular spreading foot, loaded16,5cm high

807Rectangular, fold over serpentine rim, engine turned surface, the centre engraved with the initials GW in a circular cartouche29.5 long,

435g

808 Each of hexagonal form with pierced covereach 7cm high, 100g all in

809 Each terminal engraved GL21cm long, 281g all in

810Oval, reeded and gadrooned rim, cast acanthus opposing handles, the centre inscribed 'Mr & Mrs Raymond Greenwood with sincere

wishes, a long and happy union, from their friend T Alcock Dockrall, 27th April 1935'60cm wide over handles, 2,8kg

811 Shaped bowl, rat tail heel12cm long, 40g

812 The hinged engine turned cover engraved PF8,5cm wide, 82g

813 Of cylindrical form, flared moulded rim, plain tapering body, on a circular base, loaded14cm high

814A cut glass bottle with star cut base, 19cm high; And three Silver and Tortoise Shell Mounted Dressing Table Bottles, various makers

and datesthe tallest 9cm high

815Circular, the plain body raised on three hoof feet, 7cm diameter; And A Victorian Silver Mustard Pot, Maker's Mark JHM, London, 1888,

hinged cover with shell handle, gadrooned body, 5cm high; and A Salt and a Mustard Spoon90g all in

816 A curved handle raising above a curling rim standing on three feet8cm high, 104g

817 Circular, each with beaded rim3cm high, 32g

818 Rectangular, the open handle above seven arched bars on bracket feet9cm high, 83g

819 Each with a faceted stem, bulb-shaped sconce, on a circular spreading foot, loaded18cm high

820

two George V silver napkin rings, E Edmonds, Birmingham, 1928 two George V silver napkin rings, Henry Griffith & Sons, Birmingham,

1928 one George V silver napkin ring, Henry Griffith & Sons, Birmingham, 1929 two William IV silver napkin rings, William Adams Ltd,

Birmingham, 1932 four silver napkins ...[more]

821 8,5cm long, 65g

822 Plain rim and handle, raised on four pad feet9cm high, 201g

823 Rectangular, the hinged engine turned cover inscribed RS8,5cm high, 115g

824 Circular, the rim with shell and floral decoration, raised on three scroll feet17,5cm diameter, 248g

825Moulded rim, leaf capped handles, the body embossed with bell flowers, the detachable cover with urn finial on a circular spreading foot,

raised on a wooden base; And Another, Mappin And Webb Ltd Sheffield, 1939, similareach 13cm high, 414g

826 Comprising; a spoon and pusher, each engraved with the initials JFS37g

827 Comprising a hair brush and circular hand mirror, each embossed with flowers, scrolls and a cartouche engraved with the letter 'A'

828Comprising: a teapot, hot water pot, milk jug and sugar bowl, each with reeded rim, opposing chevron decoration, raised on a circular

pedestal foot, the teapot and hot water jug with ebonised handle and finial the hot water pot187cm high, 1253g all in

829Rectangular, the reeded rim with foliate corners, opposing foliate-embossed handles, the centre engraved with the letter R 55cm wide

over handles1524g

830The handle marked Royal Irish Silver Limited, Dublin, 1967, the shaft above the bowl impressed SAO, .925, Z, the octagonal handle

surmounted with an onyx and knob finial40cm long, 284g all in

831 Each knopped stem on a reeded circular base, loaded27cm high

832 Each reeded knopped stem and nozzle on a reeded circular spreading base, loaded21cm high

833 Each raised on three scroll feet6,5cm tall, 31g all in

834 Suspended from a circular handle, the bottom suspended with beads21cm long excluding handle, 154g

835 Circular, egg and dart rim, raised on three lion paw feet13,5cm diameter, 1060g

836Oval, the sides pierced and decorated with trellises, scrolls, foliage and roses, opposing handles surmounted with roses, raised on four

scroll feet, restorations33cm wide over handles, 828g

837Oval, wavy gadrooned rim, the sides pierced and chased with flowers and swags, opposing scrolling handles, gadrooned base, on scroll

feet38cm wide over handles, 1171g

838 14cm long, 16g

839 Planished, the terminal set with two cabochon gem stones.22cm long, 84g

840 Oval, the rim pierced and embossed with peacocks and flowers, planished base30cm wide, 349g

841 Circular, the rim embossed with floral decoration34,5cm diameter, 1096g

842Hinged domed cover with ball finial, foliate embossed rim, leaf-capped handle, swan neck spout, foliate and scroll embossed body,

inscribed 'EK 1902', raised on a stepped spreading circular foot15,5cm high, 228g

