STAH L01 02

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    SpaceSpace--Time in Arts and HumanitiesTime in Arts and Humanities

    NavjyotiNavjyoti SinghSinghIIIT Centre for Exact HumanitiesIIIT Centre for Exact HumanitiesHSS401: L01HSS401: L01--0202 0101--08/08/201208/08/2012

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    1. Conceptions of Space and Time1. Conceptions of Space and Time

    Course deals with:

    Indic, Greek and Modern Conceptualizations

    Continuous vs. Discreet

    2. Problem of Human Action2. Problem of Human Action

    Artistic Action

    Social Action

    Carlos J. Moya,A Philosophy of Action: An Introduction, Polity Press, Cambridge

    Rice Freeman-Zachery , Tonia Davenport (ed.), Creative Time and Space: Making Room for Making Art

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    COURSE TOPICS:COURSE TOPICS:

    PART I: FOUNDATIONSPART I: FOUNDATIONS

    Problem of Human Action:

    Panorama of classical Indian, Greek and Modern explorations on Space, Time and MotionContinuum and Discontinuum: Continuous vs. Discrete Ideas of Space and Time

    Concepts of aspatial locus: Situation

    Concepts of synchronic duration: Moment or Event

    Varieties of spatio-temporal Extensions: Compounds of variedly Extended Realms

    Conceptualizing Human Action: Components and Composition

    Foundational Issues in Discretization of Space and Time

    PART II: ARTSPART II: ARTS

    Nature of Artistic Activity: Sensation, Imagination and Action: Affectance and Affordance

    Typology of the disciplines of Arts: Spatio-temporal foundations of the typology

    - , ,

    Spatio-temporal aspect of Music, Dance and TheaterInteractive spaces and times of different Art Disciplines

    General theory of the Making of any Painting

    Songs: Space-time blending of Poetry and Music

    General Theory of Films: Material Intentionality, Human Situations and Events

    PART III: SOCIETYPART III: SOCIETY

    Categorical decomposition of human being: Extensional and Intentional features

    Conceiving unified action despite divergent space-time extensions of components

    Nature of dis-position and dis-tending

    Conceptualizing forces that govern human action and Motion

    Human Relations, Roles and Community Formation

    Concepts of Situations and Events: Dispute, Judgment and Resolution

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    "Zeno of Elea by Carducci or Tibaldi" Image by Bartolomeo Carducci or Pellegrino Tibaldi

    Jon McLoone. Wolfram Demonstrations Project. Zenos Paradox: Achilles and the Tortoise. 2011

    MOTION

    IS

    IMPOSSIBLE

    *Limit:

    Tending to Zero

    *

    Counter Version

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    The IrrationalThe Irrational

    Reasoning with IrrationalsReasoning with Irrationals

    1:2 ::2 :21 2

    2

    2 is not line but square number 2

    fire:air::air:water & air:water::water:earth

    1/(343433) + 1/(343434)

    GREEK INDIC

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    Nature of Painting Topos

    EscherEscher

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    Nature of Painting Topos

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    Nature of Painting Topos

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    Unfurling Line into a Square

    (Creation of higher dimension Topoi)

    -- Line has a hidden Depth

    that can be unfurled to surface

    -- Surface hides Volume

    1 2

    2

    3

    Sketch/Painting Topos is Unfurling/Unfolding of

    Patches/Marks/Strokes

    Painting Topos is between

    You and Receding Horizon

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    All strokes are partial objectpartial object

    (collaborative patches of partial objects)Depth/Width furl/fold gives us

    fuller object in imagination

    Thus, painting isThus, painting is

    Imagination isImagination is

    neither 2D or 3D spaceneither 2D or 3D space

    Can their be a painting

    which never gives us an extended object beyond patches

    which has no depth/width points of invisible

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    Nature of Patches: Line is between 2D and 3D

    Next Patch

    : Every patch-stroke is a turn:

    Make typology of patch-strokes

    Patch unfolding in imaginationPatch unfolding in imagination

    Road

    going out of city

    or

    trail of

    moving object

    Consolidation in imaginationConsolidation in imagination

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    ToposTopos of Paintingof PaintingClosure in which Imagination can DiscloseClosure in which Imagination can Disclose

    Folding of Space betweenFolding of Space between

    Receding Horizon and SpecReceding Horizon and Specttaatortor

    by Paby Pattches/Marks/Pigmenches/Marks/Pigmentsts on 2D Surfaceon 2D Surface

    Any paAny pattch can partiallych can partially mapmap toto

    Potential Semantic ObjectsPotential Semantic Objectsthat rubs on Memorthat rubs on Memoryy

    for ifor itts Imaginary Comples Imaginary Completiontion

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    Inversion of VisibleInversion of Visible--InvisibleInvisibleMakingMaking InvisibleInvisiblerr VisibleVisibleii in Imaginationin Imagination

    1.1. PaPatches Visibletches Visiblerr

    Algorithm: (Are all Algorithms Computable?(Turing Computable)) ??

    ..

    Semantically VisibleSemantically Visibleii

    in Imaginationin Imagination

    3.3. VisibleVisible--Invisible IterationInvisible Iteration

    of Imaginationof Imagination--PatchPatch

    4.4. PainPainting Completeting Complete

    when Patches disappearwhen Patches disappear

    Write pseudo code

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    VisibleVisible--Invisible Iterations ofInvisible Iterations of

    RecursiveRecursive MappingMapping of theof the

    Topology of Imagination (Topology of Imagination (KalpaKalpa topostopos))and Topology of Patches (and Topology of Patches (RealReal topostopos))

    Judgment

    Affordance PoinAffordance Pointsts

    KalpaKalpa topostopos is not 2D or 3D (no perspective)is not 2D or 3D (no perspective)

    While paintingWhile painting

    changes sequentially (episodically: major turns)changes sequentially (episodically: major turns)In mind

    While sketching list major turns

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    Real Space:Real Space:Infinite Divisibility;

    No neighbouring point of a point; no Contiguity;

    Real Space vs. Image Space

    Continuum vs. Contiguum

    Given set of points no line can be made

    Image Space:Not Infinitely Divisible

    Point as Neighbours in relation

    Cantinguities can be constructed

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    DIK & KALADIK & KALA

    ---- ToposTopos && ChronosChronos of Bodyof Body

    ACTIVITYACTIVITY

    ---- ToposTopos && ChronosChronos of Imaginationof ImaginationARTISTIC ACTIONARTISTIC ACTION

    ---- ToposTopos && ChronosChronos of Dispositionsof Dispositions

    SOCIETAL ACTIONSOCIETAL ACTION

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    Assignment 01 Submission: 14/08/2012

    Draw a prominent S Curve (first patch)

    Physical Submission of Drawing/Sketch with Notes

    Make a fuller drawing/sketch around it

    Write a Note on sequences of patches while you

    drew the drawing/sketch. Note major turns.

    Write a note on what trans-formation of space did

    various progressive patches did till sketch is finished