843 Terminal inscribed L.V.N.O Schriltz, 186214cm long, 18g

844 15,5cm long, 17g

845 22cm long, 50g

846 31cm long, 100g

847 Each centred with a vacant oval cartouche within scrolling repousse surroundeach 4cm high, 114g

848Comprising; five elephants mounted on an ebony base; And a Pair of Cast Silver Elephants, the rear elephant with one missing and one

broken tusk, mounted on an ebony basethe larger 15,5cm wide

849 Comprising: four warthogs mounted on an ebony base15,5cm wide

850Bearing the importer's mark Samuel Boyce Landeck, Sheffield, 1896 as well as the foreign import mark, the bowl pierced with a cherub

amongst flowers, the terminal cast as a cherub seated on a C-scroll18,5cm long, 57g

851 7

852 Comprising: five cake forks, two teaspoons, a caddy spoon, a sugar spoon and a cake knife231g all in

853 Each terminal with a fleur-de-lis motif

854 Fold over rim, embossed with images of Snow White and the Huntsman, inscribed with the initial "R"17,8cm diameter.

855Comprising: a sugar bowl and creamer each raised on three paw feet, and a sugar caster, baluster shaped, pierced cover on a beaded

foot ringthe sugar caster 17cm high

856 Oval, with cast leaf capped scrolling handle29cm high

857Comprising: a fruit knife and fork, Birmingham, a fish knife, marks rubbed, a fish knife, Birmingham, an electroplate fish serving set and

an electroplate crumb tray

858 The blade pierced and decorated with a dragon entwined around a trident the knife33cm long

859

The tapering leaf-cast column surmounted by four scrolling arms, each terminating in a floral sconce and moulded nozzle. a central

baluster column surmounted by a conforming nozzle, on a floral embossed circular spreading foot, raised on four scroll feet,

distress80cm high

860 Each trumpet raised on scroll supports mounted on an oval base, rested on ball feet27cm high

861Each tapering column surmounted by a pair of curved arms terminating in a foliate-moulded bobeche, gadrooned and foliate-moulded

nozzles, on a stepped, circular foliate-moulded base, loaded50,5cm high

862 Oval, beaded rim, opposing cast handles, pierced drip tray, liner, raised on four winged and paw feet32cm wide over handles

863 Pierced blade and fork, bone handles the knife31,5cm long

864 Comprising: a fish slice and fork, two carving knives and forks, and a six sided cast steel honing rod

865The circular body star-cut to the base and decorated overall with a star pattern, elongated neck with silver mount with etched leaf

pattern, the handle in the form of a vine and leaves, wear, cover hinge in need of minor repair26,5cm high

871 The moulded rectangular top above four long graduated drawers, on bracket feet79cm high, 93,5cm wide, 45,5cm deep

872Each wheatsheaf-carved curved back rail above a pierced and fluted splat, serpentine stuff-over seat, on shaped square-section

tapering legs, joined by a recessed box stretcher

873The arched top rail above a pierced vase-shaped splat, curved arms on curved supports, drop-in seat, on square-section tapering legs,

on spade feet

874Each carved scrolling top rail above a pierced scrolling urn-shaped splat, drop-in seat, on shaped square-section legs, joined by a

recessed box stretcher

875

The rectangular top surmounted by a broken box brass gallery, each open compartment below with an adjustable shelf, the sides

applied with opposing brass handles, on baluster supports, on outswept legs terminating in brass lion-paw feet, joined by a turned and

Y-shaped stretcher, on castors95cm high ...[more]

876

Comprising a pair of carvers and a pair of side chairs, each carved scrolling top rail above a pierced scrolling splat, drop-in seat, on

gadrooned tapering legs; and Three Rosewood William IV Side Chairs, each curved top rail and carved mid rail above a drop-in seat, on

carved and gadrooned tapering ...[more]

877The moulded rounded rectangular top above a plain frieze, on turned tapering legs, on castors, five leaf extensions72cm high, 116,5cm

wide, 249,5cm long fully extended

878The rounded rectangular top above a long frieze drawer flanked by short frieze drawers, each pedestal comprising a panelled door with

tapering columns, each enclosing a shelf, on a plinth base92cm high, 158cm wide, 53cm deep

879

The hinged rectangular top with an oval leather-inset writing surface enclosing a compartment and four short drawers, surmounted by a

hinged rectangular breakfront cover with a pierced three-quarter gilt-metal gallery enclosing compartments and two ink bottles, the right

hand side with four short dr ...[more]

880

The shaped rectangular quarter-veneered hinged swivel top enclosing a chess and backgammon board above a frieze drawer, a sliding

compartment below, carved and turned support, on carved hipped outswept legs joined by a turned stretcher, on castors72,5cm high,


881The moulded circular top above a plain frieze, turned tapering support, drum socle, on hipped outswept legs, on scroll feet, on

castors70cm high, 106cm diameter

882Comprising three open shelves, surmounted by a shaped three-quarter gallery, the bottom shelf above a pierced apron61,5cm high,


883 The book-veneered crossbanded top above four long graduated drawers, on French bracket feet91,5cm high, 77cm wide, 48cm deep

884The circular top above a plain frieze, foliate-carved support, drop finial, on three scrolling outswept legs, on castors, distress74cm high,

137cm diameter

885The moulded rectangular top above a plain and inlaid frieze, a glazed door below enclosing a pair of shelves, on a plinth base83cm


886Each foliate-carved top rail above a tufted padded back, padded arms, stuff-over seat, on leaf-carved cabriole legs, on foliate-carved

feet

887Each circular top with gadrooned rim above a panelled frieze, one short frieze drawer, carved baluster-shaped support, on three carved

outswept legs, on paw feet70,5cm high, 60cm diameter

888The later circular top above a plain frieze, carved and turned support, drum socle, drop finial, on three carved outswept legs, on

castors71,5cm high, 129cm diameter

889The moulded rectangular top enclosing a gilt-tooled leather inset writing surface, a central frieze drawer flanked by a pair of short

drawers below, each pedestal comprising three short drawers, on a plinth base, on castors72cm high, 102,5cm wide, 55cm deep

890The scrolling and foliate-carved top rail above a tufted padded backrest, serpentine stuff-over seat, foliate-carved apron, on leaf-carved

cabriole legs, on foliate-carved feet175cm long

891The outswept cornice above a pair of glazed doors enclosing three shelves, flanked by corbels, a long frieze drawer above a pair of

panelled doors enclosing a shelf below, on a plinth base201,5cm high, 103,5cm wide, 38,5cm deep

892The moulded rounded rectangular top above a plain frieze, on turned and baluster legs, on castors, with four leaf extensions77cm high,

119cm wide, 400cm long fully extended

893

The hinged top enclosing a writing slide and drawers and compartments, in sizes, the right hand drawer concealing a spring mechanism

releasing compartments, in sizes, the sides comprising four short drawers and opposing dummy drawers, panelled front, scrolling

supports, on a plinth base, on flat bun ...[more]

894The moulded quarter-veneered oval top above a plain frieze, carved tapering support, drum socle, on leaf-carved hipped legs, on scroll

feet, on castors72cm high, 118cm wide, 87,5cm deep

895 Each open bustle-back with a scroll-carved top and mid rail, stuff-over seat, on cabriole legs, on scroll feet

896

The rectangular top surmounted by a back gallery, the cylinder below inlaid with a vacant oval cartouche enclosing a drawer and

compartments, in sizes, sliding gilt-tooled leather inset writing surface, a pair of short frieze drawers below, on square-section legs,

joined by an X-shaped stretcher109c ...[more]

897 Each rectangular top above a tapering column, on a moulded and stepped plinth base109,5cm high, 31,5cm wide, 28,5cm deep

898

The rectangular top surmounted by a carved back gallery, the hinged panelled fall-front enclosing an inset leather writing surface and

compartments, in sizes, a pair of short drawers flanked by lopers above a door and compartment below, on square-section tapering

legs102cm high, 74cm wide, 37cm deep

899

The broken pediment centred by an urn above a bevelled mirror and serpentine shelf, three bevelled mirrors above a serpentine shelf

and an open compartment flanked by a pair of glazed doors below, on cabriole legs, joined by a serpentine shelf stretcher217cm high,

117cm wide, 41cm deep

900The shaped quarter-veneered moulded rectangular top above a frieze drawer, on fluted tapering supports, on block and turned feet,

joined by a wavy X-stretcher, distress55cm high, 135cm wide, 75cm deep

901The moulded rectangular top surmounted by a pierced, carved and mirrored gallery above a glazed door enclosing a shelf, a panelled

door below, on outswept feet147cm high, 55,5cm wide, 37cm deep

902The shaped top rail centred by a scrolling and foliate-inlaid cartouche, pierced and inlaid urn-shaped splat, curved arms on square-

section supports, caned seat, on square-section splayed legs joined by a double-sided box stretcher, stringing throughout

903The shaped padded back and sides between scrolling supports, stuff-over serpentine seat, fluted serpentine apron, on fluted tapering

legs201cm long

904 The quartered rectangular top above a shaped apron, on restrained cabriole legs74cm high, 189cm wide fully extended, 89cm deep

905

The moulded rectangular top above a long frieze drawer, a hinged baize-inset fall front flanked by a pair of standing female figures

enclosing drawers and compartments in sizes below, a pair of doors enclosing three long drawers below, on hairy paw feet151cm high,

95,5cm wide, 44cm deep

906The rectangular top above a frieze drawer, on barley-twist supports, on outswept legs terminating in scroll feet, joined by a turned

stretcher71cm high, 60cm wide, 39,5cm deep

907The moulded serpentine marble top above a conforming crossbanded and inlaid frieze drawer, a crossbanded and inlaid door below

enclosing a compartment, shaped apron, on sabot-mounted restrained cabriole legs80,5cm high, 68cm wide, 35,5cm deep

908 Each caned back within a conforming arched and shaped frame, caned seat, on turned tapering legs

909Each pierced and carved back between turned fluted tapering supports, caned seat, on upturned baluster legs, on block and blunt arrow

feet, joined by an H-stretcher

910

Of rectangular shape, the overhanging cap-frame above a pair of flush pivot-hinged doors mounted with a Ruji-head lockplate, the

interior with two short-drawers, gilded and painted with fruiting branches, the top with traces of a thick layer of clay, age wear,

restoration 68,5cm high, 56cm wide, 38c ...[more]

911

The square solid-plank panelled top supported by a recessed taohuan and sword-ridge waist with two conforming drawers, all above a

pierced and carved taohuan, rope and persimmon blossom apron, the shaped square-section legs fitted with foliate spandrels, age

wear, lacquer loss, minor restoration84cm ...[more]

912The rectangular top above shaped spandrels with cusped aprons, the half-round legs joined by oval side, back and front stretchers, the

timber with a warm patina, restoration 85cm high, 101cm wide, 40cm deep

913

The rectangular top with an inset wooden panel housed within a conforming frame, the angular scroll and Ruyi-head apron beneath a

concave waist, the square section legs terminating in horse-hoof feet beneath box-stretchers, age wear, lacquer loss75cm high, 45cm

wide, 33cm deep

914

Each square top above a narrow waist, the sides inset with pierced and carved panels of scrolling foliage above Chi-dragon-shaped

spandrels, the square section legs terminating in scrolling horse-hoof feet, age wear, restoration, lacquer loss53,5cm high, 53,5cm wide,

54cm deep

915The pierced and shaped top rail above a caned back, caned seat, on square-section legs, joined by a box stretcher, distress,

restorations

916 The shaped top rail above a vase-shaped splat, caned seat, on square-section legs joined by a box stretcher, restorations

917The moulded rounded rectangular top above a short cockbeaded frieze drawer, on turned tapering legs, on block and flat bun feet,

joined by a wavy X-stretcher70cm high, 96cm wide, 55cm deep

918 The moulded rounded rectangular top above a long frieze drawer, on cabriole legs 76cm high, 120cm wide, 60,5cm deep

919 The curved top and bottom rails joined by a pierced splat, riempie seat, on square-section tapering legs joined by an H-stretcher

920The curved top rail surmounted by a pierced cresting, pierced splat, shaped bottom rail, caned seat, on inlaid tapering legs joined by an

H-stretcher

921 The moulded demi-lune top above a shaped frieze on cabriole legs76cm high, 129cm wide, 64cm deep

922 The rectangular head and foot surmounted by turned finials, later slats, on turned tapering legs97cm high, 129cm wide, 192,5cm long

923The rectangular top above a pair of arched panelled doors enclosing two shelves, a long drawer below, on turned feet163cm high,

115,5cm wide, 47,5cm deep

924The arched head and foot surmounted by turned finials, later slats, on square-section tapering legs75cm high, 132,5cm wide, 216cm

long

925Each curved reeded top, mid and bottom rail between square-section supports, riempie seat, reeded three-quarter apron, on tapering

square-section legs, joined by an H-stretcher

926The curved reeded top and mid rail between square-section supports, caned seat, downswept arms on square-section supports, on

tapering square-section legs joined by a box stretcher

927 The shaped curved top rail above a curved mid rail, downswept arms, caned seat, on upturned baluster legs

928 Four open shelves between shaped supports134cm high, 90,5cm wide, 22cm deep

929 The shaped top and plain mid rail between shaped supports, riempie seat, on upturned baluster legs

930 The shaped top and plain mid rail between shaped supports, riempie seat, on upturned baluster legs

931 The rectangular top above a short frieze drawer, on ring-turned tapering legs, restorations76cm high, 91cm wide, 60cm deep

932 The plain top and mid rail between shaped supports, riempie seat, on upturned baluster legs

933The domed head and shaped foot rail on turned spindles surmounted by turned tapering posts surmounted by finials beneath an arched

canopy, on turned tapering feet201cm long, 138cm wide, 192cm high

934The shaped top and plain mid rail joined by turned spindles, downswept arms on upturned baluster supports, three division riempie seat,

on ring-turned tapering legs183cm long

935The bow-shaped head and footboard on turned spindles, on block and turned supports, on flat bun feet78cm high, 128cm wide, 198cm

long

936 The curved top and mid rail between shaped supports, caned seat, on ring-turned tapering legs

937 The rectangular top above a plain frieze, on square-section tapering legs72cm high, 90cm wide, 68cm deep

938 The rectangular top above a plain frieze, on ring-turned tapering legs76cm high, 117,5cm wide, 74cm deep

939 The plain top and mid rail joined by turned spindles, shaped arms, riempie seat, on turned tapering legs64cm long

940 The rectangular top above a plain frieze, on turned tapering legs76cm high, 179cm wide, 117cm deep

941The rectangular riempie top on turned tapering supports, on block and turned feet joined by a box stretcher40cm high, 150cm wide,

50cm deep

942 The moulded rectangular top above a shaped frieze, on cabriole legs76cm high, 110cm wide, 54cm deep

943 Each urn-shaped body on a stepped beaded square plinth base, surmounted by an ivory silk shade83cm high including shade

944The convex oval plate within a conforming frame, the whole surrounded by pierced acanthus-leaf decoration, distress52cm high, 39cm

wide

945 The bevelled rectangular plate within a conforming floral moulded frame93cm high, 132cm wide

946The circular glass top within a conforming tubular frame on an adjustable steel support, on a tubular steel base63cm high, 50,5cm

diameter

947The circular glass top within a conforming tubular frame on an adjustable steel support, on a tubular steel base63cm high, 50,5cm

diameter

948 Padded back and arms, adjustable backrest, loose headrest cushion, on a steel frame

949 Each padded back and swivel seat on a steel support, circular footrest, splayed steel feet, on castors

950The detachable circular ABS top with opposing pierced handles, on a steel support, on a circular steel base, impressed designer and

maker's mark52cm high, 48cm diameter

951 Padded back and arms, adjustable backrest, loose headrest cushion, on a steel frame

952 The laser-cut pressed steel top welded to the stem, bolted to the circular steel base65,5cm high, 33cm wide, 30cm deep

953 Padded back and seat between padded arms, aluminium frame, on castors, with Vitra fabric label

954 The V-shaped laser-cut pressed steel top welded to the stem, bolted to the circular steel base70cm high, 28,5cm wide, 30cm deep

955 The rectangular top above ten short drawers on a plinth base67cm high, 28cm wide, 43cm deep

956 The square top above ten short drawers165cm high, 45cm wide, 45cm deep

957 The square top above two box drawers, on a plinth base69cm high, 47cm square

958The rectangular loose glass top with black edging on a chromed square-section frame, on square-section legs, manufacturerâ€™s

paper label and stamp, numbered 53465410KRD32,5cm high, 40,5cm square

959 Padded headboard, slatted base within a padded frame, on steel bracket feet88cm high, 221cm long, 156cm wide

960The rectangular top above two pairs of short drawers opposing an open compartment, on splayed square-section tapering legs73,5cm


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Stephan Welz & Co